Author Archives: JC Torres

Twist This Minimalist Side Table’s Handle, and It Becomes the Lamp

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Side tables and lamps behave awkwardly in small apartments. The drink and book migrate from sofa to armchair throughout the day, but the lamp never seems to be where you need it, and the cable gets dragged across the floor. Most furniture still assumes a fixed layout, even though habits are much more fluid, especially in spaces where the same corner has to function as office, living room, and dining area by Thursday.

Grab & Glow is a portable side table with a clever twist. Its legs pass through the tabletop and continue upward to form a single handle. That handle is the thing you instinctively reach for when you want to move it, so the table, light, and whatever is on top travel together instead of you juggling a tray in one hand and a lamp in the other while trying not to trip over the cord.

Designer: Liam de la Bedoyere

The handle is also the light source. You loosen a small bolt at the edge, rotate the handle, and a hidden light flicks on at the curved end. The same tube that makes the table easy to carry becomes an arm that throws a pool of light onto the surface below, so the gesture of settling in somewhere new and turning on the lamp is literally the same motion, one twist.

The tabletop is a powder-coated metal disc with a slight lip that keeps books and glasses from sliding when you move it. The finish is built for everyday use, resistant to scratches and rings, so it can live next to a sofa, bed, or reading chair without feeling precious or needing coasters. The circular footprint keeps it compact, which matters when you’re threading it between furniture or tucking it under a desk.

Integrated cable management means the power cord runs neatly down one leg, held by discreet clips, and can be wrapped when you need to tidy up. A small cut-out on the tabletop rim lets the plug or a charging cable pass through without getting pinched, so you can route power to the lamp or a laptop without a tangle, even as the table moves around the room throughout the week.

A day with Grab & Glow might start with it acting as a coffee perch in the morning, a laptop stand by the sofa in the afternoon, and then a reading light by the bed at night. The height and handle make it easy to lift without bending much, and the light always ends up exactly where your book or keyboard is because it’s attached to the same object you’re already carrying from room to room.

Grab & Glow treats a side table less like a static piece of furniture and more like a personal tool you carry around the house. By letting the legs pierce the tabletop to become a handle and lamp, and by quietly solving the cable problem, it shows how a single structural idea can make flexible living feel less improvised and more designed, one grab at a time.

The post Twist This Minimalist Side Table’s Handle, and It Becomes the Lamp first appeared on Yanko Design.

This Modular Console Changes Layout With Magnetic Snap-In Controls

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Modern creative desks are covered in controllers. A Stream Deck for macros, a MIDI controller for faders, a tablet for drawing, maybe a separate panel for color grading. Each tool is great at one thing but locks its layout in place, so switching from streaming to editing to design means mentally remapping controls or physically swapping gear, sometimes both when you’re already behind schedule.

Airttack One is a concept that imagines a single, modular slab that can become any of those controllers in seconds. Described as a “modular revolution,” it’s a minimalist device with a magnetic base that accepts different hardware modules, LCD screens, knobs, joysticks, and button clusters. You rebuild the surface for the task instead of living with a one-size-fits-all grid that only makes sense for one app.

Designer: Alberto Cristino, Mateus Otto (Prosper Visuals)

The base is a grid of circular sockets with power and data contacts. You snap in modules in whatever arrangement makes sense. A streaming session might use a central screen for scenes and chat, surrounded by buttons for triggers and a fader strip for audio. A video edit later that night swaps those for jog wheels, scrub knobs, and dedicated cut keys, each magnetically locked into place without tools or software reassignments.

The software side runs on a 1500-nit touchscreen that stays readable under studio lights. An iOS-inspired interface shows a grid of apps, and a third-party store extends what the hardware can do, from streaming overlays to DAW controllers to brush panels. Each app can push its own layout to the modules, so the same physical knobs and screens behave differently in Resolve, Ableton, or Blender without manual mapping.

Dual cameras with a LiDAR sensor hint at depth-aware capture, AR previews, or motion-tracked controls. The concept also references radio and network tools, which in creative terms could mean wireless camera management, multi-device streaming, or interactive installations. The hardware isn’t locked to one discipline. It’s a blank, magnetic canvas for whatever combination of inputs your project needs.

Airttack lives on a desk as a control surface during the day, then drops into a bag with different modules for an on-site shoot or live event. The industrial design stays low-profile and discreet, with metallic textures and magnetic connectors hidden under a clean grid, so it reads as a serious tool even when the layout is playful, full of knobs and joysticks for a VJ set or game stream.

Airttack One imagines hardware catching up to the way creative software already works: modular, layered, and context-aware. Instead of buying a new controller every time your workflow evolves, you rearrange the same base, load a different app set, and keep going. Whether or not this exact device ships, the idea of a shape-shifting creative console that molds itself to your projects feels overdue when most of us already juggle three controllers that could have been one.

The post This Modular Console Changes Layout With Magnetic Snap-In Controls first appeared on Yanko Design.

Stern Built a Pokémon Pinball Machine Where Ramps Catch Pikachu

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Pokémon and pinball both taught a certain generation about progression: one through turn-based battles on a handheld, the other through flashing inserts and modes on a noisy table. Licensed pinball can feel lazy when it just slaps art on a generic layout. Stern’s Pokémon machine tries to do something harder, turning the actual structure of a Pokémon adventure into mechanical play instead of just plastering Pikachu on the backglass and calling it done.

Stern Pinball’s Pokémon pinball machine is a full-size, modern table built around a colorful playfield with ramps, targets, and toys, including a big Poké Ball, an animatronic Pikachu, and Team Rocket’s Meowth-shaped balloon. An LCD screen handles animations and story beats. The promise is simple: catch and train Pokémon, take on Gym Battles, and thwart Team Rocket with flippers and a silver ball instead of button presses.

Designer: Stern Pinball

Each game starts by dropping you into a random biome, forest, water, mountain, or desert. Shots in that zone correspond to discovering, catching, and training Pokémon partners, so hitting the right ramps feels like walking through tall grass or surfing a route, just with more noise and steel. Clearing tasks in a biome is how you move the story forward, not just how you chase a score.

Team Rocket shows up as trouble. Certain sequences trigger a Team Rocket encounter, where you protect Pokémon during a frantic multiball, keeping multiple balls in play while the table tries to steal your partners. Once you’ve done enough in a biome, you unlock a Gym Battle against a rival party, a more focused mode that feels like a boss fight mapped onto drop targets and ramps.

Clearing all the biomes’ Gym Battles opens the door to the Pokémon Arena, a final stage that pulls everything together. There’s even a path to face Giovanni, Team Rocket’s boss, reserved for players who can keep control long enough to see deep into the ruleset. That layered structure gives casual players something to do immediately and gives pinball regulars a long arc to chase over many sessions.

Stern is offering Pro, Premium, and Limited Edition versions, all sharing the same core rules but scaling up mechanical and cosmetic detail. The Pro is the workhorse you’re likely to see in arcades and bowling alleys, while Premium and Limited Edition add more elaborate toys, lighting, and trim for home buyers and collectors who want the full treatment in a dedicated game room.

This machine sits between generations: kids who know Pokémon first and adults who know pinball first. By using biomes, catches, Gyms, and Team Rocket as the spine of the rules, Stern has built a table that feels like a physical remix of a familiar journey rather than a billboard with flippers tacked on. It’s a branded pinball experience that respects both the game and the license, offering something that can earn its keep in a lineup instead of trading on nostalgia until everyone gets bored.

The post Stern Built a Pokémon Pinball Machine Where Ramps Catch Pikachu first appeared on Yanko Design.

TEAC’s Turquoise Bluetooth Turntable Is a One-Time Color Drop

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Turntables have crept back into living rooms as much for how they look as for how they sound. The usual palette is black boxes, silver arms, maybe a walnut plinth if you’re lucky. A record player sits in the open on a sideboard or media console, so it has to pull double duty as a hi-fi component and visual anchor, something you notice even when it isn’t spinning.

TEAC’s Special Edition Turquoise Blue TN-400BTX is a manual belt-drive Bluetooth turntable that takes the existing TN-400BT-X platform and wraps it in a glossy turquoise lacquer. It’s a limited-run finish on a high-density MDF plinth, meant to be a one-time color drop rather than a permanent SKU, which immediately nudges it into “object you choose on purpose” territory instead of just another black box.

Designer: TEAC

This deck in a bright apartment would catch light under a clear dust cover while a record spins. The turquoise plinth pushes it away from anonymous gear into something closer to a mid-century accent piece, the kind of thing you notice even when it isn’t playing. It’s still a serious turntable, just one that isn’t afraid to look a little joyful when most vinyl gear pretends color is beneath it.

Under the paint sits the same proven hardware. The TN-400BTX uses a three-speed belt-drive with a die-cast aluminum platter and a low-resistance spindle riding in a brass bearing for stable rotation. An S-shaped static-balanced aluminum tonearm with adjustable counterweight and anti-skate carries a pre-installed Audio-Technica AT95E MM cartridge, so you can drop the needle straight out of the box and upgrade later if you want.

The built-in phono EQ amplifier uses an NJM8080 op-amp to boost the tiny signal from the stylus without a lot of distortion. That means you can plug the deck straight into a line-level input on an amp or powered speakers, or switch to phono out and use an external stage if you’re picky. Gold-plated RCA jacks and a ground terminal round out the wired side without getting fussy.

The wireless trick is simple but useful. A Bluetooth 5.2 transmitter with SBC, aptX, and aptX Adaptive lets you send your records to Bluetooth headphones or speakers with better quality and lower latency than basic SBC. Pairing is handled with a single button and LED, so you can go from spinning a record through a traditional system to a late-night headphone session without moving the turntable.

This special edition doesn’t touch the mechanics or electronics; it just dresses them in a color that feels more like a mood than a spec. The turquoise lacquer, aluminum hardware, and clear cover turn a competent analog-plus-Bluetooth deck into something you might build a room around. A limited-run splash of color on solid hardware is worth considering when most turntables hide in black, and you actually want to look at the thing while it works.

The post TEAC’s Turquoise Bluetooth Turntable Is a One-Time Color Drop first appeared on Yanko Design.

This Bedside Charger UV-Cleans Your Phone and Pops It Up Like Toast

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Phones go to bed dirty. They’ve been in your hands, on tables, in pockets, collecting bacteria all day, and they usually charge on a nightstand next to where you sleep without ever being cleaned. UV sanitizers exist, but most are clinical white boxes that feel more like medical equipment than something you’d want on your bedside table, and they rarely do anything beyond sterilization.

The Phone Toaster is a charging and sterilization device designed by DIVE for Aprill x Stone that borrows the form and ritual of an analog toaster. You slide your phone into a vertical slot at the top before bed, and the device charges it, sterilizes it with what’s likely UV light inside the chamber, and then “delivers” it back with an alarm in the morning, like toast popping up when it’s ready.

Designers: Minki Kim, Kyumin Hwang (DIVE Design)

The bedtime ritual is straightforward. You drop your phone into the slot, pull the front slider down like a toaster lever, and the device takes over. Inside, the phone charges while UV light cycles through to kill surface bacteria. A digital clock on the front keeps time, and the base glows with a soft, indirect LED ring that casts pastel light from underneath, making the space feel cozier instead of clinical before you turn off the lights.

When the alarm goes off in the morning, the device notifies you that your phone is fully charged and sterilized, ready to start another day. The scenario is meant to mirror the experience of making toast, inserting something, waiting, and getting it back transformed. Instead of bread that’s warm and crispy, you get a phone that’s clean and charged, which is a surprisingly fitting metaphor when you think about it.

The controls lean into that toaster language. Two small buttons on the top handle alarm and brightness settings, while the front slider and round, glossy knob feel tactile and familiar. The strong contrast between the matte, textured body and the shiny button gives the small form a bit of personality, making it read more like a playful bedside object than a piece of tech that’s just doing a job quietly in the background.

Color options include pastel blue, beige, yellow-orange, sage green, and gray, all meant to appeal to millennials who want their gadgets to reflect their personality instead of just sitting there in generic black or white. The soft hues and bottom lighting are designed to make the toaster feel like part of a calm nighttime routine rather than another device demanding attention.

Phone Toaster reframes phone sterilization and charging as a small bedtime ritual instead of something you forget about or do with a tangle of cables. Borrowing the toaster’s form, controls, and even the “pop” delivery moment, it makes putting your phone away at night feel intentional and a bit playful. The design is a gentle nudge that says hygiene tech doesn’t have to look clinical to be taken seriously.

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Edrin 6-in-1 Carabiner-Knife Lives on Your Belt, Not in Your Bag

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You technically own the right tools: a knife in a bag pocket, a small driver in a drawer, a keychain gadget somewhere under receipts. But when something needs cutting or tightening, the moment passes while you are still searching. The real problem isn’t capability but access, and the tools you actually use are the ones that live where your hand already goes instead of being buried at the bottom of a pack.

Edrin is a titanium carabiner-first knife that treats the clip, not the blade, as the starting point. It is a compact 6-in-1 tool built around a GR5 titanium frame with an integrated carabiner, a separate D-ring for keys, and a folding D2 blade tucked into the side. The goal is simple: it stays clipped to your belt loop, pack strap, or pocket edge all day, instead of disappearing into a bag.

Designer: MR. GADGET

Click Here to Buy Now: $75 $109 (31% off). Hurry, 88/100 left!

The body is CNC-machined from Grade 5 titanium, which keeps weight down to around 1.54oz while staying rigid and corrosion-resistant. Carbon fiber inlays add grip and a bit of contrast without bulk. At about 3.29 inches long and just over half an inch thick, it feels more like a small piece of industrial jewelry than a lump of hardware, which makes it easier to justify keeping it on you every day.

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The blade is a compact D2 steel folder designed for control rather than drama. It opens with either hand, locks in place with a dedicated mechanism, and is meant for the kind of cutting you actually do: opening boxes, trimming cord, slicing tape, or cutting a loose thread. High-hardness D2 holds an edge well, so you are not constantly babying it, and the short length keeps it precise.

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The magnetic 4mm bit driver is built into the frame, with a slot that stores the bit under strong magnets so it does not rattle or fall out. Day after day, it is the same little jobs: a loose screw on a tripod, a battery cover that needs a quarter turn, a handle that is starting to wobble. Having a bit driver literally hanging off your belt means those fixes happen in the moment instead of becoming another mental note.

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The bottle opener and nail puller are integrated into the skeleton of the carabiner, so popping a cap or lifting a small nail does not require digging for another tool. The emergency glass breaker sits quietly at one end, a hardened point that you hope never to use but that is always there if a car window or barrier needs to go in a hurry. Best of all, none of these functions adds much size.

Six tiny tritium slots are machined into the body, ready for optional vials that glow on their own without batteries or charging. In a dark car, a tent, or a hallway, that steady, low-level glow makes it easier to find the tool and orient it without fumbling for a flashlight. It is a small detail, but it reinforces the idea that Edrin is meant to be found and used quickly.

A tool like this quietly changes your routine. Instead of asking whether you should bring a knife or a multi-tool, you clip one titanium carabiner to your usual spot and forget about it until something needs cutting, opening, adjusting, or breaking. The combination of GR5 titanium, carbon fiber, D2 steel, magnets, and tritium sounds overbuilt for a 3.29-inch object, but that is exactly what makes it feel like a small, reliable anchor in a pocket full of temporary things that change every season.

Click Here to Buy Now: $75 $109 (31% off). Hurry, 88/100 left!

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This DIY Cyberdeck With a 12-Inch Screen Actually Works Like a Laptop

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Most cyberdecks sit somewhere between prop and prototype, fun to look at but often awkward to use, with bolted-on parts and layouts that prioritize aesthetics over ergonomics. They’re conversation starters that rarely stay on the desk once the novelty wears off. This “CMDeck” build is interesting because it tries to behave like a real laptop-class machine you could actually reach for when you want to write or tinker.

Salim Benbouziyane’s core decision was to give the deck the footprint of a full-size keyboard, a wide clamshell that feels anchored instead of chunky. A 12-inch touch display sits up top, and a custom low-profile mechanical keyboard lives below, with a split ortholinear layout, central trackpad, and small OLED. It’s framed as a deliberate workspace rather than a random collection of parts that happened to fit in a box.

Designer: Salim Benbouziyane

The split ortho layout and central trackpad push your hands outward, leaving a clear middle zone for navigation and status. The low-profile switches and custom keycaps keep the deck thin enough to feel like a proper clamshell, while the OLED hints at system status without cluttering the surface. It’s a layout aimed at writing, coding, and multi-window work, not just showing off an unusual key arrangement that makes typing harder.

The enclosure journey is where the design process shows most clearly. The first CAD pass looked clean with all the I/O on the back, then immediately ran into reality when cables blocked the lid from opening. Salim carved clearances, added a removable rear section for assembly, and reworked hinge mounts after early prototypes ripped screws out. The heavy display forced him to add brass weights so the deck could open fully without tipping backward.

The decision to make the bottom shell translucent purple is a nod to transparent tech nostalgia that also turns the internals into part of the visual identity. Resin-printed and CNC-finished parts give the case a smooth, almost commercial feel, while PETG support structures and brass inserts handle the mechanical load. It’s a mix of show and structure that makes flipping the deck over as interesting as opening it to type.

Small interaction details make it feel finished. Riser modules tilt the keyboard and improve airflow, magnets in the lid help keep it closed, and the touch display keeps the deck usable even when the keyboard is borrowed by another machine through a special USB port. These are the kinds of decisions that make the deck feel like a finished object rather than a one-off experiment you’d be afraid to actually use daily.

The project took months of iteration, from fighting ribbon cables to reprinting support structures and swapping coolers, all in service of a form factor that feels right on a desk. The result is a cyberdeck that invites everyday use, especially for writing and side-by-side windows, and a reminder that the most interesting DIY builds now are as much about industrial design as they are about electronics, where getting the hinge geometry right matters just as much as the circuitry underneath.

The post This DIY Cyberdeck With a 12-Inch Screen Actually Works Like a Laptop first appeared on Yanko Design.

Pebblebee Clip 5 Hot Coral and Subzero Trackers Won’t Be Restocked

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Bluetooth trackers usually behave like small discs or tags you hide on keys and bags and forget about until something goes missing. They tend to come in grayscale, designed to disappear, even though they live on things you carry every day. There’s room for a tracker that feels more like a deliberate accessory choice instead of invisible insurance dangling off your keychain.

Pebblebee’s Evercolor program is a limited-edition color drop series for Clip 5, and Freeze Frame is the latest release. The brand launched two new colors, Subzero and Hot Coral, framed around temperature as “our first teacher.” The drop is time-limited, never repeated, and meant to make carrying a tracker feel personal and collectible rather than generic, more like picking a phone case than just buying another black tag.

Designer: Pebblebee

Pebblebee positions Subzero as a restrained, icy blue that reflects calm, control, and stillness, and Hot Coral as a warm, saturated coral red that signals energy, urgency, and action. The pair is meant to capture that early lesson of cold and heat, pause and response, turning the act of clipping a tag to your keys or bag into a small statement about how you relate to that item.

Under the new colors sits the same Clip 5 hardware. It’s Pebblebee’s latest item finder, with brighter LED strobes, a louder buzzer, and a more modern, rounded design. It runs for up to twelve months on a single USB-C charge, has an IP66 water resistance rating, and reaches up to 500 ft over Bluetooth. It’s built to be found by sound, by sight, and now by style.

Clip 5 can join Apple’s Find My network on iOS or Google’s Find Hub on Android, so billions of devices quietly help you find lost items. There’s also a built-in Alert personal safety feature, where rapid presses trigger a siren, strobe, and SMS location ping to your chosen Safety Circle. That makes the color choice feel a bit more loaded when you think about where you clip it and when you might need it.

Evercolor drops are designed as moments, not permanent SKUs, and these shades won’t be restocked once they sell out. That scarcity nudges trackers into the same mental space as seasonal phone cases or watch bands, something you pick on purpose for a specific bag, coat, or set of keys instead of a default tag you never think about after you buy it.

Freeze Frame is less about changing what Clip 5 can do and more about changing how it feels to carry it. A Subzero tag on a camera bag or winter coat reads as calm and controlled, a Hot Coral one on keys or a gym bag feels like a bright “do not lose this” marker. When the whole point is not losing what matters, making it easier to care about the tag itself is smart design thinking most trackers skip entirely.

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This Aroma Diffuser Orb Floats Above Its Base and Glows at Your Touch

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Most aroma diffusers behave like small plastic towers or pods that sit in a corner, quietly bubbling or misting away. They do their job, but they rarely feel like part of the room’s character, more like humidifiers with better marketing. It’s strange that scent and light are both mood tools, but the hardware behind them often looks forgettable enough to hide behind a plant or book.

AER OMA is a magnetic levitating aroma diffuser concept that tries to make the act of scenting a room feel more deliberate. It uses a smooth spherical pod that hovers above a base, wrapped in a glowing band of light. The designer calls it a way to enhance room fragrance with a “futuristic feel,” which is rare copy that actually matches what the object looks like it wants to do.

Designer: Vedant Kore

Coming home in the evening, you tap the touch panel on the base to wake the diffuser, and the ring light comes up as the sphere steadies in mid-air. Sliding a finger along the control changes heat and aroma intensity, with the light ring quietly reflecting those changes. It feels less like fiddling with a dial and more like setting a scene before you sit down and let the day catch up.

Instead of a water tank and essential oil puddles, AER OMA uses polymer aroma beads held in a small metal and mesh container. Heat from a roughly 12W element releases fragrance without spill risk, and refilling is as simple as swapping beads. You can choose a handful for a light scent or more for a stronger presence, making the ritual more tactile than just dripping liquid into a reservoir.

Magnets and coils in the base and sphere handle the hovering act, powered by a 12-15 V USB-C adapter, while ambient LEDs in the base ring and the band around the sphere handle the glow. The floating form and soft light sell the idea that scent is something weightless moving through the room, not just vapor coming out of a nozzle buried in plastic.

The sphere is about 250mm across, the base around 200mm, with a polypropylene or ABS shell molded into smooth curves. Color options range from deep purple to teal and warm orange, each with matching light accents. It’s big enough to be a focal object on a sideboard or bedside table, but still reads as a single, calm shape rather than tech bristling with vents.

AER OMA treats scent diffusion as a small performance instead of a background process. By floating the diffuser, hiding the mechanics, and giving you a simple touch strip and a bowl of beads to work with, it reframes a functional task as a quiet ritual. It’s a reminder that even making a room smell nice can feel different when the object doing it looks like it belongs in the future instead of the back corner of a shelf.

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3D-Printed Faces for Robot Vacuums Get Messy Every Time They Bump

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Robot vacuums quietly patrol floors as anonymous discs, efficient but a little eerie, especially for kids and pets who aren’t quite sure what to make of a machine that roams around on its own. They slide under sofas, bump into chair legs, and dock again without anyone feeling particularly attached to them. It doesn’t take much to turn that same machine into something closer to a small pet that happens to vacuum.

This 3D-printed cat/dog robot vacuum decoration, sold under the Petokka name, is a small kit that gives the robot a face, ears, and movable eyes. Rather than stickers, it’s a set of PLA parts that sit on top of the vacuum and react to how it moves, so the cleaning bot comes back from a run looking like it’s had its own adventure.

Designer: Zakka Gyou

A vacuum starts a cycle with wide eyes and perky ears, then bumps into table legs and skirting boards. Each impact nudges the eye assemblies, twisting pupils into crossed or sleepy positions, while crawling under furniture folds the hinged ears back. When the robot docks, its face is slightly scrambled, and you can read its route in the way its expression has shifted, one eye drowsy, one ear still folded down.

The kit works without wiring or electronics. The eyes sit on low-friction pivots, the ears are hinged triangles, and everything is 3D-printed in PLA and resin. There’s no battery, just gravity and inertia doing the work. The seller includes a choking-hazard warning, noting that parts aren’t meant for toddlers or pets that chew, with an option to request only ears or sticker faces if small pieces are a concern.

Petokka is designed for basic IR or bump-type cleaners with flat tops, like many Roomba-style bots. If a vacuum uses a LiDAR turret or top camera, those areas need to stay uncovered, or mapping can suffer, though some tests showed no interference. The kit is an overlay, not a hack, meant to respect the robot’s sensors while giving it a personality that changes with every session.

Each set is printed in a small Japanese atelier, with visible layer lines and tiny imperfections from 3D printing. The maker calls this an early test edition, with certification in progress and materials documented with safety data sheets. It’s a limited-run experiment rather than a mass-market accessory, which makes it feel more like a crafted character than a licensed skin you buy from a retailer.

A handful of plastic parts can change the emotional temperature of a room. The vacuum still cleans the same way, but now it looks back at you with lopsided eyes and folded ears after working its way around furniture. It’s hard not to say “nice job” when it docks looking like it just survived an obstacle course, which is a reminder that sometimes making home tech friendlier isn’t about new sensors or AI, it’s a face that gets a little messed up while it works.

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