Author Archives: Ida Torres

Meet The Lamp That’s Actually Grown, Not Made

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If you’ve never thought about bacteria as a design material before, Cenit might be the thing that changes that for you. The latest lighting collection from the collaboration between biotechnology company Polybion and Mexico-based design studio Natural Urbano is doing something genuinely different from what most lighting brands are doing right now, and it’s worth paying attention to.

To understand Cenit, you have to know a little about what came before it. Lapso was their first major collaboration: a sculptural pendant lamp handcrafted from five sheets of cultivated bacterial cellulose, a translucent, flexible material called Celium™ that Polybion grows using bacteria. Not synthetically manufactured. Not extracted from a forest. Grown, from bacteria, using agricultural waste. Lapso was already a bold statement when it debuted at the London Design Festival in 2025. Each lamp came with a certificate of authenticity and a two-month production lead time, because you can’t rush biology.

Designers: Polybion x Natural Urbano

Cenit follows that same philosophy but takes it further. For the first time, the duo has combined Celium™ with natural ash wood and stainless steel, bringing the material into a more structured, versatile family of lighting objects. The collection comes in both pendant and table formats, which is a smart move that Lapso didn’t make. Lapso was undeniably sculptural, a piece you’d plan a room around. Cenit feels like it wants to live with you in your home across different spaces and moods, without demanding all the attention in the room.

The specific variant used here is Celium™ Manto, layered in a way that calls to mind the gradients of a horizon. The collection’s name, Cenit, means zenith in Spanish, the highest point in the sky, and the visual reference lands. When light passes through the layered cellulose, it does something that no synthetic material can fully replicate. It glows with an organic warmth, the kind you usually only get from paper or natural stone, but lighter and more alive-feeling.

A lot of sustainable design still requires us to compromise somewhere. Rougher edges. Less refined finishes. A feeling that the eco-credentials come at the cost of beauty. Cenit does not ask that of you. The combination of ash and Celium™ Manto is genuinely beautiful, in a way that’s considered and deliberate rather than rustic or raw. The stainless steel elements give it structure without weight. The ash brings warmth without heaviness. And the cellulose does what it always does in Polybion’s hands: it makes you stop and look.

Beyond the material, what makes this collaboration particularly interesting is where it’s coming from. Natural Urbano, founded by Sebastián Beltrán and Lorena Márquez, and Polybion, based in Guanajuato, are actively positioning Mexico as a place where design and biotechnology meet at a serious, global level. That’s not a small thing. The conversation about sustainable and biofabricated design has historically centered on European studios and Scandinavian minimalism. Watching a Mexican collaboration work at this level, with this degree of craft and material innovation, feels significant.

The pendant and table formats in Cenit also suggest that Polybion and Natural Urbano are thinking about a longer game. Moving from a collectible sculptural piece like Lapso into a more scalable, multi-format collection points to the kind of ambition that doesn’t just want to make a beautiful object. It wants to change what beautiful objects are made from, and it’s doing that without sacrificing the craft or the story behind the material.

Biofabricated materials are still a niche, but collections like Cenit make the niche feel a lot less obscure. When something looks this considered and lives this comfortably in a real interior, it becomes a lot easier to imagine a future where Celium™ shows up in more homes, more spaces, more everyday things. Cenit is the kind of work that makes you want to ask more questions about what your objects are made of, and that, as far as I’m concerned, is exactly what good design is supposed to do.

The post Meet The Lamp That’s Actually Grown, Not Made first appeared on Yanko Design.

adidas x Carnival’s $170 Sneaker Is a Love Letter to Retro Gaming

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Somewhere between digging through a crate of old game cartridges and reaching for a solid pair of running shoes, Bangkok-based streetwear boutique CARNIVAL found its latest idea. The result is the CARNIVAL x adidas Adizero EVO SL “The Grey Console,” and it’s the kind of release that doesn’t need to try very hard to get your attention. It earns it.

The concept is straightforward but well-executed: take the familiar grey shell of a retro gaming console, the kind that sat under your TV in the early 2000s, and translate that visual language onto one of adidas’ most capable modern runners. The grey mesh upper immediately reads like vintage hardware, the color of a Nintendo 64 or an original PlayStation left to age gracefully on a shelf. It’s industrial and a little utilitarian, but it also carries a specific kind of warmth that only nostalgia can give something.

Designers: adidas x Carnival

The real conversation starts in the details. The red, yellow, green, and blue accents scattered across the eyelets and branding aren’t subtle, but they don’t need to be. Those four colors are a shared visual memory for anyone who grew up with a controller in their hands. They’re shorthand for a specific era before streaming services and mobile gaming dominated everything, when plugging in a console felt like an event. CARNIVAL didn’t over-explain the concept. They trusted the design to speak, and it does.

What makes the execution particularly sharp is how disciplined the color placement is. The multicolor hits appear along the eyelets, surfacing only when you look closely. It rewards a second look. The grey mesh has a breathable, open texture that adds depth to the upper without overcomplicating the silhouette. The branding stays restrained, letting the colorway do the storytelling rather than relying on logos to carry the concept. The overall result is a shoe that reads as athletic from across a room and as a considered design object the moment you hold it.

Performance-wise, the shoe isn’t riding purely on its references. The Adizero EVO SL runs on adidas’ LightStrike Pro foam, originally developed for elite race-day running. The midsole delivers a soft, responsive bounce without feeling excessive or gimmicky. A dimensional outsole structure aids weight transfer during a run, and the Continental™ Rubber at the forefoot adds traction that actually holds up. It’s a performance shoe doing exactly what a performance shoe should, just with a story attached to it.

That combination, a technically credible runner dressed in pure nostalgia, is what makes this collaboration feel earned rather than opportunistic. The EVO SL has built a strong collab roster with names like BAPE, Pharrell, and Hartcopy. CARNIVAL slots into that lineup not by screaming the loudest, but by being the most specific. The “Grey Console” concept doesn’t try to appeal to everyone. It targets a very particular person: one who played video games growing up, grew into someone who cares about footwear, and now finds those two worlds overlapping in a way that feels genuinely satisfying.

That specificity is exactly what separates a great collab from a forgettable one. Too many collaborations chase something broadly recognizable but ultimately hollow. The best have a point of view. CARNIVAL has always been good at this. As a Bangkok-based retailer with a loyal following across Southeast Asia, they consistently bring a cultural perspective that doesn’t feel assembled by committee. The Grey Console is personal, and that’s precisely why it lands.

At $170, it’s priced fairly for what it offers. The LightStrike Pro midsole appears in adidas race shoes that cost considerably more. You’re getting actual running capability here, not just a lifestyle silhouette with a compelling colorway bolted on. The shoe dropped on July 22, and sizes disappeared quickly. Whether a wider rollout is coming remains unclear, which makes the limited availability feel oddly appropriate for a concept this specific.

Some releases are designed to be everywhere. Some are designed for the person who immediately understands what they’re looking at. The CARNIVAL x adidas Adizero EVO SL “The Grey Console” is firmly the latter. That’s not a complaint. It’s a compliment.

The post adidas x Carnival’s $170 Sneaker Is a Love Letter to Retro Gaming first appeared on Yanko Design.

Lenovo’s Gaming Keyboard Has an 8,000mAh Battery and Zero Shame

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The spec sheet for Lenovo’s new Legion R7 RT75 reads less like a keyboard listing and more like an arms race announcement. Eight thousand hertz polling rate. An internal battery bigger than most flagship smartphones. A tiny built-in screen that can play your GIFs. A CNC-machined aluminum chassis that tips the scale at nearly 1.5 kilograms. At some point, you stop and ask whether we are still talking about a keyboard. Yes. And it is genuinely fascinating.

The R7 RT75 is a 75% layout gaming keyboard, which means it trims the numpad and a few function keys to keep the footprint relatively compact. Lenovo built it around their own Aurora Hall-effect magnetic switches, which allow you to adjust the actuation point anywhere from 0.01mm to 3.4mm. For comparison, most standard mechanical keyboards operate at a fixed 2mm actuation, and you live with it. The Rapid Trigger precision here goes down to 0.01mm, meaning the keyboard registers the smallest detectable physical movement as an input. That matters enormously in competitive gaming where a few milliseconds separate a clean play from a missed one. Lenovo also claims the 32,000Hz scan rate keeps full-key latency fluctuation down to 0.125ms, and the 8K polling rate holds across both USB-C wired and 2.4GHz wireless. That second part deserves attention. Maintaining 8,000Hz wirelessly is not a given, and the fact that Lenovo achieved it here brings the R7 RT75 into a very specific and increasingly competitive tier of peripherals.

Designer: Lenovo

The 8,000mAh battery is the number that stops people in their tracks, and it should. That is the same capacity you would find inside many mid-range smartphones. Lenovo wants the R7 RT75 to be fully usable wirelessly for extended sessions, which is a reasonable goal. The side effect is a keyboard that weighs 1,490 grams, which is more than most laptops you could comfortably carry around. Picking this up and setting it on your desk feels like placing a slab of machined architecture. The build supports that impression: gasket-mounted structure, a carbon fiber positioning plate, five layers of sound-dampening material, and factory-lubricated stabilizers all come standard. It sounds and feels like a product that was built with care rather than just filled with specifications.

The 1.47-inch TFT display in the top right corner will divide opinions, and I think that is half the fun. On a practical level, it shows battery life, connection mode, and real-time system information. On the other hand, it also displays user-uploaded GIFs, which is either a lovable piece of personality or a feature that makes no functional sense at all. I fall on the side of lovable. Keyboards have always been the most utilitarian and least expressive element of any setup. A small screen where you can loop your favorite animation is a minor thing, but it is the kind of minor thing that makes a product feel like it was designed by people who actually enjoy it. Back on the practical side, a magnetic cover on the back of the board hides a storage slot for the 2.4GHz wireless receiver, which is exactly the kind of detail that signals someone paid attention during the design process.

The R7 RT75 comes in Cloud Silver Grey and Storm Grey, and the pricing sits at 1,299 yuan, around $192. That number feels honest given what you are getting: premium CNC aluminum construction, competitive Hall-effect switches, 8K wireless polling, hot-swappable magnetic switch support, and a build quality that rivals keyboards costing considerably more.

Gaming peripherals have been slowly redefining what a consumer-grade input device even means, and the R7 RT75 is a clear example of that direction. The specs are not padding. They are things serious players request, packaged into a product that any buyer can access. Whether your gaming sessions demand 0.01mm Rapid Trigger precision is a conversation worth having with yourself before spending $192. But the ambition behind this keyboard is hard to argue with, and the execution appears to match.

The post Lenovo’s Gaming Keyboard Has an 8,000mAh Battery and Zero Shame first appeared on Yanko Design.

Burger King France Just Made a Meal for Adults Who Miss the ’90s

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Whenever a fast food chain releases a new toy collection for their kiddie meals, there’s always a discussion as to who these collectibles are really for. While originally their target market is kids, hence the name, it seems like it’s really the adults who enjoy (hoarding) collecting them, probably because there was nothing like that when they were actual kids. Burger King France’s newest meal deal makes it pretty obvious that this time, they are squarely targeting the older ones.

The Boomer King meal and campaign from the burger joint is for those who grew up in the ’80s and ’90s and were glued to their TV screens watching their favorite shows. So yes, technically, this is a Gen X (and maybe older Millennials) thing rather than actual Boomers, but “Boomer King” sounds a lot better than “Gen X King Meal.” And of course, the term “boomer” has become a catch-all tag for anyone the younger generations consider “old.”

Designer: Burger King France (Buzzman agency)

This limited-edition meal from Burger King is available with several different burgers, including the Whopper, Big King, CBK, Steakhouse, and Big Fish. What adult fans will be looking forward to is that each meal comes with a random collectible item from four extremely popular TV shows from the ’80s and ’90s. These include socks (Saved by the Bell), a t-shirt (Knight Rider), a mug (Charmed), and a branded glass (Beverly Hills, 90210). If your reaction is, “What are those?” then you are definitely not the target market for this campaign.

The ad campaign promoting the Boomer King meal is, of course, packed with ’80s and ’90s nostalgia. The ad leans into “you’re old” humor with references to bald spots, back pain, and flying wigs. The official campaign film is actually a parody of those classic television shows, complete with dated graphics and wonderfully corny music. Everyone from that generation will recognize it and probably cringe and laugh in equal measure.

Of course, since this is a limited-edition offering, there’s an urgency to grab one if you’re a fan of any of these TV shows, especially if you live in France or happen to be visiting during this time. The Boomer King meal also features retro treats like Canada Dry (a classic fizzy drink) and King Fusion Galak (an ice cream dessert featuring Galak white chocolate, a nostalgic French childhood brand).

What makes the Boomer King campaign work so well is that it doesn’t just slap a retro logo on a burger wrapper and call it a day. Burger King has thought through the entire experience, from the food and drinks to the merch and even the ad itself, to create something that genuinely feels like an edible time capsule. This isn’t nostalgia as decoration; it’s nostalgia packaged as the meal itself.

There’s also something brilliantly cheeky about calling your own customers “Boomers.” It takes a certain confidence and a great sense of humor to name your campaign after a generational label and turn it into a celebration. That’s the kind of self-aware marketing that gets people talking, sharing, and yes, lining up at a Burger King in Paris just to find out which collectible they’re going home with.

The random distribution mechanic is a smart move, too. Much like a Happy Meal toy, you won’t know which collectible you’ll get until you open your box. That means fans might find themselves going back more than once, hoping to complete the set, and maybe picking up a meal for a friend who missed out. It’s a strategy that has worked for decades with kids, and it works just as well, maybe even better, with adults who have very strong feelings about whether Charmed or Beverly Hills, 90210 deserves the better merch.

Whether you’re in it for the Whopper, the white chocolate ice cream, or the chance to finally score that Knight Rider t-shirt, the Boomer King is a reminder that nostalgia, when done right, never really gets old.

The post Burger King France Just Made a Meal for Adults Who Miss the ’90s first appeared on Yanko Design.

The $20 Pen That Makes a Very Loud Case for Minimalism

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At 75mm, DeFF’s Refill Pen Jacket Extra Short is roughly the length of a thumb. Closed up, it sits in your palm like a pocket-sized secret. Open it, cap flipped to the back end, and it extends to 125mm, long enough to write comfortably, short enough to forget you’re carrying it. That particular trick, the transformation from almost-nothing to just-enough, is the whole point.

DeFF is a Japanese design firm that has been quietly building a reputation around the idea that the tools you carry every day deserve more thought. The Refill Pen Jacket concept is clever at its core: rather than designing a pen from scratch, they designed a jacket, a precision-crafted body that wraps around whatever standard refill you already love. You’re not locked into DeFF’s ink. You’re not buying a disposable. The jacket works with D1 (ISO) and 4C (JIS) standard refills, covering a staggering range of off-the-shelf options. You bring the ink. They bring the experience.

Designer: DeFF

The Extra Short version takes that idea and compresses it further, prioritizing portability without sacrificing the writing feel. And it works. Knurled grip, balanced weight, magnetic cap snap, a collet structure that holds your refill without any modification needed. All of it feels deliberate rather than decorative. It doesn’t feel like a product that was engineered and then handed off to a designer to make pretty. It feels like it went the other direction entirely.

Materials matter here in a real way. DeFF offers the Extra Short in aluminum (jet black, aquamarine blue, and ruby red), brass, titanium gray, natural wood including ebony, and carbon fiber. Each one wears differently, weights differently, and will age differently. The brass version is the most compelling to me personally. It will patina. It will develop character. You’ll use it for years and it won’t look the same as the day you bought it, which is either a selling point or a dealbreaker depending on who you are. I happen to think it’s a selling point.

Pricing starts at $19.99 for the aluminum model, which makes this genuinely accessible. The more premium finishes push the price higher, but the entry point is honest. And it’s worth noting that the Refill Pen Jacket Extra Short won the iF Design Award 2026, one of the most recognized design prizes in the world. That context matters. It’s not a novelty or a clever gimmick. It was evaluated alongside global competition and came out on top. For a pen that fits in the breast pocket of your shirt, that’s a significant thing to carry around.

The engraving option is worth a mention too. Custom engraving turns this from a premium daily carry into a gift that actually lands. Not a generic gift, either. Giving someone a beautifully made writing instrument personalized with their name or a date is a completely different category of thoughtful, and it’s the kind of thing people keep in a drawer for years before deciding it’s too good not to use every day.

There’s a larger conversation embedded in a product like this. We spend a lot of time talking about sustainability in broad strokes, in systems and policies, but very little time thinking about how individual design choices contribute to the same goal. A pen jacket, by definition, asks you to stop throwing away the whole thing when the ink runs out. The object stays. Only the cartridge changes. That’s a small shift in behavior, but it’s also a shift in how you relate to the things you carry. You’re not using it up. You’re carrying it forward.

For anyone who writes by hand regularly, whether you’re a journaler, a designer who sketches on paper, or just someone who prefers the feel of pen over stylus, the Extra Short is the kind of object that rewards attention. It doesn’t announce itself. It doesn’t need to. It isn’t trying to be the loudest thing in the room. It’s just trying to be the one you always reach for.

The post The $20 Pen That Makes a Very Loud Case for Minimalism first appeared on Yanko Design.

De’Longhi Just Solved the Hot vs. Cold Coffee Problem

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Previously, I was the kind of person who would still drink hot coffee even though the weather outside is scorching. But as global warming continues to wreak havoc on our weather, I find myself craving cold espresso drinks, especially in the afternoon. I’m lucky that I have a coffee shop across from my house, so I can always get my cold drink of choice when I want to. But what if I just want to stay in and make my own cold brew? That’s when having the right machine at home starts to make all the difference.

Most traditional espresso machines are meant to give you your hot coffee of choice, and that’s about it. But the new De’Longhi Magnifica Duo is one of the most comprehensive bean-to-cup machines available on the market. Rather than forcing every drink through a single extraction method, it gives you three distinct brewing technologies, including Cold Extraction Technology, so you can prepare exactly the kind of drink you’re in the mood for, hot or cold.

Designer: De’Longhi

The Magnifica Duo lets you make your own espresso with its high-pressure extraction for bold, layered shots, and your drip-style coffee in case you prefer a longer, smoother cup. But what will probably appeal most to coffee lovers like me is that you can make cold brew in just under 3 minutes, as compared to the usual 12–24 hours of the manual method. The Cold Extraction Technology uses low pressure, ambient-temperature water, and extended contact time so you get a smooth, full-bodied cold coffee drink, ready on demand and without the wait.

For those who also enjoy dairy with their cold coffee, the machine has automatic hot and cold milk frothing options. The LatteCrema Hot steams your milk into silky microfoam so you can make lattes, flat whites, and cappuccinos. The LatteCrema Cool, as its name suggests, whips up cold froth if you prefer iced cappuccinos and iced lattes. Both carafes feature adjustable foam density and are fully removable and dishwasher-safe, a thoughtful design choice that makes the whole experience feel low-maintenance from start to finish.

The Magnifica Duo also has a built-in conical burr grinder with 13 available grind settings. But if you already have ground coffee, it also has a pre-ground coffee bypass. You can choose from 5 different drink sizes, 4 intensity levels, and 3 temperature options. And if you prefer your machine to do most of the heavy lifting, it comes with 20 one-touch recipes for both hot and iced drinks. Whether you’re starting from scratch with whole beans or reaching for your favorite pre-ground blend, this machine has you covered.

What also stands out is the machine’s support for up to three user profiles, making it genuinely practical for households with more than one coffee drinker. Everyone can save their favorite drink settings and have them ready at the tap of a button, with no need to reprogram every morning. It also works with plant-based milk alternatives like oat, almond, and soy, which is a thoughtful touch for the dairy-free coffee lover.

The intuitive touchscreen display ties the whole experience together, making it feel premium without being complicated. Even if you’re not a seasoned coffee enthusiast, navigating the 20 preset recipes is simple enough that you’ll be pulling café-quality drinks from day one. The machine also comes with a 3-year warranty when registered, adding solid peace of mind to an already well-rounded package.

At the end of the day, the De’Longhi Magnifica Duo feels less like a coffee machine and more like a complete home coffee bar. It bridges the gap between the serious espresso drinker and the casual cold brew sipper, and it does so without asking you to compromise on either end. If you’ve been on the fence about investing in a quality all-in-one machine, this one makes a very compelling case. As for me, I think my neighborhood coffee shop might see a lot less of me from now on, especially on those long, hot summer afternoons.

The post De’Longhi Just Solved the Hot vs. Cold Coffee Problem first appeared on Yanko Design.

LEGO’s Star Trek Turns 60 Into 1,701 Pieces of Pure Nostalgia

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The moment LEGO dropped its first Star Trek set last year, fans knew the brand was going deeper. The NCC-1701-D from The Next Generation was a gorgeous, sweeping display piece, the kind you put on a shelf and let dominate a room. But a significant portion of the fanbase was still holding out for the original. Kirk’s ship. Spock’s ship. The one that launched the whole franchise in 1966 and spent decades earning its place in the cultural canon. That wait is officially over.

LEGO’s second Star Trek set is the U.S.S. Enterprise NCC-1701 Bridge (set 11385), a 1,701-piece recreation of two of the original series’ most recognizable spaces: the bridge and the transporter room. The piece count is absolutely not a coincidence. It’s a deliberate nod to the ship’s registry number, NCC-1701, and it’s the kind of design decision that signals this set was built for people who actually love the source material, not just casual shoppers looking for a pop culture novelty. The set retails for $199.99 and goes on sale September 1, 2026, landing squarely within Star Trek’s 60th anniversary celebrations. Pre-orders opened July 23, and given how quickly the first LEGO Star Trek set moved out of stock, sitting on this one feels like taking an unnecessary gamble.

Designer: LEGO

Beyond the appeal of seeing the Enterprise bridge rendered in bricks, what makes this set genuinely compelling is the thought behind the interactive elements. You can rock the captain’s chair to simulate warp turbulence or the impact of a space battle. You can turn a dial to beam crew members from the transporter pads. You can push a lever to open the turbo lift doors. The transporter feature in particular, where minifigures appear to gradually materialize or dissolve as you turn the dial, is a clever mechanical solution that a less thoughtful product team would have skipped entirely. These features aren’t gimmicks. They’re the details that turn a shelf piece into an experience.

The minifigure roster covers the full original bridge crew: Kirk, Spock, Uhura, Sulu, McCoy, Chekov, Christine Chapel, and Scotty. All eight. That matters more than it sounds, because a lot of licensed collector sets give you the headline names and quietly omit everyone else. Having the complete team in one box is a statement of intent, and it means the set is immediately display-ready without hunting down additional figures.

The accessories are equally considered. Spock’s harp, two Vulcan Lirpas, a Trident Scanner, four phasers rendered with an all-new LEGO mold element, printed Starfleet communicator tiles, and four tribbles. The tribbles alone are going to land hard for anyone with a soft spot for “The Trouble with Tribbles.” None of this feels like padding. It feels like someone who genuinely loves this show was sitting in that design meeting, pushing for one more detail.

The viewscreen on the bridge displays a Klingon warrior, anchoring the whole build in mid-mission tension. The scene feels caught in the middle of something. At 57cm wide and 34cm deep, it’s a serious piece of real estate that fits neatly into LEGO’s growing adult-focused Icons line. LEGO has been leaning into this demographic for years now, and the bet keeps paying off. Their most loyal buyers are adults who grew up with these stories and want something physical and well-crafted to hold onto them.

The September 1 release date is worth noting. Star Trek premiered on September 8, 1966, and this year’s 60th anniversary is a genuine milestone for the franchise. Dropping the original Enterprise bridge set in that same month is deliberate, and it works as both a marketing play and a proper celebration.

At $199.99, this set earns every penny. It’s equal parts nostalgia and craftsmanship, with enough interactive detail to keep the build interesting long after the box is open. For sixty years, the Enterprise has been a symbol of curiosity and ambition. LEGO built something worthy of that legacy.

The post LEGO’s Star Trek Turns 60 Into 1,701 Pieces of Pure Nostalgia first appeared on Yanko Design.

Field Notes Just Made Notebooks That Look Good Enough to Eat

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One thing that I’ve always shared when I do my journaling workshops is that this hobby is something that involves a lot of our senses: sight, sound, touch, sometimes even smell (if you have materials that have fragrance). The only one missing, really, is taste, since you probably don’t eat any of your journaling materials. This latest collection from stationery brand Field Notes is probably the closest we’ll get to tasting our notebooks, as they seem to be pretty and cool enough to eat.

Their 71st Quarterly Limited Edition for Summer 2026 is actually inspired by the iconic frozen fruit treats from Mexico called paletas. Each of the notebooks in the collection is designed to not just look but also feel like one of those popsicle flavors, in one of their most visually playful releases to date. Too bad they’re not actually edible, although you probably can slurp on a frozen treat while you’re using one of these pretty notebooks.

Designer: Field Notes

More than just a cool aesthetic, the brand really looked into the history of the paletas, telling the story of how this beloved frozen treat came to be. These frozen treats are actually made from real fruit and fresh ingredients, created by brothers Ignacio and Luis Alcázar and their cousin Agustín Andrade. They’ve become not just a tasty tradition but a cultural landmark, from their small town of Tocumbo, Michoacán, to Mexico City, and eventually reaching the U.S.

Each of the Field Notes notebooks (or, rather, Notas de Campo) has a combination of shiny gloss and frosty matte varnish, which gives them a texture that feels like you’re actually holding a paleta. There are nine “flavors,” each representing a specific paleta with its own color and personality, sold in three packs of three. Pack A has Chicle (Blue), Sandía (Red), and Queso Crema (White); Pack B has Piña (Yellow), Jamaica (Garnet), and Fresas con Crema (Pink); and Pack C has Limón (Green), Coco (White), and Mango con Chamoy (Red/Orange).

Inside, you get 48 pages of cream-colored dot-grid paper that you can use for note-taking, sketching, journaling, planning, or whatever it is you use notebooks for these days. Printing for this collection uses soy-based inks, which is perfect for sustainability-minded stationery lovers. There is a backing card illustration created by artist Atlan Arceo-Witzl, adding an artisan, handcrafted quality to the collection.

Each pack is priced at $14.95, making it easy to pick up just one flavor trio or go all in and collect all three. For subscribers, Field Notes sweetens the deal even further: you’ll receive the full set of all nine flavors, free U.S. shipping, 10% off on the site, and the special 2026 subscriber box beautifully designed by artist Jennifer Farrell of Starshaped Press. And if you want to display your paleta love on the wall, there are only 100 of the limited-edition Paletas Press Sheets available, showing all nine flavors together in one vibrant, poster-worthy print.

Whether you’re a longtime Field Notes collector, a journaling enthusiast, or simply someone who appreciates beautiful and thoughtfully designed objects, the Paletas edition is genuinely hard to resist. There’s something really special about a notebook that not only gives you a wonderful writing experience but also makes you smile just by looking at it, or, in this case, almost makes you want to take a bite.

And circling back to what I always say in my workshops: journaling is a deeply sensory experience. The Paletas collection somehow manages to hit almost all of them: the vivid, fruit-inspired colors that delight your eyes, the gloss-and-matte texture that begs to be touched, and the crisp sound of the pages as you turn them. The only sense still left out is taste, but that’s what an actual paleta in your other hand is for. Go grab yourself a pack and maybe a mango con chamoy while you’re at it.

The post Field Notes Just Made Notebooks That Look Good Enough to Eat first appeared on Yanko Design.

OHLAB Just Built a Home That Runs on Mallorca’s Sun

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A circular hole in a roof shouldn’t carry this much weight. But at Casa Óculo, the new residential project by Palma-based studio OHLAB, that opening does more than let in light. It tells you almost everything you need to know about how the house was designed to work.

Situated in a residential neighborhood on the outskirts of Palma de Mallorca, the house is organized around a single architectural gesture: a large flat roof that stretches from east to west across the entire site. From that one decision, everything else follows. The roof extends beyond the enclosed volumes, creating deep perimeter porches that sit between inside and outside, allowing the house to breathe with the season rather than fight it. It sounds almost too simple. That simplicity, though, is exactly the point.

Designer: OHLAB

The name comes from the circular opening cut into the roof, the óculo, a feature that tracks the sun’s path through the interior over the course of a day. In winter, the lower solar angle draws light deep into the living spaces, warming the stone floors. In summer, the higher angle keeps direct sunlight mostly on the terrace, reducing heat gain inside. It’s a passive climate strategy dressed up as a design feature, and it’s genuinely rare to see those two things feel this seamlessly aligned. Usually one is doing the work and the other is along for the ride.

The material palette is equally restrained and equally deliberate. Stone flooring, timber joinery, natural brass details, and lime mortar walls compose an interior that feels considered without feeling decorated. The lime mortar is particularly worth noting. It’s breathable and hygroscopic, meaning it actively responds to humidity levels in the air and improves indoor comfort without any mechanical intervention. It also develops a natural patina over time, which is a design choice that still feels quietly radical. Most buildings age badly because the materials resist change. Here, aging is written into the brief as a feature rather than a flaw.

OHLAB, founded by Paloma Hernáiz and Jaime Oliver, consistently returns to the idea that Mediterranean architecture isn’t just a visual language but a climatic one. Casa Óculo reads like a proof of concept for that thinking. The south-facing topography and open mountain views aren’t scenic backdrops; they’re structural to how the house functions day to day. The landscape, designed with native, drought-tolerant planting, extends the character of the surrounding mountains into the site. Seasonal flowering and shifting textures mean the garden evolves alongside the architecture, so the house looks and feels different in April than it does in July. That kind of living relationship between a building and its site is harder to achieve than it looks.

For anyone who follows architecture or design, the project sits in an interesting moment in the broader conversation about how we build. Passive design has been part of that conversation for decades, but it tends to end up as a footnote on the spec sheet rather than the organizing principle of the entire house. Casa Óculo flips that completely. Climate isn’t a constraint to be managed; it’s the primary material being worked with. That shift in thinking matters more than it might seem.

OHLAB described the project as “a small manifesto of contemporary Mediterranean living: efficient, tactile, and deeply connected to its place.” That’s a bold thing to put in your own project notes. But looking at the photographs, it’s difficult to argue with. The spaces feel calm rather than minimal, lived-in before anyone has moved in. The light traces along the lime walls the way it only does when a building has earned it.

You don’t have to be particularly invested in architecture to respond to what Casa Óculo is doing. It speaks to something broader: a preference for things built to last, designed to adapt, and genuinely rooted in where they actually exist rather than wherever they could have been placed. Not a new idea, but one being executed here with a clarity and commitment that still manages to feel rare.

The post OHLAB Just Built a Home That Runs on Mallorca’s Sun first appeared on Yanko Design.

Blank Forces Just Made the Only Carabiner Worth $84

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Most people don’t spend a lot of time thinking about their keychain. It holds keys, it lives in a pocket, and as long as it doesn’t fall apart in the first three months, it’s doing its job. For years, I felt the same way. Then I came across the HyperLink carabiner from Blank Forces, and now I can’t stop noticing every keychain setup I see.

That shift in attention says something about what good design can do. It doesn’t always need to be loud or revolutionary. Sometimes it just needs to solve a small, everyday annoyance so cleanly that you wonder why nobody bothered to do it sooner. The HyperLink does exactly that.

Designer: Blank Forces

At first glance, it looks like a premium keychain carabiner, and it is. The body is precision-machined titanium, lightweight and built to last. The gate opens wide, the stainless steel pivot and spring feel solid, and the overall build quality is the kind you’d expect from a small studio that clearly takes its craft seriously. Blank Forces is based in Los Angeles, and it shows in the product. There’s no excess. No unnecessary bulk. Just clean, intentional geometry.

But the detail that changes everything is the integrated “Deep Carry” clip. Standard carabiners clip onto things. They dangle, snag, and scratch. The HyperLink’s built-in clip gives you choices: inboard or outboard carry on a belt loop, a bag strap, or a pocket edge. When carried inboard, the body sits flush and hidden, with only the clip exposed. The keys and gear hang below, accessible but not flopping around for the world to see. It’s a small design decision that genuinely changes how the thing lives on your body throughout the day.

I think this is where a lot of EDC gear gets it wrong. Brands put enormous effort into what an object is made of, and far less thought into how it actually gets used moment to moment. The HyperLink feels like it was designed by someone who uses carabiners every day and got tired of the compromises. The result is a product that’s not just premium but considered.

The name is clever, too, even if you don’t immediately register it. A hyperlink is a connector, a bridge between two points. That’s exactly what this thing does physically, and the wordplay feels earned rather than forced. Blank Forces has a habit of naming its products in ways that reward a second look. The brand also makes titanium pens and utility tools, all carrying the same ethos: familiar objects, but designed properly.

A newer version, the HyperLink Micro, brings the same concept down to a smaller footprint. It’s the kind of thing you’d want if you’re already running a minimal carry setup or if the original size feels like one link too many for your keychain. Both versions come with a lifetime guarantee, which is either a bold promise or a sign that Blank Forces is very confident in what it makes. Based on the materials and construction, I’d guess it’s the latter.

The price starts at $84, and yes, that’s real money for a carabiner. But I’d push back on the reflex to call it overpriced. When you’re buying something that’s going to be in your hand or on your hip every single day, the calculus changes. A bad keychain setup is a low-grade daily annoyance. A good one is something you stop noticing entirely, because it just works.

Objects like the HyperLink are a reminder that the design world doesn’t only belong to furniture, architecture, and luxury cars. Sometimes the most interesting design thinking happens at the scale of your keys. Blank Forces is proving that a small studio with a focused vision can make something that genuinely holds up, in every sense of the word.

The post Blank Forces Just Made the Only Carabiner Worth $84 first appeared on Yanko Design.