This Case Fixes iPhone’s Weak Selfie Camera with a Second Screen

The iPhone’s rear cameras keep getting better, but selfies still rely on a smaller, lower-resolution front sensor, and storage upgrades cost considerably more than a microSD card. People who shoot a lot of photos and video feel squeezed on both fronts, choosing between spending hundreds on internal storage or dealing with blurry front-camera selfies. Selfix is a case for the iPhone 17 Pro that tackles both problems at once.

Selfix is a case for the iPhone 17 Pro and Pro Max that adds a circular 1.6-inch AMOLED screen to the back and hides a microSD slot inside. The rear screen acts as a tiny viewfinder so you can use the 48 MP rear cameras for selfies, while the card slot lets you add up to 2 TB of storage without touching Apple’s upgrade menu or monthly cloud fees.

Designer: Selfix

The rear display mirrors the camera view so you can frame yourself, adjust in real time, and pick any of the rear lenses, from ultra-wide group shots to telephoto portraits. You get the main sensor’s larger 1/1.28-inch glass, Night Mode, and up to 8× optical zoom for selfies, instead of guessing with a cropped front camera and hoping everyone fits into the narrower field of view.

Selfix connects through the phone’s USB-C port and does not need a separate app. You snap the case on, open the camera, and the rear screen wakes up. A dedicated button on the case lets you turn the display off when you are not using it to save battery. The idea is to feel like a built-in second screen, not another gadget that needs pairing, permissions, and a drawer full of instructions.

The case includes a microSD slot that supports cards up to 2 TB, using the same USB-C connection to integrate with the phone. A 512 GB card costs around $50, while Apple’s $200 jump for the same capacity makes swappable storage a compelling alternative. Heavy shooters can archive trips or projects without paying monthly cloud fees or deleting older work to make room for new sessions.

Selfix is made from high-quality TPU and comes in Oat White, Blush Pink, and Midnight Black, sized to match the 17 Pro and Pro Max. It adds some thickness, bringing the total to 17mm, but in return, you get a grippy shell, a second screen, and a hidden storage bay. The design aims to look like a natural extension of the phone rather than a bolt-on camera rig or accessory that screams afterthought.

Selfix is aimed at people who care enough about image quality to use the rear cameras for everything, and who are tired of juggling storage or paying the upgrade tax. A case that quietly turns the iPhone into a dual-screen shooter with expandable memory makes you wonder why the phone did not ship this way, especially when the rear cameras already outclass the front by a significant margin, and storage remains artificially expensive.

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This $2,899 Desktop AI Computer With RTX 5090M Lets You Cancel Every AI Subscription Forever

Look across the history of consumer tech and a pattern appears. Ownership gives way to services, and services become subscriptions. We went from stacks of DVDs to streaming movies online, from external drives for storing data and backups to cloud drives, from MP3s on a player to Spotify subscriptions, from one time software licenses to recurring plans. But when AI arrived, it skipped the ownership phase entirely. Intelligence came as a service, priced per month or per million tokens. No ownership, no privacy. Just a $20 a month fee.

A device like Olares One rearranges that relationship. It compresses a full AI stack into a desktop sized box that behaves less like a website and more like a personal studio. You install models the way you once installed apps. You shape its behavior over time, training it on your documents, your archives, your creative habits. The result is an assistant that feels less rented and more grown, with privacy, latency, and long term cost all tilting back toward the owner.

Designer: Olares

Click Here to Buy Now: $2,899 $3,999 (28% off) Hurry! Only 15/320 units left!

The pitch is straightforward. Take the guts of a $4,000 gaming laptop, strip out the screen and keyboard, put everything in a minimalist chassis that looks like Apple designed a chonky Mac mini, and tune it for sustained performance instead of portability. Dimensions are 320 x 197 x 55mm, weighs 2.15 kg without the PSU, and the whole package pulls 330 watts under full load. Inside sits an Intel Core Ultra 9 275HX with 24 cores running up to 5.4 GHz and 36 MB of cache, the same chip you would find in flagship creator laptops this year. The GPU is an NVIDIA GeForce RTX 5090 Mobile with 24 GB of GDDR7 VRAM, 1824 AI TOPS of tensor performance, and a 175W max TGP. Pair that with 96 GB of DDR5 RAM at 5600 MHz and a PCIe 4.0 NVMe SSD, and you have workstation level compute in a box smaller than most soundbars.

Olares OS runs on top of all that hardware, and it is open source, which means you can audit the code, fork it, or wipe it entirely if you want. Out of the box it behaves like a personal cloud with an app store containing over 200 applications ready to deploy with one click. Think Docker and Kubernetes, but without needing to touch a terminal unless you want to. The interface looks clean, almost suspiciously clean, like someone finally asked what would happen if you gave a NAS the polish of an iPhone. You get a unified account system so all your apps share a single login, configurable multi factor authentication, enterprise grade sandboxing for third party apps, and Tailscale integration that lets you access your Olares box securely from anywhere in the world. Your data stays on your hardware, full stop.

I have been tinkering with local LLMs for the past year, and the setup has always been the worst part. You spend hours wrestling with CUDA drivers, Python environments, and obscure GitHub repos just to get a model running, and then you realize you need a different frontend for image generation and another tool for managing multiple models and suddenly you have seven terminal windows open and nothing talks to each other. Olares solves that friction by bundling everything into a coherent ecosystem. Chat agents like Open WebUI and Lobe Chat, general agents like Suna and OWL, AI search with Perplexica and SearXNG, coding assistants like Void, design agents like Denpot, deep research tools like DeerFlow, task automation with n8n and Dify. Local LLMs include Ollama, vLLM, and SGIL. You also get observability tools like Grafana, Prometheus, and Langfuse so you can actually monitor what your models are doing. The philosophy is simple. String together workflows that feel as fluid as using a cloud service, except everything runs on metal you control.

Gaming on this thing is a legitimate use case, which feels almost incidental given the AI focus but makes total sense once you look at the hardware. That RTX 5090 Mobile with 24 GB of VRAM and 175 watts of power can handle AAA titles at high settings, and because the machine is designed as a desktop box, you can hook it up to any monitor or TV you want. Olares positions this as a way to turn your Steam library into a personal cloud gaming service. You install your games on the Olares One, then stream them to your phone, tablet, or laptop from anywhere. It is like running your own GeForce Now or Xbox Cloud Gaming, except you own the server and there are no monthly fees eating into your budget. The 2 TB of NVMe storage gives you room for a decent library, and if you need more, the system uses standard M.2 drives, so upgrades are straightforward.

Cooling is borrowed from high end laptops, with a 2.8mm vapor chamber and a 176 layer copper fin array handling heat dissipation across a massive 310,000 square millimeter surface. Two custom 54 blade fans keep everything moving, and the acoustic tuning is genuinely impressive. At idle, the system sits at 19 dB, which is whisper quiet. Under full GPU and CPU load, it climbs to 38.8 dB, quieter than most gaming desktops and even some laptops. Thermal control keeps things stable at 43.8 degrees Celsius under sustained loads, which means you can run inference on a 70B model or render a Blender scene without the fans turning into jet engines. I have used plenty of small form factor PCs that sound like they are preparing for liftoff the moment you ask them to do anything demanding, so this is a welcome change.

RAGFlow and AnythingLLM handle retrieval augmented generation, which lets you feed your own documents, notes, and files into your AI models so they can answer questions about your specific data. Wise and Files manage your media and documents, all searchable and indexed locally. There is a digital secret garden feature that keeps an AI powered local first reader for articles and research, with third party integration so you can pull in content from RSS feeds or save articles for later. The configuration hub lets you manage storage, backups, network settings, and app deployments without touching config files, and there is a full Kubernetes console if you want to go deep. The no CLI Kubernetes interface is a big deal for people who want the power of container orchestration but do not want to memorize kubectl commands. You get centralized control, performance monitoring at a glance, and the ability to spin up or tear down services in seconds.

Olares makes a blunt economic argument. If you are using Midjourney, Runway, ChatGPT Pro, and Manus for creative work, you are probably spending around $6,456 per year per user. For a five person team, that balloons to $32,280 annually. Olares One costs $2,899 for the hardware (early-bird pricing), which breaks down to about $22.20 per month per user over three years if you split it across a five person team. Your data stays private, stored locally on your own hardware instead of floating through someone else’s data center. You get a unified hub of over 200 apps with one click installs, so there are no fragmented tools or inconsistent experiences. Performance is fast and reliable, even when you are offline, because everything runs on device. You own the infrastructure, which means unconditional and sovereign control over your tools and data. The rented AI stack leaves you as a tenant with conditional and revocable access.

Ports include Thunderbolt 5, RJ45 Ethernet at 2.5 Gbps, USB A, and HDMI 2.1, plus Wi-Fi 7 and Bluetooth 5.4 for wireless connectivity. The industrial design leans heavily into the golden ratio aesthetic, with smooth curves and a matte aluminum finish that would not look out of place next to a high end monitor or a piece of studio equipment. It feels like someone took the guts of a $4,000 gaming laptop, stripped out the compromises of portability, and optimized everything for sustained performance and quietness. The result is a machine that can handle creative work, AI experimentation, gaming, and personal cloud duties without breaking a sweat or your eardrums.

Olares One is available now on Kickstarter, with units expected to ship early next year. The base configuration with the RTX 5090 Mobile, Intel Core Ultra 9 275HX, 96 GB RAM, and 2 TB SSD is priced at a discounted $2,899 for early-bird backers (MSRP $3,999). That still is a substantial upfront cost, but when you compare it to the ongoing expense of cloud AI subscriptions and the privacy compromises that come with them, the math starts to make sense. You pay once, and the machine is yours. No throttling, no price hikes, no terms of service updates that quietly change what the company can do with your data. If you have been looking for a way to bring AI home without sacrificing capability or convenience, this is probably the most polished attempt at that idea so far.

Click Here to Buy Now: $2,899 $3,999 (28% off) Hurry! Only 15/320 units left!

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How Coca Cola’s Benny Lee Is Redefining Industrial Design as Storytelling, Not Just “Making Products”

Design Mindset steps into episode 16 with a clear purpose: to understand how industrial designers are navigating a world where tools, platforms, and expectations keep shifting under their feet. Yanko Design’s weekly podcast, Design Mindset, powered by KeyShot, is less about design celebrity and more about design thinking, unpacking how decisions get made, how stories are built around products, and how technology is reshaping the craft from the inside out. Each week, a new episode premieres with designers who are actively pushing workflows, visuals, and experiences into new territory.

This episode features Benny Lee, Senior Design Manager of Technology and Strategic Partnerships at The Coca-Cola Company, and a practitioner who moves comfortably between mass production, digital ecosystems, and even film props. Trained as an industrial designer, Benny started at Coke in a traditional ID role while also leading visualization, bringing advanced 3D rendering into a company that was still heavily reliant on Photoshop and 2D assets. He now sits at the intersection of heritage and innovation, helping a 140 year old brand adopt real time visualization, AI, and new storytelling platforms without losing what makes Coca-Cola recognizable everywhere.

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Storytelling as the real job of industrial design

Benny treats industrial design as a storytelling discipline first and a styling discipline second. His training spans sketching, 3D modeling, rendering, and prototyping, but he frames each of these as a narrative tool rather than a technical checkpoint. Sketches, CAD, and renders exist to show what a product does, how it behaves, and how it should feel to use, not just how it looks on a white background.

Inside a large organization, that narrative focus becomes practical very quickly. He puts it plainly in the conversation: “Storytelling as an ID, you know, is important because it’s all about bringing this visual alignment of the actual product when you’re trying to get a buy in to sell in.” The job is to reach a point where the design communicates its intent on its own, without the designer in the room. Call to action areas, material breaks, and even lighting choices in a render become part of that silent story, aligning stakeholders around what the product is supposed to be.

When rendering becomes a thinking tool, not just a final output

When Benny joined Coca-Cola, much of the visualization work sat in a 2D world. Concepts were often built through Photoshop and static compositions, heavily intertwined with graphic design. He talks about the shift he helped drive quite directly: “I find it really quite an honor and a pleasure that I was able to bring 3D renderings into the practice here.” That move to 3D was not just about realism, it was about adding depth to how ideas are explored and communicated.

The key change is that rendering is no longer treated as the last step before a presentation. Tools like KeyShot become part of the exploration loop. Benny uses quick CAD setups and fast render passes to test light, material, and even simple motion, and to storyboard how a product opens, glows, or reacts in context. He describes this as a way to “fail fast, iterate faster,” and he underlines that “we don’t always just use renderings to create pretty visuals and a lot of times we’re using it to build new experience.” Visualization turns into a thinking environment, especially valuable when physical labs and prototypes are slow or limited.

Respecting a 140 year old brand while pushing it into new arenas

Designing at Coca-Cola means working around a product that barely changes. The formula in the bottle remains constant, so innovation happens in the ecosystem that surrounds it. Packaging systems, retail touchpoints, digital layers, and immersive experiences become the canvas where design can move, while the core product stays familiar.

Benny describes his role with a custodian mindset. He imagines the brand as a skyscraper built over generations, and his work as adding “layers of bricks” rather than ripping out foundations. That perspective shows up in how Coca-Cola experiments with new platforms. The company explores metaverse activations, NFTs, experiential installations, and AI driven storytelling, not as disconnected stunts but as new ways to retell the same product story for new audiences. The strategy, as he frames it, is to adapt the ecosystem and technology “to retell the product’s story” while staying true to the brand’s core character.

Mass production versus one off film props

Benny’s portfolio stretches across lifestyle accessories, consumer electronics, and concept work for films like the Avengers. On the surface, the process for these domains begins similarly, with sketching, modeling, and rendering. The divergence appears when the work hits reality. In consumer products, industrial design is tied to mass production, with all the constraints of tooling, factory collaboration, golden samples, logistics, and long term durability.

Film work operates under a different set of pressures. Concept art might start in tools like ZBrush with exaggerated, dramatic forms that look incredible on screen but are not remotely manufacturable in a traditional sense. Benny’s responsibility in those situations is to respect the creative vision while making it buildable. Props do not have to scale to millions of units. They have to survive a shoot and read correctly on camera. If one breaks, it can be rebuilt. That freedom shifts what is possible in form and material, but the throughline is still storytelling, captured in a few seconds of screen time instead of years of daily use.

Adapting to an ever expanding toolset without losing your core

Throughout the episode, Benny returns to the pace of change in design tools. Skills that were once specialized are now table stakes. Students are graduating with exposure to UI and UX, electronics integration, and AI enhanced workflows. He notes that “you have to wear so many hats,” and points out that traditional industrial design is becoming a “rare breed” precisely because the field has branched into web, mobile, service, and emerging tech work.

His response is not to chase mastery of every new tool, but to understand what each category can do and to build teams around that understanding. He emphasizes hiring people who are better than you at specific domains and managing the mix of skills rather than guarding personal expertise. In parallel, he argues that adaptation is now the most important traditional trait. The designers who thrive will be the ones who stay resilient, keep a story first mindset, and move fluidly between CAD, KeyShot, AI, and whatever comes next, while still grounding their decisions in how things work in the real world.


Design Mindset, powered by KeyShot, returns every week with conversations like this, tracing the connection between how designers think, the tools they use, and the work they put into the world. Episode 6 with Reid Schlegel leaves you with a simple, practical challenge: see your ideas sooner, in more ways, and with less fear of being imperfect.

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The post How Coca Cola’s Benny Lee Is Redefining Industrial Design as Storytelling, Not Just “Making Products” first appeared on Yanko Design.

Handcrafted Porcelain Dinnerware Redefines Everyday Dining Through Craft, Light, and Ritual

Porcelain dinnerware has long been shaped by the logic of industrial production. Uniform forms, limited color palettes, and standardized finishes dominate the contemporary table, reducing porcelain to a neutral backdrop rather than an active part of the dining experience. This porcelain dinner set positions itself in deliberate contrast to that reality. It proposes a quieter, more thoughtful vision in which craft, material honesty, and visual sensitivity redefine how everyday meals are experienced.

At the core of the design lies a simple but powerful idea: food presentation should be as engaging as flavor. Dining is not only an act of nourishment, but also one of attention, rhythm, and atmosphere. By merging handcrafted processes with functional versatility, the set bridges modern living and nostalgic familiarity. It feels contemporary in its restraint, yet warm in its tactile and visual language.

Designer: Monte Porcelain

The collection consists of four pieces designed as a cohesive system: a glass, a bowl, a deep plate known as the Saturn plate, and a service or supla plate. Rather than assigning each object a single rigid purpose, the designer embraced multi-use functionality. This approach reflects evolving dining habits, where objects are expected to adapt fluidly across meals, occasions, and spaces.

The glass is conceived as more than a vessel for drinks. Its form allows it to function equally well as a dessert or snack bowl, encouraging informal and flexible use. The bowl supports a wide range of meals, from soup and salad to breakfast cereal and hot appetizers. Along its upper edge, engraved firefly patterns introduce a subtle decorative layer. These motifs are filled with glaze, ensuring a smooth, sealed surface that interacts gently with light, adding depth without distracting from the food itself.

The Saturn plate is designed for both sauced and non-sauced dishes, such as pasta and main courses. Its flat-edged form frames the food cleanly, while the patterned base enriches the visual composition of the plate. The service plate anchors the set, offering generous proportions suitable for main course presentations or layered pasta services. Together, the four pieces create a table setting that is expressive yet balanced.

Material integrity and production ethics play a central role in the project. White porcelain, often referred to as bone porcelain, was selected for its suitability for food contact, durability, and timeless visual quality. Each piece was cast using high-quality porcelain clay in plaster molds, then fired at 1230 degrees with transparent glaze. The firefly patterns were engraved using a special technique and selectively colored or left transparent, allowing light to pass through while remaining fully sealed and hygienic.

The project was developed over an eight-month period, beginning in June 2024 and completed in February 2025 at the Monte Porcelain Ayvalık Workshop. Every stage of production was carried out by hand, including molding, casting, glazing, and painting. Throughout the process, a fair production approach was maintained, with careful consideration for environmental responsibility and respect for nature. No living creatures were harmed at any stage.

Dishwasher safe, food safe, and designed for long-term daily use, the set demonstrates that handcrafted objects can be both poetic and practical. Recognized within international design contexts such as the A’ Design Award & Competition, this dinnerware collection repositions porcelain as an active participant in the dining ritual. It invites users to slow down, notice light and texture, and rediscover the quiet pleasure of thoughtfully designed everyday objects.

The post Handcrafted Porcelain Dinnerware Redefines Everyday Dining Through Craft, Light, and Ritual first appeared on Yanko Design.

2025 Lexus IS 500 F SPORT Performance Review: Designing Space for a V8 in an Electrified World

PROS:


  • Linear V8 response - Naturally aspirated powertrain delivers tactile throttle connection

  • Rear wheel drive architecture - Traditional chassis balance in an AWD-dominated segment

  • Cohesive visual identity - Flare Yellow package unifies exterior and interior design

  • Mechanical limited slip - Torsen differential enhances predictable corner exits

  • Daily performance tuning - Comfort-biased chassis suits real-world use

CONS:


  • Dated infotainment - Interface feels a generation behind modern rivals

  • Fuel economy penalty - Significant consumption costs for daily driving

RATINGS:

AESTHETICS
ERGONOMICS
PERFORMANCE
SUSTAINABILITY / REPAIRABILITY
VALUE FOR MONEY

EDITOR'S QUOTE:

An unapologetic design preserves mechanical joy while others chase efficiency.

Flare Yellow bodywork catches parking garage fluorescents like a warning flare. Quad exhaust tips broadcast displacement before you turn the key. The 2025 Lexus IS 500 F SPORT Performance Premium arrives unapologetic while most luxury sedans in 2025 spend their energy explaining away downsized engines and turbocharger compromises. In a market segment that has largely abandoned both of those choices, this combination reads less like a product strategy and more like a design philosophy made physical. The sedan occupies a strange position: compact luxury dimensions wrapped around powertrain architecture that most competitors retired years ago. That tension between contemporary shell and analog holdout defines every interaction with the car, from the first ignition cycle to the hundredth highway merge.

Designer: Lexus

Flare Yellow is not simply a paint option here. Lexus positions it as a complete appearance system, bundling 19 inch black forged alloy wheels, Ultrasuede interior inserts with yellow stitching, matching seatbelts, illuminated door sills, and coordinated floor mats. The color becomes a unifying thread that connects exterior surfacing to cabin touchpoints, transforming what could be a single aesthetic choice into an integrated material language. At $4,050 for the package, the investment purchases coherence rather than mere visibility.

Exterior Form Language

Aggression arrives through geometry rather than applied decoration. The spindle grille dominates the frontal view, its lattice pattern creating depth and shadow that shifts with viewing angle and ambient light. Triple beam LED headlamps flank the grille, their layered optical elements suggesting technical complexity even at rest. The overall stance sits low and wide, with wheel arches that fill their openings without the exaggerated flaring that characterizes some performance variants.

Moving rearward, the roofline descends in a continuous arc that terminates at a ducktail spoiler integrated into the trunk lid. Quad exhaust tips emerge from the rear diffuser, their stacked arrangement serving as the primary visual signal of the V8 beneath. The proportion relationship between greenhouse and body mass reads as deliberately compact, the cabin volume compressed relative to the sculptural surfaces surrounding it. This creates the impression of a machine built around its mechanical core rather than a passenger compartment with propulsion attached. The 19 inch wheels and aggressive fender surfacing work to visually manage nearly 4,000 pounds, making the car read lighter and wider than the scales suggest.

Interior Material Hierarchy

Inside, tactile engagement takes priority over digital spectacle. NuLuxe trimmed seats provide the primary contact surface, their bolstering firm enough to communicate sport intent without creating discomfort during extended use. The Ultrasuede inserts in the Flare Yellow package introduce texture variation that catches fingertips differently than the surrounding synthetic leather, establishing a sensory hierarchy across the seating surfaces.

The steering wheel arrives wrapped in leather with a heated element, its rim diameter and grip circumference calibrated for hands that expect direct mechanical feedback. Aluminum pedals replace the standard rubber units, their knurled surfaces providing positive purchase under aggressive inputs. Satin trim accents break up the interior darkness, creating visual rhythm without the reflective distraction of polished chrome.

The Mark Levinson audio system occupies the acoustic environment with authority. Its 17 speakers deliver the kind of spatial imaging that justifies the premium trim designation, filling the cabin with presence that matches the V8’s mechanical drama.

 

The interface through which that system operates represents the cabin’s most significant temporal artifact. A 10.3 inch touchscreen accepts finger input but also responds to a trackpad controller mounted on the center console, a legacy interface element that creates immediate friction. Reaching for the screen to tap a climate shortcut feels natural until you remember the trackpad exists; defaulting to the trackpad means dragging a cursor across a surface designed for touch. Two design eras compete on the same console, and neither fully wins.

Powertrain as Sensory Design

Numbers tell part of the story: 472 horsepower at 7,100 rpm from a 5.0 liter V8. What matters more is how that power arrives. Natural aspiration means throttle response arrives without the intervention of turbocharger spool, creating a direct relationship between pedal position and acoustic output. The engine announces its presence through a broadband exhaust note that builds intensity with engine speed, the quad tips providing the exit path for a sound that functions as the car’s primary experiential feature.

The sprint to 60 arrives in the mid four second range, figures that place the IS 500 behind several turbocharged competitors on paper. The gap narrows in lived experience because the V8 delivers its power in a linear curve rather than a turbocharged surge, allowing the driver to modulate output with precision that boost dependent systems struggle to match. The eight speed automatic transmission shifts cleanly in sport mode, though it lacks the dual clutch immediacy that defines the segment’s sharper offerings.

Rear wheel drive completes the mechanical architecture, a configuration increasingly rare in this segment where all wheel drive has become the default assumption. The Torsen limited slip differential, a helical gear system that transfers torque mechanically rather than through electronic intervention, manages power distribution to the rear axle. Its purely mechanical operation provides predictable behavior at the adhesion limit, sending power to whichever wheel has grip without the response lag of clutch pack systems. Exiting a tight corner under throttle, the result is smooth, progressive traction rather than the sudden electronic clamp of stability nannies fighting for control. Adaptive suspension and upgraded brakes with enhanced cooling address the chassis requirements of the additional powertrain mass, though these systems tune toward comfort rather than track aggression.

Dynamic Compromise

Nearly 4,000 pounds announces itself the moment the road curves. The IS 500 weighs approximately 3,973 pounds in tested configuration, mass that reveals its presence during direction changes and hard braking. Push beyond street driving limits and understeer arrives predictably, the front tires reaching their grip threshold before the rear can rotate the chassis. The steering provides adequate weight but filters road texture in ways that prioritize refinement over information density. These are characteristics of a car tuned for daily use rather than weekend autocross, a calibration choice that aligns with the comfort of the seats and the isolation of the cabin.

The brake pedal requires calibration of expectations, its initial travel soft before building resistance. This tuning prioritizes smoothness during traffic deceleration but reduces confidence during aggressive threshold braking. Stability control intervention arrives earlier than competitors allow, limiting the exploration of chassis dynamics even when the driver seeks that engagement.

On a fast two lane road at seven tenths, the character clarifies. The V8 pulls cleanly out of corners while the chassis absorbs mid corner bumps that would unsettle lighter, stiffer competitors. Push harder and the front washes wide, but within the envelope of spirited street driving, the balance feels deliberate rather than deficient.

These compromises reflect a deliberate design decision: Lexus tuned for the commute, not the canyon. That calibration disappoints enthusiasts seeking sharper responses but serves the owner who wants to live with a V8 daily. The IS 500 prioritizes living with the V8 rather than extracting its maximum potential, a choice that makes the powertrain accessible across driving contexts rather than demanding specific conditions for enjoyment.

Value Positioning and Market Context

At $69,539 as tested, including destination and the Flare Yellow appearance package, the IS 500 positions itself against both four cylinder luxury sedans and more focused performance machinery. The competitive landscape has shifted around this car: BMW offers turbocharged inline sixes, Mercedes deploys electrified four cylinders, and Alfa Romeo provides sharper dynamics at similar price points. Against this field, the IS 500 competes on differentiation rather than specification superiority.

Fuel economy penalties are explicit and substantial. The EPA rates the powertrain at 17 mpg city, 25 highway, and 20 combined, figures that translate to approximately $3,200 in annual fuel costs. Over five years, that adds roughly $6,500 more than average. Environmental ratings land at 4 out of 10 for both fuel economy and smog, reflecting the consequences of maintaining natural aspiration while competitors optimize for regulatory compliance.

The value proposition depends on what the buyer prioritizes. Powertrain character over lap times. Exhaust note over efficiency. Mechanical simplicity over technological sophistication. For those criteria, the IS 500 delivers experiences its competitors have abandoned. The car exists because Lexus chose to preserve something rather than optimize everything.

Design Intent Realized

As a design object, the IS 500 F SPORT Performance Premium prioritizes a specific experience over balanced capability. The naturally aspirated V8 in rear wheel drive configuration represents a powertrain topology that market forces are eliminating, preserved here in a package refined enough for daily use. Flare Yellow demonstrates how color can function as a design element rather than a decorative choice, unifying interior and exterior into a coherent material statement.

Limitations and character prove inseparable. The weight that softens handling also supports the sound deadening that makes the V8 a companion rather than an assault. The infotainment system that frustrates also maintains the physical controls and clear hierarchy that digital native interfaces have abandoned. Fuel consumption that punishes the wallet finances the displacement that creates the acoustic experience.

Assembled in Tahara, Japan, the IS 500 wears a five star safety rating from NHTSA across all categories. It arrives as a complete product rather than a work in progress. Its design intent is preservation: holding space for a powertrain philosophy while the industry accelerates toward electrification. Whether that intent justifies the compromises depends on what the buyer believes is worth keeping alive. That Flare Yellow paint catching light in a parking garage announces the same thing the V8 announces at redline: this machine refused to apologize. For the driver who values mechanical tactility over interface novelty, the IS 500 answers a question the rest of the segment stopped asking.

The post 2025 Lexus IS 500 F SPORT Performance Review: Designing Space for a V8 in an Electrified World first appeared on Yanko Design.

5 Tiny Homes That Cost Less Than a Tesla But Look Like Mansions

In recent years, designers increasingly recognize that a home’s luxury is not defined by its size but by how space is sequenced, detailed, and experienced. In small residences, limited square footage becomes an opportunity to refine material honesty, elevate craftsmanship, and curate a focused expression of high-end living. This shift frames luxury as a philosophy rooted in intention rather than excess.

Across leading firms, compact design now demands heightened tectonic precision and a commitment to functional return on every design move. These tiny homes often evolve into biophilic sanctuaries, where calibrated light, thoughtful detailing, and tactile finishes transform everyday rituals into meaningful, artful experiences. The result is a refined, immersive environment where efficiency, beauty, and comfort coexist, proving that true luxury lies in the quality of the spatial and sensory experience rather than the scale of the dwelling.

1. Luxury Through Honest Materials

Luxury in tiny homes begins with thoughtful restraint. Instead of using many finishes, the designer selects a tight, high-quality palette where every material feels intentional and lasting. Solid stone, natural wood, and honest metals replace veneers and create a tactile richness that instantly elevates the environment.

Even a single feature adds more depth and beauty than multiple generic surfaces. A calm monochromatic scheme strengthens this effect, letting texture and form speak clearly while reducing visual noise. Precision detailing, flush joins, and concealed hardware create clean lines and a seamless flow, turning compact layouts into serene, beautifully crafted spaces.

The Beachcomber reimagines tiny home living through its exquisite use of luxury wood finishes, creating a warm, elevated atmosphere within its compact 390-square-foot layout. Crafted by Backcountry Tiny Homes, the 38-by-10-foot structure features rich timber surfaces that define every major space, from the expansive kitchen cabinetry to the full-height king-sized bedroom loft. These natural wood elements pair beautifully with the 13.5-foot ceilings and open-plan design, while strategic window placement enhances the material’s warmth with abundant natural light. The result is a space that feels refined, calming, and far more sophisticated than typical compact dwellings.

Inside, thoughtful detailing ensures the wood tones remain the hero with built-in storage nooks, a dedicated dining area, and a bright living zone, all showcase the craftsmanship and cohesive palette. The Beachcomber proves that luxury is not defined by size but by material quality and design intention, offering a tiny home experience that is both elegant and deeply comfortable.

2. Smart, Hard-Working Design

Small spaces benefit from layouts that move beyond traditional room divisions to create a smooth, intuitive flow. Sliding or pivot doors that disappear into wall pockets allow rooms to shift easily between private and open settings. This flexibility helps living, dining, and cooking areas merge when needed, making the home feel more expansive without compromising comfort or clarity.

Multi-purpose furniture, including storage ottomans or extendable tables, adds function without clutter. Every piece is selected for versatility, ensuring each square foot works efficiently and beautifully.

Designed by Modern Shed, this home sits on a triple-axle trailer and measures 34 ft by 10 ft, creating a wider and more open interior. Sliding glass doors open directly into a bright living area featuring built-in seating, clever storage, warm wood accents, and underfloor heating. Breaking from typical layouts, the kitchen is positioned in a loft area reached by a short flight of steps. This elevated space offers generous headroom, modern appliances, a small dining table, and a striking wood-and-cork ceiling.

From the kitchen, storage-integrated steps lead to a rooftop terrace complete with seating and a removable pergola, which is an inviting outdoor retreat ideal for dining or relaxing. The bedroom loft, accessed from the living room, includes a double bed, skylight, and a lowered standing platform for added comfort. The ground-floor bathroom completes the design with a vanity, shower, toilet, washer/dryer, and direct outdoor access.

3. Lighting That Elevates Space

Lighting design is one of the most effective ways to elevate a small room, shaping the atmosphere rather than simply brightening it. A layered approach works best, combining ambient lighting for overall illumination, task lighting for focused activities, and accent lighting to highlight features such as artwork or textured walls.

Warm, dimmable LEDs help set the mood throughout the day, shifting from bright morning clarity to a soft, calming evening glow. Indirect lighting, such as concealed strips in coves, skirting boards, or behind mirrors, reduces glare and washes surfaces gently with light.

The Five Four tiny home by Designer Eco Tiny Homes demonstrates how strategic lighting can transform a compact space into a warm and inviting environment. Measuring just 5.4 meters in length, the home relies on natural light from large windows and a sliding glass door to fill the main living area, creating a bright, airy atmosphere despite its modest size. Thoughtful placement ensures the interior feels open and connected to the outdoors, while the warm tones of the plywood interior are enhanced, adding texture and depth.

The open-plan layout allows light to flow freely across living, dining, and sleeping areas, reducing shadows and enhancing the perception of space. Artificial lighting is equally considered, with task lighting in the kitchen and accent lighting highlighting key features, creating a layered and flexible illumination strategy. Combined with carefully positioned fixtures, the lighting design enhances comfort, usability, and the overall ambiance, making the Five Four feel both functional and welcoming in its compact footprint.

4. Storage as Design

In a tiny home, storage should be treated as an integral part of the architecture rather than a purely functional element. Fully recessed, in-wall systems allow shelves, cabinets, and appliances to be hidden, maintaining clean lines and a sense of spaciousness. Thoughtful placement ensures that essential items are stored efficiently without disrupting the home’s visual flow.

Display niches and integrated vanities further elevate the design. By combining functionality with aesthetics, storage becomes both practical and elegant, reinforcing the home’s refined, minimal, and uncluttered character.

Designed by France’s Baluchon, the Nano Suisse is an impressively compact tiny home that manages to be both practical and functional. Measuring just 3.5 meters in length, it cleverly accommodates two people while including space for a home office. Slightly larger than Baluchon’s original Nano model by just 7.8 inches, it is affectionately called the “big sister” and features a thoughtfully organized interior with a variety of storage solutions. Built on a double-axle trailer, the home is clad in red cedar with aluminum accents, giving it a modern yet warm exterior.

Inside, the home office doubles as a dining area with seating for two, a large porthole-style window, and additional storage. The living area includes a sofa bed with built-in storage, maximizing functionality in the compact space. The kitchen is minimal, featuring a fridge, sink, and portable stove, while the bathroom, accessible via a sliding door, includes a shower, toilet, and a small storage loft above, making efficient use of every inch of the tiny home.

5. Biophilic Design

True luxury bridges the home and its surroundings, creating a biophilic environment that brings the calming benefits of nature into urban living. Every window can act as a framed vista, turning exterior views into living art and visually expanding the home’s boundaries. This deliberate connection to the outdoors enhances both well-being and spatial perception.

Sustainability and cultural context are equally important. High-performance, double- or triple-glazed windows and quality insulation ensure thermal efficiency and reduce the carbon footprint. Thoughtful integration of regional principles, such as the sequencing of private and public zones inspired by Vastu, adds depth and harmony, blending modern design with timeless wisdom for a space that feels both luxurious and contextually grounded.

Big Freedom Tiny Homes continues to redefine compact living with a 30-foot (9.14-meter) tiny house that integrates nature into every aspect of its design. Built on a triple-axle trailer, the home balances mobility with generous, well-planned interiors. Richly stained cedar siding and metal accents create a durable, warm exterior that blends seamlessly with natural surroundings, from forest clearings to lakesides. Large glazed doors and windows connect the interior to the outdoors, filling the living space with daylight and providing constant visual access to the surrounding landscape, enhancing a sense of openness and calm.

Inside, biophilic principles continue through material choices and spatial planning. The living area, kitchen, and lofted bedrooms are oriented to maximize natural light and airflow, while warm wood finishes echo the exterior cedar. Thoughtful window placement frames exterior views like living art, fostering a constant connection with nature. Efficient layouts, built-in storage, and flexible spaces ensure comfort and functionality without compromising the immersive, nature-focused atmosphere that defines this tiny home.

Transforming a tiny home into a luxury space demands precision, thoughtful materiality, and attention to the resident’s experience. Through meticulous detailing, flexible layouts, and poetic lighting, true luxury emerges, not from size but from design depth. The result is an efficient, personalized sanctuary that combines sophistication, comfort, and a profound sense of spatial and sensory richness.

The post 5 Tiny Homes That Cost Less Than a Tesla But Look Like Mansions first appeared on Yanko Design.

Thunder Duo Max Brings 5.1.2 Atmos to Your Desk With Just 4 Speakers

Most gaming setups lean on either a soundbar under the monitor or a headset clamped to your head. Soundbars are convenient but flatten the sense of space, especially when games and films are mixed for surround and height. Headsets can isolate better, but they get warm after a few hours and cut you off from the room entirely. Thunder Duo Max tries to bring full Dolby Atmos to a desk or living room without turning the space into a speaker warehouse.

Thunder Duo Max is the top configuration in a modular series, built around a pair of compact bookshelf speakers that handle the front channels and height effects. The system is a true 5.1.2-channel Dolby Atmos rig, not a virtual surround bar, and the bookshelf format unlocks larger drivers, fuller bass, and a flexible layout that can expand or tighten the soundstage depending on how you arrange it, making it comfortable on a desk or beside a TV.

Designer: OXS

Click Here to Buy Now: $569 $849 ($280 off). Hurry, only 105/200 left! Raised over $73,000.

The dual upward-firing Sky Channels built into each speaker send sound toward the ceiling to create a real overhead layer. That matters in games where helicopters, rain, or footsteps above you become easier to place, and it adds a vertical dimension to films and music that most desktop setups ignore. This is certified Dolby Atmos performance, with decoding handled by one of the system’s two dedicated DSPs, so height effects come from actual audio processing rather than software tricks.

1

The 5.1.2-channel layout breaks down into front left and right from the speakers, a phantom center between them, a low-frequency channel anchored by the main drivers and sub, and rear channels handled by a wireless satellite neck speaker. The neck speaker solves the usual problem of rear-speaker placement in small rooms, putting true rear channels on your shoulders instead of mounting boxes behind your chair or running cables across the floor.

1

The low end gets handled by the wireless Thunder Sub, using a 5.25-inch driver and 80 W RMS output to extend bass down to 35 Hz. The full Thunder Duo Max system delivers 110 W RMS and 270 W peak, with total harmonic distortion under 0.5 percent, so explosions, engines, and music cues hit hard without turning into muddy rumble. The goal is to feel weight and impact without sacrificing the clarity that makes dialogue and footsteps legible.

1

Thunder Duo Max plugs into different parts of a setup without picking favorites. HDMI 2.1 and HDMI eARC handle PS5, Xbox Series consoles, and high-frame-rate PC output at 4K 120 Hz. USB-C connects Switch, Steam Deck, and mobile devices. Bluetooth 5.3 adds low-latency wireless audio. Input switching happens on the system itself, so you can move between PC, console, and streaming without re-cabling every time you sit down or swap between desk and couch modes.

1

The system uses dual DSP architecture, combining Dolby Atmos decoding with OXS’s own Xspace spatial algorithm, and it has been tuned in a dedicated acoustic lab for a studio-level frequency response. The software side includes per-channel EQ, six-ring RGB lighting with multiple motions and 50 colors, and a desktop app that lets you dial in both sound and lighting, so the system fits the room rather than shouting over it with blinking lights you cannot turn off.

Living with a system like this changes how games, films, and music feel. Instead of sound sitting in a flat line in front of the screen, it wraps around you, with height, rear, and sub channels giving every explosion, ambient loop, and soundtrack a real sense of space. The neck speaker and wireless sub make full surround possible in spaces that could never handle a traditional 5.1.2-channel layout. For people who care about audio as much as frame rates, Thunder Duo Max reads less like a peripheral and more like a small, flexible sound studio that happens to sit next to a monitor.

Click Here to Buy Now: $569 $849 ($280 off). Hurry, only 105/200 left! Raised over $73,000.

The post Thunder Duo Max Brings 5.1.2 Atmos to Your Desk With Just 4 Speakers first appeared on Yanko Design.

Thunder Duo Max Brings 5.1.2 Atmos to Your Desk With Just 4 Speakers

Most gaming setups lean on either a soundbar under the monitor or a headset clamped to your head. Soundbars are convenient but flatten the sense of space, especially when games and films are mixed for surround and height. Headsets can isolate better, but they get warm after a few hours and cut you off from the room entirely. Thunder Duo Max tries to bring full Dolby Atmos to a desk or living room without turning the space into a speaker warehouse.

Thunder Duo Max is the top configuration in a modular series, built around a pair of compact bookshelf speakers that handle the front channels and height effects. The system is a true 5.1.2-channel Dolby Atmos rig, not a virtual surround bar, and the bookshelf format unlocks larger drivers, fuller bass, and a flexible layout that can expand or tighten the soundstage depending on how you arrange it, making it comfortable on a desk or beside a TV.

Designer: OXS

Click Here to Buy Now: $569 $849 ($280 off). Hurry, only 105/200 left! Raised over $73,000.

The dual upward-firing Sky Channels built into each speaker send sound toward the ceiling to create a real overhead layer. That matters in games where helicopters, rain, or footsteps above you become easier to place, and it adds a vertical dimension to films and music that most desktop setups ignore. This is certified Dolby Atmos performance, with decoding handled by one of the system’s two dedicated DSPs, so height effects come from actual audio processing rather than software tricks.

1

The 5.1.2-channel layout breaks down into front left and right from the speakers, a phantom center between them, a low-frequency channel anchored by the main drivers and sub, and rear channels handled by a wireless satellite neck speaker. The neck speaker solves the usual problem of rear-speaker placement in small rooms, putting true rear channels on your shoulders instead of mounting boxes behind your chair or running cables across the floor.

1

The low end gets handled by the wireless Thunder Sub, using a 5.25-inch driver and 80 W RMS output to extend bass down to 35 Hz. The full Thunder Duo Max system delivers 110 W RMS and 270 W peak, with total harmonic distortion under 0.5 percent, so explosions, engines, and music cues hit hard without turning into muddy rumble. The goal is to feel weight and impact without sacrificing the clarity that makes dialogue and footsteps legible.

1

Thunder Duo Max plugs into different parts of a setup without picking favorites. HDMI 2.1 and HDMI eARC handle PS5, Xbox Series consoles, and high-frame-rate PC output at 4K 120 Hz. USB-C connects Switch, Steam Deck, and mobile devices. Bluetooth 5.3 adds low-latency wireless audio. Input switching happens on the system itself, so you can move between PC, console, and streaming without re-cabling every time you sit down or swap between desk and couch modes.

1

The system uses dual DSP architecture, combining Dolby Atmos decoding with OXS’s own Xspace spatial algorithm, and it has been tuned in a dedicated acoustic lab for a studio-level frequency response. The software side includes per-channel EQ, six-ring RGB lighting with multiple motions and 50 colors, and a desktop app that lets you dial in both sound and lighting, so the system fits the room rather than shouting over it with blinking lights you cannot turn off.

Living with a system like this changes how games, films, and music feel. Instead of sound sitting in a flat line in front of the screen, it wraps around you, with height, rear, and sub channels giving every explosion, ambient loop, and soundtrack a real sense of space. The neck speaker and wireless sub make full surround possible in spaces that could never handle a traditional 5.1.2-channel layout. For people who care about audio as much as frame rates, Thunder Duo Max reads less like a peripheral and more like a small, flexible sound studio that happens to sit next to a monitor.

Click Here to Buy Now: $569 $849 ($280 off). Hurry, only 105/200 left! Raised over $73,000.

The post Thunder Duo Max Brings 5.1.2 Atmos to Your Desk With Just 4 Speakers first appeared on Yanko Design.

Thunder Duo Max Brings 5.1.2 Atmos to Your Desk With Just 4 Speakers

Most gaming setups lean on either a soundbar under the monitor or a headset clamped to your head. Soundbars are convenient but flatten the sense of space, especially when games and films are mixed for surround and height. Headsets can isolate better, but they get warm after a few hours and cut you off from the room entirely. Thunder Duo Max tries to bring full Dolby Atmos to a desk or living room without turning the space into a speaker warehouse.

Thunder Duo Max is the top configuration in a modular series, built around a pair of compact bookshelf speakers that handle the front channels and height effects. The system is a true 5.1.2-channel Dolby Atmos rig, not a virtual surround bar, and the bookshelf format unlocks larger drivers, fuller bass, and a flexible layout that can expand or tighten the soundstage depending on how you arrange it, making it comfortable on a desk or beside a TV.

Designer: OXS

Click Here to Buy Now: $569 $849 ($280 off). Hurry, only 105/200 left! Raised over $73,000.

The dual upward-firing Sky Channels built into each speaker send sound toward the ceiling to create a real overhead layer. That matters in games where helicopters, rain, or footsteps above you become easier to place, and it adds a vertical dimension to films and music that most desktop setups ignore. This is certified Dolby Atmos performance, with decoding handled by one of the system’s two dedicated DSPs, so height effects come from actual audio processing rather than software tricks.

1

The 5.1.2-channel layout breaks down into front left and right from the speakers, a phantom center between them, a low-frequency channel anchored by the main drivers and sub, and rear channels handled by a wireless satellite neck speaker. The neck speaker solves the usual problem of rear-speaker placement in small rooms, putting true rear channels on your shoulders instead of mounting boxes behind your chair or running cables across the floor.

1

The low end gets handled by the wireless Thunder Sub, using a 5.25-inch driver and 80 W RMS output to extend bass down to 35 Hz. The full Thunder Duo Max system delivers 110 W RMS and 270 W peak, with total harmonic distortion under 0.5 percent, so explosions, engines, and music cues hit hard without turning into muddy rumble. The goal is to feel weight and impact without sacrificing the clarity that makes dialogue and footsteps legible.

1

Thunder Duo Max plugs into different parts of a setup without picking favorites. HDMI 2.1 and HDMI eARC handle PS5, Xbox Series consoles, and high-frame-rate PC output at 4K 120 Hz. USB-C connects Switch, Steam Deck, and mobile devices. Bluetooth 5.3 adds low-latency wireless audio. Input switching happens on the system itself, so you can move between PC, console, and streaming without re-cabling every time you sit down or swap between desk and couch modes.

1

The system uses dual DSP architecture, combining Dolby Atmos decoding with OXS’s own Xspace spatial algorithm, and it has been tuned in a dedicated acoustic lab for a studio-level frequency response. The software side includes per-channel EQ, six-ring RGB lighting with multiple motions and 50 colors, and a desktop app that lets you dial in both sound and lighting, so the system fits the room rather than shouting over it with blinking lights you cannot turn off.

Living with a system like this changes how games, films, and music feel. Instead of sound sitting in a flat line in front of the screen, it wraps around you, with height, rear, and sub channels giving every explosion, ambient loop, and soundtrack a real sense of space. The neck speaker and wireless sub make full surround possible in spaces that could never handle a traditional 5.1.2-channel layout. For people who care about audio as much as frame rates, Thunder Duo Max reads less like a peripheral and more like a small, flexible sound studio that happens to sit next to a monitor.

Click Here to Buy Now: $569 $849 ($280 off). Hurry, only 105/200 left! Raised over $73,000.

The post Thunder Duo Max Brings 5.1.2 Atmos to Your Desk With Just 4 Speakers first appeared on Yanko Design.

Thunder Duo Max Brings 5.1.2 Atmos to Your Desk With Just 4 Speakers

Most gaming setups lean on either a soundbar under the monitor or a headset clamped to your head. Soundbars are convenient but flatten the sense of space, especially when games and films are mixed for surround and height. Headsets can isolate better, but they get warm after a few hours and cut you off from the room entirely. Thunder Duo Max tries to bring full Dolby Atmos to a desk or living room without turning the space into a speaker warehouse.

Thunder Duo Max is the top configuration in a modular series, built around a pair of compact bookshelf speakers that handle the front channels and height effects. The system is a true 5.1.2-channel Dolby Atmos rig, not a virtual surround bar, and the bookshelf format unlocks larger drivers, fuller bass, and a flexible layout that can expand or tighten the soundstage depending on how you arrange it, making it comfortable on a desk or beside a TV.

Designer: OXS

Click Here to Buy Now: $569 $849 ($280 off). Hurry, only 105/200 left! Raised over $73,000.

The dual upward-firing Sky Channels built into each speaker send sound toward the ceiling to create a real overhead layer. That matters in games where helicopters, rain, or footsteps above you become easier to place, and it adds a vertical dimension to films and music that most desktop setups ignore. This is certified Dolby Atmos performance, with decoding handled by one of the system’s two dedicated DSPs, so height effects come from actual audio processing rather than software tricks.

1

The 5.1.2-channel layout breaks down into front left and right from the speakers, a phantom center between them, a low-frequency channel anchored by the main drivers and sub, and rear channels handled by a wireless satellite neck speaker. The neck speaker solves the usual problem of rear-speaker placement in small rooms, putting true rear channels on your shoulders instead of mounting boxes behind your chair or running cables across the floor.

1

The low end gets handled by the wireless Thunder Sub, using a 5.25-inch driver and 80 W RMS output to extend bass down to 35 Hz. The full Thunder Duo Max system delivers 110 W RMS and 270 W peak, with total harmonic distortion under 0.5 percent, so explosions, engines, and music cues hit hard without turning into muddy rumble. The goal is to feel weight and impact without sacrificing the clarity that makes dialogue and footsteps legible.

1

Thunder Duo Max plugs into different parts of a setup without picking favorites. HDMI 2.1 and HDMI eARC handle PS5, Xbox Series consoles, and high-frame-rate PC output at 4K 120 Hz. USB-C connects Switch, Steam Deck, and mobile devices. Bluetooth 5.3 adds low-latency wireless audio. Input switching happens on the system itself, so you can move between PC, console, and streaming without re-cabling every time you sit down or swap between desk and couch modes.

1

The system uses dual DSP architecture, combining Dolby Atmos decoding with OXS’s own Xspace spatial algorithm, and it has been tuned in a dedicated acoustic lab for a studio-level frequency response. The software side includes per-channel EQ, six-ring RGB lighting with multiple motions and 50 colors, and a desktop app that lets you dial in both sound and lighting, so the system fits the room rather than shouting over it with blinking lights you cannot turn off.

Living with a system like this changes how games, films, and music feel. Instead of sound sitting in a flat line in front of the screen, it wraps around you, with height, rear, and sub channels giving every explosion, ambient loop, and soundtrack a real sense of space. The neck speaker and wireless sub make full surround possible in spaces that could never handle a traditional 5.1.2-channel layout. For people who care about audio as much as frame rates, Thunder Duo Max reads less like a peripheral and more like a small, flexible sound studio that happens to sit next to a monitor.

Click Here to Buy Now: $569 $849 ($280 off). Hurry, only 105/200 left! Raised over $73,000.

The post Thunder Duo Max Brings 5.1.2 Atmos to Your Desk With Just 4 Speakers first appeared on Yanko Design.