Author Archives: JC Torres

These $100 Open-Ear Earbuds Won’t Fight Your Glasses, Hair, or Hat

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Open-ear earbuds have had a genuine moment over the past year, and it’s easy to understand why. About half of all earbud users have moved toward them, drawn by ambient awareness, ear health, and the comfort of not having anything plugged into their ear canals. The category has grown quickly, and the question now is which designs actually get it right.

The Skullcandy Push 540 Open enters that picture with a clear sense of what’s been bothering people. Thick earhooks that compete with glasses, neckbands that catch on hair and collars, and touch controls that trigger every time headwear grazes the sensor aren’t fringe complaints; they’re consistent ones. Skullcandy took that feedback and built the 540 Open around fixing each of them.

Designer: Skullcandy

Anyone who has worn open-ear hooks alongside glasses or a hat knows the small but mounting annoyance of too much hardware competing behind the ear. Skullcandy trimmed the earhook thickness based on direct user feedback, and the result is a fit that holds without adding friction to whatever you’re already wearing. It’s the kind of detail you only notice once you stop thinking about it.

The neckband gets the same thoughtful treatment. Unlike rigid or snapping designs found on competing options, Skullcandy’s version drapes naturally, so it won’t fight longer hair or push against a jacket collar. When you pull it off mid-run and don’t have the case on you, the magnetic closure lets it wrap cleanly around your wrist or neck without turning into a tangled nuisance.

Think about what it’s actually like to be deep into a trail run, layered up in a gaiter and hat, headphones that have stayed put the whole time, traffic audible from a distance. That’s the version of open-ear audio the 540 Open is built for. The over-ear hanger keeps things locked in, and the open design keeps the world around you audible.

Battery life is where the 540 Open puts some distance between itself and the competition. At 10 hours per earbud with 32 more in the case, it totals 42 hours, compared to six per earbud for both the Shokz Open Fit Air and JBL Soundgear Sense. The IP44 rating and a 10-minute rapid charge round it out for full days outdoors.

For anyone who trains with a hat on, the ability to disable the touch sensors entirely is a quietly significant option. Most open-ear earbuds don’t offer it. Audio comes from 12mm dynamic drivers, and Bluetooth 5.3 with multipoint pairing means two devices can stay connected at once, so moving between a phone and a laptop mid-workout doesn’t require any extra steps.

At $99.99, it’s $20 less than the Shokz Open Fit Air and $60 less than the JBL Soundgear Sense. What’s more interesting than the price gap is that it doesn’t get there by skimping. Better battery life, a flexible neckband that cooperates with real-world dressing, and comfort details from user feedback aren’t the kind of things that make headlines, but they’re what make the difference on a long day outdoors.

The post These $100 Open-Ear Earbuds Won’t Fight Your Glasses, Hair, or Hat first appeared on Yanko Design.

Satechi’s $130 Foldable 3-in-1 Charger Now Hits 25W for iPhones

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Wireless charging was supposed to simplify things. Instead, most Apple users end up with a tangle of pads and cables on the nightstand, one for the iPhone, another for the Apple Watch, and a separate spot for the AirPods. The technology meant to reduce friction has become its own kind of mess, especially for anyone who’s ever scrambled for a Watch charger before a morning flight.

Satechi’s 3-in-1 Foldable Wireless Charging Stand with Qi2 25W takes aim at that problem. The San Diego brand has updated its best-selling foldable charger with a meaningful upgrade, bumping wireless power delivery for compatible iPhones to 25W, a notable jump from the 15W ceiling most MagSafe-compatible pads have been stuck at. It’s built as a proper desktop stand, not just something you tolerate next to the lamp.

Designer: Satechi

Set the phone down on the magnetic charging surface, and Qi2’s built-in alignment snaps it into position so you don’t lose power from an off-center placement. The Apple Watch sits at a comfortable angle on its dedicated fast-charge module, while the AirPods rest on their own pad below. All three charge simultaneously from a single cable going to the wall, with nothing to juggle.

Apple Watch fast charging requires MFi certification, and Satechi has that covered. The stand supports Series 7 and newer, including Ultra and SE models. Advanced safety protections manage heat and prevent power loss when all three pads are active at once. The magnetic surface on the phone pad also ensures it stays correctly positioned even if you accidentally nudge it during the night.

Then there’s the folding design, which is where the stand earns its keep as a travel companion. It collapses into a flat form that fits easily in a carry-on without much bulk, then unfolds into the same stable stand you’re used to at home. There’s no need to rethink your charging setup just because you’ve checked into a different room across town or across the world.

Satechi also includes a 45W USB-C power adapter in the box, which sounds like a minor detail until you’re unpacking in a foreign hotel room. The adapter ships with US, EU, and UK plug attachments, meaning it works across different countries without needing a separate travel adapter. That’s a small but thoughtful decision for anyone whose travels take them to multiple regions throughout the year.

Available now on Satechi.com and Amazon, the stand retails for $129.99 in Space Black. It’s a higher investment than a single-device pad, but consolidating three separate chargers into one that travels as well as it sits on a desk makes that gap easier to justify. For Apple ecosystem users tired of the cable pile next to the bed, this stand offers a much cleaner end to every day.

The post Satechi’s $130 Foldable 3-in-1 Charger Now Hits 25W for iPhones first appeared on Yanko Design.

This $215 Phone Has a 7,000mAh Battery and Lasts 20 Hours on Video

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Budget smartphones have always played the same game of compromises. You get 5G connectivity but lose camera quality, or you get a fast screen but sacrifice battery life. As affordable phones adopt faster network speeds, keeping up with 5G’s energy demands has become one of the biggest challenges for manufacturers trying to keep costs down without leaving users hunting for an outlet before noon.

Realme’s answer to that is the C100 5G, a phone that doesn’t shy away from its budget origins but tries to get the fundamentals right. Built around the energy demands of a full-time 5G device, it leads with a 7,000mAh battery, backed by 45W SuperVOOC fast charging, a capable processor, and a 6.8-inch display that refreshes faster than most phones twice its price.

Designer: realme

Imagine the kind of day that drains most smartphones by mid-afternoon. You’re streaming music during your commute, navigating with GPS through unfamiliar streets, and then spending the evening on video calls or catching up on a show. Realme claims the C100 5G can handle nearly 20 hours of continuous video playback and over 18 hours of GPS navigation before needing a recharge.

When you do eventually need to plug in, the 45W fast charging takes care of the battery fairly quickly. There’s also 6.5W reverse wired charging built in, meaning the phone can act as a power bank for other devices when you’re away from an outlet. It also supports bypass charging, which helps reduce battery strain during extended gaming or heavy usage sessions.

Under the hood is MediaTek’s Dimensity 6300, a 6nm chip that handles 5G connectivity and everyday multitasking without much fuss. The display runs at up to 144Hz, which is genuinely rare at this price point, making scrolling and casual gaming feel noticeably smoother. It peaks at 900 nits of brightness and covers 83% of the NTSC color gamut, holding up decently outdoors.

The rear camera centers on a 50MP main sensor with an f/1.8 aperture and autofocus, capable of solid daylight photography, while the 5MP front camera handles selfies and video calls without complaint. The phone comes in two colors, Blooming Purple with a floral-patterned back and Sprouting Green, both with a matte frame and a squared-off silhouette measuring about 8.88mm thick.

Durability is also factored in, with an IP64 rating for dust and water splash resistance and a claim of 360-degree drop protection with military-grade certification. Running Realme UI 7.0 based on Android 16, the phone also supports external memory cards for additional storage. In Thailand, pricing starts at THB 6,999 (around $215) for 4GB/128GB and THB 7,499 (around $230) for 6GB/128GB.

For a budget phone, the C100 5G makes an interesting case by not competing on camera specs or premium materials, but on the one thing most users are tired of compromising on. Not everyone needs the sharpest sensor or the fastest chipset, but nearly everyone has panicked at a single-digit battery percentage at some point, and Realme clearly knows exactly who it’s building this for.

The post This $215 Phone Has a 7,000mAh Battery and Lasts 20 Hours on Video first appeared on Yanko Design.

This $215 Phone Has a 7,000mAh Battery and Lasts 20 Hours on Video

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Budget smartphones have always played the same game of compromises. You get 5G connectivity but lose camera quality, or you get a fast screen but sacrifice battery life. As affordable phones adopt faster network speeds, keeping up with 5G’s energy demands has become one of the biggest challenges for manufacturers trying to keep costs down without leaving users hunting for an outlet before noon.

Realme’s answer to that is the C100 5G, a phone that doesn’t shy away from its budget origins but tries to get the fundamentals right. Built around the energy demands of a full-time 5G device, it leads with a 7,000mAh battery, backed by 45W SuperVOOC fast charging, a capable processor, and a 6.8-inch display that refreshes faster than most phones twice its price.

Designer: realme

Imagine the kind of day that drains most smartphones by mid-afternoon. You’re streaming music during your commute, navigating with GPS through unfamiliar streets, and then spending the evening on video calls or catching up on a show. Realme claims the C100 5G can handle nearly 20 hours of continuous video playback and over 18 hours of GPS navigation before needing a recharge.

When you do eventually need to plug in, the 45W fast charging takes care of the battery fairly quickly. There’s also 6.5W reverse wired charging built in, meaning the phone can act as a power bank for other devices when you’re away from an outlet. It also supports bypass charging, which helps reduce battery strain during extended gaming or heavy usage sessions.

Under the hood is MediaTek’s Dimensity 6300, a 6nm chip that handles 5G connectivity and everyday multitasking without much fuss. The display runs at up to 144Hz, which is genuinely rare at this price point, making scrolling and casual gaming feel noticeably smoother. It peaks at 900 nits of brightness and covers 83% of the NTSC color gamut, holding up decently outdoors.

The rear camera centers on a 50MP main sensor with an f/1.8 aperture and autofocus, capable of solid daylight photography, while the 5MP front camera handles selfies and video calls without complaint. The phone comes in two colors, Blooming Purple with a floral-patterned back and Sprouting Green, both with a matte frame and a squared-off silhouette measuring about 8.88mm thick.

Durability is also factored in, with an IP64 rating for dust and water splash resistance and a claim of 360-degree drop protection with military-grade certification. Running Realme UI 7.0 based on Android 16, the phone also supports external memory cards for additional storage. In Thailand, pricing starts at THB 6,999 (around $215) for 4GB/128GB and THB 7,499 (around $230) for 6GB/128GB.

For a budget phone, the C100 5G makes an interesting case by not competing on camera specs or premium materials, but on the one thing most users are tired of compromising on. Not everyone needs the sharpest sensor or the fastest chipset, but nearly everyone has panicked at a single-digit battery percentage at some point, and Realme clearly knows exactly who it’s building this for.

The post This $215 Phone Has a 7,000mAh Battery and Lasts 20 Hours on Video first appeared on Yanko Design.

This $215 Phone Has a 7,000mAh Battery and Lasts 20 Hours on Video

Posted on by

Budget smartphones have always played the same game of compromises. You get 5G connectivity but lose camera quality, or you get a fast screen but sacrifice battery life. As affordable phones adopt faster network speeds, keeping up with 5G’s energy demands has become one of the biggest challenges for manufacturers trying to keep costs down without leaving users hunting for an outlet before noon.

Realme’s answer to that is the C100 5G, a phone that doesn’t shy away from its budget origins but tries to get the fundamentals right. Built around the energy demands of a full-time 5G device, it leads with a 7,000mAh battery, backed by 45W SuperVOOC fast charging, a capable processor, and a 6.8-inch display that refreshes faster than most phones twice its price.

Designer: realme

Imagine the kind of day that drains most smartphones by mid-afternoon. You’re streaming music during your commute, navigating with GPS through unfamiliar streets, and then spending the evening on video calls or catching up on a show. Realme claims the C100 5G can handle nearly 20 hours of continuous video playback and over 18 hours of GPS navigation before needing a recharge.

When you do eventually need to plug in, the 45W fast charging takes care of the battery fairly quickly. There’s also 6.5W reverse wired charging built in, meaning the phone can act as a power bank for other devices when you’re away from an outlet. It also supports bypass charging, which helps reduce battery strain during extended gaming or heavy usage sessions.

Under the hood is MediaTek’s Dimensity 6300, a 6nm chip that handles 5G connectivity and everyday multitasking without much fuss. The display runs at up to 144Hz, which is genuinely rare at this price point, making scrolling and casual gaming feel noticeably smoother. It peaks at 900 nits of brightness and covers 83% of the NTSC color gamut, holding up decently outdoors.

The rear camera centers on a 50MP main sensor with an f/1.8 aperture and autofocus, capable of solid daylight photography, while the 5MP front camera handles selfies and video calls without complaint. The phone comes in two colors, Blooming Purple with a floral-patterned back and Sprouting Green, both with a matte frame and a squared-off silhouette measuring about 8.88mm thick.

Durability is also factored in, with an IP64 rating for dust and water splash resistance and a claim of 360-degree drop protection with military-grade certification. Running Realme UI 7.0 based on Android 16, the phone also supports external memory cards for additional storage. In Thailand, pricing starts at THB 6,999 (around $215) for 4GB/128GB and THB 7,499 (around $230) for 6GB/128GB.

For a budget phone, the C100 5G makes an interesting case by not competing on camera specs or premium materials, but on the one thing most users are tired of compromising on. Not everyone needs the sharpest sensor or the fastest chipset, but nearly everyone has panicked at a single-digit battery percentage at some point, and Realme clearly knows exactly who it’s building this for.

The post This $215 Phone Has a 7,000mAh Battery and Lasts 20 Hours on Video first appeared on Yanko Design.

This Color E Ink Monitor Runs at 60Hz: Real Work, No Eye Strain

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Spending hours in front of a glowing screen is unavoidable for most people, and the toll it takes on the eyes is a problem the monitor industry hasn’t truly solved. E Ink displays offer a gentler, paper-like alternative that’s far easier to stare at for long stretches, but most of them are painfully slow, limited in resolution, and not really up to the demands of daily computing.

The Modos Flow is Modos Tech’s answer to that problem. Built by a Boston-based hardware startup, it’s a 13.3-inch E Ink portable monitor designed not just for casual reading but for all-day, focused work. It targets the kind of person who needs a real secondary screen but wants to spend less time squinting and more time actually getting things done.

Designer: Modos Tech

Most E Ink monitors struggle as daily drivers because of their refresh rate. Traditional panels tend to crawl, making anything beyond static document reading a frustrating experience. The Modos Flow uses a custom board with open-source firmware to push its display to 60 Hz, enough to scroll through pages, type without noticeable lag, and use the screen as a functional everyday monitor rather than a glorified e-reader.

Resolution is also where the Modos Flow separates itself. In black-and-white mode, it renders at 3,200 x 2,400 pixels with a pixel density of 300 PPI, making text crisp enough to satisfy anyone used to retina-grade displays. Color mode brings the resolution down to 1,600 x 1,200 pixels at 150 PPI, which is a fair trade given how rarely E Ink panels offer color at all.

Touch and stylus support round out what’s becoming a surprisingly versatile display. Modos brought the latency down to under 100ms, so annotating a document, sketching ideas, or jotting notes with a stylus actually responds the way you’d want it to. It won’t replace a dedicated drawing tablet, but for someone who routinely works between a laptop and a secondary screen, having that input option without swapping devices is genuinely useful.

Its physical design is straightforward and practical. A built-in cover doubles as a stand and folds flat for travel, while VESA mounting holes on the back make it easy to attach to a monitor arm or desk mount. Three side buttons let you adjust brightness, contrast, and display mode without touching your computer. Connectivity runs through USB-C with DisplayPort Alt-Mode support, which keeps the setup clean with a single cable.

One of the quieter advantages of E Ink over LCD or OLED is power consumption, and that matters here. When connected to a laptop via USB-C, the Modos Flow draws significantly less power than a conventional secondary monitor, meaning your battery isn’t taking nearly the hit it normally would. It works with Windows, macOS, and Linux out of the box, so there’s no particular setup hurdle to clear. Pricing hasn’t been confirmed yet, but Modos has indicated it should be comparable to other portable monitors.

The post This Color E Ink Monitor Runs at 60Hz: Real Work, No Eye Strain first appeared on Yanko Design.

Pixel 10a Just Proved a Smartphone Color Can Actually Mean Something

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Smartphone colors have become one of the more formulaic aspects of mobile design. Most brands cycle through the same soft pastels and stone-inspired neutrals, year after year, with names like Moonstone, Fog, and Porcelain doing most of the heavy lifting. It’s a safe approach that generally works, but there’s rarely any real meaning behind these choices. A color is just a color, and that’s often where the story ends.

Google seems to have had the same thought, at least for Japan. The Pixel 10a Isai Blue is a Japan-exclusive model developed in collaboration with Heralbony, a creative company that works with artists with disabilities to produce new forms of cultural expression. It celebrates a decade of Pixel phones, and rather than simply marking the occasion with a new shade, Google made the color itself worth talking about.

Designer: Google x Heralbony

Japan didn’t get the Pixel 10a when it first launched globally in February, which was a bit of an odd omission given how well the A-series has performed there. The country has quietly grown into one of Google’s stronger Pixel markets, so the wait wasn’t really a sign of indifference. Returning to Japanese fans with something made specifically for them says a lot more than a straight regional rollout would.

The name alone sets this apart from anything Google has done before. “Isai” translates to unique and unparalleled individuality, and this is actually the first time a Pixel color has been given a Japanese name. Most Pixel colors borrow from the natural world, but Isai Blue is built around something more conceptual: a deep navy shade tied to Heralbony’s own brand identity and its mission to celebrate human difference.

That philosophy runs all the way through to the software, too. Three Heralbony-contracted artists, Shigaku Mizukami, Midori Kudo, and Kaoru Iga, each contributed original designs that became exclusive wallpapers on the device. Pick one of the nine available artworks, and Material You automatically reshapes the phone’s icon colors and styling to match. It’s the kind of visual cohesion you don’t usually get with a phone at this price.

Of course, the collaboration doesn’t stop at the screen. Every unit comes bundled with an exclusive bumper case designed around the Pixel 10a’s completely flat back, which does away with any camera protrusion and makes the phone far easier to set down. Original stickers are also included, and the box sleeve carries artwork by Midori Kudo, so the whole unboxing feels deliberately curated.

The Isai Blue comes in a single 256GB configuration, priced at ¥94,900 (roughly $594) and available for pre-order in Japan ahead of its May 20 sale date. It’s only available while supplies last, which fits for something that was never really meant to be a mass-market offering. Google took the time to make this feel like a genuine gesture rather than a routine launch, and Japan has every reason to feel appreciated.

The post Pixel 10a Just Proved a Smartphone Color Can Actually Mean Something first appeared on Yanko Design.

Anker’s $70 Power Strip Clamps to Your Desk, Keeps Cables Off Floors

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Desks have gotten more crowded. Between the laptop, the monitor, the phone, and whatever Bluetooth peripherals have accumulated over the past few years, keeping everything charged without making a mess has become its own challenge. Power strips have always been the go-to solution, but most still end up on the floor or behind furniture, at the end of a cable that creates the very clutter it was supposed to fix.

Anker’s Nano Power Strip (10-in-1, 70W, Clamp) approaches that problem from a different angle, quite literally. Instead of sitting on a surface or hiding under a desk, it clamps onto the desk edge, putting 10 ports right where they’re actually useful. First unveiled at CES 2026 and now available in the US for $69.99, it aims to reduce the mess that most power strips quietly make worse.

Designer: Anker

The clamp structure sits on either side of the desk edge, with ports distributed across its upper and lower sections. Six AC outlets handle the larger plugs, while two USB-A and two USB-C ports take care of smaller devices. Splitting the ports between two zones keeps things from crowding on one side, a small but practical detail that makes the strip feel properly considered rather than just generously stocked.

The USB-C charging capability is where the performance stands out. A single USB-C port can deliver up to 70W, enough to run a MacBook or most other laptops without needing a separate wall adapter. That output relies on GaN technology, which keeps the strip slim at just 0.75 inches thick despite the power output, and avoids the extra heat and bulk that older charging components tend to generate.

Installing it takes seconds. The adjustable clamp fits desk edges between 0.6 and 1.8 inches thick, covering most standard desks, and locks in firmly enough for one-hand use. That might sound like a minor detail, but plugging in a cable while the strip shifts around is exactly the kind of daily irritation that compounds. A stable mount means you’re not bracing the strip with your other hand every single time.

Anker also built in 1,500J of surge protection, along with a smart overload mechanism that includes a reset button. When it trips, the button pops out to cut power instantly. Press it again, and it’s back to normal. It’s a simple failsafe, but a useful one on a strip mounted at desk height, where a sudden power surge or overloaded circuit could easily go unnoticed until something stops working.

Anker markets it for gaming and office setups alike, and it’s easy to see why. Gaming desks accumulate powered accessories faster than most, from peripherals to controllers to headset chargers. The dual-zone layout helps spread those cables rather than pile them in one corner, and the 0.75-inch profile doesn’t take up surface space or interfere with the kind of clean, organized desk that people actually put effort into building.

Cable clutter isn’t going anywhere, but it can at least be contained. The Nano Power Strip doesn’t reinvent the power strip so much as it rethinks where one should live. At $69.99, it’s a reasonable ask for 10 ports, 70W of GaN-powered fast charging, and a desk-mounted solution that keeps the tangle off the floor and closer to where it actually gets used.

The post Anker’s $70 Power Strip Clamps to Your Desk, Keeps Cables Off Floors first appeared on Yanko Design.

These Steel Chairs Are Too Big to Sit In: Walk Through Them Instead

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Most public art earns its place on a pedestal and stays there. It asks you to look, maybe photograph it, and walk away. The relationship between viewer and work rarely extends beyond that brief transaction. That’s been the convention for a long time, but there’s a growing push for installations that don’t just occupy public space but actually do something within it.

Michael Jantzen has been exploring that tension for years. His Moving Furniture series applies a simple idea to ordinary chairs and tables: take each object’s form and repeat it in progressive intervals as if capturing it mid-movement, then connect those moments into a single piece. The result is something you can still sit in or set a drink on, even if it no longer looks quite built for that.

Designer: Michael Jantzen

Monumental Moving Furniture takes that same concept into architectural territory. Built from painted steel, the series consists of abstracted chair and table forms, each generated by moving the original object through space and time and locking its path into a chain of connected segments. At this scale, what started as a reference to everyday objects feels closer to a building than a piece of furniture.

The method behind each piece is consistent. A chair or table is set in motion through space and time, with each interval frozen and joined to the next. Some pieces move only part of the original form; others shift the whole thing. The result is a structure that stops belonging to any single discipline and starts reading as furniture, sculpture, and architecture at once.

Despite being too large to sit in, these sculptures aren’t purely decorative. Each is large enough to walk under and through, giving it a practical function as a pavilion and shelter. That’s not something most public art can claim. Instead of asking people to observe from a polite distance, these structures pull you in, turning a passive encounter into something more physical and immediate.

The series covers both chair forms and table forms, each treated with the same sequential abstraction. Individual pieces have also been grouped into configurations that suggest more complex structures, as if each were a building block for something larger. Painted in vivid, solid colors like white, orange, and yellow, each structure commands attention from a distance and rewards a closer look once you’re standing beneath it.

Public spaces deserve more than objects to look at. They deserve things to experience. Monumental Moving Furniture earns its place on both counts, offering structures large enough to shelter visitors while giving them something genuinely puzzling to engage with. These forms don’t demand reverence. They invite curiosity, exploration, and the kind of slow, circling attention that good public space has always been designed to encourage.

The post These Steel Chairs Are Too Big to Sit In: Walk Through Them Instead first appeared on Yanko Design.

These Steel Chairs Are Too Big to Sit In: Walk Through Them Instead

Posted on by

Most public art earns its place on a pedestal and stays there. It asks you to look, maybe photograph it, and walk away. The relationship between viewer and work rarely extends beyond that brief transaction. That’s been the convention for a long time, but there’s a growing push for installations that don’t just occupy public space but actually do something within it.

Michael Jantzen has been exploring that tension for years. His Moving Furniture series applies a simple idea to ordinary chairs and tables: take each object’s form and repeat it in progressive intervals as if capturing it mid-movement, then connect those moments into a single piece. The result is something you can still sit in or set a drink on, even if it no longer looks quite built for that.

Designer: Michael Jantzen

Monumental Moving Furniture takes that same concept into architectural territory. Built from painted steel, the series consists of abstracted chair and table forms, each generated by moving the original object through space and time and locking its path into a chain of connected segments. At this scale, what started as a reference to everyday objects feels closer to a building than a piece of furniture.

The method behind each piece is consistent. A chair or table is set in motion through space and time, with each interval frozen and joined to the next. Some pieces move only part of the original form; others shift the whole thing. The result is a structure that stops belonging to any single discipline and starts reading as furniture, sculpture, and architecture at once.

Despite being too large to sit in, these sculptures aren’t purely decorative. Each is large enough to walk under and through, giving it a practical function as a pavilion and shelter. That’s not something most public art can claim. Instead of asking people to observe from a polite distance, these structures pull you in, turning a passive encounter into something more physical and immediate.

The series covers both chair forms and table forms, each treated with the same sequential abstraction. Individual pieces have also been grouped into configurations that suggest more complex structures, as if each were a building block for something larger. Painted in vivid, solid colors like white, orange, and yellow, each structure commands attention from a distance and rewards a closer look once you’re standing beneath it.

Public spaces deserve more than objects to look at. They deserve things to experience. Monumental Moving Furniture earns its place on both counts, offering structures large enough to shelter visitors while giving them something genuinely puzzling to engage with. These forms don’t demand reverence. They invite curiosity, exploration, and the kind of slow, circling attention that good public space has always been designed to encourage.

The post These Steel Chairs Are Too Big to Sit In: Walk Through Them Instead first appeared on Yanko Design.