Twenty-five euros buys you a decent lunch in most European cities, maybe two movie tickets if you’re lucky, or apparently a pair of true wireless earbuds with active noise cancellation from a company that’s been manufacturing consumer electronics for years. HMD just launched the DUB X50 Pro in India at ₹2,000, which converts to roughly $28.7 USD depending on exchange rates, and the spec sheet reads like someone accidentally typed an extra zero into the pricing database. We are talking ANC, a claimed 60 hours of total battery life, multipoint connectivity, IPX4 water resistance, and a companion app, all at a price point where most brands would be cutting Bluetooth codecs and shipping you mono earbuds in a cardboard sleeve. On paper, this thing looks like a midrange product that woke up in a bargain bin.
The budget TWS space has been heating up for a while, with brands like Baseus and SoundPEATS dragging ANC down into the 20 to 30 dollar range. But HMD is not a random logo slapped on an ODM shell; this is the same outfit that rebuilt Nokia’s phone business and is now pushing its own HMD branded phones and wearables. That context matters, because a known manufacturer shipping €25 ANC earbuds through proper retail channels hits very differently from a mystery brand on a marketplace listing. If these are even moderately competent, they start to reset expectations for what entry level audio should look like. The question becomes less “how are these so cheap” and more “what exactly are the expensive guys charging for”.
Designer: HMD
Specs first, feelings later. HMD claims up to 60 hours of total playback with the case, which likely breaks down to around 9 or 10 hours per charge in the buds and roughly five recharges from the case under ideal conditions. With ANC on and real world volume, you are probably looking at closer to 6 or 7 hours per session and maybe 40 to 45 hours total, which is still excellent at this price. Bluetooth 5.3, multipoint pairing, low latency mode, in ear detection, and voice assistant support round out the feature list. The case is about 51 x 65 x 25 mm and 60 g, so pocketable without feeling like a pebble cosplay of AirPods. IPX4 water resistance covers sweat and rain, not swimming.
ANC is where the fantasy usually cracks – cheap implementations either barely touch low frequency rumble or they attack everything so hard you get hiss and pressure fatigue. HMD talks about ANC plus AI powered four mic ENC for calls, which is the standard 2026 marketing cocktail. Execution is what matters. If this lands in the same effectiveness band as the Baseus BP1 Pro, which genuinely cuts down bus and office noise for around the same money, then HMD has done something very disruptive. If it behaves like the usual budget ANC that flickers every time the wind shifts, you end up with an impressive spec sheet and a feature you toggle off after a day.
The design story is predictably unexciting… but that’s not a bad thing. Stemmed in ear buds, rounded case, muted colors like blue and silver. This is classic HMD: hardware that tries to disappear into your life instead of screaming “new toy”. That fits their broader strategy. They are building an ecosystem now, with HMD phones, DUB earbuds across three series, and new Watch X1 and Watch P1 wearables. Picture a bundle in a Middle Eastern or Indian retail store where you walk out with phone, watch, and ANC earbuds for less than a single pair of AirPods Pro. That is the competitive pressure this kind of product creates.
Whether you should care comes down to your tolerance for compromise. At €25, no one sane expects Sony level soundstage or Bose level cancellation. What matters is whether HMD clears the “good enough to live with” bar: stable connection, non-annoying ANC, tuning that does not turn everything into a muddy mess, and hardware that survives daily abuse. Given their track record with sturdy, sensible phones, I would not bet against them hitting that baseline. If they do, the DUB X50 Pro becomes less of a curiosity and more of a line in the sand for what budget ANC has to look like from here on.
There’s something fascinating about watching a tech company obsess over the mundane. While most electronics brands treat bags as afterthoughts (slap a logo on generic nylon, call it a day), Teenage Engineering went ahead and designed a shoulder bag that’s as thoughtful as their cult-favorite synthesizers. The Field OB-4 shoulder bag isn’t trying to be your everything bag, and that specificity is precisely what makes it interesting.
Built primarily to carry the OB-4 Magic Radio, this $129 shoulder bag features a mesh front panel that lets you play music while your device stays tucked inside. Think about that for a second. Most bags are designed to protect and conceal. This one wants you to use what’s inside without ever taking it out. It’s the kind of detail that separates product design from problem-solving.
The construction tells you everything about Teenage Engineering’s priorities. The shell uses tear and abrasion-resistant nylon 66 with a fire retardant treatment and PU backing for water repellency (1500 mm rating on the black version, 3000 mm on the white). These aren’t vanity specs. They’re the materials you’d find on technical outdoor gear, applied to something that’ll probably spend more time on subway cars than mountain trails. It’s overbuilt in the best possible way.
The bag features a roll-down covered opening that gives you variable capacity depending on what you’re carrying. There’s an internal pocket for your everyday small items (keys, wallet, that tangle of earbuds you swear you’ll organize someday). The back pocket uses hook-and-loop closure and is specifically sized for cables and the Ortho remote. Again, that specificity. Teenage Engineering could have made generic pockets, but they measured their own accessories and built compartments around them. You can wear it crossbody style or grab the side handle for hand-carry mode. The adjustability matters because context shifts throughout your day. Crossbody when you’re navigating crowds, hand-carry when you’re sitting at a cafe. The bag adapts rather than forcing you to commit to one carrying style.
What’s compelling here is how Teenage Engineering approaches accessories. This isn’t merchandising. It’s extension of philosophy. The same company that makes the OP-1 synthesizer (a device that prioritizes tactile joy and visual clarity) isn’t going to phone in a bag design. They’re known for products that look like nothing else on the market, that Dieter Rams-meets-Nintendo aesthetic that either clicks with you immediately or leaves you cold. The Field OB-4 shoulder bag comes in black or white, maintaining that minimal color palette Teenage Engineering loves. Custom-made aluminum hardware and YKK EXCELLA zippers keep everything smooth and reliable. These are components you’d find on high-end luggage, the kind of details most people won’t notice until they’ve used cheaper alternatives.
Is this bag essential? Absolutely not. You could carry an OB-4 in any number of generic shoulder bags. But you’d lose the mesh front functionality. You’d lose the precise pocket sizing. You’d lose that feeling of using a complete system where everything has been considered. Teenage Engineering has always existed in this interesting space where consumer electronics meet design objects. Their products cost more than alternatives because they’re selling coherence, not just capability. The Field OB-4 shoulder bag extends that logic into accessories. It’s designed for people who already bought into the ecosystem, who appreciate when someone sweats the details nobody asked them to perfect.
At $129, it’s positioned as a premium accessory, not an impulse add-on. That pricing filters for the audience who gets it, who understands why you’d spend serious money on a bag for a portable speaker. It’s the same crowd that bought the OB-4 in the first place, people who could’ve gotten a Bluetooth speaker for fifty bucks but wanted something with personality instead. Whether you need this bag depends entirely on whether you value design specificity over universal functionality. For the right person, this is exactly what they’ve been looking for. For everyone else, it’s an interesting case study in how far product design can go when companies refuse to take shortcuts.
On first glance, Korg’s Phase8 looks like something Love Hultén might have dreamt up after a late night with a kalimba and a soldering iron. It has that same altar like presence, where every screw and surface feels intentional, and the exposed steel bars read more like a kinetic sculpture than a row of notes. You do not just see an instrument, you see a machine that wants to be played, prodded, and prepared with whatever objects are lying around your studio.
The result is a tabletop artifact that feels half lab instrument, half folk relic. Phase8 invites the same sort of ritualistic interaction Hultén builds into his one off consoles and synth shrines. You can sequence it like a modern groovebox, but it really comes alive when your hands, a pencil, or even a river stone start interfering with those vibrating tines.
Designer: Korg
This whole thing runs on what Korg is calling “Acoustic Synthesis,” which is a fancy way of saying it hits stuff. Under each of those eight steel resonators sits an electromagnetic hammer that physically strikes the bar when triggered. A capacitive pickup then captures the resulting acoustic vibration and sends it back into the synth engine for shaping. It is a completely different path from the usual oscillator-filter-amp chain. The entire unit weighs a solid 1.71kg and measures just 231mm wide, giving it the dense, purposeful feel of a piece of lab equipment, not a lightweight music toy.
That physical interaction model is the entire point. Korg explicitly tells you to pluck, mute, and strum the resonators. They even encourage placing found objects on them to create new textures. An “AIR” slider on the side lets you boost or dampen the raw acoustic response, effectively mixing between the pure electronic signal and the sound of the physical object vibrating in the room. This haptic approach is a clever rebellion against the menu-diving and screen-staring that defines so much modern gear. It demands your physical attention.
Of course, this is a Tatsuya Takahashi project, so the experimental nature is backed by serious engineering. It has a polymetric sequencer, full MIDI and USB-C implementation, and even CV input for talking to modular rigs. At $1,150, it is not an impulse buy, but it also signals that Korg sees this as a proper studio centerpiece. They built an instrument that feels alive because, in a very real sense, its sound generation depends on physical, vibrating matter.
Music has become the backdrop to almost everything, cooking, working, reading, but the hardware that plays it often looks like a leftover from a tech store, plastic boxes that clash with furniture. There is a tension between wanting good sound in every room and not wanting your living space to feel like a gadget shelf. A speaker that behaves like hi-fi but looks like it belongs on a sideboard can quietly solve that.
The Edifier D32 tabletop wireless speaker is that kind of object, a retro-styled piece with a hand-made wooden cabinet, braided grille, and accordion keyboard that feels closer to a mid-century radio than a Bluetooth brick. Behind the nostalgia is a modern 2.1 acoustic architecture and 60 W RMS of power, so it is not just a pretty box pretending to be a speaker. It is meant to fill a room with sound that actually holds up when you stop and listen.
The D32 uses two 1-inch silk dome tweeters and a 4-inch long-throw mid-low driver inside an MDF cabinet with dual bass-reflex ports. The tweeters handle the crisp top end, the long-throw driver and ports take care of the low end, and the enclosure is tuned to minimize resonance and distortion. The result is a compact speaker that can throw clear highs, solid mids, and punchy bass without sounding strained when you turn it up, which is rare for something this size.
The signal path supports hi-res audio up to 24-bit/96 kHz and runs everything through full digital signal processing, a two-way active crossover, and dynamic range control. That means the tweeters and woofer get exactly what they need, and the electronics keep things clean and controlled even when tracks get dense. It is the kind of setup you expect in a bookshelf system, shrunk into something that can sit under a window or on a kitchen counter.
The wireless side covers Bluetooth 5.3 with LDAC for high-bandwidth streaming from compatible Android devices, plus AAC and ALAC support, and dual-band Wi-Fi with Apple AirPlay for network playback. There is an 11-hour built-in battery, so you can unplug and move it to another room or out onto a balcony without killing the mood. It can be a fixed living room piece most of the time, then wander when you need sound somewhere else.
Morning coffee with a low-volume playlist coming from the D32 on a sideboard, a workday where it pulls double duty as a Bluetooth speaker for a laptop and a Wi-Fi endpoint for lossless streaming, an evening where it becomes the main system for a movie or a focused album listen. The point is that you do not have to think about what it is connected to. You just pick a source and let the speaker handle the rest, switching smoothly between Bluetooth, Wi-Fi, USB, and AUX without fuss.
The D32’s mix of retro design and modern audio tech makes it feel like something you keep around, not cycle through. The wooden cabinet and accordion keys give it a presence that does not age the way glossy plastic does, while the 2.1 architecture, hi-res support, and flexible wireless stack mean it can keep up with whatever you are listening to next. It is the kind of speaker that quietly becomes part of the room, doing its job without shouting about it, which might be the best thing a piece of audio furniture can do.
Transparent technology has moved far beyond its novelty phase to become a legitimate design movement reshaping how we interact with our devices. What started as a nostalgia trip courtesy of Nothing’s transparent phones has evolved into a full-blown aesthetic revolution where seeing the guts of your gadgets is no longer just acceptable but desirable. The best transparent designs do more than simply expose circuitry; they create visual narratives about how technology works while delivering genuine functional benefits that justify their existence beyond mere eye candy.
January 2026 has given us a particularly strong lineup of transparent tech that ranges from retro-futuristic audio devices to gaming powerhouses wrapped in see-through shells. These designs prove that transparency works across every category of consumer electronics when executed with intention and intelligence. The following five products represent the pinnacle of this movement, each bringing something unique to the table while celebrating the beauty of visible mechanics and electronic components in ways that feel fresh rather than gimmicky.
1. Transparent Sony Walkman Concept
This transparent cassette recorder concept represents everything compelling about retro-futurism executed with modern design sensibilities. The device combines the tactile satisfaction of analog media with visual transparency that transforms mechanical components into the main attraction. Those exposed gears and rollers work their magic through crystal-clear housing that makes the entire mechanism visible during operation, creating a mesmerizing display of analog technology in motion. The top-mounted mechanical elements evoke luxury watch movements where visible complexity becomes the primary selling point rather than something to hide behind opaque shells.
The design succeeds because it creates genuine tension between old and new technologies rather than simply copying vintage aesthetics. A digital display nestles among analog components, suggesting computational intelligence working alongside mechanical systems. Those pixel-perfect UI elements visible through transparent housing indicate this isn’t merely a playback device but something with smart capabilities. The tiny control buttons along the top edge deliberately reference 80s Sony recorders while embracing modern miniaturization techniques. This Walkman concept could easily exist in Blade Runner’s world or on a contemporary design enthusiast’s shelf with equal credibility.
What We Like
The visible gear systems create a hypnotic viewing experience during tape playback.
The combination of analog mechanics and digital intelligence feels genuinely innovative.
The transparent housing transforms mechanical movement into visual entertainment.
The design language successfully bridges multiple decades of technology evolution.
What We Dislike
Physical media dependence limits practicality for streaming-era consumers.
The concept status means you cannot actually purchase this beautiful object.
2. Pomera DM250 Crystal Neon Yellow
The limited-edition Pomera DM250 in Crystal Neon Yellow ditches conventional white or black finishes for a vivid, almost glowing green shell that channels cyberpunk aesthetics straight out of futuristic cinema. The transparent design feels deliberately pulled from a William Gibson novel, mixing nostalgia for vintage computing with an ultra-modern sensibility that makes the device feel both retro and cutting-edge simultaneously. This isn’t just a writing tool but a statement piece that announces your commitment to focused creativity before you type a single word.
The core philosophy here centers on unwavering dedication to one task: getting words onto the screen without distractions. The DM250 sports a compact yet full-size 80-key keyboard paired with a crisp monochrome LCD that strips away every possible distraction. The software is deliberately minimal, offering everything a writer needs for text creation while providing nothing that might derail focus or waste precious writing time. That transparent shell showcasing the device’s internal components serves as a visual reminder of its pure functionality, where every element exists to support the writing process rather than tempt you toward multitasking.
What We Like
The monochrome display eliminates distractions that kill writing productivity.
The full-size keyboard delivers proper typing ergonomics in a compact form.
The Crystal Neon Yellow finish makes a bold visual statement.
The single-purpose design philosophy respects writers’ focus needs.
What We Dislike
The monochrome display feels dated compared to modern screen technology.
Limited functionality beyond text editing restricts versatility for mixed workflows.
3. RedMagic Astra Gaming Tablet
Nothing spent years teasing transparent design language, while RedMagic simply dropped the Astra with a full transparent strip down its back panel, complete with faux circuit board details that scream technological prowess. The visual trickery taps into tech enthusiast psychology that made transparent Game Boys and iMacs cultural phenomena decades ago. Those faux components create an impression of hardware sophistication perfectly aligned with gaming tablet expectations. RedMagic effectively claimed transparent tablet territory before Nothing could plant their flag, proving that execution speed sometimes matters more than brand heritage in emerging design categories.
The transparent strip serves as eye candy on what might be the most compelling compact gaming tablet available. RedMagic packed the Astra with the Snapdragon 8 Elite processor and hardware that puts most full-sized tablets to shame. The 9.06-inch form factor feels genuinely manageable for handheld gaming while maintaining enough screen real estate for immersive experiences. Aggressive pricing makes the iPad Mini look overpriced and underpowered by comparison. The Astra knows exactly what it wants to be: a gaming powerhouse that happens to work as a tablet, rather than a tablet that sorta plays games. This focused approach pays dividends across every aspect, from display technology to thermal management systems.
What We Like
The Snapdragon 8 Elite processor delivers flagship performance in a compact package.
The transparent design differentiates it from generic black rectangles flooding the market.
The 9.06-inch size balances portability with usable screen space for gaming.
Aggressive pricing undercuts competitors while delivering superior hardware specifications.
What We Dislike
Faux circuit board details might feel inauthentic to purists wanting real component exposure.
Gaming focus means it might not excel at productivity tasks that some users expect from tablets.
4. Nothing-Inspired Transparent Robot Vacuum
Designer Taeyeon Kim took the transparent tech aesthetic and applied it to one of the most mundane household appliances imaginable, creating an independent concept that reimagines how cleaning technology could integrate into daily life. The transparent philosophy celebrates inner workings rather than hiding them behind opaque plastic shells that make appliances invisible and forgettable. This vacuum features a completely clear shell exposing all internal components from the motor and sensors to the circuitry, making it function, transforming utilitarian hardware into something worth displaying prominently.
Most robot vacuums are designed for invisibility, tucked away in corners where they won’t interfere with carefully curated interior design schemes. Kim’s concept takes the opposite approach entirely, embracing transparency and modularity to create a cleaning system that actually wants to be seen and interacted with regularly. The exposed components serve educational purposes, helping users understand how their cleaning technology actually works while making maintenance and troubleshooting more intuitive. The modular design philosophy means components can be swapped or upgraded without replacing the entire unit, extending product lifespan while reducing electronic waste that plagues the appliance industry.
What We Like
The transparent shell transforms a mundane appliance into an interesting design object.
Exposed components make maintenance and troubleshooting more intuitive for users.
The modular philosophy extends product lifespan through component upgrades.
The design challenges the appliance industry norms around hiding technology from view.
What We Dislike
Visible dirt accumulation in transparent components might require more frequent cleaning.
The concept status means this innovative design isn’t available for purchase yet.
5. Sony WF-C710N Glass Blue Earbuds
The Glass Blue variant of Sony’s WF-C710N earbuds challenges the industry’s tendency toward either clinical white or anonymous black with a design choice that celebrates rather than conceals technological sophistication. The transparent housing goes beyond mere novelty to create a visual narrative about the engineering packed into these tiny devices. Sony offers four color options, but the Glass Blue stands out by making the internal components part of the aesthetic rather than something requiring concealment. The naturally elegant, compact form factor prioritizes both aesthetics and functionality in ways that prove transparent design works even at this miniature scale.
Sound quality remains Sony’s primary focus despite attention-grabbing aesthetics that could easily overshadow performance. The unique 5mm drivers deliver powerful bass and crystal-clear vocals across all music genres, while Digital Sound Enhancement Engine processing restores high-frequency elements often lost in compressed digital audio files. This technical prowess ensures the WF-C710N earbuds sound as impressive as they look, delivering an audio experience satisfying even discerning listeners who prioritize performance over style. The noise-canceling capabilities work seamlessly with the compact design, proving that transparent housings don’t require compromises in acoustic performance or active noise management systems.
What We Like
The Glass Blue finish makes a bold statement against boring black or white alternatives.
The 5mm drivers deliver impressive audio quality from compact components.
Digital Sound Enhancement Engine processing restores lost audio details effectively.
Active noise canceling proves transparent design doesn’t compromise acoustic performance.
What We Dislike
The transparent design might show dirt and debris accumulation more visibly than opaque alternatives.
The 5mm drivers might not satisfy audiophiles seeking maximum bass response depth.
The Transparent Future
Transparent technology has matured from gimmick to genuine design movement with staying power. The five products showcased here demonstrate how exposure of internal components can serve both aesthetic and functional purposes when executed thoughtfully. Designers are moving beyond simply slapping clear cases on existing products to creating devices where transparency informs every aspect of the user experience, from interaction patterns to maintenance accessibility. The visual honesty of exposed mechanics and circuitry creates connections between users and their technology that opaque housings cannot replicate.
What makes January 2026’s transparent offerings particularly compelling is their diversity across product categories and price points. From retro-futuristic Walkman concepts to pragmatic writing tools and gaming tablets, transparent design proves its versatility. These products suggest we’re entering an era where seeing how our devices work isn’t just acceptable but expected by consumers who want deeper relationships with their technology. The transparent revolution is just beginning, and these five designs point toward a future where every electronic device might celebrate rather than hide its technological sophistication.
Romanian audio craftsmen Meze Audio have built their reputation on a simple philosophy: headphones should be as beautiful to look at as they are to listen to. The 99 Classics proved this formula with their vintage-inspired warmth, while the Liric pushed boundaries with planar magnetic technology. Now, the Strada arrives as something different: a closed-back dynamic that feels less like a nostalgic throwback and more like a confident step forward.
At $799, the Strada occupies that fascinating middle ground where serious audio performance meets daily practicality. The hand-crafted Macassar ebony earcups remain unmistakably Meze, but the deep metallic green magnesium frame signals a design evolution. This is Meze refining their aesthetic without abandoning their roots, creating a closed-back headphone that promises isolation and intimacy without sacrificing their signature approach to build quality and musicality.
Designer: Meze Audio
Those 50mm dynamic drivers pull from the 109 Pro’s DNA but get retuned specifically for closed-back acoustics. Frequency response spans 5Hz to 30kHz, which sounds impressive until you remember that what matters is how flat or colored that response curve actually is. Sensitivity hits 111 dB SPL/mW at 1kHz with 40Ω impedance, meaning your phone will drive these adequately but they’ll really open up with proper amplification. Meze claims a tonal balance that leans slightly warm with controlled bass emphasis, neutral mids, and extended treble that avoids the typical closed-back veil. Translation: they want you listening to music, not hunting for detail.
That carbon fiber-reinforced cellulose dome keeps the diaphragm light while maintaining stiffness for clarity in the upper registers. The semicrystalline polymer torus surrounding the dome gets coated with beryllium via physical vapor deposition, which increases rigidity without adding mass. Precision-cut grooves at 45.5-degree angles across the torus help control resonance, while a copper-zinc alloy stabilizer ring dampens unwanted vibrations. These aren’t revolutionary techniques but they’re expensive ones, the kind of iterative refinement that separates competent drivers from excellent ones. You’re paying for obsessive attention to mechanical behavior at frequencies most people can’t even hear.
The magnetic ear pad system solves a problem most manufacturers ignore. Ear pads wear out. They compress, they accumulate oils and sweat, they eventually need replacement. Traditional attachment methods range from annoying clips to outright glued-on disasters that require heat guns and prayers. Meze’s magnetic mounting creates a perfect acoustic seal while making pad swaps completely tool-free. This ties directly into their sustainability pitch, which feels genuine rather than performative given their history of fully serviceable designs. Every component here can be replaced individually. The headband padding, the frame sliders, the cables, even those gorgeous ebony cups. You’re buying something meant to be repaired rather than discarded.
Each pair carries unique grain patterns, the tiger-stripe figuring that makes this particular hardwood so prized in furniture and musical instruments. Beyond aesthetics, the density and internal structure provide acoustic benefits. Wood naturally dampens certain resonances while allowing others to breathe, creating a different sonic character than plastic or metal enclosures. Whether you can actually hear this difference remains a subject of fierce debate in audiophile circles, but the material choice signals intent. Meze wants these to feel like heirloom objects, something you hand down rather than upgrade away from.
The metallic green finish represents the most visible departure from Meze’s typical palette. Their previous models leaned heavily into warm metallics: the gold and walnut of the 99 Classics, the bronze accents across their lineup, the copper hardware that became a signature detail. This cooler, more contemporary green suggests a brand aging gracefully, shedding some retro affectation without losing craft. The multi-layer paint process adds depth to the magnesium frame, giving it a subtle metallic sheen that catches light differently depending on angle. It’s restrained in a way that premium consumer electronics rarely manage, avoiding both the sterile minimalism of pro audio gear and the gamer-aesthetic excess that plagues too many “premium” headphones.
The competitive landscape at $799 gets brutal. Focal’s closed-backs bring French tuning philosophies and beryllium tweeters. Sennheiser offers German engineering precision and decades of refinement. Dan Clark Audio delivers cutting-edge planar technology with acoustic metamaterials. Meze’s pitch sidesteps the technology arms race entirely. They’re selling craftsmanship, serviceability, and a specific vision of what premium headphones should feel like to own and use daily. Whether that resonates depends entirely on what you value. If replaceable drivers and hand-painted frames matter less than the latest acoustic innovations, look elsewhere. But if you want something that feels built rather than manufactured, something designed to age beautifully rather than obsolete quickly, the Strada makes its case clearly.
Owning a couple of Marshall Bluetooth speakers means great sound in different rooms, but getting music to follow you means reconnecting Bluetooth, nudging volume knobs, or carrying your phone with you. One speaker plays in the kitchen, another sits silent in the living room, and switching between them breaks whatever you were doing. The missing piece is not another speaker but a way to tie them together.
Marshall’s Heddon is a Wi-Fi music hub, a small square box that sits by your router and quietly becomes the brain for Acton III, Stanmore III, and Woburn III speakers. It connects to your network over Wi-Fi or Ethernet, pulls in music using Spotify Connect, AirPlay, Google Cast, or Tidal Connect, then rebroadcasts it to your speakers using Auracast so they all play in sync across rooms.
Starting a playlist on your phone, you send it to Heddon instead of a single speaker and let it handle the rest. You move from the kitchen to the living room, and the same track is coming out of different Marshalls without re-pairing. Friends can cast from their own apps, but the hub keeps the stream going even when phones leave or run out of battery, which is how whole-home audio is supposed to work.
Heddon has RCA line-in, so you can plug in a turntable or older CD player and stream that signal wirelessly to your Marshall speakers around the house. The only requirement is a phono preamp somewhere in the chain. A record spinning in one corner can be heard in the kitchen and bedroom without running cables or buying a new Wi-Fi-enabled turntable, turning analog playback into something that feels modern.
Most of the complexity lives in the Marshall app, which discovers Heddon, lets you assign speakers to rooms, create groups, and manage updates. The physical box stays simple on purpose. That makes it easier to update over time, but it also means the experience rises and falls with how well the app is maintained and how comfortable you are living inside one brand’s ecosystem.
Heddon only works with specific Marshall home speakers, not older models or portable units, which narrows the audience. At around $300, it is not a casual add-on, even if bundle discounts soften the cost. Compared to third-party streamers, you are paying for tight integration and the Marshall look, which makes sense if you are already committed to their gear.
Heddon is less about chasing another object and more about making the speakers you like feel current. By adding Wi-Fi, casting, and multi-room logic in one small hub, it nudges a Marshall-filled home closer to the convenience of dedicated multi-room systems without throwing anything out. For people who care as much about how speakers look as how they sound, that is a neat way to modernize without starting over.
Open earbuds are the fastest-growing segment of the headphone market, but long before they gained popularity, Sony initially introduced the concept to the market. From their first ever iteration, this style of earbuds has graduated into earhook and clip-style designs. When LinkBuds were first released in 2022, they came in a peculiar design with an ear hook and a circular housing that lets in ambient noises.
After the LinkBuds Open were released in 2024, Sony has now introduced the LinkBuds Clip, featuring an always-clip-on design similar to the Bose Open Earbuds, Edifier LolliClip, Shokz OpenDots One, and the JVC Nearphones. These new flagship earbuds improve on the previous open ear version in every aspect, making them a great choice for people who want situational awareness of their surroundings without any degradation in music quality.
Targeted towards active lifestyle users, the buds don’t block the ear canals to hear conversations better, and are ergonomically designed for all-day long wear comfort. The Japanese consumer electronics giant is positioning them as a flagship option for music lovers who are worried about losing their pricy pair of buds during workouts, sporting activities, or adventurous escapades. IPX4 splash-proof rated LinkBuds Clip have a glossy finish with a C-bad connecting the two contoured stems that rest on either side of the ear. While I’m not a big fan of the glossy finish on these, the design looks reassuring, and the buds won’t fall out even after rigorous activity.
The flexibility of adjusting the positioning of the buds depending on the comfort and desired audio output makes the pair recommendable. You can go for a closer proximity to the ear canal for a better sound signature with noticeably more bass, or have a laid-back setup that promotes comfort and consequently a more open input of the ambient noises around. The case of these open-ear earbuds is more or less the same as the LinkBuds Open and Fit, but it doesn’t support wireless charging, which is a bit of a disappointment.
As per independent reviewers who have spent time with the LinkBuds Clip, the touch controls on these are not as good as other Open ear options. The taps can be a miss at times or trigger unwanted action. That said, it is the issue with most touch control earbuds, and for people like me who love physical controls, the features can be a bit of a miss. The sound signature on the LinkBuds Clip is balanced when ideally placed in the ear openings. However, it will be interesting to see how they compare to the next version of Bose Ultra Open Earbuds (released back in early 2024), which are speculated to come out this year.
Battery life on the buds is typically hours that extends to 37 hours with the charging case. The clip-ons have three listening modes: Standard mode for more immersive sound with a lot of detail and clear vocals, Voice Boost mode for listening to the other person in crowded spaces, and the Sound Leakage Reduction mode for lesser disturbance to people in the vicinity. LinkBuds Clip can be bought right away for $230 in peppy color options like black, greige, green, and lavender. The case covers and fitting cushions in coral green, blue, lavender, and black can be added on for $25 each.
Enjoying music is much more than just setting up your listening gear, putting on the headphones, and getting lost in a melodic world. Spotify is currently one of the most used streaming services to enjoy music, anywhere, anytime. However, some inventive DIYers go the extra mile to elevate the experience as no one has done before. The Prestodesk Spotify desk music player by AKZ Dev is a good example.
The software engineer is back with another creation to showcase his love for Spotify and, obviously, music. To bring the tactile experience of loading and playing records via Spotify is a totally new and exciting idea. AKZ explores this with his intuitive engineering skills to add the satisfying feeling of loading a vinyl record and then playing it via the Spotify service.
Designer: AKZ Dev
At the heart of this DIY record player is a Raspberry Pi that does all the complex handling and an RFID reader that turns a simple desk accessory into something interesting. The idea struck the DIY’er when he saw the gifted miniature vinyl record coasters lying on his desk, and he presumed they could do so much more than just hold a cup of coffee. The mini records move on the coaster base (which is modified to make space for the electronics) courtesy of the stepper motor, and to detect the tonearm position, he uses a hall effect sensor that’s found in most gaming controllers.
The enclosure below the coaster stand is 3D printed for a snug fit and gives the platter a genuine record player feel. After putting everything in place, the magnet is attached to the tone arm. The stepper motor lies beneath the spindle, so that the vinyl can spin seamlessly. The next step involves preparing the vinyl records for the musical nirvana. NFC stickers are placed behind the vinyl record, and custom labels are printed to make things feel authentic. AKZ also 3D printed a record stand to showcase the whole setup on the desk.
After doing a bit of tinkering with the Raspberry Pi software and connecting it to the Spotify API, the record player is ready to rock the desk. Basically, the music does not play off the record; the RFID tag on the mini vinyl record player is detected by the moving tonearm. This triggers the playback of the associated music from Spotify’s library. Pretty nifty, isn’t it? The DIYer is kind enough to share all the project files on GitHub, and tells that the record player can be improved further with volume controls, or by integrating the speaker unit inside the main enclosure.
Music is the ultimate nirvana to numb the stresses of life or derive inspiration while taking up focus-intensive tasks. The hobby of listening to music has come a long way from the dated radios to the current generation of high-resolution Bluetooth music listening gear. But then, things always come back in circles, that’s why we’re seeing a revival of old school analog media like record players, CDs, and even cassette players.
Countless companies are experimenting with the idea of infusing old-school charm into current-generation music players without losing out on the tactile feel. Teenage Engineering has been a pioneer in modern times when it comes to creating electronic music instruments with design that’s second to none. The signature TE aesthetics and color theme can be clearly seen to be inspiring designs in unrelated domains.
For this time around, however, the concept player here stays within the audio listening gear domain; nonetheless, has clear signs of a TE-inspired design. The retro Bluetooth player is a music accessory that’s reminiscent of the classic cassette tape player design, but on the inside, it’s a modern music player that plays music wired or wireless. The aesthetics are purely for arousing the nostalgic feel of listening to music on a cassette player, while the audio is digitally played via a DAC for high-resolution output.
The mono speaker can output 10W sound with a frequency range of 80Hz – 18kHz. Clearly, in the mono speaker mode, the audio accessory is suited for casual listening. For more analytical listeners, the wired or Bluetooth mode is suited to enjoy the nuances of music. Either way, the spinning cassette player takes you back to a happy place, making the music sound more soulful than ever.
The front displays the spinning cassette player with the perforated speaker grill section. At the top, there are the big player controls to keep things minimal. Other than that, the music player follows a clean design language, which is much appreciated. The designer has not mentioned the exact dimensions of the player, but we presume it’ll be palm-sized given the reference size of the buttons.
Clearly, such a retro-modern music player is recommended for people who appreciate design and love their tunes. Revival of the analog music era is another influence that should resonate well with people who want the tactile feel of the visual elements while enjoying their favorite playlists on music services like Apple Music, Spotify, Dezeer or Tidal in high resolution.
