This Resin 3D Printer Packs 14K Resolution and Auto-Tool Release, Giving You Sharper Prints Without The Mess

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Anyone who has spent three hours printing a delicate miniature only to snap off an arm while scraping it from the build plate knows the frustration intimately. Resin 3D printing has always delivered stunning detail at the cost of a genuinely messy, nerve-wracking post-processing workflow. Metal spatulas, damaged models, scratched build plates, and the occasional profanity have been the price of admission. YIDIMU, a manufacturer with years of experience building professional-grade printers for dental labs and jewelry studios, watched creators tolerate this workflow and decided the entire premise was broken. The company’s solution is the MagPro, a 14K resin printer built around a one-click auto-release mechanism that eliminates scrapers entirely.

This printer is built around a philosophy of overkill, starting with a jaw-dropping 14K resolution screen that renders details with microscopic precision. But pixels are only part of the story. YIDIMU paired that screen with a custom optical engine that guarantees over 90% light uniformity, solving the problem of uneven curing that often leads to warped prints and failed jobs. The entire system is anchored by an industrial-grade ball screw Z-axis and a full aluminum chassis, providing the stability needed to ensure that every one of the screen’s 68 million pixels translates into a perfectly formed voxel of cured resin. The result is a printer that feels less like a consumer gadget and more like a dependable piece of professional manufacturing equipment.

Designer: YIDIMU

Click Here to Buy Now: $3499 $7299 ($3800 off). Hurry, only a few left!

Traditional resin printers require a messy, often destructive, surgical procedure with a metal scraper to remove finished prints. YIDIMU’s auto-release mechanism, however, works with a simple click that loosens the build platform, allowing finished models to pop off cleanly without any tools. This completely eliminates the risk of scratching the build plate or breaking delicate parts, turning what used to be a moment of anxiety into a satisfying part of the process. For anyone running iterative prototypes or small-batch production, this convenience shaves valuable minutes off each print cycle. The system delivers a simple, elegant operation that makes the entire workflow smoother and safer than ever before.

Most desktop printers struggle with uneven light distribution, which leads to inconsistent curing, warped models, and lost details. YIDIMU’s custom optical system delivers over 90% light uniformity, ensuring that every pixel of the massive 14K screen cures the resin with perfect consistency. That 13320 x 5120 resolution is so sharp it can reproduce details smaller than a human hair, meaning your miniatures will have crisp textures and your prototypes will have surgically precise edges. The company also includes a grayscale mask calibration tool, allowing users to fine-tune the light distribution for their specific needs. This perfectly even light brings digital blueprints to life flawlessly, delivering a perfect print on the very first try, no matter how complex the design.

YIDIMU has also introduced its Photocatalytic Growth Technology, a proprietary process where advanced light and chemistry create objects with zero layer stacking. Instead of building models slice by slice, which creates visible lines and weak points, this approach allows complex designs to materialize from the liquid as a single, continuous structure. This eliminates the stress points and optical variations typical of layered prints, resulting in unparalleled isotropic strength and a finish so smooth it looks like it was grown organically. For intricate geometries, fine textures, and industrial prototypes that need to be strong in all directions, this represents a fundamental shift in how resin printing produces finished parts.

A solid, all-aluminum chassis with a professional-grade ball screw Z-axis mechanism separates the MagPro from the flimsy plastic construction of most desktop printers. Ball screws provide incredibly tight tolerances and consistent layer accuracy, which is crucial when running massive, multi-day prints. The rock-solid internal structure also eliminates any Z-axis wobble, a common failure point that ruins tall prints on lesser machines. The printer weighs a substantial 29 kg, signaling the kind of robust engineering you would find in high-end industrial equipment. Its large 223 x 126 x 290 mm build volume and fast 6 cm/h print speed mean you can tackle ambitious projects with confidence.

Resin viscosity changes with temperature, often causing failed prints in cold climates, and YIDIMU’s dynamic heating system solves this by keeping the resin in its sweet spot regardless of the weather outside. The oversized 2kg+ resin vat allows for huge, uninterrupted prints without pausing to refill, while the active air purification system silently filters fumes, making your workspace healthier and more comfortable. A large 5-inch touchscreen running CHITUBOX software, along with USB and 6GB of internal storage, makes file management a breeze. The machine supports standard 405nm UV resin, accepts common STL and OBJ files, and includes auto-leveling for a hassle-free setup. The quick-release build platform can be removed with a single knob, further streamlining the post-processing workflow.

YIDIMU’s background in professional 3D printing for digital dentistry, jewelry design, and industrial prototyping informs the entire design philosophy, bringing industrial-grade engineering to a desktop form factor. The company has spent years building machines that run reliably 24/7 in demanding production environments where accuracy, surface quality, and repeatability directly impact client deliveries. That experience translates to a machine designed to reduce cognitive load and increase creative output, feeling less like an experimental device and more like a dependable production tool. The MagPro bridges the gap between hobby-grade machines and industrial systems, delivering measurable productivity gains for jewelry designers, product designers, R&D teams, and advanced makers who need professional-grade performance without the learning curve or price tag of five-figure industrial hardware.

The MagPro is available for $3,499 as a limited early bird tier (52% off the $7,299 MSRP), for the first 100 backers. Estimated delivery is July 2026. The printer ships anywhere in the world, and the package includes the YIDIMU 14K Resin 3D Printer as a single unit. YIDIMU is positioning this squarely in the gap between hobby-grade desktop machines and industrial systems, targeting semi-professional users who need reliable repeatability, minimal calibration, and professional surface finish.

Click Here to Buy Now: $3499 $7299 ($3800 off). Hurry, only a few left! Raised over $xyx.

The post This Resin 3D Printer Packs 14K Resolution and Auto-Tool Release, Giving You Sharper Prints Without The Mess first appeared on Yanko Design.

A$AP Rocky Just Made a Retro Gaming Console That Looks Like a Famicom on Steroids

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There’s a reason every retro emulation console of the last decade keeps cribbing from the same 1980s Japanese design playbook. The Famicom and the original SNES established a visual grammar for home gaming hardware that has never really been improved upon, just iterated, simplified, or fetishized. Cream-colored ABS plastic, primary-red accents, ribbed black ventilation grilles borrowed from HiFi separates, and chunky cross d-pads big enough to register through a winter glove. Analogue has built an entire premium business on faithfully reissuing this language. Anbernic and Miyoo have built equally large businesses on cheaply approximating it. What nobody has really done is take that grammar and warp it through a fashion-house sensibility.

A$AP Rocky’s Hommemade studio just gave it a shot. The HGC-V.1, or Hommemade Gaming Console Version One, is a flip-screen retro emulation system designed in-house at AWGE and built around a chunky, almost cartoonishly oversized form factor that reads like a Famicom rendered as a desk sculpture. Cream and slate-blue body panels, two red arcade-style thumbsticks, a cobalt cross d-pad, SNES-coded face buttons, and black ribbed heat sinks flanking a flip-up LCD that boots into a pixelated starfield with the Hommemade “h” logo glowing front and center. It’s a console designed to be looked at as much as played.

Designer: AWGE / Hommemade

The form language here rewards a closer look. Most retro consoles fall into one of two camps, the faithful reissue (Analogue Pocket, Mega Sg) or the all-in-one emulation handheld (the entire Anbernic catalog), and both prioritize either accuracy or portability. The HGC-V.1 ignores both briefs. It’s a tabletop unit, roughly the proportions of a 1980s portable TV, with a flip-up screen that gives it a clamshell silhouette closer to a Game Boy Advance SP scaled up to coffee-table size. The d-pad, joysticks, and face buttons are all deliberately oversized, pushing past ergonomic logic into something more sculptural. You don’t pick this up the way you’d pick up an Anbernic RG35XX. You sit at it.

The detailing is where the AWGE handprint gets loud. “HGC-V.1” sits in red Famicom-style lettering across the bezel, “Powered by AWGE” gets stamped in that scrappy hand-drawn type Rocky has used across his whole creative universe, and the chunky blue “h” logo on the right shoulder behaves less like a brand mark and more like a structural element, almost a handle. Around the back you get USB, what looks like HDMI out, and a physical toggle switch with the satisfying mechanical heft those late-90s appliances always had. The package ships with two wireless gamepads that crib NES proportions while smuggling in twin analog sticks and a four-button face cluster, essentially a hybrid retro-modern pad capable of running anything from NES ROMs through to early PS1 emulation.

No public price has been announced, which fits the Hommemade pattern. The label operates on a made-to-order basis through a single email address (hommemade@awge.com if you’re interested), and the rest of the Galaxy Collection ranges from $13,500 dividers to the $300,000 CBNT.V1 entertainment console covered by Hypebeast last week. Expect this to land somewhere in art-object territory rather than competing with the upcoming Steam Machine. The HGC-V.1 isn’t trying to win on specs or library size. It’s trying to win on the simpler proposition that gaming hardware can be a piece of furniture worth designing properly, and on that front, it makes a genuinely compelling case.

The post A$AP Rocky Just Made a Retro Gaming Console That Looks Like a Famicom on Steroids first appeared on Yanko Design.

At 130 Sq Ft, This Multifunctional Tiny Home Fits Everything You Actually Need

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There’s a philosophy embedded in the Shoji tiny home that goes beyond architecture. “Enjoy, sleep, relax, cook, work, connect, disconnect. Do only what truly matters.” That’s the ethos of Bulgarian firm Koleliba, the award-winning tiny living brand behind one of the most quietly striking small homes to come out of Europe in recent years.

Completed in November 2022 and sited in Brittany, France, the Shoji is Koleliba’s S Tiny model, measuring just 130 sq ft (12 sq m) and stretching only 5.5 meters (18 ft) in length. Designed alongside architect Hristina Hristova, the home sits on a double-axle trailer, making it fully mobile without sacrificing an ounce of intention. The name itself is a nod to the Japanese aesthetic: clean lines, natural materials, and a deep respect for negative space.

Designer: Koleliba

From the outside, the Shoji is finished in vertical timber siding topped with a metal roof, punctuated by expansive windows and sliding glass doors that dissolve the boundary between inside and out. It’s the kind of exterior that looks equally at home in a forest clearing or a countryside field, modest at first glance but considered in every detail.

Step inside, and the birch plywood interior wraps the space in warmth. One of Koleliba’s defining signatures is designing furniture as a seamless continuation of the interior itself, so the Shoji never feels like a box stuffed with objects. A U-shaped couch converts into a queen-size bed. There’s a dedicated home office desk, essential kitchen appliances, a washing machine, and a roomy shower, all packed into a footprint that defies logic. Electric floor heating and solid winter insulation mean the home is genuinely livable year-round, not just a warm-weather escape.

A full-length black floating shelf runs the length of one wall, the kind of detail that could easily overwhelm a small space but instead anchors it, giving the interior a gallery-like calm. Everything here feels deliberate, placed without excess. The Shoji’s owner, Jonathan Guennoc, put it best: “Our SHOJI home is the most spacious not spacious space.” That contradiction is exactly the point. Koleliba didn’t design a house with things left out. They designed a home where nothing is missing.

The Shoji has since inspired a follow-up, the Shoji 2, building on the original with improved features and a lighter design. But the original remains a benchmark, proof that at 130 square feet, the right design doesn’t ask you to compromise. It asks you to reconsider what you actually need.

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The 100-Year-Old Light Bulb Design Just Got Its First Real Fix

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We have been screwing the same shape of light bulb into our lamps for over a century. Think about that for a second. The smartphone in your pocket has been redesigned thousands of times since it launched. Your running shoes have gone through countless iterations. But the humble light bulb? More or less, the same. Which is exactly why iiode’s Re27 feels so refreshing, and so overdue.

iiode is a Swiss studio that specializes in sustainable electronics, and the Re27 is their first product. It’s a retrofit E27 LED bulb, meaning it fits into the same socket your current bulb uses right now. But the similarities to your average LED stop there pretty quickly.

Designer: iiode

The Re27 is built around an idea that the lighting industry has, for the most part, chosen to ignore: that a light bulb should be something you repair, not just replace. The bulb is modular, with clip-in components that can be swapped out when one part fails. You don’t have to toss the whole thing. You don’t have to buy a new one if one section gives out. The design actually encourages you to keep it going, which is a genuinely rare thing in consumer electronics of any kind.

The body is die-cast aluminum, and not the smooth, polished kind you might expect. The porosity of the casting creates a natural texture that helps dissipate heat while also giving the bulb a physical presence that’s hard to describe without actually seeing it. Domus called it a texture that “overturns expectations regarding the materiality and aesthetic presence of this everyday object,” and I think that’s a fair read. It’s a bulb you actually want to look at, which sounds like a strange thing to say about something that usually lives inside a shade.

Almost all of the materials are recycled, and the whole thing is assembled in Switzerland using mostly EU-made parts. For anyone who has started paying attention to where their products actually come from, that matters. The Re27 doesn’t just gesture at sustainability the way so many products do now, folding it into their marketing as an afterthought. It builds it into the structure of the object itself.

The light quality is where iiode earns serious points. The Re27 delivers a high CRI output, which means colours under its light look the way they’re supposed to, the way they’d look in natural daylight. It’s flicker-free, which is one of those things you don’t notice until you’ve been sitting under bad lighting for three hours and your eyes are tired for no apparent reason. The colour temperature and intensity are tunable, and the smart control is integrated directly into the bulb, so you don’t need a separate hub or app ecosystem to make it work.

To celebrate the launch, iiode invited eight design studios to create lampshades specifically for the Re27. It’s the kind of move that tells you a lot about how a brand sees its own product. They’re not treating it as a commodity. They’re treating it as an object worth designing around, worth collaborating over, worth dressing up. That creative confidence comes through in every aspect of what they’ve built.

The Re27 is currently available for pre-order, and iiode is presenting it during Milan Design Week 2026 as part of the House of Switzerland Milano showcase. Seeing it make its way into that conversation, alongside furniture, installations, and collectible pieces, makes complete sense. The Re27 belongs there not because it’s trying to be art, but because it’s genuinely well-considered design applied to something we use every single day.

Lighting is one of those things most of us don’t think about until it’s wrong. The Re27 is a bulb made by people who clearly think about it all the time, and the result is something that makes you want to pay attention too. Sometimes the most interesting design isn’t the flashiest object in the room. Sometimes it’s just the light that makes the room worth being in.

The post The 100-Year-Old Light Bulb Design Just Got Its First Real Fix first appeared on Yanko Design.

Microsoft’s new college deal is a half-hearted answer to the $500 MacBook Neo

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Apple's MacBook Neo is a $600 (or $500 for students) shot across the bow at affordable Windows laptops, and it seems like Microsoft has ready its first response. The newly announced "Microsoft College Offer" is a bundle of Microsoft 365 Premium, Xbox Game Pass Ultimate, custom Xbox controller and discounted laptop that the company thinks could woo students away from Apple's new deal. 

With the purchase of a discounted machine directly from Microsoft, retailers like Amazon and Best Buy or PC makers like HP, ASUS and Acer, you can get what the company says is an extra $500 of value from its bundle. The laptop deals include a Lenovo IdeaPad Slim 3x with a Snapdragon X chip, 16GB of RAM and 256GB of storage for $500 from Best Buy, around $250 off the laptop's usual $750 price. Or if you wanted something even cheaper, Walmart is selling an HP Omnibook 3 for $429, a discount of $270 off its usual $699 price. Microsoft is less generous with the deals on its own laptops and tablets, but you can even get a discount on a Surface Laptop as part of the offer.

A discounted laptop is great, but where the value of the Microsoft College Offer gets harder to define is with the services the company is packing in. Getting what would normally be a $200 year-long subscription to Microsoft 365 Premium for free is a meaningful deal, but many colleges give their students access to Microsoft's apps (and other software) with the cost of their tuition. A year of Xbox Game Pass Ultimate, which costs $30 per month as of October 2025, sounds like significant savings, but the offer is only valid for new subscribers. That leaves the free custom Xbox controller as the simplest bonus of the bunch, a value of around $76.

Windows PC makers are expected to make more serious attempts to compete with the Neo over the next year. For now, though, the Microsoft College Offer isn't exactly a bad deal, but it's certainly not as straightforwardly appealing as an Apple-quality laptop for $500 with a college discount.

The Microsoft College Offer is available to students starting April 15 and runs through June 30, 2026. Microsoft says redemption of the full bundle of services and accessories it’s offering needs to happen by July 31, 2026.

This article originally appeared on Engadget at https://www.engadget.com/computing/laptops/microsofts-new-college-deal-is-a-half-hearted-answer-to-the-500-macbook-neo-215336362.html?src=rss

De’Longhi Just Turned 5 Coffee Machines Into Tiny Cafés

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If you’re a coffee lover, chances are you’re also a fan of going to coffee shops. While most die-hard connoisseurs would probably prefer to make a cup for themselves, apparently 72% of consumers still believe that the best coffee can only be made in a café, by actual experts who trained for it (well, unless you did train as an actual barista and have the complete equipment at home).

De’Longhi wanted to show that you can have café-quality coffee at home, and they did it in the most charming, unexpected way possible: by turning their machines into miniature versions of the world’s most iconic cafés. The campaign is called “The World’s Smallest Coffee Shop,” developed in partnership with creative agency LOLA Madrid and brought to life by master miniaturist Simon Weisse and his collaborator Cindy Schnitter. Weisse is no stranger to creating miniature movie magic; he is best known for his work with director Wes Anderson on films like The Grand Budapest Hotel and Asteroid City, where his tiny, hand-crafted worlds became just as iconic as the stories themselves.

Designer: Simon Weisse and Cindy Schnitter for De’Longhi

The idea was simple yet brilliant: create five intricate, handcrafted miniature café façades and mount them directly onto De’Longhi’s bean-to-cup coffee machines. Each of these five miniature coffee shops is inspired by an iconic global coffee culture city and paired with an elite De’Longhi machine:

🇫🇷 Paris mounted on the Rivelia
🇯🇵 Tokyo mounted on the Magnifica Evo Next
🇮🇹 Milan mounted on the Eletta Ultra
🇩🇰 Copenhagen mounted on the Eletta Explore
🇩🇪 Berlin mounted on the Primadonna Aromatic

It’s not just a simple miniature, of course, given the credentials of the designers and their team. Each piece was hand-built over 1,500 hours total using traditional model-making techniques by specialist model makers. They incorporated architectural textures, aged finishes, and intricate detailing, including tiny windows and miniature signage, just as if they were crafting a set for a major film production. The level of care poured into every surface and every tiny detail is nothing short of extraordinary.

What makes this campaign particularly compelling is the signature technique Weisse’s studio brings to the table: “forced perspective,” the same cinematic method used on film sets to make miniature environments appear life-sized and completely believable. When De’Longhi approached the studio, Weisse immediately recognized an opportunity to apply this storytelling craft to something most of us interact with every single morning: a coffee machine. The goal wasn’t just to create something beautiful to look at, but to shift the way we think about where great coffee truly comes from.

The result is nothing short of a collector’s dream. Looking at each machine, it’s hard not to imagine yourself sitting at a tiny cobblestoned café in Paris, warming your hands around a bowl of café au lait, or perched on a Tokyo street corner, breathing in the scent of a perfectly pulled espresso. The detail is so immersive and so deliberate that the machine stops being an appliance and becomes an experience, or rather, an entire world in miniature.

The campaign made its stunning debut at Milan Design Week 2026, one of the most prestigious design events in the world, where all five machines were showcased together for the very first time. And the timing couldn’t be more fitting: in a world where home has become our office, our restaurant, and our gym, why shouldn’t it also be our favorite café?

De’Longhi CMO Aparna Sundaresh summed it up beautifully: “The café hasn’t just been miniaturised; it has been brought home.” Whether you’re a collector drawn to the artistry, a coffee lover chasing the perfect cup, or simply someone who appreciates craftsmanship that makes you stop and stare, The World’s Smallest Coffee Shop is a masterclass in how great design can transform the everyday into something truly extraordinary, one tiny façade at a time.

The post De’Longhi Just Turned 5 Coffee Machines Into Tiny Cafés first appeared on Yanko Design.

Federal jury finds concert business Live Nation is a monopoly

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Live Nation, which operates the Ticketmaster platform, has been determined to be a monopoly. A federal jury handed down its decision today that the company violated federal and state antitrust rules. This finding won't surprise anyone who has used Ticketmaster and been sticker-shocked by their final bill. However, it's unclear what the jury’s decision will mean in practice. 

For starters, the judge overseeing the case hasn't determined what remedies will be applied. The actions could go as far as requiring Live Nation to sell off Ticketmaster. There are also monetary damages to be awarded, which haven't been set yet. And whatever the judge decides, it's likely that Live Nation will appeal the decision. In a statement released by Live Nation today, the company noted that there are other motions still pending that could also impact the jury's ruling. "Of course, Live Nation can and will appeal any unfavorable rulings on these motions," it said.

The Department of Justice and a group of state and district attorneys general sued Live Nation on monopoly claims in 2024. The government agency reached a settlement with Live Nation last month, but the other parties continued their action. There's also a separate case being waged by the Federal Trade Commission questioning whether Live Nation colluded with ticket resellers.

Update, April 15, 2025, 6:31PM ET: Added statement from Live Nation.

This article originally appeared on Engadget at https://www.engadget.com/entertainment/music/federal-jury-finds-concert-business-live-nation-is-a-monopoly-203924011.html?src=rss

Segway Muxi is a compact cargo e-bike that carries more style than bulk

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Segway has rarely been a brand that plays it safe, and the Muxi feels like a natural extension of that design-forward thinking. The ebike is designed with an approach that prioritizes not just function, but the emotional appeal of everyday mobility. In a space where cargo e-bikes often lean toward bulky, utilitarian silhouettes, Muxi refreshes the landscape with a sense of restraint, blending compact proportions with a personality that feels closer to a lifestyle product than a workhorse.

First introduced at CES 2026, the Muxi is Segway’s first short-tail utility e-bike, designed to deliver cargo-ready practicality without the visual and physical heft of traditional long-tail alternatives. It supports a total payload of up to 418 pounds, making it capable of handling groceries, gear, or even a passenger when paired with optional accessories like a child kit.

Designer: Segway

The step-through frame keeps things accessible, while integrated storage solutions within the frame add a layer of thoughtful convenience that aligns with its everyday usability. Powering the bike is a 750W rear hub motor producing around 80 Nm of torque, paired with a 48V, 716Wh battery. This combination enables a range of up to 80 miles on a single charge, giving it enough endurance for extended urban commutes or weekend errands. Riders can switch between Class 1 and Class 2 modes depending on their preference, allowing the Muxi to adapt to different riding scenarios without compromising on control or efficiency.

Muxi’s feature set leans heavily into safety and connectivity, reinforcing Segway’s push toward smarter mobility solutions. Hydraulic disc brakes provide consistent stopping power, while integrated lighting with turn signals improves visibility in traffic. The inclusion of Segway’s Intelligent Ride System adds a connected layer to the experience, with features like Apple Find My compatibility, AirLock proximity unlocking, and a Lost Mode that can disable the bike remotely if it’s misplaced or stolen. These additions move the ebike beyond the realm of a conventional e-bike, positioning it as part of a broader ecosystem of intelligent transport.

Design remains at the core of its unrelenting appeal, with the 20 x 3-inch tires striking a balance between stability and comfort. Particularly when carrying additional load, while the overall geometry keeps the ride approachable despite the bike’s roughly 73-pound weight. Visually, it walks a fine line between cruiser and utility machine, resulting in a form that feels both functional and expressive, which is an uncommon combination in this niche.

Priced at $1,699.99, the Segway Muxi is positioned as an accessible yet well-equipped option for urban riders who want versatility without compromise. It doesn’t attempt to replace full-sized cargo bikes, but instead redefines what a compact utility e-bike can be. The two-wheeler is everything you need in a practical, connected, and distinctly designed electric commuter that fits your modern city life.

The post Segway Muxi is a compact cargo e-bike that carries more style than bulk first appeared on Yanko Design.

Segway Muxi is a compact cargo e-bike that carries more style than bulk

Posted on by

Segway has rarely been a brand that plays it safe, and the Muxi feels like a natural extension of that design-forward thinking. The ebike is designed with an approach that prioritizes not just function, but the emotional appeal of everyday mobility. In a space where cargo e-bikes often lean toward bulky, utilitarian silhouettes, Muxi refreshes the landscape with a sense of restraint, blending compact proportions with a personality that feels closer to a lifestyle product than a workhorse.

First introduced at CES 2026, the Muxi is Segway’s first short-tail utility e-bike, designed to deliver cargo-ready practicality without the visual and physical heft of traditional long-tail alternatives. It supports a total payload of up to 418 pounds, making it capable of handling groceries, gear, or even a passenger when paired with optional accessories like a child kit.

Designer: Segway

The step-through frame keeps things accessible, while integrated storage solutions within the frame add a layer of thoughtful convenience that aligns with its everyday usability. Powering the bike is a 750W rear hub motor producing around 80 Nm of torque, paired with a 48V, 716Wh battery. This combination enables a range of up to 80 miles on a single charge, giving it enough endurance for extended urban commutes or weekend errands. Riders can switch between Class 1 and Class 2 modes depending on their preference, allowing the Muxi to adapt to different riding scenarios without compromising on control or efficiency.

Muxi’s feature set leans heavily into safety and connectivity, reinforcing Segway’s push toward smarter mobility solutions. Hydraulic disc brakes provide consistent stopping power, while integrated lighting with turn signals improves visibility in traffic. The inclusion of Segway’s Intelligent Ride System adds a connected layer to the experience, with features like Apple Find My compatibility, AirLock proximity unlocking, and a Lost Mode that can disable the bike remotely if it’s misplaced or stolen. These additions move the ebike beyond the realm of a conventional e-bike, positioning it as part of a broader ecosystem of intelligent transport.

Design remains at the core of its unrelenting appeal, with the 20 x 3-inch tires striking a balance between stability and comfort. Particularly when carrying additional load, while the overall geometry keeps the ride approachable despite the bike’s roughly 73-pound weight. Visually, it walks a fine line between cruiser and utility machine, resulting in a form that feels both functional and expressive, which is an uncommon combination in this niche.

Priced at $1,699.99, the Segway Muxi is positioned as an accessible yet well-equipped option for urban riders who want versatility without compromise. It doesn’t attempt to replace full-sized cargo bikes, but instead redefines what a compact utility e-bike can be. The two-wheeler is everything you need in a practical, connected, and distinctly designed electric commuter that fits your modern city life.

The post Segway Muxi is a compact cargo e-bike that carries more style than bulk first appeared on Yanko Design.

PlayStation Plus April catalog adds include Horizon Remastered, Squirrel with a Gun and Frank Stone

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For PlayStation Plus subscribers, April is going to be a little bit spooky, a tad sporty and extra squirrelly. PlayStation Plus Extra and Premium players will get access to The Crew Motorfest, Horizon Zero Dawn Remastered, Football Manager 26 Console, Warriors: Abyss, Squirrel with a Gun, The Casting of Frank Stone and Monster Train. Additionally,Wild Arms 4 will be exclusive to Premium libraries. Expect the full lineup to go live on April 21.

The Crew Motorfest, Horizon Zero Dawn Remastered, Warriors: Abyss and Wild Arms 4 will hit PS4 and PS5 consoles, while the rest of the month's additions are PS5 only. In the case of Horizon, PS4 players will receive Horizon Zero Dawn Complete Edition, rather than the PS5 remaster. 

Horizon, The Crew and Football Manager are self-explanatory at this point in gaming history, but here's a quick rundown of the more underground titles on April's list: Warriors: Abyss is a hectic hack-and-slash roguelite from Koei Tecmo; Squirrel with a Gun is a silly yet competent third-person shooter from a two-man indie team; Monster Train is a much-loved demonic deckbuilder from Shiny Shoe and Good Shepherd Entertainment; and Wild Arms 4 is a PS2-era RPG from Japanese studio Media.Vision.

The Casting of Frank Stone is what PlayStation Plus was made for, in my estimation. It comes from Supermassive, a campy-horror studio that I'm quite fond of, but it's a crossover with Dead by Daylight, a game I've never played, despite a latent interest in its vibe. For whatever reason, Frank Stone never eclipsed other titles in my to-play pile and in the harsh light of 2026, I was on the verge of forgetting all about it. Now that it's being shoved in my digital face (complimentary), I'm ready to give it a go. And who knows, maybe it'll be a gateway into the rich world of Dead by Daylight. 

Most of the games on this month's list can fit this description to some degree — minus the Dead by Daylight hook, unless you really squint at Monster Train — so it feels like a quality batch.

This article originally appeared on Engadget at https://www.engadget.com/gaming/playstation/playstation-plus-april-catalog-adds-include-horizon-remastered-squirrel-with-a-gun-and-frank-stone-194534366.html?src=rss