5 Insta360 Luna Ultra Tips & Tricks to Save Time and Improve Video Quality

5 Insta360 Luna Ultra Tips & Tricks to Save Time and Improve Video Quality Using DJI Pocket 3 magnetic ND filters on the Luna Ultra

The Insta360 Luna Ultra is a compact camera designed for creators who value portability without sacrificing functionality. While its core features are straightforward, Kola highlights lesser-known techniques that can significantly enhance your shooting experience. For instance, you can use QR code-based settings profiles to quickly switch between custom configurations, such as indoor and outdoor setups, […]

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Why Samsung’s Galaxy Watch Ultra 2 is a Massive Leap Forward

Why Samsung’s Galaxy Watch Ultra 2 is a Massive Leap Forward Front view of the rugged Samsung Galaxy Watch Ultra 2 display

The Samsung Galaxy Watch Ultra 2 is poised to elevate the smartwatch landscape with its blend of technological advancements and user-centric features. Scheduled for release on July 22, 2023, alongside other flagship Samsung devices, this wearable promises to enhance health tracking, improve power efficiency, and integrate innovative AI and 5G capabilities. By focusing on durability, […]

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Leaked Email Reveals How CEO Asha Sharma Plans to Fix Xbox Profit Margins

Leaked Email Reveals How CEO Asha Sharma Plans to Fix Xbox Profit Margins Xbox CEO Asha Sharma speaking at a Microsoft gaming event

Xbox is undergoing a dramatic restructuring as it grapples with financial struggles and strategic missteps that have accumulated over the past five years. Bellular News highlights how the division’s slim 3% profitability margin and rising hardware costs have forced leadership to initiate a 100-day “strategic reset.” This reset, led by CEO Asha Sharma, aims to […]

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8 Japanese Kitchen Gadgets & Tools That Make Dad Feel Like a Michelin-Star Chef This Father’s Day

There’s a reason Michelin-starred Japanese kitchens don’t look like the ones you see on American cooking shows. No plastic cutting boards. No thin-gauge nonstick pans. The tools themselves carry the weight of centuries of refinement: cast iron developed over generations, blades sharpened to tolerances measured in fractions of a millimeter, clay vessels fired in kilns with thousand-year histories. These eight tools bring that level of kitchen confidence home.

Japan’s approach to cookware has never been about accumulating tools. It’s about choosing the right one and understanding it deeply. The best Japanese kitchen gadgets don’t ask you to cook faster or easier. They ask you to cook better, with more presence, more attention, more respect for the ingredient. For a dad who cooks with intention rather than convenience, these eight pieces are the kind of upgrade that changes how a kitchen feels to work in.

1. Precision Ceramic Sashimi Knife

Raw fish demands knife performance that metal blades, for all their centuries of refinement, struggle to deliver. The Precision Ceramic Sashimi Knife represents the convergence of Japanese craftsmanship and advanced materials science, creating a blade twice as hard as stainless steel, with sharpness that lasts 200 times longer than conventional edges. The single-bevel design emulates the classic yanagiba with a concave back, reducing friction for effortless, drag-free cuts. The lightweight ceramic construction enables extended use without hand fatigue, while the advanced material requires minimal maintenance and virtually eliminates sharpening routines.

The cutting experience transforms sashimi preparation from a technical challenge into a flowing motion. The exceptional sharpness preserves delicate fish texture and cell structure that duller blades tear and compress. The friction-reducing concave back allows the blade to glide through ingredients with minimal resistance and maximum control. The lightweight design enables the precise, continuous strokes required for proper sashimi cutting without the arm fatigue associated with metal blades. The ceramic material doesn’t impart metallic taste or oxidation to delicate seafood, keeping every flavor entirely clean.

Click Here to Buy Now: $300.00

What We Like

  • The ceramic material maintains sharpness 200 times longer than conventional steel blades
  • The non-reactive material prevents metallic taste transfer to delicate seafood

What We Dislike

  • The ceramic blade, while exceptionally hard, is more brittle than steel and requires careful handling
  • The specialized design focuses on sashimi and delicate work rather than general-purpose cutting

2. Nagatani-en Iga-yaki Donabe

The donabe is arguably the single most important vessel in Japanese home cooking, and the Nagatani-en Iga-yaki version is the one professionals reference when the subject comes up. Made in Iga, Mie Prefecture, from clay drawn from ancient sediment layers unique to the region, the pot’s porous walls absorb heat slowly and distribute it evenly, creating conditions that braise meat, steam vegetables, and cook rice in ways that modern stainless steel and ceramic-coated vessels simply cannot replicate. There is a textural depth to food cooked in a donabe that registers immediately.

Nagatani-en has been crafting donabe in Iga for generations, and the design reflects that continuity. The textured clay exterior and smooth interior create a vessel that reads as a sculptural object as readily as a cooking tool, something worth leaving on the stovetop between uses. Available in the US through TOIRO Kitchen, where each piece is individually checked before shipping, it arrives ready for first use after a simple initial preparation. For a dad who treats cooking as a practice rather than a task, the donabe reframes what a pot is capable of entirely.

What We Like

  • The porous Iga clay distributes heat with remarkable consistency, transforming braises, steaming, and rice cooking
  • The design is as much sculpture as cookware, worthy of staying out on the stovetop between uses

What We Dislike

  • Requires a short initial preparation process before first use to condition the clay
  • Not compatible with induction cooktops without a separate converter plate

3. Iron Frying Plate

Western dining creates an artificial separation between cooking vessel and serving dish, transferring food from pan to plate in a ritual that cools ingredients and adds cleanup steps. The Iron Frying Plate eliminates that middleman: the frying pan is your plate, the plate is your frying pan, collapsing cooking and eating into a seamless experience. Crafted from rust-resistant mill scale steel with a detachable wooden handle, this cookware brings out superior flavors and textures while reducing the barriers between preparation and enjoyment. The uncoated surface comes ready to use immediately, requiring no seasoning or special preparation rituals.

The boundary-blurring design creates intimacy with your food that standard plating disrupts. Eggs sizzle on your breakfast table, fish arrives still crackling from the heat, and vegetables steam visibly as you lift your fork to your mouth. The immediacy preserves temperature, texture, and visual drama that dissipate during transfers. The detachable wooden handle attaches and releases with one hand, transforming cookware into serveware in seconds. The rust-resistant mill scale steel develops natural non-stick properties through use without chemical coatings. The design invites slower, more attentive eating, pacing yourself with a vessel that retains heat and presence throughout the meal.

Click Here to Buy Now: $69.00

What We Like

  • The cook-and-serve design preserves temperature and texture better than transferred plating
  • The one-handed handle attachment provides seamless transitions from stove to table

What We Dislike

  • The hot serving surface requires careful handling and might not suit households with young children
  • The iron construction adds weight compared to standard plates

4. Benriner Super Mandoline Slicer No. 95

The Benriner has been the vegetable slicer of record in professional Japanese kitchens for decades, made in Yamaguchi Prefecture with an edge quality that made it standard equipment long before Western food media caught up. The No. 95 Super Benriner is the larger professional model, featuring four ultra-sharp Japanese stainless steel blades covering uniform slicing, julienne, and fry-cut work at a price that makes it one of the few genuine bargains in serious kitchen equipment.

Where most mandolines frustrate cooks with inconsistent blade adjustment and loose mounting, the Benriner holds its settings reliably cut after cut. Katsuobushi shaved paper-thin, daikon cut to near-translucent rounds, cucumber ribboned for sunomono: the cuts that separate restaurant-quality Japanese food from home attempts are largely a function of this tool.

What We Like

  • Four interchangeable Japanese steel blades handle everything from paper-thin slices to julienne cuts with professional-grade precision

What We Dislike

  • A cut-resistant glove is essential for safe use, and one isn’t included with the slicer
  • Can feel slightly unstable when processing larger produce without the finger guard properly seated

5. Hinoki Essence Cutting Board

Cutting boards in Western kitchens lean toward two extremes: hard plastic that preserves knife edges but feels clinical, or soft wood that comforts hands but dulls blades. The Hinoki Essence Cutting Board achieves the balance that Japanese cypress is renowned for: medium hardness that offers resistance without damaging knives. The majestic hinoki wood naturally resists mold, while the water-resistant silicone coating penetrates wood fibers to prevent damage. The gentle, rounded shapes and integrated handle provide both aesthetic grace and practical functionality for hanging and hygienic drying.

The cutting experience on hinoki transforms knife work from task into sensory practice. The wood provides satisfying feedback without the harsh impact of hard surfaces or the mushy give of soft materials. The natural aroma of cypress adds olfactory dimension to food preparation, creating an atmosphere that plastic and bamboo cannot replicate. The integrated handle facilitates hanging storage that promotes air circulation and drying. The water-resistant treatment extends durability without coating the surface in synthetic films. The gentle curves blend naturally with contemporary kitchen interiors while honoring traditional Japanese woodworking aesthetics. Paired with the ceramic sashimi knife, this is the right surface for the right blade.

Click Here to Buy Now: $75.00

What We Like

  • Hinoki’s medium hardness protects knife edges while delivering satisfying, precise cutting feedback
  • The natural cypress aroma adds a sensory quality to prep work that no synthetic material can offer

What We Dislike

  • Wood requires more care than plastic, including occasional oiling and thorough drying after washing
  • The premium material comes at a higher price point than most cutting boards on the market

6. Oku Knife

Every knife you own lies flat on the table. That’s not a law of physics, just a 400-year-old habit nobody bothered to question. Scottish metalworker Kathleen Reilly questioned it during a residency in Tsubame-Sanjo, Niigata Prefecture, one of Japan’s most celebrated metalworking regions, and the answer was Oku: a table knife with a folded handle that hooks over the edge of a plate or wooden board, holding the blade elevated entirely off the surface.

The knife is made by craftspeople in Tsubame-Sanjo using techniques refined over four centuries, from domestically produced high-quality stainless steel. The paired wooden boards come from Karimoku Furniture, Japan’s leading wooden furniture maker, using sustainably sourced Japanese forest wood. For a dad who cooks with intention, Oku adds something most kitchen tools cannot: a design that creates dialogue between cultures, between Eastern arrangement philosophy and Western dining conventions, and between the object and whatever surface it is placed on. Nothing else on the table will look like it.

What We Like

  • The folded handle elevates the blade completely off the table, keeping the cutting edge cleaner between uses
  • A genuine cultural collaboration between Scottish design sensibility and 400-year-old Japanese metalworking craft, with a story worth telling at the table

What We Dislike

  • Availability is through the designer’s studio rather than a mainstream retail channel, which takes more effort to source
  • The concept-forward design is purposefully singular, working as a table knife rather than a multi-purpose kitchen workhorse

7. Suribachi and Surikogi Set

Grinding in Japanese cooking is fundamentally different from crushing. The suribachi achieves that distinction through its ridged ceramic interior, where scored grooves catch and shear ingredients rather than simply pressing them flat. Making gomadare sesame sauce, the kind that appears in cold noodle dishes and spinach salads at high-end Japanese restaurants, depends entirely on this action: sesame seeds releasing their oils through friction against the ridges rather than being pulverized against a smooth surface. No Western mortar produces this result or this texture.

The suribachi and surikogi set from Akazuki comes in three nested sizes, made from unglazed ceramic with the traditional scored interior that defines the tool. The wooden surikogi pestle grips the ridges effectively without damaging the bowl. For a dad who already cooks Japanese food with confidence, this closes the last gap in most Japanese-inspired home kitchens. For one who is beginning to explore the cuisine properly, it introduces a grinding technique that changes how sauces and dressings taste from the very first use.

What We Like

  • The ridged ceramic interior releases oils and extracts flavor from seeds and aromatics in ways no smooth mortar can replicate
  • The nested three-piece set covers different ingredient volumes without requiring multiple tools

What We Dislike

  • The ceramic bowl requires careful handling and won’t survive a drop onto a hard floor
  • Developing a consistent grinding rhythm takes a few sessions, particularly when working with sesame seeds

8. BALMUDA The Kettle

Temperature is one of the least visible but most consequential variables in Japanese cooking. Dashi performs best within a specific heat range. Green tea becomes bitter above 80°C. BALMUDA The Kettle approaches precision temperature control with the same seriousness that Tokyo-based BALMUDA brings to every product it makes: a minimal design language wrapped around functional performance that makes the object as intentional to look at as it is to use.

BALMUDA’s attention to proportion is visible in the kettle’s structure: a wide base tapering to a narrow, curved gooseneck spout engineered for controlled, targeted pouring. This matters for precise dashi work, for pour-over preparations, for the temperature discipline that separates a thoughtful Japanese home cook from someone following a recipe. The Kettle is not a generic appliance that happens to look elegant. It’s an object designed to make a daily preparation ritual feel considered, which is exactly what Japanese kitchen culture asks of every tool it produces.

What We Like

  • The precision gooseneck spout allows controlled, targeted pouring for dashi, tea, and any temperature-sensitive preparation
  • BALMUDA’s build quality and visual design make it as worthy of display as of daily use

What We Dislike

  • The premium brand carries a price considerably higher than functional alternatives with comparable temperature control
  • Some home cooks may want more granular degree-specific settings than the kettle’s range provides

The Gift That Gets Better Every Time He Cooks

Japanese kitchen tools don’t compete with each other for drawer space. They each occupy a specific role with such precision that using the wrong version becomes apparent the moment you try the right one. This collection covers that full range: the tools that produce results no substitute can replicate and the surfaces that make everything they touch perform better. Together, they build a kitchen that takes cooking seriously from prep board to serving vessel.

Father’s Day gifts often end up used once and forgotten. The tools here don’t work that way. A donabe improves every time it’s fired. An Oku knife perches at the edge of every plate it touches, carrying the weight of four centuries of craft. A hinoki board holds the character of every preparation made on its surface. These aren’t purchases. They’re the beginning of a cooking practice that rewards attention for years.

The post 8 Japanese Kitchen Gadgets & Tools That Make Dad Feel Like a Michelin-Star Chef This Father’s Day first appeared on Yanko Design.

Tetro Arquitetura’s Xingu House Turns a Complex Brazilian Hillside Into Something Extraordinary

Perched above ancient stone walls in Nova Lima, Minas Gerais, the Xingu House reads less like a building and more like a geological event. Designed by Belo Horizonte–based studio Tetro Arquitetura — led by principal architects Carlos Maia, Débora Mendes, and Igor Macedo — the residence occupies an 8,000-square-meter plot that arrives with its own history, its own landscape, and its own set of demands.

The site is layered in a way that most architects only dream about. Stone walls left over from a previous structure carve through the terrain, native forests press in from the edges, grassy plateaus open to sweeping mountain views, and somewhere beneath it all, a cave sits waiting — earmarked as the home’s future winery and cheese cellar. Tetro didn’t try to simplify any of it. The shape of the house is a direct answer to every peculiarity the land threw at the team.

Designer: Tetro Arquitetura

The studio’s starting point was straightforward: find the best view and push the residents toward nature at every opportunity. That intent shaped everything. The main volume of the house lifts six meters above the natural ground level, floating over the old stone walls and giving the two primary suites an uninterrupted panorama of the surrounding mountains. What makes this possible are the thick, irregularly-shaped concrete pillars rising from below — structural forms that pull double duty by housing bathrooms, the staircase, an elevator, and service areas within their mass.

The program is divided across three distinct sectors, referred to internally as “tips.” The elevated main volume holds the primary suites; the other two tips extend outward and settle onto the plateau created by the old stone walls, containing the guest accommodation. The result is a home that doesn’t sit on its land so much as reach across it — arms extended, each pointed toward a different fragment of the terrain.

The relationship between structure and nature becomes even more deliberate at the spa. Rather than attach it to the main house, Tetro designed it as an entirely separate volume — one that threads itself between existing trees rather than displacing them. Inside, a sauna, changing rooms, a resting area, and a gym make up the program, all sheltered within a shape that responds to the forest rather than imposing on it.

At 1,500 square meters, the Xingu House carries the kind of complexity that can easily become noise. Tetro keeps it quiet — letting raw concrete, native landscape, and a clear sense of purpose do the talking.

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A Student Just Designed a Self-Driving Beehive for Cities

Bees are in trouble, and we’ve known this for a while. Colony collapse disorder, habitat fragmentation, pesticide exposure, urban sprawl cutting off foraging routes. The list is long and the consequences, frankly, are dire. What we haven’t had until now is a design response that feels both beautifully pragmatic and genuinely hopeful. Nicolas Nielsen’s Hyve, a finalist at the 2026 Rimowa Design Prize, might just be that. And the way it looks is a big part of why it works.

The form is immediately disarming. Hyve is a four-wheeled autonomous vehicle with a rounded, softly rectangular body finished in a matte granular silver, the kind of surface texture that reads as both industrial and tactile. It’s compact and low-slung, with a silhouette that sits somewhere between a utility rover and a vintage camper van. That reference isn’t accidental. The proportions are warm rather than clinical, and the overall object has a personality that most eco-tech concepts deliberately avoid. It doesn’t look like it’s trying to save the world. It looks like it belongs in it.

Designer: Nicolas Nielsen

The canopy is one of the more quietly intelligent details. A translucent mesh shell arches over the top of the body, held in place by thin wire-like supports that read almost like antennae. From above, it’s gauzy and semi-transparent, allowing you to sense the living colony beneath without fully exposing it. The mesh serves a real function: ventilation, protection, light diffusion. But it also gives Hyve an organic quality that the rest of the machine-finished body doesn’t have. The tension between those two registers, the engineered and the biological, runs through the entire design.

On one face of the body, a cluster of circular bee entry ports is arranged in a near-grid pattern. Each one is recessed slightly into the body and emits a warm amber glow from inside, as if the colony itself is producing light. It’s a small detail that does a lot of work. It signals life. It communicates that something living is operating from within this machine, which is exactly the conceptual point Nielsen is making. The opposite face carries a single large oval recess, more utilitarian, balanced against the ports’ almost decorative quality.

The exploded drawings tell the fuller story. The interior is layered: a living habitat tray sits within the body, holding the actual comb and colony, with a perforated ventilation layer separating it from the mechanical systems below. A hydrogen fuel cell unit, boxy and neatly vented, sits at the rear of the chassis. Below everything, a tubular steel frame supports the four independently driven wheels, each one milled with spoke detailing and fitted with wide-tread tires that have a suggestion of orange at the hub. The assembly reads like a small, purposeful machine. Every component has a clear role, and nothing looks over-engineered.

The interior view is the one that stops you. Looking directly down through the canopy into the colony chamber, you see a dense, organic landscape of moss, comb and natural building material. It’s wild and textured and completely alive, framed by the precision geometry of the machine around it. Nielsen made no attempt to tidy it up or render it neutral. The contrast between the manicured exterior and the raw interior feels intentional, like the design is making a quiet argument: that nature doesn’t need to be controlled to be held.

Seen outdoors, resting on rocky terrain with the ambient light catching the silver body and the amber ports glowing in the dusk, Hyve looks like it genuinely belongs in a landscape. Not as a foreign object dropped into nature, but as something designed to move through it with care. That’s a harder thing to pull off than it sounds. A lot of sustainability-focused design ends up looking apologetic, as though the object is embarrassed by its own existence. Hyve doesn’t have that problem. It’s confident, considered, and clearly built by someone who understood that how a thing looks is part of what it says. Nicolas Nielsen said something worth listening to.

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This LEGO Bob the Builder Set Just Unlocked a Memory You Forgot You Had

There are television theme songs that live in your nervous system long after the show has faded from memory. “Bob the Builder, can we fix it? Bob the Builder, yes we can!” is one of them, an earworm so potent that even reading those words probably just triggered a full playback somewhere in your brain. The show itself ran from 1998 well into the 2000s, following Bob and his sentient, goggle-eyed construction fleet through a series of building projects that always, reassuringly, got finished on time. It was comfort television before comfort television had a name, the kind of show that made Saturday mornings feel genuinely safe and warm.

Someone has now translated that comfort into 1,050 bricks. The Half Blood Baron’s LEGO Ideas submission recreates the full cast of Bob’s construction yard, with five individual vehicles and minifigures of Bob and Wendy, each built to be displayed together or played with separately. The result is one of those rare fan builds that earns its nostalgia rather than just trading on it.

Designer: The Half Blood Baron

The five vehicles are where the real craft lives. Scoop, the yellow backhoe loader, is probably the most technically accomplished of the group, with both a front bucket and a rear boom arm rendered with real articulation, plus a cab interior detailed enough to include a tiny steering wheel. Muck, the red tracked dumper, uses LEGO tank tread elements for the continuous track system, and the grille treatment on his face, rows of grey bars forming that wide, slightly manic grin, is surprisingly expressive for something assembled from plastic bricks. Roley, the green road roller, has that chunky, purposeful silhouette nailed, with the compactor drum sitting correctly up front and an open cab frame topped with an amber warning light that construction nerds will immediately recognize as period-accurate.

My favorite of the five, though, is Lofty. The blue mobile crane rides on a six-wheel chassis that gives him that wide, stable, slightly nervous presence the character always had on screen, and the boom arm actually extends and terminates in a proper hook. There is something genuinely satisfying about a LEGO crane that has a working hook. It is a small detail that costs the builder real problem-solving effort in terms of part selection and geometry, and it pays off every time you look at it. Dizzy, the orange cement mixer, rounds out the fleet with an oversized toothy grin that is probably the most faithful character likeness in the whole set, the rotating drum body translating into bricks with an almost uncanny accuracy.

The two minifigures, Bob in his dungarees and yellow hard hat and Wendy in her green top, sit comfortably in scale with the vehicles, small enough to look like operators rather than giants. I guess LEGO lends itself beautifully to the franchise too, which has a similar plastic minifigure design – the result is LEGOnBob and Wendy looking almost exactly like the original. The builder notes that every vehicle is built to be both displayed and played with, which is exactly the right call for a set that needs to work for nostalgic adults and actual children in equal measure.

The Half Blood Baron’s Bob the Builder set is currently gathering votes on LEGO Ideas, the online platform where fan-made MOCs (My Own Creations) accumulate community support toward a 10,000-vote threshold, after which LEGO’s internal team reviews the build for potential production as a retail set. With 1,172 supporters so far and 561 days left on the clock, there is plenty of runway. If your Saturday mornings once belonged to Sunflower Valley, head over and cast your vote here.

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Navee WaveFly 5X flying speedboat skims inches above water and needs no pilot license

Personal mobility aircrafts are a continued obsession of the rich and the affluent, but the idea has remained pretty much curtailed to a few flying crafts popping up here and there. Now, the latest one to surface is designed as a cusp between a speedboat and a personal aircraft. It’s an aircraft but meant to remain exceptionally close to the water surface and fly at interesting speeds like a speedboat gliding above the water surface.

This is Navee WaveFly 5X, and it is designed in, yes right, China. Navee is a Chinese company that is known best for its electric scooters and has now created this two-person capacity aircraft. Touted as the world’s first consumer-grade wing-in-ground craft, it has a top speed of 53 MPH and is a novel flying experience that you cannot know until you have tried.

Designer: Navee

To try and experience the WaveFly 5X, Navee CEO took the aircraft for its first spin on Lake Taihu in Suzhou, eastern Jiangsu province. The low-altitude water mobility craft skimmed just above the water surface using ground-effect technology. The tech allows the craft to glide on a cushion of compressed air, which is trapped between the craft’s wings and the water below. So, this flying speedboat flies at about 53 MPH at only 30- to 50 cm above the water surface. The flight is smoother and without the bumps you experience in the speedboat riding over the wavy waters.

Personal mobility is obviously not a mass idea; the Navese craft is targeted at the luxury recreation market and those with a fondness for maritime transportation. The vehicle can be piloted without training or a license. It has a payload capacity of 140kg and offers a range of up to 50 miles (80 km). The craft is powered by hot-swappable batteries that can be recharged before you can prepare a cup of coffee and have it.

Being considerably lightweight to skim above the water surface, the WaveFly 5X is made from aerospace-grade carbon fiber. It does not need a runway to take off and land. It is designed more like a speedboat than an aircraft, and can therefore land and take off from over a calm waterway. All these features come for a premium price tag. The WaveFly 5x is priced at $199,999 and is available for pre-order now. You can have the craft customized in the color and accessories of your choice upon purchase.

Considering the hefty price and limited mobility, you’d expect that the Navee WaveFly 5X will not find many takers. But the company confirms that several distributors from various parts of the world have signed up with interest letters already. The launch via a test flight has definitely instilled more trust and confidence, and we are expecting to see more takers lining up in the near future.

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