Author Archives: JC Torres

MINISFORUM AtomMan G1 Pro Packs Desktop RTX 5060 in a White Tower

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Most mini PCs fall into two visual camps: anonymous black boxes meant to hide behind a monitor, or aggressive RGB bricks that look like shrunken gaming rigs. Neither category thinks much about how the machine actually sits in a room. The MINISFORUM AtomMan G1 Pro takes a different route, leaning into a slim white tower form that looks more like a scaled-down desktop than a puck, designed to live on the desk as part of the composition.

The AtomMan G1 Pro is a compact gaming and creator PC that pairs an AMD Ryzen 9 8945HX with a desktop-class NVIDIA RTX 5060. It’s powerful enough for AAA gaming and 3D work, but what makes it interesting from a design perspective is how it packages that hardware into a minimalist vertical tower with a wave-textured side panel and a single, controlled strip of lighting in front.

Designer: MINISFORUM

The G1 Pro stands upright on a small base, with a tall, slim body finished in white rather than the usual black. One side panel is a continuous wave texture that catches light softly instead of shouting with vents and logos. That vertical stance frees up desk space and makes it feel more like a small speaker or piece of audio gear than a traditional mini PC, which changes how you might place it in a living room or studio.

A vertical light strip runs along the front, adding a subtle cyan accent without turning the whole case into an RGB billboard. The MINISFORUM logo is printed vertically, aligning with the tower posture. Front I/O is tucked into that same edge, with a power button, USB-A, USB-C, and audio jack easily reachable but visually quiet, so the wave-textured face stays clean and uninterrupted.

Inside, a full-length RTX 5060 desktop GPU sits vertically alongside the Ryzen 9 CPU, fed by a 350W internal PSU and a third-generation Glacier cooling system. Wide-diameter fans, copper heat pipes, and a two-sided exhaust layout push air through the tall chassis. The tower form is not just aesthetic; it gives the airflow a clear path and lets the machine dissipate up to 300W without looking like a heat sink on legs.

On the back, multiple DisplayPort and HDMI ports support up to four 4K displays, along with plenty of USB and a 5GbE LAN port. That means it can anchor a serious multi-monitor setup for gaming, editing, or coding while still looking tidy from the front. The white shell and vertical stance help it blend into both studio and living room setups without dominating the visual field.

The AtomMan G1 Pro shows what happens when a performance-focused mini PC gets a bit more design attention. It doesn’t abandon specs, but it wraps them in a form that feels more considered than another black brick. For anyone who wants desktop-class power in a machine that can actually sit on the desk without spoiling the view, this little white tower is worth watching when it ships early next year.

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Parsel EVA Tote: Rigid Shell and Soft Liner You Can Reconfigure

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Most bags are single-purpose objects. A tote for groceries, a weekender for travel, a backpack for everything else. Parsel’s EVA East West Tote System treats a bag more like a modular platform, where a rigid shell, soft liner, and strap can be reconfigured for different uses. It’s less about one perfect tote and more about a carry architecture you can tune as your day changes.

The EVA East West Tote System is a high-density EVA tote available in small and extra-large sizes. Each Unit is an injection-molded shell with integrated handles, paired with a removable roll-top nylon liner and an engineered knit strap. All the hardware is machined from aircraft-grade aluminum, giving the whole thing a gear-like feel rather than a fashion accessory vibe that falls apart after a season.

Designer: Nur Abbas (PARSEL)

The Unit is a monolithic box with soft radii and an oval handle cutout, rigid enough to protect contents but flexible enough to absorb impact. In its small size, it reads like a compact utility caddy. In the extra large, it becomes a trunk-like tote that can swallow groceries, tools, or sports gear. The clean surfaces and embossed Parsel logo keep it visually quiet and precise.

The removable nylon liner has a roll-top with a magnetic closure and can live inside the Unit or be used on its own. The adjustable knit strap stretches slightly for comfort and threads through Parsel’s signature Button, a ribbed aluminum connector that links everything together. That Button is the universal joint of the system, letting the strap move between the shell and liner without extra clips or buckles cluttering the sides.

In classic tote mode, the strap attaches to the EVA Unit with the liner inside. For a lighter carry, the liner can be used alone with the strap as a soft shoulder bag. In the extra-large size, the liner can even be worn as a backpack by rethreading the strap through the Buttons. Parsel literally labels this “Play with the system,” inviting users to treat carry as something adjustable.

The aluminum handle insert is etched with Parsel Systems Intl around its oval perimeter, while the Button hardware carries the brand name in clean engraving. These details feel more like precision components from outdoor gear than fashion hardware. Colorways like Optic white, Deep black, and Priority orange let the bags shift toward either minimal or high-visibility use, comfortably filled with screws, firewood, fish, or flowers in both workshop and city.

The EVA East West Tote System is a thoughtful attempt to make one bag work across many lives. By separating structure, volume, and carry into distinct parts, Parsel lets you tune how rigid, soft, or hands-free the bag needs to be on a given day. For anyone who likes their everyday carry to feel more like a system than a single fixed object, this EVA tote is worth considering.

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Dinoosh Dispenses Dino Paw Print Soap, Changes Color When Done

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Kids explore everything with their hands, but rarely wash them long enough, even when adults remind them. The recommended 20 seconds feels like forever to a child staring at a sink, which is why so many just rinse and run. Dinoosh is a concept that tries to solve this not with more nagging or countdown posters, but with a small dinosaur-themed object that makes the whole routine feel like a game.

Dinoosh is a palm-sized, dinosaur-inspired handwashing tool that combines a soap dispenser, scrubber, and color-changing timer. It looks like a soft, rounded dino paw with three spikes on top and a loop so kids can clip it to backpacks or bathroom hooks. The idea is to give children a friendly companion that turns washing away germs into something they actually want to do on their own.

Designers: Aarya Ghule, Tejas Vashishtha

Kids flip open a small lid at the bottom and squeeze Dinoosh, which dispenses thick soap gel in the shape of tiny dinosaur paw prints onto their hands. That simple detail turns soap into a character moment, giving a clear visual dose and an instant reason to look and laugh. It invites kids to start rubbing and playing instead of rushing straight to the rinse and calling it done.

Dinoosh stays involved once the soap is out. The back of the device has soft ridges that act like a gentle scrubber when kids rub their hands over it. The spikes on top help get between fingers, and the rounded body is easy to grip with wet hands. Instead of just lathering and standing there, children are encouraged to keep moving, squeezing, and scrubbing as part of the play.

The body is made from thermochromic plastic that slowly shifts color with warmth and friction. As kids scrub their hands and run warm water, they see the dinosaur paw gradually change hue. That becomes a built-in timer: they know they’re done when Dinoosh has fully changed color, which roughly matches the recommended 20 seconds without needing to count or sing a whole song.

A small loop at the top lets Dinoosh hang from backpacks, bathroom hooks, or stroller handles, keeping it in sight and within reach. Bright colorways like Sweet Sprout green, Coral Pop, and Soft Comet lavender make it feel collectible and personal. By living in kids’ everyday environments, it nudges them toward washing not just at home but at school and on the go.

Dinoosh shows how product design can tackle hygiene through play rather than guilt. By combining characterful form, tactile engagement, and a built-in color timer, it turns a forgettable chore into a small daily ritual kids can own. Whether or not this exact concept hits the market, the idea of a dinosaur paw that tells you when your hands are clean feels like a story most kids would happily wash along with.

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Tilt This Smart Clock, and It Triggers Your Entire Bedtime Routine

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Most smart home routines now live inside apps and voice menus, which is powerful but often feels abstract and fiddly. Controlling physical things through layers of screens can feel backwards, especially for simple daily transitions like going to bed or waking up. This smart alarm clock concept treats day and night as a single, physical gesture instead, asking what would happen if your entire bedtime routine followed one tilt of a solid object.

The concept is a smart alarm clock that doubles as an IoT scene switcher. It’s a small wedge-shaped object with a square display on one face and fabric wrapping the rest of the body. Instead of tapping through modes, you literally tilt the clock like a seesaw to flip between day and night. The display follows, showing a bright sun or a dim moon depending on which way it rests.

Designer: Hojung Cha

In day orientation, the clock faces you with a bright UI, lights and music on, and your phone fully awake. Tilt it the other way into night mode, and the screen darkens, lights fade, music winds down, and your phone can automatically switch to Do Not Disturb while setting an alarm for the morning. One physical move triggers a whole bedtime routine without touching a single app or menu.

The form is a soft rectangular block with one angled face for the display, wrapped in fabric so it feels more like a piece of furniture than a gadget. The angled front makes it easy to read from bed, and the two stable resting positions are obvious at a glance. It looks comfortable on a nightstand next to a lamp and a book, not like a piece of lab equipment waiting to blink at you.

The clock inverts the typical IoT relationship. Instead of your phone being the remote for everything else, the clock becomes a physical remote for the phone. It can tell your smartphone when to be quiet, when to wake you, and when to leave you alone. At the same time, it coordinates with lights and speakers, acting as a simple, dedicated interface for the most common daily transition in the home.

The design borrows the familiar bedside clock silhouette but adds the tilt mechanic and a clean, modern display. The goal is technology that can be seen, touched, and held, making its function legible without an instruction manual. The two orientations and matching UIs turn a behavior we already do, such as getting up or going to bed, into something the object naturally understands and responds to.

The smart alarm clock concept is a small argument for more tangible IoT. It doesn’t try to solve every scenario with an app; it focuses on one moment and makes it physical, glanceable, and easy to understand. The idea of flipping a solid object to tell your home and your phone “day” or “night” feels like the kind of interaction our sleepy brains can actually live with.

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Shantivale Incense: 5 Plant-Based Blends Mapped to Times of Day

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Home scent has spent the last decade in candles and diffusers, often leaning on synthetic fragrance oils and heavy perfume notes that fill a room fast and fade faster. There’s a quiet shift back toward incense now, especially the kind made from ingredients rather than lab blends. Shantivale is a botanical incense brand from Shangri-La, Yunnan, that treats incense as a small architectural gesture instead of a perfumed cloud you spray and forget about.

Shantivale’s core idea is plant-born smoke, not perfume. Each stick is made from ground woods, herbs, and resins, held together with a traditional plant-based binder made from glutinous rice root and Debregeasia orientalis bark. Because even the binder is plant fibre and starch rather than chemical adhesive, the ember burns at a lower, steadier temperature, producing a fine, soft plume instead of thick smoke with sharp edges.

Designer: Shantivale

The sustainability side is straightforward. There are no synthetic fragrance oils or dyes, which means less petrochemical load and less residue floating in the air. The plant-based binder is locally crafted, supporting regional knowledge and reducing reliance on industrial adhesives. The burn is low-smoke, even, and gentle, where the air reads as plants rather than lab-bright perfume. It’s less about masking a space and more about restoring its tone, letting a room feel more like itself.

The blends are informed by classical Chinese herb pairing logic, treated as heritage and craft rather than medicine. Cinnamon twig, dryopteris, artemisia, sandalwood, agarwood, poria, ziziphus seed, and polygala root are culturally associated with warmth, clarity, inward calm, and rest. These references explain why the blends behave like distinct states, such as clarity, focus, warmth, and rest, rather than the usual top-heart-base perfume pyramids you get from synthetic candles trying to smell like fifteen different things at once.

The Tranquil Fivefold kit maps five blends to different moments of the day. Purity Veil behaves like a herbal reset after cooking or between tasks. Dharma Rain is a cooler, contemplative blend for study and focused work. Zen Flow leans warm and inward for meditation or gentle yoga. Cliff Glow is a single-wood cypress stick for rainy windows and unhurried afternoons. Sereni Sleep marks the evening’s descent with grain-warm hush, close and non-intrusive.

The packaging follows the same restraint. The sticks come in slim boxes wrapped in Xuan paper, echoing Chinese calligraphy and the contemplative flow of ink. Each blend has a bilingual name and a short scent verse, more field guide than vanity jar. The kit includes a carved stone holder inspired by mani stone mounds in the Tibetan highlands, a smooth river stone with a drilled hole that quietly marks faith, time, and the path of smoke.

One stick burns for about forty minutes, long enough to bracket a work sprint, a chapter, or an evening wind-down. You light it, fan out the flame, and let it smoulder. The stick ends itself, and the after-feel lingers. In days that blur together, that small ceremony gives minutes a border and offers a natural signal that re-tunes the room’s field to something more breathable and human.

Shantivale is a simple argument: plant-born smoke, cultural pairing, and a small ritual that turns ordinary transitions into moments that feel distinct. For anyone building a signature mood at home or looking for something thoughtful to gift this season, the Tranquil Fivefold kit is worth picking up. Whether for yourself or someone who could use a quieter kind of scent, it’s an object that lingers long after any wrapping paper.

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Cosi Laptop Table Brings a Fully Adjustable Work Surface to Any Chair

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Laptops have escaped the desk and now show up on sofas, lounge chairs, and every in-between space, often with terrible posture as a side effect. Balancing a laptop on your knees or hunching over a coffee table is fine for checking email but not for real work. The Cosi laptop table is a small, adjustable surface designed to follow those habits and make them more ergonomic.

Cosi is a fully adjustable laptop table developed by Pearson Lloyd for Teknion’s portfolio. It’s a compact side table with a height-adjustable column and a slim top, meant to support typing, writing, or video calls whether you’re in a task chair or a deep lounge. Despite its simple silhouette, it’s the result of a careful review of how people actually work across different seating types and informal spaces.

Designer: Pearson Lloyd for Teknion

The basic form is a thin rectangular top with softly rounded corners sitting on a single round column, which rises from a flat, low-profile base. The base is slim enough to slide under chair legs or lounge frames, while the offset column lets the top cantilever over your lap. The proportions keep it visually light, so it reads as a quiet companion rather than a shrunken desk taking up floor space.

The column allows the top to move from standard typing height when you’re upright in a task chair to a higher position when you’re reclined in a lounge. That means your wrists and shoulders can stay in a more neutral position instead of hunching over a laptop balanced on your knees. Cosi turns casual seating into a place where you can actually work comfortably for more than ten minutes.

Paired with Teknion’s Aarea lounge chairs, the base tucks under the sled frame while the top hovers over the seat. In more traditional offices, it can park next to task chairs as a personal work island. Because it’s small and visually quiet, multiple tables can live in a lounge or focus area without making the space feel cluttered or over-furnished like a forest of full-size desks.

The detailing makes it feel more like furniture than equipment. The tabletop edge is thin and refined, the column-to-base junction is clean, and the finishes align with Teknion’s broader palette, from neutral paints to wood-look tops. There are no exposed mechanisms or clunky levers, just a smooth, minimal form that hides the engineering and lets you focus on the surface itself.

Cosi is one of those small tools that quietly make hybrid work more sustainable. It doesn’t try to replace a full desk, but it gives laptops a proper landing spot wherever you choose to sit. By combining adjustability, a slim footprint, and a restrained aesthetic, it turns the improvised habit of working from any chair into something your body and your workspace can live with a little better.

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Midea Flexify French Door Air Fryer: 10-in-1 Oven, 1 Black Friday Deal

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Small kitchen counters have a way of accumulating appliances. You start with a toaster, then add an air fryer for crispy fries without the oil. A countertop pizza oven shows up because takeout is expensive, and before you know it, there’s a slow cooker tucked in the corner. Pretty soon, you’re playing appliance Tetris just to clear enough space to chop vegetables, and half the devices spend most of their time unplugged and shoved into cabinets.

The Midea Flexify™ French Door Air Fryer Oven tries to solve this by replacing that entire lineup with one countertop oven. It’s a BEST OF KBIS 2024 winner built around a simple idea: combine ten cooking modes into one appliance without making it too complicated or too big. The oven handles air frying, baking, broiling, roasting, toasting, pizza, reheating, slow cooking, dehydrating, and warming. Midea is running a Black Friday and Cyber Monday promotion on it, which makes it worth considering if you’ve been thinking about clearing out your countertop.

Designer: Midea

Click Here to Buy Now: $139.87 $169.99 (17% off). Hurry, deal ends in 48-hours!

The first thing you notice is the French doors. Instead of a single drop-down door that forces you to lean over a hot cavity, the Flexify uses dual doors that swing open with one pull. They’re made from stainless steel with wide glass windows, so you can check on your food without letting heat escape. There’s an anti-scald handle to keep your fingers safe, and the doors save space in front of the oven.

Inside sits a 26.4-quart cavity with generous vertical space. You can fit a whole chicken or turkey breast on one rack and vegetables on another, or stack a multi-layer lasagna without worrying about clearance. The oven also handles a twelve-inch pizza, six slices of toast, or fourteen chicken wings comfortably. Four rack positions let you adjust the height depending on what you’re cooking.

The Cyclone Air Fry system is what lets the Flexify work as both an air fryer and a conventional oven. It uses a convection fan and six heating tubes to circulate air quickly and evenly, cooking up to 25 percent faster than traditional frying while using up to 90 percent less oil. The oven heats up fast enough that you can skip preheating when air frying, so you just toss frozen food into the basket and start.

What sets the Flexify apart from most countertop ovens is the VDE-certified evenness. That certification means the oven’s heat distribution has been independently tested and proven consistent, so your toast browns evenly and cookies on different racks bake at the same rate. It’s the kind of reliability that matters when you’re making dinner for a family or hosting a gathering and can’t afford uneven results.

The oven settles into daily routines naturally. In the morning, it toasts bread and reheats pastries. At lunch, it warms leftovers without drying them out. In the afternoon, it dehydrates fruit snacks or slow-cooks a stew that finishes by dinnertime. At night, it air-fries vegetables or broils salmon. The digital LED display makes it easy to adjust temperature and time precisely without navigating complicated menus.

What makes the Flexify feel like a smart upgrade is how it cleans up both the physical and mental clutter of a crowded kitchen. Instead of remembering which appliance does what and where you stored it, you just open the French doors and pick a mode. The stainless body and clean lines also look better than a collection of mismatched plastic gadgets.

The Midea Flexify™ French Door Air Fryer Oven fits the category of appliances that earn their counter space by doing more than one job well. For anyone tired of juggling multiple devices, it consolidates without sacrificing functionality. The Black Friday and Cyber Monday window brings it down 18 percent from November 20 to December 1, which is worth considering if you’ve been eyeing a countertop upgrade.

Click Here to Buy Now: $139.87 $169.99 (17% off). Hurry, deal ends in 48-hours!

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These 3 Desk Objects Make Shredding, Crushing Feel Like Design

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Many of us already practice tiny acts of destruction when we’re stressed. Shredding receipts, crumpling paper, or picking at packaging feel oddly satisfying even though we usually hide them. They’re little releases that most designs ignore, treating them as guilty pleasures instead of real human behaviors. Art of Destruction is a concept that leans into those impulses and asks what happens if industrial design treats them as experiences worth designing.

The project is a trio of objects named Disintegrate, Compress, and Explosion. Each one takes a different destructive action and turns it into a deliberate, almost ceremonial interaction. They share a visual language of cool grey bodies, orange accents, clear panels, and exposed mechanisms that make them look more like hi-fi gear than office tools. Together, they feel like a small family of instruments for controlled chaos on your desk.

Designers: Meesol Park, JiHoon Park, MIN A Kim, Nahyeon Kwon, Dongkyun Kim, Taeyoon Kim

Create your own Aesthetic Render: Download KeySh2ot Studio Right Now!

Disintegrate is a reimagined paper shredder that puts the whole process on display. A rectangular frame with a large side window reveals gears, belts, and blades pulling paper into a cylindrical bin. A big orange dial and a row of circular buttons invite you to tune the experience. Shredding becomes less about security and more about watching documents get mechanically unmade in sound and motion.

Compress is a small cylindrical compactor that looks like a cross between a speaker and a sculptural vase. The top is a solid metal cap, while the lower half is a clear chamber showing a twisted vortex of ribs inside. Drop something in, press down, and the spiral structure crushes it into a neat puck. The act of compression becomes a slow, visual performance instead of a quick, guilty squeeze.

Explosion is a flat tabletop console built around a central well of magnetic fluid. A large knob and button sit on one corner, and a perforated grid hints at lights or sound. Press the control, and a pulse of magnetism sends the ferrofluid erupting into spikes before it settles back. It’s a safe, repeatable way to trigger miniature explosions, with the mess contained behind a clear top plate.

The three devices work together visually. In the group shots, they share proportions and detailing, so they could sit on a desk like a family of instruments. Transparent panels and exploded views reveal carefully layered internals, turning mechanisms into part of the aesthetic. They feel less like gadgets and more like props from a film about emotional regulation through designed objects.

Art of Destruction is a playful question about how we deal with tension and boredom. Instead of hiding our urge to tear, crush, or explode things, these concepts imagine channeling it through objects that are honest about what they do and beautiful while doing it. Whether or not they ever exist beyond renders, they make a strong case that even destruction can be a mindful ritual.

The post These 3 Desk Objects Make Shredding, Crushing Feel Like Design first appeared on Yanko Design.

NOVA Cools PCs Without Fans or Spinning Blades, Uses Ion Wind

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RGB fans have become the default way to make a PC build look custom, yet most of them look the same. Spinning blades, ring lights, and aggressive grilles dominate the category, visually loud but rarely distinctive. NOVA is a Red Dot-winning concept that asks what a cooler could look like if you removed the fan entirely and treated airflow as a sculpted, silent element instead of a spinning propeller.

NOVA is a fanless desktop cooler designed to sit where a case fan would normally go. Instead of blades, it uses a shaped intake, ion electrodes, and clever airflow to move air through a central opening. The frame reads more like a minimalist architectural vent than a traditional PC fan, with a form language closer to audio components or precision instruments than the usual gamer aesthetic.

Designers: Minhwan Kim, Gyuri Kim

Create your own Aesthetic Render: Download KeySh2ot Studio Right Now!

The front face is a square frame with rounded corners and four curved ribs that form a circular opening in the middle. The ribs flare from a wide outer edge to a narrower inner throat, guiding air and accelerating it toward the center. The metallic finish and subtle LED halo around the intake give it a calm, sculptural presence rather than the visual noise of rainbow patterns.

The airflow works through shaped channels and ion wind. The intake narrows the path, so air speeds up as it moves toward the center, like water through a nozzle. Ion electrodes arranged in a ring around the opening create a high-speed jet that clings to the curved surfaces and pulls surrounding air along with it. The result is a strong flow through the central hole without any visible blades or motor noise.

NOVA is designed to look finished from both sides. Opaque materials and careful detailing mean the cooler maintains its identity even when mounted at the rear of a case. A circular PCB carries both the ion electrodes and LEDs, arranged in a ring that simplifies assembly and gives a clean visual effect. The lighting is more like an architectural accent than a typical fan RGB, emphasizing form over flash.

The intake components are modular curved segments that assemble into a full ring. The circular layout minimizes unique parts and makes production more straightforward if the concept ever moves to market. Everything feels engineered with manufacturing in mind, not just designed to look good in a portfolio, with careful attention to how pieces fit together and how the whole unit mounts inside standard cases.

NOVA shows what PC cooling could look like once we stop assuming every solution needs spinning blades and RGB chaos. By combining ion wind, shaped channels, and a sculptural form, it turns a background component into a visible design element. Whether or not this exact concept ships, it makes a strong case that airflow inside a case deserves the same design attention as the hardware it keeps cool.

The post NOVA Cools PCs Without Fans or Spinning Blades, Uses Ion Wind first appeared on Yanko Design.

Dad Built a 4-Step Sequencer Synth Simple Enough for Age 3

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A father built a portable synthesizer for his daughter’s third birthday, and the result looks almost too polished to be a first electronics project. It’s a four-step sequencer with sliders instead of keys, designed so a toddler can make looping melodies just by moving colorful controls. The synth is as much a design and learning story as it is a music gadget, documenting what happens when someone jumps into hardware with no experience and a clear deadline.

The idea started with a Montessori activity board full of switches and LEDs. Watching his daughter twist knobs and flip switches reminded Alastair Roberts of a synth control panel, and he wondered if he could build a musical version. He had no prior hardware experience, which turned the project into an excuse to learn microcontrollers, CAD, PCB design, and 3D printing along the way, all while trying to finish before her birthday.

Designer: Alastair Roberts

The finished synth is a rounded square box in pink or white, with four vertical sliders in bright colors and four matching knobs at the corners. Slide up for higher notes, down for lower, while a tiny OLED screen shows a dancing panda. There are no menus or hidden modes, just a looping sequence that keeps playing while little hands experiment with pitch and tempo, creating simple melodies that shift and evolve with every adjustment.

Roberts started on a breadboard, then realized he needed a proper enclosure that his daughter could actually hold. Off-the-shelf cases were the wrong size and the wrong colors, so he opened Fusion 360 for the first time and slowly modeled a custom shell. A friend’s 3D printer turned those sketches into a real, toy-like enclosure that feels closer to a commercial product than a hack, complete with rounded corners and smooth edges.

The first hand-wired version worked but was fragile, with a nest of wires that broke when he closed the case. That pushed him to design his first printed circuit board, using Fusion’s electronics tools to lay out sliders, knobs, and connectors in a neat, single layer. The PCB not only made assembly faster, but it also gave the interior the same sense of order and intention as the exterior, no hidden messes or shortcuts.

Small design touches make it feel finished. A dedicated battery compartment with a removable cover, mounting posts that let the board screw down securely, and a raised bezel around the OLED so it sits flush with the top surface. The front panel carries his daughter’s name, Alma, turning the synth into something personal. It now lives on a shelf with her other toys and, according to him, gets regular use.

The synth works at two levels. For kids, it’s a fun, tactile way to poke at sound without needing lessons or screens. For adults, it’s a reminder that you can go from zero hardware experience to a polished, gift-worthy object by following curiosity and learning each tool as you need it. Whether or not it ever becomes a product, it’s already a successful piece of design for the one user who mattered most.

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