Ask any experienced drone pilot about their worst crash, and you’ll likely hear a story that ends with a collection of fragmented parts. The conventional quadcopter design, while effective at flying, is notoriously poor at surviving the unexpected kinetic events that come with operating in the real world. Whether it’s a sudden gust of wind, a GPS error near a structure, or a simple pilot miscalculation, the result is often the same: a compromised frame and a costly repair.
With the Mono Mothra, we see a design that fundamentally rethinks this vulnerability. The concept’s strength lies in its two core principles: a load-bearing monocoque shell and protected, ducted rotors. Instead of discrete arms that can snap and motors that can be damaged, the entire structure is designed to absorb and distribute impact forces. It’s a “what if” exploration into a different kind of aerial platform, one where resilience isn’t an afterthought but the very cornerstone of its design philosophy.
Designers: Rify Studio® & Martunis
Unlike the familiar bolted-together cross-frame of most drones, the Mono Mothra is conceived as a single, continuous unibody. This monocoque approach, common in automotive and aerospace applications, means the outer skin is the primary structure. There are no joints between the central body and the rotor housings to act as fracture points. An impact on the outer ring doesn’t concentrate stress on a single screw or plastic weld; the force is spread across the entire continuous surface. This not only creates a far more durable machine but also allows for a cleaner, more holistic form where every curve is both aesthetic and structural.
This philosophy of integration extends directly to the propulsion system. The outer ring of the monocoque doubles as a set of four substantial propeller guards, completely enclosing the rotors. This ducting provides an obvious and immediate layer of protection against side impacts with walls, branches, or the ground. The renders hint at a clever mechanical solution for the hubless look, with a gear-driven system hidden beneath the rotors. While a gear-driven system introduces complexity compared to a direct-drive motor, it allows the design to maintain its clean top profile and fully protected rotors, reinforcing the drone’s identity as a ruggedized tool.
The camera module itself rejects the fragile, exposed gimbal common on consumer and prosumer drones. Instead, the lens is bunkered within a solid, purpose-built housing that appears to be just as robust as the main body. Whether the ribbed side panels are functional heat sinks for a high-performance sensor or purely an aesthetic choice, they communicate a sense of durability. The entire unit is mounted securely to the forward section of the frame, suggesting it is an integral part of the drone’s hardened structure rather than a delicate payload that has been simply attached.
What a concept like Mono Mothra truly demonstrates is the necessary evolution for drones to mature beyond their hobbyist origins. The industry’s current focus on modularity has created a landscape of capable but delicate machines. This design, by contrast, argues for a future built on structural integrity, where a drone’s ability to withstand the environment is as important as its ability to fly. It’s a shift from disposable components to a resilient, unified whole – a critical step if these devices are to become the indispensable, all-weather tools promised to professionals.
Most licensed UNO decks are basically souvenirs; you play the same game you always have, only this time with movie stills or cartoon faces staring back at you. UNO Elite Formula 1 is aiming for something more ambitious. Mattel is taking the basic UNO framework and wrapping it in a light collectible shell, with Elite Action cards that feature F1 drivers, cars, team principals, circuits, and helmets, and then selling those cards in starter packs and boosters like a stripped down trading card game.
That shift changes what an “UNO edition” even is. Instead of a one and done deck, you get a product you can tune, expand, and personalize around your favorite teams and drivers. It is still approachable enough to throw on the table at a family gathering, but there is a clear nudge toward collecting, tinkering, and even house ruling your way into race weekend formats and team championships. In other words, this is UNO stepping closer to F1’s world of strategy and fandom, without asking players to learn an entirely new game.
Designer: Mattel
On paper, UNO and Formula 1 do not look like natural teammates. One is a simple, almost universal card game you can teach in under a minute; the other is a hyper technical, data obsessed motorsport with a rulebook thick enough to choke a diffuser. UNO Elite Formula 1 is Mattel’s attempt to bridge that gap, not by turning UNO into a simulation, but by layering F1’s personalities and drama onto a ruleset that practically everyone already knows. The result is a deck that plays like classic UNO at its core, but arrives packaged with Elite Action cards and boosters that push it into collectible territory.
The Core Edition Starter Pack gives you a 112 card deck that functions just like the one you already own, but it also includes four booster packs to get you started. Those packs contain a random assortment of the set’s 100 plus unique Elite Action cards. From there, you can buy separate Booster Sets to keep hunting for your favorite drivers or to find rare foil variations, which bring the total number of unique cards in the line to over 1,000. It is a clever way to add the thrill of the chase from trading card games without the intimidating barrier of complex deckbuilding rules.
What this does at the table is make the game modular. You can keep the Elite cards out and play a pure, classic game of UNO. Or you can shuffle in a handful of them to add a little F1 flavor, introducing new actions tied to drivers, teams, or circuits. For dedicated fans, the real fun will be in curating the experience, perhaps creating a deck where only cards from rival teams are included, or running a “constructors championship” where players team up and score points over a whole evening. The game provides the pieces; the players provide the narrative.
This is a smart play from both Mattel and Formula 1, who both acknowledge that their fanbases are passionate and ready for new ways to engage. It is a low friction entry point for F1 fans who might not touch a traditional hobby board game, and it gives UNO a much needed shot of strategic depth and collectibility that could keep it on the table for longer. The success of UNO Elite Formula 1 will ultimately depend on whether players embrace that potential. It is one thing to provide the tools for a deeper experience, but it is another for the community to pick them up and build something truly exciting with them.
Never have I seen something so audaciously brilliant I actually summon a CEO to help make it a reality but Tim Cook… if you’re reading this, this lock-screen mirror definitely needs to ship on the next iOS build. Put together by Jakub Zegzulka, an ex-Apple, Meta, and OpenAI fellow, this tiny little feature is perhaps more important than FaceID itself!
How many times have you stepped out for a meeting with friends or for an interview, having no idea what you look like… or whether you’ve got food stuck in your teeth? You unlock your phone, open the camera app, and flip to the front-facing camera to do a quick vibe-check. It’s a 3-step process that absolutely doesn’t need to be a 3-step process. Instead, Zegzulka’s solution involves just long-pressing on the camera icon on the bottom right of your lock screen. That brings up a tiny window emerging off the dynamic island, giving you a quick preview of yourself. You can check your hair, fix your make-up, adjust your specs, run your tongue across your teeth, or just quickly check out that annoying zit that appeared at the wrong place and wrong time.
Zegzulka didn’t outline much, except a quick video demo of this feature on Threads. Although that was enough to gather nearly 2K likes in just over a day. The Lock Screen Mirror isn’t an app. It’s just a quick interaction that lets you open the camera’s viewfinder right on your lock screen for checking your appearance. The tiny circular window is almost exactly the size of a make-up mirror, and the feature is legitimately handy, even for me as a guy who has fairly curly hair that needs to just be ruffled before I step out.
Heck, imagine going an entire hour on a date with spinach stuck in your teeth and them being polite enough to not point out. Instead, you just do a quick check, get that pesky piece of green stuck on your pearly whites, and you’re good to go. It’s such a tiny-yet-life-enhancing feature that Apple could totally ship with their next build. You’re NOT opening your camera app with this lock screen mirror function, just a preview. You could drag your finger up and have the app open like it traditionally does, but a feature like this would probably eliminate the need to, if all you need to do is see if you look good right before you meet your friends, your future boss, or the potential love of your life.
For decades, the humidifier has been a purely utilitarian appliance, a necessary evil we tolerate for the sake of our sinuses during dry winter months. We buy them, use them, and then promptly hide them away when guests come over. They are often clunky, noisy machines that leave a fine white dust on our furniture or create damp spots on the floor. The industry standard has been a functional box that adds moisture to the air, with little to no thought given to how it integrates into the most personal of spaces: the bedroom.
Blueair, a company already known for its design-forward approach to air purification, seems to have taken this challenge personally. The DreamWell Humidifier isn’t just another appliance; it’s a thoughtfully designed bedside companion. It aims to elevate the entire nighttime environment by seamlessly blending humidity, aromatherapy, and gentle mood lighting into a single, elegant form. This is a device that’s meant to be seen, to contribute to a room’s ambiance rather than detract from it, proving that wellness technology can be both effective and beautiful.
Moisture Without the Mess: No Visible Mist or White Dust
The most common complaint about ultrasonic humidifiers, the type that dominates the market, is the fine white dust they leave behind. This mineral residue from tap water settles on every surface, creating a cleaning nightmare and raising concerns about what you’re breathing. Blueair sidesteps this issue entirely by using an evaporative method branded as InvisibleMist technology. Instead of vibrating water into a visible aerosol, it uses a fan to draw dry air through a saturated wick filter, releasing clean, humidified air that is entirely invisible and free of mineral deposits.
This approach is a significant upgrade for anyone who values a clean, low-maintenance living space. There’s no dampness on the floor or furniture surrounding the unit, and electronics on your nightstand are safe from a constant coating of moisture. It’s a more natural humidification process that mimics the way the earth regulates humidity, resulting in a comfortable atmosphere without the collateral mess. This single feature transforms the DreamWell from an active maintenance task into a passive environmental enhancement.
Built-In Aromatherapy Stone for Soothing Scents
Many humidifiers offer aromatherapy as a secondary feature, usually through a flimsy plastic tray or a disposable pad that quickly loses its potency. The DreamWell integrates this feature far more elegantly with its dedicated aroma stone. This small, porous stone sits in its own compartment, absorbing a few drops of your preferred essential oil and gently diffusing the scent into the air via the unit’s airflow. It’s a simple, clever solution that keeps the oils completely separate from the water tank and internal mechanics, preventing potential damage or clogs.
By treating scent diffusion as an integral part of the experience, Blueair elevates the DreamWell beyond mere humidification. It becomes a tool for creating a holistic, relaxing atmosphere, perfect for a wind-down routine before sleep. The slow, consistent release from the stone provides a subtle fragrance that isn’t overpowering, complementing the improved air quality rather than just masking odors. It’s a small detail that speaks to a larger design philosophy focused on the complete sensory experience of a restful environment.
Whisper-Quiet Operation for Undisturbed Sleep
A humidifier designed for the bedroom has one non-negotiable requirement: it must be quiet. Any buzzing, gurgling, or whirring can easily disrupt sleep, defeating the very purpose of creating a more comfortable environment. The DreamWell was clearly engineered with acoustics as a top priority. Its fan and motor are designed for near-silent operation, especially in its lower settings and auto mode. User feedback consistently highlights its quietness as a standout feature, with many noting they can barely hear it running even when it’s just a few feet from their bed.
This focus on quiet performance makes it an ideal choice not just for sensitive adults but also for nurseries and children’s rooms. In a market where many products claim to be quiet but still produce a noticeable hum, the DreamWell delivers on its promise of peaceful operation. It adds comfort to a room without adding distracting noise, ensuring that the only thing you notice is how much better you’re breathing.
Adjustable Mood Lighting That Enhances Relaxation
Most appliance lights are a nuisance, bright LEDs that need to be covered with electrical tape for a truly dark room. The DreamWell, however, integrates lighting as a deliberate feature designed to enhance ambiance. It offers several soft, customizable mood lighting options that cast a gentle, diffused glow. The light is warm and subtle, serving as a functional nightlight without producing the kind of harsh, sleep-disrupting blue light we’re all trying to avoid.
This feature allows the DreamWell to adapt to different needs. It can provide just enough light for a late-night glass of water or create a calming, spa-like atmosphere to help you relax before bed. While some users have noted the control panel lights could be even dimmer, Blueair has shown it’s listening to feedback for future updates. This thoughtful integration of light transforms the device from a simple utility into a multifaceted part of your bedroom’s decor and mood.
Refilling a humidifier is often a clumsy, wet affair. It usually involves detaching a heavy tank, carrying it to a sink, flipping it upside down to fill it through a small opening, and then trying to carry it back without dripping water everywhere. The DreamWell’s design solves this problem with an incredibly simple and effective top-fill system. You can either pour water directly into the wide opening at the top or lift out the inner bucket to fill it at the sink.
This user-centric design removes one of the biggest daily hassles of humidifier ownership. There are no awkward angles, no spills, and the wide-open design makes the tank exceptionally easy to clean, preventing the buildup of slime and mold that plagues so many other models. It’s a practical innovation that demonstrates a deep understanding of real-world use, making maintenance so effortless that you’re more likely to use the device consistently.
Smart Humidity Sensors That Auto-Adjust to Your Room
Maintaining the perfect humidity level, typically between 40% and 60%, is a delicate balance. Too little and the air is dry and irritating; too much and you risk condensation and mold growth. The DreamWell’s auto mode takes the guesswork out of this process. An integrated humidistat constantly monitors the room’s ambient humidity and automatically adjusts the fan speed to maintain the optimal level. You simply set it and let the machine do the work.
This intelligent regulation is a key feature that separates premium humidifiers from their budget counterparts. It ensures the room stays comfortable without requiring constant manual adjustments, and it prevents the over-humidification that can occur if a unit is left running on high all night. This smart functionality not only enhances comfort but also contributes to a healthier indoor environment by actively managing moisture levels.
A Washable Filter That Lasts Up to a Year
The ongoing cost and waste associated with disposable filters are a significant drawback for many home appliances. The DreamWell addresses this with a durable, washable wick filter designed to last for up to a year, depending on water hardness and usage. This not only reduces the environmental impact but also lowers the long-term cost of ownership. The unit even includes a filter replacement indicator to remind you when it’s time for a cleaning or a new one.
For added convenience, Blueair offers a filter subscription service, ensuring a replacement arrives right when you need it. This combination of a long-lasting, washable filter and an optional automated replacement service makes maintenance predictable and hassle-free. It’s a sustainable and practical approach that respects both the user’s wallet and the planet.
A Minimalist Design That Doubles as Bedroom Décor
Finally, the DreamWell simply looks good. With its soft, rounded edges, fabric-covered cord, and muted, sophisticated colorways like Coastal Beige and Stone Grey, it’s designed to blend into a modern home rather than stick out as a piece of medical equipment. The aesthetic is clean, minimalist, and intentional, looking more like a high-end speaker or a piece of decor from a design-forward brand.
This commitment to aesthetics is what ties all its other features together. A humidifier that works this well and is this easy to use deserves to be seen. By creating a device that is both highly functional and visually pleasing, Blueair has crafted an appliance that you won’t want to hide. It earns its place on the nightstand, quietly and beautifully improving the atmosphere of the most important room in the house.
The tension between perfection and progress is something every designer grapples with, yet it’s rarely discussed with the kind of candor it deserves. In episode 11 of Yanko Design’s Design Mindset podcast (powered by KeyShot), premiering every Friday, we sit down with someone who has spent four decades mastering this delicate balance. Denys Lapointe, Chief Design Officer at BRP, leads a team of 135 multidisciplinary design experts from 21 countries, and under his stewardship, the company has accumulated an astounding 61 Red Dot Awards, culminating in the ultimate recognition: Red Dot Design Team of the Year 2025.
For those unfamiliar with BRP, this Quebec-based powerhouse is the global leader in powersports and the number one OEM in North America. They’re the creative force behind iconic brands that define adventure, including Ski-Doo, Lynx, Sea-Doo, Can-Am, and Rotax. With nearly $7.8 billion in annual sales spanning over 130 countries, BRP’s products traverse land, water, and snow. What makes Denys’s perspective particularly fascinating is his 40-year journey with the same company, witnessing his designs evolve from sketches to prototypes to products that millions use to explore the world. He’s learned when to push for perfection and when to embrace strategic compromise in service of getting breakthrough innovations into consumers’ hands.
When asked about embracing “good enough” as a design philosophy, Denys immediately pushes back. “Basically, I would say, Radhika, the word good enough is not a word that we use. It’s I see it a little bit like the passing mark,” he explains. Instead, BRP formalized a design philosophy built on three key pillars: innovative product architectures, high functionality (integrating ergonomics and human-machine interface), and the “wow factor,” which creates enough emotional content that consumers are drawn to products and want to possess them. The goal isn’t merely to meet customer expectations but to exceed them, benchmarking relentlessly against competitors to win consumers’ hearts.
The breakthrough isn’t in excelling at any single pillar, though. “We know that what’s important is not so much to overdeliver on one of those pillars, but it’s the equilibrium between the three,” Denys reveals. This balanced approach is enforced through BRP’s rigorous stage-gate process and Design Governance Committee, which reviews projects at each critical juncture, challenging teams on all three pillars and ensuring alignment with brand DNA. Younger designers might chase the “wow factor” at the expense of daily usability, but BRP’s structured governance forces timely decisions that maintain equilibrium. “As design leaders, we must teach and coach our young designers to strive for perfection, knowing that perfection is difficult to reach. Obviously, but they need to learn to make the right compromise so to deliver a compelling offer to our consumers, which will exceed their expectation,” Denys explains.
The Accessory Ecosystem: Where Great Ideas Go to Thrive
One of BRP’s most innovative approaches to balancing ambition with pragmatism is their accessory strategy. “I remember several projects where we had too many ideas. We just had too many ideas,” Denys recalls. When milestones force prioritization, rather than abandoning valuable features that drive costs too high for the base model, BRP shifts them to their accessory ecosystem. This allows consumers to opt into features they personally value while keeping base models at target MSRP. Ideas aren’t killed, they’re given to the accessory group to develop separately, ensuring that compelling offers reach consumers without compromising the product’s commercial viability.
Even better, accessories are designed to be compatible across product lines using a patented quick connect/disconnect system. “An accessory that is designed for a seat can go on a side-by-side, an ATV, and even a snowmobile. So it simplifies people’s garage,” Denys explains. Once consumers invest in this ecosystem, it creates powerful brand loyalty because switching to another brand means leaving behind a garage full of incompatible accessories. This strategy demonstrates how strategic compromise doesn’t mean lowering standards, it means finding smarter ways to deliver value. Some ideas work better as optional features than standard equipment, and recognizing that distinction separates good design leadership from perfection paralysis.
Empathy Over Aesthetics: The MoMA Scissors That Cut Nothing
Perhaps Denys’s most powerful advice centers on empathy as the designer’s primary tool. When asked what he’d tell his younger self joining BRP in 1985, he immediately responds: “I think I would tell them to learn to dissociate their taste.” Designers must become ethnographers, deeply understanding users before, during, and after their journeys. “You need to learn to be able to project yourself as that consumer. The right trade-offs for that consumer ultimately. So learning to observe or observing, yes, with your head, but with your heart is the key to discovering the right insights. And I always say to the young designers that if you can identify the right problem to solve, you’re 50% there with the solution.” This empathy uncovers non-obvious insights that competitors miss, like noticing when users bend awkwardly, squint at interfaces, or stumble while dismounting.
His most memorable example of design divorced from empathy comes from an unexpected source. “One day I was in New York City buying, and I bought a lovely pair of scissors, and it was exposed in the MoMA as an object of art.” The perfectly symmetrical scissors intrigued him, but when he tried to use them at home, “the only thing it cut is the palm of my hand.” It was beautiful but functionally useless, highlighting the danger of prioritizing aesthetics over usability. When asked what matters more than perfection, Denys offers: “Equilibrium, holistic. We need to create holistic experiences that hit all aspects in the consumer’s rational way of criticizing a product and also on the emotional side.” A consumer might initially be drawn to something beautiful, but disappointment with the overall experience means they may never return to that brand again, making holistic balance essential for long-term success.
Safety First, Launch Dates Second
In the world of recreational vehicles, safety isn’t optional. “For us, safety is not an option. Safety is a prime focus for everything that we do,” Denys states emphatically. “We always strive for safe products. So I think basically we don’t compromise on safety. You should never mess with, you should never compromise on safety.” When presented with a hypothetical scenario where competitive pressure and board expectations push for an on-time launch, but a safety feature would delay production by six months, Denys doesn’t hesitate: “I think we would rally every member of the product steering committee to postpone our start of production.” The long lifecycle of BRP products (four to ten years) outweighs short-term market pressure every time.
This philosophy extends to BRP’s approach as market disruptors and first movers. The Spyder three-wheeler family exemplifies accepting that you can’t anticipate every need upfront. “We created something to attract the 95% of the population that drives a car instead” of motorcycles, Denys explains. After launch, new needs emerged that weren’t fulfilled by the first execution, but that’s the advantage of being first: capturing insights that inform the next variant or platform. “Consumers could not have told us because the product did not exist,” he notes, demonstrating how iterative learning trumps waiting for an impossible perfection. In the rapid-fire segment, when asked to complete “Perfect is the enemy of…,” Denys responds without hesitation: “time.”
Listen to the full conversation on Design Mindset (powered by KeyShot), available every Friday, to hear more insights from one of the industry’s most decorated design leaders.
Viewed in isolation, the LF TT could easily be mistaken for a Rezvani sketch or a videogame boss vehicle: slab sides, armored arches, and a stance that looks ready to drive through a building rather than around it. Only when you start tracing the lines does the Lexus in it emerge, from the long, graceful roof arc to the layered surfacing that sits underneath all the blocky geometry.
That tension between brutality and refinement is the core of the project. It borrows the visual grammar of Cybertruck‑style faceting and Rezvani‑style intimidation, then overlays it with Lexus’ obsession with crafted surfaces and precise lighting graphics. The LF TT is not trying to be a practical pickup; it is trying to answer a different question entirely: what would a Lexus halo truck look like if it had to share a stage with the loudest, most extreme machines in the segment.
Designer: Theo Flament
The front end is a masterclass in this translation. Instead of a literal spindle grille, the design uses a deeply recessed trapezoidal cavity to house three powerful light modules, creating the same pinched-waist effect through negative space and shadow. Above this, a razor-thin DRL stretches across the fascia, an aggressive evolution of the light blades seen on the current RX and RZ models. The hood itself features sharp, origami-like creases radiating from the central emblem, another nod to the L-Finesse philosophy of creating dynamic surfaces that catch the light. It’s a clever reinterpretation, translating a familiar brand identity into a language of hard-edged, functionalist aggression without losing the original logic or hierarchy of the face.
The comparison to the Cybertruck is unavoidable, but the execution of the surfacing is fundamentally different. Where Tesla’s design suggests raw, folded stainless steel, the LF TT’s body panels feel more like layered armor plating over a muscular, sculpted core. The main surfaces have subtle bulges and are broken by deep, intersecting feature lines that create a sense of tension and complexity, a hallmark of the L-Finesse language, just sharpened to a knife’s edge. Capping it all is a sleek, coupe-like glasshouse with a continuous arc from the A-pillar to the tail. This silhouette is much closer to a performance GT like the Lexus LC than any utility vehicle, reinforcing its road-biased, high-performance mission.
This theme of reinterpreted signatures continues at the rear. The full-width light bar, now a staple for Lexus, is rendered as a series of tightly packed vertical fins, adding a level of detail and precision that feels more like a high-end watch than a simple taillight. This intricate detail work reinforces the LF TT’s true purpose. It’s not a workhorse. The short rear overhang, fastback profile, and massive, stylized wheels on low-profile tires clearly position it as a high-performance halo product. It’s a rally-raid supercar for the road, a kind of “LF-A of trucks” meant to showcase technological prowess and design confidence rather than payload capacity or pure off-road practicality. It’s a statement piece, designed for presence above all else.
Just when the last of the pumpkin spice dust settles, a new seasonal harbinger arrives, and this one you can boil. Barilla’s Snowfall Pasta is stepping up as winter’s official mascot, a tiny, edible snowflake designed to signal that it is now socially acceptable to cancel all plans in favor of a blanket and a large bowl of something warm.
The whole concept is a fascinating piece of product marketing. Instead of merely suggesting pasta for a cold night, Barilla has manufactured the cold night in pasta form. It’s a limited edition play that transforms a pantry staple into a piece of seasonal decor you can actually eat, making it the perfect centerpiece for the official sport of winter: hibernation.
Designer: Barilla
This move is part of a larger, more deliberate calendar Barilla seems to be building. According to their own press releases, Snowfall Pasta is the official kickoff for “cozy season,” a term they are clearly trying to own. It’s the winter bookend to their other successful limited run, the heart-shaped Love Pasta that appears just in time for Valentine’s Day. This isn’t just about selling a novelty shape; it’s about creating a recurring, seasonal ritual. Barilla is conditioning us to associate their brand with specific emotional moments on the calendar, turning a trip to the grocery store into a timely, festive occasion.
Of course, the engineering behind a shape like this is where things get interesting. Anyone who has cooked with novelty pasta knows the risks: delicate points that break off in boiling water, or a shape so intricate it turns to mush while the thicker parts remain undercooked. The real test for Snowfall Pasta is whether its snowflake design is robust enough to survive the journey from box to bowl. You have to assume Barilla’s food scientists and die-cut engineers spent considerable time finding the balance between a recognizable shape and structural integrity. A well-designed novelty pasta will also have plenty of surfaces and ridges to catch sauce, which is the ultimate functional purpose of any pasta shape.
It was pretty game-changing back in 2015 when Nintendo dropped the Switch, ushering in a wave of 2-player gaming on the same console. Two joy-cons, one console, mano-a-mano gaming. You didn’t need an extra controller – Nintendo built right one into the Switch. Designer Eunjun Jang wants to bring that same modular multiplayer culture to deejaying… because it’s an activity that is conducive to socializing.
Nobody plays music alone, the act of deejaying is inherently social. Look at the Boiler Room sets, where the deejay is surrounded by sometimes a hundred or more people, absorbing the energy emanating from the console and the speakers. The ‘Twin’ DJ Console just turns that emotionally social activity into a physically social one. Two player decks, one mixer in the middle, quite like a Nintendo Switch but for music. The units snap together to create a single 2-player console, but split them apart and they’re like a mano-a-mano setup for two deejays trying to collab in real-time.
Designer: Eunjun Jang
The Twin has this clean-yet-fun design, sort of like if Teenage Engineering met Braun. The console strays away from extra fluff, giving each player just a tiny screen that lets them monitor effects and whatnot. The music itself plays from smartphones which pair with each of the player units. Run the Twin app and place each phone above the player and you sort of see how the entire setup looks like a Pioneer XDJ or something. The controls are simplified, and the entire device is nearly 60-70% smaller than your average DJ console. This makes the Twin perfect for using on the go, in your bedroom, or at a café.
The design is truly fascinating, although it begs for some color and vibrancy. You’ve got the mixer front and center, with EQ knobs, a cue button for each deck, channel faders, and a crossfader that lets you swap between left and right decks, so you’re shifting between songs. On the player themselves, you’ve got a tempo key to let you manually sync songs, a cue key that lets you trigger a particular part of a song, and a play-pause key that form the most crucial set of controls. There are 4 extra keys on the top corner, along with a shift key, and while most DJ consoles have a disc that you spin to rewind/forward or scratch music, the Twin ditches that for an elegant jog-wheel on the side. It’s cute, and it gets the job done, although seasoned deejays may have their own hot-takes.
The modularity is what sets the Twin apart. You can pull the individual parts together and sit across each other, mixing music from your phones. Why build a Spotify playlist when you can literally play a deejay set in your jammies? It feels much more involved, allowing friends to bond and jam together in a way that Spotify or Apple Music just won’t let you.
Pogo pins allow you to snap the elements together or pull them apart, quite like the Nintendo Switch. Ultimately, that’s exactly the vibe Eunjung was going for. Games are nice, but music is just *chef’s kiss*. Each player gets their own dedicated deck, but you might end up fighting for the mixer if you’re not careful! You want to vibe together like Disclosure, not call it quits like Daft Punk!
That said, the Twin still feels like just a toy right now. It lacks the extra features that most professional DJs would really need. Proper effects, looping, the ability to add separate vocal channels, or even shift pitch. Then again, most amateur-level DJ kits stick to the basics, allowing for more simple techniques so that people can master those before moving onto larger tasks. Although, that’s where Twin’s modularity does come in handy. Imagine if Eunjung just designed a set of Pro-grade players that you could snap to your mixer, turning your entry-level DJ set into something enough to sustain a bloc party!
Decades after giving Steve Jobs his iconic turtleneck, Japanese fashion behemoth Issey Miyake returned to Apple with a product that somewhat felt absurd at first. The iPhone Pocket is an oddly specific handbag for just your phones (and maybe some other bits and bobs), but here’s a reality check the folks at Apple probably didn’t get. Your phone doesn’t need a dedicated solo-bag. It fits in most pockets, and when it doesn’t, people carry handbags or purses. If there’s a single Apple product that DOES need its own ‘holster’, it’s probably the Vision Pro Battery Pack.
This concept from Nathaniël de Jong cleverly gives that power bank a dedicated holster to make spatial computing more convenient without the added bulk. Almost everyone who’s reviewed the Vision Pro has railed against that silly little appendage that simply hangs off the already heavy Vision Pro. Apple just assumed you’d end up putting it in your pocket… but somehow it decided to make a dedicated holder for its phones, but not for this?!
Designer: Nathaniël de Jong
The beauty of this entire arrangement is that nothing needs to change. Apple just needs to ALSO market the iPhone Pocket as a perfect holder for the Vision Pro’s Battery Pack. It’s roughly the same size as a small phone, probably weighs a bit thanks to its thick metal design, and gives the Vision Pro a slightly fashionable touch… with the 3D woven iPhone Pocket matching the 3D weave on the Vision Pro’s headbands. It’s synergy just waiting to happen, and I love that someone decided to cobble up some renders and put them out there just to show us all that there’s a great alternative use for this fairly expensive fabric accessory.
The iPhone Pocket is limited to just 10 stores worldwide, and will only be sold in limited stock. Is that a deal-breaker? Probably not, because most Vision Pro users probably live in one of these 10 fancy cities (New York, Paris, Milan, Hong Kong, Singapore, etc.). The limited stock isn’t a problem either, because the Vision Pro’s fairly limited in its consumer reach too… and I don’t mean that as a diss. I just think these two are a match made in heaven!
It’s nearly 60 years since we first got to actually see our blue marble from afar. Not in some geography book as a painting, not in the form of a VFX shot in a Hollywood movie. But as an actual color photo clicked by an astronaut from space. Taken by William Anders during the Apollo 8 mission in 1968, this iconic photo set the earth against its nearest neighbor, the moon.
It’s a perspective mankind had never seen before, a photo that looked at the earth from the moon rather than the other way around. It’s a perspective that’s still etched into a lot of memories… and now this LEGO set turns it into a brilliant visual cast in plastic bricks. Built by LEGO creator BuildingDreams, this rendition was designed to be hung on your wall as you admire its sheer beauty. Under 900 bricks come together to celebrate one of mankind’s true milestones… but let’s just also take a second to appreciate just how gorgeous this build looks, even on its own.
Designer: BuildingDreams
This is the year 1968, a year before the famed moon landing. The Apollo 8’s mission was to do a mere lunar orbit without a touchdown, and William Anders, a scientific crew member and photo enthusiast, took this photo on his Hasselblad 500 EL – the first ever color photo taken of the earth from space. The name Earthrise came from the fact that it looked like the Earth was rising from the surface of the moon, quite like the sun rises in Earth’s sky. The photos played a pivotal role in helping with the research that then put Neil Armstrong and Buzz Aldrin on the moon in the following year.
This rendition stands at 48cm tall and 32 cm wide (1.5″ x 1″), and comprises 859 pieces. That might sound like a lot but it’s actually a fairly conservative amount, given that a lot of these bricks help convey the details of the artpiece. The black void of space, the cloud-filled blue marble we call home, and our fair friend, the moon, with its mottled, cratered surface.
“Earthrise is designed to be as close to the real photo as you can get in Lego, with its classic bright art print style and with a simple and striking frame and detailing that will look great on any wall. This build is perfect for anyone who loves space and history and wants to celebrate such a unique part of our history,” says Building Dreams.
Although not an official kit yet, Earthrise is currently gathering eyeballs on the LEGO Ideas forum, a website where people contribute their fan-made builds and vote for their favorites. If this build hits the 10k vote mark, it gets sent to LEGO’s internal team for an official review before being turned into a box set. If you want to see that happen, head down to the LEGO Ideas website and cast your vote for this MOC (My Own Creation)!
technology. Instead of vibrating water into a visible aerosol, it uses a fan to draw dry air through a saturated wick filter, releasing clean, humidified air that is entirely invisible and free of mineral deposits.
