Meta has released an app for making generative AI games
Pocket is listed in app stores but seemingly unavailable in the US.
Monai’s New Baby Crib Monitors Heart Rate With 4K Sensors
Baby gear has always been functional. Safe. Practical. But design, real design, has rarely been part of the conversation when it comes to infant furniture. The Monai Sleepod Baby Crib is trying to change that, and it’s doing it with enough technology packed inside to make your phone feel a little insecure.
Designed by Wen Rui, Shi Zongjing, and Shen Jiahao for Kaiwang, a Shenzhen-based design team, the Sleepod made its debut at CES 2026 and later turned up at Milan Design Week 2026. Two events that rarely share the same audience, and showing up at both is a clear statement of intent: this is a product that wants to be taken seriously as both technology and design.
Designers: Wen Rui, Shi Zongjing, Shen Jiahao for Kaiwang
At a glance, the Sleepod looks clean and considered, more like something you’d see at a Scandinavian design fair than in the baby aisle of a big box store. Its collapsible, luggage-style frame packs down quickly with a one-button folding mechanism, making setup fast and storage genuinely easy. The adjustable bed and railing heights let the crib adapt as a baby grows, rather than becoming obsolete after a few months. For parents used to baby gear that seems designed more for showroom appeal than real daily life, those are practical wins that add up quickly.
The technology is where the Sleepod really separates itself from everything else on the nursery floor. Inside the compact frame is a stack of sensors that would feel at home in a medical monitoring setting: a 4K full-color camera with low-light imaging, millimeter-wave radar, and thermal infrared sensors. Together, they track a baby’s activity, sleep quality, breathing, heart rate, and body temperature around the clock. The camera detects covered faces and proximity to the railings, triggering alerts before a situation has a chance to become dangerous. It also reads cry patterns and monitors sleep cycles, giving parents actual data rather than anxious guesswork at 3 a.m.
There’s also a negative-ion air purification system built into the design, along with gentle audio features intended to help soothe babies to sleep. The whole system runs on full-stack, in-house AI technology, and Monai describes it as the first application of embodied intelligence in baby care, which essentially means the crib is built to understand and respond to its occupant rather than simply containing one.
As a piece of design, the Sleepod makes me think the baby furniture industry has been dramatically underestimating what a crib could be. Most cribs ask parents to do the sensing, the watching, and the worrying. The Sleepod redistributes some of that cognitive load. For anyone who has spent a night lying awake, listening for sounds that may or may not mean something, that shift in responsibility feels genuinely meaningful.
The design language is notably restrained, and that reads as a deliberate choice. Nothing here is trying to be cute or playful in the way baby products so often default to. It feels like something built for the parent as much as for the baby: calm, precise, and considered. The foldable frame and portable form suggest a team thinking about modern parenting realistically, including families who travel, move frequently, or simply don’t have space for furniture that works only one way.
The questions around always-on AI monitoring in a nursery are worth naming. Multi-sensor fusion with 4K imaging running continuously is a significant data footprint, and parents will reasonably want to know what’s being processed on the device versus what’s sent to the cloud. These are conversations the industry needs to get better at having openly as smart baby tech shifts from novelty to expectation.
Still, as an object and as an idea, the Monai Sleepod Baby Crib is a genuinely compelling piece of work. It doesn’t treat technology and furniture as two separate concerns parents have to manage on their own. It makes them one coherent thing, designed around what it actually takes to keep a small, new person safe, healthy, and sleeping well.
The post Monai’s New Baby Crib Monitors Heart Rate With 4K Sensors first appeared on Yanko Design.
Police Officers Spent Three Years Redesigning the Lifesaver To Make It As Small As A Hockey Puck
Rolled up, Ark Hero No.1 looks like a hockey puck with a zipper. Nothing about it announces itself as rescue equipment. Pop the shell open and a coiled yellow tube spirals inside, capped by a red hand pump that would look at home on a bicycle. Pump it for a few seconds and the coil stretches into a segmented shaft that spans shoulder to shoulder, jointed like a stalk of bamboo and wrapped in reflective silver bands built to catch headlights at 3 AM. The whole sequence takes about as long as opening a bag of chips.
That transformation, from puck to rescue tool, is the entire pitch. Ark Hero No.1 is a 2025 Design Intelligence Award Future Talents winner developed over three years by frontline police officers who kept watching the same tragedy play out from the same design gap. Traditional life rings live on piers and boat railings, tethered to places where drownings often do not happen. A car that leaves the road at 2 AM lands nowhere near a lifeguard tower. The brief was simple: build the life ring that could have been in the trunk.
Designer: wanglicheng
Losing the CO2 cartridge is the single biggest upgrade, more so than the actual innovative design. High-pressure gas kills casual storage: it expires, complicates air travel, sits inside a regulatory maze at customs, and demands specialist replacement after every deployment. Swap it for the red hand pump poking out of the case and the same ring can live in a squad car or family sedan for years without anyone thinking about it. The trade-off is a few extra seconds of pumping. Given that the alternative is often no life ring at all, that math works out fast.
Ark Hero No.1 spreads its buoyancy across a chain of joined segments instead of pooling all the air in one giant doughnut. A conventional ring holds its air in a single chamber, so one puncture compromises the whole thing. The segmented design lets a tear in one pod leave the rest of the shaft floating, which matters when the tube is scraping metal edges or broken glass after an accident. The jointed geometry also lets the tube flex around a body or drape across a car window frame during rescue. Silver reflective bands wrap every segment, doing their real work in dark water where solid yellow gets lost in glare and chop.
The hard-shell case turns the whole system into something a procurement officer can plan around. Rolled up, the coiled tube snaps into a puck-shaped shell with a full-perimeter zipper and a mesh interior pocket that holds the pump and buckle in place. The form factor standardizes storage footprint, protects the fabric from years of abrasion, and clips easily to duty belts, headrests, and boat racks. An officer can carry one on the hip. A patrol vessel can rack a dozen without eating floor space.
For a project born from three years of frontline police fieldwork, the visual restraint tells its own story. No branding drama, no styling flourish, no lifestyle gadget affectation. The yellow is loud because loud yellow gets seen from a helicopter. The red is loud because red hands find red pumps in a panic. Every element exists because someone once needed it and did not have it, and that tends to end well when the equipment finally reaches the people who kept improvising without it.
The post Police Officers Spent Three Years Redesigning the Lifesaver To Make It As Small As A Hockey Puck first appeared on Yanko Design.
Cloudflare will filter out web crawlers that serve AI companies
The hosting platform wants sites to have more control over how AI companies use their content.
Polaroid Just Upgraded the Tiny Camera Collectors Love
There was a time when the only people you would see carrying around Polaroid cameras were the hipster film or art students or the always-on-a-nostalgic-trip enthusiasts. But now, analog cameras have become part of the lives of those who are into photography or those who just like collecting printed photos to tuck into their journals or cork boards.
Polaroid is one of those brands that has really gotten into this whole analog-digital hybrid lifestyle by consistently releasing new products that the market gobbles up. Their latest release is the Polaroid Go Generation 3, the newest iteration of this product line that brings exciting new features, fresh vibrant colorways, and even more ways to capture those memories.
Designer: Polaroid
This new version of this beloved Polaroid camera offers several new things that collectors and enthusiasts will enjoy. The biggest upgrade is that the new polycarbonate optic brings you sharper and clearer photos. I know the lo-fi nature of a lot of these analog cameras is part of the appeal, but of course, sometimes you’d still want to have something that has higher quality.
This camera, which is the world’s smallest instant analog one, now also has a better Xenon flash which performs better than the LED flashes on modern cameras when taking low-light photos. It is also able to handle lens flaring better, and the selfie mirror now also has less glare.
For collectors who are focused on the design of the camera itself, this version comes in five new vibrant colors: purple, teal, light blue, black, and white. Personally, I can’t wait to have the purple one and carry it around with its pocket-friendly dimensions.
Another upgrade worth getting excited about is the improved viewfinder. The new wider design with its elongated eyepiece lets you see your full composition comfortably, with no more awkwardly pressing your face against the camera just to frame a shot. It is a small but impactful change, especially when you’re trying to capture a spontaneous group moment and need to get the framing right on the first try. No more accidentally cut-off heads or missed expressions.
What also stays from the previous generations, and that is very much a good thing, are the beloved shooting modes. Use the self-timer for those full-group shots where everyone actually needs to be in the frame, or activate the double exposure mode for dreamy, creative layered shots that give your photos a truly artistic edge. Flash control is also all handled through a single button, keeping the whole experience intuitive and fuss-free. It is simple, fun, and exactly the kind of energy you want from a camera this size.
And for those who still want a little digital in their analog life, the Polaroid Go Gen 3 pairs nicely with the free Polaroid app. You can scan your prints and share them online, so you truly get the best of both worlds. The physical photo to stick on your wall, tuck into your journal, or swap with a friend, plus a digital copy ready to share whenever you feel like it.
The rechargeable lithium-ion battery holds up impressively too, giving you up to 15 film packs per charge, more than enough for a full weekend getaway or a long day of adventures without worrying about it dying on you at the worst possible moment. And at just $89.99, it is an accessible and very giftable entry into the world of instant analog photography.
Whether you are a die-hard Polaroid collector, a photo journaler, or someone who simply wants to step away from the overly curated world of digital photography and capture something real and unfiltered, the Polaroid Go Generation 3 is worth every penny. It is small enough to slip into a bag, beautiful enough to show off, and capable enough to make your memories look genuinely great. Big energy in the tiniest package, and honestly, is there anything more Polaroid than that?
The post Polaroid Just Upgraded the Tiny Camera Collectors Love first appeared on Yanko Design.
What the First Galaxy Z Fold 8 Wide Teaser Reveals About Samsung’s Next Move
Samsung has sparked widespread excitement with its latest teaser campaign, signaling a potential design evolution for the highly anticipated Galaxy Z Fold 8. By wiping most of its previous Instagram posts and replacing them with cryptic visuals and phrases such as “new shape, new joy,” the company has set the stage for what could be […]
The post What the First Galaxy Z Fold 8 Wide Teaser Reveals About Samsung’s Next Move appeared first on Geeky Gadgets.
Flipper One Behind The Scenes: “Sharper, Smarter, More Cunning, Brutal” says Flipper CEO
When you first see the Flipper One, it’s clear something has changed. Its predecessor, the Flipper Zero, had the playful, almost toy-like charm of a 90s gadget. It was clever, compact, and just a little bit mischievous. The Flipper One, by contrast, is not playing around. With its exposed metal, ruggedized shell, and dense, purposeful form, it looks less like a hacker’s Tamagotchi and more like something you’d find bolted to the dashboard of a military vehicle. The design language has become, in the words of Flipper’s CEO Pavel Zhovner, “sharper, smarter, more cunning, more brutal.”
The source of this aesthetic shift isn’t another cyberpunk movie. While the team’s love for William Gibson’s Johnny Mnemonic is still part of the lore, the Flipper One’s design was shaped by a much more tangible artifact. “There was a very tangible, physical reference this time too,” Zhovner explains in an exclusive interview with Yanko Design, “the Yaesu FT-897D radio transceiver. It’s serious field communications equipment.” That single object unlocks the entire story behind the Flipper One’s aggressive new form. The team’s earliest prototypes, he notes, were shaped by hand in polymer clay to mimic the radio’s rugged, function-first ergonomics, and even then, they “looked remarkably close to it.”
Designers: Pavel Zhovner & Flipper Devices
Yaesu FT-897D radio transceiver
This move from fiction to field equipment wasn’t just a stylistic choice; it was a direct response to the device’s new capabilities. The core challenge in creating the Flipper One wasn’t about living up to the Zero’s reputation, but a years-long technical quest. “For years, we were chasing the right balance between performance, battery life, and price,” Zhovner recalls. Every processor they considered “forced a compromise we weren’t willing to make.” The breakthrough finally came with the arrival of the RK3576 chip. “The moment we looked at its performance specs and peripheral support, we knew – this was it.”
But that power came at a cost: heat. “Unlike Flipper Zero, Flipper One runs hot,” Zhovner says. Suddenly, the housing couldn’t just be a passive shell; it had to become an active part of the thermal solution. This is where the Yaesu’s design influence became critical. The rugged, armored look isn’t just for show. “The metal elements are doing real thermal work, acting as part of the cooling system,” Zhovner points out. The design team decided to lean into this necessity, creating a device that visually communicates its own power and thermal demands. The Flipper One wears its cooling system like armor because, in a very real sense, it is.
This philosophy of brutal honesty extends to the iconic dolphin mascot, which has also evolved. It’s now sharper, more angular, and decidedly less friendly – a reflection of the smarter, more powerful machine it represents. This commitment to a cohesive design language is rooted in the team’s belief in their core visual element. “We’re simply in love with our aggressive triangle,” Zhovner states. “It was never up for debate.” The goal was to preserve that instant recognizability while adapting it to a more demanding set of functional requirements.
Preliminary clay model of the Flipper One
The device’s functionality was also shaped by hard-won lessons from the Flipper Zero. One of the biggest takeaways was that expandability should never come at the expense of usability. “With Flipper Zero, the moment you plug in any module, the whole experience degrades,” Zhovner admits. “It becomes harder to carry and pocket, and the port takes a beating over time.” For Flipper One, this led to a strict design mandate: modules had to integrate seamlessly. The team landed on two types – M.2 and GPIO – both designed to either “disappear completely under the back cover, or they extend flush along the rear surface.” It’s a small detail that reveals a mature approach to product design, focused on the realities of daily use.
Ultimately, the Flipper One’s serious, function-driven design is meant to signal that it’s an entirely different kind of tool. Zhovner is quick to clarify that this isn’t a replacement for the Flipper Zero. Instead, the two devices operate on different technological layers. Flipper Zero is a “Layer 0” offline tool for NFC, RFID, and other low-level interfaces. Flipper One is a “Layer 1” IP/network cyberdeck – a pocket-sized, open Linux computer. It can be a portable gateway, a smart home hub, a media center, or a radio platform for listening to everything from pilot communications to satellites.
By grounding its design in the world of serious hardware, Flipper has created a device that feels less like a controversial gadget and more like a piece of portable infrastructure. It’s a tool that, despite its aggressive looks, is designed to be quietly useful, whether as a travel router in a hotel or a honeypot sensor guarding your home network. The Flipper One’s journey from a clay model inspired by a ham radio to a finished cyberdeck is a story of a company, and a product, that is growing up.
The post Flipper One Behind The Scenes: “Sharper, Smarter, More Cunning, Brutal” says Flipper CEO first appeared on Yanko Design.
Why bulky laptop chargers are a relic of the past
Laptop chargers are much easier to travel with these days, and there's one specific technology that is largely to thank.
Tesla Q2 vehicle deliveries are up 25 percent over last year
The company has been gaining traction in Europe.
Herzog & de Meuron Just Made a 1980s Antenna Tower the Most Exciting Building in the Alps
The Titlis Tower was never meant to be beautiful. That’s what makes what Herzog & de Meuron have done with it so compelling — a project that says more with restraint than most buildings say at full volume. The 56-meter-high antenna tower was built in the mid-1980s by the Swiss postal service, originally serving as a functional node in the country’s telecom network.
It sat largely ignored above the resort town of Engelberg, visible but inaccessible, a steel remnant of an analog era. Mount Titlis, the peak it crowns, draws approximately 1.1 million visitors per year — yet the tower itself offered nothing to any of them. That tension between presence and uselessness is what the commission set out to resolve.
Designer: Herzog & de Meuron
In 2017, Herzog & de Meuron was brought in to renew the mountain station and transform the tower into part of the tourist offering — a brief that sat within a broader masterplan for the entire summit, including a redesigned cable car station. Co-founder Pierre de Meuron framed the approach around “resource-conscious development of the existing infrastructure,” which in practice meant keeping what was already there and building only what was necessary. No demolition. No tabula rasa. Just a sharp architectural gesture inserted into a structure that already belonged to the mountain.
The transformation sees two cantilevered glass-and-steel volumes inserted crosswise into the existing antenna mast, creating the tower’s now-iconic cross-shaped silhouette. Four vertical circulation volumes handle movement through the structure. The result is a form that feels both ancient and entirely new — a cross, yes, but also a compass, a landmark, a thing that seems to orient itself against the horizon. Inside, the two horizontal bodies house a restaurant, a bar, and exhibition space, all of it delivered at over 3,000 meters above sea level, with glacier views on every axis.
Completed in 2026, the tower is the first element of the wider TITLIS Project to be realized, and it sets a high bar for everything that follows. What makes it land is the discipline behind the concept. Herzog & de Meuron didn’t try to compete with the Alps — they let the existing structure carry the weight and introduced just enough to make it habitable, legible, and genuinely spectacular. The tower was already a landmark. Now it finally knows it.
The post Herzog & de Meuron Just Made a 1980s Antenna Tower the Most Exciting Building in the Alps first appeared on Yanko Design.