The iPhone 18 Pro represents a significant step forward in Apple’s ongoing commitment to blending innovative technology with thoughtful design. While some rumors suggested radical changes, Apple has chosen a path of refinement, focusing on subtle yet impactful updates that enhance both functionality and user experience. Among the most notable advancements are a smaller Dynamic […]
The post Apple’s Secret iPhone 18 Pro Design: Why the Dynamic Island Isn’t Dead appeared first on Geeky Gadgets.
Your laptop gets thinner every year and your tablet ditches another port with each refresh. Meanwhile, the actual work you do requires more connectivity than ever. Photographers need fast SD card access during client reviews. Presenters need a clicker and a thumb drive while streaming to the big screen. Educators move between rooms with different projectors and zero time to fumble with settings. The gap between sleek hardware and messy reality keeps widening.
4URPC built the Gen 3 to close that gap entirely. The system pairs a plug-and-play wireless HDMI link with a genuinely useful hub, all in a single piece of kit. Plug the USB-C transmitter into your device and the HDMI receiver into any display. You get wireless 1080p 60Hz video in 0.02 seconds, plus immediate access to SD/TF cards, three high-speed USB ports, and 100W power delivery. No apps, no network dependency, no compromise. Just the screen and the tools you actually need, working together the way they should.
Designer: 4URPC
Click Here to Buy Now: $99 $198 (50% off). Hurry, only 132/500 left! Raised $50,000.
You can see the direct line from user feedback to this design. Their Gen 2 was a solid wireless 4K transmitter, but it was a single-purpose tool. People clearly pointed out that the moment they went wireless, their other ports were still occupied by hubs for storage, peripherals, and power. 4URPC took that to heart, building the new SP06 model around a complete workflow. They collapsed the entire dongle ecosystem into the transmitter itself, which is a far more practical solution for anyone working outside of a fixed desk setup.
The integrated hub is built with professional-grade specs. We are looking at two 10Gbps USB-A ports and a 10Gbps USB-C data port, which provides plenty of speed for fast external SSDs or multi-channel audio interfaces. The SD and TF card slots run at a respectable 5Gbps, fast enough for offloading photos and video without a huge bottleneck. Critically, the 100W USB-C power delivery input means you can run all of this connectivity and still keep a MacBook Pro or a powerful Windows laptop fully charged through a single connection.
All that local I/O becomes even more useful in a collaborative setting. A single HDMI receiver can pair with up to eight different transmitter hubs, completely changing the dynamic in a meeting room. Instead of passing a cable around or fighting with clunky software casting, each person can switch to become the active presenter with a button press. The 0.02-second switching time they claim makes the handoff nearly instant. This hardware-based approach sidesteps the need for everyone to be on the same Wi-Fi network or have specific apps installed, which is a constant headache in corporate or guest environments.
Packing a dual-band Wi-Fi module, a high-speed USB controller, and a PD circuit into one chassis generates serious heat, so the move to an aluminum alloy casing is a practical necessity. The metal body functions as a heat-sink, which should lead to more stable performance during long sessions where you are pushing 1080p video and transferring data simultaneously.
Super early backers can snag the complete system for $99, which includes the wireless transmitter/hub unit, the HDMI receiver, and the necessary cables. That is a 50% discount off the planned $198 retail price, limited to the first 500 backers. After that, early bird pricing sits at $109, and there are multi-pack options if you want to outfit an entire team or multiple rooms. The 4URPC G3 ships globally, starting April 2026.
Click Here to Buy Now: $99 $198 (50% off). Hurry, only 132/500 left! Raised $50,000.
The post This 6‑in‑1 wireless HDMI hub with 100W PD will practically replace every dongle in your bag first appeared on Yanko Design.
What do Swiss timepieces and sailing rigging systems have in common with orthopedic braces? More than you might think. The engineers at Osteoid drew inspiration from these precision mechanical systems to create Bracesys, a revolutionary approach to fracture immobilization that challenges everything we thought we knew about medical casts.
Traditional plaster casts have remained largely unchanged for over a century. Off-the-shelf braces offer convenience but rarely fit properly. Custom 3D-printed alternatives require expensive scanners, lengthy production times, and specialized expertise. Bracesys sidesteps all these limitations with an adjustable framework of segmented units, articulating connectors, and tension dials. The entire system weighs just 150 grams and folds flat into an envelope, yet provides rigid support comparable to traditional casts. More remarkably, clinicians can customize it to each patient’s anatomy in real time, adjusting the fit as swelling decreases and healing progresses.
Designer: Osteoid Design Team
Kevlar cables run through the framework and get tightened via integrated dials, borrowing directly from sailing rigging where distributed tension points create precise control. Yacht rigging achieves massive structural loads through this exact principle. Osteoid just applied it to wrist immobilization. The framework comes from SLS and MJF 3D printing with medical-grade Nylon 12, reinforced at stress points with CNC-machined aluminum and stainless steel. This hybrid manufacturing approach delivers geometric complexity for anatomical conformity while keeping structural integrity where loads concentrate. Pure injection molding couldn’t achieve these organic shapes. Pure 3D printing couldn’t handle the forces.
Over 600 anonymized CT scans went into the sizing methodology, processed through AI-driven segmentation and implicit skinning algorithms that map soft tissue deformation around bone structures. Principal Component Analysis crunched all that data into four standardized sizes covering the 5th to 95th percentile of hand and wrist anatomy. You’re getting semi-custom fit from off-the-shelf components, which anyone in medical device design will tell you is brutally difficult to pull off. Manufacturing needs standardization for scale. Patients need personalization for outcomes. Most companies pick one and live with the compromise.
A typical Colles fracture brace measures 190 x 90 x 115 mm assembled but breaks down completely flat into an A4 envelope. Clinicians wrap it around the limb loose, let the segmented units find their natural anatomical alignment, then use screwdriver-sized tools to adjust connector lengths and tighten the tension dials incrementally. Spring-loaded quick-release pins handle adjustments as swelling changes during recovery. The whole initial fitting takes minutes. I keep coming back to that speed because custom 3D-printed orthotics need weeks of turnaround, and drugstore braces fit approximately nobody correctly. This lands right in the middle with none of the usual tradeoffs.
Every plaster cast is single-use. Every prefab brace eventually becomes landfill. Traditional orthopedic devices generate waste at a scale that should embarrass the industry but somehow doesn’t. Bracesys uses recyclable materials throughout, sterilizes for reuse in clinical settings, and lets you replace individual components rather than trashing the whole assembly. I’m usually cynical about sustainability claims in medical devices because they often conflict with clinical needs or regulatory requirements. This actually works because better economics and better outcomes align with lower waste. Nobody has to sacrifice anything.
We shouldn’t still be using plaster casts in 2026. The technology to do better has existed for decades. The problem has always been the gap between custom fabrication costs and mass production constraints. Most attempts at solving this try to make manufacturing cheaper or faster. Bracesys flips that entirely by making adjustability the core feature and shipping that capability to the point of care. You’re not customizing during manufacturing. You’re customizing during application. That philosophical shift matters more than any individual mechanical innovation. If orthopedic practices actually start using this widely, we might finally kill off a medical technology that’s been coasting on pure inertia since the 1800s. It’s time we ‘brace’ for change…
The post This Kevlar Medical Brace Folds Flat Like Origami and Might Finally Kill the Plaster Cast first appeared on Yanko Design.
After years of uncertainty over TikTok's future in the United States, a deal for the app's US business has been finalized. The new US entity is called TikTok USDS Joint Venture. ByteDance has retained a 19.9 percent percent stake in the new business, with the rest controlled by a group of non-Chinese investors, including Oracle, Silver Lake and MGX, an Emirati-state owned investment firm, all of which have a 15 percent stake. Dell CEO Michael Dell and other investors have smaller stakes in the new company.
The terms of the deal were first leaked last month, after TikTok CEO Shou Chew reportedly told employees in a memo that TikTok and ByteDance had agreed to a group of investors. This ends a lengthy saga and months of slow progress as the agreement was being worked out, ensuring that the app will remain available in the US after years of being on the verge of a ban in the country.
President Donald Trump, who had tried to ban the app during his first term in office, praised the deal in a post on Truth Social. "It will now be owned by a group of Great American Patriots and Investors, the Biggest in the World, and will be an important Voice," he wrote."I only hope that long into the future I will be remembered by those who use and love TikTok."
According to TikTok’s announcement, the joint venture will protect American users’ data with Oracle's secure US cloud environment. It will also retrain TikTok’s algorithm on US users’ data and will be in charge of content moderation in the US. The entity promises interoperability, as well, promising that users will still get international content and, if they’re a creator, viewers. “The safeguards provided by the Joint Venture will also cover CapCut, and Lemon8 and a portfolio of other apps and websites in the US,” TikTok said.
The new entity will be overseen by a seven-member board of directors, most of whom are Americans. It includes, Shou Chew, the Chief Executive Officer of TikTok, Silver Lake co-CEO Egon Durban, Oracle Executive Vice President Kenneth Glueck and MGX Chief Strategy and Safety Officer David Scott. Adam Presser, who had previously been head of operations and trust and safety at TikTok, is the CEO of TikTok USDS Joint Venture.
Exactly what the new joint venture means for US users of TikTok is unclear. Shortly after the deal was announced, TikTok introduced new terms of service for US users. As the BBC notes, the new terms include provisions relating to use of the app by kids under 13 (they are limited to the "Under 13 Experience") and that the "TikTok USDS Joint Venture does not endorse any content" in the app. The company hasn’t announced specific changes to the app’s algorithm or other core features.
Update, January 23, 2026, 10:58AM PT: This post was updated to add a statement from President Trump, and with additional information about TikTok’s new terms of service.
This article originally appeared on Engadget at https://www.engadget.com/big-tech/tiktok-finalizes-deal-for-its-us-entity-010543484.html?src=rss
In 2005, Bugatti unleashed a machine so audacious that even today it commands respect. The Veyron arrived with 1,000 horsepower, four turbochargers, and a top speed that left competitors speechless. Two decades later, one collector decided that anniversary celebrations and museum pieces weren’t enough tribute for such a revolutionary achievement.
The result is the F.K.P. Hommage, a one-off hypercar that channels the Veyron’s iconic silhouette while hiding Chiron Super Sport mechanicals beneath its red and black bodywork. Named for Ferdinand Karl Piëch, the Volkswagen Group patriarch who championed the original project, this creation incorporates design elements from an abandoned Veyron facelift that never reached production. It’s automotive archaeology meeting cutting-edge engineering, wrapped in a package that costs north of €10 million.
Designer: Bugatti
This is the second car from Bugatti’s Programme Solitaire, their bespoke division that handles exactly two ultra-custom builds per year. The first was the Brouillard, which took the Mistral roadster platform and wrapped it in equestrian-inspired design language. The F.K.P. Hommage takes a different approach entirely. It asks a simple question: what if Bugatti had kept refining the Veyron on the Chiron’s platform instead of replacing it? Chief designer Frank Heyl actually had sketches for a Veyron facelift back in 2008, concepts that never materialized because Piëch wanted something more radical. Those sketches became the foundation for this car. The headlights, those hollowed-out “light tunnel” taillights, even the adjusted proportions all stem from that unrealized project.
The exterior proportions mirror the original Veyron almost exactly, though it sits about an inch and a half wider. Every single body panel was designed specifically for this car. Nothing got copy-pasted from the parts bin. The horseshoe grille stands more upright now, three-dimensional and aggressive in ways the original never attempted. Those L-shaped LED headlights give the front end what Heyl calls a “concentrated stare,” which sounds like marketing speak until you actually look at the thing head-on. The side intakes got tightened up, the twin roof intakes lean forward more dramatically, and the rear diffuser flares outward at sharper angles. The taillights grew slightly larger on the outboard sections, creating better visual balance. Even the fuel filler got repositioned for better aerodynamic flow.
The red and black scheme matches the first production Veyron from 2005, but Bugatti couldn’t just spray it red and call it done. The base is actually silver, with red pigment incorporated into the clearcoat to create depth and luminosity that straight red paint never achieves. It’s the kind of obsessive detail that adds weeks to the build process and thousands to the cost, which matters zero percent when your budget already exceeds €10 million.
Then you open the door and realize the exterior was just foreplay. The cabin blends Chiron architecture with Veyron soul, keeping the newer car’s instrument cluster while introducing a completely redesigned steering wheel and a wider center console. That console gets machined from a single block of aluminum, which sounds impressive until you remember they’re putting a $200,000 Audemars Piguet Royal Oak Tourbillon inside it. The 43mm watch sits in a rotating mount that serves double duty. It hides the timepiece when the car’s off, protecting it from opportunistic smash-and-grab artists, and it spins the watch several times per hour to keep the automatic movement wound. No mechanical connection to the car, just a motorized gondola doing its thing on a timer.
The seats wear custom couture fabrics woven by a Parisian textile house, because apparently Italian leather alone doesn’t sufficiently communicate exclusivity. Piëch’s signature gets stitched into each headrest, with his initials and birthday embossed into the leather by your right knee. These details matter in the rarefied world of eight-figure automotive commissions, where differentiation comes down to whose signature adorns your headrest.
Under that engine cover sits the Chiron Super Sport’s 1,578-horsepower W16, complete with upgraded cooling, enhanced intercoolers, and a reinforced gearbox. The wheels measure 20 inches up front and 21 inches out back, significantly larger than the Veyron’s original 18/20 setup but necessary to accommodate modern Michelin rubber and the massive brake calipers hiding behind those spokes. The owner reportedly already possesses a matching Veyron, which means they’ll soon park both side by side and spend entirely too much time explaining the differences to confused onlookers.
The F.K.P. Hommage debuts at Rétromobile Paris before embarking on the typical hypercar show circuit, hitting Monaco, Pebble Beach, and whatever other gatherings attract people wealthy enough to consider €10 million reasonable for a car. Delivery happens in 2027, giving Bugatti’s craftspeople enough time to obsess over every stitch and surface. By then, the W16 engine will be completely retired from production, making this one of the final expressions of Piëch’s original vision before Bugatti transitions to the V16 hybrid powertrain in the Tourbillon.
The post The Bugatti Veyron Turns 20 and Gets a 1,578 HP Makeover Nobody Saw Coming first appeared on Yanko Design.
Sennheiser has unveiled its RS 275 TV Headphones, which are bundled with a BTA1 digital receiver. These headphones use Auracast technology to provide low-latency audio at a range of up to 50 meters, and can connect to other devices enabled with Auracast or Bluetooth Classic. For those unfamiliar, Auracast is broadcast Bluetooth audio; we have an explainer about it after CES 2024 put this audio tech onto the big stage. The digital receiver introduces an Auracast signal in a physical space for any other compatible devices, which might include hearing aids or loudspeakers as well as other headphone sets.
The company promises 50 hours of listening with the RS 275 TV Headphones on a single charge, and the set can be powered up from the receiver's USB-C port. Sennheiser designed the headset for long-term comfort; the ear cushions and battery can be replaced by the device's owner. The headphones can be further personalized with the Sennheiser Smart Control Plus App. In addition to finding lost headphones, the app provides controls such as transparency mode, left-right balance, hearing profiles and device-type audio modes.
The RS 275 TV Headphone bundle will retail for $300, while a standalone BTA1 receiver will cost $130. Pre-orders will open on February 3 and the audio gear is expected to start shipping on February 17.
This article originally appeared on Engadget at https://www.engadget.com/audio/headphones/sennheiser-introduces-new-tv-headphones-bundle-with-auracast-233735294.html?src=rss
Setting up a desk usually means the laptop and lamp go on top while the power strip disappears underneath, tangled with dust and forgotten cables. Electricity gets treated as something to manage and conceal, even though it quietly runs everything you do all day. Most power strips look industrial or aggressively technical, which is why they end up banished behind furniture, making plugging things in feel like reaching into a dark cave.
Composition Studio’s Pencil Multi-Tap follows a different line of thought. The studio designs objects that make you want to record simply by looking at them, asking what happens if the object itself initiates the act instead of waiting for discipline or habit. The Pencil Multi-Tap turns a power strip into something that feels closer to a pencil on a desk than a piece of hardware you are supposed to hide, treating electricity as part of the creative process.
Designer: Hyunsu Kim (Composition Studio)
Sitting down at a clean desk in the morning, you drop your notebook, tablet, and laptop on the surface and plug them into a small block that reads as a fat, sharpened pencil. The black cable trails away like a drawn line toward the wall outlet. It feels less like plugging into infrastructure and more like drawing the first line on a blank page, a quiet signal that work is about to begin.
The practical side is straightforward. Three outlets give you enough capacity for a laptop, a charger, and a lamp without turning the surface into a cable farm. The compact, blocky body means it can sit anywhere on the desk or move with you to another room. Because it looks intentional, you do not mind leaving it visible, which makes plugging and unplugging devices easier and less of a contortion exercise under the table.
The pencil shape and color blocking make it feel familiar and non-technical, especially in a studio full of screens and metal. Instead of another black brick with a glowing switch, it reads as part of your creative kit, like a favorite pen or ruler. The single cable becomes a deliberate gesture instead of visual noise, which helps the workspace feel calmer even when multiple devices are connected and drawing power.
Three sockets mean this is not the strip you use to power an entire entertainment center or a full office rack. Big power bricks might still crowd each other if you stack too many adapters, and safety standards, surge protection, and regional plug types would all need careful engineering in a real product. But as a desk-level companion for a focused setup, the simplicity is part of the appeal.
The Pencil Multi-Tap treats electricity as part of the workspace experience instead of a background chore. Just as a pencil on the table invites you to write or draw, this little multi-tap invites you to plug in and begin. It is a reminder that even the most mundane tools can be designed to nudge you toward making something, rather than just managing the machines that do the making for you.
The post This Power Strip Looks Like a Pencil with a Cable That Draws a Line first appeared on Yanko Design.
Darth Maul, the beloved, sometimes spider-legged former Sith Lord first introduced in Star Wars: Episode 1 — The Phantom Menace, is officially getting his own animated spin-off on April 6, 2026, based on a new teaser trailer published by Disney. Star Wars: Maul — Shadow Lord was originally announced at Star Wars Celebration in 2025, and is set after Maul's arc in Star Wars: The Clone Wars but before his appearance in Star Wars: Rebels.
The 10-episode series covers Maul's plot to rebuild his criminal syndicate "on a planet untouched by the Empire," according to Lucasfilm. "There, he crosses paths with a disillusioned young Jedi Padawan who may just be the apprentice he is seeking to aid him in his relentless pursuit for revenge." Shadow Lord will premiere with two episodes on April 6, and will stream two episodes a week on Disney+ through May 6.
Like most of Disney's popular animated Star Wars shows, Maul — Shadow Lord is created by Dave Filoni, a George Lucas supplicant, co-creator of The Clone Wars and newly minted President and Chief Creative Officer at Luscafilm. Besides picking up the story threads he helped establish in his previous animated work, Maul — Shadow Lord could be representative of the work that will define his tenure: stories that play in the pre-existing Star Wars sandbox.
Since completing their sequel trilogy in 2019 with Star Wars: The Rise of Skywalker, Disney and Lucasfilm have struggled to define what the future of their franchise will actually be. New projects have languished in pre-production, interesting TV shows have gotten cancelled and the only things that seem to come out with any consistency are spin-offs of The Mandalorian and The Clone Wars. Disney and Lucasfilm will release The Mandalorian and Grogu on May 22, 2026, the first new Star Wars movie to hit theaters in seven years. The Shawn Levy-directed Star Wars: Starfighter, the first film set chronologically after the events of Rise of Skywalker, is slated to premiere on May 28, 2027.
This article originally appeared on Engadget at https://www.engadget.com/entertainment/streaming/darth-mauls-standalone-series-premieres-on-disney-on-april-6-224036720.html?src=rss
There’s something deeply satisfying about watching a familiar game get completely reimagined. The Mohmaya chess set does exactly that, turning the classic battlefield into a three-dimensional landscape where every move feels like navigating through a modernist city.
Designed by Tanay Vora, Vidushi Gupta, Hardik Sharma, and Yaman Gupta, this isn’t your grandmother’s chess set. Though actually, it kind of is, if your grandmother happened to appreciate mid-century Indian modernism and spiritual philosophy. The name “Mohmaya” translates to “illusion,” which feels perfect for a game that’s all about deception, strategy, and seeing through your opponent’s tricks.
Designers: Tanay Vora, Vidushi Gupta, Hardik Sharma, Yaman Gupta
What makes this set visually striking is its refusal to stay flat. Unlike traditional chessboards that exist on a single plane, Mohmaya creates a topography. Pawns start on the lowest level, grounded and humble. The center of the board sits even lower, like a valley where the real drama unfolds. Then the back row rises highest, where kings and queens preside over everything like architectural monuments on a hilltop. Playing on this board means you’re not just moving pieces across squares but navigating elevation changes, climbing through terrain with every strategic advance.
The pieces themselves are love letters to India’s architectural golden age. Each one draws from the concrete geometry, bold lines, and structural balance of mid-century modernist buildings. Think of the work of BV Doshi, Louis Kahn’s Indian Institute of Management in Ahmedabad, or Amit Raje’s brutalist visions. These weren’t architects who whispered. They made statements in poured concrete and dramatic forms, and Mohmaya channels that same confident energy.
But there’s another layer here that elevates the design beyond pure aesthetics. Each chess piece aligns with chakra symbolism, giving every element a metaphysical dimension. Pawns connect to the Root Chakra, representing stability and patience. Knights embody the Sacral Chakra with their creative, playful energy, always in motion. Bishops hold the Solar Plexus, focused and powerful in their diagonal precision. Rooks align with the Heart Chakra, protective yet generous. Queens carry the Throat Chakra’s voice, expressing leadership across the board. And the king stands with the Crown Chakra, the quiet center of wisdom and balance.
This symbolic framework isn’t just decorative philosophy. It actually affects how you think about each piece’s role in the game. When your rook moves, you’re activating that protective heart energy. When your queen sweeps across the board, she’s literally voicing your strategy. It adds a narrative dimension to every match, making the board itself part of the story.
Speaking of story, Mohmaya introduces one fascinating rule variation. When a pawn reaches the opposite end of the board, it transforms into an additional queen, just like in traditional chess. But here, that transformation carries extra weight. It’s the awakened queen, a reminder that even the smallest, most grounded pieces can undergo radical change. It’s a beautiful metaphor for growth and potential, wrapped in gameplay mechanics.
What really resonates about this project is its underlying mission to reframe how people see Indian design. For too long, the global perception has been narrow, viewing Indian aesthetics through a lens of nostalgia, ornamental patterns, or folkloric charm. Mohmaya pushes back against that limiting view. This is Indian design that’s bold, globally conversant, forward-thinking, and philosophically deep. It draws from a culture that has always asked big questions about life, reality, and meaning, then translates those questions into something you can hold in your hands and play with.
The design team describes it as an homage to Indian utopian modernism, that brief moment when tradition and innovation mixed without hesitation. That period produced some of the most exciting architecture in the world, buildings that weren’t afraid to be both contemporary and rooted in local context. Mohmaya carries that same spirit into object design.
Whether you’re a chess enthusiast, a design collector, or someone who just appreciates objects with intention behind them, this set offers something rare. It’s functional art that doesn’t sacrifice playability for concept. It’s culturally specific without being exclusive. It takes an ancient game and makes it feel fresh by connecting it to a different kind of history, one that deserves more recognition in global design conversations.
The post Designers Just Built the Chess Set Brutalism Fans Wanted first appeared on Yanko Design.
JBL is trying its hand at something new, with a pair of AI-powered practice amps. The BandBox Solo and BandBox Trio include an onboard Stem AI that purportedly lets you separate or remove vocals and instruments from any music streamed over Bluetooth. So, say you're a young guitarist learning “Stairway to Heaven” (as one does). At least in theory, you could use the speaker to remove Jimmy Page's part and hone your chops with the rest of the band.
The $250 BandBox Solo, designed for individual musicians, has a single guitar / mic input. And the $600 BandBox Trio, better for bands, supports up to four instrument inputs. The latter also has a few extra perks not found in the Solo: onboard controls (to reduce reliance on the app) and an LCD.
The JBL One app lets you add filters to match a variety of modern and vintage amp models. You'll also find effects like phaser, chorus, and reverb, as well as a pitch shifter and tuner. A built-in looper will allow for layering, but JBL says that feature will arrive via a software update in October.
JBL says the BandBox Solo supports up to six hours of battery life. The BandBox Trio is said to last up to 10 hours. But the latter has a replaceable battery, so you could buy a spare (for an as-yet-unknown price) and double that time.
The $250 BandBox Solo and $600 BandBox Trio are available to pre-order from JBL's website starting today. Shipments and third-party retail availability are scheduled for March 1.
This article originally appeared on Engadget at https://www.engadget.com/audio/speakers/jbl-made-a-pair-of-ai-powered-practice-amps-221000631.html?src=rss