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Nikon Zf Mirrorless Camera Review: Vintage Design, Modern Strengths

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PROS:


  • Beautiful vintage design

  • Dedicated Black & White mode switch

  • Fully articulated touch screen

CONS:


  • No proper hand grip

  • Outdated micro HDMI port

RATINGS:

AESTHETICS
ERGONOMICS
PERFORMANCE
SUSTAINABILITY / REPAIRABILITY
VALUE FOR MONEY

EDITOR'S QUOTE:

The Nikon Zf mirrorless camera finally gets the right mix of a classic design that photographers love and the modern performance that photographers need.

The powerful cameras inside our smartphones were touted to spell the end of dedicated cameras, but that couldn’t be farther from the truth. Not only are smartphones severely limited by their sizes, mobile photographers actually graduate into pros and switch to these more powerful and larger cameras. Digital cameras, both DSLR and mirrorless, have also been progressing in their designs, though some seem to have hit a wall in bringing classic aesthetics to present-day specs. Nikon has had a few hits and misses in the past, but that hasn’t stopped it from trying yet again. With the Nikon Zf, the brand makes another attempt at reviving its classic SLR aesthetic for the 21st century, and we give it a good look to see if it manages to finally pull it off.

Designer: Nikon

Aesthetics

Unless you count outliers inspired by Polaroid-style instant cameras, the basic design of cameras hasn’t changed that much in decades. Sure, there are new components like LCD touch screens, D-pads, joysticks, and buttons, but the shape, knobs, dials, and even the location of these elements have mostly stayed the same. There is definitely staying power in the classic camera designs, and Nikon has been trying to bring back those memories and grow a new appreciation for them with the new Nikon Zf, and to much success, we’re happy to say.

The Nikon Zf accurately captures the look and feel of the brand’s early SLRs almost to a fault. It has that all-black finish on a simple and almost featureless rectangular body, wrapped in leatherette covering, and topped by a collection of chunky dials made from brass. The back does have modern amenities like a touch screen, a directional pad to navigate certain options, and buttons as shortcuts to most-used functions, but the overall look remains classic and vintage to some degree. Unfortunately, Nikon opted to really stick close to the old design of cameras like the 80s FM2 to the point that it barely added a hand grip that has become a necessity in this day and age.

Unlike the camera maker’s previous attempt, namely the Nikon Zfc, the Nikon Zf feels just as premium as it looks. You can definitely feel the magnesium alloy body that gives it a solid build, and the brass controls add more to that heft, for better or worse. Unfortunately, the choice of materials may have limited Nikon’s color options, as there is no combination that uses a silver finish for the top section, though there are other leatherette colors available to match your preferred style.

Ergonomics

The Nikon Zf’s solid construction helps it feel premium, but that also works against it in one particular manner. The mirrorless camera has quite a bit of heft to it, which wouldn’t be a problem except for one design quirk. Unlike some cameras today, the Nikon Zf doesn’t have a substantial hand grip that would have improved the ergonomics of the design. It does have a small elevation on the right side of the camera body, but not exactly enough to offer confidence and stability. And that’s not even considering the weight of the lenses you will be attaching to the camera.

You can add a hand grip courtesy of an official Nikon accessory, but that’s an added $40 on top of the camera’s already substantial price tag. There are Nikon cameras that do have such a large hand grip built-in, so it’s not like it’s an alien concept for the manufacturer. It just intentionally chose to stick to this old-school design that, unfortunately, didn’t have that kind of focus on ergonomics.

Fortunately, using the Nikon Zf isn’t that much of a difficult chore, with most of the important dials and buttons within easy reach of your right thumb. The analog dials give a satisfying tactile experience while switching modes, ISO levels, and more. The vari-angle LCD screen makes it possible to capture photos and videos even from difficult angles, though the mushy circular directional pad makes it a little less enjoyable to navigate the camera’s menus, at least compared to a joystick.

Performance

It might look vintage, but the Nikon Zf is definitely equipped to handle the challenges of modern photography. In addition to the tried and tested 24MP full-frame BSI CMOS sensor that it has been using on well-received mirrorless cameras, Nikon has installed a newer Expeed 7 processor that opens up more possibilities for photographers, particularly when it comes to subject recognition and object tracking with autofocus. It’s quite an impressive combination that puts the Nikon Zf on par with many modern digital cameras these days. Admittedly, it’s not exactly a revolutionary new feature but at least it won’t be lagging behind its peers.

The images the Nikon Zf produces are definitely no joke, with clear and crisp details matched with accurate colors that are neither too warm nor too cold. The 8-stop in-body image stabilization makes short work of shaky hands, though you’ll still want to grab a tripod for features like pixel-shift multi-mode that composes multiple shots together for a higher-res image, or 14fps continuous shooting. The Nikon Zf has plenty of other interesting modes that let photographers flex their artistic muscles. Black and white modes offer basic Flat or red filter Deep Tone controls, and it even has a dedicated switch on the dial for this mode. You can also record videos, something the original SLRs couldn’t, at up to 4K 30fps (full-frame) or 60fps (1.5x crop).

The mirrorless camera, powerful as it may be, also has a few design quirks when it comes to hardware. Some of them look good on paper, while others might leave you scratching your head. There’s a second memory card slot that can be used for backup, for example, but it can only fit a slower microSD card compared to the main UHS-II SD storage. There’s also an HDMI port for an external monitor, but it’s of the older and somewhat rare micro HDMI variety, not even a mini HDMI port. Not exactly deal breakers, but something you might want to keep in mind when buying accessories.

Sustainability

The choice of magnesium alloy for the body and brass for the controls gives the Nikon Zf a bit of an edge when it comes to sustainable materials. Sure, there is still plenty of plastic inside, especially in places where Wi-Fi radio signals have to pass through, but the amount of plastics used is reduced to some extent.

Those materials also help preserve the camera’s longevity and long-term value. The solid construction adds to the product’s durability, while the magnesium alloy shell is advertised to be dust and drip-resistant. The brass metal components also gain character as the surface develops unique patinas over years of use.

Value

One of the biggest hurdles that aspiring photographers have to climb over is the seemingly insurmountable price tag attached to these cameras. You could easily buy two or even three of the most powerful smartphones for the price of a single mirrorless or DSLR camera and you’d be able to use those devices for more than just photography. Of course, this is comparing apples to oranges, but it’s a challenge that all budding photographers will have to overcome someday.

The Nikon Zf, for example, goes for a hefty $1,999.95, and that’s for the camera body alone, which you can’t use as-is. You’ll need to attach a lens, and if you’re scratching from scratch, you’ll need to throw in another $400 or more for a complete kit. Might as well add the $40 SmallRig to get the extension grip that will help prevent accidents that will flush that expensive investment down the drain. In the end, the Nikon Zf is exactly that: an investment. It definitely has the right mix of features that will let you capture stunning and potentially award-winning shots or videos, features that won’t become obsolete in just a few years, unlike smartphones.

Verdict

The digital camera market is far from dead, though some will definitely say it is crawling to a stop. That doesn’t mean there’s no more room or opportunities for improvement, especially when trying to find the right mix of design, performance, and price. We only need to look back to the past to see where we went wrong and what we did right, and the Nikon Zf is definitely putting those hard-earned lessons to heart in order to bring a fusion of the past and the present while looking toward the future.

It’s far from being the best mirrorless camera in town, even among Nikon’s roster, but it strikes a good mix of essential features that photographers from all ranges will be able to appreciate and utilize. It packs those in a design that embraces Nikon’s legacy wholeheartedly, as if trying to prove that those designs are far from being obsolete, even decades later. Sure, there are some things we wished Nikon did differently, especially with the grip, but those don’t detract from the fact that the Nikon Zf is one solid and stylish mirrorless camera that photographers need to take note of.

The post Nikon Zf Mirrorless Camera Review: Vintage Design, Modern Strengths first appeared on Yanko Design.

Tecno’s Future Lens 2023: Impressions on Unveiled Mobile Camera Tech

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Tecno just introduced three super cool camera technologies during its Future Lens 2023 event in Shanghai. These innovations are set to change smartphone photography and take it to the next level. The W-shaped Adjustable Physical Aperture, which features a patented artificial cuttlefish lens, is a breakthrough in light management for photography. It effectively eliminates harsh glare, thus resulting in more balanced shots. On the other hand, the Liquid Telephoto Macro Lens is a compact yet powerful innovation that uses voltage-controlled curvature adjustment to enable the camera to adapt lens curvature in real time while maintaining a sleek form factor. Lastly, the Universal Tone multi-skin tone imaging solution uses extensive skin tone spectral data and advanced research methods to offer vibrant and true-to-life portraits and videos. These technologies exemplify TECNO’s commitment to pioneering solutions that improve photographic capabilities and enhance user experience, reflecting a significant step forward in mobile imaging.

Over dinner, sitting next to Laury Longfei Bai, Tecno’s global CMO, provided a deeper insight into Tecno as a company, its vision for the future, and target buyers. Tecno Mobile, a subsidiary of Transsion Holdings, is renowned for its affordable, feature-rich smartphones, primarily targeting emerging markets in Africa and South Asia. The company emphasizes local market needs, offering devices with region-specific features and designs. Known for competitive pricing, Tecno caters to budget-conscious consumers seeking high-quality mobile experiences. The brand has also made notable advancements in smartphone photography, frequently introducing innovative camera technologies in its products.

W-shaped Adjustable Physical Aperture

The W-shaped Adjustable Physical Aperture represents a significant advancement in smartphone photography. This ingenious technology addresses common issues associated with backlight photography, such as overexposure and loss of detail.

At its core, the W-shaped Adjustable Physical Aperture functions differently from the fixed apertures typically found in smartphone cameras. A standard fixed aperture limits the light entering the lens, which can be problematic in varying lighting conditions. In contrast, Tecno’s W-shaped aperture is dynamically adjustable, allowing for more precise control over the light that reaches the camera sensor.

This adjustability is crucial for enhancing photo quality in different lighting scenarios. In bright, backlit environments, narrowing the aperture reduces the amount of light entering the lens, preventing overexposure and preserving detail. Conversely, widening the aperture in low-light conditions allows more light to reach the sensor, improving image brightness and clarity.

The W-shaped design is particularly effective because it offers a broader range of aperture sizes compared to traditional circular apertures. This flexibility ensures that users can capture high-quality images regardless of lighting conditions, making it a versatile tool for amateur and professional photographers.

Moreover, the physical nature of this aperture system marks a departure from software-based solutions commonly used in smartphone photography. While software enhancements can improve image quality, they often cannot fully compensate for the limitations of a fixed aperture. Tecno’s approach, combining hardware innovation with software algorithms, provides a more comprehensive solution.

In practical terms, this technology translates to significantly improved performance in challenging photographic situations. Users can expect sharper, more detailed images when shooting against bright backgrounds, such as sunsets or brightly lit windows. Similarly, in dimly lit environments, the technology helps capture clearer, brighter images without the excessive noise often associated with high ISO settings.

The W-shaped Adjustable Physical Aperture is a testament to Tecno’s commitment to pushing the boundaries of smartphone imaging technology. By offering a hardware-based solution to a common photographic challenge, Tecno positions itself as a leader in the field, particularly in emerging markets where smartphone photography is rapidly evolving. This technology enhances the user experience and broadens the creative possibilities available to smartphone photographers.

Liquid Telephoto Macro Lens

Tecno’s Liquid Telephoto Macro Lens represents a groundbreaking advancement in smartphone camera technology. This lens system is designed to enhance macro photography capabilities, allowing users to capture highly detailed close-up images with greater clarity and precision than traditional smartphone cameras.

The innovation lies in the unique use of a liquid lens, a technology that differs significantly from the conventional solid lenses found in most smartphone cameras. The liquid lens can change its shape dynamically, allowing for rapid and precise focusing at varying distances. This adaptability is crucial in capturing high-quality macro images, where focusing accuracy is critical for detailed and sharp results.

One of the primary benefits of the Liquid Telephoto Macro Lens is its compactness. Traditional telephoto lenses, known for their bulkiness, are often challenging to incorporate into the slim form factor of a smartphone. However, the liquid lens technology enables a much more compact design without compromising on the telephoto capabilities. This allows users to enjoy advanced macro photography features in a portable, user-friendly device.

The functionality of the Liquid Telephoto Macro Lens is based on the principle of electrowetting, where an electrical charge is applied to alter the shape of the liquid within the lens. By adjusting the voltage, the curvature of the liquid lens changes, thus modifying the focal length. This process allows for quick and precise adjustments in focus, essential for capturing the tiniest details in macro photography.

Another advantage of this technology is its versatility. The lens can seamlessly switch between telephoto and macro modes, offering users a range of photographic options. This dual functionality enhances the user experience and expands the creative possibilities available to smartphone photographers.

In practical terms, users can expect to capture stunning close-up images with remarkable detail and clarity. The lens’s ability to rapidly adjust focus ensures that even the smallest subjects, such as insects or intricate patterns, are rendered with exceptional sharpness. Additionally, the telephoto capabilities allow for high-quality zoomed-in shots, making it a versatile tool for various photography scenarios.

So, Mr. Bai told me this new technology is coming out soon. He said it won’t be ready for a couple of years, but he did mention that we’ll be able to try it out at the Mobile World Congress in 2025. How cool is that?!

Tecno has committed to innovation in smartphone imaging with the Liquid Telephoto Macro Lens. This advanced lens technology addresses a common limitation in smartphone cameras, mainly macro photography. By integrating this development, Tecno is enhancing the capabilities of its smartphones and establishing itself as a pioneer in the industry, particularly in markets where mobile photography is increasingly popular.

Universal Tone Technology – UT

Tecno’s Universal Tone technology is a revolutionary multi-skin tone imaging technology, a key highlight of their Future Lens 2023 event. It uses the most extensive skin tone spectral data and rigorous research methods, ensuring vibrant, true-to-life portraits and videos. This technology is particularly beneficial for its ability to produce images that accurately and beautifully represent a wide range of skin tones. It addresses a long-standing challenge in photography of rendering diverse skin colors naturally and attractively.

The technology works by combining three computational engines powered by AI. The Multi-Skin Tone Restoration Engine uses a spectral matrix of skin colors, which has been derived from extensive research on chromatic skin colors. This engine adjusts and calibrates skin tones in portraits to make them appear more natural and harmonious. It is essential to avoid the common issue of inaccurately representing skin tones in photography.

Complementing this, the Local-Tuning Engine plays a vital role in ensuring the portrait harmoniously integrates with its surroundings. It reconstructs image tone mapping and uses an adaptive 3D-LUT (Look-Up Table) algorithm. This approach enables the technology to ensure perfect interaction between the human subject and the environment in the photo, and it can be customized per region or country. This localization aspect is significant, as it considers the diverse aesthetic preferences and cultural contexts of different user bases.

The third component, the AI-Powered Computational Portrait Engine, is designed to craft vibrant, personalized portraits. This engine considers Tecno’s localized aesthetic preferences and cultural nuances, ensuring that the portraits it produces are not just technically proficient but also culturally resonant and aesthetically pleasing.

Tecno’s Universal Tone technology thus represents a significant advancement in smartphone photography, particularly in its capacity to handle diverse skin tones with accuracy and sensitivity. By integrating these three sophisticated AI engines, Tecno has created a system that not only enhances the technical quality of images but also respects and celebrates the diversity of its users. This technology demonstrates their commitment to inclusive and user-centric technology development, setting a new standard in smartphone photography.

Final Thoughts

At Tecno’s Future Lens 2023 event in Shanghai, three groundbreaking camera technologies were introduced, impressing media attendees with their potential to revolutionize smartphone photography. The W-shaped Adjustable Physical Aperture, Liquid Telephoto Macro Lens, and Universal Tone technology showcase innovative approaches to light management, lens adaptability, and skin tone representation, signifying a substantial leap in mobile imaging. These advancements, eagerly anticipated for future experiences, highlight their dedication to pioneering photographic capabilities and enhancing user experiences.

The post Tecno’s Future Lens 2023: Impressions on Unveiled Mobile Camera Tech first appeared on Yanko Design.

This Multi-Lens Camera Shoots Digital 3D Pictures and Captures GIFs

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For hundreds of years, photographs have been the dominant way of capturing memories. Whether of historic events or family gatherings, it’s almost a ritual to take out a camera and snap a picture, freezing a memory in time… but there’s one thing these pictures seem to miss – depth. In fact, Apple addressed this exact shortfall when they announced Spatial videos on their Vision Pro device (and even the latest iPhone 15 Pro), but there’s really no need to spend upwards of $3000 to capture memories more immersively. Multi-lens cameras with 3D shooting capabilities have existed for a while now (the Nishika N8000 or the Kodak Stereo Camera come to mind), but the Moment 3D Camera reinvents and reinvigorates the category. While previous cameras shot 3D images on film, the Moment 3D Camera does it digitally, relying on a linear array of 4 lenses that simultaneously take photographs to capture parallax, which our brain perceives as depth.

Designer: Olga Orel

Simply put, the Moment camera freezes a moment in time, capturing 4 different angles to make it look more immersive, and frankly a lot more cooler than a regular photograph. A series of 38mm lenses work in tandem to take photos at the exact same time, which are then presented on the camera’s viewfinder display. The images are showcased as GIF files,panning from left to right to create a trippy sense of depth. Bet your Polaroid can’t do that…

“I discovered old cameras such as Nishika N8000 and Nimslo from the 1980s made by various companies with the same idea of stereography. They were quadrascopic (four lenses) cameras designed to produce four half-frame images from a click of the shutters. Lenticular prints could be made from the negatives,” says Olga Orel, the designer behind the Moment 3D Camera. “Unfortunately, the demand for these products was low due to people losing interest while waiting for the prints, which could take weeks and by some accounts, months to return to the consumer. You have to understand, these cameras were introduced BEFORE we knew anything about GIFs or JPEG files!”

Designed to look and function like a regular camera, the Moment’s multi-lens system gives you a new way to shoot photos without really having to learn anything. Point, look into the viewfinder, and hit the shutter button and the camera does the rest. A viewfinder lets you compose your shot, although there’s also a touchscreen display you can look at. The camera has zoom functionality, a flash, and the ability to toggle between modes, letting you choose whether you’re shooting humans, sceneries, or even macro shots of objects up-close.

Notably, images get captured in a vertical portrait orientation only. The photos you capture are displayed on a vertical touchscreen interface where you can crop and edit media, as well as view photos/GIFs clicked previously. You can even set timers for selfies, and a tripod mount on the bottom proves exceptionally handy when you want to click photos hands-free.

Images get saved onto an SD card, although you can directly hook your Moment 3D camera to an external display through its HDMI port too. Moreover, a USB-C port lets you connect your camera to devices like your laptop, tablet, or phone, and even lets you charge your camera too. Meanwhile, like any handheld shooter, the Moment 3D Camera has a removable battery on its base that you can hot-swap like most photographers would, giving you the ability to freely and confidently shoot 3D images and GIFs as you would regular photos!

The post This Multi-Lens Camera Shoots Digital 3D Pictures and Captures GIFs first appeared on Yanko Design.

This $49 Reusable Film Camera gives your Holiday Photos the Perfect Retro Touch

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You may know Moment for their top-notch smartphone photography gear. Moment makes some of the best iPhone camera lenses (the Anamorphic lens still remains on the top of my wishlist), and even accessories like filters, tripods, and mounts, but the company is now dipping its toe into actual photography with the Long Weekend, a 35mm point and shooter with a disposable-camera aesthetic, but a reusable film design. With an incredibly modest price tag of $49.99, the Long Weekend is perfect for holidays, get-togethers, and special events. The photos it clicks have a distinct retro appeal with the focus-free 31mm, F9 optical grade acrylic lens that gives your images a dreamy 90s aesthetic.

Designers: Long Weekend & Moment

Click Here to Preorder: $49.99

The Long Weekend is a perfect camera for low-stakes high-memories photography, whether it’s a wedding, a beach holiday, or even your kid’s first serious camera. It’s intuitive to use (with just a shutter button and a flash switch) and comes with a lightweight plastic body that can take a few bumps without your heart skipping a beat. The camera comes in two color-ways – a default black, and a gorgeous retrocam-looking cream and blue that reminds us of the Polaroid OneStep.

Optimized for 135 Film (24X36mm) with an ISO range of 200/400, the camera offers versatility in film choice, allowing users to experiment with various film stocks, from classic black & white to popular color films like Kodak Ultramax. The focus-free 31mm, F9 optical grade acrylic lens simplifies the shooting process, making it a great tool for beginners. However, this simplicity does mean a reduction in creative control, as there are no adjustable settings for shutter speed or aperture.

The camera’s shutter speed is fixed at 1/120, and the aperture is locked at f/9, offering a depth of field that covers objects from a distance of one meter onwards. This focus-free approach makes operation straightforward, as you’d expect from a disposable camera… but with the ability to switch out films and continue shooting for as long as the camera lasts you! The lens is made of plastic, resulting in blurry and vignetted corners, a characteristic that you’ll surely come to love.

The Long Weekend also comes equipped with a built-in flash (with a recycle time of 10-15 seconds), making it suitable for low-light shooting. This feature, along with its simple and intuitive operation, makes the camera a fun, easy-to-use device for all skill levels. The flash and the camera itself draw power from a single AAA battery, adding to its convenience and portability.

The camera is available for preorder at $49.99, with deliveries expected to begin from December 26. That may mean missing out on capturing the holiday memories with your friends and family, but it’s just in time for your New Years party or a holiday that follows after!

Click Here to Preorder: $49.99

The post This $49 Reusable Film Camera gives your Holiday Photos the Perfect Retro Touch first appeared on Yanko Design.

Kodak Super 8 film camera revival is finally happening but there’s a huge catch

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The Super 8 film camera has become an important part of photography history, particularly when it comes to cinematography. The distinctive design of the camera and its unique format inspired many amateurs who would later become industry veterans, and that legacy is fondly remembered and even commemorated in a 2011 movie bearing the camera’s very name. Not long after that film was released, Kodak, whose name has become closely associated with the camera, announced a new version of this beloved camera that sticks true to its unique analog experience while adding a few digital conveniences. Almost 8 years later, that camera might finally be ready to roll, but it seems that very few fans will actually be able to get their hands on it.

Designer: Kodak

The Super 8 camera can probably be credited for giving birth to home movies that are now made using smartphones. Making motion picture cameras more accessible to the masses helped aspiring moviemakers get started without having to burn through their savings. Although Super 8 cameras are actually still available today, they are already considered vintage by today’s standards, especially because of their use of physical film. That said, a faithful Super 8 successor won’t be able to win hearts unless it also stays true to that format and medium.

That’s exactly what Kodak was going for when it revealed plans to upgrade the Super 8 camera back in 2016 at CES. It would still be a film camera like its predecessors, but it would add a few convenient features taken from digital cameras. The new Super 8 would also retain the same basic shape, especially the gun-like pistol grip that has become iconic of the camera’s design. There’s an addition of a top handle with an integrated run button for more difficult angles. It does modernize the aesthetic, though, adopting a more industrial appearance with plenty of flat planes and sharp angles. It is a look that’s both fresh and new yet still unambiguously Super 8.

As for those modern conveniences, it sports a 4-inch LCD swiveling viewfinder, similar to all video cameras today. It comes with a detachable wide-angle 6mm 1:1.2 C-mount lens, so you can actually use any other C-mount prime lens or adapters, depending on what you need. There’s an SD card reader for recording audio directly into storage, as well as a micro HDMI port for connecting an external monitor. Ironically, despite all the new hardware, the camera still charges with an old and slow micro USB connection. And yes, it still shoots on analog film, so you’ll need to make sure to have a stock of KODAK’s Super 8 cartridges at hand.

Given how long ago the announcement was, there were perhaps some doubts about whether Kodak would actually be able to pull this off at all. The good news is that Kodak has finally opened up sign-ups, with shipping expected to start next month. The bad news is that, in addition to limited availability, the price tag for this new Kodak Super 8 film camera is a whopping $5,495, more than twice the announced SRP back in 2016. This immediately puts it out of the reach of all but the most dedicated collectors, a rather disappointing U-turn for a camera that originally catered to amateurs and aspiring moviemakers.

The post Kodak Super 8 film camera revival is finally happening but there’s a huge catch first appeared on Yanko Design.

Top 10 3D Scanners and Tools that upgrade your setup and help you craft your ultimate creative expression

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The lines that separate the physical world and the digital realm continue to blur every day. Augmented reality is putting digital artifacts like windows and buttons, while platforms like the metaverse are bringing bits of the real, physical world into a virtual space in a seamless way. None of these happen by magic, of course, and someone still has to do the work of creating these striking digital objects. Making them from scratch using 3D modelers is definitely possible but also a lot of work, especially if you’re trying to aim for realism or when you need to 3D print a replacement part for a machine or a car. 3D scanners are the tools of the trade for these tasks, and there are 10 of the best products that will get you on your way to making believable, accurate, and precise 3D models of physical objects for all your creative endeavors.

1. Revopoint MINI 3D Scanner Dual-Axis Turntable Combo

If you find yourself always 3D modeling small objects like jewelry, miniature models, or ancient artifacts, then the Revopoint MINI 3D scanner has got your back. Providing single-frame precision of up to 0.02mm and a resolution of up to 0.05mm, this handheld scanner is perfect for working with small objects where accuracy and detail are critical. With an industrial-grade blue light, it can capture detailed scans of objects as small as 10 x 10 x 10 mm in size, making short work of the tiniest targets.

Click Here to Buy Now: $721 $974 (Total of $253 off with coupon code “YANKO10”). Hurry, deal ends in 48 hours!

Why is it Noteworthy?

The Revopoint MINI blue light 3D scanner makes it trivial to capture small objects and is the perfect tool for jewelry design, miniature models, reverse engineering parts, scientific research, and any other task where high-precision models are needed.

What we like

  • Designed for accurate, precise, and detailed scans of small objects down to 10 x 10 x 10 mm in size
  • Portable design makes it easy to set up shop anywhere
  • Combo includes dual-axis turntable and markers

What we dislike

  • A bit pricey (but the bundle includes many accessories)

2. Revopoint INSPIRE 3D Scanner

Being able to turn real-world objects into 3D models is perhaps every creator’s dream, and with the cost-effective Revopoint INSPIRE, those dreams can now come true without breaking your wallet. Despite its accessible price tag, the lightweight 3D scanner offers nearly the same features are larger and more expensive hardware, such as single-frame precision up to 0.1mm and high-speed scans up to 18fps. It can even connect with Android and iOS for truly portable workflows.

Click Here to Buy Now: $356 $458 (Total of $102 off with coupon code “YANKO10”). Hurry, deal ends in 48 hours!

Why is it Noteworthy?

The Revopoint INSPIRE 3D scanner bundles powerful features into a user-friendly and cost-effective package that will appeal to both hobbyists and pros alike.

What we like

  • Affordable price tag makes 3D scanning accessible to anyone
  • Portable and lightweight design allows creators to take their tools anywhere
  • Basic package includes a mini turntable

What we dislike

  • Not much to say

3. Revopoint RANGE 3D Scanner Premium Package

Not everything you want to scan will be in a small or even medium size, but that doesn’t mean you need to break the bank for an expensive and complicated studio rig. With the Revopoint RANGE 3D scanner, creating digital models of large objects is no sweat at all. With an infrared light projector that supports a distance of up to 800mm and a single-frame precision of up to 0.1mm, you can easily scan furniture, bodies, and even cars and still be able to hold the scanner in your hand.

Click Here to Buy Now: $889 $1199 (Total of $310 off with coupon code “YANKO10”). Hurry, deal ends in 48 hours!

Why is it Noteworthy?

The Revopoint RANGE 3D Scanner makes it easy to create 3D models from large objects without having to sacrifice portability and ease of use.

What we like

  • Portable handheld design makes it easy to work when and where creativity strikes
  • Can scan objects as large as 360mm x 650mm @ 600mm from a distance of up to 800mm with accuracy, precision, and high detail
  • Premium package includes a large turntable, a power bank, and a remote

What we dislike

  • A bit pricey (but the bundle includes many accessories)

4. Revopoint POP 3 Handheld 3D Scanner Advanced Edition

Say goodbye to bulky setups and get ready to start working anywhere. With the Revopoint POP 3 handheld 3D scanner, getting accurate and precise digital versions of real-world objects won’t be a burdensome chore. It boasts an Auxiliary IR that enhances tracking performance in Maker Mode, while White LEDs make the digital model colors more vibrant. Plus, touch-sensitive buttons on the camera itself remove the need for external devices, making the whole workflow more seamless and convenient.

Click Here to Buy Now: $605 $769 (Total of $164 off with coupon code “YANKO10”). Hurry, deal ends in 48 hours!

Why is it Noteworthy?

The Revopoint POP 3 Handheld 3D Scanner’s portable design and powerful yet easy-to-use features make 3D scanning accessible to everyone.

What we like

  • Portable design makes it easy to start working anytime, anywhere
  • Single-frame precision of up to 0.05mm at up to 18fps for fast and correct 3D models
  • Advanced Edition includes everything you need such as a dual-axis turntable and a power bank

What we dislike

  • A bit pricey (but the bundle includes many accessories)

5. Revopoint Handheld Stabilizer for 3D Scanners

Handheld 3D scanners truly revolutionize the industry, allowing almost anyone to do creative work when inspiration strikes. Not everyone, however, has steady hands, which is where a stabilizer comes in. Designed for Revopoint’s portable 3D scanners, this Handheld Stabilizer lets you work without having to worry about shaky hands, getting accurate, detailed, and clear scans each and every time.

Click Here to Buy Now: $139 (Accessorize and Save: $20 Off with $200+ Cart Total)

Why is it Noteworthy?

Compatible with all Revopoint 3D scanners, this Handheld Stabilizer lets you spend more time scanning and less time worrying about shaky hands.

What we like

  • Built-in rechargeable 4000mAh battery delivers a 6-hour operating time
  • Compatible with all Revopoint 3D scanners

What we dislike

  • Stabilizes on 2 axes only

6. Revopoint Dual-Axis Turntable

Just because you have a handheld 3D scanner doesn’t mean you always have to hold it in your hand to use it. Sometimes, going around the object isn’t the best way to get the best scans, which is actually true even for very small objects. On the flip side, turning the object manually yourself is also a lot of work with a lot of room for error. With the Revopoint Dual-Axis Turntable, you can prop up both the object as well as the 3D scanner for a steadier and more consistent rotation that will let you get all the details you need without having to rely on your shaky hands.

Click Here to Buy Now: $119 (Accessorize and Save: $20 Off with $200+ Cart Total)

Why is it Noteworthy?

The Revopoint Dual-Axis Turntable can rotate at a 30-degree tilt to make sure you can capture all the angles you need for an accurate 3D scan.

What we like

  • Supports 360-degree rotation, clockwise or counterclockwise, and up to 30 degrees tilt
  • Has markers for accurate scanning

What we dislike

  • Can only be controlled via Bluetooth using Revo Scan or Revo Assistant (app for iOS or Android)

7. Revopoint Power Bank Mobile Kit

It’s easy to use handheld 3D scanners anywhere, given their portable and lightweight designs, but they’re still electronic devices that do need power to be used. The Revopoint Power Bank provides the juice you need to do your work, wherever you are. You can even easily swap out batteries so you can get up and running again before your creative ideas fly away.

Click Here to Buy Now: $48 (Accessorize and Save: $20 Off with $200+ Cart Total)

Why is it Noteworthy?

The Revopoint Mobile Kit provides the power you need to minimize your downtime and keep on scanning.

What we like

  • Rechargeable 4,000mAh battery offers enough power for hours of work
  • Designed to work with all Revopoint 3D scanners

What we dislike

  • Rather plain design

8. Revopoint Large Turntable

With a handheld 3D scanner, you might think that you will always need to go around the target to scan it. That’s not always easy, however, and sometimes even error-prone. With the Revopoint Large Turntable, you create more efficient workflows by having the object turn around instead. And with a maximum load of 200kg, you can put almost anything that can fit on the turntable, including a human person!

Click Here to Buy Now: $469 $489 ($20 off with $200+ Accessory Cart Total).

Why is it Noteworthy?

The Revopoint Large Turntable enables more efficient and time-effective workflows by having the object steadily turn around rather than having you move around it.

What we like

  • Can support loads of up to 200kg

What we dislike

  • A bit heavy at 7kg

9. Revopoint Markers for 3D Scanning

While handheld 3D scanners have definitely made it so much easier to scan almost any object, not all objects in the physical world are actually that easy to scan. Objects with completely smooth and featureless surfaces, such as cups or cars, can be more difficult to scan. The Revopoint Markers for 3D scanning easily solves this problem by adding visual points for the scanner to track more easily. With a specially designed adhesive foil, applying and removing these markers are as easy as pie and won’t cause damage to the object.

Click Here to Buy Now: $19.90 for a pack of 500 pcs (Accessorize and Save: $20 Off with $200+ Cart Total)

Why is it Noteworthy?

The Revopoint Markers for 3D scanning instantly turn stubborn, featureless surfaces into scanner-friendly textures for more accurate models.

What we like

  • Easy to apply and remove without damaging the object
  • Single pack includes 500 markers

What we dislike

  • Not reusable

10. Scanning Spray

Scanning physical objects might sound easy, but not all real-world things lend themselves well to this process. Objects with reflective or transparent surfaces are especially tricky because of how they can interfere with the scanner’s optics. The Scanning Spray deftly transforms the glossiest surface into a textured easy-to-scan surface. Best of all, it doesn’t leave permanent marks and doesn’t do any damage to the object.

Click Here to Buy Now: $39 (Accessorize and Save: $20 Off with $200+ Cart Total)

Why is it Noteworthy?

The Revopoint Scanning Spray easily solves surface texture problems without damaging the scanned object.

What we like

  • Great for metal, glass, and anything with reflective, transparent, or highly textured surfaces
  • Does not cause damage to the object and vanishes within 4 hours

What we dislike

  • Non-refillable

The post Top 10 3D Scanners and Tools that upgrade your setup and help you craft your ultimate creative expression first appeared on Yanko Design.

The Opal Tadpole is an iPod Shuffle-shaped Webcam with a 4K Sensor and AI Features

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Webcams are to laptops what stereo systems were to cars in the past. No reputable automaker really gave a damn about how useful or functional their stereo players were, and they were almost always an afterthought to the car’s entire experience. However, with the dawn of the social age, these systems have now transformed into complex infotainment apparatuses that are sometimes the highlight of the car’s entire interior experience. I digress, but the point I’m trying to make is that up until very recently, webcams on laptops, for the lack of a more elegant term, have sucked turds. It’s barely been 2 years since companies (especially Apple) have been focusing more on just making better camera hardware for their laptops. Heck, Apple even introduced a Continuity Camera feature for their Macs that lets you use the iPhone’s main camera instead of the built-in webcam. While this movement towards building better laptop webcams is yet to gather critical mass, it’s spawned a pretty big product category in the form of external webcams, which all promise to be vastly better than the ones baked into your laptop’s hardware.

That’s where the Opal Tadpole Webcam enters the scene, promising to be a game changer. Now in its second iteration, the Tadpole promises great things with some impressive hardware specs combined with a little AI secret sauce.

Designer: Opal

Opal’s first product was launched at the height of the pandemic as the world transitioned to an online-only workplace. As people found themselves spending less time behind cubicles and more time behind crappy laptop webcams, Opal decided to debut the C1 – a promising webcam that fell short on delivering what it promised. To be honest, circumstances played a pretty big role in why the C1 wasn’t as great as it was hyped up to be. The raging pandemic was also causing a pretty ugly supply chain crisis and global chip shortage. Transportation was on a grinding halt, preventing Opal’s fledgling team from actually going to China to oversee production. However, the pandemic is now hopefully completely behind us and Opal’s grown in the time since then – not only in personally but also in how the company executes product development. In that regard, the Tadpole isn’t really the C1’s successor, given that it’s vastly better, packs new features, and is also touts a hefty $175 price tag.

First off, the Tadpole boasts a 4K Sony sensor. That’s right, 4K. In a world where most laptop webcams are stuck in the 720p dark ages, this is a significant leap forward. The video footage does get downsampled to 1080p to keep things light (a 4K stream on a Zoom call isn’t something most internet connections can handle), but Tadpole’s new machine-learning image signal processor promises “DSLR-rivaling quality.” In addition to the resolution, the Tadpole features a moderately wide 90-degree field of view. This wide angle is perfect for capturing more than just your face, helpful for those dynamic presentations, or when you want to show off more of your surroundings. Things, however, don’t stop there. The Tadpole comes equipped with an f/1.8 lens, which means it’s capable of performing admirably in low-light conditions. No more looking like you’re in a witness protection program during late-night video calls. Furthermore, the webcam includes a digital microphone array, designed to pick up your voice clearly while minimizing background noise.

Physically, the Tadpole is compact and elegantly designed. It’s practically the shape and size of a 3rd-Gen iPod Shuffle, with a minimalist design to match. It easily clips onto your laptop or monitor, adding minimal bulk, but doing away with the standard tripod mount that would allow you to attach the Tadpole on places other than a monitor. USB-C connectivity means it’s versatile and can be used with a range of devices, not just your laptop, and the Tadpole’s USB-C port even comes with a touch-sensitive Mute button, allowing you to easily mute yourself on calls without navigating any video-chat interfaces.

What’s more intriguing about the Tadpole is its compatibility. It’s not just a plug-and-play device; it takes advantage of its own software to enhance the user experience. This includes features like auto-framing and AI enhancements, ensuring that you’re always in focus and look your best, even if you just rolled out of bed.

All those features don’t come cheap at all. With an eye-watering $175 price tag, the Tadpole is sits at the higher end of the webcam market, which might be a deterrent for some. But for those who are tired of pixelated video calls and want a top-tier webcam experience, the Tadpole might just be worth the splurge. While it may not be for everyone’s wallet, it’s certainly a step in the right direction for anyone seeking clarity, quality, and a bit of style in their video calls. And who knows, maybe it’ll make those early morning Zoom meetings a tad more bearable. Or at least, you’ll look good while you’re half-asleep, sipping your coffee, pretending to pay attention.

The post The Opal Tadpole is an iPod Shuffle-shaped Webcam with a 4K Sensor and AI Features first appeared on Yanko Design.

Canon’s RF 200–800mm Lens Combines Long Range With Excellent Stabilization

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Last week, Canon announced a new telephoto-to-super-telephoto lens with the ability to zoom in 4x. This should let anyone take extremely accurate shots from a long distance with little noticeable blur, and it may open new doors for wildlife photographers (who, likely, would prefer to avoid disturbing any natural habitats) working without a tripod. It sounds like hand-holding a Canon EOS R-series full-frame camera equipped with one of these lenses provides comparable image clarity, which is important when you consider tripods are a drag on mobility. The lens making such photography wizardry possible is called the Canon RF200-800mm F6.3-9 IS USM, and — despite its $1,899 MSRP — you’re absolutely going to want one if you plan on capturing fast-moving distant objects, like wildlife or even fast-moving athletes or vehicles.

Designer: Canon

By default, this 200mm lens has a minimum focus distance of 2.62 ft or 0.8 meters. But that can be extended out to 800mm for much clearer long-distance shots with a minimum distance of 10.83 ft or 3.3 meters. Of course, that’s if you don’t use an extender. Sticking an Extender RF2x on top of a Canon RF200-800mm doubles its focal length even further to 1600mm, potentially making it one of the best super-telephoto lenses around. That’s partially thanks to Canon’s Optical Image Stabilization (OIS), which Canon claims provides “enhanced shake reduction for up to 5.5 stops”. When paired with Coordinated IS on the Canon EOS R-Series cameras, these benefits combine for “reliable handheld performance and clearer detail in low-light situations, without having to increase the ISO or decrease the shutter speed.”

Canon’s RF200-800mm F6.3-9 IS USM lens features a number of weather-proofing features which blend right into its stylish black-and-white matte design. For instance, its white paint is actually meant to work as a countermeasure against excessive heat when exposed to direct sunlight for long periods of time, as would be the case when capturing sports footage or when shooting wildlife in an area with a hot climate. The lens mount, focus/control ring, lens function buttons, and other interface pieces are rated for dust-proofing as well. Carrying it around should be a breeze; this lens only weighs 0.55 lbs, making it lightweight compared to other telephoto lenses — which usually weigh somewhere in the 1-3 lb range.

So far, reviews of the RF200-800mm F6.3-9 IS USM skew overwhelmingly positive. TechRadar praised the lens for its “unbeatable reach” and “sharp detail especially at its wider end”. Even then, it sounds like the lens’ aperture could use more headroom for lower-light scenes. But that isn’t a huge deal on its own. If you buy one of these, you’re likely going to pair it with one of Canon’s EOS cameras — packed-in with in-body stabilization — and if that’s the case, this lens should be able to capture incredibly detailed photos (even in low-light situations) from afar. According to Canon, the RF200-800mm is shipping out to customers in the United States on December 14.

The post Canon’s RF 200–800mm Lens Combines Long Range With Excellent Stabilization first appeared on Yanko Design.

Apple’s ENTIRE October MacBook Event was Shot On the iPhone 15 Pro Max

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The company may have announced new MacBooks and iMacs at its latest event yesterday… but what it secretly was doing all along was creating an advertisement for their smartphones. In a rare video uploaded to Apple’s YouTube channel, the tech giant revealed that their entire October 30th Keynote was filmed on the iPhone 15 Pro. The video lifts the curtain on how Apple pulled it off, while being perhaps the greatest act of ‘putting their money where their mouth is’ in terms of proving the iPhone’s top-notch video capabilities.

While it’s easy to think that the true star of the event was Apple’s new M3 chip, in reality it was the USB-C port on its newest iPhone 15 Pro. Unveiled just fifty days ago, the new iPhone 15 Pro’s USB-C port is capable of 10Gb/s transfer speeds, allowing you to move ProRes videos in a snap, and even connect external storage, 4K displays, microphones, among other accessories to augment the iPhone 15 Pro’s overall output.

The entire event was quite different from any of Apple’s events, and that seems to be by design. For starters, it premiered in the evening (or at night depending on which coast you live on), marking a massive departure from all of Apple’s morning events. We heard Tim Cook say the words “Good Evening” for the first time, but just before, we got a tour of the Apple Park at night. The camera flew in from up above, battling not just the tricky conditions of flight and navigation, but also incredibly low-light videography.  The Apple Park was practically drenched in the Halloween spirit, with bats flying, ominous music, smoky/foggy pathways, and dimly lit scenes…  all of which were captured brilliantly on the iPhone 15 Pro Max’s massive sensor.

The pre-Halloween keynote, the evening announcement, all seemed like a brilliant setup for the fact that Apple was planning on shooting the entire event on its latest phone. Sure, Apple could have had the event during the day and still boasted a “Shot On iPhone” disclaimer… but to shoot the entire thing in low-light – there’s no way Apple could resist that massive a flex. The event was also entirely edited on a Mac, as Apple’s way of showing how powerful the two devices are on their own as well as put together.

Anyone deeply familiar with Apple’s Shot On iPhone campaign knows that there’s more than just an iPhone involved. Those massive billboards with beautifully composed and edited photos look great, but a regular user holding an iPhone in their hand could never pull off the same visual mastery. The words ‘Shot On iPhone’ are often followed by ‘with a lot of expensive accessories’, but not many people know that. For Apple’s keynote, the company is at least a little more forthcoming by showing exactly what their rigs looked like… and no, it isn’t just a dude holding an iPhone in front of Tim Cook.

Verge reports that the entire Scary Fast event setup would have probably cost tens of thousands of dollars. The iPhone itself is mounted on a massive hand-carried rig that stabilizes the footage. For more consistent camera paths, the team used a dolly cam setup with trolleys and rails, and for the aerial shots, the Apple team literally built their own drones that held the iPhone 15 Pro Max. There are expensive microphones, monitors, battery units, lights, and a tonne of other equipment used in the picture. To be fair, Apple would still use all that extraneous equipment with a high-end camera… so just the fact that the iPhone could replace that camera does count for quite a lot.

The entire video dump was easily transferred out of the phone using the USB-C connector. Company 3, an American post-production company that handled the filming of the event, mentioned how buttery smooth the entire process was to shoot 4K ProRes with all those accessories and have all that raw footage simultaneously transferred onto an external hard disk without any hiccups. The A17 Bionic’s heavy lifting would then be complemented by Apple’s M2 chips, which were used by the Macs that edited the footage.

A quick glimpse at the hand-made drone used by Apple’s team to shoot all the aerial shots of the Scary Fast keynote.

This isn’t the first time the iPhone was used to shoot professional content. In 2015, a film named Tangerine was highlighted at the Sundance Film Festival for being shot entirely on iPhones. Notably, Olivia Rodrigo shot one of her music videos on an iPhone too, and Indian film director Vishal Bharadwaj collaborated with Apple to shoot a short film, Fursat, entirely on an iPhone. This is the first time Apple’s taken that plunge, and it seems to have paid off rather well. If only they had migrated to USB-C sooner…

 

The post Apple’s ENTIRE October MacBook Event was Shot On the iPhone 15 Pro Max first appeared on Yanko Design.