Author Archives: Sarang Sheth

Yamaha channels ‘Teenage Engineering’ with its incredibly funky SEQTRAK MIDI sequencer

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I distinctly remember the first time I saw the Teenage Engineering OP-1. It was in a Swedish House Mafia music video (One feat. Pharrell), and the entire video was centered around that one gorgeous-looking synth, which the EDM trio even used in their own music production. The song seemed less like a dance track and more like the perfect endorsement of exactly how powerful and incredible the OP-1 synth was. Fourteen glorious years later, Teenage Engineering has absolutely cemented its position as an audio company with a fun streak… and it seems like Yamaha wants a bit of that too. Just last week, the company debuted the SEQTRAK, a funky-looking synth that tries to emulate the casual brilliance of the OP-1.

Designer: Yamaha

The SEQTRAK is a compact, affordable, and highly capable battery-powered MIDI synth that lets you play, sample, remix, loop, and manipulate audio from multiple sources, whether it’s from your laptop, an SD card, or even audio samples recorded on the SEQTRAK’s microphone. It’s got two rows of 12 keys each, a set of dedicated knobs for percussions, synths, and sampling, a few more for sound control and effects, and even a bunch of touch-sensitive sliding pads for working with audio envelopes, passes, and filters. Designed for both hobbyists as well as seasoned professionals, the SEQTRAK lets you do everything from jam to compose, and even occasionally deejay. Who knows, maybe you’ll make a cool music video too??

The SEQTRAK’s petite design is a crucial element in its appeal. Its compact size, fitting comfortably in a laptop bag, makes it an ideal companion for music producers who are always on the move. This portability doesn’t come at the cost of functionality; the SEQTRAK is equipped with a built-in speaker and microphone, allowing for impromptu music sessions wherever inspiration strikes.

Despite its compact form, the SEQTRAK doesn’t compromise on sound quality. It houses two versatile sound engines: the Advanced Wave Memory 2 and a four-operator FM engine. The former supports 128-note polyphony, offering a range of authentic sounds from acoustic instruments to synthesizers. Meanwhile, the FM engine can generate synth pads, leads, FM electric pianos, and more. These features are packed into a unit that sports a playful design, with an orange-gray variant reminiscent of LEGO bricks… or perhaps an unofficial hat-tip to Teenage Engineering with a playfully-minimalist design that we’ve come to expect from the Swedish design studio.

The SEQTRAK is designed to be intuitive and user-friendly, catering to both beginners and seasoned music producers. Its one-to-one interface allows producers to take control of their music, effectively turning them into their own DJs. Additionally, the SEQTRAK includes a station sequencer for creating seamless compositions and arrangements. The machine’s station library, with over 2,000 presets of professionally crafted tunes, is a significant resource for experimenting with different styles and sounds.

Yamaha has enhanced the SEQTRAK’s functionality with streamlined connectivity options. The dedicated SEQTRAK app allows users to shape their sound with various editing features. The app also supports adding supplemental content, providing a more comprehensive music production experience. Additionally, Bluetooth MIDI and Wi-Fi functionality are included for wireless connections, further enhancing the unit’s flexibility.

The $599 Yamaha SEQTRAK represents a significant step in the evolution of portable music production. It combines quality sound, intuitive design, and connectivity in a package that’s both affordable and appealing to a wide range of music enthusiasts. Whether you’re a budding producer or a seasoned pro, the SEQTRAK seems to have something for everyone. And at a price that doesn’t hit a sour note, it’s poised to be a hit in the electronic music community. So, if you’ve ever dreamt of laying down tracks on a flight, sequencing synths at a café, or having a rave in your room, Yamaha’s SEQTRAK might just be your ticket to on-the-go musical nirvana​.

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A designer turned the Adidas Logo into a smartphone camera bump and if this isn’t iconic, I don’t know what is

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Smartphones have lost character over the years, with their fronts (and even their backs) looking borderline similar over the past few years. Google’s Pixel 6 changed that with its unique belt-shaped design – something that’s continuing to become a visual language for the phone line… but all in all, most phones look eerily similar nowadays. The solution, however, lies in simply playing with the one design detail that helps give the smartphone its character – the camera bump. Meet the FOG phone concept, designed for sportswear brand Adidas. Designed by 2-LA Design, the FOG phone takes full liberty with redesigning the camera bump, resulting in a smartphone that truly looks memorable. To probe exactly how memorable the phone looks, 2-LA Design even excluded any logo or branding on the back of the phone, purely relying on the camera bump to grab eyeballs. The best part? The fact that the camera bump’s design lines up rather perfectly with Adidas’ 3-stripe logo, reinforcing the company’s brand (even though they probably would never enter the smartphone business).

Designer: 2-LA Design

“In the grand tapestry of design, every element, whether it’s the silhouette, the logo, or intricate details, ought to serve a sacred purpose, seamlessly melding into the symphony of the overall aesthetic,” says 2-LA Design.

The three stripes are practically synonymous with the Adidas brand at this point, making them a perfect icon for using in the smartphone’s design. 2-LA Design chose to interpret these stripes not as graphics on the phone’s back fascia (which would work just as well), but rather use it in the most weirdly brilliant way possible. The three lines on the back (looking almost like the Meta Quest 3’s camera bumps) have an unmistakable newness to them, and even if someone were to NOT recognize those stripes as the ‘Adidas FOG Phone’, they would definitely not confuse the phone for anything else from Samsung, Apple, Oppo, Xiaomi, Google, ASUS, etc.

The Adidas FOG Phone (which stands for Fear Of God, strangely enough) is a figment of 2-LA Design’s imagination. It doesn’t exist, but the design direction it proposes is a pretty novel way to look at smartphone design, helping bridge the gap between visual branding and industrial design. My only qualm is the lack of a flashlight…

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Netflix won’t be coming to the Vision Pro, but here’s what the streaming app could look like in spatial VR

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As the Vision Pro begins rolling out exactly a week from now, news is making way of what users can expect on the game-changing XR headset, and surprisingly enough, some companies have expressly mentioned that their apps won’t be available on the Vision Pro’s app store. Notably, apps like Netflix, YouTube, and Spotify (among others) have announced a soft-boycott of the device. Instead of dedicated versions of the apps, they will only be available through the Vision Pro’s browser, offering a less-than-ideal experience as compared to more tailor-made apps like Disney+, which Apple formally partnered with over the Vision Pro.

Designer: Harshita Jajani

However, that hasn’t stopped designers from making their own versions of popular apps (like this Spotify app) for the XR headset. When Apple debuted the Vision Pro in June last year, it spoke highly of its passthrough interface that practically blurred the lines between reality and digitalism. These UX concepts explore that aspect of spatial computing, putting virtual elements in real spaces in a way that feels incredibly believable.

Designed by Harshita Jajani, this unofficial Netflix ‘app’ for the Vision Pro shows how immersive the streaming service could look in a spatial environment. Jajani took parts of the Netflix interface, translating them rather wonderfully into a style synonymous with the Vision Pro’s digital glass interface. The Netflix app features those classic rounded corners, translucent frosted windows, and the ability to shift from a window screen to a much more immersive full-periphery view.

Maybe Netflix will relent after a few months of withholding on the app, but only time will tell. Disney CEO Bob Iger promised a ‘magical’ experience with the Disney+ app (which will come bundled with the Vision Pro), and if anything Netflix’s own app for the Meta Quest is arguably one of the most immersive and fun experiences out there. However, until that happens, these concepts help fill that void. A void that feels like a lot after you spend $3600 on hardware!

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This Neck-worn Power Bank for the Vision Pro may be better than Apple’s own battery pack

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Virtually everyone who’s tried the Vision Pro has mentioned one pain-point, its external battery pack. Designed to strap to your Vision Pro like an IV drip for your headset, this battery pack isn’t particularly elegantly designed. It’s a rather heavy metal cuboid that’s tethered to your headset, and the only way to elegantly store it while in use is to slide it into your pocket – leaving a sole wire that dangles from your head to your waist, coming in the way of your hand while you move around.

It’s almost like Apple WANTS you to know that they’re great at primary products but terrible at accessories, after various debacles surrounding the questionable designs of the Magic Mouse, the Air Power Mat, the Gen 1 Apple Pencil’s charging solution, and the carrying case for the AirPods Max. The Vision Pro’s battery pack is yet another example of Apple’s questionable approach to product functionality, but it seems like ZyberVR has a better fix. The Neck Power Bank, as its name suggests, straps two lithium-ion battery packs around your neck. Perfect for spatial computing, this power bank rests naturally along the curve of your neck, and connects to your AR/VR headset via a rather short cable. It’s an elegant solution to a rather simple problem, and even allows you to move around unencumbered.

Designer: Kylin Wu

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The Neck Power Bank assumes the familiar horseshoe shape of a neck pillow, a pair of sporty earphones, or one of those neck-worn air conditioners. The power bank boasts a fresh and ergonomic design that sets it apart from the rest. Featuring a flexible center frame, it simplifies the process of unfolding and wearing it comfortably around your neck. Prioritizing ergonomic principles, it skillfully redistributes weight onto your shoulders, effectively relieving neck strain. The product seamlessly conforms to your shoulder’s natural curve, ensuring a secure fit during physical activities and minimizing unwanted shaking. This cutting-edge design departs from convention, effectively eliminating the discomfort often associated with prolonged use and offering users a more convenient, stable, and enjoyable charging experience.

With a robust overall capacity of 10,000mAh, the neck-worn device ensures a seamless 2-3 hours of XR device use, freeing users from battery anxiety. Additionally, the Neck Power Bank packs a removable 5000mAh backup battery that can be hot-swapped during use. Thanks to the quick-release switch, users can effortlessly swap out a depleted battery in a matter of seconds. The removed battery can be charged independently, guaranteeing uninterrupted power and catering to the demands of power users.

A USB-C port allows you to connect the power bank to a host of AR/VR headsets like Meta’s Quest series, Sony’s PlayStation VR, or even other devices like headphones or even your smartphone. ZyberVR even boasts compatibility with Apple’s upcoming Vision Pro headset, although you’d need a proprietary connector cable that can attach to the Vision Pro (which launches February 2nd). That shouldn’t take time, as Apple would probably want third-party manufacturers to build out accessories to make the headset more lucrative. After all, if they want developers to start building a software ecosystem around the product… a hardware ecosystem would surely help contribute to the Vision Pro’s eventual success!

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This LEGO version of the classic Sony Walkman WM-22 features an opening lid with removable cassettes!

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Fashion is cyclical and it seems like cassettes may just be making their comeback. Audio manufacturer Fiio just debuted their latest retro CP13 cassette player at CES this year, and it shouldn’t be long before people are making mixtapes again. Just to prime us for that retro-resurgence, LEGO builder Srta.JirafaEnfadada designed a to-scale Sony Walkman made entirely out of LEGO bricks… and the best part, it actually fits LEGO cassettes in!

Designer: Srta.JirafaEnfadada

Before MP3 players and iPods pretty much changed the game, cassettes were the gold standard in music playback. Cars had cassette players, people owned boomboxes, and for a brief while, the Sony Walkman was one of the coolest products you could own. Designed to play cassettes on-the-go, the Walkman walked so the iPod could run. You could make your mixtape, pop it in, and listen to music either on the Walkman’s built-in speaker (if it had one), or on a pair of headphones or earphones for a private music experience.

This entry into the LEGO Ideas forum is based on the WM-22 Walkman, available in the iconic red colorway. It features the classic opening flap on the front that lets you put cassettes in and take them out between plays, with a transparent window that even lets you peer into the walkman’s insides to see which cassette’s loaded. Around the periphery are its play-pause and rewind/fast-forward buttons, and a simple rotary dial to adjust volume. The WM-22 didn’t sport a record button, which most costlier models had, allowing you to even capture audio directly to the cassette. However, it did have a 3.5mm jack, which can be found on this LEGO version too (right above the volume button), allowing you to hook a pair of headphones in. You’ve also got 4 different LEGO cassettes to choose from with the build, adding variety to your music library!

The Sony Walkman was submitted to the LEGO Ideas forum, an online dashboard where LEGO enthusiasts can share their own LEGO-based creations. The forum allows the LEGO community to vote for their favorite designs, with the top-voted ones getting turned into box-sets for us regular-folk to buy. The Sony Walkman sits at 2,068 votes as of writing this article, and if it hits the coveted 10,000 mark, it could potentially be made into a retail set! You can vote for the Sony Walkman or any of your other favorite designs on the LEGO Ideas website.

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The Rabbit R2 Smartphone seems like the logical next step for the AI hardware company’s future

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Smartphones aren’t dead, they’ve just stagnated. Over the years, companies have tried hard to develop ‘the next thing’, experimenting with folding phones, AI wearable pins, and even AR/VR headsets… but here’s what nobody’s realized yet. There’s nothing wrong with the smartphone’s format. It’s just lacking the next big technological leap. And that leap doesn’t mean redesigning the smartphone, it just means making it, well, smarter. After all, Spike Jonze’s film Her shows exactly this – a smartphone with a sentient AI that works flawlessly at interacting and executing tasks.

Rabbit’s first-gen R1 device was arguably the most discussed piece of tech at CES 2024. a surprising feat for a product from an absolutely brand-new company. Every blog, YouTuber, and tech writer seemed to be excited not just by the product’s pitch, but also its design and even its capabilities. Moreover, with its ultra-affordable price tag, the R1 felt like an absolute no-brainer… the only problem was the fact that it was yet another device you needed to carry with you.

Designer: Shreyansh Onial

Make no mistake, the R1 was still a brilliantly designed piece of gear. Crafted by the fine folks at Teenage Engineering, it was a work of art with how adorable, vibrant, tactile, and unmistakably iconic it looked and felt. However, its form factor brought about a few limitations that led a few tech experts to ask the question – why was the R1 an independent device? The answer was simple – making an R1 app wouldn’t be as impactful as designing a dedicated device to handle all your tasks. The trick worked, with the R1 selling out not once, but twice in just the week after CES. However, we aren’t here to talk about the R1… we’re here to ask another important question – what’s the logical next-step?

Young designer Shreyansh Onial seems to have just the right answer – a smartphone. Aptly named the Rabbit R2, this concept phone outlines the most sensible future for the Rabbit brand, and for smartphones themselves. Phones for too long have remained dumb devices that can only respond to limited queries like “What’s the temperature?” or “How old is Leonardo Di Caprio’s new girlfriend”, but with the R2 these limits simply get shattered. In 2007, Steve Jobs unveiled the app store, which brought about the biggest change phones had ever seen. With the R2, Rabbit brings that moment back to phones again, offering not apps, but a form of AGI (Artificial General Intelligence).

The Rabbit R2 looks like a smartphone, but underneath the surface, it’s so much more. It’s your own virtual assistant that does everything you need it to… while still offering the benefits of a smartphone. It comes with a screen, a camera, a USB-C port, and basic hardware, but also runs the ultra-powerful AI that made the Rabbit R1 so compelling just a few weeks ago.

Now, instead of carrying the R1 along with your phone, the R2 BECOMES your phone. Sure, it outwardly seems like quite a herculean task… but from Shreyansh’s POV (and mine too), a smartphone seems like the next logical step for Rabbit. Not an app, not a headset, not a watch, but a smartphone that offers the best of existing phone tech, alongside the most advanced assistant you’ve ever seen; capable of handling complex tasks simply through verbal cues and intuition. Of course, we’d have to find a new term for the R2 because the term smartphone has already been used to describe existing tech for the past 15 years. I’ll leave that creative endeavor to you…

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Your Next Package Might Be Cushioned by Upcycled Grain Husk Instead of Plastic Styrofoam

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While there’s a conscious effort to remove plastic from our regular consumption, it still manages to play a pretty large (and unavoidable) role in packaging. Whether it’s shrink wrap, bubble wrap, sellotape, or even styrofoam… it seems like getting plastic out of packaging may just be an impossible task. However, a German company is working on an alternative to replace styrofoam in packaging. Their solution? A cushioning material made out of grain husks.

Designer: Proservation

The intended purpose of a product’s packaging is simply to help it cover the journey from factory to consumer. After it’s made this journey, a product’s packaging ends up becoming waste. Scale that up to account for the population of the world and just how many products we buy in a single given day or week, and you’ll realize what a massive problem we have on hand. Sure, it’s easier to recycle cardboard boxes and I can even stretch that argument to bubblewrap or foam peanuts… but it’s nearly impossible to recycle molded styrofoam pieces because they’re specifically designed to hold a certain product and can’t be used anywhere else. Conventional styrofoam is made by passing a foaming agent through plastic, causing it to bubble up into the lightweight styrofoam you use today. Given that it’s essentially made by combining plastic and air, recycling styrofoam as a material is borderline impossible… but replacing it isn’t.

Proservation’s solution is a product called Recou – a ‘molded’ packaging material that’s made from grain husk (which is also what nature uses to package grains!) When grains are harvested, the husk or chaff is removed and either discarded, burned, or used as animal bedding. Proservation has a clever alternative solution – upcycle this husk into a soft, impact-resistant material that does the job of styrofoam, while essentially being biodegradable. The husk is collected and bound together using a proprietary bio-based binder. The overall product has the same properties as styrofoam, but can be easily discarded or even composted.

“Thanks to our specially developed ecological binder, RECOU can be shaped as desired, and due to comparable material properties, it has the potential to substitute petrochemical packaging solutions such as EPS (Styrofoam) and represent an ecologically sound alternative for many applications,” says Proservation.

Proservation is hoping that Recou can replace a major bulk of styrofoam in the current packaging ecosystem. The material has the ability to be molded just like styrofoam, albeit with a few limitations given the size of an individual husk. It takes anywhere from 6-8 hours to make each piece, and the overall product has a density of 120 to 150 kg/m³, which seems to be the one significant limiting factor, given that styrofoam weighs nearly 70% less. Recou is also designed to resist moisture and humidity, showing no signs of mold when stored at 70% humidity for up to a week… “However, if the material is permanently exposed to high humidity or moisture, the decomposition processes start and mold may occur,” the company says.

For industries/companies interested in transitioning to Recou, Proservation does sell a few standard products like corner-cushions for palettes, and is also open to molding specific products based on requirements. The company plans to have an industrial plant operational by some time in 2024, scaling up production for this unique no-waste bio-based alternative to styrofoam.

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CATIA Visual Scripting gets its biggest update in 2024 with smart suggestions, modules, and modifiers

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At their annual Design Masterclass, CATIA unveiled some exciting new features for 2024 that lie within their broader push towards ‘Visual Scripting’. The broader effort aims at combining CATIA’s powerful design features with a newer, more intuitive interface that allows practically anyone to build and model cutting-edge products, intricate textures, and unique algorithm-driven details through an easy, no-code approach. While Visual Scripting was CATIA’s big push for 2023, the year 2024 brings a few noteworthy and interesting features to the industry-leading CAD software.

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Visual Scripting becomes even easier with ‘Operator Suggestions’

Users now get suggestions as they build out their node-based operations, making it much easier to go through your workflow instead of meticulously selecting node after node every single step of the way. The software intuitively recognizes what you’re building and suggests appropriate nodes to you, eliminating errors and reducing the time taken during the design process. This suggestive feature works as you build out your script node-by-node, but it also works when you’ve selected multiple nodes, functioning almost like an assistant that knows what’s on your mind before you do.

Python Scripting (and the ability to use GPT in design)

Although Visual Scripting is, by definition, made to be a no-code approach to generative design, CATIA lets you add Python scripts to create complex designs and patterns. Sure, you could learn Python (or rely on your existing Python knowledge) to build out your designs, but CATIA’s demo even shows how users can leverage AI like Bing Chat or ChatGPT to create Python scripts for them, helping aid and accelerate the design process with a stronger focus on creativity than technical prowess.

Analyzing your Node Structure

Complex node structures can sometimes become confusing to look at, with multiple nodes and pathways often looking like organized chaos on a screen (no matter how neat you are). The new Analyzer panel turns your entire node structure into a table, allowing you to quickly scan through your design sequence to identify areas of improvement or optimization. Multiple views are available to access display status, update time, errors, operator versioning, etc.

Reusing User Features within Design Sequences

Imagine building a family of products with the same design elements, or wanting to skip hours of work by applying design elements from older projects into newer ones – Visual Scripting now lets you set ‘user features’ that you can easily reuse in different projects, saving you time and effort. Build out a template and the Visual Scripting dashboard lets you reuse it over and over again, creating complex designs in less time. User Features have to be declared in the Resource Table beforehand to enable this ability.

Intuitive Visual Scripting Modifiers

The Visual Scripting interface greets you with a dedicated User Assistance window that lets you access new and relevant information that may aid you in your project. While in your project, modifying your design can be done directly in the 3D Viewport rather than controlling parameters in the node view. Just the way you edit 3D objects using a gumball in regular CAD software, CATIA’s modifiers allow you to manipulate your design by doing just that – manipulating your design instead of staring at nodes, numbers, and parameters. This intuitive approach lets you scale, extend, rotate, extrude, and move items directly within your design viewport.

Modified designs can now be saved as ‘Variants’

Easily one of the most understated features in Visual Scripting, ‘Variants’ allows you to save variations of the same design in a dedicated section. This gives you the power to quickly compare different design variations in mere seconds without switching layers, opening/closing files, or spending extra time hiding/showing other objects in the scene. A simple click lets you quickly toggle between different variants for an overall comparison, helping you assess alternatives as you experiment within your design process.

Enrich CATIA modules with Design Sequences

With the R2024x release, it’s now possible to enrich the CATIA modular approach of Concept Structure Engineering with design sequences of Visual Scripting. The Module is a new concept in a 3DShape helping to improve specific use cases like:
A. Improving your Design structuration in the 3DSHAPE and edition thanks to the Module Manager.
B. Easily managing the creation of Design Variants in a few clicks.
C. Creating auto connections based on semantic interfaces that improve collaboration in the concept phase.
D. Building templates as you go, so when reusing specific templates, you have a direct view on link to the external world outside the module.

These new features mark a BIG shift for CATIA’s Visual Scripting program, making the powerful software even more intuitive, efficient, and easy to use. The R2024x version is available on premise, and is also rolling out on cloud environments, allowing creatives to focus on the things they do best – letting their imagination run wild and not be limited by software constraints…

Sign Up to Receive an Exclusive CATIA Visual Scripting Video FREE!

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DJI Just Launched Its Own 3D Model Editing Software… And It Makes Complete Sense.

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If you think of DJI’s drones as aerial 3D capturing devices, the entire endeavor makes a LOT of sense.

While their drones have become synonymous with stylized cinematography and even high-octane races, DJI’s drones also find themselves being used for photogrammetry, 3D mapping, surveillance, delivery, and even civic planning/surveying. In fact, DJI has a dedicated website just for enterprise use, with specialized drones, attachments, and even software. In 2019, DJI launched Terra, a 3D mapping software to turn video/image data into 3D models for efficient planning, route mapping, analysis, etc… but with their latest software Modify, the tool becomes perfect for cinematographers and creatives too. Modify helps edit, clean, and fine-tune the 3D-mapped data captured by DJI’s drones. The free-to-use tool has a variety of editing features to help repair models, remove artifacts, and even edit out objects like humans, cars, and obstacles to create seamless 3D scans that are detailed enough for even movie industries to use.

Designer: DJI

Designed to seamlessly integrate with the Terra software, Modify has some rather incredible tools up its sleeve to help rectify any problems caused during the scanning process. Whether it’s broken models caused by reflective surfaces or random floating parts in the sky that the 3D software captured by accident, Modify lets you easily identify them, select them, and remove/repair them with a few clicks, saving hours of work.

The biggest bane with photogrammetry or 3D capture is the creation of unwanted artifacts. Most people familiar with the field will tell you that sometimes the software can interpret objects that aren’t even there. Reflections, clouds, and flying creatures can sometimes result in floating planes and fragments that can often clutter 3D scans by the thousand. Manually selecting these floating parts takes hours of work, but Modify uses clever tools to help select them with a simple click. Once done, you can easily delete them. Reflective surfaces like glass, metal, and water result in broken surfaces too, which Modify lets you easily fix by adding a planar surface.

One of the standout features of DJI Modify is its intelligent host of auto-repair editing tools. These tools support operations such as flattening, editing textures, repairing water surfaces, removing floating parts, and filling holes. Modify uses AI to help regenerate signs, fix existing damaged patterns/textures, and even replace old models/textures with new ones. For instance, you can flatten roads with cars captured on them, remove the car graphics from the 2D textures, and replace the road markings to make them empty, effectively removing the cars that were originally on them. This functionality can be accessed through one-click repairs or manually by selecting custom polygons, areas, or meshes. Additionally, the software’s model display technology allows both high- and low-quality models to be viewed and edited within a single interface, with changes being synchronized and previewed across both models immediately.

The software supports various file formats like ply, obj, and b3dm, ensuring compatibility with DJI Terra and other third-party software. The software is expected to offer cloud-sharing capabilities in the future, allowing users to share processed models online for viewing and sharing via links, without the need for software installation.

DJI Modify is targeted towards professionals in sectors such as transportation, surveying & mapping, public safety, emergency response, urban modeling & management, energy & utilities, and infrastructure. Its efficient model editing capabilities cater to a wide range of drone surveying use cases, including AEC (Architecture, Engineering, and Construction), inspection, and public safety. The software is currently for free as a Public Beta, and can be downloaded on DJI’s Enterprise website.

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This Apocalyptic Cyberpunk Cafe Racer has a humble BMW R Nine T underneath it

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The R nine T is perhaps BMW, nay, the world’s most customized bike. Ognjen Docic remixed this versatile classic into something virtually unrecognizable but vastly more eye-catching. Dubbed the Rat Race, this cafe racer isn’t for the faint of heart. It’s skeletal yet meaty, and explores unique design directions like using transparent plastic as a part of its overall fairing. This post-apocalyptic beauty also seats just one, because if Hollywood’s taught us anything, the apocalypse always creates lone wolves!

Designer: Ognjen Docic

The Rat Race’s aesthetic explores the addition, removal, and reinforcement of its overall structure. Certain parts of the fairing are removed because they add no value. Others are given further reinforcement like the fuel tank (perhaps to deter theft), and the overall chassis gets a secondary frame to make it stronger for more aggressive riding.

“I transformed the iconic BMW R9T model into dream vision, seamlessly blending vintage aesthetics for a retro old-school vibe with futuristic elements. By merging the past and future in design, I believe it transcends a specific era, becoming timeless,” says Serbia-based designer, Ognjen Docic. “In my rendition, the bike retains its original structure with subtle modifications to the frame. Introducing “Rat Race,” this concept embodies the timeless struggle, capturing the essence of life’s rat race.”

When asked about the Rat Race’s specs, Docic mentions – “Specifications of the motorcycle are unknown! Crafted within the confines of my mind, it borrows foundational elements from the R9T model. My imagination took residence in an underground motorcycle tuning garage in the outskirts of Belgrade.”

An interesting touch is Docic’s use of transparent materials in the motorcycle’s body design. A panel around the headlight almost looks like a transparent skull for the bike, enveloping its headlight and a portion of its handlebars. The base of the automobile has it too, as does the end, where Docic cleverly implemented edge-lighting to create a rather unique-looking taillight. This use of transparent plastic adds to the structure without adding to the bulk or volume.

The result of the entire endeavor is a bike that’s practically unrecognizable, but somehow still manages to have its own distinct character (and possibly a very interesting backstory). It looks like it’s been through hell and back, and still has the willpower for handling some more. Those ridiculously chunky tires are proof that the Rat Race was built to get you anywhere you want to go – no questions asked… and the lack of rear-view mirrors is proof that where you’re going, there’s no looking back!

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