Arcade2TV-XR MAX is a 3-in-1 gaming machine tailored for enjoying arcade and pinball in immersive VR spaces

The love for arcade gaming will never lose its spark, no matter how many decades pass by. The nostalgic element of playing your favorite titles from yesteryear brings back old memories, and the tactile controls to take hold of your favorite game character still remain the best way to enjoy gaming.

We’ve seen quite a lot of retro arcade machine revivals, as well as those hardcore machines simulating the golden era of flipping on the way to glory in Pinball frenzy. None, however, comes closer to Xgaming’s Arcade2TV-XR MAX gamer’s deck. The two-player arcade plus Pinball control system built for PC, Mac, consoles, Steam Deck, and even current-gen VR headsets like Meta Quest 3 is an arcade gaming controller cabinet that’ll never leave you bored for years to come.

Designer: Xgaming

This 3-in-1 arcade machine is the real deal for retro gaming fans, and it improves on the earlier Arcade2TV-XR. There are 3 flipper buttons on each side compared to the one on the predecessor; the Nudge accelerometer, front-mounted spinners, and the Pinball plunger now come built-in compared to the add-on kit on the XR. For power users, the new version brings a physical rear panel to make mode switching seamless, and the three–way– Bluetooth, wireless, and wired options make things a lot sweeter.

Beyond the new-age features lies the endless treasure of enjoying games the way you want. The machine turns into an arcade cabinet, ergonomically set up for the most revered titles all these years, while the setup completely takes an overhaul if you are in the mood for some pinball action. The auto-driven SSF haptic shakers bring every in-game action to life, whether you’re punching the guts away in a Street Fighter boss level or flipping the controls frantically to keep the fast-paced action alive. Beyond these two modes lies the real treasure chest of playing games in VR using your preferred headset. With the push of a button, the setup toggles between the familiar arcade setup from the 90s or the retro feel of enjoying Pinball back when gaming meant the world.

The MAX’s redesigned flipper-button solenoid brings every Pinball session to life, with the mechanical kick of a real table. One can choose to go wired, connecting to the gaming rig for long hours of gaming, or go wireless for shorter sessions. Web-based key remapping allows players to set up the machine to their preferred settings. Of course, a gaming machine needs to look as good as it feels to play. XGaming had this while designing the rig; therefore, the blacked-out pattern, contrasting white inserts, and the chrome finish for the button rings and the joystick make complete sense.

Arcade2TV-XR MAX comes with two pre-loaded games – Arcade Ranger and Pinball FX VR. In VR mode, players can enjoy titles such as Quantaar, Age of Joy, and Arcade Time Capsule. In the arcade mode, the options are quite versatile, with games for PC, Steam Deck, and consoles that are classic arcade stick-based. These can be anything from shooters, spinner classics, fighters, or even modern-day titles built for arcade-style gaming. The versatile gaming machine can be pre-ordered right away for $649, with a controller and pedestal included in the initial deal window.

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This Foldable A2 Scanner Fits in a Bag and Doubles as a Live Presenter

Scanners haven’t changed much in how they occupy a workspace. A flatbed sits in the middle and claims that real estate whether it’s in use or not. Overhead models are more flexible, but they still tend to take up a fixed spot in any setup. For anyone working from a compact home office or shared studio, that trade-off rarely gets a proper answer.

Joyusing’s ScanMax 320 approaches the problem from a different angle, quite literally. Rather than occupying the center of a workspace, it’s built to sit at the edge of a desk, positioned in the corner while its arm reaches overhead. It handles documents, books, artwork, and large-format materials up to A2 size, without taking over the surface it’s meant to serve.

Designer: JOYUSING

Click Here to Buy Now: $379 $649 (42% off). Hurry, only 32/220 left! Raised over $88,000.

Folded down, the ScanMax 320 measures 355mm x 68mm x 51mm, slim enough to slip into the included carrying bag and move between rooms without any effort. It runs entirely on USB-C power, so getting started means plugging in a single cable. There’s no proprietary adapter to hunt down, no driver installation ritual, and nothing complicated to deal with before the first scan. You can directly use the ScanMax 320 as a live presenter camera, and scanning as well as other advanced features simply require the free Joyusing Scanner intelligence software.

The shooting area extends to a full A2, or 594mm x 420mm, with a 32-megapixel sensor capturing at up to 380 DPI. That covers blueprints, double-page book spreads, large technical drawings, and oversized artwork in a single pass. An intelligent auto-switching system detects whether the material is A2 or A3 and adjusts accordingly, so there’s no manual input needed between sessions.

Overhead scanners tend to have a lighting problem, particularly near edges or when capturing materials that aren’t perfectly flat. The ScanMax 320 uses a rectangular illumination system shaped to match the scanning area, distributing light evenly and keeping shadows from washing out fine detail near the sides. Three brightness levels, at 30%, 70%, and 100%, are accessible with a single touch for quick adjustments in different environments.

Book scanning is where overhead devices tend to earn their keep, and also where they tend to frustrate. Pages curve at the spine, fingers get in the way, and binding shadows creep in from the edges. The ScanMax 320’s software handles most of this automatically, applying auto-flattening, finger removal, de-skewing, and shadow removal without manual adjustment. Book mode, paired with the included finger cots, keeps pages steady for continuous capture.

Once everything is captured, the software’s OCR engine converts printed text into editable, searchable files, with support for 180 languages and export options including Word, PDF, and TXT. A page of Japanese text, a technical report, or a multilingual research paper can go from physical to fully searchable in seconds, turning raw captures into documents you can actually search, copy, and share.

What’s less obvious about the ScanMax 320, and arguably more interesting, is that it also functions as a live visual presenter. Point it at a printed page, a hand-drawn sketch, or a physical object, and the feed goes live to whatever screen or projector it’s connected to. For a teacher going through annotated notes or a designer reviewing a layout with a client, that extra mode earns its place quickly.

Software compatibility covers Windows, macOS, and several Linux distributions including CentOS, Ubuntu, and Debian, though macOS users will find some features limited compared to the Windows version. Everything connects over USB-C, keeping the setup free of dongles and extra cables. Built-in annotation tools allow for direct markup of scanned content, which makes it easier to prepare materials before presenting or sharing them.

There’s something refreshingly considered about a scanner built to work with your desk rather than on top of it. The ScanMax 320 doesn’t ask you to clear space or rearrange anything. It folds, parks at the edge, and gets on with the job. Whether you’re archiving a collection, digitizing a sketchbook, or presenting something in a meeting, the fact that it stays in its corner is, in itself, the point.

Click Here to Buy Now: $379 $649 (42% off). Hurry, only 32/220 left! Raised over $88,000.

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SonicMax Finally Built a Wireless Cutter That Stays Cool Enough to Use

Ultrasonic cutters have been a genuine revelation for makers. Running at 40,000 vibrations per second, the blade doesn’t force its way through material; it glides, leaving clean, precise edges on foam, leather, plastic, and 3D-printed parts. The SonicMax Slice 10 takes that concept further by going completely cordless and, more importantly, addressing the one frustration that has followed every similar tool: heat.

The appeal of cutting without cords is obvious. What’s less appealing is when the tool becomes too hot to hold, forcing a break every five to 10 minutes. That kind of heat doesn’t just affect the experience; it affects the output, too. Plastic melts unevenly, detailed prints deform at the edges, and cuts that were supposed to be clean end up looking anything but.

Designer: SonicMax

Click Here to Buy Now: $119 $215 (45% off). Hurry, only 80/500 left! Raised over $104,000.

SonicMax addressed this with a redesigned transducer that, according to the company, achieves a quality factor, or Q value, of over 500, compared to around 200 for typical designs. The higher that number, the more energy goes into cutting rather than radiating as heat. It doesn’t make for a flashy headline, but it makes a tangible difference in how long you can actually work without stopping.

The Slice 10 also adjusts in real time as it cuts. Rather than operating at a fixed power level, the system reads resistance from the material and changes its output power and vibration frequency accordingly. This means that whether you’re cutting through a soft piece of EVA foam or pushing through a thicker section of a 3D-printed model, the tool is constantly self-correcting to keep the cut smooth and consistent.

That combination shows up quickly in a working session. Support removal on a detailed 3D print comes out clean instead of tearing. Leather cuts without compression or fraying. Foam and plastic sheet separate with sharp, neat edges. For anyone doing post-processing work on resin or FDM prints, building cosplay armor, or finishing scale models, the improvement is fairly immediate and fairly obvious.

The cordless experience is backed by a 5,000mAh 21700 lithium-ion battery that SonicMax says can deliver up to four hours of cutting on a single charge. What’s more practical, though, is that the cell is user-replaceable. Standard 21700 format means you can carry a spare and swap it out in seconds if needed, essentially extending a session indefinitely without waiting for anything to charge.

For those who’d rather stay plugged in, the Slice 10 supports pass-through charging via USB-C, so you can keep cutting while the battery tops up. A full charge from zero takes roughly 70 minutes, supported by 18W of fast charging. It’s the kind of flexibility that accounts for the reality of a busy workshop, where stopping to wait for a tool to charge isn’t really an option.

Keeping temperatures down is a two-part approach. The redesigned transducer generates less waste heat by design, and a built-in active cooling fan moves whatever heat builds up away from the blade area. There’s also a lift-to-activate sensor that powers the tool on when picked up and shuts it off when set down, quietly helping with both battery life and heat management throughout the session.

Rounding things out is an OLED display showing live battery level, output power, and tool status, so you’re never guessing how much runtime you have left. A built-in LED light illuminates the cut line, especially useful for intricate detail work on small model parts. Overheat protection activates at 80°C motherboard temperature, and the tool shuts itself down after five minutes of idle time.

At 236g and 260.5mm long, it’s light and slim enough for extended use without fatigue. Each unit ships with 10 spare blades, a hex wrench, a blade retaining block, four fastening screws, a dual USB-C cable, and a user manual. SonicMax has built this as a system where thermal management, adaptive control, and battery flexibility serve one consistent goal: more time cutting.

Click Here to Buy Now: $119 $215 (45% off). Hurry, only 80/500 left! Raised over $104,000.

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10 Best Tech Gadgets for Men In 2026 Who Think Their Smartphone Has Gotten Too Big for Its Boots

The smartphone got away from us. What started as a communication tool is now an alarm clock, a boarding pass, a camera, a bank, a navigation system, a social anxiety machine, and a reason to check the time without ever actually knowing what time it is. The problem is not the phone. The problem is that the phone agreed to do everything, and now it does nothing particularly well.

The products on this list make a quieter argument. Not that you should live off the grid or carry a brick from 1997, but that some jobs are better left to objects designed specifically for them. A dedicated music player sounds better than Spotify on a phone. A screen-free band tracks your sleep without lighting up your wrist at 2 am. Seven gadgets. One idea.

1. Casio F-B100W

The F-91W is 37 years old and still in production because Casio got it right the first time. The F-B100W takes that template and adds exactly what a watch in 2026 needs and nothing it does not. Bluetooth syncs the time automatically and lets you find your phone when you can’t. A step counter and 200-lap timer handle the fitness side. A 2-year battery means you will have forgotten you own this before you need to charge it.

At 26 grams and 41.9mm across, it fits on the wrist without announcing itself. The bio-based plastic strap has ventilation slits for comfort during long wear, and the amber LED backlight handles low-light legibility without theater. Five daily alarms and water resistance round out the spec sheet. Japan launched it at ¥8,800, roughly $55, and it sold out immediately. That tells you most of what you need to know about whether this needed to exist.

What we like:

  • Bluetooth time sync and phone finder cover the only two reasons you would reach for your phone while wearing a watch
  • 2-year battery life means this costs $55 once, not $55 plus ongoing attention

What we dislike:

  • No heart rate monitor or sleep tracking will rule it out for anyone replacing a fitness device rather than a fashion statement
  • Currently sold out in Japan; US availability not confirmed at time of publishing

2. FiiO Echo Mini

Your phone is a mediocre music player that borrowed the job from something better. The FiiO Echo Mini, released under the Snowsky imprint, takes it back. Inside a body shaped like a vintage portable player sit a pair of Cirrus Logic CS43131 DAC chips and a Hi-Res certification from the Japan Audio Society, which is not a marketing claim but a measured standard. The sound it produces from lossless files is categorically different from the same tracks streamed through a phone speaker.

It supports FLAC, DSD, WAV, and OGG, and accepts microSD cards up to 256GB, so a library that would have filled an entire shelf in 1988 now fits in a slot smaller than a thumbnail. Dual headphone outputs handle both wired and wireless listening from the same device. An independent power supply isolates the audio circuitry from interference, which is the kind of engineering detail that does not show up in marketing copy but surfaces immediately in how it sounds. The design references early Sony and Aiwa portables with enough conviction that it earns the comparison rather than simply borrowing the silhouette.

What we like:

  • Dual DAC chips and Hi-Res certification produce a measurably better result from lossless audio, not just a perceived one
  • 256GB microSD support means a serious library travels in one pocket

What we dislike:

  • Playback only, with no recording function, which rules it out for anyone who wants to make their own mixes
  • The retro cassette aesthetic is a strong visual commitment that will not suit every context

3. RetroWave 7-in-1 Radio

Your phone does radio badly because it was never designed to do radio specifically. The RetroWave was. AM, FM, and shortwave reception with no Wi-Fi dependency and a tactile tuning dial that works the way tuning dials are supposed to. The Japanese-inspired frame houses seven functions: radio, Bluetooth streaming, MP3 playback from USB or microSD, an LED flashlight, an SOS alarm, hand-crank charging, and solar charging. At $89, it is the most practical object on this list per dollar spent.

The 2000mAh power bank charges other devices when yours runs low, and 20 hours of radio playback on a single charge means it runs a full working week without returning to a socket. The hand-crank and solar inputs are genuine backup systems rather than novelty features, which places it in the emergency preparedness category as much as the desk companion one. For a device that replaces your phone as a radio, this is the one that actually means it.

Click Here to Buy Now: $89.00

What we like:

  • AM/FM/shortwave with no internet dependency means it works exactly when your phone cannot
  • Seven functions at $89 is the most direct value proposition on this list

What we dislike:

  • 8W speaker output is modest and will not satisfy anyone expecting outdoor or room-filling volume
  • Solar charging supplements rather than replaces a proper charge and cannot refill the battery independently

4. BOOX Go 6 Gen II

The e-reader has always made a better case for itself than most people give it credit for. The Go 6 Gen II is built around a 6-inch 300 ppi E Ink display in a body genuinely small enough to pocket, and unlike a standard Kindle, it runs Android underneath, which means the reading experience is not locked to a single storefront or ecosystem. The addition of stylus support in this generation moves it further from a dedicated reader and closer to a carry-anywhere notebook.

What it cannot do is exactly what makes it useful. There is no notification shade worth checking. No camera. No feed. The E Ink display is too slow for video and too monochrome for social content, which means using it for anything other than reading or note-taking feels like the wrong tool for the job. That deliberate friction is not a limitation. It is the design working as intended, built into the hardware itself rather than dependent on your own willpower to enforce it.

What we like:

  • Android underneath means your reading library is not tied to one retailer or ecosystem
  • Stylus support in Gen II turns it into a portable note-taking device, not only a reader

What we dislike:

  • E Ink refresh rate makes it a poor experience for anything requiring fast screen updates, which is the point but may frustrate new users
  • 6 inches is genuinely pocketable but small for extended document review or annotation

5. Portable CD Cover Player

Streaming reduced most music libraries to a scrollable grid of thumbnails no larger than a postage stamp. The Portable CD Cover Player puts album artwork back at the physical center of the listening experience. The form factor echoes the proportions of a CD sleeve — slim enough to carry on a commute or into a hotel room without planning. It is built for the kind of listening that requires an album, a decision, and an uninterrupted hour to follow through.

The CD format offers something streaming has never replicated — intentionality. You chose this album. You put it in. You listened front to back, the way it was meant to be heard. At a moment when cassette players and vinyl decks have staged a credible commercial comeback, there is a real and growing audience for physical music hardware that does not apologize for existing in 2026.

Click Here to Buy Now: $199.00

What we like:

  • Restores album artwork as a physical, tactile part of the listening experience rather than a compressed thumbnail on a scrollable grid
  • The intentionality of the CD format — choosing one album and committing to it — is something streaming has not managed to replicate

What we dislike:

  • The $199 price requires an existing or rebuilt CD collection to justify the investment

6. Garmin CIRQA

The smartwatch has a notification problem that nobody at the smartwatch companies will admit is a design problem. The screen is the issue. Put a screen on the wrist, and the wrist becomes another surface for the phone to reach you. Garmin solved this by removing the screen entirely. The CIRQA is Garmin’s first screen-free smart band, tracking sleep, HRV, strain, and recovery with the same sensor quality as their wrist-worn GPS watches while showing you nothing in real time.

Data syncs to your phone when you ask it to, not whenever the band decides it has something to say. At $199.99, it undercuts Whoop by removing the subscription entirely, which is either the most straightforward value proposition in the wearable category right now or the one that somehow took the longest to arrive. The band disappears into daily life in a way that a glowing watch face never fully manages. You stop thinking about your wrist. That is the whole idea.

What we like:

  • No screen means no notification surface on the wrist, which breaks the feedback loop the smartwatch quietly created
  • No subscription at $199.99 makes the comparison with Whoop uncomfortable for Whoop

What we dislike:

  • Screen-free design means you cannot check anything on the band itself, which will feel like a regression to anyone coming from a smartwatch
  • All data lives in the phone app, which adds a dependency the hardware does not fully acknowledge

7. Polaroid Now Generation 3 Instant Camera

Your phone takes hundreds of photographs a week, and you have looked at almost none of them. The Polaroid Now Generation 3 makes that impossible by design. Autofocus handles the technical side; everything else is deliberate. You frame a shot knowing there is no burst mode, no undo, no near-identical folder to sort through later. The print emerges from the front of the camera, develops in your hand, and exists as an object. That constraint is not a limitation. It is photography made meaningful.

The Now Generation 3 continues the line’s proven mechanics: i-Type and 600 film compatibility, a built-in flash, double exposure mode, and USB-C charging. The direction is refinement over feature expansion, which suits a camera built around a single clear purpose. Image quality is not competing with your phone’s computational photography and was never trying to. It produces a credit-card-sized print with warmth and grain that no filter has convincingly replicated, because the artifact is the point, not the resolution.

What we like:

  • Physical prints cannot be scrolled past, filed away, or forgotten in a camera roll — they exist and stay existing
  • The deliberate, one-shot-per-frame process changes how you think about framing before you press the shutter

What we dislike:

  • Film cost per shot makes casual, consequence-free shooting expensive relative to a phone camera
  • Exposure in bright outdoor conditions can be inconsistent without careful management of the built-in flash

8. Light Phone III

The Light Phone III costs more than most flagship Android devices and does less than any of them. Calls, texts, maps, music, and a small set of tools the company determined were useful rather than engaging. No browser. No social media. No email. No rabbit holes. The $799 price is the editorial provocation: you are paying a premium specifically for what it refuses to do, and the people who buy it tend to find that the most honest price tag in consumer electronics.

Building on a decade of iteration across two previous models, the design is confident enough not to explain itself. The screen is small. The interface is slow by smartphone standards, which turns out to be a feature rather than a limitation. Reaching for it in a meeting does not result in 40 minutes disappearing into a feed. Putting it in your pocket while walking somewhere means you notice the walk. The Light Phone III does not make you a better person. It removes several of the reasons you might not be.

What we like:

  • No browser and no social media means the phone cannot become a distraction device regardless of willpower
  • A decade of development across three models shows in the coherence of the product, not just the philosophy behind it

What we dislike:

  • $799 for a device that does less than a $200 Android requires genuine philosophical commitment rather than casual interest
  • The restricted app set means practical tools some users rely on daily are simply not available

9. Camp Snap 2

Your phone takes hundreds of photographs a week, and you have reviewed almost none of them. The Camp Snap 2 makes that behavior structurally impossible. There is no rear LCD, no Wi-Fi, no delete button, and no ability to check what you captured before downloading later. You shoot. You find out what you got when you get home. That removal of the review loop is not a limitation. It is the only camera built around the premise that the moment itself is the point.

The second generation is 15 percent slimmer than the original and genuinely pocketable now. An 8-megapixel sensor handles capture. A new filter button cycles through six built-in looks — Standard, Vintage 1, Vintage 2, Vintage 3, Analog, and Black and White — without needing a computer, which was the friction that kept most V1 owners on the default setting permanently. Nine colorways include translucent jelly finishes that land somewhere between Y2K nostalgia and fully intentional. At $69.95, it costs less than most phone cases.

What we like:

  • No screen means no delete button — every shot taken is a shot kept, which changes how deliberately you frame before pressing the shutter
  • Six filter options now cycle on-device with a single button, solving the only meaningful complaint against the original

What we dislike:

  • 8-megapixel resolution does not compete with computational phone photography and was never designed to
  • Exposure errors only surface at the download stage, too late to reshoot the moment that mattered

10. Divoom FlowToo

The reason your phone stays on the nightstand is not that you need it there. It is that the phone is also the alarm, the white noise machine, and the speaker, and nothing has offered a convincing single replacement — until now. The Divoom FlowToo costs $99.99, sits where the phone used to be, and handles all three jobs without demanding anything in return except a power socket. That is the most straightforward case for removing a phone from the bedroom that the category has produced.

A 10W amplifier and 45mm full-range driver make this a real speaker rather than an alarm clock with Bluetooth added as an afterthought. More than 90 built-in sounds cover rain, ocean, forest, and focus ambience without needing your phone open. The 2.26-inch display cycles through clock faces, music visualizers, and sleep animations depending on the time of day. The wake-up sequence builds naturally — sounds that increase in volume while the screen gradually brightens. Available in White and Black.

What we like:

  • Replaces three separate nightstand devices with one object that does all three without a subscription or an app permanently open
  • The gradual light-and-sound wake sequence is a meaningfully better way to start the morning than a jarring alarm tone

What we dislike:

  • Full feature access requires the Divoom app, which adds a phone dependency to a device designed to remove the phone from the equation
  • Dedicated white noise machines and standalone speakers will each outperform it in their individual categories

The Best Tech Knows When to Stop

None of these products asks you to give up modern life. The Casio has Bluetooth. The Echo Mini has wireless output. The RetroWave streams over Bluetooth when the AM signal drops. The Camp Snap 2 charges over USB-C. The FlowToo pairs to your phone when you want it to. The argument they make together is not that technology is the problem, but that objects built for one job tend to do it better than a single object built for everything.

The smartphone is not going anywhere. What these ten suggest is that not everything needs to live inside it. A watch that tells time without a notification. A camera that hands you a physical print. Another that makes you earn every shot. A nightstand unit that ends the phone-as-alarm excuse for good. A CD player that demands you choose an album and see it through. The sum of what they replace is not a phone. It is the version of a phone that borrowed more of your attention than it ever needed.

The post 10 Best Tech Gadgets for Men In 2026 Who Think Their Smartphone Has Gotten Too Big for Its Boots first appeared on Yanko Design.

Bixdo Glossonic Brush Air (W30) Review: The Toothbrush That Replaces Your Whitening Strips

PROS:


  • Striking design with ambient light effect when docked

  • 120-day battery life greatly simplifies portability

  • Effective whitening process combined with brushing

CONS:


  • Handle might be too large for some hands

  • Very limited color options

RATINGS:

AESTHETICS
ERGONOMICS
PERFORMANCE
SUSTAINABILITY / REPAIRABILITY
VALUE FOR MONEY

EDITOR'S QUOTE:

By making the whitening happen in the background, the Bixdo Glossonic Brush Air (W30) electric toothbrush doesn't overhaul a bathroom routine so much as quietly upgrade it.
award-icon

At-home teeth whitening has never been more accessible, yet most people can’t stick with it. Whitening strips take 30 to 45 minutes and often cause sensitivity. Whitening toothpastes rely on mild abrasives that can wear down enamel over time. Professional treatments work well, but they’re expensive and require appointments that take time out of your schedule. The category has a compliance problem that no stronger formula or new packaging seems to fix.

The Bixdo Glossonic Brush Air (W30) takes an entirely different approach. Rather than adding another product to the routine, it builds whitening into the process of brushing, something most people already do twice a day. Paired with a Bixdo’s whitening toothpaste and blue light technology, it turns a daily habit into a gradual brightening system that doesn’t ask much of the person using it.

Designer: Bixdo

Click Here to Buy Now: $139.99.

Aesthetics

Most electric toothbrushes lean into a clinical aesthetic. The Bixdo W30 departs from that with a sleek, lacquered silhouette in deep navy blue fading into a frosted white at the base, a gradient that’s genuinely eye-catching for a toothbrush. That finish gives it a quality closer to personal-care hardware than a dental appliance, and it’s the kind of object you’d actually want on a vanity rather than stashed under the sink.

The Bixdo W30 charges via a USB-C port built into the base of the handle, which is a small but telling design choice. It keeps the whole package clean and self-contained, with no proprietary dock or cradle to misplace. For a bathroom counter that’s already busy, that kind of restraint matters. It’s the kind of detail that doesn’t announce itself but would be noticeably annoying if it were handled differently.

The brush head is where the design gets interesting. The filaments are made from translucent material specifically to channel blue light from inside the handle outward to the tooth surface, supporting the Bixdo whitening system directly at the point of contact. The effect is genuinely dramatic: when active, the entire head blazes with a vivid blue glow, making the whitening feel tangible rather than abstract.

Ergonomics

Picking up the Bixdo Glossonic Brush Air (W30), the weight feels deliberate, and the glossy finish stays comfortable without feeling slippery. A single oval button sits below a small embedded display on the handle face, keeping the interface minimal and uncluttered. The display shows mode icons and labels clearly at a glance. The form is easy to grip, whether the brush is used straight on or at an angle for back teeth.

A single press of the button gets the brushing started, and the display confirms the active mode at a glance. The brush sends a brief vibration every 30 seconds as a prompt to shift to the next brushing zone, a useful nudge that keeps the routine thorough rather than habitual. When the session ends, the screen shows a brushing result to indicate how the session went.

Performance

The cleaning side of the Bixdo W30 isn’t an afterthought. Its sonic brushing action drives a thorough clean across the tooth surface and into the spaces between teeth, putting it on level ground with mainstream premium electric toothbrushes in terms of mechanical cleaning power. Teeth feel noticeably cleaner and smoother after each session, and it performs that way consistently, before the whitening layer even factors in.

The whitening mechanism is built around the Bixdo whitening system, where the blue light works together with the PAP-based whitening toothpaste and light-guiding brush head to address everyday surface stains. Many devices use blue light, but how those elements are designed to work together determines whether it actually does anything useful. The Bixdo W30 is built around that coordination rather than around any single feature.

The system pairs with a PAP-based whitening toothpaste specifically designed for everyday whitening care. Unlike many whitening products that rely on hydrogen peroxide and are intended for occasional high-intensity use, the PAP-based formula fits naturally into a twice-daily brushing routine. It’s the kind of formulation that makes sense for something meant to be used consistently, day after day, rather than as an occasional treatment.

There are four brushing modes: DAILY, DIAMOND, and GENTLE, which all activate the blue light in three-minute sessions at varying intensities, and GUM CARE, a two-minute vibration-only option for users with sensitive teeth and gums. Results build gradually with consistent use, which suits the broader logic of a product designed to work within a daily routine rather than deliver a single dramatic result.

Battery life is another standout. The Bixdo W30 is rated for 120 days on a single charge, which means charging it roughly twice a year at most. For anyone who travels regularly, this essentially eliminates the charger from the packing list entirely. The brush is also IPX7 waterproof, so rinsing it off or using it in the shower isn’t a problem.

Sustainability

The 120-day battery life has an environmental dimension worth noting. Most electric toothbrushes get charged weekly or more often, adding up to dozens of charge cycles a year that slowly degrade the battery’s overall capacity. The W30’s extended battery means fewer cycles, less energy consumed over time, and a device that’s more likely to stay in good working condition longer before the battery becomes an issue.

The brush head is designed to be replaced at least every three months, in line with standard dental guidance, which gives the routine a clear and easy-to-follow maintenance rhythm. That’s a more sustainable ownership model than replacing the full device. The refill toothpaste and replacement-head model together mean the handle stays in service rather than becoming disposable hardware when something wears out.

Value

The Bixdo W30 sits at the premium end of the consumer toothbrush market. But its intended comparison isn’t other electric toothbrushes. It’s meant to replace a combination of products: a capable electric brush and a separate whitening system. Professional in-office treatments run anywhere from $350 to $1,200 per session, and most people need more than one session a year to maintain results.

Compared to whitening strips, the math becomes even more interesting. A pack of good-quality strips can run $40 to $60, lasts a couple of weeks, and needs to be repurchased on a regular cycle. The Glossonic Brush Air’s ongoing cost is the companion PAP toothpaste, a reasonable daily-use repurchase for something doing double duty as both toothpaste and whitening treatment. As a consolidated system, that recurring expense starts to look quite reasonable.

Most whitening products separate plaque removal and whitening into two different steps. The Bixdo W30 brings both together, with brushing handling the mechanical clean while the blue light, PAP-based toothpaste, and light-guiding brush head work as part of the Bixdo whitening system. The toothpaste refill is the only recurring cost once the brush is in hand, which is a straightforward trade-off for a product that effectively replaces two separate categories.

Verdict

After extended use, the Bixdo W30 comes across as a product that’s been thought through rather than simply assembled. The results are gradual, building up like good skincare, and no increased sensitivity was experienced throughout the testing period. Teeth look noticeably brighter after two to three weeks of consistent daily use, particularly along the edges where stain buildup from coffee tends to accumulate first.

For regular coffee or tea drinkers who’ve struggled to stay consistent with strips, the Bixdo Glossonic Brush Air (W30) is genuinely worth considering. It doesn’t overhaul a bathroom routine so much as quietly upgrade it, one session at a time. The whitening happens in the background while the brush does its cleaning job, which is a pretty elegant way to address a problem most people have quietly given up on.

Click Here to Buy Now: $139.99.

The post Bixdo Glossonic Brush Air (W30) Review: The Toothbrush That Replaces Your Whitening Strips first appeared on Yanko Design.

The Alarm Clock Built for People Who Lose 20 Minutes to Phone Alarms

There’s a specific failure mode that most bedside alarms share. You reach for your phone to set an alarm, and by the time you’re done, you’ve also checked your messages, scrolled through something you didn’t mean to read, and lost twenty minutes of wind-down time to a screen that was already too bright. The phone isn’t bad at being an alarm; it’s just not designed to stop there, and that distinction costs more than most people acknowledge.

The CinderClock was designed with exactly that failure mode in mind. It’s a multi-purpose standalone desktop clock built to handle the things a bedside table needs without handing those tasks back to a phone. The device runs entirely on itself: no app, no cloud connection, no subscription, and WiFi that stays off at boot unless deliberately switched on to push a firmware update. What it does, it does without outside assistance.

Designer: Aqnazar Arysbek

The feature set covers the practical range of what a desk clock might reasonably be asked to do. Alarm history holds ten entries, a countdown timer runs while you navigate elsewhere in the menus, and the stopwatch tracks four laps with centiseconds. The fast-changing stopwatch display can be hidden, because a rapidly updating number on a desk is a distraction rather than information. Two Pomodoro presets store work and rest periods from 1 to 999 minutes, each phase signaled by a distinct jingle. Local temperature and humidity are monitored continuously, and sunrise and sunset times are available for anyone whose schedule tracks natural light rather than a fixed shift.

The physical form follows the logic of something designed to live on a desk permanently. The face is raked at an angle chosen for legibility whether the clock sits low on a nightstand or higher on a shelf. Navigation uses four keys and a joystick, with one move from standby opening a quick menu for alarm, timer, and stopwatch. The 3D-printed enclosure integrates the speaker grille into the same shell. The processor sleeps between seconds to work toward a two-week battery target, though the actual runtime won’t be published until measured.

The repairability case is where the design earns a different kind of attention. The bill of materials, PCB design files, and enclosure models are all published at launch. The firmware is already on GitHub under a permissive Apache 2.0 license. Every module position is labeled on the back of the main board. The preference for common, well-documented components isn’t primarily about cost; it’s about sourcing availability, which is what keeps a device repairable years from now, when original sellers may no longer be around.

Most alarm clocks are priced to be replaced rather than fixed, and their design reflects that assumption. The CinderClock treats longevity as a design value rather than a bonus, and it makes that case consistently, from the open-source firmware down to the labeled circuit board that any careful owner can understand and service. It’s a more demanding thing to build, which is probably why it’s rare.

The post The Alarm Clock Built for People Who Lose 20 Minutes to Phone Alarms first appeared on Yanko Design.

The Power Bank You’ll Actually Have When Your Phone Hits 1 Percent

Most people who carry a power bank don’t have it when they need it. It’s in the other bag, on the counter, or still plugged into the wall. The problem isn’t that people don’t want backup power; it’s that a power bank asks too much of them. It’s a separate object with its own place in a routine that’s already too crowded, and the more something demands to be remembered, the more reliably it gets forgotten.

That behavioral friction is the design problem the Twelve South PowerClip is built to solve. Rather than starting with capacity or charging speed, the design starts with a simpler question: what would it take for a person to actually have this on them every day? The answer, apparently, is making it small enough and clipable enough that it attaches to what’s already in your pocket.

Designer: Twelve South

At 45g and roughly the footprint of a dental floss container, the PowerClip is designed to live on a keychain, a bag strap, or a belt loop via a zinc-alloy carabiner. It disappears into daily carry so completely that Twelve South’s own marketing describes the intended experience as: you stop thinking about it entirely, until the moment it saves you. That’s an unusually honest design brief for a consumer product.

The integration extends to the cables. There’s no cord to pack or lose, because the USB-C cable is built directly into the unit. One side handles both input and output; a second port allows pass-through charging, so you can top up the PowerClip and a device simultaneously without interrupting either. The four LED indicators tell you the battery level at a glance. None of this requires setup, configuration, or carrying a separate adapter.

The 2,000mAh capacity is modest by the spec sheets of larger power banks, and deliberately so. The PowerClip isn’t trying to be a replacement for the bigger unit sitting in your desk drawer; it’s an emergency charge that gets your phone from 1% to enough to get home, make a call, or pull up a boarding pass. That scope defines the form rather than limiting it. Giving it more capacity would make it heavier, bulkier, and harder to justify clipping onto a set of keys.

Five matte finishes, including Dune, Slate, Mint, Fuchsia, and Teal, let it function as an accessory rather than a utility. A limited-edition collaboration with Alpaka even produced a coordinated Micro Tote for carrying the PowerClip alongside small everyday essentials, treating the power bank as something worth designing around rather than stashing.

The PowerClip costs $39.99, which sits above the baseline for cheap power banks but below the premium tier of larger, feature-loaded alternatives. That positioning reflects the product’s design logic: it occupies a category that most manufacturers haven’t prioritized, not highest capacity or fastest charging, but highest likelihood of actually being with you when the battery dies. The specific insight here is that a power bank nobody carries isn’t worth much, and that solving the carry problem is a more interesting design challenge than chasing another thousand milliamp-hours.

The post The Power Bank You’ll Actually Have When Your Phone Hits 1 Percent first appeared on Yanko Design.

5 Travel Gadgets & Tools for Minimalist Packers That Turn a Chaotic Airport Into a Non-Event

The minimalist packer doesn’t travel light by accident. Every object in the bag earned its place, and the airport is where that logic gets tested. Security lanes, delayed gates, three time zones in four days — the kit either holds or it doesn’t. These five products were chosen for exactly that pressure: things that perform quietly, take up almost nothing, and make the chaotic part of travel feel like a formality.

None of them ask much. The power bank is thinner than the phone it charges. The card holder sits in a breast pocket and reads as tailoring. The charging solution takes three accessories off the list in a single object. The headphones make a full day of transit feel like a deliberate choice rather than something to endure. The passport cover knows where it is so you never have to.

1. Xiaomi UltraThin Magnetic Power Bank 5000

A 6mm power bank sounds like a specification claim until you hold one and register that it is thinner than the phone it is about to charge. Xiaomi’s UltraThin Magnetic Power Bank weighs 98 grams and delivers 5,000mAh through silicon-carbon battery chemistry at 16 percent silicon content — the engineering that makes the profile possible without sacrificing capacity. The aluminum alloy shell carries a photolithographically etched logo on the back, the kind of finishing detail that signals an object was designed rather than assembled. It was showcased at MWC 2026 in Barcelona.

Snap it magnetically to the back of your phone and the two travel as one. Xiaomi 17 series users get up to 15W wireless output. iPhone sits at 7.5W due to Apple’s MagSafe ceiling rather than anything specific to this product. A USB-C port handles 22.5W wired, and the bank charges two devices simultaneously when needed. Ten layers of protection and a 4,369mm² graphite sheet for thermal management complete the picture. The power bank category spent years making capacity the headline. Xiaomi made the story the object itself.

What we like

  • At 6mm and 98 grams, this is the thinnest available power bank at this capacity — the one you carry every day rather than the one you remember to pack for certain trips
  • Silicon-carbon battery chemistry achieves 5,000mAh at a profile that makes the physics feel like a design decision, because it is

What we dislike

  • iPhone MagSafe compatibility is capped at 7.5W by Apple’s own ecosystem ceiling, not by anything Xiaomi controls, but the limitation is real for iPhone users regardless of where the responsibility sits
  • 5,000mAh works best as a top-up companion throughout the day rather than a primary overnight charging solution for most current flagship smartphones

2. Oblica Card Holder

Most business card holders live in a trouser pocket and require a separate pocket square to complete a jacket. The Oblica does both jobs from a single position. Its diagonal silhouette is designed to rest in the breast pocket of a blazer, where only a single angled edge shows above the pocket line, reading exactly as a folded pocket square would. What appears to be a finishing touch to the tailoring is, in the moment it matters, a leather business card holder carrying more than 30 cards inside.

Two staggered diagonal tiers keep each card visible and easy to retrieve without separating a stack with your thumb. At 5mm thick, it sits inside a breast pocket without disturbing the clean line of a tailored jacket. The exterior is Italian leather that develops a patina with use. The interior is Japanese pig suede that protects cards from everyday wear. Each piece is handmade in Kyoto by Sudaku, a workshop experienced in complex pattern construction, where the unconventional geometry required precision that no conventional leatherwork routine could accommodate.

Click Here to Buy Now: $160.00

What we like

  • The diagonal silhouette solves two dressing problems simultaneously — it is the card holder and the pocket square from the same pocket, resolved in the same gesture
  • Italian leather exterior and Japanese pig suede interior are material choices that improve with use rather than deteriorating under it, which is the right position for an object handled every working day

What we dislike

  • The breast pocket placement works best with a structured blazer or suit jacket; the design has less natural context in casual or unstructured outerwear
  • The diagonal geometry depends on precise proportions, and the holder reads best in a jacket with a standard breast pocket depth rather than one cut unusually shallow

3. Nimble WALLY Pro Wireless

Most people travel with a wall charger, a power bank, and a wireless charging pad as three separate objects, each taking bag space, each needing its own cable. The Nimble WALLY Pro Wireless handles all three from a device barely 0.61 inches thick when it is not plugged in. Fold out the built-in prongs, plug into any outlet, and it charges the internal 5,000mAh battery and your phone simultaneously. Pull it off the wall, and it switches to bank mode without pausing.

Qi2 wireless output runs at up to 15W, the USB-C port at up to 20W, and four LED indicators along the side give a clear battery readout before you leave the room. The housing is 100 percent post-consumer recycled plastic with a carbon-neutral designation. TSA-approved and ETL-certified, it handles 100 to 240 volts without a separate voltage adapter, covering most countries without additional hardware. At $49.95, it quietly removes three items from the packing list without replacing them with anything.

What we like

  • Three charging functions in a 0.61-inch profile with universal voltage input means the adapter collection stays home, and this comes instead — the clearest possible value proposition for a travel charger
  • TSA approval and ETL certification resolve the travel safety conversation before it starts, which is the best outcome for any power device in carry-on luggage

What we dislike

  • The 5,000mAh capacity is sufficient for one full phone charge but will not sustain a multi-device day without access to a wall outlet somewhere along the route
  • Qi2 wireless speed applies fully to iPhone 12 or later and compatible Android hardware; older devices will see reduced output regardless of what the charger itself is capable of delivering

4. StillFrame Headphones

There is a moment on a long flight when you adjust your headphones for the fourth time and understand that the pair was never really designed for more than an hour of wear. The StillFrame headphones start from a different premise. Designed by Tatsufumi Funayama and guided by the principle that listening should be a physical ritual, they weigh 103 grams with a stainless steel headband and 40mm drivers that produce a wide, open soundstage. Noise Cancelling and Transparency Mode switch with a single tap as the environment changes around you.

At 24 hours of battery life over Bluetooth 5.4, the StillFrame runs the full journey without negotiation. The fabric ear cushions attach magnetically and swap in seconds — Light Gray and Turquoise are included with the White model. The internal circuit board is deliberately exposed through the housing, technology presented as part of the experience rather than hidden behind it. Wired high-res playback is available via USB-C for when you want to anchor rather than stream. At $245, these are a considered purchase built to justify every cent of it.

Click Here to Buy Now: $245.00

What we like

  • The 103-gram weight and stainless steel headband are designed for sustained wear, addressing the one problem most travel headphones at this price point manage to avoid mentioning entirely
  • Noise Cancelling and Transparency Mode in a single tap means the headphones adapt to the environment rather than requiring you to manage the transition manually between terminal and flight

What we dislike

  • At $245 this is a deliberate purchase rather than an opportunistic upgrade, which narrows the audience without diminishing the object for those who meet it on its own terms
  • The on-ear form factor, while suited to extended wear, will not satisfy listeners who prefer the full isolation of over-ear cups on longer flights

5. Satechi FindAll Passport Cover

Losing a passport is not a travel inconvenience. It is a trip-ending event that takes days and bureaucratic patience to resolve. The Satechi FindAll Passport Cover approaches that reality directly: vegan leather organization paired with Apple Find My tracking via Bluetooth 5.2, a 90-decibel alarm you trigger from your phone, and RFID blocking that keeps chip data inside the cover. The bifold holds your passport, boarding pass, and four cards in a format that removes the fumbling from every security interaction.

The 150mAh battery charges wirelessly on any Qi, Qi2, or MagSafe surface, lasts up to five months between charges, and adds just 3.7 ounces to a jacket pocket. The tracking runs silently in the background. The alarm fires audibly when you need it. The RFID blocking works without your involvement. For a cover that handles your most critical travel document, the combination of location tracking, audible alerts, and electronic theft protection sets a standard that no ordinary passport wallet attempts to reach.

What we like

  • Apple Find My integration with a 90-decibel alarm turns a passive document holder into an active security system, which is the correct response to the stakes involved in carrying a passport
  • Five months of wireless-rechargeable battery life means the tracking runs continuously in the background without any maintenance routine required from you

What we dislike

  • The Find My network works best where Apple devices are dense enough to relay the signal accurately, which covers most major airports but thins out in more remote or rural destinations
  • Vegan leather, while well executed here, will show wear differently than full-grain alternatives over years of daily use in a jacket pocket

The Best Travel Kit Is the One That Gets Out of the Way

Every object in this list solves a different part of the same problem: the airport as friction. The Xiaomi handles power in a form that disappears against the phone. The Oblica keeps business cards where a conversation can actually begin. The Nimble replaces three accessories with one flat object. The StillFrame makes the transit itself worth being present for. The FindAll keeps your most critical document exactly where it should be.

What ties them together is not a category but a disposition. None of them accumulate features to justify their presence. Each one solves its problem in the smallest, most considered form the solution allows, and then stops. That restraint is harder to achieve than it looks, and it is what separates gear you pack from gear you rely on. The minimalist packer already knows that. This list is the proof.

The post 5 Travel Gadgets & Tools for Minimalist Packers That Turn a Chaotic Airport Into a Non-Event first appeared on Yanko Design.

A 24K Gold Game Boy From Supreme Is FW26’s Wildest Drop

The Analogue Pocket has always been the kind of device that makes you look twice. It plays original Game Boy, Game Boy Color, and Game Boy Advance cartridges on modern hardware, which is already a compelling pitch for anyone who grew up with a brick-sized handheld stuffed in their backpack. Supreme’s Fall/Winter 2026 collaboration with Analogue goes further than that. It’s turning a piece of retro gaming hardware into a genuine collector’s object, and the result is genuinely hard to walk past.

For FW26, Supreme is releasing two limited edition versions of the Analogue Pocket: one in glossy red, the brand’s unmistakable signature colorway, and one finished in 24K gold-plated aluminum. Both versions sit in a unibody aluminum shell with Supreme branding debossed on the front and back, along with a custom logo LCD display. They measure 3.5″ x 5.75″, which is compact enough to hold in one hand and striking enough to stop a room.

Designer: Supreme x Analogue

A quick note on what the Analogue Pocket actually is, because context matters here. This is not a generic emulator. It plays original cartridges, meaning if you’ve been holding onto your copy of Pokémon Gold since 1999, you can slot it right in and go. The device supports over 2,780 Game Boy, Game Boy Color, and Game Boy Advance titles, and also works with cartridge adapters for other handheld systems. It has a built-in synthesizer and sequencer, a MicroSD card reader, and modern internals running the whole operation. The Analogue Pocket was a well-regarded piece of hardware long before Supreme got near it.

That distinction matters, because it’s what makes this collaboration feel earned rather than arbitrary. Supreme has a long and occasionally theatrical history of taking functional objects and turning them into cultural moments through branding alone. The archive includes bricks, crowbars, and fire extinguishers, and somehow it all makes sense in retrospect. But when the base product is genuinely good on its own, the collaboration lands differently. The Analogue Pocket had its own dedicated following before this. Supreme is amplifying that into the fashion and streetwear conversation, and the resulting object speaks to both audiences without alienating either.

The gold version is the obvious showstopper here. A 24K gold-plated handheld is, objectively, an extremely specific thing to produce. It is not subtle, and it is not trying to be. The red version, while less theatrical, carries its own appeal. Supreme’s red is one of the most recognizable colors in contemporary design, and seeing it applied to the clean lines of the Analogue Pocket’s aluminum body feels surprisingly considered rather than purely cosmetic. Both finishes have the kind of presence that makes you hesitate before putting fingerprints on them, which raises a personal question worth sitting with: are you buying this to play, or to display?

The answer is probably both, and that’s the genuinely interesting tension at the heart of any collaboration like this. Retro gaming has shifted from a hobby into a full cultural moment, one where the hardware carries as much meaning as the software. People frame limited edition consoles. They display cartridge collections. They treat the objects of their gaming childhoods as artifacts worth preserving and presenting. The Supreme Analogue Pocket belongs in that space, and that’s not a criticism. It’s an observation about how the culture has evolved.

Pricing and availability details haven’t been fully confirmed, but the device will be available exclusively through Supreme, which is predictable in the best way. Supreme drops being what they are, demand will not be a problem and availability will be. Whether you land one or spend the afternoon refreshing a browser tab is largely a matter of timing.

For now, the Supreme x Analogue Pocket reads as one of the more coherent streetwear collaborations in recent memory. It doesn’t feel like branding for branding’s sake. It feels like two brands that actually have something meaningful to say to each other, and the result is a handheld that lands at the exact crossroads of nostalgia, craft, and cultural currency.

The post A 24K Gold Game Boy From Supreme Is FW26’s Wildest Drop first appeared on Yanko Design.

This $99 Trackball Has Gesture Controls That Work Without Any Software

The computer peripheral market has always been more experimental at its edges than in the mainstream. Ergonomic trackballs, in particular, have attracted a devoted following among power users, but the options tend to cluster at two extremes: consumer-facing products with locked-down firmware, and niche open-source hardware that trades polished finish for deep customizability. Finding something that genuinely does both has rarely been straightforward.

Ploopy’s Adept trackball made a compelling case for the latter category, earning a loyal following with its open-source, 3D-printed design and QMK compatibility. But it always felt like it had more to say. Its circuit board had always reserved space for two more switches that never made it to production, and the base had slots for a wrist rest that never materialized. The A+ is that unfinished story, now finished.

Designer: Ploopy

The most visible addition is the button count. The Adept had six; the A+ has eight, two of which also function as knobs. Out of the box, the knobs handle high-resolution vertical and horizontal scrolling, but both are fully reprogrammable for other functions. That dual-purpose approach keeps navigation and control within a single hand without needing a separate scroll wheel or accessory sitting alongside it.

The gesture system is arguably the more interesting addition. Hold a button and flick the ball in any of eight directions, and the device fires a command. By default, the left knob activates cut, copy, paste, desktop switching, and media controls. For someone who lives inside a browser and a text editor all day, that’s a significant amount of functionality without ever lifting a hand off the device.

Layers add another dimension. The A+ has two: a navigation layer for everyday use and a control layer accessed via the right knob. The control layer handles on-device configuration, covering left-hand mode switching, toggling between high-resolution and stepped scrolling, and other adjustments. It’s the first trackball to bring this kind of layered behavior, working entirely without any software running on the host computer. There are also two bright LEDs that can be used to visually tell you what layer you’re on without having to rely on some embedded screen.

The detachable wrist rest is another long-promised feature that finally arrives with the A+. It slots in or out during use and can be screwed on permanently if preferred. The device stays ambidextrous throughout, and its 3D-printed shell means the community can print modified bodies, alter the layout, or swap in custom colors. That kind of adaptability isn’t an afterthought; it’s part of how the whole thing is designed.

The Pixart PMW-3360 sensor carries over from the Adept, running at a 1,000Hz polling rate with the tracking accuracy that has made it a standard for performance-oriented pointing devices. Omron D2LS-21 switches handle the physical buttons. The firmware remains QMK, configurable through VIA, with all design files, firmware, and assembly instructions freely available on GitHub. Kits start at $99 CAD.

The post This $99 Trackball Has Gesture Controls That Work Without Any Software first appeared on Yanko Design.