Much of the conversation about AI has revolved around the use of copyrighted materials to train models. YouTube is allegedly taking steps to avoid this issue, offering major musical labels payment to license their songs for AI training, the Financial Times reports.
Sony Music Entertainment, Universal Music Group and Warner Records are all reportedly involved in talks with the Google-owned platform. However, it's unlikely the companies will get the last word as it would reportedly be up to each artist whether they participate.
Many musicians are far from thrilled about allowing AI anywhere near their work. In April 2023, over 200 artists signed an open letter stating, "We must protect against the predatory use of AI to steal professional artists' voices and likenesses, violate creators' rights, and destroy the music ecosystem."
In November, YouTube launched Dream Track, a tool that allowed select creators to pull from the lyrics and voices of singers such as John Legend and Charli XCX. However, only ten artists participated in the tool's test, and YouTube apparently aims to have "dozens" participate in an AI song generator.
Record labels have taken a stand against companies they see using their copyrighted content. On June 24, the trio of Sony, Universal and Warner filed a suit against music generators Suno and Omio for "massive scale" copyright infringement. They demand injunctions against further use and up to $150,000 per work.
This article originally appeared on Engadget at https://www.engadget.com/youtube-reportedly-wants-to-pay-record-labels-to-use-their-songs-for-ai-training-125052503.html?src=rss
Major music labels are taking on AI startups that they believe trained on their songs without paying. Universal Music Group, Warner Music Group and Sony Music Group sued the music generators Suno and Udio for allegedly infringing on copyrighted works on a “massive scale.”
The Recording Industry Association of America (RIAA) initiated the lawsuits and wants to establish that “nothing that exempts AI technology from copyright law or that excuses AI companies from playing by the rules.”
The music labels’ lawsuits in US federal court accuse Suno and Udio of scraping their copyrighted tracks from the internet. The filings against the AI companies reportedly demand injunctions against future use and damages of up to $150,000 per infringed work. (That sounds like it could add up to a monumental sum if the court finds them liable.) The suits appear aimed at establishing licensed training as the only acceptable industry framework for AI moving forward — while instilling fear in companies that train their models without consent.
Udio
Suno AI and Udio AI (Uncharted Labs run the latter) are startups with software that generates music based on text inputs. The former is a partner of Microsoft for its CoPilot music generation tool. The RIAA claims the services’ reproduced tracks are uncannily similar to existing works to the degree that they must have been trained on copyrighted songs. It also claims the companies didn’t deny that they trained on copyright works, instead shielding themselves behind their training being “confidential business information” and standard industry practices.
According to The Wall Street Journal, the lawsuits accuse the AI generators of creating songs that sounded remarkably similar to The Temptations’ “My Girl,” Green Day’s “American Idiot,” and Mariah Carey’s “All I Want for Christmas Is You,” among others. They also claim the AI services produced indistinguishable vocals from artists like Lin-Manuel Miranda, Bruce Springsteen, Michael Jackson and ABBA.
Wired reports that one example cited in the lawsuit details how one of the AI tools reproduced a song that sounded nearly identical to Chuck Berry’s pioneering classic “Johnny B. Goode,” using the prompt, “1950s rock and roll, rhythm & blues, 12 bar blues, rockabilly, energetic male vocalist, singer guitarist,” along with some of Berry’s lyrics. The suit claims the generator almost perfectly generated the original track’s “Go, Johnny, go, go” chorus.
Suno
To be clear, the RIAA isn’t advocating based on the principle that all AI training on copyrighted works is wrong. Instead, it’s saying it’s illegal to do so without licensing and consent, i.e., when the labels (and, likely to a lesser degree, the artists) don’t make any money off of it.
The recording industry is working on AI deals of its own that license music in a way that it believes is fair for its bottom line. These include an agreement between Universal and SoundLabs, which allows the latter to create vocal models for artists while still allowing the singers to control ownership and output. The label also partnered with YouTube on an AI licensing and royalties deal. Universal also represents Drake, whose diss track against Kendrick Lamar from earlier this year used AI-generated copies of Tupac Shakur and Snoop Dogg’s voices.
“There is room for AI and human creators to forge a sustainable, complementary relationship,” the filing against Suno reads. “This can and should be achieved through the well-established mechanism of free-market licensing that ensures proper respect for copyright owners.”
According to Bloomberg, Suno co-founder Mikey Shulman said in April that the company’s practices are “legal” and “fairly in line with what other people are doing.” The AI industry at large appears to be attempting to race towards a threshold where its tools are considered too ubiquitous to be held accountable before anyone can do anything about how it trained its models.
“We work very closely with lawyers to make sure that what we’re doing is legal and industry standard,” Suno’s founder said in April. “If the law changes, obviously we would change our business one way or the other.”
This article originally appeared on Engadget at https://www.engadget.com/record-labels-sue-ai-music-generators-for-massive-infringement-of-recorded-music-172915925.html?src=rss
Those who are trying to learn how to play their favorite songs on their musical instruments have it a little easier now. They can just search for chords and arrangements or if they’re lucky, there might even be YouTube tutorials out there. But there are still those who prefer to play it by ear while playing the piano, guitar, or other instruments but playing the song from their phone or computer while learning is a bit of a hassle.
Designer: Hélène Bert
Analist is a tool that can be used by those trying to learn songs by playing it by ear. Unlike phones and computers where controls and precision are a bit hard, this gadget allows you to optimize your workflow when trying to play your instrument as you listen to the song you’re trying to learn. You will be able to control things pause and play, speed, repetition, and other things you may need to adjust while you’re playing it by ear.
Based on the product renders, this is how it works. You add a song onto the device, edit the parts that you need to learn if needed, and then save it. You can adjust it according to your preference (speed, pitch, equalizer, volume, etc). You hold it in one hand while playing the song on it and playing your instrument on the other. The device has easy to access controls that lets you pause and play, speed up or slow down, volume up and down, etc. You also get to play it in loop so you can master the song.
You can even do more if you connect it to the app, although what this “more” is wasn’t really specified. You might be forgiven for mistaking the Analist for your aircon’s remote control but on paper, the functionality of the device will be pretty helpful for those who are learning to play songs.
In this installment of What We're Listening To, Engadget editors dive into some of the recent music releases we've been playing on repeat. Yes, Brat has us in a chokehold, too.
Uncle Acid and The Deadbeats - Nell’ Ora Blu
When I first heard Uncle Acid and the Deadbeats was putting out an album inspired by 1960s-70s giallo films, I felt like my interests, personally, were being targeted. It’s the kind of crossover that now seems like it had to happen at some point, but I never realized my need for it until this moment. (One person on Reddit, though, was really onto something with the idea last year). Lo and behold, Nell’ Ora Blu dropped last month and it scratches a very specific itch in my brain.
It is not at all the usual fare you’d expect from Uncle Acid, very much taking on the structure of a soundtrack with a lot of ambient instrumentals and short dialogue tracks voiced by genre regulars Edwige Fenech, Franco Nero and Luc Merenda (it pulls influence from the poliziotteschi crime/action films as well). The scores in these movies often feel like psychedelic horror experiences in themselves — with heavy moments that really drag you in, only to be offset by something so delicate it’s almost disorienting — and unsurprisingly, Uncle Acid absolutely nails this. This is the perfect album to pop on in the background while you’re trying to get some art or writing done, ideally as a thunderstorm rolls in. It's pretty long, coming in at around an hour and 17 minutes, but I almost always replay it at least once per sitting.
Nell’ Ora Blu isn’t necessarily going to be an automatic hit with Uncle Acid fans. It’s more for the person who watched Deep Red or The Bird with the Crystal Plumage or anything of that ilk and immediately sought out the soundtrack afterward. Still, I expect there’s a fair amount of overlap between those groups, considering the band does generally have the whole sleaze horror vibe going anyway. Honestly, I want more. We don't need to stop at giallo — give me Uncle Acid's take on Jean Rollin and the fantastique next (please).
— Cheyenne MacDonald, Weekend Editor
Nathy Peluso - Grasa
Admittedly, I’m late to the Nathy Peluso bandwagon. I was first introduced to her after falling down a rabbit hole of BZRP Music Sessions (collab tracks made by Argentine producer Bizarrap and various Latin music heavyweights) and listened to hers (#36). Her second album, Grasa, just dropped and represents her latest full body of work released since the Grammy-nominated Calambre came out in 2020. Grasa is likely my album of the summer — and certainly a top pick for the whole year — thanks to its engaging experimentation and its marriage of a bunch of different styles including hip hop, latin trap, bolero, salsa and straight-up pop. There are no skips on this album, at least half a dozen bangers and I personally love the transitions from the snarling, fast-paced tracks to the few ballads and slower songs peppered throughout.
Peluso already proved she was a great singer on Calambre, but I think her vocal performances on this album, particularly in ballads like “Envidia” and “El Día Que Perdí Mi Juvendtud,” standout as high points. And then there are the bangers, as it were: “Aprender a Amar” gets in your face with fierce rapping and blaring horns; “Legendario” might be the most obvious potential single off the whole album thanks to its signature pop tempo and sound; and “La Presa” is basically a salsa IV straight to your veins. There are plenty of others I’m not naming here, but anyone who has even a passing appreciation for Latin pop (regardless of if you speak Spanish or not — I don’t) shouldn’t sleep on Grasa.
Young Miko - att.
Puerto Rican artist Young Miko’s first full-length album, att., is the definition of “a vibe.” After collaborating with Karol G, Bad Bunny and other Latin superstars, Miko has solidified her space in the Latin pop scene with this project. While I don’t think it’s a career-defining album, it’s a great showcase of her laid-back, Spanglish-style rapping that marries genres like reggaeton and Latin trap, and her ability to create a clear mood with such fusion, plus a healthy dose of great beats. Ultimately, it’s simply easy listening from front to back. Personal highlights include “arcoíris,” “tamagotchi” and Feid collab “offline.”
Charli XCX - brat
Brat is 100 percent worth the hype. Eloquent music critics and writers have bestoweda lot ofpraise onto this album already, so suffice to say that I agree with most of them (and you should go read their analyses). Standouts include “Club classics,” “Sympathy is a knife,” “So I,” and “B2b,” but arguably my favorite is the closer “365.” A riff off of the opener “360,” this track ups the ante in every way, and the transition to it from the penultimate “I think about it all the time” is so satisfying and euphoric.
It's been 10 years since Norwegian producer and DJ Todd Terje declared that it was, finally, album time. He had made a name for himself as a DJ and remixer in the 2000s, but It's Album Time marked his first (and sadly, only) full-length collection on which he is the singular driving force. It's a gloriously oddball collection that flips between dramatic, movie score-style symphonic pieces and true dance-disco bangers. (After a recent listen, I convinced myself that Terje could help Dua Lipa make the best album of her career.)
For my money, the 10-minutes combo of "Straandbar" and "Delorean Dynamite" encapsulate the best things about the album. It's a gloriously funky build-up with intricate percussion, fat synths, bouncing bass lines and a ridiculously simple but incredibly infectious guitar lick that comes in halfway through "Delorean Dynamite" that makes me want to run through a brick wall. You'll know it when you hear it.
And, of course, there's "Inspector Norse," a song that caught fire in 2012 and paved the way for the rest of It's Album Time. If Terje never makes another album (he's only 43, so there's plenty of time!), "Inspector Norse" serves as seven perfect minutes of his career. Maybe he'll swing by and take us to his planet again, but it's hard to be sad about his lack of output when It's Album Time is so damn perfect.
— Nathan Ingraham, Deputy Editor, News
XG - Woke Up
Cocona shaves her head in this video. Just because she wanted to. This song is great. XG is life.
— Aaron Souppouris, Executive Editor
This article originally appeared on Engadget at https://www.engadget.com/what-were-listening-to-nell-ora-blu-grasa-brat-and-more-130028558.html?src=rss
No, they aren’t the Nothing Headphones we’ve been waiting for all this while… but they are pretty spectacular-looking. Meet the Mondo Headphones by Defunc, a pair of over-ear cans with wireless audio and beefy sound that boast a gorgeous transparent body design. Equipped with clear covers on the left and right, the Mondo Headphones are yet another example of the rise in transparency in design. Whether it’s Nothing launching transparent phones and TWS earbuds, or even Beats making a see-through version of their StudioBuds +, it seems like there’s a rise in companies being more transparent with their consumers… literally. The Mondo Headphones come with a design that bares all, allowing you to see the circuitry, drivers, microphones, and batteries underneath the hood. The headphones come with dual-drivers and dual-mics, Bluetooth 5.2, and Environmental Noise Canceling. Plus, a highly affordable price tag of sub-$150 makes them almost a no-brainer to add to your tech gear collection.
The Mondo’s design language feels very reminiscent of Nothing x Apple. The headphones themselves are styled with the air of the AirPods Max, boasting metal stems, and comfortably rounded earpieces that cushion you in your own audiosphere. The headphones fold flat too, making them ideal for traveling with, but don’t expect an Apple-style carrying case with these. (Which may as well be a good thing given how unappealing the AirPods Max case is)
The over-ear headphones come with a dual-driver design, delivering balanced full-range audio. Each earpiece is equipped with a 1.6″ and a 0.4″ driver, delivering a respectable frequency range of 20 Hz – 20 kHz for punchy lows, rich mids, and crisp highs. Dual mic arrays also ensure the headphones have great ENC or environmental noise cancellation, allowing you to listen to music, make calls, or even record voice notes with minimal interference from the world around you.
The headphones boast Bluetooth 5.2, offering quick and reliable pairing, and come with a battery that offers 45 hours of constant playback on a full charge – a feature that’s further enhanced by how comfortable the over-ear plus earcups are to wear for long periods of time. The Mondo has 430 hours of standby time, so your battery doesn’t drain too much when not in use (take that, AirPods Max), and a USB-C port lets you charge your headphones from 0-100 in 2 hours.
The Mondo headphones weigh just 9 ounces, undercutting most brands like Microsoft, Sony, Sonos, and Apple which range anywhere from 11 to 13 ounces. The price is a pretty compelling factor too, with a $144.9 tag for a pair of plush headphones with ENC. On the other hand, you do have controls for volume on the Mondo, and there’s a palpable lack of a dedicated button for your phone’s Voice AI like Siri on the AirPods Max. That shouldn’t be a deterrent though, for the budget range. The Mondo Headphones also ship with a USB-C charging cable and a coiled 1/8-inch audio cord for versatile listening options.
Small enough to fit in a pocket, lighter than an iPhone, but equipped with a 25+ sound bank, MIDI capabilities, 25 keys, and its own built-in speaker system, the EASYPLAY 1s might just be the easiest way to play music anywhere you go. Music instruments, whether digital or physical, have had a problem of being too expensive, too bulky, or both. The $99 EASYPLAY 1s makes music production and even jamming as simple as pulling the MIDI synth out of your pocket and starting to play. It comes with multiple instruments built-in, a drum machine for you to drop beats, and knobs that let you change octaves and instruments in mere seconds. When you’re done playing with the built-in instrument packs, the EASYPLAY can hook to your laptop or tablet, working as an external synth to let you access millions of other instruments… or even build your own.
The beauty of the EASYPLAY 1s is that it rejects the status quo with a design that feels fresh, fun, and inviting. It doesn’t look like an electronic keyboard or piano, and opts for a more retro-funk design that’s reminiscent of something Teenage Engineering would create. The EASYPLAY 1s comes with colored keys, the ability to change keycaps, and a design that encourages endless experimentation. When you start playing with the EASYPLAY 1s, you start afresh – the entire experience feels new, which means you learn new things, stumble across new patterns, and create something that feels absolutely original. With time, muscle memory kicks in, and your fingers figure out how to dance across the EASYPLAY 1s’ 25-key interface.
Think of the Casio synthesizers back in the 80s and 90s, and imagine it condensed down into the size smaller than a Nintendo Switch. The EASYPLAY 1s has a small form factor that can be either used handheld, or even kept on a tabletop surface. Switch it on and it starts working off the bat, allowing you to choose instruments, set your pitch or octave, and begin playing. A set of two 2W speakers on each side is enough to play solo, or if you want something a little more comprehensive, a 3.5mm input lets you hook the EASYPLAY 1s to a set of headphones or even a speaker system. Want to go a step further? A USB-C port lets you hook the device to a computer or tablet running any DAW (Digital Audio Workstation), effectively turning your EASYPLAY 1s into an external synth. Use it to jam, produce music, or even play samples and loops during a deejay set. Heck, you could even use the EASYPLAY 1s as a gaming controller for games like Guitar Hero, or a slew of other key-smashing games.
The small, lightweight device packs its own 25+ bank of music instruments. You can choose between traditional instruments like a guitar, piano, accordion, saxophone, or go more electronic with waveforms like sawtooth or square waves. Two knobs on either side let you choose instruments or octaves, while keys at the center become your MIDI pads, allowing you to tap for singular notes, or press multiple buttons together to create chords. There’s also a built-in metronome that makes playing in rhythm easy when you’re learning or composing, and Bluetooth capabilities that let you connect your EASYPLAY 1s to a smartphone and play along with your favorite songs on Spotify or any other streaming service.
What sets the EASYPLAY 1s apart is its incredibly low barrier for entry. At $99, it’s more affordable than most regular instruments, making it a great addition to your music arsenal, or even a perfect first gift for a youngster interested in music production. The entire device weighs around 6 ounces (170 grams) and is made of durable ABS and Silicone, making it impervious to rough usage. The $99 variant will get you one EASYPLAY 1s and a set of stickers to put on the keys, or upgrade to the full package for $129, which also includes a lanyard, a carry case, and four sets of keycaps to replace the current ones, for a more themed music experience.
Learning a musical instrument is often a demanding yet rewarding journey that requires consistent practice, dedication, and the right environment. For many musicians, especially flutists, the challenge is not just mastering the instrument but also finding a space where they can practice without disturbing those around them. Practicing inherently involves experimenting with the instrument, which can lead to playing a few bad notes—a normal part of the learning process that others may find disturbing. Addressing this issue, FlüGo emerges as a revolutionary concept in flute training, combining technology, flexibility, and respect for others into one comprehensive solution.
Designer: Junyi Chen,Huijie Qu, Jinze Li, and Jingzhe Zhang
Every musician faces the challenge of creating a nuisance at some point. Even the most proficient players may need to halt their practice sessions due to noise complaints. For flutists, this challenge is particularly enunciated due to the nature of the instrument and the lack of adequate, soundproof practice spaces. FlüGo aims to tackle this issue head-on, offering a smart training kit that allows flutists to practice wherever they are without causing disturbances. The kit includes a modular instrument, a foldable music stand, and a collapsible support. This innovative setup allows for high mobility and flexibility, making it ideal for flutists who need to practice in various environments.
At the core of FluGo is an interchangeable smart head joint that integrates advanced technology to simulate realistic flute sounds. By combining data on airflow and finger movements, it emits a lifelike sound through directional speakers, ensuring that the music is confined to the player’s area. This means that the sound only reaches where it is intended, providing privacy and minimizing disturbance to others.
FluGo is more than just a practical solution for noise control. It represents a significant step forward in making musical practice more accessible and less intrusive. In a world where learning a musical instrument can be seen as a niche or even a luxury activity, it democratizes access to musical education. It breaks down logistical barriers that have traditionally isolated musicians, particularly those who play louder instruments like drums and wind instruments.
Beyond noise control, it opens up new avenues for learning and connection. The device’s ability to record and analyze performances, access interactive educational content, and connect with other flutists transforms it into a tool for growth and cultural exchange. Musicians can share their experiences, seek advice, and draw inspiration from a global community of enthusiasts.
Moreover, FluGo features a folding smart sheet music terminal that automatically turns pages, allowing flutists to focus solely on their playing. The system also records performances and offers real-time sound simulation, making it a comprehensive tool for both practice and performance review.
YouTube Music for Android is finally releasing a long-awaited tool that lets people hum a song to search for it, in addition to singing the tune or playing the melody on an instrument, according to reporting by 9to5Google. The software has been in the testing phase since March.
All you have to do is tap the magnifying glass in the top-right corner and look for the waveform icon next to the microphone icon. Tap the waveform icon and start humming or singing. A fullscreen results page should quickly bring up the cover art, song name, artist, album, release year and other important data about the song. The software builds upon the Pixel’s Now Playing feature, which uses AI to “match the sound to the original recording.”
The tool comes in a server-side update with version 7.02 of YouTube Music for Android. There doesn’t look to be any availability information for the iOS release, though it’s most likely headed our way in the near future.
You don't need to be @KidCudi to use Hum to Search. Hum a song into your Google app, and we'll identify it for you. Test it with your favorite songs, or use it to figure out the song that's been stuck in your head and find your new favorite. 🎶 pic.twitter.com/MluVNesTpE
This type of feature isn’t exactly new, even if it’s new to YouTube Music. Google Search rolled out a similar tool back in 2020 and the regular YouTube app began offering something like this last year. Online music streaming platform Deezer also has a “hum to search” tool, released back in 2022.
This article originally appeared on Engadget at https://www.engadget.com/you-can-now-hum-to-find-a-song-on-youtube-music-for-android-190037510.html?src=rss
Mercedes-Benz as an automotive icon has set the tone for the 21st century with supercars like AMG GT and the CLA concept. The German marque has pushed the limits of automotive technology, design aesthetics and luxurious comfort for purists who desire nothing but the best with the least strings attached.
Lately, we had a fancy for wild concepts like the Dresscode which is inspired by the smooth silhouettes of a classy suit and now we’ve tripped over another Mercedes-Benz supercar concept that derives inspiration from the beauty of silent luxury. This core idea is combined with the shapes of musical instruments (a Harp to be precise) to create a concept that harmonizes the pure and geometric form. Thus the namesake, Mercedes-Benz Harp!
The front of the concept Mercedes car is inspired by the W196R Formula-1 racing car developed for the 1954 and 1955 seasons. Of course, the front grille is not that open and is streamlined along the front seam for a more modern aesthetic look. This is combined with the asymmetric windshield panel to the rear which has a polygon and pure sculpture shape. The contrast between the contoured front and the sharp rear gives the HARP a distinct persona. It’s just like a god-like figure draped in the most beautiful costume.
The way those strings are aligned with the rear explains the asymmetric shape of the rear which when viewed from the top looks like a Harp in motion. Even the rear lights are shaped like strings which I think should trickle down to a real car coming from Mercedes Benz. Moving on to the interiors, they have two contrasting sections – a silent compartment for people who seek solitude and an open compartment for people who want to socialize.
The Mercedes-Benz Harp concept is an interesting take on silent luxury, artist forms and the pleasure of driving. And yes, I almost forgot to mention the contrasting color hues of matte silver and glossy black!
Earbuds are a kind of accessory you’ll find most common in anybody’s arsenal. They isolate you from the distracting outside world and help you focus while working, exercising, commuting, or anything in between. Extending the usability of earbuds for people with vision problems or in general even the common users who like to turn on their ANC at full blast. Apart from the audio information, the eyes are the best sensors to gauge the environment.
The Cell Buds are an evolution of the good old earbuds into a wearable that assists the blind in navigating crowded spaces or even being aware of what’s around them with sound cues coming from the buds equipped with nano camera units that keep track of any information that may be vital. This eliminates the need for transparency mode to be aware of the space, or even situations where you want strong ANC while being totally aware of what’s happening around in a crowded urban area, essentially making them your eyes and mind for daily life assistance.
These earbuds are loaded with an ultra-compact vision cam and AI to bring all the smart features of your smartphone to this cool gadget plugged into the ears. As a part of the Samsung Design Membership course, Minwoo conceptualized this design to dramatically improve the user’s experience. The on-device AI brings personalized interaction with information available in the cloud and the compact vision cameras keep sensing the surrounding environment around you for any signs of danger or information that might be important to you. For example, an approaching motorist from the left when you are busy crossing the street.
With smart AI, the wearables can be useful for frequent travelers or people with vision impairments. The hands-free personal assistance provided by Cell Buds keeps you from checking your phone, thereby curbing your digital life for good. Design and comfort are prime when it comes to the concept, as Kim has managed to fit a rotating camera unit inside the housing that houses the driver units, microphones, and the battery. According to him, the camera drive unit slightly protrudes from the ear to increase the camera’s field of view.
