EcoFlow’s Solar-panel Power Hat Hands-on at IFA 2024: Meet the world’s first ‘wearable’ device charger!

Yamaha, a piano company, also makes motorcycles. Bose, an audio company, happens to also make suspension seats for truck drivers. And EcoFlow, a company known for its portable power stations, decided to enter the fashion market. However, it isn’t that much of a curveball, to be honest – because the product in question still somewhat fits into EcoFlow’s product portfolio. Meet the Power Hat, a sun-hat with a slight difference – the sun-blocking rim comes equipped with solar panels that don’t just cut the glare, they capture it and turn it into electrical power. Spotted at IFA 2024, the Power Hat is a weird accessory, but I guarantee it’s the kind of accessory that will turn heads and have people asking you where you got it from.

Designer: EcoFlow

What’s the Deal with the EcoFlow Power Hat?

At first glance, the Power Hat looks like your average wide-brimmed sun hat, the kind you’d see on a hiker or beach-goer. But hidden in plain sight is a flexible solar panel sewn right into the brim. This panel absorbs sunlight, converting it into usable power that charges your devices via a USB-C port tucked discreetly in the inner band. It’s designed for people who spend time outdoors—think hikers, campers, or anyone else who finds themselves without an outlet when they need a quick charge.

EcoFlow’s core mission has always been to make clean energy accessible, and the Power Hat is a clear extension of that. It’s a simple but clever solution: harness the sun to keep your phone alive. You won’t be powering your laptop or an entire campsite with it, but for smaller devices like smartphones and GPS units, it’s a handy backup.

A Walking Charger, Literally

So how does it work? The flexible solar panel captures sunlight as you go about your day, and the energy flows through to the USB-C port inside the hat’s band. You plug in, stash your device in a backpack or pocket, and let the sun do the rest. There’s no app, no settings, just solar power straight to your phone.

It’s a far cry from the clunky solar backpacks of the past—here, you get style and function wrapped in one. However, specifics on the exact charging speed remain vague. From what we saw at IFA, it’s more of an “emergency boost” than a full power-up. If you’re thinking of using it to charge a dead phone from 0% to 100%, you’ll want to manage your expectations. But if your battery’s at 20% and you need a bit more juice to get through a hike or festival, the Power Hat should do the trick.

A Hat That’s Actually A Wearable

Fashion and function don’t always play nice, especially when tech is involved. But EcoFlow seems to have struck a balance here. The hat is designed to be worn for long periods without feeling like you’ve got a mini solar farm on your head. Early reviews from IFA attendees suggest that it’s surprisingly comfortable, even with the embedded solar panel. The wide brim offers decent sun protection while giving the solar panel enough surface area to be effective.

While it’s not exactly runway-ready, the Power Hat doesn’t scream “tech gadget,” which is a win in itself. You’re not sacrificing aesthetics for utility, and it looks like a regular sun hat—until you plug in your phone, of course.

Where Does It Fit?

The Power Hat sits somewhere between a practical gadget and a novelty, depending on how you look at it. On one hand, it’s a genuinely useful tool for specific situations. If you’re out in the sun for hours, why not make use of that solar energy? On the other hand, it’s not exactly a game-changer for most people. Solar power banks or portable chargers probably still offer more versatility, especially for those who need serious charging power. But if you’re all about compact, multi-purpose gear, the Power Hat could find a place in your kit. With its $79 price tag, it’s definitely expensive for a hat, but can you really put a price on being energy-independent and sustainable? Moreover, the idea of a hat charging your phone, tablet, or earbuds definitely seems worth $79.

Final Thoughts

EcoFlow’s Power Hat is a quirky, eco-friendly addition to the wearable tech landscape. It combines the practical with the unexpected—a sun hat that helps charge your phone. While we still have questions about its real-world performance, it’s an intriguing product that could appeal to outdoor enthusiasts or anyone who enjoys tech with a touch of flair.

Who knows? Maybe the Power Hat will start a trend. Hats aren’t just for blocking the sun anymore—they’re for charging your phone while you hike, hit the beach, or attend that all-day music festival. Just don’t forget to bring a backup charger… in case it rains.

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LG flaunts its stretchable displays on the catwalk

LG's stretchable displays that we first saw at CES 2023 have made a new public appearance at a fashion show, the company announced. The tech — which LG now calls Stretchable — appeared as part of clothing and bag concepts at 2025 Seoul Fashion Week.

The displays were added to the front of garments, sleeves and clutch bags designed by Korean designers Youn-Hee Park and Chung-Chung Lee. "We have been able to design future fashion concepts with new materials that have never existed before," Park said. 

Stretchable displays can be pulled, bent and twisted, so they go a step farther than the bending and twisting displays used in foldable smartphones. To make them more supple, LG built the substrate material from a silicon similar to that used in contact lenses, with microLEDs smaller than 40-micrometers for the light source. LG notes they can be stretched from 12 to 14 inches or about 20 percent. 

Flexible wearable tech has been a much researched feature for fashion and even things like invisibility cloaks. South Korea's government created a national project to test their commercial potential for new types of wearable tech across multiple industries. The main challenge has been to make it more like fabric instead of stiff plastic, but LG seems to have at least partially cracked the problem.

This article originally appeared on Engadget at https://www.engadget.com/wearables/lg-flaunts-its-stretchable-displays-on-the-catwalk-140053981.html?src=rss

Mosaic-like stools are made from the soles of discarded rubber shoes

The fashion industry is known for its striking designs, lavish materials, and sometimes mind-blowing forms, but it also has a dirty little secret when it comes to sustainability. Many of those materials, processes, and even ingredients have a tendency to harm the environment, especially mass-produced pieces of clothing, accessories, and footwear. Even something that sounds so innocent like the rubber soles of shoes can have a long-term negative impact on the planet’s health, especially when they’re thrown away without much thought. Although it’s not enough to make this discarded material disappear, these distinctive artistic stools help reduce their numbers while providing furniture that makes an impact in more ways than one.

Designer: BENTU Design

According to figures, 20 billion pairs of shoes are produced each year, and nearly all of those end up in landfills sooner or later. Footwear is usually made with half a dozen synthetic materials, with outsoles using plenty of rubber that takes more than a hundred years to decompose. Burning them, on the other hand, releases toxic gases, which is usually what happens in garbage disposal sites. Even though the process still uses water and energy, recycling these materials is still a significantly better way to deal with all the waste.

WU is a line of stools that does exactly that, giving new life to shoe soles that result in an even more interesting design. 90% of each stool’s raw materials are made from recycled rubber shoe materials, about 15kg of material that is equivalent to 60 rubber soles. It’s a small number compared to the amount of shoes being thrown away, but even just 10 of these stools mean 600 shoes are kept away from landfills.

The resulting design is quite intriguing as well. The raw materials are classified according to color to have a more uniform appearance, but the uniqueness still comes out in tiny bits of colors and microtextures. If some recycled plastics create a terrazzo effect, the recycled rubber soles result in finer and smaller pieces that have a grainy appearance as if painted with oils or mixed in with concrete.

The shape of the WU stool is also unusual, with a hexagon seat and a three-pointed base. This makes it easy to combine the stools into a larger form like a bench, though the connection will be superficial and perhaps a bit unstable. When placed together, these stools paint a rather eye-catching picture, almost literally, as if somebody took reality and applied a mosaic filter on it. Either way, no one will be the wiser that these were probably made from the pair of shoes they threw away years ago.

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Nike’s Secret Design Archive to be made visible to the public for the first time at the Vitra Design Museum

Early Mechanical Shox Prototype (1981) from the Department of Nike Archives

Nestled in an unassuming building, Nike’s top-secret design archive, known as the Department of Nike Archives (DNA), houses a treasure trove of over 200,000 rare artifacts. From never-before-seen sneaker prototypes to the original Nike “swoosh” sketch, the DNA is a sneaker lover’s paradise. Recently, the DNA opened its doors to curators for the first time, leading to the creation of the groundbreaking exhibition, “Nike: Form Follows Motion.” For the first time, Nike has opened its doors to a select group of curators who have scoured these holdings to create an exhibition at the Vitra Design Museum in Germany. The exhibition offers a rare glimpse into the brand’s history and design philosophy.

Set to run from September 21, 2024, to May 2025, the exhibition is the first of its kind dedicated solely to Nike. It traces the company’s journey from its founding in 1964 to its current position as the largest apparel company in the world. Curated by Glenn Adamson, who also co-edited a book to accompany the exhibition, the show seeks to explore Nike’s unique approach to design. According to Adamson, Nike’s design thinking is intensely creative and complex, rivaling that of any other company in the industry. The exhibition is structured into four chronological sections, each representing a significant phase in Nike’s evolution.

“Nike: Form Follows Motion” is divided into four chronological sections: “Track,” “Air,” “Sensation,” and “Relation.” The first section, “Track,” offers a look at Nike’s early years when jogging was a niche activity. This period is marked by the brand’s first product innovations, including the release of the waffle-soled trainer in the early 1970s. The next section, “Air,” covers Nike’s expansion into sports advertising, bolstered by high-profile partnerships with athletes like Michael Jordan. The “Sensation” section focuses on Nike’s extensive sports research programs, highlighting the brand’s commitment to pushing the boundaries of performance wear. Finally, the “Relation” section reflects on Nike’s history of collaborations with external designers, showcasing the brand’s willingness to embrace new ideas and technologies.

To create this exhibition, Adamson made several trips to the DNA, where he had access to materials that had never been publicly displayed. The archive itself is unremarkable from the outside, but inside, it’s a veritable wonderland for sneaker enthusiasts. The space is filled with moving shelves, each stacked with shoeboxes containing some of Nike’s most significant designs. Among the highlights are prototypes of the Air Force One that never made it to market and the original stock of the Air Max shoe, known for its revolutionary see-through soles designed by aeronautical engineer Frank Rudy.

Sketch of Air Max, Tinker Hatfield (1986)

The exhibition also features deadstock shoes and prototypes that have remained hidden in the DNA until now. These include early mechanical prototypes of the Shox line, which featured external shock mounts designed to improve athletic performance. Adamson describes one such prototype as a “Frankenstein object,” a bizarre yet fascinating piece of Nike’s design history that had to be included in the exhibition (image at the beginning).

In addition to these historical artifacts, the exhibition also offers a keen insight into Nike’s current design practices. One of the most impressive innovation centers is the Nike Sport Research Lab (NSRL) in Beaverton, Oregon. The 85,000-square-foot facility is equipped with cutting-edge technology, including hundreds of cameras and dozens of force plates that track athletes’ movements. The insights gathered from this research are used to develop new products like the Vapormax running shoe, which is one of Nike’s most studied shoes to date.

Nike: Form Follows Motion comes at a crucial time for the company. In recent years, Nike has faced challenges, including supply chain issues and increased competition from other running shoe brands like Hoka and Brooks. Despite these obstacles, Nike remains committed to innovation. The company recently launched an AI platform called Blackbox to aid in the design of new products. According to CEO John Donahoe, Nike is poised to make a comeback with bold, new releases that will once again set the standard in the industry.

via Fast Company

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Fashion Meets Sustainability With Rain-Harvesting Hats That Tackle Anticipated Freshwater Scarcity

It’s no news that climate change continues to reshape our environment, innovative solutions that blend practicality with provocation are more necessary than ever. Designer Mijoda Dajomi’s latest project, Daughters of Rain, steps boldly into this space, merging fashion with environmental consciousness to address one of the most pressing issues of our time: freshwater scarcity.

Designer: Mijoda Dajomi

As her graduate project at the London College of Fashion, Dajomi crafted a collection of rain-harvesting hats that are not only visually striking but also functionally innovative. The headwear, designed to capture and store rainwater, serves as a speculative response to a future where water becomes an increasingly scarce resource. In this imagined 2085, the simple act of rain falling from the sky transforms into a moment of communal reverence, a chance to collect every precious drop.

The collection encapsulates the duality of fashion and function. Crafted from waxed cotton, a fabric donated by luxury brand Barbour, and further treated with organic beeswax. This hat is designed to be both stylish and sustainable. Its leather-like appearance and sturdy construction allow it to capture up to 5 liters of rainwater while being worn. Dajomi’s choice of materials ensures that the hat not only repels water but also effectively collects and retains it without leaks.

However, Dajomi’s Daughters of Rain is not yet a product line; it remains a powerful commentary on the environmental challenges we face. Dajomi explained that while her hats are designed to function as rainwater harvesting tools, the primary purpose of her work is to provoke thought, raise awareness, and spark conversation about our relationship with water and the environment. This ethos is woven into the very fabric of the collection, which draws inspiration from the attire of lay sisters – women dedicated to charity and social causes. Just as these sisters united in their mission, the Daughters of Rain are imagined as a future collective that serves their communities by managing and distributing the vital resources of rainwater.

This project serves as a testament to the power of fashion as a medium for social and environmental change. Fashion, as one of the oldest forms of human expression, has always had the potential to influence thought and behavior. By leveraging this potential, the designer aims to make a statement that transcends traditional environmental activism. As a designer deeply passionate about the environment, nature, and headwear design, Dajomi stated that her goal is to blend creativity with environmental consciousness. Her project is intended to make an environmental statement, using the language of fashion to raise public awareness about critical ecological issues.

The world is saturated with news reports and environmental campaigns, but it’s initiatives like Daughters of Rain that stand out—unexpected, visually arresting, and deeply thought-provoking. By challenging us to envision a future where fashion is both a tool for survival and a symbol of environmental stewardship, Mijoda Dajomi’s work reminds us of the power of creativity in shaping our collective future. As we grapple with the realities of climate change, projects like this serve as a poignant reminder that the choices we make today will determine the world we inhabit tomorrow.

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Samsung Galaxy Ring-inspired luxury pajamas are the fashion statements no one expected

Smart rings offer an opportunity to free our wrists from bulky and sometimes gaudy smartwatches, becoming more fashionable alternatives to wearable tech. A ring itself can be considered a fashion item, part of one’s jewelry, but smart rings like the Samsung Galaxy Ring opt for more discreet and minimalist designs. The idea is for these devices to get out of your way and do their jobs in the background while you wear your more luxurious bracelets and watches on your wrist. That’s not stopping the tech giant from trying to build bridges with the fashion industry, and that has given birth to one of the oddest mashups between these two worlds: smart ring-inspired luxury sleepwear.

Designer: Samsung

It’s not the first time that the tech industry has tried to make its presence and products known in the fashion world. From “accessories” like the foldable Honor V Purse to the oddities like Microsoft’s annual ugly sweaters, there are numerous examples of phones and gadgets trying to look chic, one way or another. Smartwatches themselves are supposed to be fashionable, which is why luxury brands once tried to break into that nascent market.

This collaboration between Samsung and famed luxury fashion designer LaQuan Smith, however, is both unusual yet also thankfully not as in-your-face as previous works. This piece of fashion doesn’t flaunt the Galaxy Ring in any form, but it also makes it less evident how the two are related. At New York Fashion Week next month, LaQuan Smith will showcase his Spring/Summer ’25 Collection, including the Lucid Dream line of luxury sleepwear inspired by Samsung’s latest luxurious-looking wearable.

It’s admittedly difficult to immediately discern the connection between these two very unrelated things, and the explanation is also a bit of a stretch. In a nutshell, the fashionable two-piece pajamas can be used not only in bed but also during the day, transitioning from sleepwear to daywear without having to take anything off. This, according to Samsung, echoes the Galaxy Ring’s 24/7 usability, never taking it off unless to charge it after a few days.

Of course, LaQuan Smith himself wears a Galaxy Ring all day, or so the press release states, which includes during his sleeping hours. Sleep, according to the designer, is a critical factor not just in his wellness but also in his creativity, where many of his waking designs were inspired by dreams in his sleep. Whether that will immediately make you think of Galaxy Ring-inspired pajamas is left to your imagination, but those who want a piece of this limited edition fashion item will have to wait after the event to see when and where Samsung will sell them.

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HMD Barbie Phone is Real and Really Pink

A few months back, HMD Global, which now brands itself as “Human Mobile Devices,” teased the existence of a Barbie-branded flip phone. Since it has Mattel’s name riding it, was surely not some simple marketing ploy or early April Fools, but an actual product that was just biding its time. That time has finally come and the official and functional Barbie Phone is finally here, or at least for some markets. The retro-chic flip phone is unabashedly pink and, well, totally Barbie, and just like the era that it pays homage to, the phone goes back to a time when mobile phones were really just mobile phones. Perfect for a GenZ vacay, or so HMD says.

Designer: HMD x Mattel

Although the recent live-action film put the iconic doll in a very different perspective, generations will always remember Barbie and her friends as fun-loving teens. Of course, the franchise has a rich history with many twists and turns, but the spirit of the product has always revolved around the joy of the moment and spending it with friends. That’s the kind of almost Zen-like message that the HMD Barbie Phone is trying to send, telling the GenZ crowd to give their phones a vacay and enjoy their own vacay the old-fashioned way.

In terms of technology, the Barbie Phone is pretty much just a specially-branded feature phone with a classic clamshell design. It opens up to reveal a small 2.8-inch “QVGA” (that means 320×240 pixels) screen above a conventional T9 keypad. It runs the old Nokia S30+ platform, which means it barely does anything other than make calls, handles text messages, and a few specialized utilities and light games. Even the 0.3-megapixel camera is terribly old-school, and not because HMD is trying to be cheap. Every facet and feature of the Barbie Phone is designed to deliver a retro phone experience for a reason.

In addition to decades-old aesthetics, the HMD Barbie Phone tries to embody the “digital detox” lifestyle that some GenZers are embracing, at least during vacations and breaks. The phone focuses on features that immediately connect friends on a more personal level compared to just tapping hearts and giving likes. You can still take photos, of course, but even that will be in the style of classic, old-school photos where everyone has to squeeze together to fit.

That’s not to say HMD is using it as an excuse to skimp on details. In fact, the HMD Barbie Phone is quite overloaded with knick-knacks and accessories that will make any Barbie fan gush. Two interchangeable colors add some pizzazz to that hot pink motif, while stickers, a beaded lanyard, and charms offer plenty of room for personalization. On the software side, you have a special watermelon-theme Snake game variant, themes and sounds from the franchise, as well as apps that guide you to be Zen in the middle of a summer beach vacation. The HMD Barbie Phone is going for 99 GBP, around $130, but it won’t launch in the US until sometime in October.

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Caviar Galaxy Z Flip 6 Elegance Edition Rides on the Latest Tennis Fashion Trend

There’s a reason why many people find fashion to be inscrutable, and not just the haute couture variety you see on runways. Fashion trends come and go, and sometimes they take inspiration from the most unexpected sources. One of the newest, for example, was spurred by the combination of the 2024 Paris Olympics, the film “Challengers” starring Zandaya, and the ongoing US Open tournament. Yes, this is the so-called “tennis core” fashion trend, and custom luxury phone maker Caviar is only too happy to jump on that bandwagon with extremely limited editions of the Galaxy Z Flip 6 that’s designed to show off your sports affinity, fashion tastes, and, of course, your affluence.

Designer: Caviar

Tennis core is simple to grasp yet hard to execute. As it revolves around the aesthetics of clothes worn in tennis matches, it has to strike a balance between being sporty and being casual. For Caviar, however, the trend is easy enough to interpret and implement, focusing on the visuals and forms most easily associated with the sport: the tennis ball.

The Samsung Galaxy Z Flip 6 that’s part of this “Elegance” tennis core collection bears curved accents on its back that resemble the lines of a tennis ball, at least if you actually knew beforehand what the design is meant to represent. Depending on the color of the model, the accents can be covered in either pure 24-carat rose gold or 22-carat silver. Regardless of the color, however, both designs flaunt 16 22mm-diameter Swarovski crystals, because this wouldn’t be a Caviar phone if it didn’t have any.

The phones have colorways that are reminiscent of some of the popular colors for tennis courts. Emerald is probably the most familiar hue, with deep and rich greens that are not unlike the grassy type of some courts. Sapphire is perhaps a little less common but blue is used to give better contrast, especially considering a tennis ball is traditionally light green in color. Both models use premium Chevre leather, the very same kind used by luxury brand Hermes for its products.

It might not be as outlandish as Caviar’s other custom designs, but the Galaxy Z Flip 6 Elegance edition still fetches an extremely steep price starting at $8,777 for the 256GB Emerald model and $9,770 for the 256GB Sapphire variant. And in typical Caviar fashion, these phones will be made in a very limited run, only 99 pieces each, making sure that owning one earns you a spot not only among fashionistas but as a true tennis aficionado as well.

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Japanese-style Volleybak Sashiko Chore Jacket is reinforced with 1 million high-strength stitches

The Core Jacket worn by French farm workers and laborers as a daily hardy piece of outerwear in the late 19th century has had many forms of fashion in the last century. Now Vollebak has combined this famous workwear with the ancient Japanese Edo embroidery technique known as Sashiko, which means little stabs, for a modern iteration.

This combination of clothing from two different worlds results in the Sashiko Chore Jacket which is attractive to look at, warm during chilly days and lasts for a long time owing to its premium material.

Designer: Volleybak

The uniqueness of the jacket doesn’t end there as it is woven from a 5.5km of meta-aramid thread intricately shaped in a V-pattern. These patterns are a detour from the original lighting or arrow shapes used in the Edo embroidery. Vollebak has crafted the jacket with consideration towards longevity and roughness of use as the stitching is denser towards the hem as compared to the elbows. This enhances the movement around joints and provides strength in the high-tension sections.

The single long armid fiber used in the making is highly resistant to fires and durable enough to take on the odd cut from a Swiss knife. Other than that the maker uses high-quality Japanese jacquard cotton dyed in indigo. The material is then meticulously cut sewen and reinforced in the sashiko stitching method, following the body contours for a universal fit. Two angle pockets and chest pockets are added to the clothing. Thereafter, the jacket is washed to get the classic faded denim aesthetic.

Although the pattern of the stitch is different from the traditional knit method, the white stitch on the blue or gray backdrop (depending on the color you choose) is the classic sashiko combination. It’s like a Sierra of blue mountains with snow-clad tops on The Great Wave Off Kanagawa. For the eight buttons, Volleybak uses premium buffalo imitation bio-resin material.

Sashiko Chore Jacket is available in two colorways – Blue Edition and Grey Edition – for a price of £695 (approximately $920). The reinforced kimono-style collar of the Grey edition adds to the style while the blue edition goes for a more conventional collar style. Yes, the price is exorbitant but the attention to detail in making the jacket, especially the reinforced 1 million high-strength stitches, truly speaks about its exclusivity.

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Dark Side of the New Moon, here’s my journey with the Black Snoopy Moonswatch

The Omega x Swatch Snoopy MoonSwatch editions—”New Moon” and “Full Moon”—offer a unique blend of design and functionality inspired by space exploration. These non-limited timepieces, crafted from Swatch’s innovative Bioceramic material, feature distinct color schemes and detailed moon phase complications.

Designer: Swatch x Omega

The ‘New Moon’ edition, which is the topic of our Wristwatch Wednesday discussion, is rendered in a deep black hue and captures the mystique of the hidden aspects of the lunar cycle. The ‘Full Moon’ edition, in contrast, features a pristine white color, echoing the luminous surface of a full moon. Each watch is adorned with a moon phase complication at the 2 o’clock position, where Snoopy, along with Woodstock, adds a whimsical yet significant nod to the lunar theme. The moon phase complication not only adds aesthetic value but also provides an additional layer of functionality, making these watches more than just timepieces—they’re storytelling devices. The discussion of the Full Moon, aka White Snoopy edition, is saved for another discussion. Let’s dive into why I’m 100% positive that I made the right decision to go with it.

MISSION TO THE MOONPHASE – NEW MOON

The ‘New Moon’ edition, our focus for this Wristwatch Wednesday, sports a deep black hue that captures the mystique of the lunar cycle’s hidden aspects. Its counterpart, the ‘Full Moon’ edition, presents a pristine white color reminiscent of a luminous full moon. Both watches feature a moon phase complication at the 2 o’clock position, where Snoopy and Woodstock add a whimsical yet meaningful nod to the lunar theme. This complication transforms the watches into captivating storytelling devices, enhancing their aesthetic appeal while offering practical functionality. We’ll explore the Full Moon (aka White Snoopy) edition another time. For now, let’s delve into why I’m absolutely convinced I made the right choice with the New Moon edition.

MISSION TO THE MOONPHASE – FULL MOON

Before we dive in, let me share how I stumbled upon the holy trinity of moon phase Moonswatches. A week ago, I took a trip to Austin, TX—home to one of only nine Swatch boutiques selling the Super Blue Moonswatch. After making my purchase, I casually mentioned to the store manager, “Boy, I sure wish I could still get my hands on the black and white Snoopy Moonswatch!”

Omega x Swatch MISSION TO THE SUPER BLUE MOONPHASE

Then, it was as if the clouds parted above me and the moon, sun, and stars aligned when these words came out of my new best friend’s mouth: “The shipment arrives tomorrow and you can buy both.”

It took me a moment to process the situation. My flight back to Dallas was in 90 minutes, and I remembered my fruitless treks between Swatch boutiques in Tokyo and Nagoya, where I was dismissed with a mere “good luck getting one.” I faced a dilemma: should I stay the night and possibly camp out on the sidewalk by the boutique (Austin PD permitting), or fly home and return for a road trip? Given my long search for these rare pieces—rare, yet still attainable, unlike the limited Super Blue Moonphase—I knew they’d continue to be sold. But here’s the kicker: Swatch doesn’t display them on the floor. You must ask for them specifically. So I did, and before I knew it, I was embarking on a 6-hour round-trip back to Austin the next day to snag these beauties. Was it worth it? Absolutely.

Now, let’s explore the striking dark dial that defines this watch’s unique design. Its matte finish adds visual depth, creating a subtle contrast with the understated moon phase complication. This clever design choice makes Snoopy appear to leap off the dial, bringing the lunar theme to life. The hands and hour markers are coated with Super-LumiNova, ensuring visibility in low-light conditions—a nod to the watch’s space exploration inspiration. These elements showcase the meticulous attention to detail that Omega and Swatch have poured into this collaboration.

In contrast to the white Snoopy edition, the black one showcases practicality with its dark, Gotham-esque theme. This is especially noticeable in the straps—though I’ll admit, it’s the strap design, not the overall look, that I’m not particularly keen on. I’ve never been a fan of Velcro in any form, including those ’80s Velcro shoes.

Both the ‘New Moon’ and ‘Full Moon’ editions come with Velcro straps, which are lightweight and comfortable but also highly durable. The ‘New Moon’ edition features a black Velcro strap, while the ‘Full Moon’ comes with a white Velcro strap, each complementing the watch’s overall color scheme. The straps are also designed for ease of use, allowing quick adjustments for a perfect fit, and are well-suited for everyday wear, ensuring the watch stays secure on the wrist during various activities.

As for my personal preference, I found a $12 strap (multiple straps) on Amazon that offers both a premium look and feel. It features perfectly fitted lugs and a matching black tang buckle, tying everything together nicely. In my opinion, this strap looks and feels significantly more cohesive and comfortable than the original.

The watch’s case measures 42mm in diameter, making it versatile for a wide range of wrist sizes. Its Bioceramic material offers both eco-friendliness and a unique tactile feel, setting these models apart from traditional metal or plastic cases. This lightweight material enhances comfort for extended wear. I must say, after wearing much heavier, more expensive watches, I find the Bioceramic material refreshingly light—and I absolutely love it. It’s worth noting that it’s still two-thirds ceramic; it’s certainly not the “crappy plastic” some might lead you to believe.

The caseback of each watch is meticulously designed, featuring inscriptions of the Omega and Swatch logos, along with references to the specific MoonSwatch mission. Although it lacks the animated elements found in higher-end Speedmaster models, the caseback still honors the mission’s legacy through these engraved details, reinforcing the connection to space exploration. A closer look reveals Snoopy’s pawprint, marking the spot of the first lunar landing.

These watches feature a quartz movement, providing precision and reliability that align with Swatch’s commitment to accessible, high-quality watchmaking. The movement is housed within the Bioceramic case, which offers a sturdy and protective shell resistant to shocks and water. While the specific water resistance rating isn’t a key selling point for this model, it’s worth noting that the battery is replaceable. Plus, you can swim and shower with the watch—just remember to keep the crown closed.

Wrapping up, the Omega x Swatch Snoopy MoonSwatch ‘New Moon’ edition blends playful design with a serious nod to space exploration. Its standout features—Bioceramic case, moon phase complication, Super-LumiNova detailing, Velcro strap, and reliable quartz movement—make it a unique addition to both Omega and Swatch collections. This timepiece appeals to those who value style and substance equally. At $320, it might raise eyebrows among hardcore watch collectors who favor mechanical movements. However, it’s undeniably an accessible entry point for a watch that offers enduring enjoyment and value. Oh, and happy belated 74th birthday to Snoopy!

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