Tag Archives: Concept Designs

This Stool’s Best Feature Is the Part That’s Actually Missing From It

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A stool usually has one job: hold you up for a while, then get out of the way. Ceil starts there, but leaves a circular opening in its seat for the moments when you need something else. Add a plate and it can hold a book beside you, Insert a light or a vase and it takes on an entirely different role.

The shape doesn’t try to hide its oddness. A broad, gently uneven metal seat rests on slim legs and a much thicker, mirror-polished stainless steel tube. The tube rises to meet the opening, making that apparently missing piece of the seat the center of the whole idea. Welds tucked underneath keep the top clean, so its unusual silhouette isn’t lost in fussy detailing.

Designer: Eunsu Lee

That opening measures about 4 inches across, enough to accommodate different inserts rather than remain an awkward gap. An optional level plate sits roughly 2 inches below the surface, creating a place to support a small vase or lighting element. Without anything added, Ceil is still meant to function as a stool, though the opening makes you think twice before choosing where to sit.

A cover plate takes the transformation in a quieter direction. Close the opening and the top becomes an uninterrupted place for a cup or a stack of magazines. It won’t suddenly replace a generous coffee table, of course, but in an apartment where furniture has to earn its floor space, having a spare seat that can also handle a drink is a useful compromise.

Then there’s the possibility of making it glow. The concept pairs the recessed plate with a light, while a cover can change how illumination appears at the opening. That doesn’t make the stool an electrical appliance. It’s a way to let lighting share the same structure as furniture, so the piece can mark a corner long after someone gets up.

Ceil also has a social trick. Bring two stools together, and an optional join plate bridges their openings, making a shared surface between two seats. You could set down coffee during a conversation without dragging a separate table into the room. It’s a tidy extension of the original idea: the same aperture that holds a vase can also connect one piece of furniture to another.

There are questions a polished prototype can’t settle. A metal seat might feel cold, and neither a weight rating nor details of the light’s power supply are provided. The project is described as a personal, AI-assisted design, with photographs showing physical development, not a product with a price or release date.

Ceil’s appeal lies in what happens between those roles. Someone sits down, leaves a book on the covered end, then makes room for flowers or a light when the day slows down. The wide seat and gleaming tube give it a distinctive presence, but the small opening does the interesting work. Its next job depends on what you place inside that circle.

The post This Stool’s Best Feature Is the Part That’s Actually Missing From It first appeared on Yanko Design.

A Reading Light That Actually Clips to Your Hair, Not Your Book

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Any bookworm worth their salt has experienced reading a book under the covers with a flashlight after their parents said it was time for lights out. When we got older and no longer had to follow a bedtime, we switched to bedside lamps or clip-on reading lights. Those two options, however, come with their own set of problems. A bedside lamp isn’t always the most comfortable option, especially when you need to change positions while lying down. A clip-on light, meanwhile, adds extra weight to the book, and you may have to keep adjusting it as you read.

This is the problem that Ryo Matsuoka seeks to solve with the concept for the Wearable Reading Light. As the name implies, it’s a light that you actually wear, so it moves with you as you read while lying in bed. The small light attaches magnetically to a clip worn in your hair. It can also attach directly to eyeglass frames made of magnetic metal, though not to every pair of reading glasses. You can angle the light toward your book while reading with the room lights off before going to sleep.

Designer: Ryo Matsuoka

The light has a wet-formed leather exterior, with three-dimensional shaping that gives it a smooth, rounded form. It doesn’t really look like your typical reading light; it’s designed to look more like a small accessory. The light unit measures 24 × 24 × 12 mm (about 0.94 × 0.94 × 0.47 inches) and weighs only 4.5 g (about 0.16 ounces), so it adds very little weight to what you’re wearing. Its compact shape also keeps it from looking like a headlamp when it’s clipped into your hair.

The indigo-dyed wood is another detail worth noticing. Together with the leather, it gives the device a more crafted appearance than you might expect from a small electronic gadget. Matsuoka has kept the technology out of sight beneath the leather, leaving the exterior clean and simple. In the photos, you mostly see a dark, rounded form and the small opening where the light shines through.

You can adjust the brightness across three levels, since the amount of light you want may depend on your surroundings or personal preference. There’s a hidden button to switch the light on, while a touch sensor controls the dimming. Those controls matter for something this small: you can make adjustments without adding a prominent switch to the design. The magnetic connection also lets you change the light’s angle, so you’re not stuck with one position if you shift around in bed.

It uses a replaceable coin battery, such as a CR1632, rather than a built-in rechargeable one. That means you won’t have to stop reading to charge it, provided you have a spare battery on hand. Matsuoka chose this approach with long-term use in mind: when the battery runs out, you can replace it instead of retiring the whole light because its rechargeable battery has degraded. The leather and wood were selected with that same idea in mind, as materials the designer expects to age well over time.

There’s also a dedicated storage case made from the same wet-formed leather and wood. It holds both the light and the clip, giving these tiny pieces a place to go when you’re done reading. That’s a practical touch for an object small enough to disappear among the things on a nightstand or at the bottom of a bag. It also makes the light feel like a complete design rather than just a clever attachment.

What makes the Wearable Reading Light interesting isn’t simply that it’s small. It’s that Matsuoka has moved the light away from the book altogether. You can hold a paperback without a clip tugging on its cover, and the light can stay with you when you change positions. For anyone who likes to end the day with a few pages in bed, that could make a familiar routine a little more comfortable. The concept doesn’t promise to replace every bedside lamp, but it offers an alternative for readers who have never quite found the right place to put one.

The post A Reading Light That Actually Clips to Your Hair, Not Your Book first appeared on Yanko Design.

Bloom Built a Cat Tower Around the Cat You Haven’t Got Yet

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A kitten might be happy with a hideaway, but give it a few months and that same nook starts looking cramped. Add another cat, and a single perch becomes contested territory. Bloom takes that problem literally, building a cat tower from separate cylindrical modules that can be arranged as its occupants grow. It starts small instead of demanding space for a feline family.

Most cat towers arrive as a collection of platforms, posts, and houses, whether your cat needs all of them or not. Their bulk can make a living room feel as if it has been furnished around the pet. Bloom swaps that predetermined silhouette for a cluster of open tubes, each one a place to curl up, climb through, or watch the room.

Designers: Joonseo Choi, Taewoon Kang

Those cylinders come in several diameters, so arranging them feels closer to stacking play objects than assembling pet furniture. A smaller cat can settle into a tighter opening, while a larger one has room to stretch out in a wider tube. The circles also give Bloom its character: soft, repeating forms that can take different shapes instead of committing your room to one tower.

Of course, loose tubes wouldn’t make much of a cat tower once the occupants started leaping about. Bloom uses orange straps to hold the modules together, with hook-and-loop fastening that makes them easier to attach and detach. The straps add a punch of color to the pale cylinders, but their important job is letting you change the arrangement without committing to a rebuild.

You might begin with two tubes near the sofa, then add another when your kitten starts climbing above everybody’s heads. If a second cat joins the household, a wider cluster could give each animal somewhere to pause without fighting over the same opening. The exact layout can follow the cats, rather than asking them to adapt to whatever configuration came in a box.

The holes along the sides serve another purpose beyond giving the straps somewhere to attach. Slide a toy toward one, and a cat tucked inside has something to investigate, while you get a way to join the game without reaching into the tube. It’s a detail, but it turns the enclosed space into somewhere for interaction rather than just another hiding place.

There are still questions a concept can’t answer. A tall arrangement would need to stay steady under a cat’s weight, especially if one launches itself at an upper opening. Bloom doesn’t specify load limits or explain how every possible configuration would be supported, so that flexibility shouldn’t be mistaken for unlimited stacking. For now, its flexibility remains an intriguing, unproven design proposition.

Still, Bloom understands something about cats that a fixed tower often misses: the creature you bring home won’t always be small, and it might not always be alone. Its tubes can be rearranged as that story changes, while its openings leave room for curiosity. The furniture doesn’t need to grow overnight; it can take shape alongside the animals that claim it.

The post Bloom Built a Cat Tower Around the Cat You Haven’t Got Yet first appeared on Yanko Design.

This Concept Lab Treats Its Black Hole the Way Others Treat a Skylight

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Black holes are notoriously difficult to see, which makes designing a building around one a rather strange idea. The Black Hole Research Center, however, takes that invisible subject and gives it a place people could actually work in. Conceived for a hot, dry climate, the unbuilt research facility spreads its offices and laboratories through a spiraling structure around a dark, solar-powered center.

There is something almost mischievous about putting a black hole on a roof in a place that gets plenty of sun. Rather than swallowing light without a trace, the circular array of photovoltaic cells would turn it into electricity for most of the facility. The idea gives the central opening a practical purpose while keeping the building’s scientific subject impossible to ignore.

Designer: Michael Jantzen

The solar array wouldn’t sit flush against the roof. Raising it creates a gap that would let daylight and air reach the center, preventing the black hole from making the interior feel like an actual one. Around the outer edges, shaded glass doors and windows would admit light and ventilation. It’s a sensible response to a climate where sun can be overwhelming.

From there, the building unfolds into arms that hold the offices and labs. Half of those arms rise to two stories, adding space without turning the center into a conventional block. Researchers could move between work areas and the shared interior, while the curved layout gives the building its galactic outline. The metaphor becomes the organizing principle, not a shape pasted onto the roof.

Look up from that interior, and the underside of the solar array could become a giant interactive LED display. Instead of another ceiling, people working there would have a surface for images and sounds drawn from the center’s studies. It’s the kind of feature that could turn a conversation about distant, hard-to-imagine phenomena into something you can experience without leaving the building.

The rest of the roof would have a job. Rainwater could be collected from its surface and kept in underground containers for use inside and around the facility. The lightweight concrete-composite construction is intended to make the sculptural form practical to build. Neither strategy comes with performance figures, but they show how the design tries to answer its surroundings as well as its research brief.

The Black Hole Research Center might not yet host an experiment, but it offers a way to think about scientific architecture. Its dark center would collect sunlight, its raised roof would let air move, and its outstretched arms would house the research itself. For a subject defined by what we can’t observe, the proposal gives people a tangible place to start looking.

The post This Concept Lab Treats Its Black Hole the Way Others Treat a Skylight first appeared on Yanko Design.

Nobody Redesigned the Allen Key for 115 Years. Here’s the Fix.

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Some of the most personal furniture purchases come with the least personal tool. You bring home a crib, spread the pieces across the floor, and end up pressing a skinny metal Allen key into your fingertips while trying to line up the next bolt. It slips. Your hand cramps. The person who offered to help gets assigned to holding a board steady, because turning the key feels like a job for whoever can grip hardest.

Siddhi Ravi’s Turn Kit offers a gentle correction. It pairs three Allen keys, in 4, 5, and 6mm sizes, with two chunky attachments that slide onto either arm of a key. Instead of pinching metal through a series of awkward rotations, you get a comfortable handle and a downward cranking motion. The aim is simple: less slipping, less hand strain, and a better chance that more than one person can actually take part.

Designer: Siddhi Ravi

I like that Ravi hasn’t treated the Allen key as a problem to be solved by a motor. Its basic shape has stuck around since 1909. The trouble starts when that little shape meets a real hand, especially after the twentieth bolt. The Turn Kit leaves the familiar tool intact and changes the part we hold.

That shift looks almost playful. The keys are sleek and metallic, with colored bands to distinguish the sizes. One attachment is blue and bent like a tiny crank; the other is a rounded orange grip. Set into a pale tray inside a light blue box, the pieces look more like an invitation than the afterthought usually rattling around in a hardware bag. You can tell where everything goes at a glance.

The colors matter because furniture assembly is rarely done under ideal conditions. It happens on a bedroom floor after work, with an instruction sheet sliding under someone’s knee and screws disappearing beneath the box. A tool that is easier to identify, pick up, and hold has already removed a few points of friction before anybody turns a bolt.

Ravi’s larger idea is about who gets to be involved. An adult with a sore wrist, a grandparent helping furnish a room, or a child eager to do more than watch may all approach the same job differently. A wider grip won’t erase every physical barrier, but it can make the first attempt less intimidating. That is a more interesting promise than simply shaving a few minutes off assembly.

The images accompanying the project make that ambition clear. Small hands fit the orange handle, while sketches show a parent and child working together. I wouldn’t hand a child responsibility for making a crib safe; final assembly and checks should follow the manufacturer’s instructions. But helping with an appropriate step, choosing the right key, or passing a handle across the floor can give a child a real role.

That distinction matters to me. So much family-focused design uses the language of togetherness while quietly leaving the actual work to one person. The Turn Kit doesn’t make a complicated furniture project magically simple, but it does reconsider the moment when someone says, “Let me try,” and gets told the tool is too fiddly. Giving that person a usable grip is a practical form of welcome.

There are limits, of course. A larger attachment might be awkward in a tight corner, and some furniture comes with hardware outside these three sizes. This isn’t a substitute for careful assembly or a guarantee that every hand will find the same handle comfortable. Those caveats make the concept more believable, not less. Ravi is tackling a specific everyday annoyance with a specific physical change, rather than pretending one object can solve furniture assembly.

I can picture the kit getting another outing long after the crib has become a memory: a first desk, a new shelf, maybe a high chair pulled from storage for someone else’s baby. The furniture changes, but the offer stays the same. Here’s a tool you can hold. Want to help? For an object built around turning bolts, that feels like a lovely way to open up the room.

The post Nobody Redesigned the Allen Key for 115 Years. Here’s the Fix. first appeared on Yanko Design.

A Pocket Concept Built to Catch Design Ideas Before They Get Away

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Good ideas don’t always wait until you’ve found the right pen and an empty page. For industrial designers, a quick sketch can turn into a note, then vanish while they’re looking for something to write on. Ideo is a pocket-sized concept that puts a sticky-note pad, a crank-set timer, and a random-word prompt in one place, giving those fleeting thoughts somewhere to land.

The trick isn’t to replace a sketchbook or ask a computer to finish your thinking. It’s to keep the small tools for getting started within reach. A pen clips to one side of the rounded body, while a stack of sticky notes takes up much of the front. You can jot down a shape, a measurement, or a question before it slips away.

Designer: Aditya Rajiv

Then there’s the timer, which makes the device a little stranger than an ordinary stationery holder. Turn the crank on the side until the orange bar reaches your chosen duration, and a bright ball moves along the track as time passes. When its cycle finishes, the concept calls for a sound. That gives a short sketching session a visible beginning and end.

A blank note can be surprisingly intimidating when someone asks you for three different directions before lunch. Ideo responds with an e-ink display that presents a random word, such as “tiger” or “apple,” to nudge your thoughts somewhere unexpected. If the word doesn’t help, a physical button skips to another. This isn’t some AI that tries to take over your thinking process but, rather, a nudge to keep your pen moving.

During a workshop, you might have a few minutes to sketch a handle before the group moves on to another idea. The timer keeps that deadline obvious, while the note stays attached to the device until you’re ready to place it beside other sketches. Having the prompt nearby could help when your first drawing feels too much like the one you made yesterday.

There’s a playful contrast between the quiet white housing and its red controls, with the yellow notes taking up nearly half the front. The broad knob and two large buttons look approachable rather than like the controls on a complicated drawing tablet. It almost looks like a child’s toy, which is the perfect idiom for playful and unhindered ideation.

The concept understands a small but familiar delay: the moment between having an idea and finding a place for it. A notepad and pen handle that first step, while the timer and word generator give you a reason to start drawing instead of staring at a blank sheet. Ideo is still a concept, of course, but the scramble for a pen makes its arrangement seem practical.

The post A Pocket Concept Built to Catch Design Ideas Before They Get Away first appeared on Yanko Design.

Google’s Fix for One-Handed Typing Is a Rolling Belt of Letters

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Typing with one hand usually means stretching a finger across a keyboard while the other hand holds a drink or works a mouse. Google’s Gboard team has a wonderfully impractical fix: put the keys on a conveyor belt and let them come to you. Its Rotating Keyboard stands upright on a desk, asking your finger to stay put while the letters keep moving.

Regular keyboards assume your hands will travel between stationary keys, a reasonable arrangement that has survived decades of typing. Google reverses that relationship by mounting rows of keycaps on loops that travel around rollers. The tall blue frame and angled stand make the moving assembly feel closer to a miniature factory machine than a computer peripheral, which is probably part of the joke.

Designer: Google Japan

Instead of looking down for a letter, you watch for the right key to arrive and press it as it passes. Google says each belt carries 29 keys and can input both uppercase and lowercase letters. That might let one hand stay near the same spot, though it also turns typing into a timing exercise, especially when the next letter takes its time coming around.

Imagine answering an email with a cup of tea in your free hand. On a conventional keyboard, you’d either put the cup down or hunt for letters one finger at a time. Here, the moving keys do the traveling while you wait at the front of the machine. Google also suggests using your free hand on a mouse, which sounds suspiciously like extra work.

There’s an oddly earnest design lesson underneath the silliness. Questions about ergonomics often begin with who a familiar object was made for, and Google has taken that thought to a ridiculous extreme. The upright arrangement might use less horizontal desk space than a full keyboard, but it trades that footprint for height, moving parts, and the need to watch every passing key.

Google plays along with its own premise, floating ideas for faster movement, longer belts with more characters, shorter versions for phones, and different colors. None of those variations is a promised product. Even the keyboard itself isn’t headed for stores; the team has released open-source plans for a similar device instead. That keeps the joke open to anyone curious enough to build one.

The date is part of the gag, too. Google chose October 1 as a nod to the familiar 101-key keyboard, rather than waiting for April Fools’ Day. It’s the team’s 15th keyboard proposal, continuing a habit of treating ordinary typing as a problem that needs an absurdly elaborate solution. A conveyor belt is hardly the first thing most people would try.

You’re unlikely to write a novel by chasing letters around this contraption, and that isn’t really the point. Google has built a physical answer to a question no keyboard maker was asking: what if the keys did all the moving? It’s a ridiculous way to type an email, but an effective way to notice how much we expect our fingers to do.

The post Google’s Fix for One-Handed Typing Is a Rolling Belt of Letters first appeared on Yanko Design.

A Walnut Organizer That Claims Your Desk Corner Before the Clutter Does

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Desk corners tend to become parking spots for things you haven’t found a proper home for. Keys land beside the keyboard, earbuds disappear beneath a notebook, and your phone takes up whatever room remains. The Anchor desk organizer gives that overlooked space a job, using an L-shaped walnut body to keep your daily essentials together without laying another storage box across your workspace.

Most desktop organizers are rectangular, which can make them awkward neighbors for a laptop or drawing pad. The Anchor wraps its storage around a right angle instead. One arm holds upright items; the other gives smaller belongings a place to lie flat. It doesn’t make the corner any bigger, of course, but it could keep the middle of the desk clear for actual work.

Designer: BAYT (baytbyseen)

The raised section uses several dark dividers to separate a phone, tablet, notebook, or incoming mail. That’s useful when you’re moving between a screen and a paper sketch, because neither has to vanish under a pile. The slots also keep those items standing, so you can reach for the one you need without digging through a drawer or disturbing everything else.

At the bend sits a round catchall for keys, coins, and an earbud case, the little things that are easiest to misplace. Beside it, a longer recessed tray gives a watch, glasses, or pens somewhere to rest. Keeping the two areas distinct might seem fussy, but it saves you from fishing a pen out of the same bowl as your keys.

The proposed materials make the organizer feel less like office equipment and more like something you’d willingly leave out after work. Walnut gives the body its warmth, while dark steel detailing keeps the upright section looking crisp. Full-grain leather lines the trays, cushioning items that might otherwise rattle against wood. The concept labels those inserts as replaceable, though it doesn’t show how they’re removed.

That combination also draws a useful line between showing off your belongings and actually putting them away. A phone and notebook remain visible, while the low trays collect objects that usually wander across the desktop. Nothing here locks, folds shut, or hides yesterday’s mess. If you drop everything onto it without thinking, you’ll still have to sort things out eventually.

There are a few questions that the tidy arrangement doesn’t answer. The concept calls the upright sections docking slots, but it doesn’t describe built-in charging or cable routing. You’d also need enough room for the organizer and the devices sticking out of it, especially on a small desk. A corner can be unused without being empty, as anyone with a lamp knows.

Still, The Anchor has an appealing understanding of how workspaces actually fill up. Your keys don’t need the same sort of home as a tablet, and your glasses shouldn’t have to share a slot with the mail. Giving each one a modest place at the edge leaves the main surface for whatever you’re working on, while making it easier to find your things afterward.

The post A Walnut Organizer That Claims Your Desk Corner Before the Clutter Does first appeared on Yanko Design.

Klara Is the Coffee Table That Lets You Fake a Tidy Room

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Coffee tables are places where people as well as things meet, and they can get messy really fast. Books, remote controls, accessories, knick-knacks, you name it, you can find it on top of these large surfaces. Klara doesn’t magically make your coffee table neater but instead embraces the chaos and gives that mess a place to hide, with a movable tray that covers part of the tabletop without turning it into some gigantic storage box.

Some coffee tables do have storage spaces beneath the tabletop, but that invites the other problem of not knowing where things are. Klara keeps all those items on top, ready when you do need them. Slide the raised tray over a part of the recessed surface, and you temporarily hide the unsightly mess. They’re still there, just out of sight and out of mind.

Designer: Joao Teixeira (Teixeira Design Studio)

Of course, the sliding tray itself becomes yet another surface you put something on, like a drink or maybe a piece of decor. The open area it leaves uncovered provides easy access to those you do need to reach. Move the tray over, and it’s gone. It’s almost like sweeping things under the rug.

Klara’s shape gives it both functionality and presence. Long, squared-off legs make it look like a small bench, and the ends of the frame angle outward to break away from the identity of a plain rectangle. The surfaces are colored precisely within those shapes, making it feel like a truly assembled piece of furniture rather than a box that simply has legs.

Color combinations include a warm yellow recess with the sliding tray in a matching earthy brown, all on top of a pale wood-grain frame. Another option goes a bit darker, with deeper wood tones and blue-gray surfaces. Both color options deliver the same effect: the tray visually stands apart, hinting at its movable nature, and when the table’s all clean, it offers a bit of contrast to keep things interesting.

That said, the “holding area” is finite, and you’ll definitely be limited in what you can place there. As for the moving tray, it’s best to actually remove what’s on top before sliding it over to another area, lest you want to deal with spilled drinks or shattered vases. Small things, but effective reminders that the table isn’t a solution to that mess.

The point isn’t to forget you have to tidy up. It’s to save you the stress of doing so when someone stops by unannounced. It gives you a little peace of mind, albeit briefly, but it also doesn’t encourage leaving things cluttered for long. After all, it doesn’t have a permanent place to hide things, so you’ll have to face the music sooner or later.

The post Klara Is the Coffee Table That Lets You Fake a Tidy Room first appeared on Yanko Design.

This Roman Column Vase Treats a Single Stem Like the Main Event

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Flower vases are meant to put the focus on floral arrangements and disappear into the background. But while that may work for large bundles like a bouquet, more minimalist arrangements like the Japanese art of Ikebana will leave a single cutting looking abandoned in a large container. Column Vase is a concept that tries to address that dichotomy by offering a sculptural solution inspired by the most unlikely structures: harsh Roman columns.

It’s not like the iconic design structure was simply replicated and shrunken down. The vase doesn’t copy a Roman’s decorative capital or base, for example, and instead focuses on the cylindrical forms and vertical grooves that have become iconic of this architectural motif. The columns are seemingly cut up into different heights and attached at different points, creating a shape that is interesting even without the flowers.

Designer: Juhyun Lee

Of course, as living things, plants don’t always follow such neat arrangements, nor do they need to. One long stem can be inserted into the tallest cylinder, while shorter sprigs can be placed on the sides. A trailing leaf can even be left alone, creating a less formal but more natural arrangement. The contrast of the ceramic cylinder and the delicateness of the plants makes what would otherwise be a cold, dead object feel a little bit warmer.

One advantage of the modular design is that you don’t need a full arrangement to use it. Place a single module on your desk with a single flower, then bring out the rest and stack them up when you have more to display. On a narrow shelf, they take up separate spots instead of claiming one stretch of space.

Even the material helps with the architectural reference. Soil and sand are incorporated into the ceramic, giving its surface a speckled, slightly rough appearance that feels closer to stone than glossy tableware. The recycled material isn’t simply a detail for the product description, either. Its grain makes the cylinders look substantial beside a fragile blossom or a thin branch collected on a walk.

That material could have looked rather severe if every version were the same pale stone color. Instead, the concept explores shades including muted green, blue, warm terracotta, and off-white. The colors don’t erase the column reference, but they do make it easier to imagine these compact ceramic pieces on an ordinary desk or side table, rather than on a pedestal in a museum.

There are limits to what those slim openings can comfortably hold. A large bouquet might feel crammed into a collection designed for individual stems, and anyone expecting it to hold every bouquet could be disappointed. But if you tend to keep a few cuttings from the garden or a branch from a weekend walk, the smaller openings make that modest habit look intentional.

When there are no flowers around, the cylinders can still stand together as a small ceramic composition. Move one to another room when you find a stem worth keeping, then put it back when it’s empty. Column Vase makes that change feel natural, since the pieces can always be arranged again. Without a roof to hold up, these columns can afford to move around.

The post This Roman Column Vase Treats a Single Stem Like the Main Event first appeared on Yanko Design.