Author Archives: JC Torres

Bose Just Revived Its Lifestyle Speaker for $299, Minus the Wires

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For most people, getting serious audio at home eventually turns into a tradeoff. Multi-speaker surround setups demand wiring, dedicated gear, and more floor space than a typical room can spare. Smart speakers simplified things, but the best-sounding options tend to carry steep price tags, and the more affordable ones rarely fill a room with the kind of sound that actually does the music justice. That gap has stayed stubbornly open.

Bose thinks it has the answer, and it’s reviving a celebrated name to prove it. The Lifestyle brand, first introduced in 1990 and discontinued in 2022, is back with a collection that treats audio quality and refined design as inseparable. Leading that return is the Lifestyle Ultra Speaker, a compact wireless unit wrapped in knit fabric that sits unobtrusively on any shelf while delivering sound that’s anything but understated.

Designer: Bose

The secret to that sound lies in the speaker’s three-driver configuration. Two front-facing drivers handle the direct output, while a third fires upward, bouncing sound off the ceiling to create a sense of height and space that a single forward-pointing speaker simply can’t achieve. Bose calls this TrueSpatial Technology, and it works alongside CleanBass, which uses QuietPort acoustics to produce bass that’s deep, controlled, and free of distortion.

That flexibility extends to how the speaker fits into different setups. On its own, it works as a capable standalone smart speaker. Pair two of them together, and you’ve got a genuine stereo setup. Add the Lifestyle Ultra Soundbar and Lifestyle Ultra Subwoofer, also part of the new collection, and it takes on rear-channel duties in what becomes a full 7.1.4 surround system, no wires snaking across the floor required.

Getting music onto it isn’t complicated. The speaker supports Apple AirPlay 2, Google Cast, and Spotify Connect, so you can stick with whatever app you already use without adapting to a proprietary system. Bluetooth 5.3 is also on board, and a 3.5mm aux input handles wired sources like a turntable. Alexa+ serves as the built-in voice assistant, with on-device touch controls and a radial volume slider for quick adjustments.

One of the more practical touches is CustomTune, a calibration feature that uses your phone’s microphone to listen to the acoustics of whichever room the speaker is in. It accounts for furniture placement and room size, automatically adjusting the output without requiring any manual tweaking on your end. For even more placement options, an optional wall bracket priced at $69 and a floor stand at $149 are both available separately.

The Lifestyle Ultra Speaker starts at $299 in Black or White Smoke, with the limited-edition Driftwood Sand colorway priced at $349. The full Lifestyle Collection, including the Ultra Soundbar at $1,099 and Ultra Subwoofer at $899, is available to preorder now and ships on May 15. It can start small on a single shelf and gradually take over your entire home audio setup without ever looking like it doesn’t belong.

The post Bose Just Revived Its Lifestyle Speaker for $299, Minus the Wires first appeared on Yanko Design.

Lenovo’s 8.8-Inch Gaming Tablet Packs a 9,000 mAh Battery for $850

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Gaming tablets have always been stuck in an awkward spot between portability and raw power. The ones fast enough to handle demanding titles tend to be bulky and heavy, more like a compact laptop than a true handheld. And smaller tablets, for a long time, simply didn’t have the hardware to keep serious players happy, leaving enthusiasts perpetually torn between convenience and performance.

Lenovo’s Legion Tab Gen 5 is the latest attempt to close that gap, and it’s making a convincing case. The 8.8-inch Android gaming tablet packs specs that could make larger competitors nervous, all within a frame light enough to slip into a backpack. First unveiled at MWC Barcelona and now available in the US, it starts at $849.99, a price that signals just how seriously Lenovo is treating this space.

Designer: Lenovo

Under the hood sits Qualcomm’s Snapdragon 8 Elite Gen 5, the same chip you’d find in today’s flagship smartphones. The base model pairs it with 12 GB of LPDDR5T RAM and 256 GB of UFS 4.1 Pro storage, though it’s configurable up to 16 GB RAM and 512 GB storage. Lenovo’s AI Engine+ also runs in the background, dynamically optimizing frame rates, touch response, and haptic feedback as you play.

The screen all those frames render onto is equally impressive. Lenovo’s 8.8-inch PureSight Display runs at a 3K resolution of 3,040 × 1,904 pixels with a 165Hz refresh rate, covering 99% of the DCI-P3 color space with Dolby Vision support. Touch sampling reaches up to 480Hz, so inputs register almost instantly during a competitive match. TÜV Flicker Free and Low Blue Light certifications make extended sessions considerably easier on the eyes.

One of the most remarkable things about this tablet isn’t the chip or the display, it’s what’s powering everything. Lenovo managed to pack a 9,000 mAh battery into this 8.8-inch body, a significant leap over the previous generation, while keeping the whole package at just 360 grams. Add 68W fast charging and bypass charging support, which prevents battery degradation during extended sessions, and running this thing dry becomes genuinely difficult.

The audio hasn’t been shortchanged either. Dual superlinear 2712 speakers with Dolby Atmos certification handle the sound, backed by dual microphones, so voice chat holds its own during any session. Three color options are available: Eclipse Black, Glacier White, and a vibrant Surge green that was originally introduced as a FIFA edition. An RGB accent on the back adds a dose of personality without making the whole thing look gaudy.

At $849.99 starting, the Legion Tab Gen 5 is anything but an impulse buy for the base 12 GB RAM and 256 GB storage configuration. That’s a $300 jump over its predecessor, a hike partly blamed on the rising cost of memory, perhaps an indicator of things to come. There’s also no word yet on the accessories designed for its Chinese counterpart, which would probably help increase this pricey gaming tablet’s appeal.

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Satechi Just Fixed the Speed Drop Problem With an 80Gbps Drive Case

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External SSD enclosures have always had a frustrating contradiction at their core. The good ones are fast, but fast enough for long enough is a different story. Sustained transfers, especially when you’re moving large video projects or running a drive-intensive backup, will push most passive enclosures into thermal throttling territory, and that’s when the speed bar you were watching suddenly takes a dive.

That’s the problem Satechi targets with the DotDisk 80Gbps SSD Enclosure, a compact M.2 enclosure designed for the kind of demanding, sustained transfers that would bring most portable drives to their knees. The San Diego-based brand is known for design-forward accessories that don’t compromise on performance, and the DotDisk is built around the idea that fast should also mean consistently fast.

Designer: Satechi

The headline figure is 80Gbps, unlocked through USB4 V2 and full Thunderbolt 5 support. That’s in a different category from the USB 3.2 or even USB4 Gen 2 enclosures most people are still using. In practice, it means multi-gigabyte transfers that used to take several minutes now take seconds, and video editors offloading large ProRes or RAW files won’t have to schedule their coffee break around a progress bar anymore.

The active thermal cooling system is what makes those speeds sustainable. Inside the precision-milled aluminum shell, a microfan and thermal pad work together to keep the drive temperature in check during extended use. This isn’t the passive approach of punching holes in an enclosure and hoping for the best. The active system keeps the DotDisk running at full speed throughout a long session without slowing down mid-transfer.

The enclosure accepts M.2 2280 NVMe SSDs up to 8TB, giving you the flexibility to install whatever drive fits your current needs and upgrade it later without buying a new enclosure. It’s also compatible with Thunderbolt 5, Thunderbolt 4, and USB4, so it works across Mac and Windows setups without friction. You’re not locked into one ecosystem, which matters when you’re moving between a MacBook and a Windows workstation throughout the week.

The body itself is compact enough to slip into any bag pocket and doesn’t demand attention on a desk. A subtle LED indicator confirms the connection without being distracting about it. The box includes a 30 cm Thunderbolt 5 cable, a small screwdriver, and the screws to install your SSD, so you can be up and running without hunting for additional tools. It comes in Silver or Space Black.

At $199.99, the DotDisk lands where you’d expect a well-built, actively cooled Thunderbolt 5 enclosure to sit. That’s a reasonable price given what you’re getting, especially considering that the enclosure is built to outlast the drives you put in it. Supporting SSDs up to 8TB means there’s room to grow your storage over time without having to replace the enclosure along the way. For creators who’ve spent any amount of time watching transfer speeds drop halfway through a session, the active cooling system alone makes the DotDisk worth taking seriously.

The post Satechi Just Fixed the Speed Drop Problem With an 80Gbps Drive Case first appeared on Yanko Design.

This Rotating Solar House Grows Fish and Plants Entirely on Its Own

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Aquaponic gardening has been getting a lot of attention as a more sustainable way to grow food, especially in urban settings where arable land isn’t exactly plentiful. The concept pairs fish and plants in a closed-loop system where each supports the other, cutting out synthetic fertilizers and reducing water waste. Most implementations, though, tend to be utilitarian and aren’t built to handle seasonal changes without significant supplemental energy input.

That’s the problem Michael Jantzen’s Eco-Aquaponic House was designed to tackle. Built as a public exhibit for a botanical garden, it functions more like a machine than a greenhouse, engineered to grow fish and plants together in an energy-efficient and largely self-sustaining way. Jantzen, whose work merges art, architecture, technology, and sustainable design, has been experimenting with this kind of thinking for over 50 years.

Designer: Michael Jantzen

The system works on a simple but elegant biological loop. Fish waste is cycled through the roots of the surrounding plants as a natural fertilizer. The plants filter the water, which then returns to the fish tank. The cycle repeats continuously with minimal outside input, keeping both fish and plants alive. It’s the kind of closed-loop food production that makes conventional growing methods look rather wasteful by comparison.

What makes the structure particularly clever is how it manages growing conditions year-round without demanding much energy. Six sections rotate around a central pivot point, each serving a different climate function. Two insulated panels wrap around the interior during cold nights to retain heat. Two shade screen sections shield the plants on hot days. Two glass sections open to let in outside air when conditions allow.

The passive thermal management doesn’t stop there. Built around the perimeter of the stationary base are large tubes filled with a heat-retention material that absorbs solar energy during the day and releases it slowly at night, helping keep the fish and plants warm through winter without relying on active heating systems. Those same tubes also moderate daytime temperatures, preventing the interior from overheating when the sun is strong.

On top sits a sun-tracking solar cell array that follows the sun throughout the day, supplying most of the structure’s electrical needs, including the large lamp hung over the central fish tank. Small windows built into the glass sections allow for additional ventilation control when the glass is in the closed position, letting you fine-tune interior conditions depending on what the fish and plants need at any given time.

Inside, plant trays are built into the perimeter of the structure, forming a ring of greenery around the central cylindrical fish tank. Visitors to the botanical garden can get a sense of the system from the outside, or arrange private tours for a closer look from inside through the rear entry door. As a public exhibit, it’s designed as much to teach people about aquaponic gardening as it is to actually grow. It’s a growing facility that takes care of itself season after season, with very little outside intervention required.

The post This Rotating Solar House Grows Fish and Plants Entirely on Its Own first appeared on Yanko Design.

This Lamp Finally Belongs on a Bookshelf Because It Looks Like a Book

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Reading lamps have always had a tension with the spaces they occupy. The ones bright enough to actually read by tend to be too harsh for any other use, while the softer ones look nicer but force you to squint by page two. Neither type fits particularly well on a bookshelf, which is where most people want light when they’re reading. That’s a surprisingly overlooked problem for something so common.

That’s the gap Eunsu Lee fills with Folio, a lamp concept that looks exactly like a book and lives exactly where books do. The idea starts from a simple question: if books give us light metaphorically, why shouldn’t that light be given back physically? The answer is a stainless steel lamp sized to stand upright between volumes on a shelf, glowing warmly from between two flat metal panels.

Designer: Eunsu Lee

The form is deliberately stripped down to its most recognizable elements: a rectangle, a spine, a gap. Two stainless steel panels form the covers, with a 3D-printed cap sitting between them to house the LED pin lamp. The LED targets the cap directly without a socket, letting the whole spine glow evenly. The warm amber light it produces is the kind that’s easy to stay beside for hours.

The gap at the base has a more interesting purpose than it might seem. Depending on which way you face the lamp, the character of the light changes entirely. Facing forward, it casts direct light for reading or task work. Turned around, it becomes a soft ambient source, washing the wall behind it. One rotation is all it takes to go from a focused reading lamp to a mood light.

What makes Folio particularly clever is how well it disappears into its surroundings. Slide it onto a bookshelf between a few paperbacks, and it reads as just another volume until it’s on. Set it on a bedside table, and it’s the right size, the right warmth, and exactly dim enough not to disturb anyone who’s already asleep while you finish the last few pages of a chapter.

It works just as well away from the bedroom. On a coffee table, it casts enough light to read by on a sofa without flooding the whole room. On a kitchen shelf, it turns into accent lighting for a corner that usually doesn’t get any. The compact footprint and book-like proportions mean it doesn’t claim much space or demand much attention when it’s not the focus.

The construction behind Folio is deliberately minimal. Lee relied on stainless steel bending for the body and 3D printing for the cap, skipping the need for molds and keeping production straightforward for small batches. The light color is warm, calibrated for the hours around sleep, dim enough to rest beside and bright enough to actually read by. It’s the kind of balance most lamps never quite get right, and it makes you wonder why no one made a lamp that lives on a bookshelf before.

The post This Lamp Finally Belongs on a Bookshelf Because It Looks Like a Book first appeared on Yanko Design.

Deniz Aktay Just Built a Side Table from a Single Tube Bent Twice

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Side tables have a bit of an identity problem in furniture design. Most treat them as purely functional afterthoughts, giving you a flat surface at the right height and not much else. The ones that do try to stand out tend to overcorrect, piling on decorative legs, unusual proportions, or materials that compete with everything else in the room. Very few ask whether the structure itself could be the point.

That’s the question Stuttgart-based designer Deniz Aktay explores with the Whisk table, a side table built around a single continuous tube that does all the heavy lifting. Aktay’s work consistently gravitates toward pure lines and the expressive potential of a single well-chosen material. The Whisk is one of his cleaner expressions of that thinking.

Designer: Deniz Aktay

The tube bends into two rounded loops stacked at different heights, forming an S-curve when viewed from the side. One loop reaches the height of a standard side table and cradles the tabletop. The other sweeps back to the floor, forming the base. The whole thing reads as one fluid gesture rather than a frame assembled from parts, which is very much the point.

Where it gets interesting structurally is at the center, where the tube crosses itself. That crossing point isn’t decorative; it’s what keeps the table stable. The two loops work against each other in a way that resists rocking or shifting, so you get a table that looks almost impossibly light while still holding its ground next to a sofa or armchair without wobbling every time you set something down.

The tabletop is designed to stay in the background. It fits within the upper loop and matches its rounded profile, so the two read as a single shape rather than two components joined together. The surface adds just enough contrast to define the functional plane without competing for attention. The tube does the work; the top is simply where you put your coffee, your book, or a small lamp.

As a side table, the Whisk works in less space than you’d expect. Its footprint is compact enough for tight spots beside a lounge chair or at the end of a bed, and the open structure doesn’t crowd the room the way solid-legged tables often do. It comes in a polished silver finish and a warm red option, giving it a bit more personality for spaces that can take it.

The Whisk explores what a single material or fabrication method can do without adding more than it needs to. It’s a single tube, bent twice, crossed once. It’s the kind of idea that sounds almost too simple to work, until you’re actually using it and realize that nothing about it needed to be more complicated.

The post Deniz Aktay Just Built a Side Table from a Single Tube Bent Twice first appeared on Yanko Design.

Deniz Aktay Just Built a Side Table from a Single Tube Bent Twice

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Side tables have a bit of an identity problem in furniture design. Most treat them as purely functional afterthoughts, giving you a flat surface at the right height and not much else. The ones that do try to stand out tend to overcorrect, piling on decorative legs, unusual proportions, or materials that compete with everything else in the room. Very few ask whether the structure itself could be the point.

That’s the question Stuttgart-based designer Deniz Aktay explores with the Whisk table, a side table built around a single continuous tube that does all the heavy lifting. Aktay’s work consistently gravitates toward pure lines and the expressive potential of a single well-chosen material. The Whisk is one of his cleaner expressions of that thinking.

Designer: Deniz Aktay

The tube bends into two rounded loops stacked at different heights, forming an S-curve when viewed from the side. One loop reaches the height of a standard side table and cradles the tabletop. The other sweeps back to the floor, forming the base. The whole thing reads as one fluid gesture rather than a frame assembled from parts, which is very much the point.

Where it gets interesting structurally is at the center, where the tube crosses itself. That crossing point isn’t decorative; it’s what keeps the table stable. The two loops work against each other in a way that resists rocking or shifting, so you get a table that looks almost impossibly light while still holding its ground next to a sofa or armchair without wobbling every time you set something down.

The tabletop is designed to stay in the background. It fits within the upper loop and matches its rounded profile, so the two read as a single shape rather than two components joined together. The surface adds just enough contrast to define the functional plane without competing for attention. The tube does the work; the top is simply where you put your coffee, your book, or a small lamp.

As a side table, the Whisk works in less space than you’d expect. Its footprint is compact enough for tight spots beside a lounge chair or at the end of a bed, and the open structure doesn’t crowd the room the way solid-legged tables often do. It comes in a polished silver finish and a warm red option, giving it a bit more personality for spaces that can take it.

The Whisk explores what a single material or fabrication method can do without adding more than it needs to. It’s a single tube, bent twice, crossed once. It’s the kind of idea that sounds almost too simple to work, until you’re actually using it and realize that nothing about it needed to be more complicated.

The post Deniz Aktay Just Built a Side Table from a Single Tube Bent Twice first appeared on Yanko Design.

Konstantin Grcic Just Turned Scaffolding Poles Into Public Seating for €98

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Temporary seating at public events, pop-ups, and outdoor markets rarely gets much design attention. Most options are folding chairs that feel flimsy, plastic stackers that hurt after ten minutes, or nothing at all, leaving people to lean against walls or perch on ledges. The infrastructure to support proper seating is usually already there, but nobody’s done much with it. Scaffolding poles, for instance, are practically everywhere.

That’s the thinking Konstantin Grcic builds on with THING_04, the latest from his Berlin-based label 25kg. It’s a rotationally moulded seat disc made from 100% post-industrial polypropylene, sized to clamp onto standard scaffolding poles. No floor anchors, no complicated assembly, no special tools required. Clip it on, and it’s ready to sit on. The simplicity is almost disarming for something that solves a problem you didn’t know had a solution.

Designer: Konstantin Grcic

At just 33cm x 33cm x 12cm and 2.1kg, THING_04 is light enough to carry in one hand to wherever you need it. Rotational moulding gives it a seamless, hollow shell tough enough for both indoor and outdoor conditions. Galvanized steel and stainless steel hardware handle the clamping, securing the disc firmly onto a pole without any permanent modifications to the structure it’s attached to.

Think of a weekend street market where vendors have already rigged up scaffolding overhead for shade or signage. THING_04 clips onto those poles and turns them into a row of seats for shoppers who’d otherwise be stuck standing. Or a pop-up event where the rigging doubles as a temporary grandstand. The design doesn’t ask the environment to change. It makes the most of what’s already there.

For spots that don’t have any scaffolding in place, there’s the THING_04.u. It comes as a set with a dedicated galvanized steel tubular frame, available with one seat or two. Grcic calls it raw, freestanding, territorial, which is a surprisingly apt description for a public seat that doesn’t need anything to lean on. A plaza, a lobby, a courtyard: it holds its own wherever you put it.

Then there’s the THING_04.x, which scales the concept into a full modular system. More seats, larger structures, and a wider range of configurations make it suitable for everything from temporary events to permanent public installations. It’s available to buy or rent, in predefined setups or custom arrangements on request. The kind of flexibility that event organizers and architects don’t typically expect from a single seating object.

THING_04 fits squarely into what 25kg was built for. The label is Grcic’s own platform for experimentation, where the brief is to start from raw, industrial materials and see how far design can stretch with minimal intervention. Each release is a THING built from these same principles: the stainless steel stool, the lava stone chair, and now this seat disc. None of them wastes a move.

The individual seat retails at €98, rotationally moulded in Germany to the standard the concept demands. It’s a fair price for a piece of seating you can clip onto a scaffolding pole at a pop-up, then carry to the next one. There are scaffolding poles on practically every street in European cities, and most of them have never had a seat to offer. THING_04 changes that.

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A Mouse You Can Squeeze Like a Stress Ball While You Work

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The computer mouse hasn’t changed much in decades. Still mostly hard plastic, still shaped like a bar of soap, still asking your hand to grip something that gives absolutely nothing back. The rest of the desk setup has evolved, ergonomic chairs, standing desks, wrist rests, but the one device your hand touches for eight hours straight has remained stubbornly rigid and deeply uninteresting.

The PILLIGA mouse concept makes a fairly obvious argument for why that should change. Instead of hard plastic, the entire upper chassis is a squishy, flexible membrane packed with a viscous, translucent gel. It’s the same basic impulse that makes people reach for a stress ball mid-meeting, except it’s also the thing you need to get any work done.

Designer: Guillermo Gonzalez

The thinking behind it is straightforward enough. Deadline pressure builds, calls run long, and the urge to fidget becomes almost impossible to ignore. Rather than keeping a stress ball in the desk drawer as a separate ritual, the mouse folds that habit directly into the tool that’s already in your hand. You can squeeze, press, or knead the gel without ever lifting your hand off your workflow.

The dome shape isn’t just for show, either. It follows the natural arch of your palm rather than forcing your hand flat against a hard surface, and the gel underneath absorbs the kind of low-level muscular strain that builds up quietly over hours of clicking and scrolling. It’s the sort of ergonomic consideration that usually requires its own dedicated accessory, not just a different material.

The controls themselves are sensibly laid out. A flat circular interface sits embedded in the front of the mouse, cleanly split for left and right clicks, with a textured, rubberized scroll wheel running between them. A USB-C port at the front handles charging, keeping the wireless design intact without the inconvenience of a separate charging dock. The bottom carries the optical sensor and power switch.

What makes the PILLIGA mouse concept genuinely interesting is how far it extends color as a design element. The gel comes in several variants, from vivid green with gold flecks and a blue version scattered with purple glitter, to darker, more subdued options that look considerably more at home on a professional desk. Each colorway pairs with a matching base and click interface, making the whole thing feel deliberate.

That range matters. The more reserved colorways hint that this isn’t a novelty item for a niche corner of the internet; it works just as comfortably on a professional desk as it does on a creative’s workstation. The gel doesn’t make it look cheap. It makes it look like something designed by someone who gave serious thought to what a mouse should feel like.

Concepts like the PILLIGA are more useful as provocations than promises. Computer mouse design has been coasting on the same assumptions for decades, and the idea that your primary input device could also be physically satisfying to hold hasn’t come up often enough. The gel-filled body raises the question, and that’s honestly more than most peripheral design manages to do.

The post A Mouse You Can Squeeze Like a Stress Ball While You Work first appeared on Yanko Design.

This 3D-Printed Lamp Has a Shell That Opens and Closes to Shape Light

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The 3D printing community has spent years trying to prove that a printer can produce more than desk trinkets and cable organizers. Lighting has always been the harder sell, where aesthetics and function have to work together in ways that cheap plastic usually undermines. The better designers in that space have been quietly closing that gap, and the results are starting to look like things you’d want to live with.

OHR Design, a Canadian 3D printing studio, is a good example of what that progress looks like. Its Armadillo series takes inspiration from one of nature’s most recognizable shapes, the segmented, overlapping bands of the armadillo shell, and turns it into a lamp shade that adjusts depending on how much, or how little, light you want in a room. And it all started from a tea light holder.

Designer: OHR Design

The original Armadillo grew from an earlier OHR Design called the OHRB, and it’s since inspired a whole family of spin-offs. True to its origins, the Armadillo wraps a tea light in a series of concentric rings that tilt forward to close the shade down or pull back to widen it. At 240mm tall, it’s compact enough for a bedside table or a bookshelf without demanding much real estate.

For those who want the same aesthetic energy at a bigger scale, the Armadillo XL scales the concept up into a proper desk lamp. At 373.8mm tall and 283.9mm wide, it makes a statement on a desk without being overwhelming. It accepts a real light bulb rather than a tea light, making it far more practical for anyone who actually needs their lamp to pull its weight.

What gives both versions their character is the adjustable ring system. The segmented shade isn’t just decorative; opening and closing the rings changes how the light spreads through the room, softening the glow when the rings are fully open or concentrating it when they’re pulled shut. It’s the kind of thing that turns a simple on/off appliance into something you keep reaching over to tweak.

What’s equally interesting is how OHR Design sells these. You aren’t buying a finished lamp; you’re buying the STL files to print one yourself. The original Armadillo fits on a 180mm × 180mm print bed, making it accessible on smaller machines like the Prusa Mini or Bambu Lab A1 Mini. The Armadillo XL, being larger, requires a 256mm × 256mm build volume.

The filament choice is entirely yours, which means the lamp can be as neutral or as bold as you want. OHR Design has been spotted using Overture’s Super PLA+ in various colors, from muted naturals to vivid hues, all of which change how the diffused light reads. Not many lamps invite you to physically shape the light they cast, and fewer still can be reimagined entirely based on the color spool you have on hand. The Armadillo family puts creative control squarely in the hands of whoever prints it, and that’s a genuinely refreshing place to land.

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