When Marcel Wanders designed the Monster Chair in 2014, the “monster” part was mostly conceptual. The piece had presence, sure, with its quilted leather upholstery and angular obsidian-like legs, but the actual aesthetic leaned more toward restrained decadence than outright chaos. It was a chair that suggested mischief without committing to it fully. That restraint just got thrown out the window.
Moooi’s 25th anniversary celebration at Milan Design Week 2026 brought a reimagined Monster Chair collection to Superstudio Events, and this time the monsters are unavoidable. Each chair in the lineup features a hand-embroidered creature sprawling across the backrest, rendered in vivid, layered threadwork. One has concentric-circle eyes in clashing neon tones. Another hides behind ornate red filigree that frames its face like vintage wallpaper turned sentient. There are geometric flames, pink zigzag teeth, emerald scrollwork that could be tentacles or vines depending on your interpretation. The base silhouette stays true to the original, that black quilted leather and sculptural leg structure providing just enough formality to make the embroidered chaos feel intentional rather than random. It’s furniture that demands attention, and after 25 years of pushing boundaries, Moooi clearly has no plans to apologize for that.
The embroidery work transforms an already iconic chair into a craft-intensive Labubu-esque character. Each monster appears to be unique, with thread layered in ways that create dimensional relief against the quilted leather backdrop. Some faces use densely packed stitching that gives them an almost patch-like quality, while others employ looser, more organic threadwork that lets the black leather show through. The color palettes vary wildly from chair to chair. One goes heavy on emerald green and white, another commits to a red and orange gradient that feels almost pyrographic. The effect is a collection where every piece reads as an individual artwork rather than a production run with minor variations.
The Monster Chair’s original form was already theatrical, with its deep button tufting and geometric legs that look like something between furniture and sculpture. Adding these embroidered creatures could have tipped the whole thing into novelty territory, but the execution is too considered for that. The monsters are bold without being cartoonish, detailed without feeling precious. They occupy that sweet spot where high craft meets playful irreverence, which has been Moooi’s signature move since Marcel Wanders and Casper Vissers founded the brand in 2001.
Each chair has its own persona. Some monsters look menacing, others oddly appealing. The artwork has an almost luchador-ish quality to it, making the chairs look like different wrestlers in their elaborate get-ups. The wrestler comparison fits well, given that every chair’s expression stands out as attention-grabbing. Some monsters look like they’ve won a battle, others look like they’ve got battle scars. One of them even has a gauze bandage wrapped around its ‘ear’, it’s rare to find yourself laughing and sympathizing with a chair, but you end up doing so.
The collection was on display at Superstudio Events during Milan Design Week 2026, part of Moooi’s broader 25th anniversary showcase. If you’re in Milan during the design week, Superstudio is worth the trek. The exhibition space gave these Monster Chairs the gallery treatment they deserve, lined up against black curtains with dramatic lighting that made the embroidered details pop. It’s the kind of installation that reminds you why Milan remains the essential pilgrimage for anyone who takes design seriously.
There was a time when opening a can was just that, opening a can. A quick crack, a cold sip, and on with your day. Convenient, sure. But never especially satisfying. The drink stayed trapped behind a narrow opening, the aroma muted, the experience flattened into something functional instead of memorable.
But as more of us start paying attention to the objects we use every day, even the smallest rituals begin to matter. The DraftPro Top Can Opener quietly changes one of the most overlooked ones. Not as a gimmick or party trick, but as a beautifully resolved tool that turns an ordinary can into something closer to a proper pour.
The Tool That Changed How I Drink From a Can
At first, I thought DraftPro was just a clever little accessory, the kind of thing you admire once, use twice, and forget in a drawer. But after a few days, I realized it had changed how I approached even the most casual drink.
I started reaching for it with beer at the end of the day.
Then with sparkling water on hot afternoons.
Then with canned cocktails when I didn’t feel like dealing with glassware or cleanup.
There’s something surprisingly satisfying about the motion itself. A smooth twist, a clean release, and suddenly the whole top is gone. The aroma lifts instantly. The first sip feels more open, more direct, more intentional. It turns out the difference between drinking from a can and actually enjoying what’s in it is smaller than I thought, but much more noticeable.
Designed for the Details
Full-top removal: Turns a standard can into a wide-mouth, glass-like drinking experience.
Better aroma, better taste: With the top fully removed, you smell more of the drink before you even take a sip.
Ice-ready opening: Drop in ice cubes directly when the drink isn’t cold enough or the day is too hot.
Cocktail-friendly format: Add citrus, mixers, or garnish right in the can without needing extra tools.
Universal compatibility: Works with domestic and international cans, so it travels easily between setups.
Compact, portable design: Small enough to pack for a backyard hang, picnic, hike, or cabin weekend.
DraftPro doesn’t add complexity. It removes it. That’s what makes it feel smart.
Why Convenience Doesn’t Have to Mean Compromise
We’ve been taught to think of canned drinks as the convenient option, not the ideal one. They’re easy to store, easy to carry, easy to open, but never really treated as something worth savoring. DraftPro challenges that assumption in the most understated way possible.
It doesn’t change the drink itself. It changes your relationship to it.
Suddenly, a beer feels less like something you grab and more like something you serve. Sparkling water feels less utilitarian. Even a simple canned cocktail becomes a little more considered. In a world built around speed and shortcuts, that shift matters more than it should, and maybe exactly as much as it needs to.
Design That Reflects Discipline
Designed by award-winning Japanese designer Shu Kanno and built in Japan, DraftPro has the kind of restraint that makes good tools feel inevitable. Nothing about it is overworked. The grip is subtle, the motion is controlled, and the result is clean without calling attention to itself.
It doesn’t shout “innovation.” It just works with a kind of quiet precision that makes most everyday tools feel clumsy by comparison. The clean cut edge, the balanced form, the lack of visual clutter, it all reflects a design philosophy rooted in discipline rather than excess.
Who It’s For
Design Enthusiasts
A small, useful object that feels thoughtfully made from every angle.
Ritual Seekers
For anyone who believes even a casual drink can deserve a better moment.
Gift Givers with Taste
The kind of gift that doesn’t shout “tool”—it quietly becomes a favorite.
Where Form Becomes Ritual
You don’t realize how many everyday experiences have been reduced to habit until one object slows you down just enough to notice them again. DraftPro won’t transform your life. But it does transform a cold can into something more open, sensory, and satisfying.
At the end of the day, it’s still a can opener. But sometimes, the right tool changes the entire ritual around it. The DraftPro Top Can Opener is available now for $60.
Air has always been free. IKEA designer Mikael Axelsson has been thinking about that fact for over a decade, sitting on an idea he first sketched in 2014 and shelved when no one at the company wanted to revisit inflatable furniture. The concept never disappeared, it just waited. At Milan Design Week 2026, inside the “Food For Thought” exhibition at Spazio Maiocchi, that idea finally got its moment. The PS 2026 Easy Chair arrived alongside a rocking bench and a flexible floor lamp, three pieces offering the first real look at the upcoming tenth IKEA PS collection.
What Axelsson built reads, at first glance, like a fairly conventional lounge chair. Rich green fabric, cylindrical cushions, a compact and settled silhouette. The chrome tubing running around its perimeter is the tell, holding the inflatable volumes in place and giving the chair its shape and its credibility, keeping it far from the transparent, wobbly inflatables of the early 2000s. The separate air chambers between seat and backrest mean the sitting experience feels grounded rather than unpredictable. The lightness only reveals itself when someone actually lifts it.
Designer: Mikael Axelsson for IKEA
Mikael Axelsson is tapping into a design language that’s been trusted for nearly a century. It’s the same basic idea that made Le Corbusier’s Grand Confort a classic back in 1928: a rigid steel cage with soft cushions sitting inside. That frame is what makes the whole thing work. Without it, you’d just have a novelty green cushion that would feel out of place anywhere but a college dorm room. With the frame, the chair feels intentional and composed, and the backrest bolster sits with conviction across the top rail. The fact that it’s full of air is the last thing you notice, which is exactly the point.
The details here are just as smart. The fabric wrap gets rid of that annoying squeak and slide you might remember from old inflatable furniture, making it feel more like an actual upholstered piece. It comes with a manual foot pump instead of an electric one, which not only keeps the price down but also makes you part of the assembly process. It feels right for a chair that’s all about interacting with its materials. The deep green color seen in Milan is the kind of confident tone that can anchor a corner of a room without taking over.
The PS collection has always been IKEA’s design playground, a space for them to experiment since it first launched back in 1995. The rocking bench by Marta Krupinska has these wonderfully exaggerated runners, and Lex Pott’s floor lamp uses a simple diagonal cut so you can aim the light in three different directions. The full collection is set to launch on May 13, 2026. But the easy chair makes the sharpest point of the three. It argues that a chair built mostly on air can absolutely belong at Salone, as long as someone has thought carefully enough about the frame.
If you’re in Milan and want to see it for yourself, the chair is part of IKEA’s ‘Food For Thought’ exhibition. It’s being held at Spazio Maiocchi, located at Via Achille Maiocchi 7. The installation is open to the public and runs from April 21st through the 26th. It’s a great chance to see the chair, the lamp, and the bench in a setting that’s more about experience than just product display.
Prediction market Kalshi has taken action against three political candidates, alleging that each was engaged with insider trading of information about their campaigns. The company implemented new rules last month aimed at preventing politicians and athletes from placing bets on events they can control, and it said those guardrails helped to flag this trio of cases.
The three candidates are Mark Moran of Virginia, Matt Klein of Minnesota and Ezekiel Enriquez of Texas. Kalshi reached settlements with Klein and Enriquez, both of whom cooperated in the platform's investigations. Each will face a fine of less than $1,000 and suspensions of up to five years. Moran's case has resulted in a disciplinary action, with a five year suspension and a fine of more than $6,000. He posted on X about the situation and claimed this was essentially a stunt to see if he'd be caught and "to highlight how this company is destroying young men."
Kalshi and other prediction markets have been the subject of several lawsuits by state attorneys general that are attempting to regulate the sector as gambling. Nevada, Arizona and New York have cases underway, but the state-level attempts are not looking promising. An appeals court ruled against New Jersey's effort to govern this industry, and the US Commodity Futures Trading Commission has launched a lawsuit of its own in an effort to ensure it will be the only party to regulate prediction markets.
This article originally appeared on Engadget at https://www.engadget.com/big-tech/kalshi-suspended-three-political-candidates-from-its-platform-for-insider-trading-222433937.html?src=rss
Last year, Ecco the Dolphin creator Ed Annunizata teased plans to remaster the first two games in the series and create an entirely new sequel. Ecco the Dolphin: Complete, announced by Annunziata's studio A&R Atelier, appears to be the result of that work. The game doesn't have a release date yet, but A&R Atelier says it combines the planned remasters and third title into "the complete, definitive Ecco the Dolphin experience, created by the people who made the originals."
Complete includes "all versions of Ecco the Dolphin and Ecco: The Tides of Time," according to the developer, alongside "a brand-new contemporary Ecco game." Besides graphical improvements, A&E Atelier says the game will introduce "built-in speedrunning support, achievements and leaderboards," and things like the ability to create custom courses from existing levels. And while A&R Atelier's announcement doesn't include footage of the new game or the platforms it'll release on, the official Ecco the Dolphin website has a countdown clock that could point to when more information will be released.
Annunziata sued Sega to try and win the rights to the Ecco the Dolphin IP in 2013, the same year he failed to get The Big Blue, a spiritual sequel to Ecco the Dolphin, fully funded on Kickstarter. Sega and Annunziata ultimately settled their lawsuit in 2016, which may have laid the groundwork for Ecco the Dolphin: Complete to happen.
This article originally appeared on Engadget at https://www.engadget.com/gaming/ecco-the-dolphin-complete-will-combine-remasters-and-a-sequel-into-one-package-222020243.html?src=rss
There’s a version of going off-grid that means giving things up — signal, comfort, hot coffee, reliable light. Then there’s the version a new wave of purposeful gear is quietly making possible, where disconnecting from the grid doesn’t mean downgrading your experience at all. These ten tools are built for that second scenario. Each one solves a real problem the outdoors creates, with enough design intelligence that you’d carry them anywhere.
What’s changed isn’t just the technology; it’s the design thinking behind it. Gear for the outdoors used to mean sacrificing aesthetics for function. Now the best of it does both, blending rugged performance with a considered design that makes you want to own it before you need it. The ten picks ahead span communication, power, navigation, hygiene, and comfort — a full stack of upgrades for life beyond the last cell tower.
1. HMD Terra M
Most rugged phones solve the wrong problem. They add armor, lose usability, and end up too bulky to carry comfortably. The HMD Terra M takes a different approach. It’s compact and purpose-built for field conditions, carrying both IP68 and IP69K ratings, MIL-STD-810H military certification, and resistance to drops from 1.8 meters. It handles submersion, high-pressure water jets at 100 bar and 80°C, and exposure to gasoline, industrial solvents, and medical-grade sanitizers. That’s a resume most flagship phones would quietly fail.
What makes the Terra M genuinely useful outdoors is how it handles the small things. Large physical keys respond to gloved hands, a non-slip textured grip reduces fumbling, and a 2.8-inch display hits 550 nits behind Corning Gorilla Glass 3. These are the details that matter when you’re mid-job and can’t afford to stop and baby your device. The Terra M keeps you reachable and functional in places where most phones simply quit.
What We Like:
IP68, IP69K, and MIL-STD-810H rated for serious field conditions
Glove-compatible keys and a high-brightness display designed for outdoor use
What We Dislike:
The 2.8-inch screen limits any media or app-heavy use
The feature phone format won’t suit users dependent on smartphone functionality
2. RetroWave 7-in-1 Radio
A single device covering seven roles sounds like marketing language until you’re three days into a camping trip with a dead phone and no signal. The RetroWave handles AM, FM, and shortwave reception, Bluetooth streaming, MP3 playback via USB or microSD, a built-in flashlight, an SOS alarm, hand-crank charging, a solar panel, and a power bank function. Its retro Japanese design and tactile tuning dial make it something you’d want on a shelf, not buried in a go-bag.
Off-grid, it earns its place immediately. You stop carrying a flashlight, a radio, a speaker, and a backup charger as separate items. The RetroWave collapses all of that into one object you can grab and go. Whether riding out a storm at home or deep in a campsite with no hookups in sight, the hand-crank and solar panel mean you’re never entirely powerless. That reliability, in the right situation, is the difference between anxious and settled.
Seven functions in one device significantly reduce what you need to pack
Hand-crank and solar charging operate without any external power source
What We Dislike:
Multi-function design means no single feature is best-in-class
Retro aesthetic won’t suit every minimalist gear setup
3. O-Boy Satellite Smartwatch
There’s a version of emergency preparedness that stops at downloading an offline map. Then there’s O-Boy. Developed by Brussels-based studio Futurewave, it’s a satellite-connected smartwatch built for environments where mobile networks simply don’t reach — mountains, open ocean, remote job sites. In those places, it functions as a direct satellite communication link, letting you transmit an emergency alert regardless of what infrastructure exists beneath your feet.
What Futurewave got right, beyond the technology, is the design brief. O-Boy doesn’t read as overtly tactical or survival-coded. It looks like something a person who spends time in remote environments would actually wear — utilitarian without being aggressive. That broader visual appeal matters because people who need a backup safety layer the most aren’t always those who identify as outdoor athletes. O-Boy is designed for anyone who ventures where their phone simply cannot save them.
What We Like:
Satellite connectivity works in locations with zero mobile network coverage
Design is wearable beyond strictly tactical or adventure-specific contexts
What We Dislike:
Satellite communication typically requires an ongoing subscription service
Smartwatch form factor means battery management becomes a daily consideration
4. BlackoutBeam Tactical Flashlight
Most flashlights ask you to choose between power and portability. The BlackoutBeam doesn’t treat that as a meaningful trade-off. With 2,300 lumens of output, a 300-meter beam throw, and a 0.2-second response time, it delivers instant illumination exactly when you need it. The aluminum body carries an IP68 rating for water and dust resistance, built to handle rain, impact, and submersion without missing a beat.
What separates it from the drawer flashlight you forgot to charge is the combination of instant-on response and structural durability. In a blackout, a wildlife encounter, or a roadside situation at night, the difference between light and no light is rarely about brightness — it’s about how fast you get there. The BlackoutBeam gets there before you’ve finished reaching for it. Its industrial design keeps it from looking out of place in any context, which means it actually gets carried.
2,300-lumen output with 300-meter beam reach handles serious low-light scenarios
IP68 waterproof rating and 0.2-second response built for real-world emergencies
What We Dislike:
Maximum lumen output draws battery faster during extended use
Tactical aesthetic doesn’t integrate seamlessly into every EDC setup
5. Carabiner Power Bank
Most power banks are an afterthought in terms of how you carry them. They go loose in a pocket or rattle around at the bottom of a bag until the cable is buried somewhere unhelpful. This carabiner-shaped power bank removes that friction by making attachment the actual design concept. Clip it onto a bag strap, a jacket loop, or a belt, and your backup charge goes wherever you go without adding any mental overhead.
The real value is how it removes a common hesitation: people don’t carry a power bank until they’ve already needed one. A carabiner you clip on once and forget solves the carry problem entirely. Off-grid, that passive availability becomes genuinely important. It’s the kind of accessory that works not because it’s technically impressive, but because it respects how people actually behave and quietly builds itself into the routine.
What We Like:
Carabiner form clips directly to gear without consuming bag space
Rugged, compact design is suited to outdoor and trail use
What We Dislike:
Capacity is limited compared to a dedicated, full-size power bank
Not sufficient as a sole charging source for multi-day trips
6. X1 Portable Toilet
The outdoor bathroom situation is the least discussed but most universally felt problem with going off-grid. Clesana’s X1 addresses it without compromise. The battery-powered portable toilet looks like a compact cube at rest, then telescopes to full, home-equivalent height when needed. At 24 pounds with an integrated handle, one person can move it easily, and the ergonomics when deployed match what you’d expect at home, not in a festival field.
The real design achievement is what happens after use. Clesana’s patented thermoelectric sealing system wraps waste in individual sealed packages with no odor, no chemicals, and no water hookup required. Sealed waste collects in a lower chamber for clean, convenient disposal when the time comes. For van lifers, remote workers, and long-haul campers, the X1 elevates one of the most basic human needs to something approaching actual dignity. It’s a quiet but significant piece of off-grid infrastructure.
What We Like:
Telescopic design delivers home-height comfort in a fully portable format
Patented sealing system eliminates odor without chemicals or water connections
What We Dislike:
Battery dependency adds another device that needs to be monitored and charged
Sealed waste packages create an ongoing consumable cost over time
7. Loki-Nav 3-in-1 Compass
The Loki-Nav makes the case that the best survival tool is the one that actually gets packed. A standalone compass rarely does. But a compass that also works as a magnifying glass for map reading, an emergency signal mirror, and a fire-starting wood chip maker earns a permanent spot on any kit. Four tools in one object change the calculus on what’s worth carrying.
Its IPX8-rated compass is filled with premium white oil and delivers precise navigation in conditions that render most electronics useless — extreme cold, downpours, and complete darkness with the optional Luminous Compass Core upgrade. Smartphones are useful navigation tools right up until they aren’t, and coverage drop-outs and battery deaths are common enough that analog backup should be standard practice. The Loki-Nav doesn’t ask you to compromise on aesthetics to carry it, with three design options available. It’s a tool that respects the intelligence of the person using it.
What We Like:
Four survival functions in one design reduces what needs to be packed separately
IPX8-rated, oil-filled compass operates reliably in extreme temperatures
What We Dislike:
Wood chip fire-starting function is supplementary, not a primary fire tool
Each capability requires practice before relying on it in a real situation
8. Airflow 8-Panel Fire Pit
A campfire that tends itself is the dream. The Airflow 8-Panel fire pit doesn’t go that far, but its 8-panel removable design gets closer than most. Built around secondary combustion science, holes at the base of each panel channel primary airflow upward through double-walled cavities, producing a secondary burn that makes the fire significantly cleaner and more efficient. The result is minimal smoke and a fire that does more with less wood.
The adjustable panel system lets you control how open or enclosed the combustion chamber is, dialing the fire’s intensity up or down without constant prodding. Off-grid evenings deserve a real focal point, and a fire that performs well without drama is a quality-of-life upgrade that’s easy to underestimate until you’ve experienced it. Sanyo Works brings deep metal processing expertise to this design, and that background shows in how precisely the airflow mechanics are considered. Less compromise, more outdoor living.
The secondary combustion system produces minimal smoke for a noticeably cleaner burn
Adjustable 8-panel design allows real control over fire intensity
What We Dislike:
Eight individual panels mean more parts to pack and more potential for loss
Wood-only fuel system with no gas compatibility
9. COFFEEJACK V2
There’s something worth preserving in the process of making coffee, and the COFFEEJACK V2 understands that completely. It’s a fully manual, hand-crank espresso maker that builds up to 10 bars of pressure through rotation alone. No electricity, no battery, no automation. The crank forces hot water through a portafilter packed with a coffee puck, producing a proper espresso shot complete with crema, wherever you happen to be sitting.
The design is compact enough to pack without rethinking your kit, and the purely analog mechanism means nothing to charge and nothing to break electronically. For off-grid mornings, a proper hand-brewed espresso is a ritual worth keeping. It’s also arguably the clearest signal that going off-grid doesn’t require giving anything meaningful up. The COFFEEJACK V2 is the kind of object that makes a campsite feel intentional rather than improvised, which is the whole point.
What We Like:
Fully manual design requires zero power source or battery
Builds up to 10 bars of pressure for genuine espresso with full crema
What We Dislike:
A consistent technique is required to get the best extraction results
Hot water still needs to be sourced and heated separately before brewing
10. Giga Pump 4.0
Inflating gear by mouth or with a bulky hand pump has always been the slowest, most tedious part of setting up camp. The Giga Pump 4.0 eliminates that problem. Despite its compact size, it achieves 4.2 kPa pressure and a 220L per minute flow rate, representing a 90% efficiency improvement over its predecessor. A simple toggle switches between 4 kPa for firm inflation and 2 kPa for softer fill, handling mattresses, paddle boards, and tents with equal ease.
Deflation is handled just as efficiently. The reverse suction mode pulls air out as quickly as it pushes it in, compressing gear down for storage in a fraction of the usual time. Off-grid setups live and die by how much friction each task creates. A pump that does its job quickly and quietly, without requiring you to think about it, means more time spent doing the things you actually came out there for. That’s the right kind of upgrade.
What We Like:
90% efficiency improvement delivers 220L per minute from a compact body
Forward inflation and reverse deflation are handled by one device
What We Dislike:
Battery-powered design requires charging before each outing
Compact size means slightly less sustained pressure than full-size pump alternatives
The Grid Was Always Optional
Going off-grid used to require an acceptance of compromise. You’d lose convenience, comfort, and connectivity in exchange for space and silence. These ten tools quietly dismantle that trade-off. From satellite communication on your wrist to espresso brewed by hand at a campsite, the gap between outdoor living and the standards you hold at home has never been narrower. The gear has caught up. The question now is whether you have.
None of these products asks you to rough it. That’s the point. The best off-grid gear doesn’t celebrate deprivation — it removes the friction that made leaving the grid feel like a real sacrifice to begin with. Whether you’re building a go-bag, outfitting a van, or just spending more time outdoors, this kind of kit makes the case that beyond the last signal bar is exactly where you want to be.
NASA's next eye into the cosmos is due to leave our planet later this year. The agency says it's targeting an early September launch for the Nancy Grace Roman Space Telescope. Roman (for short) has a field of view 100 times larger than Hubble's.
The September date is the earliest possible launch for Roman. NASA says it will go up (aboard a SpaceX Falcon Heavy rocket) no later than May 2027.
"Roman will work in tandem with NASA observatories such as the James Webb Space Telescope and Chandra X-ray Observatory, which are designed to zoom in on rare transient objects once they've been identified, but seldom if ever discover them," Julie McEnery, Roman's senior project scientist, said in 2023. "Roman's much larger field of view will reveal many such objects that were previously unknown. And since we've never had an observatory like this scanning the cosmos before, we could even find entirely new classes of objects and events."
After leaving our atmosphere, Roman will set course for a vantage point nearly 1 million miles from Earth. There, it will rely on a pair of instruments to study space. The first is a 300.8-megapixel camera that captures light from visible to near-infrared. There's also a high-contrast coronagraph that will allow it to capture exoplanets that would otherwise be blocked by starlight.
Roman’s mission: "to settle essential questions in the areas of dark energy, exoplanets and astrophysics." Despite decades of study, astronomers know surprisingly little about dark energy, which makes up about 68 percent of the universe’s contents. And while scientific discoveries are cool and all, you’ll be pleased to know that Roman is also sure to beam back more dazzling pictures of our cosmos.
This article originally appeared on Engadget at https://www.engadget.com/science/space/nasa-targets-a-september-launch-for-its-next-big-space-telescope-204140176.html?src=rss
The French government confirmed that France Titres, also known as Agence nationale des titres sécurisés (ANTS), experienced a security breach last week. France Titres disclosed that it detected a data breach on April 15. The next day, a hacker claimed responsibility for the breach and claimed to have up to 19 million records that they are attempting to sell. According to Bleeping Computer, the data does not appear to have been widely leaked yet.
France Titres is responsible for the country's identification and registration materials, including driver’s licenses, national ID cards, passports and immigration documents. The compromised data includes full names, email addresses, dates of birth, account identifiers, login IDs, phone numbers and mailing addresses. The department said that while the breach did not permit access to its portals, the exposed information could be used for phishing attacks or other illicit actions. The announcement advised caution regarding any suspicious communications claiming to be from the agency.
This article originally appeared on Engadget at https://www.engadget.com/cybersecurity/frances-national-agency-for-managing-ids-and-passports-suffered-a-data-breach-last-week-201432189.html?src=rss
Apple's latest iOS update fixes a flaw in its notification database that made it possible for law enforcement to view deleted push notifications on a person's iPhone or iPad. The security flaw was one way law enforcement agencies like the FBI could circumvent Apple's strict stance towards user privacy, the Electronic Frontier Foundation writes, particularly since the company has required a court order to share notification data since 2023.
According to Apple's update notes, iOS 26.4.2 introduces "improved data redaction" to address an issue where "notifications marked for deletion could be unexpectedly retained on the device." The update is available now on "iPhone 11 and later, iPad Pro 12.9-inch 3rd generation and later, iPad Pro 11-inch 1st generation and later, iPad Air 3rd generation and later, iPad 8th generation and later and iPad mini 5th generation and later," Apple says.
The FBI's use of this particular iOS notification flaw was first reported on by 404 Media, who learned the agency used a tool to access Signal notification data stored locally on an iPhone even after it was deleted. Signal CEO Meredith Whitaker later acknowledged the issue on Bluesky, writing that "notifications for deleted [messages] shouldn't remain in any OS notification database, and we've asked Apple to address this." At the time, Whitaker directed Signal users to adjust their settings so that push notifications from the app didn’t include the name of the messenger or message content. In reaction to today’s news, Signal said on Bluesky that it is “very happy that today Apple issued a patch and a security advisory.”
The privacy of your notifications is vulnerable in at least two places, according to the EFF. In the cloud, where they get routed through a company's servers and likely partially logged in metadata, and on the local storage of the phone where they're received. Apple's update should ideally make deleted notifications appropriately inaccessible, but limiting what's actually visible in notifications in the first place is also worth considering.
Update, April 22, 6:40PM ET: This story was updated after publish to include comment from Signal.
This article originally appeared on Engadget at https://www.engadget.com/cybersecurity/apple-rolls-out-ios-2642-to-fix-a-flaw-that-allowed-the-fbi-to-access-push-notifications-201153603.html?src=rss
German tuning specialist, BRABUS, has shown to what extremes four-wheeler modding can go when you’ve already got a powerful machine at hand. They’ve now partnered with DAB Motors to bring those surreal tuning exploits to the two-wheeler world with electric bikes revealed at Milan Design Week 2026. Built on the trusted DAB 1α electric platform, the trio of bikes is designed for urban riders, combining minimalist design with performance-driven engineering.
The standard DAB 1α BRABUS sets the tone with its stripped-back aesthetic, lightweight construction, and premium finishes that elevate it beyond a conventional electric motorcycle. Crafted with high-end materials like CNC-machined aluminum and carbon fiber, the bike reflects BRABUS’ signature approach, which prides itself on precision, exclusivity, and bold styling.
The electric powertrain 1α BRABUS is tuned for city agility, offering brisk acceleration and a smooth, near-silent ride. This makes it ideal for navigating dense urban environments. The collaboration emphasizes craftsmanship as much as performance, with each component carefully designed to deliver both visual impact and functional efficiency. The bike has a starting price tag of €16,590 (approximately $19,500) and is currently up for pre-order with deliveries slated for the end of Q3 2026.
BRABUS Urban E
The BRABUS Urban E builds upon this foundation with a sharper focus on accessibility and everyday usability without compromising on the brand’s premium DNA. Designed as a more approachable model in the lineup, it retains the core elements of the DAB platform while introducing a refined aesthetic tailored for modern city commuters. The Urban E features a clean, understated design with subtle BRABUS detailing, blending seamlessly into urban landscapes while still standing out through its craftsmanship.
Its lightweight frame and compact proportions make it highly maneuverable, while the electric drivetrain ensures responsive performance suited for short-distance commuting. With an output of around 27 kW and torque figures pushing into high-performance territory for its size, the bike delivers quick acceleration and a lively riding character tailored for city use.
Positioned as a premium urban machine, the Urban E is priced at around €22,900 (approximately $27,000), reinforcing its place as a design-forward electric motorcycle rather than a mass-market commuter. Orders are open, with deliveries expected to begin in late 2026 across Europe and select global markets.
BRABUS Urban E First Edition
At the top of the range, the BRABUS Urban E First Edition takes exclusivity and design expression to another level. Limited to just 40 units globally and offered in distinct colorways, it is conceived as a collector’s piece rather than a conventional production bike. Each version carries a fully coordinated finish across body panels and structural elements, elevating it into a cohesive design object.
Visually, the bike carries a strong futuristic presence, with its sharp lines, minimal bodywork, and sculpted stance drawing comparisons to the iconic red motorcycle ridden by Shotaro Kaneda in Akira. While not a direct homage, the resemblance lies in its bold proportions and cyberpunk-inspired silhouette, giving the First Edition a cinematic quality that sets it apart in the electric mobility space.
This exclusivity is reflected in its pricing. The Urban E First Edition starts at around €32,500 (approximately $38,000) and can climb beyond €38,000 (approximately $44,000) depending on market and taxes, placing it firmly in the realm of collectible design rather than everyday transport. Availability is limited to select regions, including Europe and the UK, with deliveries also scheduled for late 2026.
With this surprise collaboration, BRABUS and DAB Motors are translating high-performance tuning philosophy into a new category, one where electric mobility meets bespoke craftsmanship, shaped for a future where even the daily ride carries a sense of occasion.
