DBrand Circuit Board Skins make your Gadgets Glow in the Dark when exposed to UV light

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Nothing has made see-through aesthetics for gadgets mainstream, and they are inspiring other bold brands to create transparent product lines that expose the internal components like complex circuitry. Another design variation that people swear by is glow-in-the-dark.

DBrand has brought its unique take on spicing up things for geeks obsessed with their gadgets. Using a unique process to 3D print skins that have a tactile feel and accurate representation of the internal components, they’ve released a series in collaboration with famous YouTuber LinusTechTips. These cool skins are available for devices like the iPhone 16 series, 14-inch M4 MacBook Pro, flagship Galaxy devices, Pixel 9 series, Xbox Series X, and more.

Designer: DBrand

To maintain the authenticity of replicating complex innards on the surface of your gadgets, they hired PCB engineers to scrutinize every component. Pretty detailed this Circuit Board skin collection is, has to be said. The three-dimensional design gives each of these skins a slight texture, making this accessory hard to resist even though you might have used innumerable other options.

The patterns have been created prioritizing aesthetics over functionality, hence, they are accurate representations of printed circuit boards and not actual PCB mirrored from the device in question. It is a mosaic of elements like capacitors, resistors and traces. The brand does offer a more authentic PCB appearance with the X-Ray skins line, but we are already drooling over the glow-in-the-dark feature. This version is manufactured with high-performance phosphorescent vinyl which appears glowing green when exposed to UV light. In normal lighting, it appears in an off-white yellowish tint. DBrand is including a UV flashlight in the package for the first batch of orders.

If you are not a fan of the glow-in-the-dark feature, the Circuit Board skins can also be had in a triple black finish or orange-and-white design. In total this new line covers 741 different products, and the prices start from $40. For the initial period, a discount is also available, so you better buy it right away, if you’re totally into the idea.

The post DBrand Circuit Board Skins make your Gadgets Glow in the Dark when exposed to UV light first appeared on Yanko Design.

First trailer for A Minecraft Movie delivers on iconic in-game moments

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A Minecraft Movie has dropped its first full-length trailer today, expanding on the blocky world hinted at by the teaser released in September. While the game Minecraft gives players only the barest sense of direction, there will be a traditional story driving A Minecraft Movie.

Jack Black provides a voiceover about how his character, Minecraft mascot and stock avatar Steve, was drawn to the mines as a child and discovered the Overworld. He teams up with four other people, seemingly from the real world we know, to protect the Overworld from "dark forces" with their inventiveness and creativity. This all sounds like pretty standard fare for a video game movie — rag-tag group of misfits band together and learn the power of friendship. It's unclear whether their foes will be baddies from the Nether or the End, because while those can be a pain, they canonically don't seem interested in world domination.

But I'm not here for a clever, compelling plot. The trailer is a sizzle reel of familiar in-game experiences, and that's exactly what I want. Taming a wolf with a bone, making a chicken-roasting redstone machine and nighttime coming way faster than you want it to all get their due. The team certainly did their homework on that front. The art style they've chosen doesn't speak to me, but I'm also willing to admit to some bias after hundreds of hours spent looking at the original source material. I'm also not sure if they'll stick the landing on the humor and emotion or whether it'll fall flat like an elytra that's run out of juice. We'll find out when A Minecraft Movie releases on April 5, 2025.

This article originally appeared on Engadget at https://www.engadget.com/entertainment/tv-movies/first-trailer-for-a-minecraft-movie-delivers-on-iconic-in-game-moments-210252851.html?src=rss

Microsoft’s Flight Simulator 2024 launch day users seeing long loading times

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If you tried to get some flight time in Flight Simulator 2024 today only to find yourself staring at a loading screen, you’re not alone. The official X page for Microsoft’s flight sim @MSFS_Support posted an update that several users are reporting “long initial loading times.” Not exactly the debut anyone was hoping for.

The post blames the game’s slowdown on the large number of server requests trying to log into the game at once — maybe something Microsoft should have expected. The post also recommends rebooting your computer or console if the initial load makes it past 90 percent mark and then stalls out. If it’s under 90 percent and still loading, Microsoft advises “waiting to allow the loading to proceed as normal.” Our own Kris Holt has been stuck looking at the very same loading screen for around 45 minutes.

Xbox launched Flight Simulator 2024 and added it to its Game Pass Ultimate catalog for PC, Xbox Series X/S and the cloud today following a technical alpha test in October for the PC version. Microsoft recommends running the game on PCs with an AMD Ryzen 7 2700X CPU, a Radeon RX 5700 XT GPU, 8 GB of VRAM, 32 GB of RAM and 50 GB of storage space.

This article originally appeared on Engadget at https://www.engadget.com/gaming/microsofts-flight-simulator-2024-launch-day-users-seeing-long-loading-times-203805287.html?src=rss

Jaguar’s Rebranding feels ‘Confusingly Generic’ as the Luxury Carmaker Announces New Visual Identity

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The new logotype, which looks indistinguishable from the Motorola font, makes the Jaguar feel ‘toothless’.

I didn’t have a Jaguar rebrand in my 2024 bingo cards, but honestly, this year has been curveball after curveball, hasn’t it? The British luxury automobile brand just unveiled its rebranding, characterized by 4 new elements that make up Jaguar’s fresh look to usher in its EV-only push. The new branding orbits around four meticulously designed elements.

First is the “Device Mark,” a logo stripped of excess yet bold in its restraint. Its symmetry hints at balance—a nod, perhaps, to the duality of tradition and innovation Jaguar aims to master. Then there’s the “Strikethrough,” a graphic motif that almost slices through the air with modernity, destined to carve a permanent space in Jaguar’s visual lexicon. The “Exuberant Colors” go even further, injecting vibrancy and connecting the brand to the artistic world. Finally, the “Makers Marks”—a duo of the traditional leaper emblem and a sleek monogram—grounds the brand in its storied history while letting its typography flirt with the contemporary.

Jaguar’s Chief Creative Officer, Professor Gerry McGovern, frames this shift as a reclamation of identity. This is a reimagining that recaptures the essence of Jaguar, returning it to the values that once made it so loved, but making it relevant for a contemporary audience,” he says. The implication (given the assets shared by Jaguar) hints at the company viewing themselves as less of a car brand and more of a luxury brand. The exuberant colors of the campaign imagery look like something out of a fashion magazine, which fails to address the most important part of Jaguar’s brand – its automotive part. In fact, none of the images even have a car in them, or hint at anything car-related.

The new logotype opts for a curved, sans-serif font that ditches Jaguar’s original aesthetic entirely. It’s somewhat ironic that Jaguar brings up a quote by its founder, Sir William Lyons who said “A Jaguar should be a copy of nothing,” when the logo instantly appears generic or ‘seen before’. The Device Mark tries to create a difference by boldly eschewing the branding styles of automotive companies; but in doing so, falls into the trap of feeling familiar, and not the good kind. The font somewhat resembles the logotype of Motorola, with the Jaguar’s G looking vaguely like Google’s G.

Obviously, my opinions are broadly my own, but show the logotype to someone completely new to the automotive world and they’re least likely to guess it belongs to a company that made something as ferociously fast as the F-Type. The Strikethrough gets a subtle yet significant change, however, with the jaguar being flipped to face towards the right instead of the left. A little easier to grasp as an outsider, this change does two things – it differentiates Jaguar from Puma, which both had left-facing feline logos, and secondly, it makes the jungle cat look like it’s lunging forward instead of backward. The lines of the strikethrough don’t provide much of an explanation for their presence, although they could at least bend around the Jaguar to make it look like a wind tunnel test.

Overall, the branding feels drastic, confusing, and outright rejects everything the British marque built over the past 102 years. It isn’t like Audi’s rebrand from last week, which meaningfully announced a new collaborative EV line exclusive to its China marketplace while still retaining the four-logo identity for the global brand. This rebrand on Jaguar’s part doesn’t explain much, especially when there’s no actual context in the picture.

The car company hasn’t announced any new cars that go with the branding, making the logo and visual identity feel confusing. The Device Mark presents a strange mashup of Motorola and Google, the Strikethrough creates ‘grills’ that famously don’t feature on EVs, the Makers Mark looks appealing but lacks any context, and the Exuberant Colors (the posters shown below) have absolutely zero reference to cars at all.

Jaguar’s campaign imagery mentions nothing about automobiles. There isn’t a car to be seen in any of the posters.

I don’t want to discount Jaguar’s efforts with its rebrand – let’s just say they probably know something I don’t. My opinions aside (even though they’re rather strong), Jaguar’s new identity comes just days before the company unveils the Jaguar Design Vision Concept – a conceptual automobile that serves as a guiding point for the carmaker’s future endeavors. With a commitment to launch a completely new slew of all-electric vehicles by the end of the decade, Jaguar is hoping the rebrand performs a ‘complete reset’ according to Managing Director Rawdon Glover.

History, at least, is on Jaguar’s side. The brand has repeatedly proven its ability to adapt and evolve, from the sleek lines of the E-Type to the modern flair of the I-PACE. This latest transformation is timed perfectly, albeit with the stakes turned up to eleven. Yet, reinvention always comes with risks. Will this new identity alienate loyalists who cherish Jaguar’s old-world charm? Can the brand authentically straddle the line between exclusivity and accessibility, artistry and practicality? These are the big questions Jaguar faces, and they’ll only be answered as its plans unfold in the years to come.

The post Jaguar’s Rebranding feels ‘Confusingly Generic’ as the Luxury Carmaker Announces New Visual Identity first appeared on Yanko Design.

The Oura Ring Gen 3 drops to a record low on Amazon for Black Friday

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Smart rings are having a moment, and now you can get one of the most popular models at a deep discount. The Oura Ring Gen 3 is on sale for as low as $249, depending on the style you decide to pick up. You’ll get the lowest price on the black and silver finishes, while the brushed titanium and stealth materials are on sale for $279, down from the usual of $349. The premium gold and rose gold rings are down to $349 instead of the usual $449.

The company did just release the Oura Ring Gen 4, so this deal won't give you the most cutting edge developments in sensors and design. But for someone who wants a less intrusive approach to a wearable, the Gen 3 still has a lot to offer.

Our review by Daniel Cooper pointed out that the Oura Ring offers impressively accurate readings even though all its sensors are packed into a much smaller form factor than a smartwatch. While he felt the design of the ring is a little bulky, in practice it was easy to forget that he had it on.

Keep in mind that unless you're upgrading from another Oura product, you'll want to buy the size guide to make sure your new ring fits correctly. When you do buy a sizing kit for the Gen 3, you'll get $10 towards the purchase of the actual wearable.

Check out all of the latest Black Friday and Cyber Monday deals here.

This article originally appeared on Engadget at https://www.engadget.com/deals/the-oura-ring-gen-3-drops-to-a-record-low-on-amazon-for-black-friday-195248194.html?src=rss

Dragon Age: The Veilguard is beautiful in every way

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I can't stop staring at Dragon Age: The Veilguard. Whether I'm exploring the game's home base in the dream-like Fade, or a forest shimmering with golden leaves and wild magical energy, the game simply looks gorgeous. And, if you've got the graphical horsepower to see it, it also delivers some of the most sumptuous ray tracing I've ever seen. There's a level of polish across every aspect of the game, including its new action-oriented approach to combat, that's simply glorious to behold.

Veilguard continues the story of the decade-old Dragon Age Inquisition, which was most notable for the shocking ending of its DLC. It turned out that Solas, one of your more cantankerous companions, was actually an Elven god hellbent on destroying the Veil, a boundary he created to separate the real world from the spirit-filled Fade. Oh, and that's where he also trapped even more evil Elven gods. Solas considered himself a hero, but then again, so did Marvel's Thanos.

This time around, you play as Rook, a new recruit enlisted by series regular Varric to track down Solas before he tears down the Veil. That happens sooner than you'd think — your team finds him and stops his magical ritual in your first mission. But doing so unleashes two very pissed off Elven gods, who proceed to wreak havoc across Thedas.

BioWare wastes no time showing off its new aesthetic for Dragon Age. The game's characters are more stylized than in Inquisition, but I didn't mind the slight loss in realism. If anything, it makes this entry feel more distinct from previous Dragon Age titles. The sense of style carries over to every environment, as well. The Lighthouse, your base of operations, is a stunning series of medieval buildings floating in the middle of a dreamy, magical storm. I’d often find myself just staring off into the distance of the Fade, imagining what else lay beyond the horizon. That’s something I found myself doing in every new location, the detail in the world hints at thousands of untold stories.

Dragon Age: The Veilguard
BioWare

For a game that was rebooted several times, and suffered some notable turnover (including losing its original creative director, Mike Laidlaw), Dragon Age: The Veilguard is surprisingly well-constructed. And throughout my twenty hours with the game (so far), it’s that level of craft and quality I appreciate the most.

While the storyline isn't exactly groundbreaking, I haven't been able to put down Dragon Age: The Veilguard because it's such a joy to play. The new combat system is more action-oriented than before (think of the difference between Mass Effect 1 and 2), with counters and special moves reminiscent of the recent God of War. You can't directly control your companions, but you can have them deploy special abilities that can either aid you or attack your enemies. It's a well-balanced system that makes small encounters feel genuinely fun, and it allows for some epic boss fights (some of which have lasted nearly 10 minutes and left my controller a sweaty mess).

Dragon Age: The Veilguard
BioWare

As you level up, you can tweak your character to your liking with Veilgaurd's massive skill tree. I've honed my Rook to be a lightning-fast dual-sword wielding Rogue who isn't afraid to whip out her bow for the occasional headshot. (You can also choose from Warrior and Mage classes early on, which should be pretty self-explanatory.) Each skill tree has three specializations: Rogues, for example, can choose to be Veil Rangers (an archery emphasis), Saboteurs (specializing in traps and poison) or Duelists. Personally, I'm a sucker for the Duelist's double sword action.

Battles can get hectic, and thankfully Dragon Age: The Veilguard performs well enough to keep up. While playing on a PC powered by an AMD Ryzen 9 7950X and NVIDIA RTX 4080 Super GPU, the game managed to stay well above 100fps while playing in 4K with DLSS, "Ultra" graphics and ray tracing settings. If you have the hardware to support it, this will likely become a new showpiece for the possibilities of ray tracing: Lighting from the sun and magical elements realistically hits characters and the environment, and shadows across the board look more natural.

Dragon Age: The Veilguard
BioWare

But I was also surprised to find that Veilguard was also still very playable on my Steam Deck, albeit with low graphics settings (definitely no ray tracing) and a basic 30-to-40fps. That's certainly not the ideal way to play, but it's helpful for dealing with side missions in bed, or on the go. Given how well it performs on a mere handheld, I'd bet the game would play well on low-end and mid-range GPUs, as well as consoles, without much of a sweat. (And if you want to revel in advanced ray tracing features from your couch, there's also support for the PlayStation 5 Pro.)

Beyond merely looking great, Veilguard kept me hooked because of BioWare’s attention to its characters. I enjoyed strolling through Docktown with Neve, who warmed up to my character (also a fellow Shadow Dragon) while discussing how much she loved her rundown neighborhood. I helped Davrin come to terms with his new role raising one of the last Griffons in the world, and I learned about the trauma behind Bella’s typically warm demeanor. As usual, you can romance any of your companions (how can you not love Neve?), and there’s still plenty of fun to be had trying to set up those relationships.

Dragon Age: The Veilguard
BioWare

I’ll admit, it simply felt good to pour some hours leading a group of ragtag do-gooders to save the world against relentless odds. That’s pretty much every RPG and adventure story, sure, but who can deny the pleasure of killing a few evil gods? (Bringing on the combined talents of composers Hans Zimmer and Lorne Balfe to score the game likely also made me a bit more emotional.)

After Baldur’s Gate 3 failed to grab me (I’ll get back to it, I swear!), I feared that Dragon Age: The Veilguard would be another letdown. But it turned out to be exactly the sort of spectacle I needed: It’s beautiful to behold, fun to play and I genuinely enjoyed the new batch of characters. It’s BioWare at its best – I’m just hoping they can do the same for the next Mass Effect.

This article originally appeared on Engadget at https://www.engadget.com/gaming/dragon-age-the-veilguard-is-beautiful-in-every-way-193013807.html?src=rss

OpenAI will pay DotDash Meredith at least $16 million per year to license its content

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OpenAI is paying the digital media company Dotdash Meredith at least $16 million per year to license its content, according to public financial documents reviewed by Adweek. We already knew about this burgeoning partnership, but we didn’t have a financial figure. Now we do.

The actual payout could rise above $16 million per year, as it only reflects the “fixed” component of the payment. The “variable” component will be calculated in the future, according to a recent earnings call led by the chief operating and financial officer of Dotdash Meredith’s parent company IAC.

“If you look at Q3 of 2024, licensing revenue was up about $4.1 million year over year. The lion’s share of that would be driven by the OpenAI license,” CFO Chris Halpin said. “So that’s — on a quarterly basis — a good proxy for the revenue we’re recognizing. And then the variable components will be calculated and recognized in the future.”

Dotdash Meredith will license its content for OpenAI to train ChatGPT, but the publisher will also use the AI company’s models to boost its in-house ad-targeting tool. As part of this arrangement, ChatGPT will display content and links attributed to the various publications under the Dotdash Meredith umbrella.

These publications include stuff you likely already read, like Food & Wine, InStyle, Better Homes & Gardens, Lifewire and Investopedia, among others. Dotdash Meredith also owns and publishes the eco-conscious site Treehugger and we all know how great AI is for the environment. 

As a side note, I have written for multiple Dotdash Meredith publications throughout the years. Can a lowly copywriter get a taste of that $16 million please? Actually, never mind. Huge payouts are for overpaid executives and not for the people who actually make the thing that people click on. Silly me.

On the plus side, at least OpenAI is paying some companies to use content now. The entity has been sued by everyone from The New York Times to comedians like Sarah Silverman, all accusing it of using content without permission or any kind of payout.

Dotdash Meredith is just the latest publisher to offer its content to AI companies to help create our glorious shared future in which nobody makes anything except pithy messages on social media sites. The Financial Times entered into a similar arrangement with OpenAI. Book publisher HarperCollins is also getting in on the act.

This article originally appeared on Engadget at https://www.engadget.com/ai/openai-will-pay-dotdash-meredith-at-least-16-million-per-year-to-license-its-content-191756662.html?src=rss

Minecraft is getting its own theme parks

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Dust off your pickaxe because Mojang Studios and Merlin Entertainments are building a new series of theme park style attractions called “Adventures Made Real” that will bring the world of Minecraft to life.

Merlin Entertainments will create two permanent Minecraft theme park locations including one in the US and another in the UK with a plan to open them between 2026 and 20277. The new Minecraft parks will have interactive attractions from the top-selling video game, along with all the usual experiences like rides, gift shops and restaurants and plans to “expand these experiences to other destinations globally,” according to Merlin’s statement.

Of course, the parks will also involve some level of digital perks. It's not clear what they'll involve specifically, but Merlin claims the parks will include "touchpoints that will allow guests to unlock exclusive in-game content to continue their gaming journey."

Merlin Entertainments is the second biggest theme park builder in the world behind Disney. The company operates the LEGOLAND theme parks as well as theme parks such as Alton Towers Resort, Thorpe Park and Chessington World of Adventures in the UK, the Gardaland Resort in Italy and Heide Park in Germany.

This isn’t the only time Minecraft has lept from its pixelated, buildable universe into the real world. Warner Bros. released a trailer in September for the A Minecraft Movie starring Jack Black and Jason Momoa, with Jared Hess (Napoleon Dynamite) directing. A Minecraft Movie is scheduled for release on April 5, 2025.

This article originally appeared on Engadget at https://www.engadget.com/gaming/minecraft-is-getting-its-own-theme-parks-190603375.html?src=rss

What is Sonos’ Sound Motion technology?

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Last month, Sonos debuted its latest premium soundbar in the midst of a difficult year. The company initially delayed launching the $999 Arc Ultra, devoting more time to fixing the major issues that plagued its app since a botched update in the spring. Now that the soundbar is here, Sonos has rolled out its first product to feature its Sound Motion technology that offers increased bass performance from smaller components. This new transducer allowed the company to make other improvements to the Arc Ultra versus the original Arc, so it’s not just a matter of more low-end tone. So, what is Sound Motion exactly, and will it be available in other Sonos products?

The Sound Motion story starts with a company called Mayht. In April 2022, Sonos bought Mayht Holding BV, an audio company based in the Netherlands, for approximately $100 million. At the time, Sonos said Mayht “invented a new, revolutionary approach to audio transducers.” More specifically, the company re-engineered that foundational component of speakers to be smaller and lighter with no sacrifices to overall audio quality.

In a January 2022 interview with TechCrunch, Mayht CEO Mattias Scheek said the company began working on its speaker technology in 2016. He explained that the company would “defend” and license the tech rather than manufacture the drivers itself. Early potential use cases ranged from soundbars to compact subwoofers and smaller smart speakers. The company’s new approach would become the foundation for Sonos’ Sound Motion.

The first implementation of Mayht’s technology in a Sonos product via Sound Motion is inside the Arc Ultra soundbar. Sound Motion is a flat, brick-like driver where the motors are positioned at the sides and the membrane in the middle, allowing a greater range of movement for twice as much bass as the first Arc, by Sonos’ calculations. The four lightweight motors can displace more air inside the soundbar, which leads to increased low-end tone.

By replacing one large motor with four compact units, the Sound Motion transducer is up to three times smaller than a comparable “conventional” driver. But again, it still produces the same amount of bass. Those four motors power four voice coils, two moving in one direction and two in the opposite direction, enabling dual opposing diaphragms that cancel force and minimize vibrations. Sonos replaced cloth components with injection molded plastics for stable, linear travel. It also designed aluminum ribs to connect the motors to solidify the structure.

The motors themselves have a unique design. Sonos opted for dual magnets inside of each one to create increased force that gives the company more options when it comes to product design.

Sonos' Sound Motion driver offers twice the bass compared to the woofers in the original Arc.
Sonos' Sound Motion driver
Sonos

“Particularly when we’re talking about soundbars, we are always constrained by the size of the products,” Sonos’ vice president of audio Chris Davies explained to Engadget. “Being able to squeeze the profile down to this opens up opportunities for us to create something that’s new and different.”

Even with twice the bass output of the Arc, the Arc Ultra is nearly the same size as its predecessor. Not only is that due to the fact that the Sound Motion transducer is smaller than a conventional woofer, but also because the performance is so improved that Sonos only needed one to double the bass output. That difference is immediately apparent when you play some thumping, chaotic rock tunes from Better Lovers or Kaytranada’s electronic hip-hip, as I experienced first-hand during my review of the Arc Ultra.

The Sound Motion tech sits on the right side of the soundbar while the amplification electronics occupy the same space on the left. Due to this location, I could hear the bass coming from one side of the Arc Ultra if I stood up close, but at a comfortable sitting distance from my TV, the low-end blends seamlessly.

“We’re able to get more bass out of a small package,” Davies explained. “We’re also able to do that in a way that gives us other flexibility around the design of the product, the architecture of the product and so on.”

Sonos' Sound Motion driver is positioned on the right side of the Arc Ultra.
Sonos' Sound Motion inside of the Arc Ultra
Sonos

That flexibility is what led to improved overall audio performance on the Arc Ultra that’s a lot more than just adding bass. Since Sound Motion is designed to create a lot of bass from a compact component, Sonos then had the freedom to redesign the mid-range and high-frequency architecture as well. The company used multiple sizes of both mid-range drivers and tweeters for more positioning options, which allowed it to enhance the sound beamed out across a room.

“This is an evolution of what we've done,” he continued. “For Atmos content we’re doing a 9.1.4 rendering. This really is an augmentation of what we've done in the past, but it's adding a higher channel count by having all of these different elements now that we can play with.”

Sonos was able to employ two wide front channels to keep the sound stage immersive and use four separate height channels so that front and rear spatial sound wasn’t crammed together. The reconfiguration inside the Arc Ultra, again thanks to Sound Motion, also enabled the company to expand its speech enhancement feature with three levels of augmentation based on your needs.

“We've put a lot of energy into really trying to do a better job in terms of dialog clarity,” he said. As a result, Davies said, the company was able to deliver clearer dialog than in any of its soundbars ever.

The short answer: absolutely. You don’t spend $100 million on something to only put it inside one product. I’m willing to bet Sonos won’t just use it inside soundbars either. The company has already confirmed in its press materials that it anticipates “introducing more innovative products with Sound Motion in the future.” Sonos further explained that the use of the technology will depend on “the sound profile, design needs and price point” of any future speakers, and noted that each of its “acoustic architectures” are designed for the intended customer experience.

It’s easy to see how a small component capable of producing enormous amounts of bass would benefit Sonos’ more compact speakers. The company has consistently lacked deep low-end tone in products like the Era 100 and Move 2, despite the excellent clarity and detail these speakers exhibit. It would massively improve overall fidelity if Sonos could somehow cram a Sound Motion driver in future versions of these products. Additionally, the company’s most compact soundbar, the Ray, would be a much more compelling product for small spaces if it didn’t immediately require a separate subwoofer for adequate bass performance. With the Arc Ultra, for example, you can just use the soundbar for music since it has ample thump when a track demands it.

This article originally appeared on Engadget at https://www.engadget.com/audio/speakers/what-is-sonos-sound-motion-technology-183313680.html?src=rss

BDNY 2024: The Most Innovative Materials and Sustainable Design Take Center Stage

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The 2024 Boutique Design New York (BDNY) trade fair, held at the Jacob K. Javits Center on November 10-11, brought together visionaries from the hospitality design world, revealing bold new trends and groundbreaking innovations. With over 700 exhibitors and a record-breaking attendance of 20,000, the event showcased cutting-edge products, inspiring discussions, and invaluable networking opportunities for industry professionals.

Flexibility Reimagined in Wood Paneling

Surfacing Solution captured attention at BDNY 2024 with their innovative tambour panels and the introduction of Wide Plank Wood Wall and Ceiling Panels. With 37 years of industry experience, Surfacing Solution has become a leader in crafting versatile wood panels that address the evolving needs of hospitality design.

Surfacing Solution

Designer: Surfacing Solution + Zack Fistrovich

Inspired by the French word for drum, the company’s tambour panels blend aesthetics with functionality. These flexible wood panels bring warmth, texture, and visual appeal to surfaces such as walls, ceilings, pole wraps, wainscoting, and doors. Their standout feature is the seamless ability to cover flat surfaces and rounded corners, allowing designers to craft fluid wood surfaces that adapt to any architectural element.

Wide Plank Panels: A New Dimension in Design

Surfacing Solution also showcased its new Wide Plank Wood Wall & Ceiling Panels. Crafted from premium North American hardwoods—with exotic wood species also available—these panels ensure both durability and visual sophistication. The Wide Plank collection blends timeless tradition with modern elegance, transforming interior spaces into refined, inviting environments.

Surfacing Solution

The panels come in various exciting profile shapes to cater to different design aesthetics:

  • V-Groove Joint: This traditional profile features a V shadow line, creating a classic lodge ideal for rustic aesthetics. The tongue-and-groove interlocking mechanism provides a secure fit.
  • Interlock Joint: Designed for a minimalist look, this tight-fitting, seamless joint works well in modern spaces, pairing perfectly with tambour panels for a unified design.
  • Shadow Gap Joint: This versatile profile offers varying widths and spacings to achieve anything from classic to contemporary styles. The nickel gap tongue-and-groove interlocking feature ensures both functionality and striking visual appeal.

Available in standard and custom specifications, the Wide Plank panels give designers limitless possibilities to bring their vision to life. The panels can be stained or painted, making them adaptable to any design scheme. Additionally, FSC-certified options make these panels a conscious choice for sustainability-focused projects.

Surfacing Solution

Tambour Panels: The Backbone of Versatility

Surfacing Solution displayed a wide range of wood options for their tambour panels, including:

  • Standard woods: Red oak, white oak, poplar
  • Premium woods: Mahogany, cherry, ash, maple, walnut
  • Specialty woods: Purple heart, heat-treated ash/poplar

These panels are available in standard profiles of 1′ x 8′ or 1′ x 3′ lengths, with widths of 12″ or 16″. Custom sizes and profiles are also offered, with panels up to 12 feet in length for certain wood species—perfect for large-scale installations.

Surfacing Solution

The versatility of Surfacing Solution’s tambour panels was a key highlight at BDNY 2024. These panels can be stained or painted to align with any design vision, making them suitable for hospitality applications ranging from hotel lobbies to restaurants and bars.

Their new line of real wood veneer tambour panels also made waves, offering seamless installations up to 10 feet high with 4’x10′ veneers. Available in 4’x8′ sheets, these panels offer a cost-effective alternative to solid wood without compromising natural beauty. Species include birch, teak, white oak, and walnut.

Surfacing Solution

The wire-brushed finish option enhances grain depth and detail, adding a tactile, visually striking surface. Available in red oak, white oak, and ash, this finish is ideal for hospitality environments that seek a natural, organic feel.

Each slat is meticulously hand-selected to ensure a high standard of craftsmanship that distinguishes the company within the industry. This attention to detail, combined with the ability to produce custom profiles and sizes at low setup costs, makes Surfacing Solution an ideal partner for designers seeking high-quality, distinctive wood solutions.

Surfacing Solution

Sustainability Takes the Spotlight

Sustainability took center stage at BDNY 2024, with numerous exhibitors presenting eco-friendly materials and products. The Good Plastic Company won the sustainable product award for their Polygood material, which showcased how recycled plastic waste can be transformed into striking and functional design elements.

Designer: Havwoods

Havwoods also made a significant impact with their TreeAzzo material and Bog Oak flooring panels.

TreeAzzo: Modern Terrazzo Twist

TreeAzzo represents an innovative approach to terrazzo flooring, offering a modern twist on the classic material. This unique surfacing solution combines reclaimed wood chips with premium, eco-friendly resin to create a fresh and sustainable alternative to traditional terrazzo.

Havwoods

The use of reclaimed wood chips in TreeAzzo provides a distinctive aesthetic that aligns with sustainable building practices by repurposing materials that might otherwise go to waste. This approach results in a surface that blends the organic warmth of wood with the seamless, continuous appearance characteristic of terrazzo.

TreeAzzo is available in a range of customizable resin colorways, including options such as Raspberry, Nougat, Fig, and Oyster. These color choices allow designers to tailor the appearance of TreeAzzo to suit various interior design schemes and preferences.

Havwoods

One of TreeAzzo’s features is that each panel is handcrafted, ensuring that no two installations are exactly alike. This approach adds a unique character and depth to the spaces where it’s used, making each application truly one-of-a-kind.

This material offers versatility in its applications. It can be used for flooring, wall cladding, cabinetry, and even worktops, providing designers with flexibility in how they incorporate this material into their projects.

TreeAzzo is available with either fiber cement or ply backing to accommodate different installation requirements. This option allows for greater adaptability to various substrate conditions and installation methods.

Havwoods

While TreeAzzo represents a departure from traditional terrazzo materials, it maintains the durability and design flexibility that terrazzo is known for, while adding a unique, eco-friendly twist. This innovative product offers architects and designers a new option for creating sustainable, visually striking surfaces in commercial and residential settings.

Bog Oak: Rich History and Luxurious Aesthetic

Bog Oak, also showcased at BDNY 2024, is crafted from semi-fossilized trees aged between 100 and 1,000 years. This unique wood offers a richly saturated black tone, achieved through a custom drying process that ensures consistency and durability. Bog Oak’s luxurious aesthetic and historical significance make it perfect for high-end interiors.

Bog Oak

Both products are strongly dedicated to eco-conscious design, blending historical significance with artistic craftsmanship.

Italian Grande and Crocodilo: Versatile Design Solutions

Havwoods also introduced two other products at BDNY 2024: Italian Grande and Crocodilo. Italian Grande, part of the Italian Collection, brings a rich, smokey tone in plank, herringbone, and chevron patterns—ideal for creating sophisticated interiors that balance beauty and cost-effectiveness. Crocodilo, an oak-veneered MDF panel, uses an embossing technique to create a crocodile texture, making it perfect for spaces like bars, restaurants, and hotel lobbies where visual depth is desired.

Textiles: Capturing Nature’s Spirit

HBF Textiles captivated BDNY 2024 attendees with their award-winning “Moments of Wander” collection, which claimed top honors in the fabric category. This collection captures the biophilic design trend, seamlessly blending artistic sensibility with functional performance.

HBF Textiles

Designer: HBF Textiles + Christiane Müller

Designed by renowned textile artist Christiane Müller of MüllerVanTol, the “Moments of Wander” collection includes three distinct patterns, each inspired by fleeting moments in nature:

  • Fields of Velvet: Soft, undulating textures evoke natural landscapes like grass or wheat fields.
  • Trails of Tweed: A rugged, textured aesthetic inspired by winding trails and natural paths.
  • Seeds of Colour: Vibrant, scattered patterns reminiscent of wildflower fields and colorful natural elements.

The unique strength of this collection lies in its versatility—it brings the softness of indoor fabrics while ensuring durability for outdoor use. This blend is especially valuable in hospitality, where the line between indoor and outdoor spaces is increasingly blurred.

Debuting in September 2024, the “Moments of Wander” collection showcases HBF Textiles’ most innovative work. By capturing both the macro- and micro-beauty of nature, these textiles provide designers with a tactile way to integrate outdoor elements into interior environments.

This aligns with hospitality’s broader push towards immersive, nature-inspired design. The “Moments of Wander” collection enables designers to evoke natural serenity, enhancing both comfort and well-being through biophilic design.

Silver Threads: Custom Window Treatments and Signature Spaces

Silver Threads, established in 1982, is recognized as one of the nation’s leading providers of custom window treatments for both the hospitality and residential sectors. At BDNY 2024, they showcased their work in the “Salone by Baskervill” space, a feature that drew considerable attention for its intricate design and execution.

The “Salone by Baskervill” space took inspiration from the 15th-century salons, which were known for encouraging in-person dialogue and creative interaction. Silver Threads played a significant role in transforming this vision into reality. Their contribution included a stunning 19.5-foot-diameter central drapery that served as the focal point of the space. Additionally, custom drapery installations framed both ends, suspended elegantly from the ceiling using airline cables. This installation not only added visual grandeur but also contributed to the intimate, engaging atmosphere that the space was designed to evoke.

Silver Threads’ extensive experience in the industry is evident through its high-profile project portfolio, which includes notable locations such as the World Equestrian Center in Ocala, FL, the Crown Plaza in Indianapolis, and the Hilton Downtown Columbus. Their ability to execute complex, large-scale installations while maintaining an intimate feel demonstrates their versatility and expertise in crafting custom window solutions that enhance the aesthetic and functional aspects of any space.

Furniture and Lighting: Redefining Boundaries

Dedon took home the “Best in Show” award for their Cirql Nu chair, designed by Werner Aisslinger. The Cirql Nu features Dedon’s invert fiber, created through a co-extrusion process that merges two types of fiber into one. This innovative technique results in a distinctive 3D effect that is both visually captivating and functionally impressive, underscoring Dedon’s commitment to pushing the boundaries of outdoor furniture design.

In lighting, Bover’s Kando collection stole the spotlight. The innovative designs illustrated how lighting transcends mere functionality—it serves as an artistic statement, transforming hospitality spaces with the perfect balance of beauty and utility.

Flooring Innovations: Adding Sensory Layers

Royal Thai’s Tactile Vernacular Collection, which won the flooring category prize, emphasized how crucial texture is in modern design. More than just an aesthetic element, the collection demonstrates how flooring can elevate the entire sensory experience of a space, affecting how guests perceive and interact with their surroundings.

Royal Thai’s Tactile Vernacular Collection

The Tactile Vernacular Collection utilizes a variety of textures that invite touch and create a sense of depth, transforming flooring from a background element into a dynamic part of the environment. The collection’s diverse patterns and finishes provide designers with tools to create spaces that are not only visually striking but also engage multiple senses, enhancing comfort and ambiance.

This approach aligns with the hospitality industry’s broader goal of creating immersive environments that foster memorable experiences. By focusing on texture, Royal Thai’s innovative flooring contributes significantly to the sensory palette of a room, making it an integral component in the overall design narrative.

Looking Ahead: The Future of Hospitality Design

BDNY 2024 highlighted current trends while offering a clear view of the future of hospitality design. New initiatives like the Dine & Design: A BDNY PopUp area reflected the industry’s growing focus on adaptable and multifunctional spaces. This trend caters directly to the evolving needs of modern travelers, who prioritize flexibility, comfort, and experience-driven environments.

As the hospitality industry continues to redefine itself, BDNY plays a crucial role in bringing together the innovators and trendsetters shaping the future. From Surfacing Solution’s tambour panels to the sustainable offerings by Havwoods and The Good Plastic Company, the event spotlighted products driving the industry forward—embracing sustainability, versatility, and impactful design.

The post BDNY 2024: The Most Innovative Materials and Sustainable Design Take Center Stage first appeared on Yanko Design.