Tag Archives: Concept Designs

Spatial video camera concept lets you capture photos and videos hands-free

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The way we capture videos and view them has constantly been changing and along with that, mobile devices have also been evolving. With the introduction of spatial videos, we see brands like Apple trying to become the pioneer in this new form. Basically, this is a video that lets you view photos and videos as if you were there instead of looking at them with just a single fixed view. It’s a more immersive form of 3D since you’re able to turn your head and see different perspectives.

Designer: Suosi Design

As more people get into spatial videos, we’ll see all kinds of tools that will be able to capture and view videos like these. One concept tool is called VISOO, a spatial video camera that you can to take videos that can later be viewed using devices like Apple’s iPhone 15 Pro. It is not a bulky camera at all as probably one of the things that will be taken into consideration when developing tools for this kind of video is that it’s easy to carry around.

Based on the product renders, VISOO is a pretty light device that you can either carry around or attach to the accompanying glasses. For the handheld option, the cameras will be stored onto the battery case as you shoot your photos and videos. It seems there’s also a tripod where you can attach the case to for times when you need to have it placed on something a little more stable. For the glasses option, the cameras are attached to the hinges so you can move around easily while capturing moments.

Since this is still in the conceptual stage, there’s no information about the quality of photos and videos that it will capture. And with spatial videos still in early days, there’s still a lot to be discovered and explored for brands that are developing tools that can be used to enjoy capturing and viewing them.

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Sustainable Skyscrapers Transform This Chinese City’s Landscape Using Urban Intercropping

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Lately, all we see around us are existing tall buildings and upcoming skyscrapers it’s surely a beautiful sight and enhances the skyline of the city and perhaps even benefits the economy, but it is imperative to also keep the sustainable approach in mind and the adverse effects of these skyscrapers on the society and its well being. The divide between urban centers, agricultural areas, and natural ecosystems is widening, leading to significant environmental, social, and logistical challenges. Urumqi, the political, economic, and cultural hub of Xinjiang in northwest China, epitomizes this conflict between urban development and agricultural ecological resources. To address these pressing issues, the innovative architectural design concept of “Urban Intercropping” has been proposed.

Designers: Penghao Zhao, Hanyu Sun, Sinuo Jia, Jingxuan Li, Songping Jing, Yibo Gao, YuJie Zeng, and An Jiang

Inspired by traditional agricultural intercropping systems, where different crops are grown together to optimize the use of resources, the Urban Intercropping concept integrates this planting pattern with urban spatial planning. By strategically inserting architectural structures into the “gaps” of the city, a new urban system is formed. The Urban Intercropping model shifts from a centralized to a decentralized urban development approach. Architectural slicing devices are introduced into underutilized spaces within the city, transforming them into productive and functional areas. This approach maximizes the use of space and resources, addressing the issues of urban sprawl and inefficient land use.

Central to this design is the concentration of agricultural industries in high-rise buildings using a vertical intercropping planting model. This model optimizes the use of space, light, and other resources, enabling high-density agricultural production within urban settings. These high-rise agricultural hubs are composed of mechanical devices, non-mechanical facilities, and movable living units, addressing urban housing shortages, traffic congestion, and the lack of green spaces. By enhancing urban efficiency and revitalizing intermediate urban areas, these structures create a dynamic and sustainable urban environment.

Urban Intercropping emphasizes the transformation of urban morphology by integrating skyscrapers and other tall structures into existing urban spaces. These buildings are designed to connect seamlessly with the underground transportation system, alleviating traffic congestion and improving urban mobility. The incorporation of these vertical elements redefines the city’s skyline and promotes a more efficient use of urban space.

A key component of the Urban Intercropping concept is the construction of ecological corridors. These corridors are designed to preserve air quality and prevent dust storms by planting specific types of vegetation that stabilize sand and purify the air. Greenhouse membranes and platforms support these plants, creating green spaces that serve as habitats for wildlife and recreational areas for residents. These corridors also facilitate the migration of animals and provide healthy, green environments for pedestrians and transportation networks.

The design also focuses on the generation and arrangement of social unit spaces, drawing inspiration from the Eight Queens Problem. This mathematical problem involves placing eight queens on a chessboard so that no two queens threaten each other, ensuring optimal spatial efficiency. Similarly, in Urban Intercropping, functional units are arranged to allow for the smooth transfer of movable community units without disrupting other activities. This ensures flexibility and efficiency in urban spaces, accommodating changing needs and uses.

To maximize the effectiveness of Urban Intercropping, detailed structural components are optimized. Multifunctional membranes, vertical and horizontal transportation equipment, modular units, and greenhouse boxes are integrated to form an interconnected system. These components work together to enhance the overall design, making urban spaces more adaptable and resilient.

The architectural design concept of Urban Intercropping offers a revolutionary approach to urban planning and development. By bridging the gap between cities, agriculture, and nature, this concept provides sustainable solutions for modern urban challenges. Through innovative design and technological advancements, Urban Intercropping promotes ecological environmental protection and sustainable urban development, paving the way for a harmonious coexistence of urban and natural ecosystems.

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Cute earbuds concept look like tiny perched birds ready to sing a tune

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With Apple leading the way, the design of wireless earbuds has almost become monotonous as many manufacturers try to flatter the brand through imitation. There are, of course, a few outliers and there is definitely plenty of room for creativity, especially now that earbuds and earphones have almost become a necessity for anyone who uses a smartphone. Of course, ergonomics and acoustics still play the most important role in designing such audio accessories, but if there was more leeway in those areas, you might be able to come up with something a bit more imaginative, like these buds that resemble a pair of birds tweeting a sweet melody into your years.

Designers: Jinho Choi, Seunghun Jeong

The standard design for earbuds these days, whether they’re wired or wireless, consists of a bulging mass on the end of a short stick. The larger shape is designed to go into the ear canals, tapering at the tip while almost rotund at its base. With some imagination, it almost looks like a pudgy bird, which is what this design concept has made out of the silhouette of the buds. And not just any bird, mind you, but a bird with an astronaut helmet on!

That’s the almost comical picture that AI drew for this design, which works perfectly in this scenario. The tips of the buds can’t be sharp and small like bird heads, so imagining these two birds wearing translucent space helmets gives the design a playful character. These birds sit on top of the branch, represented by the stalk of the earphones, at least when you place them down in a certain way.

What makes this design concept extra fun is that everything revolves around this avian idea, including both the packaging and associated accessories. Rather than just have the buds lying on a desk or dangling from some hook, a special stand mimics a small tree trunk where you can insert the earbuds’s stem, creating the semblance of birds perched on a tree. It would probably be nice if you could also hear audio coming out of the buds while in this arrangement to complete the image, but that would require a more complex audio solution.

The TweetTunes buds concept also includes a specially designed box that’s more circular than boxy. Opening up the packaging reveals two birds sitting inside a nest, or at least the representation of a nest. It’s definitely a subtle but nice touch, with the attention to detail you’d expect from larger companies. There’s still the question of whether such a bird-like shape actually provides both comfort and sufficient sealing, but having adorable earbuds like that on your desk is probably worth just the decorative value, even if you barely use it.

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Braille learning device uses minimalist design to facilitate seamless learning

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Most people assume that it is easy for visually impaired people to learn Braille. But according to those who are learning this system, the learning tools available are not always that intuitive and easy to use. In fact, the more cluttered a device or tool is, the harder it is as it can be overwhelming for those who are trying to learn and navigate it. Fortunately, there are product designers that want to create concepts for better designed tools that will hopefully be turned into actual products.

Designer: SAQ Design

SMARTIO EDU is a concept for a Braille Education Device that uses minimal tactile noise for both teachers and students that are trying to learn Braille. It is designed to optimize the organization of the information that is at the user’s fingertips. They used soft contours for the surfaces of the device and at the same time used tactile hints to help the user read the information through their fingertips.

The device looks like an instrument and in fact, it is, just not one that produces music. There are buttons on top for the various functions and that can serve as navigational aids. The “subtle cues” is able to tell the user the front and back of the device and also where the key interfaces are located. The device is also designed to work with a companion app that the teacher and student can easily follow and engage with.

The designers would of course have consulted with actual Braille learners to determine if this is something that could work even as it is still a concept. But we don’t see a lot of Braille learning devices in the market so if this does become an actual product, it would be a big help to the community.

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Modular stool concept is designed for people who love sitting cross-legged

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Stools are often classified as tall, backless chairs, and like most seats, they’re designed to be used in a specific way. You simply sit on top of the stool and have your legs hanging from the edge, with your feet planted firmly on the ground. This style of sitting might be common, but it’s definitely not how everyone sits around the world. In some cultures, particularly in Asia, people tend to sit cross-legged on the floor, at least when they’re at home or in establishments designed to cater to that culture. Stools, of course, aren’t meant to support that way of sitting, but this concept design tries to expand the traditional stool design to be more inclusive while also offering an additional feature completely unrelated to sitting.

Designer: Gisung Han

It’s probably too much of a generalization but sitting cross-legged has become associated with Asian cultures. Especially in countries like Korea and Japan, some families tend to sit on the floor during meals in that position, something that might not sit well with those who don’t consider it proper during meals. Eating outdoors, of course, is a completely different matter, especially in public places like outdoor restaurants that only provide simple stools for customers. One simply can’t sit cross-legged comfortably, but still try to do it.

Named after a famous avenue in South Korea, the Euljiro stool concept tries to solve this conundrum with a design that caters to both normal sitting and cross-legged sitting. This seemingly magical capability is made possible by the stool’s two-part modular design. When joined together, it looks like a simple, two-color stool that you can use normally. But remove the top part and you actually get two stools, with the top shorter than the bottom.

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When you insert one of the legs of the taller stool into the middle of the shorter one, you get a two-tier seat seemingly joined at the hip. This setup would allow the person to sit with their legs crossed without worries they’ll tumble backward or to the side. It doesn’t take up too much space either, and it can even be used as two separate stools if there aren’t enough seats to go around.

Euljiro’s flexibility also extends to its use as a place to put bags while eating. This is especially useful in restaurants that don’t have designated storage for bags, where putting bags down on the ground might be unhygienic. It’s definitely a creative way to solve multiple problems with a single design while ironically still sticking to the most common stool shape of all.

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Ergonomic controller suggests a more comfortable way to use XR glasses

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The launch of the Apple Vision Pro sparked renewed interest in extended reality experiences, both those offered by full-blown and heavy headsets as well as those pushed by more straightforward glasses. The latter often rely on your smartphone or a dedicated remote control to navigate through apps projected in front of you, an indirect interaction method made more awkward by the standard design of these devices. Remote controls might be fine for TVs and appliances, but not when you can barely see your own hand. This concept design tries to challenge convention by redesigning the face of a remote, offering a more ergonomic and simpler way to move around mixed reality while wearing those XR glasses.

Designer: Yiqiao Liu

XR or eXtended Reality glasses like the Xreal Air and TCL RayNeo can probably be called the poor man’s Vision Pro. They practically display a virtual monitor in front of you, which may or may not be pinned in an arbitrary location or follow your head around. This allows the glasses to be lighter, cheaper, and less conspicuous, though they do look like overgrown sunglasses. This also makes using the XR platform feel a bit more familiar because they more or less correspond to familiar operating systems like Windows or Android.

Moving around and interacting with objects in this XR space is then a simpler matter as well, and some even use the phone itself as a pointer and remote control, which is difficult to use when your vision is partially obscured by the glasses and all your fingers can feel is a flat and featureless surface. On the other hand, conventional remotes with their numerous buttons and straightforward layout can also be cumbersome to use as well.

The XR Glasses Controller concept takes the minimalist design of something like an Apple TV remote and tilts it at an angle. Visually, this soap-shaped device looks like an unbalanced remote, with the top buttons leaning to the right and the bottom touch dial sliding to the left. It’s not a design that was made just to look different, though it definitely gives it a distinctive appearance.

The theory behind this design is the mobility and limited range of our thumbs when holding a remote. As many smartphone designers already know by now, the thumb holding the remote moves naturally in an arc, and that up-and-down movement can cause more strain. The controls are thus aligned with this arc, making it easy for the user to switch between buttons and touchpad without having to overextend or bend their thumb. Along with the significantly reduced number of buttons, the remote is easier to use as well, though it does limit itself to Android-based XR platforms since those buttons perfectly match Android’s navigation scheme.

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Nokia Infinity Pro concept phone brings a pill-shaped design and a few questions

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You might criticize Nokia for flooding the mobile market with dozens of hard-to-remember devices, but you can’t deny that the Finnish giant also brought bold new designs that were far too ahead of their time, from the gaming-centric N-Gage to the cinematic N93 to the fashion-conscious 7380 “lipstick.” In contrast, today’s smartphones mostly play it safe due to usability and sales concerns, but that’s not to say that an odd design won’t sell either. There’s definitely room for novelty and plenty of space for creative ideas. This curiously shaped phone, for example, changes the design formula significantly, and while it does look like a futuristic device, it also raises a few important usability questions.

Designer: AndroidLeo

The “candy bar” form factor has emerged as the one true smartphone shape because of its handy and compact design. That doesn’t mean it isn’t the only possible form, though, especially when you consider that the top and bottom of these devices don’t need to be perfectly flat. It’s not like you’ll be standing it up or squeezing it alongside other flat and rectangular objects. This “Nokia Infinity Pro” concept challenges that status quo with a thin pill-shaped design that seems like a cross between a foldable clamshell and a smartwatch all rolled into one.

The more curvaceous shape of this concept phone supposedly rests more comfortably in your hand with no corners to cut into your skin. There might be some doubts about whether that would also make it too slippery to hold, but that’s not always a uniform experience. This Nokia Infinity Pro wouldn’t be the first to try out this design either, as the likes of the short-lived “open source” phones like the OpenMoko and Neo Freerunner sported similar shapes.

What makes this idea different, however, is that the screen covers the whole surface of the phone’s front, not just a rectangular section. Such a screen is now more possible to pull off, even if it’s still not that easy. The back of the phone also has two circular mounds opposite each other. One is a dual-camera system and another is a circular display not unlike those on smartwatches or some foldable phones’ “cover screen.” The idea is that you can place the phone face down on a table but still have access to important notifications and controls without distractions.

As interesting as it might look, however, there are some practical issues with such a design. For one, putting the phone face down always risks scratching the screen. At the same time, the circular outer screen will be covered by your palm and smudges whenever you have to hold up the phone. And then there’s the matter of what UI elements can be used at the top and bottom of the display since most platforms and content are created for rectangular screens. Maybe someday, we will have more adaptable software, and that will be the time for the Nokia Infinity Pro to truly shine.

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Humanoid toy robot concept makes music more engaging for kids and the young at heart

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Wireless speakers have become the standard for home audio equipment these days, and they come in a wide variety of designs. Some are rugged and geometrical, meant to be ready to brave the outside world if needed, while others are like art objects you’d dare not knock down accidentally. These designs are clearly targeted at adults as if they are the only user group who can appreciate music. Kids in their formative years need to be exposed to music as well, and not just from the tablets or smartphones that parents hand over to them for playtime. This robot concept not only gives these children an advanced toy to play with but also lets them have a more personal friend to enjoy listening to music with.

Designer: Jesus Gonzalez Torres

With a widespread interest in robotics, toy robots are no longer the exclusive domain of young boys, or kids for that matter. Kids of all ages will find a humanoid robot interesting, especially if it can express human-like behavior even through simple emoticons. Even better if it can actually perform seemingly magical feats, like singing to them while they’re engaged in play.

The musicBOT concept design is pretty much a Bluetooth speaker in the guise of a small human-like robot. It combines two already existing features into one, but this is a case where the sum is greater than its parts. More than just the collection of functions, it creates a totally different experience for the child whose mind is still open to so many imaginative concepts.

musicBOT is not just a music player but also a companion for the child. It plays tunes while you play with other things or play with the robot itself. The concept doesn’t go into the details, but the robot can display different facial expressions on its dot matrix face. It can even connect with a nearby musicBOT via Bluetooth, making them look like they’re friends and perhaps encouraging their owners to do the same.

Technologically speaking, the concept isn’t ground-breaking and could actually be an actual product. The novelty it offers is more on the experience and the psychology, putting the child at the center rather than becoming a passive listener. It makes listening to music a more active engagement, allowing them to develop a stronger mental association with music than simply hearing it from the background.

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Robot-looking kitchen air purifier can get close to your stove to absorb smoke

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Not all houses have built-in exhaust systems or have space for kitchen hoods so when you cook, it can turn a bit smoky and smelly in there. And of course, we know that the smoke isn’t always that healthy and there may be other harmful elements there. Having an air-purifying product that is small enough to fit in your kitchen but powerful enough to suck out all the smoke would be the ideal solution of course.

Designer: G11 Designs

The Roba is a robot-looking device but is actually an air purifier for your kitchen that can stay as close as possible to your induction stove top. It is able to absorb the smoke that may come as you cook as well as the harmful ingredients that come with it. It has two “legs” that are simple, thin, and hard metals that stand. at a 90-degree angle so it can support the weight of the entire thing and keep it as close as possible to your stove and the food you’re cooking.

Roba is designed with “flexible and concise movements” that can be adjusted as you cook. It has a height-adjustable pillar and an axis that can both rotate in different directions and also bend its head at different angles so it can adjust as you cook different things on your induction stove. The “friendly look” of the device means it can fit in well with most modern kitchen designs and the parts can be handled “concisely in cylinders”.

This seems to be a concept for now but it can actually be a pretty useful piece of kitchen appliance especially for people like me who have small kitchens and no exhaust system. The fact that it looks like a robot or at least a robot lamp adds to the cuteness factor that makes me want to buy one if it ever becomes available. Maybe I can start cooking regularly as well if I have something like this.

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Plywood desk concepts use waves to create easy-access storage spaces

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Just because a design is minimalist doesn’t mean it has to be featureless. Part of the challenge of this design style is to deliver the same functionality that more complicated products offer in simpler ways. A desk, for example, would normally have drawers and shelves to put things in, but drawers often introduce mechanisms that wear down over time, and they often block their contents from view, forcing the person to remember what’s inside or waste time going through each drawer in search for an item. Aalto, which means “wave” in Finnish, removes the blinders and designs an open storage system that uses no extra parts, just the table’s body itself.

Designer: Liam de la Bedoyere

Common desk drawers use a sliding mechanism to move a box in and out of the table. Regardless of the design of the slider, it will eventually fall victim to wear and tear, making it less useful and more stressful. Desks with “open” shelves instead of drawers do remove that variable but doesn’t make it easy to see what’s inside unless everything is at the front or you stoop to take a peek inside.

The Aalto design concept uses a series of undulating forms that create nooks that can become storage spaces. Thanks to the glass (or any transparent material) tabletop, you can immediately see what’s inside, ready to be taken out when you need it. Conversely, you can also easily see which compartments are still unoccupied in case you need an empty space.

The waves can come in different sizes, which makes room for different kinds of stationery and tools as well, like a laptop in the larger space or pens for the smaller ones. What makes the design even more interesting is that it doesn’t use any extra pieces other than the tabletop. It’s a single unbroken form, though sheets of plywood are indeed joined together to create the semblance of a flowing shape. Regardless, there are no moving parts that will break down or extra parts that can get lost. It is minimalism at its finest.

Another version of the Aalto design uses shorter and more uniform waves to address concerns about the troughs hitting people’s knees and legs. That said, it also reduces the flexibility of those spaces to hold objects of any size, but that also becomes a sort of enforced organization system to keep the desk tidy. In exchange, this Aalto variant has a small shelf off to the side, for holding smaller items like books or even a vase. It does have to switch to a polycarbonate material for the tabletop in order to support that bending shape.

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