Tag Archives: lamp

This Lamp Blooms Like a Peacock’s Tail and It’s Mesmerizing

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There’s something almost magical about watching a peacock unfurl its tail feathers. That moment of transformation, when something compact suddenly explodes into an elaborate fan of color and pattern, never gets old. Dutch designer Jelmer Nijp must have felt the same way because he decided to bottle that exact feeling into a lamp, and the result is nothing short of captivating.

Meet Pavo, a lighting design that’s part industrial fixture, part nature-inspired sculpture. The name itself is a nod to its inspiration. Pavo means peacock in Spanish (and Latin, for that matter), and once you see it in action, you’ll understand why Nijp couldn’t have called it anything else. This isn’t your typical table lamp that just sits there looking pretty. Pavo actually moves, transforms, and reveals itself in a way that makes you stop and stare.

Designer: Jelmer Nijp

The design is deceptively simple at first glance. When closed, Pavo looks like a sleek metal tube, the kind of minimalist object that wouldn’t look out of place in a modern apartment or design studio. But here’s where it gets interesting. That tube retracts, and as it does, a pleated shade unfurls like a fan, spreading outward in a graceful, almost organic motion. Light radiates from the center of this fan, creating a soft glow that highlights the geometric pleats and folds of the shade. It’s the kind of moment that makes you want to show everyone in the room, “Look at this! Did you see that?”

What makes Pavo special is how it bridges two worlds that don’t always play well together. On one hand, you’ve got this very industrial aesthetic with clean metal lines and mechanical movement. On the other, there’s this undeniable connection to nature, to the beauty and drama of a peacock’s display. Nijp manages to merge these seemingly opposite ideas into something that feels both sleek and alive, modern yet timeless.

The movement itself deserves special attention because it’s not just a gimmick. The way the shade unfolds is smooth and deliberate, mimicking the natural grace of an actual peacock. It’s unexpected in the best possible way. You don’t often encounter furniture or lighting that has this kind of kinetic quality, especially not executed with such elegance. This is design that understands the power of transformation and uses it to create a genuine emotional response.

Nijp is a 2025 graduate of the Design Academy Eindhoven, one of those prestigious schools that consistently churns out designers who aren’t afraid to experiment and push boundaries. His approach is hands-on and experimental, using the process of making itself as a way to explore materials and forms. You can see that philosophy at work in Pavo. This isn’t a lamp that was designed purely on a computer and then manufactured. It has the feel of something that was worked out through trial and error, through actually building and testing until the mechanics and aesthetics came together just right.

The lamp was showcased at Dutch Design Week 2025, where it attracted plenty of attention among a sea of innovative projects. And it’s easy to see why. In a design landscape that often leans heavily into either pure functionality or pure aesthetics, Pavo manages to be both functional and beautiful while also being genuinely delightful. It’s a light source, yes, but it’s also a conversation piece, a kinetic sculpture, and a little moment of wonder in your living space.

What Pavo represents is a growing trend in contemporary design where the line between art and utility becomes increasingly blurred. Designers like Nijp are asking why everyday objects can’t be more engaging, more interactive, more memorable. Why should a lamp just be a lamp when it could also be an experience? There’s something refreshing about a piece that demands your attention, that makes you think differently about what design can be. Pavo is a reminder that good design doesn’t have to choose between form and function, between nature and industry, between stillness and movement. Sometimes, the best design happens when you bring all these elements together and let them play off each other in unexpected ways.

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These Lamps Made From Trash That Look Better Than Designer Lighting

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There’s something deeply satisfying about watching trash transform into treasure, especially when the result is as stunning as Luminous Re-weave. Created by designers Ling Sha and Yucheng Tang, this lighting system takes the textiles we typically toss without a second thought (think old T-shirts, worn denim, even plastic bags) and reimagines them as soft, glowing sculptures that wouldn’t look out of place in a gallery or a design-forward living room.

At first glance, these lamps appear almost impossibly delicate. Strips of fabric hang like fringes around drum-shaped modules, creating a textured exterior that filters light into something warm and inviting. But look closer and you’ll notice the clever engineering at play. Each module starts with a metal frame fitted with a 3D printed cover, which becomes the base for hand-weaving reclaimed fabrics. The result is a lighting element that feels both handcrafted and high-tech, a sweet spot that’s increasingly rare in contemporary design.

Designers: Ling Sha and Yucheng Tang

What makes Luminous Re-weave particularly interesting is its modular nature. These aren’t your standard one-size-fits-all lamps. Each cylindrical unit can stand alone as a compact light source or stack with others to create sculptural columns of varying heights. You could start with a single module on your desk and gradually build upward into a floor lamp, or arrange several short ones across a shelf for ambient lighting. The system is entirely tool-free, which means reconfiguring your setup is as simple as stacking blocks (only infinitely more stylish).

The real genius lies in the swappable textile skins. We live in a world where we’re constantly encouraged to buy new things. So having a lamp that evolves with you is refreshingly practical. Don’t like the blue denim vibe anymore? Unwrap it and try the earthy brown tones instead. Want to match a new color scheme? Swap out the textiles. This approach not only extends the lifespan of the product but also gives users creative control over their environment. It’s the kind of thoughtful design that acknowledges people change, tastes evolve, and objects should be able to keep up.

Beyond aesthetics, there’s a compelling sustainability angle here. The fashion and textile industries are notorious waste producers, with millions of tons of fabric ending up in landfills annually. By intercepting these materials before they become trash and giving them a second life as functional art, Ling Sha and Yucheng Tang are participating in what’s known as circular design, where materials loop back into use rather than following a linear path to disposal. It’s a small gesture on the individual scale but represents a mindset shift that could influence how we think about materials more broadly.

The marriage of hand-weaving and digital fabrication in Luminous Re-weave also speaks to a larger trend in contemporary design. We’re moving past the false dichotomy of craft versus technology, recognizing instead that these approaches can complement each other beautifully. The 3D printed components provide structure and consistency, while the hand-wrapped textiles introduce variation and human touch. No two modules will look exactly alike because the reclaimed fabrics bring their own histories, wear patterns, and imperfections to the table.

Looking at the images of these lamps glowing in soft beiges, rich reds, deep blues, and faded denims, it’s easy to imagine them fitting into various contexts. They could anchor a minimalist space with their sculptural presence or blend into a maximalist room as one interesting element among many. They speak to both the person who obsesses over sustainable practices and the one who simply appreciates well-executed design.

The post These Lamps Made From Trash That Look Better Than Designer Lighting first appeared on Yanko Design.

Finally, a Lamp That Changes Shape as Often as Your Mood

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There’s something about lighting that can completely transform a space, isn’t there? You walk into a room with harsh overhead fluorescents and immediately feel different than when you step into a warmly lit corner with just the right glow. But here’s the thing: most lamps are stuck being one thing forever. That sleek floor lamp you bought? It looks great, sure, but what happens when you rearrange your furniture or want to read in bed instead of on the couch?

Enter MOODI, a modular stand lamp designed by Taehyeong Kim that’s challenging everything we thought we knew about lighting. Instead of being locked into one configuration, MOODI is basically the LEGO set of lamps. You can snap together different components, swap out parts, adjust heights and angles, and completely reconfigure the whole thing whenever your space (or mood) changes.

Designer: Taehyeong Kim

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The design takes inspiration from telescopic mechanical structures, and honestly, it shows. Those exposed joints and metal textures give it this industrial, almost mechanical aesthetic that feels refreshingly honest. Nothing’s hidden away or disguised. You can see exactly how the lamp works, which joints pivot, how the pieces connect. It’s functional beauty at its finest.

What makes MOODI particularly clever is how it addresses something many of us don’t even realize we’re missing. Kim’s philosophy centers on the idea that our homes aren’t just places to crash at the end of the day anymore. For millennials and Gen-Z especially, our spaces have become extensions of our personalities, stages where we live out our daily narratives. We’re curating our environments the same way we curate our Instagram feeds, and lighting plays a massive role in setting those scenes.

The modularity goes way beyond just being able to tilt the lamp head up or down. You can actually build different types of lights from the same set of components. Need a tall floor lamp for your living room? Done. Want a compact desk light for focused work? Rearrange a few modules. Heading out for a camping trip? Reconfigure it into a flashlight. It’s wild how versatile the system becomes once you start thinking about all the possibilities.

The lamp comes in three elegant finishes: white, black, and a warm beige tone that adds just a touch of softness to the industrial vibe. Each version maintains those signature exposed joints and clean lines, but the color options let you match it to your existing decor or create intentional contrast.

What really resonates about MOODI is how it puts control back in your hands. We’re so used to products dictating how we use them, but this flips that relationship. You’re not adapting your life to fit the lamp; the lamp adapts to fit your life. Morning coffee at the kitchen table? Adjust it for soft ambient light. Late-night reading session? Reconfigure for focused task lighting. Video call with friends? Move it to create that perfect ring-light effect.

There’s also something refreshingly sustainable about the approach. Instead of buying multiple specialized lights for different purposes (and contributing to more waste), you invest in one versatile system that grows and changes with you. When you move apartments, redecorate, or just feel like mixing things up, MOODI moves right along with you. The design manages to walk that tricky line between being statement-worthy and genuinely functional. It’s sculptural enough to be interesting, but never so precious that you’re afraid to actually use it. Those mechanical joints beg to be adjusted and played with, turning the simple act of repositioning a light into something tactile and satisfying.

The post Finally, a Lamp That Changes Shape as Often as Your Mood first appeared on Yanko Design.

SPOT ON Charger Makes Wireless Charging Feel Like a Bullseye

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Wireless chargers have become common, but most are anonymous black discs that disappear into the desk. They do the job, but rarely feel personal or satisfying to use beyond the first week you own them. SPOT ON is a concept that tries to make charging feel more deliberate and expressive, combining a magnetic pad with a small lamp so the whole interaction has a bit more presence on your nightstand or desk.

SPOT ON is a wireless charger and ambient lamp concept designed around a bow-and-target motif. The charging pad is a circular target that snaps magnetically to the front of a tilted cylindrical lamp body. You can dock the pad to use it as a stand charger, or pull it off and lay it flat as a separate wireless pad while the lamp continues to glow in the background.

Designer: SEUNG-A-LEE

Inside the pad is a magnet that aligns the phone with the charging coil, so when you bring your device close, it snaps into place with a satisfying click. The designer explicitly likens this to hitting the target, turning the usual hunt for the right charging spot into a more playful, bullseye moment. The subtle cross mark on the pad reinforces that visual cue every time you place your phone.

The lamp body is a tilted cylinder with vertical grooves, mounted on a simple rectangular base. When lit, the ribbed surface diffuses a warm, gentle glow, more mood light than task lamp. It’s the kind of object that can sit on a bedside table or shelf without screaming tech, giving you a bit of atmosphere while your phone charges upright in front of it.

Because the pad attaches magnetically, it can be pulled off in one motion and used as a flat wireless charger anywhere on the desk or nightstand. The lamp stays behind as a standalone light. That separation lets users adapt SPOT ON to different environments and habits, whether they prefer a stand for video calls or a low pad for casual overnight charging without the upright position.

SPOT ON comes in soft, desaturated tones like warm beige, blush pink, and muted teal, each with a matching pad. The palette leans more toward interior decor than gadgetry, making it easier to blend into different rooms. The combination of simple geometry, gentle colors, and the bow-and-target metaphor gives the charger a character that feels more like a small object you chose than a piece of infrastructure you tolerate.

SPOT ON is a reminder that even something as mundane as charging a phone can be turned into a small ritual. By adding a magnetic snap, a bit of ambient light, and a form that shifts between stand and pad, it nudges the interaction from purely functional to quietly satisfying. For anyone tired of generic charging pucks, this kind of concept hints at a more thoughtful future for everyday tech.

The post SPOT ON Charger Makes Wireless Charging Feel Like a Bullseye first appeared on Yanko Design.

These 3D-Printed Lamps Glow Like Coral Reefs

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There’s something quietly radical happening when designers stop thinking about furniture as rigid, finished objects and start treating them like organisms that could have grown from the ocean floor. That’s exactly what YET FAB has done with their Alherd Collection, a series of lamps that look less like traditional lighting and more like glowing coral formations pulled from some computational reef.

Founded by Ilya Kotler, Anastasiya Kotler, and Rael Kaymer, YET FAB sits at that fascinating intersection where material science meets algorithmic design. The Alherd lamps are all born from the same generative system, inspired by how coral grows and how water erodes stone over centuries. The result is a porous, cellular texture that doesn’t just hold light but transforms it into something softer, more atmospheric, more alive.

Designer: YET FAB

What makes this collection especially interesting is how it scales. Rather than designing three separate products, YET FAB created one visual language that works whether you’re holding a compact table lamp or standing next to a 130 cm floor sculpture. It’s a smart approach that gives the collection a cohesive identity while offering real flexibility for different spaces and needs.

The table lamp is the quiet overachiever of the trio. Small enough to live comfortably on a desk or nightstand, it has this sculptural presence that works even when it’s switched off. But here’s where it gets clever: inside that organic, textured shell is a customizable filter system. You can swap out internal filters to shift the mood completely, moving from warm amber to soft white to deep red without changing how the lamp looks externally. It’s like having multiple lamps in one body, ready to adapt to whether you’re working late, hosting friends, or just need something moody for a quiet evening.

That adaptability matters more than it might seem at first. We’re living in smaller spaces with less room for single-purpose objects, and lighting plays a huge role in how a room feels. A lamp that can shift its emotional register without demanding more square footage? That’s genuinely useful design thinking wrapped in a beautiful package.

Then there’s the floor lamp, which takes everything up several notches in scale and presence. Standing at 130 cm, this piece becomes a vertical sculpture that anchors a room rather than just illuminating it. It’s made from recyclable plastic using a custom 3D printing process, which means each one is fabricated to order. The sustainability angle isn’t just marketing speak here; it’s baked into how these lamps are actually made.

You can choose between fully transparent or a sunset gradient finish, each offering a different vibe. Both versions use internal LED tubes that make the entire porous surface glow from within, creating this soft halo effect that feels more like ambient sculpture than functional lighting. It’s the kind of piece that makes you rethink what a floor lamp can be.

The pendant version brings that same organic aesthetic overhead. Suspended by two minimal cables, it floats above dining tables or work surfaces with an elongated form that breaks away from the typical linear pendant design. There’s something almost weightless about how it hangs there, despite having such a strong visual presence. Like its siblings, it comes in transparent or sunset gradient finishes and uses that same coral-inspired, porous surface to diffuse light gently across whatever space it occupies.

What ties all three pieces together isn’t just their shared aesthetic DNA but the philosophy behind them. YET FAB is researching how computational design can create forms that reference natural systems without mimicking them directly. These aren’t literal recreations of coral; they’re interpretations of how natural structures grow, adapt, and interact with light. It’s biomimicry filtered through algorithms and fabricated with contemporary technology.

Every lamp in the Alherd series is made to order and can be customized in color on request, which adds another layer of personalization to an already thoughtful collection. In a world drowning in mass-produced lighting that all looks vaguely the same, there’s something refreshing about objects that feel computationally precise yet organically imperfect, sustainable yet sculptural, functional yet deeply atmospheric. These aren’t just lamps. They’re experiments in how we might live with light differently.

The post These 3D-Printed Lamps Glow Like Coral Reefs first appeared on Yanko Design.

These Modular Wax Lights Stack Like Living Totems

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There’s something almost magical about watching a candle melt, the way solid wax transforms into liquid and back again. Copenhagen-based studio Daydreaming Objects has taken that transformative quality and turned it into something completely unexpected: sculptural light towers that feel like they’re alive.

Their project, Soft Solids, recently won the Seoul Design Award 2025, and once you see these pieces, you’ll understand why. These aren’t your typical lamps. They’re modular sculptures that stack like organic totems, built from specially developed natural wax blends and vintage lighting hardware salvaged from mid-20th-century fixtures across Sweden, Italy, and former Czechoslovakia.

Designer: Daydreaming Objects (photos by Norbert Tukaj)

The beauty of this project lies in its contradiction. Wax feels temporary, fragile even. We think of it dripping down birthday candles or melting in the sun. But Daydreaming Objects has figured out how to make it durable, heat-resistant, and strong enough to serve as functional lighting. They’ve developed a blend using soy wax and stearin, a vegetable or animal fat derivative that’s far more sustainable than petroleum-based paraffin. The result is a material that can be endlessly recycled, melted down and recast into new forms without losing its integrity.

What makes Soft Solids particularly clever is its modularity. The Stem light sculpture, one of the standout pieces in the collection, consists of cylindrical wax units that stack vertically. You can add or remove sections, adjusting the height and composition to fit your space or mood. It’s like playing with blocks, except these blocks glow. By day, they stand as quiet, solid forms with a minimalist presence. By night, LED lights transform them into luminous columns that diffuse warmth throughout a room.

The design philosophy here draws heavily from nature. The biomorphic shapes echo patterns of growth and regeneration you’d find in plants or geological formations. The color palette reinforces this connection: off-white, soft blue, and muted green hues that evoke natural landscapes rather than synthetic spaces. Each piece receives a protective natural layer that increases strength and heat resistance while ensuring the LED light diffuses evenly through the wax.

But there’s also an element of nostalgia woven into these contemporary pieces. The vintage hardware, those metal and glass components from decades past, gives each light sculpture a sense of history. It’s not just about sustainability through using renewable materials but also about extending the life of objects that already exist. Instead of letting old lamp parts gather dust in storage or end up in landfills, Daydreaming Objects pairs them with something entirely new, creating a conversation between past and present.

The process itself is surprisingly high-tech for such an organic-feeling result. The designers use computer software and 3D printing technology to create prototypes and silicone negatives for casting the molten wax. Each shade is specifically designed to match its vintage base, ensuring both aesthetic harmony and functional compatibility. It’s a fascinating blend of digital precision and handcrafted sensibility.

What’s particularly relevant right now is how this project addresses our growing awareness of material waste and circular design. Wax is infinitely recyclable. If a piece breaks or you simply want to change it, you can melt it down and start over. This circular approach to lighting design feels refreshingly honest in a world drowning in disposable products. For anyone interested in where design is heading, Soft Solids offers a compelling glimpse. It proves that sustainable materials don’t have to look earnest or utilitarian. They can be poetic, playful, and deeply beautiful. The project challenges our assumptions about what’s permanent and what’s temporary, what’s precious and what’s everyday.

Daydreaming Objects has essentially created a new design language where transformation isn’t a bug but a feature. The very impermanence of wax becomes its strength, allowing for endless reimagining. These light sculptures don’t just illuminate rooms; they illuminate a path forward for thoughtful, regenerative design that respects both history and the future.

The post These Modular Wax Lights Stack Like Living Totems first appeared on Yanko Design.

This Designer Just Made a Lamp You Pump Up Like a Bike Tire

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Picture this: a lamp that literally grows before your eyes, expanding and glowing brighter as you pump air into it like you’re inflating a bicycle tire. It sounds like something out of a science fiction movie, but it’s very real, and it’s called Blow. Designer Jung Kiryeon has created something that makes you rethink what a lamp can be, and honestly, it’s kind of mesmerizing.‎

The Blow lighting series isn’t your typical flip-a-switch-and-forget-it situation. Instead, these interactive lamps require you to physically engage with them using a hand pump. As you pump air into the structure, the lamp inflates and the light gets brighter. The more pressure you add, the more the lamp expands, creating this beautiful visual transformation right in front of you. It’s functional art that responds to your actions in real time.‎

Designer: Jung Kiryeon

Aside from just the cool factor of an inflating lamp, the design actually has a deeper meaning. Jung Kiryeon designed Blow as an exploration of anxiety, specifically the kind that builds up when you’re navigating unfamiliar territory or dealing with negative feedback loops. Instead of treating these uncomfortable feelings as something to push away, the designer examined how they progress and found a way to express them through light, volume, and material.‎

The result is a lamp that actually embodies emotional tension. Think about it: when you’re anxious, that feeling builds and expands inside you. With Blow, you’re literally pumping pressure into a structure, watching it swell and brighten. It’s a physical manifestation of an internal state, transforming something invisible and abstract into something you can see, touch, and control. There’s something oddly satisfying about externalizing that feeling, making it tangible.

The series includes two pieces, Blow 01 and Blow 02, and each one only comes alive through user interaction.‎ You’re not just passively consuming light; you’re actively participating in creating it. This shifts the relationship between person and object from passive to collaborative. The lamp needs you, and in a weird way, you might need it too, especially if you’re looking for a tactile way to process stress or tension.

From a design perspective, Blow sits at this fascinating intersection of product design, emotional wellness, and interactive art. It challenges our expectations about how everyday objects should behave. Most lighting is static: you turn it on, it provides light, end of story. But what if your lamp could be a ritual, a moment of mindfulness, or even a form of stress relief? What if the act of turning on a light could be meditative rather than automatic?

The materials and mechanics behind Blow are also intriguing. The inflatable structure likely uses flexible, durable materials that can withstand repeated expansion and contraction. The integration of lighting with air pressure mechanics requires careful engineering to ensure the light intensifies as the form expands. It’s a technical achievement wrapped in conceptual design. And let’s talk about aesthetics. There’s something undeniably captivating about watching an object transform. The visual language of expansion, the way light diffuses through the inflated material, the organic shapes that emerge as air fills the structure… it all creates a dynamic viewing experience. It’s the kind of thing that would absolutely become a conversation starter in any space.

Blow also taps into our growing interest in experiential design. We’re living in an era where people value experiences and interactions, not just static possessions. This lamp offers both utility and experience. It’s not just about illumination; it’s about the journey of creating that light, the physical effort, the visual reward. Jung Kiryeon’s work reminds us that design can be more than problem-solving or aesthetics. It can be a language for expressing complex emotional states, a way to make the invisible visible. In our increasingly digital world, where so much of what we experience is intangible, there’s something refreshing about a physical object that demands your participation and responds to your input in such an immediate, visceral way.

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IKEA and Teklan Turn Tech Into Eye Candy

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You know that weird thing we do with tech products? We buy them, we use them every day, but then we kind of hide them. Tuck the speaker behind the plant. Stash the lamp in the corner. As if apologizing for needing functional things in our homes. IKEA’s new collaboration with Swedish designer Tekla Evelina Severin (known as Teklan) is here to flip that script entirely.

The Teklan collection, which launches globally this December, is all about making your speakers and lamps the main character instead of background extras. We’re talking bold patterns, nostalgic color combos, and shapes that look like they wandered out of a really cool vintage store and somehow learned to play your Spotify playlist.

Designer: Teklan for IKEA

At the heart of the collection is the SOLSKYDD family, a trio of round Bluetooth speakers that refuse to be boring. The smallest is an 8-inch portable speaker in orange with a pattern that practically demands attention. The medium version comes in green with brown and beige diagonal stripes that feel very 70s but in the best possible way. And the largest? An 18-inch wall-mounted beast in textured orange that can even connect to a screen. These aren’t speakers that blend in. They’re conversation starters that happen to have excellent acoustics, designed by Ola Wihlborg to balance form with serious sound quality.

Then there’s the KULGLASS lamp speakers, which might be my favorite thing about this entire launch. Teklan designed them to look like soft-serve ice cream, because why shouldn’t your tech look like dessert? They come in mint green and a red-brown with pink combo, and they work as both lamps and Bluetooth speakers. The built-in volume knob is a nice tactile touch in a world where everything is controlled by tapping a screen.

What makes this collaboration feel special isn’t just the aesthetic, though the colors are definitely doing the heavy lifting. It’s the intention behind it. Teklan literally went to her grandparents’ house to match the exact shade of mint green to an old bar of soap from her childhood memories. That level of personal storytelling in product design is rare, especially for mass-market furniture retailers.

“We wanted to bring that softness and friendliness into technology, to help people see home electronics differently and invite more colour into their everyday spaces,” Teklan explained. And honestly, mission accomplished. These products feel warm and approachable in a way that most tech doesn’t. While the insides are packed with all the technical complexity you’d want from quality speakers, the outsides feel almost playful.

The collection also includes a refresh of IKEA’s cult-favorite VAPPEBY speaker, now decked out in Teklan’s signature colors, plus a whole range of braided charging cables called SITTBRUNN, RUNDHULT, and LILLHULT that are inspired by climbing ropes. Even your charging cables get to have personality now.

All the speakers can connect to each other and other compatible IKEA Bluetooth speakers for multi-speaker mode, and they support Spotify Tap, so you can seamlessly continue whatever you were listening to. The SOLSKYDD also comes in a plain white version if you’re not quite ready to commit to orange geometric patterns (though I’d argue that’s missing the point). Price-wise, we’re still solidly in IKEA territory. The portable SOLSKYDD starts at $80, the medium at $100, and the largest at $140. The KULGLASS lamp speakers are $130. Not cheap for IKEA, but reasonable when you consider you’re getting both form and function wrapped in genuinely unique design.

This collaboration represents something bigger than just pretty speakers. It’s part of a shift in how we think about the stuff that makes our homes work. After years of minimalism telling us to hide everything, make it all white, keep it neutral, there’s this growing appetite for objects with personality. Things that reflect who we are, what we love, the colors that make us happy.

IKEA has been experimenting with this more expressive approach since ending its partnership with Sonos earlier this year. The Teklan collection feels like a confident step into that space, proving that affordable design doesn’t have to mean boring design. The collection starts rolling out in December, with specific dates varying by market, so check with your local IKEA for availability. And maybe start thinking about where you want to display, not hide, your next speaker.

The post IKEA and Teklan Turn Tech Into Eye Candy first appeared on Yanko Design.

Kartell Revives a 1967 Icon: The KD28 Lamp Gets a Modern Makeover

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There’s something magical about design pieces that refuse to fade into history. They sit there in archives, quietly waiting for their moment to shine again, proving that good design really is timeless. That’s exactly what’s happening with Joe Colombo’s KD28 lamp, which Kartell is bringing back to life after its original debut in 1967.

If you’re not familiar with Joe Colombo, let me paint you a picture. This Italian designer was basically the poster child for optimistic, forward-thinking mid-century design. He created bold, colorful furniture and objects that perfectly captured the era’s “the future is bright” energy. Colombo sadly passed away in 1971 at just 41, but his work continues to influence designers today. The KD28 lamp is a perfect example of why his pieces remain relevant decades later.

Designer: Kartell

What makes this relaunch particularly interesting is how Kartell has managed to honor the original design while addressing contemporary concerns. The lamp’s silhouette stays true to Colombo’s 1967 vision, but the materials tell a different story. This new iteration is manufactured using recycled materials, which feels like exactly the kind of innovation Colombo himself would have championed. He was always about pushing boundaries and embracing new technologies, so it’s fitting that the lamp’s comeback includes a sustainability angle.

The technical updates go beyond just eco-friendly materials. The shade now features a satin finish treatment that creates a warmer, more enveloping glow compared to the original. Anyone who’s ever dealt with harsh lighting in their home knows how much of a difference this makes. It’s the kind of thoughtful detail that transforms a lamp from merely functional to genuinely cozy. Even the power cable gets the deluxe treatment, covered in fabric that matches the base color. It’s a small touch, but it shows that Kartell understands that design is about the complete package, not just the flashy parts.

Now let’s talk about the color options, because this is where maximalists are going to lose their minds. The KD28 comes in eight shades: Bordeaux, Woodland Green, Dove Grey, Orange, Petroleum, Mustard, Black, and White. That’s quite a spectrum, ranging from neutrals that’ll blend seamlessly into minimalist spaces to bold statement hues that demand attention. The Mustard and Orange options feel particularly vintage in the best way, channeling those groovy 60s and 70s vibes without feeling like a costume. Meanwhile, the Petroleum and Woodland Green speak to today’s preference for moody, sophisticated tones.

What’s really compelling about this reissue is what it represents for Kartell as a brand. They’re not just randomly dipping into their archives to capitalize on nostalgia. The KD28’s return demonstrates a clear through-line in their design philosophy, connecting past innovation with present-day values. It’s proof that their commitment to pushing materials and manufacturing forward isn’t new, it’s been part of their DNA all along.

This approach to heritage design feels refreshingly honest compared to some of the trend-chasing we see in the furniture world. Rather than trying to make the lamp “relevant” by completely reimagining it, Kartell recognized that the original design already had everything it needed. The updates are practical improvements that make it work better for contemporary life, not desperate attempts to chase Instagram aesthetics.

For anyone building a collection of iconic design pieces or just looking to add something special to their space, the KD28 offers an interesting proposition. You’re getting a legitimate piece of design history, crafted by one of the 20th century’s most influential designers, but with the practical benefits of modern manufacturing. It’s the best of both worlds: vintage credibility with contemporary functionality.

The KD28 lamp proves that sometimes looking backward is the best way to move forward. In a market flooded with disposable products, there’s something deeply satisfying about investing in a design that’s already proven its staying power over five decades.

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Your Desk Lamp Just Got Smarter (And Took Notes from Inception)

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Remember that spinning top from Inception? The one that determined whether you were in a dream or reality? Well, a design team called SUPD took that iconic object and asked themselves a pretty interesting question: what if a product could help you enter a state of deep focus the same way that totem granted entry into the dream world? The result is DEEP, an AI-powered desk stand that’s making me rethink everything I thought I knew about workspace lighting.

Let’s be real for a second. We’re all drowning in distractions. Between notifications pinging, emails flooding in, and the constant pull of social media, achieving genuine focus feels like a superpower these days. And if you’ve ever tried to create the perfect work environment, you know the drill. You need your desk lamp positioned just right, white noise playing at the perfect volume, maybe some aromatherapy going, and oh yeah, all those tangled cables creating visual chaos that breaks your concentration every time you glance at them. DEEP tackles this modern problem with a surprisingly elegant solution: why scatter your focus tools across multiple devices when you could integrate them into one sleek package?

Designer: SUPD

The product itself looks like it stepped out of a near-future sci-fi film. It’s a desk lamp, sure, but it’s also packing a camera, speakers, and AI capabilities that work together to create what the designers call “optimized immersion environments.” The best part? Getting started is wonderfully simple. You turn the main power button, which is designed to mimic that spinning top from Inception (a detail that definitely made me smile), and then you just talk to it. Tell DEEP what you’re about to do, whether that’s studying, coding, reading, or creative work, and it automatically adjusts your environment to match.

Think about that for a moment. No more fiddling with multiple apps, no more adjusting three different devices, no more breaking your concentration before you’ve even started working. You speak, it listens, and your workspace transforms itself.

But DEEP doesn’t stop at automation. The designers clearly thought about the reality of personal preferences. Those side buttons let you fine-tune the lighting and sound to your exact specifications, and here’s where it gets smart: the system asks if you want to save your adjustments. Over time, DEEP learns your preferences for different activities, becoming more personalized the more you use it. The camera positioned at eye level isn’t just there for show. It’s analyzing you, checking your immersion status, and providing feedback to help maintain your focus. It’s like having a productivity coach built into your desk lamp, minus the awkward small talk.

I’m particularly taken with the attention to physical design details. Those red lines running along the top and front of the product aren’t just aesthetic choices. They help you maintain your preferred angles after adjusting the lamp’s position, creating a visual reference that makes it easier to remember your ideal setup. It’s the kind of thoughtful detail that separates good design from great design. The four-directional speakers at the base create spatial audio for immersion, whether that’s white noise, nature sounds, or whatever helps you slip into that flow state. And that integrated approach means no more cable spaghetti cluttering your desk, no more hunting for the right device, no more mental overhead just to start working.

What strikes me most about DEEP is how it recognizes that deep focus isn’t a luxury anymore. It’s a core skill, maybe even a competitive advantage in our attention-fractured world. The difference between weak concentration and strong concentration directly translates to productivity, creativity, and the quality of our work. DEEP doesn’t just acknowledge this reality; it builds an entire product philosophy around supporting it.

Is this the future of workspace design? Possibly. At minimum, it’s a fascinating glimpse at how AI integration can solve real problems without adding complexity. Sometimes the best technology is the kind that gets out of your way and just lets you work.

The post Your Desk Lamp Just Got Smarter (And Took Notes from Inception) first appeared on Yanko Design.