Monthly Archives: January 2024

Epic Games confirms Fortnite is coming back to iOS in Europe this year

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Following Apple's announcement of enabling third-party app stores for iOS users in the European Union, Epic Games confirms that it'll be bringing Fortnite back to the iPhone and iPad in Europe later this year — by way of a new Epic mobile games store. This will mark the title's official return to Apple's platform since it was yanked back in August 2020, after Epic offered discounts to payments made directly to its own store, instead of Apple's App Store and Google Play which would take a 30-percent cut. iOS users have had to rely on Xbox Cloud Gaming or GeForce Now to play Fortnite, but this will soon be a thing of the past for those based in Europe.

Fortnite's grand return to iOS in Europe is all thanks to the EU's new Digital Markets Act, which goes into effect March 7. This allows developers to take payments and distribute apps from outside of the App Store, pending Apple's new "Notarization" approval process to spot harmful apps. Apple is also introducing a new fee structure that claims to cost less, if not the same, for most developers who publish to European markets.

Even though the upcoming changes will allow Epic Games to make money off iOS users once again (at least in Europe), founder and CEO Tim Sweeney called out Cupertino for the "new Junk Fees on downloads and new Apple taxes on payments they don't process." The exec later spotted more "hot garbage" in the details, particularly the terms related to requesting an entitlement from Apple. "Under what possible theory of antitrust regulation is it acceptable for a monopoly to decide what companies are allowed to compete with it, and on what terms they can compete? Apple makes a mockery of free market competition," Sweeney said in a post on X. The infuriated tone here comes as no surprise, especially after the US Supreme Court rejected Epic's appeal that Apple violated federal antitrust laws earlier this month.

This article originally appeared on Engadget at https://www.engadget.com/epic-games-confirms-fortnite-is-coming-back-to-ios-in-europe-this-year-040818909.html?src=rss

PITAKA’s Aramid Phone Case for the Galaxy S24 boasts a Gorgeous Woven Pattern + MagSafe features

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Stronger than steel but 5x lighter, PITAKA’s MagEZ cases use the same aramid fibers (also known as Kevlar) found on bulletproof vests and spacecrafts.

It isn’t often that you find a case that looks better than the phone itself, but that’s an art PITAKA seems to have perfected. The company’s woven aramid MagEZ cases look like haute-fashion for your phone, but give them durable protection within a lightweight design. The added benefit, however, is also the fact that these MagEZ cases give your phone MagSafe compatibility, allowing you to easily snap magnetic accessories (including PITAKA’s own products) right to the back of your phone. The MagEZ cases for Samsung’s newly launched Galaxy S24 come in three styles – a default black/grey weave, along with a gorgeous Sunset and a sublime Moonrise variant that look like woven sweaters for your smartphone. These just also happen to be bulletproof.

Designer: PITAKA

Click Here to Buy Now: $62.99 $69.99 (10% off with coupon code “S24-10%YD”). Hurry, deal ends in 48-hours!

The MagEZ Case 4 holds this unique distinction of ticking all the ‘good design’ boxes. It’s equal parts eye-catching, protective, lightweight, and just flawlessly impressive on a technological level. Most smartphone cases come molded out of plastic… but the MagEZ cases are woven. Built using PITAKA’s Fusion Weaving technology, the cases are woven using 600D aramid fibers, known for their incredible strength-to-weight ratio. The designs/patterns you see on the cases aren’t prints, they’re weaves that wrap around your phone, protecting every corner of your device from impact while giving it a uniquely fashionable aesthetic that you probably won’t get with any other smartphone case.

Even at their thickest point, the MagEZ cases are a mere 1.27mm thick (with a minimum thickness of 1.14mm), with an overall weight of 18.9 grams or 0.66 ounces. The cases are so thin that they sit around your phone almost like a second skin. However, their woven pattern gives them a tactile grip that allows you to hold your phone with confidence that it won’t accidentally slip out of your grasp, and even if it does, it’s protected by features like the protective camera lip that’s made from recycled aramid fibers left over from the case-making process.

As their name rightfully suggests, the MagEZ cases boast MagSafe capabilities, allowing even Android users to take advantage of the features and the convenience of MagSafe. The cases feature a highly discreet ring of magnets on the inside that fit snugly within their ultra-slim profile, allowing you to easily snap on PITAKA’s range of MagSafe accessories including the MagEZ Grip, MagEZ Card Sleeve, and MagEZ Slider 2.

The cases come in the three aforementioned colors for the S24, S24 Plus, as well as the S24 Ultra. They’re lightweight, wear-resistant, corrosion-resistant, highly grippy, and give your smartphone a gorgeous fascia that doesn’t feel like a compromise (unlike most boring-looking phone covers). The added benefit is that they’re practically indestructible, giving your cutting-edge smartphone the supersuit it needs to survive in this fast-paced world!

Click Here to Buy Now: $62.99 $69.99 (10% off with coupon code “S24-10%YD”). Hurry, deal ends in 48-hours!

The post PITAKA’s Aramid Phone Case for the Galaxy S24 boasts a Gorgeous Woven Pattern + MagSafe features first appeared on Yanko Design.

This absurd parody Apple Tractor concept heralds the future of agriculture!

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People deep in the Apple ecosystem have a very good reason not to look elsewhere. So, what if it goes beyond the ecosystem of your nerdy world? Level 2 autonomy Apple Car might still be way beyond the horizon, having painstakingly waited for more than a decade, with another hope of a 2028 release. So, what else a set of wheels could you think of including in the Apple bandwagon?

How about an Apple Tractor Pro mowing down your golden fields during the golden hours? Created by a fan as a concept, this design imbibes the good bits of the MacBook and iPad. If you see those relatable elements of the Apple Vision Pro, then you are not alone. The contoured body is well complimented by those Macbook’ish wheels and the light bars at the front will for a moment make you forget about the Apple Car. Those light bars as well as the tinted black upper cabin are designed to automatically light up in low light environments.

Designer: Sergiy Dvornytskyy

Of course, the thing is powered by an electric powertrain developed in collaboration with Foxconn/Monarch who are renowned for their MK-V electric tractor. The lightweight body frame looks to be crafted from more robust titanium material, but I’d prefer it to be crafted out of stainless steel as the Cybertruck is a good example of how tough car body frames can be.

Not only on the looks part but the technology aspect is taken care of as well in this outlandish concept. The farmers can control and monitor the Apple Tractor Pro right from the comfort of their homes using their Apple devices. All this is done with advanced sensors and in-built AI that knows what tasks to do autonomously. So, would you actually want to see something like this crawling in the vast expanse of an Apple fanboy’s estate?

The post This absurd parody Apple Tractor concept heralds the future of agriculture! first appeared on Yanko Design.

Yamaha channels ‘Teenage Engineering’ with its incredibly funky SEQTRAK MIDI sequencer

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I distinctly remember the first time I saw the Teenage Engineering OP-1. It was in a Swedish House Mafia music video (One feat. Pharrell), and the entire video was centered around that one gorgeous-looking synth, which the EDM trio even used in their own music production. The song seemed less like a dance track and more like the perfect endorsement of exactly how powerful and incredible the OP-1 synth was. Fourteen glorious years later, Teenage Engineering has absolutely cemented its position as an audio company with a fun streak… and it seems like Yamaha wants a bit of that too. Just last week, the company debuted the SEQTRAK, a funky-looking synth that tries to emulate the casual brilliance of the OP-1.

Designer: Yamaha

The SEQTRAK is a compact, affordable, and highly capable battery-powered MIDI synth that lets you play, sample, remix, loop, and manipulate audio from multiple sources, whether it’s from your laptop, an SD card, or even audio samples recorded on the SEQTRAK’s microphone. It’s got two rows of 12 keys each, a set of dedicated knobs for percussions, synths, and sampling, a few more for sound control and effects, and even a bunch of touch-sensitive sliding pads for working with audio envelopes, passes, and filters. Designed for both hobbyists as well as seasoned professionals, the SEQTRAK lets you do everything from jam to compose, and even occasionally deejay. Who knows, maybe you’ll make a cool music video too??

The SEQTRAK’s petite design is a crucial element in its appeal. Its compact size, fitting comfortably in a laptop bag, makes it an ideal companion for music producers who are always on the move. This portability doesn’t come at the cost of functionality; the SEQTRAK is equipped with a built-in speaker and microphone, allowing for impromptu music sessions wherever inspiration strikes.

Despite its compact form, the SEQTRAK doesn’t compromise on sound quality. It houses two versatile sound engines: the Advanced Wave Memory 2 and a four-operator FM engine. The former supports 128-note polyphony, offering a range of authentic sounds from acoustic instruments to synthesizers. Meanwhile, the FM engine can generate synth pads, leads, FM electric pianos, and more. These features are packed into a unit that sports a playful design, with an orange-gray variant reminiscent of LEGO bricks… or perhaps an unofficial hat-tip to Teenage Engineering with a playfully-minimalist design that we’ve come to expect from the Swedish design studio.

The SEQTRAK is designed to be intuitive and user-friendly, catering to both beginners and seasoned music producers. Its one-to-one interface allows producers to take control of their music, effectively turning them into their own DJs. Additionally, the SEQTRAK includes a station sequencer for creating seamless compositions and arrangements. The machine’s station library, with over 2,000 presets of professionally crafted tunes, is a significant resource for experimenting with different styles and sounds.

Yamaha has enhanced the SEQTRAK’s functionality with streamlined connectivity options. The dedicated SEQTRAK app allows users to shape their sound with various editing features. The app also supports adding supplemental content, providing a more comprehensive music production experience. Additionally, Bluetooth MIDI and Wi-Fi functionality are included for wireless connections, further enhancing the unit’s flexibility.

The $599 Yamaha SEQTRAK represents a significant step in the evolution of portable music production. It combines quality sound, intuitive design, and connectivity in a package that’s both affordable and appealing to a wide range of music enthusiasts. Whether you’re a budding producer or a seasoned pro, the SEQTRAK seems to have something for everyone. And at a price that doesn’t hit a sour note, it’s poised to be a hit in the electronic music community. So, if you’ve ever dreamt of laying down tracks on a flight, sequencing synths at a café, or having a rave in your room, Yamaha’s SEQTRAK might just be your ticket to on-the-go musical nirvana​.

The post Yamaha channels ‘Teenage Engineering’ with its incredibly funky SEQTRAK MIDI sequencer first appeared on Yanko Design.

Devialet Phantom I Yang Bao Wa Liu is a golden take on the renowned speaker for Chinese Year of the Dragon

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French audio brand Devialet’s Phantom I is already a celebrated wireless speaker with side-firing bass reflex ports and subtle color variants. Fittingly, two eminent artists have been summoned to give this iconic speaker a stunning new vibe for the Chinese Year of the Dragon, a festivity that marks the end of winter and the beginning of spring.

Dubbed the Phantom I 108 dB by Yang Bao & Wa Liu, after the designers behind the new gold and red colored speaker, this lustrous take on the Devialet flagship creates a nice, visible amalgamation of physical and analog connections. To be available in limited edition between 23 January 2024 and 23 April 2024 (or until the stock lasts) this speaker also dubbed ANIMAL impresses with its “colors and textures reference the dragon of our cultural imagination” designer Wa Liu says.

Designer: Devialet

On the back of the hand-crafted speaker come the 22.5-carat gold leaf accents complemented by the red strokes. This artistic element replicates the rippling motion of the dragon’s movement. It’s more of a musical instrument that seems to have a personality of its own. According to Bao the play of light and shadows helps it cryptically blend into the surroundings. Another good reason it has a deliberate sculptural design to evoke a subtle presence.

The limited-edition Phantom I, justifies the symbol of the dragon with its intimidating presence as opposed to the Western counterpart. In a way, it mixes nature and music, power and serenity all in one go. Creating this version takes around two weeks which explains the attention to detail put in the making. As the artists explain, ‘We obviously work on a number of units at the same time.’ To this end, two gilders showcase their craft, brushing hammered gold leaf onto the surface of the Phantom, juxtaposing it with the thin lines of red lacquer. The intricate design is not only a visual combination of gold leaf and red lacquer, but the lacquer itself requires three painstaking layers of application!

No wonder the  Phantom I 108 dB by Yang Bao & Wa Liu will set you back a mind-numbing $6,700 a piece.

The post Devialet Phantom I Yang Bao Wa Liu is a golden take on the renowned speaker for Chinese Year of the Dragon first appeared on Yanko Design.

NASA’s Ingenuity Helicopter has flown on Mars for the final time

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After three years of service, NASA's Ingenuity Helicopter has flown on Mars for the last time. Earlier this month, during its 72nd flight, Ingenuity stopped communicating with the Perseverance rover. Although NASA later reestablished contact with the helicopter, it emerged that at least one of Ingenuity's carbon fiber rotor blades was damaged during a landing on January 18th. The helicopter is upright and is still in contact with ground controllers, but it's no longer capable of flight.

Ingenuity far outlasted its original planned lifespan. NASA designed the helicopter to carry out up to five test flights over 30 days. But it stayed in service for over three years. Ingenuity flew over 14 times farther than originally anticipated and it had a total flight time of over two hours.

“The historic journey of Ingenuity, the first aircraft on another planet, has come to end,” NASA Administrator Bill Nelson said in a statement. “That remarkable helicopter flew higher and farther than we ever imagined and helped NASA do what we do best — make the impossible, possible. Through missions like Ingenuity, NASA is paving the way for future flight in our solar system and smarter, safer human exploration to Mars and beyond.”

After Ingenuity's initial five flights, NASA decided to keep the helicopter running as an operations demonstration. It scouted ahead for Perseverance.

On January 18, the Ingenuity team planned a short vertical flight so they could pinpoint the helicopter's location after it had to make an emergency landing on its previous jaunt. The chopper reached a height of 40 feet and hovered for 4.5 seconds before descending at a rate of 3.3 feet per second. However, it lost contact with Perseverance when it was about three feet above the surface.

It's not clear how the rotor blade sustained damage. NASA's looking into whether the blade struck the surface. Perseverance is too far away to take a look at Ingenuity itself. The chopper's own camera spotted damage on the shadow of a rotor blade.

An image that NASA's Ingenuity Helicopter captured of the shadow of a rotor blade shows some damage that it has sustained.
NASA/JPL-Caltech

The hardy helicopter endured tough terrain, a dead sensor, dust storms (after which was able to clean itself) and a winter on Mars. The Ingenuity team will wind down the helicopter's operations after carrying out final tests and downloading the last data and imagery from its memory. After making history as the first aircraft from Earth to conduct a powered, controlled flight on another planet, all Ingenuity can do now is rest easy on the surface of Mars. 

This article originally appeared on Engadget at https://www.engadget.com/nasas-ingenuity-helicopter-has-flown-on-mars-for-the-final-time-204004656.html?src=rss

Japan’s SLIM lunar spacecraft landed upside down on the moon

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Shortly after Japan’s space agency became the fifth country to land a spacecraft on the surface of the moon, its scientists discovered the Smart Lander for Investigating Moon (SLIM) unfortunately touched down upside down. The Japan Aerospace Exploration Agency (JAXA) said that the SLIM landed on the lunar surface on January 20 but it knew it might have bigger problems due to an issue with power generation. Just hours after making landfall, JAXA expected the power to run out, before it ultimately did.

SLIM met the moon’s surface about 55 meters east of the original target landing site, JAXA said. The agency did get all of the technical information related to its navigation prior to landing and ultimately becoming stationary on the lunar surface. JAXA captured photos of the SLIM from its The Lunar Excursion Vehicle 2, its fully autonomous robot currently exploring the moon.

The reason behind the main engine malfunctioning is under investigation by the space agency. There is a slim chance for regeneration because the solar cells that power the spacecraft are facing west, meaning there is a chance for SLIM recovery if enough light from the sun reaches the cells as more time passes. The SLIM JAXA team took to X earlier this week to write, “We are preparing for recovery.” The agency said it will “take the necessary preparations to gather more technical and scientific data from the spacecraft.

This article originally appeared on Engadget at https://www.engadget.com/japans-slim-lunar-spacecraft-landed-upside-down-on-the-moon-202819728.html?src=rss

A Sustainable Lighting Solution That Redefines The Interaction Between Light And Sound

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In the ever-evolving landscape of technology and design, the fusion of functionality and artistic expression continues to yield groundbreaking innovations. One such marvel is Oloïd, a sustainable acoustic luminaire born from the collaborative synergy of Impact Acoustic; a provider of sustainable acoustic solutions, and the esteemed design studio atelier oï. This unique lighting fixture not only delivers exceptional sound absorption but also redefines the way light and sound interact, creating a transformative experience that enhances the ambiance of any space.

Designer: Impact Acoustic,  Atelier oï

At the heart of Oloïd’s revolutionary design lies Archisonic Felt, a high-performance sustainable acoustic absorber crafted from upcycled PET bottles. This versatile material demonstrates outstanding sound absorption capabilities and embodies a commitment to sustainability and responsible material sourcing. The Cradle to Cradle certification and LEED accreditation of Archisonic Felt underscore its eco-friendly credentials, aligning with the growing demand for environmentally conscious design solutions.

Oloïd distinguishes itself by offering a transformative lighting experience that seamlessly integrates functionality with artistic expression. The collaboration between Impact Acoustic and Atelier oï is not merely about illuminating a space but about creating an immersive environment where light and sound harmonize effortlessly.

Aurel Aebi, a key figure at Atelier oï, highlights the creative process that brought Oloïd to life. “At atelier oï, we often begin our creative process with an encounter with the material,” Aebi explains. “Our goal was to find a way to make the sustainable material speak in a new way.” This innovative approach involved working with the material’s stiffness and flatness to create organic shapes that redefine conventional luminaire design.

Oloïd is available in a stunning array of 32 colors, presenting a curated selection from the Archisonic Felt range. This diversity empowers users to personalize their spaces, allowing for the creation of bespoke environments that reflect individual tastes and preferences. The luminaire’s design seamlessly integrates the organic shapes derived from the unique qualities of Archisonic Felt, transcending two-dimensional panels into captivating three-dimensional entities.

Sven Erni, co-founder of Impact Acoustic, expresses his fascination with the collaborative process that transformed their material. “The collaboration fascinated us as we witnessed the metamorphosis of our material,” Erni notes. “This was made possible using a distinctive cutting technique at specific angles and the skillful folding of the panels. This creative approach seamlessly transformed the two-dimensional panels into fascinating three-dimensional entities, transcending surfaces to tangible bodies.”

Oloïd not only sets a new standard for sound-absorbing luminaires but also stands as a testament to the potential of sustainable design in reshaping our surroundings. With its commitment to responsible material usage, innovative design, and the seamless integration of light and sound, Oloïd emerges as a beacon of eco-conscious creativity, inviting us to reimagine the possibilities of our illuminated spaces.

The post A Sustainable Lighting Solution That Redefines The Interaction Between Light And Sound first appeared on Yanko Design.

MIT researchers have developed a rapid 3D-printing technique that uses liquid metal

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Researchers at MIT have developed a rapid 3D-printing technique that uses liquid metal to allow for extremely fast prints. The process can manufacture large aluminum components in minutes, whereas many pre-existing techniques would take hours to finish the same build. The technology has already been used to create table legs, chair frames and related furniture parts.

It’s called liquid metal printing (LMP) and involves directing molten aluminum along a predefined path into a bed of tiny glass beads. These beads quickly harden into a 3D structure. Researchers say the new process is at least ten times faster than comparable metal manufacturing techniques.

However, there is one major caveat. This process sacrifices resolution for speed and scale. This is why the researchers have used it to create low-resolution items like chair legs and not, say, intricate parts with complex geometries. MIT researchers say this trade-off still makes the technology useful for creating “components of larger structures” that don’t require extremely fine details. This includes furniture parts, as mentioned above, but also components for construction and industrial design.

Despite the resolution downgrade, parts made using LMP are still durable and can withstand post-print machining, like drilling and boring. The folks behind this technology say the builds are much more durable than those built with wire arc additive manufacturing, which is a pre-existing metal printing method. This is because LMP keeps the material molten throughout the entire process, lessening the chances of cracking and warping.

The researchers recommend combining LMP with other techniques for jobs that require both speed and a high resolution. “Most of our built world — the things around us like tables, chairs, and buildings — doesn’t need extremely high resolution”, said Skylar Tibbits, a senior author of a paper that introduced the project.

It’s also worth noting that this printing method doesn’t require aluminum. It can work with other metals. The researchers chose aluminum due to its popularity in construction and the fact that it’s easily recycled.

The folks behind this tech hope to keep iterating on the concept to improve heating consistency, to prevent sticking, and allow for greater control over the molten metal. The team’s been having issues with larger nozzle diameters leading to irregular prints, which is something that needs to be worked out. Tibbits said the method could eventually become a “game-changer in metal manufacturing.”

Despite slightly falling out of favor in the commercial space, 3D printing has grown in leaps and bounds in recent years. Researchers have developed a tiny 3D printer that actually gets inserted into the body to repair and clean damaged tissue. Scientists also recently printed a working piece of the human heart.

This article originally appeared on Engadget at https://www.engadget.com/mit-researchers-have-developed-a-rapid-3d-printing-technique-that-uses-liquid-metal-194113455.html?src=rss

The FTC is investigating Microsoft, Amazon and Alphabet’s investments into AI startups

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The Federal Trade Commission is launching an inquiry into massive investments made by Microsoft, Amazon and Alphabet into generative AI startups OpenAI and Anthropic, the agency announced on Thursday. The FTC said that it had issued “compulsory orders” to the companies and would scrutinize their relationships with AI startups to understand their impact on competition.

“History shows that new technologies can create new markets and healthy competition,” FTC Chair Lina Khan said in a statement. “As companies race to develop and monetize AI, we must guard against tactics that foreclose this opportunity. Our study will shed light on whether investments and partnerships pursued by dominant companies risk distorting innovation and undermining fair competition.” The companies have 45 days to respond to the agency. 

Ever since OpenAI released ChatGPT at the end of 2022, generative AI has exploded, sparking both excitement about its potential to increase productivity as well as anxiety about job losses. Against this backdrop, the world’s largest tech companies have been racing to develop their own versions of the tech as well as pouring billions of dollars into smaller startups creating it. 

Microsoft, for instance, invested more than $13 billion into OpenAI for a 49 percent stake, using the startup’s tech to add generative AI capabilities to Bing, its own search engine, as well as Windows and Office. Amazon and Alphabet invested $4 billion and $2 billion respectively in Anthropic, an AI startup that makes a chatbot called Claude.

In an opinion column in The New York Times last year, the FTC’s Khan wrote that “the expanding adoption of AI risks further locking in the market dominance of large incumbent technology firms” and argued for AI regulation.

As part of its investigation, the FTC is seeking information about the specifics of Microsoft, Amazon and Alphabet’s investments, decisions around new product releases, oversight rights, analyses of market share and potential for sales growth among other details.

The US isn’t the only country examining Big Tech’s ties with generative AI startups. The UK’s Competition and Markets Authority said last month that it was examining whether Microsoft’s investment into OpenAI was subject to antitrust law.

In a post on X in December, Microsoft’s president Brad Smith characterized the company’s OpenAI investment as a partnership “that has fostered more AI innovation and competition, while preserving independence for both companies.” Microsoft currently has a non-voting observer seat on OpenAI’s board, which, said Smith, was “very different from an acquisition.”

“We hope the FTC’s study will shine a bright light on companies that don’t offer the openness of Google Cloud or have a long history of locking-in customers – and who are bringing that same approach to AI services," a Google spokesperson told Engadget.

"The U.S. has assumed a global AI leadership position because important American companies are working together," Rima Alaily, Microsoft's vice president for Competition and Market Regulation, told Engadget in a statement. "Partnerships between independent companies like Microsoft and OpenAI, as well as among many others, are promoting competition and accelerating innovation. We look forward to providing the FTC with the information it needs to complete its study.”

Spokespeople from Amazon and Anthropic declined to comment. OpenAI did not respond to a request for comment from Engadget.

This article originally appeared on Engadget at https://www.engadget.com/the-ftc-is-investigating-microsoft-amazon-and-alphabets-giant-investments-into-ai-startups-190939602.html?src=rss