Author Archives: Sarang Sheth

Dubai Gets World’s First Mercedes-Benz Branded City With 13,000 Apartments

Posted on by

Luxury car brands moving into real estate isn’t exactly new anymore. Porsche kicked things off with its Design Tower Miami in 2017, followed by Aston Martin’s 66-story sail-shaped tower that opened in Miami in May 2024, and Bentley Residences expected to complete in 2026. Bugatti and Pagani both have projects underway in Miami and Dubai. But Mercedes-Benz and Binghatti just took it to another level with their newly launched Binghatti City project in Dubai. Instead of stopping at a single branded tower like most automotive companies do, they’re building an entire 10-million-square-foot district with 12 residential skyscrapers containing 13,000 apartments. The $8.2 billion development centers around a 341-meter tower called Vision Iconic, surrounded by 11 progressively shorter towers creating this cascading skyline in the Meydan area. This is their second collaboration after a 65-floor Mercedes tower in Downtown Dubai that’s nearly complete, proving the concept works well enough to scale up dramatically.

The architecture pulls heavily from Mercedes design DNA, incorporating elements like their signature grille pattern into horizontal podiums, plus generous use of chrome and silver accents throughout. Each tower carries the name of a Mercedes concept vehicle, and apartments feature the brand’s Sensual Purity design philosophy with black and silver palettes accented by wood and leather. They’re not just building housing though. The masterplan includes cultural districts, retail spaces, parks, mobility hubs, sports facilities and dining venues, essentially creating a walkable branded ecosystem. Units start at $435,600 for studios and top out around $5 million for three-bedrooms. Timeline calls for completion in three and a half years from the January 14, 2026 launch.

Designer: Binghatti for Mercedes-Benz

The luxe pricing structure here tells you everything about who Mercedes thinks will actually live in this thing. Studios at $435,600 might sound almost reasonable by Dubai standards until you remember that’s the entry point for literally the smallest unit available. One-bedroom units jump to $2.6 million, two-bedrooms hit $3 million, and three-bedrooms start at $5 million. They’re casting a wide net, sure, but even the “affordable” end of this spectrum requires the kind of disposable income that makes luxury car ownership look like a casual purchase decision. The real question is whether 13,000 apartments worth of wealthy people exist in Dubai’s orbit who specifically want to live in a Mercedes-branded environment. That’s a lot of units to fill, even in a city that treats superlatives like a competitive sport.

The design philosophy they keep mentioning, Sensual Purity, sounds like the kind of corporate branding speak that emerges from late-night brainstorming sessions, but it does translate into some specific material choices. Black and silver form the base palette because of course they do, you can’t have a Mercedes-branded space without channeling the aesthetic of a C-Class interior. The wood and leather accents are presumably there to soften all that chrome and convince people this is a home rather than an extremely expensive showroom. Each tower named after a concept car like Vision One-Eleven or Vision AVTR adds another layer of brand immersion that either sounds incredibly cool or slightly dystopian depending on your tolerance for corporate aesthetics in residential spaces.

The amenities list reads like someone took every luxury condo marketing brochure from the past decade and merged them into one. E-sport lounges, ballrooms, event halls, sporting clubs, water pools, fitness facilities, picnic groves. They’re promising this self-contained urban ecosystem where you theoretically never need to leave, which raises interesting questions about what happens when your entire residential community is tied to a single brand identity. Do you start identifying as a Mercedes person in ways that go beyond car ownership? Does living in Mercedes-Benz Places Binghatti City become part of your personal brand? These are the kinds of questions that sound absurd until you remember people absolutely do this with Apple products and Patagonia vests.

Binghatti’s track record with branded developments gives this project more credibility than if some random developer tried pulling it off. They’re simultaneously working on Bugatti residences and have that Jacob & Co collaboration, so they’ve figured out the formula for translating automotive brand language into architectural form. The three-and-a-half-year timeline feels optimistic but not wildly unrealistic for Dubai’s construction pace. Whether the market can actually absorb 13,000 Mercedes-branded units in Meydan while their first tower in Downtown Dubai is still finding buyers remains the real test of whether this brand extension strategy works at city scale or if they’ve dramatically overestimated the overlap between car enthusiasts and people who want their entire living environment wrapped in automotive branding.

 

The post Dubai Gets World’s First Mercedes-Benz Branded City With 13,000 Apartments first appeared on Yanko Design.

Tekto F4 Echo Review: S35VN Steel, Button Lock, and a Zastava-inspired Tactical Design

Posted on by

Zastava Arms USA doesn’t put their name on just anything. The firearms manufacturer built its reputation on rifles that perform under pressure, and their latest collaboration with Tekto Knives seems designed to carry that legacy into everyday carry territory. The F4 Echo folding knife arrives with S35VN steel, button lock mechanics, and design details that reference Zastava’s rifle heritage. At $199.99, it positions itself as a collector’s piece that still claims serious utility credentials.

Tekto has been steadily building credibility in the tactical knife space, with Yanko Design covering their OTF automatics and folding models over the past two years. Their collaborations tend to bring recognizable names from adjacent industries, and Zastava’s involvement signals an attempt to bridge firearm aesthetics with blade functionality. Three colorways launch simultaneously: Serbian Red G10, American Walnut G10, and Tactical Black G10, giving all EDC fans something to look forward to.

Designer: TEKTO

Click here to Buy Now: $170 $199.99 ($29.99 off, use coupon code “F4YANKO”). Hurry, deal ends in 48-hours!

That choice of S35VN steel is the first real indicator they’re serious about building a flipper as strong and reliable as the Zastava brand itself. They could have stuck with D2 and priced this at $150, but the upgrade to a Crucible powdered steel shows they’re aiming for the enthusiast crowd. S35VN isn’t just about holding an edge longer; its real-world benefit is corrosion resistance. You can carry it all day without worrying about humidity turning your blade into a rust-spotted mess. This choice elevates the F4 Echo from a simple co-branded product to a genuinely competitive tool. It’s a smart move that demonstrates Tekto is listening to the market’s demand for better materials without jumping straight to exotic steels that would double the price.

The move to a button lock is a significant step up from the liner locks found on some of their earlier folders. Button locks provide a strong, reliable lockup and make for incredibly smooth one-handed closing, which is a huge quality-of-life improvement for anyone who actually uses their knife throughout the day. Tekto also describes the flipper action as “deliberate,” which suggests they’ve tuned the detent for controlled deployment rather than a snappy, aggressive action. For a tool with tactical roots, that makes a lot of sense; you want the blade to appear exactly when you intend it to, without any ambiguity.

The G10 handle scales provide plenty of traction, and the machined patterns create a visual link to Zastava’s firearm furniture that’s undeniably clever. The colorways are a smart bit of market segmentation too. Serbian Red is clearly for the Zastava die-hards, American Walnut appeals to a more traditional outdoorsman aesthetic, and the tactical black is for everyone else. It’s a thoughtful approach that shows they understand their audience isn’t a monolith. The design feels cohesive, like a genuine partnership rather than a simple logo slap.

Tekto’s shipping the F4 Echo with their standard deep-carry pocket clip and a pouch, which is table stakes at this price point. They’re advertising 24-hour shipping, which feels fairly radical, but if you’re really keen to get a pair in your hands fast, it’s better than placing an order for Thanksgiving and receiving your EDC by Christmas. The F4 Echo has all the right ingredients to be a standout piece: a proven blade steel, a popular and functional lock, and a design story that connects with a passionate firearms community. And even though the knife carries the Zastava brand, it isn’t just for true-blue Zastava fans. Tekto is betting that the combination of premium S35VN steel, a robust button lock, and the unique Zastava branding will appeal to users who want something different. It’s a collector’s piece with the heart of a workhorse.

Click here to Buy Now: $170 $199.99 ($29.99 off, use coupon code “F4YANKO”). Hurry, deal ends in 48-hours!

The post Tekto F4 Echo Review: S35VN Steel, Button Lock, and a Zastava-inspired Tactical Design first appeared on Yanko Design.

This $129 Titanium EDC Knife Has The Most Addictive Tiger-Claw Opening Mechanism

Posted on by

When the CRKT Provoke first appeared, its morphing mechanism felt like a revelation. The design, which borrowed its kinematics from the way a jungle cat’s claws extend from its paws, was a jolt of fresh energy for an EDC world growing tired of endless flippers and predictable OTF switchblades. TiGo’s SyncraBlade now takes that same philosophy of complex, purposeful motion and applies it to the humble utility knife, creating something that feels just as revolutionary. The parallel linkage system that deploys the blade isn’t just visual theater, though it certainly delivers on that front. It is a direct solution to the finger-in-the-way problem that every traditional folder presents.

Watching the SyncraBlade extend is like observing a miniature precision machine at work. Two articulated arms move in perfect synchronization, carrying the blade forward along dual rails while maintaining its orientation. The entire assembly is milled from titanium, with every pivot point and linkage visible through strategic cutouts in the handle. This transparency isn’t accidental; TiGo designed a tool that wears its mechanical complexity proudly, appealing to anyone who appreciates clever engineering as much as practical function. The fact that it uses standard replaceable razor blades only reinforces its credentials as a tool meant for serious, everyday use.

Designer: TiGo

Click Here to Buy Now: $129 $201 (36% off) Hurry! Only 70 of 100 left.

The mechanism itself is a classic four-bar parallel linkage, a system engineers have used for centuries in industrial machinery (although maker TiGo likes to call it their ‘SyncraSlide’ mechanism). The blade carrier slides forward on a set of internal rails, but its motion is driven by those two external articulating arms. This setup ensures the blade extends in a perfectly linear path, keeping the cutting edge safely away from your hand throughout the entire deployment. Single-handed operation is effortless, and because the blade never folds, there’s zero risk of it accidentally closing on your fingers. Basically, clever engineering that solves a safety issue while looking gorgeous and feeling absolutely addictive. Looking at it will remind you of how a cat’s claws deploy from within their paws. At this scale, the SyncraBlade is roughly the same size (and probably even caliber) as a tiger’s claws – which sounds about as badass as the knife is designed to be.

That entire intricate assembly is machined from Grade 5 titanium, which explains the sharp, angular lines and confident feel. This isn’t your standard stamped-metal utility cutter. The choice of Ti-6Al-4V gives it an incredible strength-to-weight ratio, so while it feels substantial, it won’t weigh down your pocket. Closed, it measures a compact 115mm long and weighs in at 118 grams, putting it right in the sweet spot for everyday carry. The bead-blasted finish gives it a subtle, non-reflective quality that highlights the milled textures on the handle and linkage arms. Every surface feels deliberate, designed for both aesthetic appeal and functional grip.

The titanium handle encases a cleverly integrated standard user-replaceable utility blade that’s both sharp and interchangeable, making it a perfect choice for brutal functionalists who hate the idea of ‘blade maintenance’. This completely sidesteps the hassle of sharpening and lets you maintain a factory-sharp edge with a simple swap. A fresh blade is always sharper and more precise than a hand-sharpened one, which is exactly what you want for delicate tasks like opening packages or trimming materials. The blade change mechanism appears straightforward, secured by a single screw, so you can pop in a new one in seconds without any specialized tools. It’s a practical decision that grounds the futuristic design in real-world usability.

The way the blade ejects is visually addictive, sure. But it’s also safer than your average flipper. A flipper blade often uses a torsion spring, which causes the blade to arc out and stop in its open position. If there’s no spring-loaded action, the blade almost always requires two hands to open and close – or at best, one hand with a bit of a struggle. If you’ve ever pulled out a sofa-bed, you know that a well-made parallel linkage can be activated with just a single hand. The SyncraBlade encourages that level of ease, allowing you to both deploy as well as shut the blade with a single thumb-motion. This is also safer because the blade’s edge never really comes in the path of your hands. A folding blade’s curved path means you need to move your fingers out of the way while opening and closing the blade – the SyncraBlade’s parallel linkage eliminates that need entirely. Grip the knife exactly how you used to, the blade never comes in contact with your skin – making it reliable to deploy in the dark, or even in any situation without having to look down at your knife.

The functionality doesn’t stop with the blade. Tucked into the tail end of the handle is an integrated pry bar and a wire-gate carabiner clip. These aren’t afterthoughts; they’re seamlessly incorporated into the titanium body. The pry bar is robust enough for light-duty tasks that would destroy a knife tip, like scraping or opening paint cans. The carabiner provides a secure attachment point for a keychain or belt loop, making it easy to keep accessible. There’s even a hidden bottle opener integrated into the frame, making this tiny beast perfect for the outdoors, whether you’re camping, hunting, or dare I say, on a tactical mission.

All these features are packed into a frame that is surprisingly ergonomic. When closed, it’s a dense, fidget-friendly rectangle of titanium. Once the blade is deployed, the articulated linkage arms naturally form a finger guard, creating a secure and comfortable grip. The milled texturing on the handle provides excellent traction, ensuring the tool won’t slip even when you’re applying significant force. The entire design feels balanced and intuitive in the hand, a testament to how much thought went into the relationship between the mechanism and the user experience.

And the knife is designed for everyday use with quite literally zero compromise. The titanium build makes it devilishly durable. It’s corrosion-proof by default, doesn’t rust or oxidize, can be dropped from a hundred feet or be run over by a car without any sign of wear and tear. It’s water-resistant, and if you’re a part of a small section of people who are sensitive to certain materials, titanium is hypoallergenic by nature. The blade is the only replaceable part, which means you can simply ditch it for a sharper one if the old one dulls or breaks. And if you’re traveling, just pack the blade separately and you’ve got a TSA-friendly EDC that can attach to your backpack, belt loop, or sit in your pocket.

The SyncraBlade doesn’t entertain any fluff – it comes in a single natural color (none of that anodized or PVD coated nonsense), and the most you can do to personalize your knife is have it custom-engraved. I’d have appreciated a tritium slot on the sides, but that’s me being pedantic – especially considering the knife costs a mere $129 (discounted from its $201 price tag), and ships free globally starting May this year.

Click Here to Buy Now: $129 $201 (36% off) Hurry! Only 70 of 100 left.

The post This $129 Titanium EDC Knife Has The Most Addictive Tiger-Claw Opening Mechanism first appeared on Yanko Design.

UGREEN built an AI Recorder into its 10,000mAh Power Bank and I don’t know if that’s genius or crazy…

Posted on by

Representational Image

At CES 2026, where every tech company seemed legally obligated to add AI to something, Ugreen announced a power bank with voice recording. The MagFlow AI Voice Recording Magnetic Power Bank packs 10,000 mAh, wireless charging, and AI-powered note-taking into one device. It’s either brilliantly practical or completely unnecessary, depending on how often you find yourself needing both a dead phone and a voice memo at the exact same moment.

The real question is what market Ugreen’s actually targeting. Dedicated AI recorders like Plaud and Limitless offer superior transcription and integration with productivity tools. Meanwhile, power bank buyers are mostly obsessed with capacity, charging speed, and MagSafe compatibility. Ugreen’s product sits awkwardly between these worlds, somehow simultaneously targeting both the serious note-taker as well as the charging purist. Maybe that’s the genius: creating a category where none existed, or maybe it’s just feature creep with good intentions.

Designer: Ugreen

Representational Image

You’ve got 10,000 mAh, which is respectable but standard for MagSafe-compatible power banks in 2026. Wireless charging is included, though the company hasn’t confirmed whether there’s a USB-C port for wired fast charging. A digital display shows battery level and presumably real-time charging stats. Then there’s the voice recording hardware with built-in AI for translation and summarization, which sounds impressive until you realize Ugreen hasn’t explained how you’ll actually access these recordings. Is there an app? Does it sync to your phone? Do you have to plug it into a computer and dig through files like it’s 2015?

Representational Image

Compare this to something like the Plaud NotePin, which costs around $169 and is purpose-built for recording. It connects seamlessly to your phone, transcribes in real time, integrates with LLMs like ChatGPT for summaries, and weighs practically nothing. Or look at the power bank side of things. Ugreen’s own Qi2 25W MagFlow Power Bank retails for $89.99 (currently $69.99 on Amazon) and does one thing exceptionally well: charges your devices fast. This new AI version will almost certainly cost more, probably around $120 to $150 if I had to guess, which puts it in direct competition with premium power banks that offer higher capacity or faster charging speeds. Not to mention most AI services do come with the looming threat of a subscription fee at some point. Imagine subscribing to a power bank…

Jokes aside, the bundling makes sense if you’re the kind of person who carries too much stuff and wants to consolidate. A journalist running between interviews could theoretically use this to charge their phone while recording background audio for articles. Students might appreciate having one device that keeps their laptop alive during lectures while capturing notes they can summarize later. But these use cases feel niche, and niche products need exceptional execution to justify their existence. Ugreen hasn’t shown us that yet. The company has a solid track record with GaN charging technology and their NASync NAS series crushed it on Kickstarter with $6.6 million raised. They know how to build hardware. Whether they can build software that makes voice recording feel natural on a battery pack is the real test.

The post UGREEN built an AI Recorder into its 10,000mAh Power Bank and I don’t know if that’s genius or crazy… first appeared on Yanko Design.

Sony’s Upcoming Portable PS6 Aims to Challenge the Steam Deck and Switch 2 in 2027

Posted on by

Sony’s portable gaming attempts have followed a familiar pattern: innovative hardware held back by baffling compromises. The PSP had one analog stick when games clearly needed two. The Vita added that second stick but inexplicably skipped analog triggers and clickable thumbsticks, forcing developers to map essential controls to an awkward rear touchpad. The PS Portal finally nailed the controls by essentially splitting a DualSense controller in half, then rendered the achievement mostly irrelevant by making it stream-only. Project Canis, the rumored PS6 handheld arriving in 2027, needs to break this cycle.

The fundamentals look promising this time. Reports suggest full PS4, PS5, and PS6 compatibility with proper docking functionality, which would position it as Sony’s answer to both the Steam Deck and Switch successor. The recent PS5 low-power mode appearing in firmware updates telegraphs Sony’s strategy clearly: get developers optimizing games for portable performance now, before the hardware officially exists. With AMD’s APUs getting more capable and the handheld gaming PC market proving there’s demand for portable power, Sony actually has a clearer path forward than they did with previous attempts. The question is whether supply chain realities and component costs will force them to compromise again.

Designer: Yousef Popov

Sony recently added a power-saving mode to PS5 games that scales down graphics and frame rates, supposedly for energy conservation. But here’s what’s actually happening: they’re teaching developers how to optimize their games for weaker portable hardware before that hardware even exists. When Project Canis launches, every game with this low-power mode already has a built-in portable profile ready to go. It’s Sony creating a standardized “handheld mode” years in advance, which suggests they’re genuinely committed this time rather than half-heartedly supporting another doomed experiment like the Vita became.

The design remains anyone’s guess at this point. Concept images floating around Behance show sleek interpretations of what a modern PSP could look like, though these fan creations obviously don’t reflect whatever Sony’s industrial designers are actually cooking up. What we do know is that the PS Portal’s controller layout works beautifully, with full-sized analog sticks and proper trigger feedback. If Sony keeps that ergonomic foundation and adds actual processing power inside instead of relying on cloud streaming, they’d have something genuinely compelling. The Portal proved they finally understand that portable controls can’t be compromised versions of console controllers, they need to be the real thing.

The 2027 target might actually work in Sony’s favor despite the RAM shortage threatening to push prices up or launch dates back. Handheld gaming has exploded in ways nobody predicted five years ago. The Steam Deck created an entire category of expensive portable PCs that people happily bought. The Switch keeps selling despite aging hardware because portability matters that much to players. Sony entering this space in 2027 with a device that plays God of War and Spider-Man natively, then docks to your TV for the full experience, feels less like another doomed experiment and more like arriving exactly when the market’s ready.

The backwards compatibility angle could be the real hook though. Running your entire PS5 library on the go would be compelling enough, but reports suggest potential support reaching back to PS1 and PS2 through emulation. Imagine having decades of PlayStation history available on one portable device, from classic JRPGs to current blockbusters. The Switch has proven that players will rebuy old favorites for portability, but Sony wouldn’t need to resell anything if they nail backwards compatibility. Your existing library just works, from launch day classics you bought fifteen years ago to whatever drops next month. That’s the kind of feature that turns a neat gadget into something you’d actually carry everywhere.

The post Sony’s Upcoming Portable PS6 Aims to Challenge the Steam Deck and Switch 2 in 2027 first appeared on Yanko Design.

Minimalist Phone Takes On Teenage Engineering-inspired Design To Offer Hyper-Functionality

Posted on by

This phone is so minimal it doesn’t even have a name. This brick-ish beauty comes from the mind of Keziah Mendjisky, an industrial design student out of Paris. The idea is simple, how much can you take away from current phones to give you something that feels like a phone and performs like a phone, but doesn’t have any of the distractions? Mendjisky’s attempt at re-envisioning a connectivity device is gorgeously risqué, resulting in something that you’d first think was a calculator.

Grab it, however, and you’ll realize it doesn’t have your calculator’s layout. The numbers are laid out like a phone, starting from the top unlike a calculator (which starts from the bottom), there are volume and playback keys, and two conspicuous buttons marked green and red, which become obvious once you realize they’re for answering or rejecting calls. Everything gets packaged in a design format that would make folks at Braun or Teenage Engineering very happy – the use of white, the employment of tactile surfaces, and just the right amount of fun without making the device look like an unserious toy.

Designer: Keziah Mendjisky

“This concept rethinks what a phone should be in a world of constant distraction. No glass screen. No endless scrolling,” says Mendjisky. One could argue that ‘no glass screen’ might be pushing things a little too far, but the minimal phone he designed with this very constraint still feels ‘cool’. The screen is replaced by a backlit plastic panel with a dot-matrix light-up display – think screen on your Ember thermos or the Mui Board Gen 2.

The top right corner of the display is dedicated to the time and weather. The left, however, is where the main elements are visible, A very tactile scroll wheel lets you quickly jump through functions or contacts, while a green or red button lets you call or disconnect. In the middle, a speaker key lets you activate the loudspeaker mode while on calls, with the speaker unit itself right above the button array.

The rest of the buttons lack a concrete explanation, but it’s easy to infer what they could be for. Numbers dial numbers, obviously, but there’s a T9 keyboard underneath too, presumably for searching contacts or texting. Forward and rewind buttons could possibly hint at voicemail playback, although the phone apparently handles media too. Most buttons are concave, making them reliable to press, although a few critical buttons have an embossed/extruded design, probably hinting at more core functionality.

Phoning is arguably the most important aspect to this minimalist gadget, although Mendjisky’s visuals hint at a few core tools like music playback, navigation, and maybe even an alarm. Plus, given its calculator-esque aesthetic, I’d probably expect a calculator function to be built-in too, but the lack of addition/subtraction/etc buttons does tend to worry me!

The post Minimalist Phone Takes On Teenage Engineering-inspired Design To Offer Hyper-Functionality first appeared on Yanko Design.

Six-Legged LEGO Technic Walker Moves Like a Real Creature Thanks To Pure Mechanical Engineering

Posted on by

Walking machines are hard. Really hard. Which is why most LEGO motorized builds stick to wheels or treads, and the ones that do attempt legs usually end up with something that shuffles more than it strides. But every so often someone figures out the mechanical magic trick that makes it work, and this six-legged walker currently on LEGO Ideas is one of those builds that actually delivers on the promise. The creator has managed to build something that moves with genuine fluidity, the kind where you can see the weight transfer from leg to leg.

The secret is in the gearing system. Rather than trying to program each leg’s movement independently, the build uses variable-speed gears that automatically adjust leg velocity based on where it is in the stride cycle. Slow and deliberate when the foot is planted, quick when it swings through the air. Combined with a vertical stabilization mechanism and shock-absorbing feet, you get something that can handle real terrain rather than just demonstration videos on smooth surfaces. It’s styled as a space exploration rover complete with a crew cabin and solar panels, leaning into that AT-AT aesthetic without directly copying it.

Designer: Alexis_MOCs_FR

Here’s the thing about making LEGO walk. You can throw servos at the problem and program every joint independently, which is how Boston Dynamics does it and why their robots cost more than a house. Or you can do what Theo Jansen did with his Strandbeest sculptures and let the mechanism itself figure out the gait. Jansen’s beach creatures run on wind power and pure geometry, converting constant rotation into this weirdly organic walking motion that makes you forget you’re watching PVC pipe and zip ties. That’s the approach Alexis_MOCs_FR took here, using two L motors and a gear train that does all the thinking mechanically. No Arduino, no sensor feedback loops, just smart engineering that exploits the physics of rotating linkages.

The look is peak 1970s futurism. White body panels, black structural framework, blue solar arrays, elevated cockpit with room for two astronaut minifigs. There’s a satellite dish up top because of course there is. The whole thing sits maybe 12 to 16 inches tall based on minifig scale, and all that gearing is completely visible. Some builds try to hide the mechanism under cosmetic panels, but here the exposed gear trains are the entire point. Watching the motion transfer from motors down through the variable-speed system and into the legs is genuinely mesmerizing, like those transparent mechanical watch movements that cost absurd money because people will pay to see the machinery work.

The vertical stabilization bit is where you can tell someone really understood the assignment. When your upper leg is swinging through a 60 or 70 degree arc, keeping the foot flat on the ground becomes this annoying trigonometry problem. Most people either accept some wobble or add complexity with extra actuators. This build has a sliding element in the lower leg that compensates for the angle automatically. Upper leg tilts, slider adjusts, foot stays vertical. It’s passive, it’s reliable, and it’s the kind of solution that only works because someone actually prototyped this thing instead of just CAD modeling it and calling it a day.

High-stepping gaits hit hard. You’re lifting legs way off the ground and slamming them back down at whatever speed your motors can manage. Without damping, every impact rattles through the structure and either knocks gears out of alignment or turns the whole thing into a vibrating mess. Custom shock absorbers at each foot solve this, which is why the creator can apparently run it over rumpled blankets and piles of Kapla blocks without it face-planting. The build is allegedly both lightweight and robust, which sounds like marketing speak until you consider that you need enough mass for stability but not so much that momentum tears the gear teeth apart during direction changes.

The project is currently in its very early stages, with 424 more days to gather votes and hit the next milestone. If it gets to the coveted 10,000 mark, LEGO actually reviews it for production. The Technic lineup has been pretty safe lately, lots of supercars and construction equipment but not much that pushes mechanical boundaries. This thing demonstrates actual engineering innovation, the kind where someone solved hard problems with clever solutions instead of just adding more motors. If you want to see it become a real set, go cast your vote on the LEGO Ideas website!

The post Six-Legged LEGO Technic Walker Moves Like a Real Creature Thanks To Pure Mechanical Engineering first appeared on Yanko Design.

Someone Built a Biodegradable 8GB Hard Drive Out of Mushrooms

Posted on by

So here’s a sentence I never thought I’d write: someone made a USB drive out of mushrooms. Well, technically mycelium, the sprawling fungal network that lives underground and occasionally pops up as the mushrooms we eat. But still. We’re talking about storing your family photos, tax documents, and embarrassing early-2000s selfies inside what is essentially cultivated fungus. And somehow, this makes perfect sense.

Enter the Soft Drive, which looks less like a tech product and more like something grown in a lab that studies alien artifacts. Designer Sree Krishna Pillarisetti built this portable drive with a shell made from mycelium, the root-like structure of fungi, combined with hemp and bioplastics from waste materials. You can see the fungal fibers through the translucent case, all wispy and organic, protecting the electronics inside. It’s strange and beautiful and deliberately so. The whole thing is designed to make you feel the weight of your data again, to make storage physical and local and weird in a way that makes you reconsider why we ever outsourced our digital memories to faceless corporations in the first place.

Designer: Sree Krishna Pillarisetti

The translucent casing shows off the wispy, organic texture of mycelium mixed with hemp, wrapped around a standard memory card and heat sink. There’s a woven lanyard attached like it’s a charm you’d wear. It holds 8GB, which sounds quaint until you realize that’s exactly the point. This isn’t about competing with cloud storage. It’s about asking why we ever thought it was a good idea to hand over our entire digital lives to massive, energy-guzzling server farms we’ll never see or control.

The name is doing a lot of heavy lifting here, and I’m here for it. “Soft Drive” as the inverse of “hard drive” is chef’s kiss levels of nomenclature. Pillarisetti, who completed this as his MFA thesis at Parsons, built the entire shell from materials sourced from waste streams: mycelium, hemp fibers, and polylactic acid (PLA). The mycelium acts as natural shock absorption, which is clever because dropping your drive has historically been a nightmare scenario. Fungi don’t crack the way plastic does. They compress, absorb impact, and generally behave like they evolved for this, which, in a roundabout way, they kind of did.

And I personally love how deliberately weird this thing looks. Consumer electronics have spent decades trying to disappear, to become these frictionless black mirrors we barely notice. The Soft Drive does the opposite. It foregrounds its materials, makes you aware you’re holding something that grew, that came from a living process. The translucent case means you see everything: the fibrous mycelium texture, the metallic components inside, the fact that this object has layers and history. It’s the anti-iPhone, and I mean that as a compliment. Pillarisetti calls it a “regenerative memory storage device,” which is a fancy way of saying it can eventually break down and return to the earth instead of sitting in a landfill for the next thousand years. The whole concept pushes toward decentralized local networks, physical sharing, data you can hand someone instead of emailing a Dropbox link. It’s romantic in a way tech hasn’t been in years.

The post Someone Built a Biodegradable 8GB Hard Drive Out of Mushrooms first appeared on Yanko Design.

This Off-Road Lamborghini Countach Concept Is the Rally Monster We Never Got

Posted on by

Marcello Gandini’s work on the original Lamborghini Countach was a masterclass in geometric purity and visual momentum. Its design is characterized by a single, powerful line that runs from the sharp nose to the abrupt tail, creating a sense of forward motion even at a standstill. The body is a collection of interconnected trapezoids and clean angles, forming a cohesive whole that is both brutally simple and endlessly complex. This was a car designed as a piece of kinetic sculpture, an object whose form was so powerful it became a cultural touchstone for an entire generation.

Akuseru’s redesign (dubbed CNTCH O/R) serves as a compelling case study in translating a core design philosophy to an entirely new context. The artist has lifted the vehicle to an impossible height and fitted it for off-road duty, yet the fundamental principles of Gandini’s vision are preserved. The primary longitudinal line remains the focal point, providing visual stability to the lifted chassis. The geometric window shapes and angular body panels are still present, creating a clear lineage to the original. It is a powerful demonstration of how a truly iconic design language can be adapted to speak an entirely different dialect of performance.

Designer: Akuseru

That ride height is the first real shock to the system, a complete inversion of a car that originally stood just over a meter tall. What Akuseru has done is fundamentally re-engineer the car’s relationship with the ground. The track width appears massively expanded, giving the chassis a planted, bulldog-like stance that prevents it from looking precariously top-heavy. The original LP400 was already wide for its time at 1,890 millimeters, but this concept surely pushes past the 2,000-millimeter mark, a necessity for maintaining stability with that much suspension travel. The huge, knobby all-terrain tires are tucked into muscular, squared-off fenders that feel like a logical extension of Gandini’s original hexagonal wheel arches.

The cooling solutions on display are a fantastic nod to the Countach’s history. The prominent NACA ducts behind the doors are a direct tribute, but the roof scoop is the real masterstroke. It immediately brings to mind the original LP400 “Periscopio” models, which had a small periscope-style trench in the roof for rear visibility. Here, it has been repurposed into a functional air intake, feeding the mid-mounted engine with clean air above the dust line. It is a clever, historically aware detail that shows a deep appreciation for the source material, blending a quirky design feature from the past with a genuine performance requirement for an off-road vehicle. The entire upper deck becomes a study in functional aerodynamics wrapped in that signature angular aesthetic.

Look past the aggressive rubber and you start to see the rally-raid DNA asserting itself throughout. The exposed red tow points punched through the front and rear valances are pure motorsport function, a stark contrast to the original production models that had bumpers tacked on almost as an afterthought. This is a machine built with the expectation of getting stuck and needing a pull. Akuseru’s design integrates these functional elements so they feel like part of the core aesthetic, not accessories. The entire lower section of the car seems reinforced, suggesting a full-length skid plate to protect the V12’s oil pan from whatever terrain it might be conquering.

 

The rear of the car is arguably where Akuseru takes the most creative license, and it pays off handsomely. The original’s simple trapezoidal taillights are replaced by a full-width, pixelated LED bar that spells out the Countach name. This is a thoroughly modern touch, yet it feels perfectly at home within the car’s angular framework. It gives the rear a sense of width and presence that the original sometimes lacked. Below it, the exposed exhaust system and industrial-looking rear diffuser complete the transformation from exotic supercar to brutalist off-road weapon. It is an unapologetically aggressive look that feels earned by the rest of the vehicle’s purposeful modifications.

The interior shots show those iconic scissor doors. This is both wildly impractical for off-road use and absolutely essential for maintaining that theatrical Countach character. Imagine pulling up to a desert bivouac after a long stage and throwing those doors skyward. The cabin itself appears surprisingly spacious, with what looks like modern racing seats and a cockpit designed around actual usability rather than pure drama. The tan and bronze color palette inside the copper variant creates a warm, luxurious contrast to the rugged exterior, suggesting this is a machine that can tackle the Dakar Rally in style. You can see the structural reinforcements through the open doors, beefy roll cage elements that speak to serious safety considerations beyond the visual concept.

From above, the proportions reveal themselves in full. The engine deck, massive and angular, dominates the rear third of the car with ventilation grilles that look ready to handle serious heat dissipation. Those “V12” badges flanking the rear air intakes are a nice touch, a reminder of the naturally aspirated heart that would theoretically be beating beneath all this rally armor. The wheel and tire package looks genuinely capable, the kind of setup you’d see on a serious off-road build with multi-ply sidewalls and enough meat to handle serious articulation. The fender flares are substantial without being cartoonish, maintaining the Countach’s taut muscularity while accommodating the larger rubber.

 

Akuseru’s CNTCH O/R understands the spirit of the Countach. The original was never about being the most practical, the most comfortable, or even the fastest car in a straight line. It was about shock, awe, and a refusal to compromise on its wild vision. Akuseru’s rally-spec redesign captures that same energy. In an era where even Lamborghini’s own off-road special, the Huracán Sterrato, feels somewhat restrained, this concept is a reminder of what happens when a brilliant design is pushed to its most illogical and exciting conclusion. It is a fantasy, but it is a well-engineered and deeply respectful one.

 

 

 

The post This Off-Road Lamborghini Countach Concept Is the Rally Monster We Never Got first appeared on Yanko Design.

LEGO Pays Tribute To The 40+ Year Journey Of Apple Calculator Designs

Posted on by

The iPad got its own native calculator app in 2024, just 40 years after Apple rolled out its first-ever GUI (graphical user interface) calculator for the Macintosh in 1984. The original was designed by Chris Espinosa, and was a favorite of Steve Jobs’ up until it was refreshed with the MacOS X in 2001. However, most of us are familiar with the original black and orange calculator UI that debuted as early as 2007.

The thing is, Apple’s calculator designs are a pretty great way to see the company’s design journey. Things went from strictly functional to visually contemporary to goddamn gorgeous (without ever compromising usability of course), and this LEGO set captures that journey perfectly. Put together with just 821 pieces, this fan-made build shows Apple’s transition through 4 stages – going all the way from the b/w 1984 calculator to the modern scientific calculator.

Designer: The Art Of Knowledge

The first calculator design was put together by Espinosa at the young age of 22 while under the leadership of Jobs. Famously a pedantic, Jobs ripped apart almost every design that Espinosa shared with him. After multiple iterations, Espinosa went to him with what we now look at as the final design. It was accepted, but not without a strong dose of criticism from Jobs, who said “Well, it’s a start but basically, it stinks. The background color is too dark, some lines are the wrong thickness, and the buttons are too big.”

The calculator was finally tweaked on the UI and semantics front by Andy Hertzfeld and Donn Derman, who retained this Jobs-approved graphical version. This remained a standard on Macs all the way up until the end of OS 9. The following OS X, again led by Jobs’ vision to break past old and usher in the new, saw a more skeuomorphic approach.

In 2001, Apple transitioned away from its classic Mac OS 9 calculator, known for its simple, functional design (influenced by Steve Jobs and Dieter Rams’ Braun aesthetic), to the new Mac OS X, featuring a refreshed look that emphasized minimalism, better integration, and user-friendly details like larger zero buttons, reflecting Jobs’ philosophy of simplicity and intuitive interaction.

The final calculator design we see today wasn’t always like this. Apple loyalists will remember a phase in 2007 when the iPhone did have a calculator app with the familiar black and orange colorway, but with rectangular buttons instead of orange ones. The circles only made their way into the UI as late as 2024, although design-nerds will remember the Braun ET55 calculator which heavily inspired Apple’s design efforts. Braun’s entire design philosophy, crafted by legend Dieter Rams himself, helped craft Apple’s approach to industrial (and even interface) design. Shown below are two versions of the same iOS18 calculator design – in basic as well as scientific formats.

“This model utilizes interlocking plates, tiles, and inverted tiles for a smooth, tactile finish. It is designed as a modular desk display, perfect for students, engineers, and tech historians alike. With roughly 821 pieces, it offers a rewarding build experience that fits perfectly alongside other LEGO office or technology sets. Attention is paid to the scale of the model to match as closely as possible to the apps,” says designer The Art Of Knowledge, who put this MOC together for LEGO lovers on the LEGO Ideas forum. It currently exists as just a fan-made concept, although you can vote the build into reality by heading down to the LEGO Ideas website and casting your vote for the design. It’s free!

The post LEGO Pays Tribute To The 40+ Year Journey Of Apple Calculator Designs first appeared on Yanko Design.