This Google-Free Phone Is IP68-Rated and Has a Replaceable Battery

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Most smartphones ship with an assumption baked in: that you’re fine with your data running through Google’s servers, your habits feeding its algorithms, and its apps occupying your home screen whether you asked for them or not. Privacy-first phones have tried to push back against this for years, but they’ve often done so at the cost of build quality, performance, or both.

Volla has been making the case that those trade-offs aren’t necessary, and the Plinius is the latest, most convincing version of that argument. Named after Pliny the Elder, the Roman naturalist who died investigating the eruption of Vesuvius, it’s a phone built for the curious, the outdoorsy, and the uncompromising. It’s also the direct successor to the Volla Phone X23, and it’s a considerable step up.

Designer: Volla

The body carries an IP68 rating against water and dust, which you’d expect from a rugged phone, but what’s less expected is how slim and light the Plinius is. At 163mm x 76mm x 10.5mm and 230 grams, it’s noticeably slimmer than its predecessor. A transparent back cover and armored glass film come in the box, and the touchscreen handles wet hands and gloves without missing a beat.

The 5,300 mAh battery keeps things going through a full day and beyond, with 30W fast charging and 15W wireless charging both covered. What’s genuinely unusual, though, is that the battery is user-replaceable with a standard screwdriver, even with the IP68 rating in place. That’s a deliberate choice from a company that built its reputation on longevity and transparency rather than planned obsolescence.

Out of the box, the Plinius runs Volla OS, a Google-free build of Android with a clean, text-based interface and a Security Mode that controls which apps communicate externally. Ubuntu Touch is also available, a fully Linux-based OS from the UBports Foundation that doubles as a desktop when connected to a monitor, and you can run both on the same device.

The 6.67-inch FHD+ OLED display runs at up to 120 Hz and reaches 1,000 nits of peak brightness, so outdoor visibility isn’t an issue even in direct sunlight. The triple-camera setup is anchored by a 64MP main shooter with phase-detection autofocus, an 8MP ultra-wide, and a 2MP macro, with a MediaTek Dimensity 7300 processor and 5G connectivity running the show underneath.

Step up to the Plinius Plus, and you get 12GB of RAM, 256GB of storage, and an extra-durable back cover with a Pogo PIN connector for accessories that attach magnetically. The modular system is still in its early days, but the open-source hardware foundation is already in place, and it’s a signal that Volla isn’t done thinking about where this phone can go.

The standard Plinius starts at €598 and arrives in April 2026, while the Plus is priced at €698 with a June 2026 release. For most people, neither version is a cheap proposition, and mid-range internals might make that sting a little. For those who’ve quietly grown tired of being tracked, targeted, and optimized against, the price suddenly starts to look far more reasonable.

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This MagSafe iPhone Grip Is Actually a Self-Defense Spray in Disguise

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Personal safety products have a design problem few people talk about. Pepper sprays and personal alarms are either too bulky to carry consistently or so visually aggressive that most people feel uncomfortable with them in plain sight. The result is that these tools end up buried at the bottom of a bag or forgotten on a shelf, making them nearly useless when they’re needed most.

Safix is a concept that tries to close that gap by attaching a self-defense spray directly to the back of your iPhone. Built around Apple’s MagSafe ecosystem, it snaps onto the phone magnetically and functions as a finger grip during normal use. The idea is that the safest place to keep your protection is on the one thing you almost never put down.

Designer: Sunghwan Cho, Sooyeol Lee, Yeongeun Park, Geontak Oh, Daero Lee, Jinho Choi, Jungwoon Im (UNICHEST)

What makes this particularly clever is how little it looks the part. Safix borrows its silhouette from the rounded, organic contours of smooth river pebbles and comes finished in warm, muted tones. Its stone-like texture positions it firmly in lifestyle territory, the kind of object you’d expect sitting next to a room spray or a small succulent on a bedside table, not clipped to a keychain.

The team calls this approach the “Gentle Arc,” a form language that puts emotional comfort on equal footing with physical function. The thinking goes that self-defense tools carry a kind of psychological weight, and that weight itself is what keeps most of them in bags and drawers rather than in people’s hands. Designing something pleasant to hold and look at is meant to change that.

On most days, Safix earns its place on the back of your phone the same way a PopSocket does: by making it more comfortable to hold. The built-in rubber band loops around your fingers, giving you a stable grip for texting, photographing, or navigating. The MagSafe connection keeps it firmly in place yet detaches easily, so it never feels like it’s fighting you.

When you actually need it, pulling Safix off the phone takes a fraction of a second. The casing opens to reveal the spray mechanism inside, and a clearly marked button handles the deployment. A safety indicator on the front helps prevent accidental discharge. The whole interaction is built for speed, the kind you’d need in a moment that doesn’t give you time to think.

Consider someone walking home at night with their phone already in hand. They don’t have to dig for anything; the Safix is right there between their fingers, always within reach. That shift from “somewhere in the bag” to “in your hand as you use it” might sound trivial, but it’s the difference between a safety tool that works and one that only works when you remember you have it.

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Snow Peak’s Inflatable Field Rise Rooftop Tent Sets Up in Minutes

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The rooftop tent market is already a saturated one. When you think there is little scope for more innovation in design, someone proves us wrong. This time, it is the Japanese Snow Peak, which has released a rooftop tent with inflatable frames and a design to complement your outdoorsy style.

Dubbed the Snow Peak Field Rise RTT, it features entry doors on either side. The tent is designed with all-weather protection and has an awning spreading across from its base to provide the users with cover for outdoor fun during camping. Designed for more than camping, the tent is created with a self-supporting frame, which when inflated with air, provides a robust structure.

Designer: Snow Peak

The tent body made from an air frame does not require assembly or disassembly. The entire thing is just plug and play, so everything from setup to takedown can be done quickly. The compact two-person design of the Field Rise also ensures that the manufacturer has kept the tent lightweight with the universal approach of mounting onto almost all types of vehicles.

Conceptualized and created with the idea to allow each inhabitant to enjoy outdoor activities to their heart’s content, the rooftop tent has been created with a double-walled structure to suit Japan’s climate and distinct seasons, from hot summers to cold winter days. It is also designed to be resistant to wind and rain, allowing the users to spend time inside the Fire Rise in peace, regardless of the weather.

By saving you the time spent in setting up and taking down the rooftop tent, the Fire Rise RTT is designed to help you increase the time you spend enjoying activities and relaxing in nature. The tent’s large entrances allow easy access into the mudroom first up, which is (according to Japanese style-living) designed to keep the interiors clean. It is ideally placed at the entrance to make it easy to take off and put on shoes, while the inner tent serves as a separate space with a comfortable two-person sleeping area.

This is not the first tent from Snow Peak, in fact, we have seen a land shelter from the outdoor living solutions brand, which has also created an insulated poncho to redefine solo camping. Where the rooftop tent differs is its sail-like awning with telescopic support poles, which help extend the living area for the residents. Considering all that canvas has to be folded back down, you would expect that the tent will take up a lot of space when packed. In fact, it is designed with the idea of multi-day excursions in mind, leaving you space to do more.

Interestingly, the rooftop tent packs up into a size, only half of a Toyota Land Cruiser, leaving space for a bike or a space cargo basket to go onto the roof alongside. The Snow Peak Field Rise, with its wide doors on both sides of the vehicle and two windows on the front and rear, is expected to go on sale in Japan in the coming months, starting at ¥396,000 (approximately $2,500). There is no word on whether or not the Field Rise will be made available in North America.

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A $57 Stand Finally Solves the Vinyl Storage Problem

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The vinyl revival has been going on long enough now that nobody’s surprised by it anymore. What started as audiophile nostalgia quietly became a full-blown lifestyle choice, and record players are back in living rooms, bedrooms, and studio apartments everywhere. But while turntable manufacturers spent years perfecting their hardware, the furniture side of the equation mostly got left behind. A lot of collectors are still balancing their record player on a spare shelf, stacking their albums in milk crates, or worse, just leaving them on the floor in some optimistic pile that says “I’ll organize this eventually.” Tewinko’s Record Player Stand feels like a direct response to that gap.

At first glance, the design reads as industrial meets mid-century, the kind of aesthetic combination that tends to age well and works in almost any room. It uses a black metal frame as its backbone, with wooden shelves sitting inside it for the actual weight-bearing surfaces. That alone would make for a decent stand. But the detail that sets this piece apart is the six fabric slings positioned along the middle section of the unit. Each one is made from high-grade Oxford fabric and designed to hold records facing outward, so your collection isn’t just stored, it’s displayed. That distinction matters more than it might sound. Displaying your records is an invitation for conversation. Storing them is just an obligation.

Designer: Tewinko

The whole unit holds up to 280 records when you’re also using the bottom two shelves for vinyl, which is a genuinely impressive number for something this compact. The design leans vertical rather than wide, which is a smart call for anyone living in a smaller space. You get your full setup, the turntable on top, albums front and center, and room for speakers or accessories on the lower shelf, without sacrificing a significant portion of your floor plan to do it. Vertical record storage has been a slow-growing trend precisely because it asks designers to solve a more complex spatial problem, and this stand seems to take that challenge seriously.

Functionally, the large countertop is sized to fit most standard turntables, and the materials, thickened metal frame, solid wooden board, and Oxford fabric, suggest it was built to carry real weight without wobbling. The assembly reportedly takes somewhere between 20 and 30 minutes and can be done without help, which is a small thing but worth appreciating. Nobody wants to spend their Saturday afternoon wrestling furniture instructions while their records sit in a pile waiting.

The price point is where this gets interesting. At $56.99 and up, the stand sits comfortably below most comparable furniture pieces that lean into the same aesthetic territory. Mid-century record storage tends to get expensive fast, especially when it flirts with any kind of design intentionality. Tewinko’s stand manages to feel considered without charging a premium for the privilege of looking that way. Whether that’s a function of the material choices or the brand’s positioning, the result is a piece that doesn’t ask you to make any real trade-offs between how it looks and what it costs.

It also comes in two other versions: a white metal frame option and an all-wood version. The white frame works well in brighter, more minimal spaces, while the all-wood version suits anyone who prefers warmth over contrast. Having those variations is a genuinely useful design decision because it means the aesthetic stays consistent while the piece adapts to different interiors. That kind of range is rare at this price point, and it changes the conversation about who this stand is actually for.

Most record player furniture occupies one of two extremes. Either it’s purely utilitarian, just a flat surface that holds your gear, or it’s an expensive statement piece priced for serious collectors. The Tewinko stand sits comfortably in between. It has a visual point of view, it’s practical, it can handle a real collection, and it doesn’t cost more than a few records to get there. For anyone who’s been putting off the storage question while their vinyl pile quietly grows, this feels like a reasonably good moment to stop waiting.

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