Lando Norris’s New LEGO Helmet Is Weirdly Emotional to Build

McLaren just hit 1,000 Grands Prix, which in Formula 1 years is basically ancient royalty status. Only Ferrari has been around longer in this sport, and Ferrari acts like it too. So when a team crosses a milestone like that, you throw a party, you paint a special livery on the car, and apparently, you also get LEGO to build you a commemorative brick helmet with your driver’s face on the box.

That is exactly what happened with Lando Norris’s set, a 793 piece build that packs his signature yellow and black “blob” design (his words, not mine) onto one side of a papaya orange helmet shell. It is McLaren history and Norris’s personal branding smashed together into a display piece, and somehow LEGO made that combination look genuinely good instead of like a marketing fever dream.

Designer: LEGO Design Team, co-created with Lando Norris

What makes this one different from your average licensed tie in set is that Norris was actually in the room for it. This was not LEGO grabbing some reference photos and calling it a day. The drivers worked directly with LEGO’s design team to shape both the Norris helmet and its companion piece for teammate Oscar Piastri, and the real helmets both drivers wore trackside at Monaco were based on the LEGO designs, not the other way around. That is a genuinely rare flex for a toy company. Daniel Meehan, LEGO’s Creative Lead for F1, put it well when he said building organic helmet curves at this scale “presents exciting opportunities for exploring new building techniques and creative parts usage,” which is design speak for “yeah, this was hard and we are proud we pulled it off.”

And they did pull it off. The papaya orange half and the neon yellow squiggle half meet along a seam that somehow still reads as one continuous helmet, not two mismatched shells taped together. Printed tiles handle every sponsor logo along the brow, McLaren, Mastercard, Dropbox, OKX, all sitting exactly where they would on the real thing. The back of the helmet is where the emotional weight lives though. LEGO printed “1.000 GP” and “1963” across the rear in bold anniversary numerals, with a small nod to “Bruce / Mal Est. 1963,” a reference to Bruce McLaren founding the team over sixty years ago. “NEVER STOP RACING” runs along the base of the visor. It is a lot of history packed into a helmet the size of a grapefruit.

My favorite detail, though, is buried in the yellow side paneling where LEGO snuck in a tiny printed minifig head, smiling face and all, hidden right inside Norris’s own design pattern. It is such a small thing, but it is basically LEGO signing its own work, and it tells you the people building this actually cared about more than just slapping a logo on a shelf piece.

The set comes mounted on a black display stand with Norris’s number 1 and a printed signature plaque, plus a minifigure of Norris himself in off track team gear, reportedly the first time he has been rendered as a LEGO minifig. It also plugs into the LEGO Builder app so you can rotate and zoom your progress mid build, which is a nice touch if you like tracking your pit stops digitally.

This helmet drops right after LEGO built ten full size, actually driveable F1 cars for a stunt at last year’s Miami Grand Prix, so the brand’s relationship with the sport is clearly only ramping up. The Lando Norris McLaren Mastercard F1 Team Helmet (set 43023) is available now for $89.99 on LEGO.com and through McLaren’s official store, alongside the matching Oscar Piastri edition if you want the full garage set.

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Why Apple’s September iPhone Ultra Lineup Looks Completely Different

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An Industrial Designer Hid the Chair’s Entire Folding Mechanism Inside the Backrest

Gudmundur Ludvik had a question he couldn’t let go of. Why should a folding chair be a compromise? The answer, for decades, had been accepted without much pushback: folding chairs sacrifice comfort for storage, aesthetics for portability. The category had been quietly settled. Ludvik disagreed.

The Backflip, produced by HAY, is his rebuttal. An Icelandic designer based in Vejle, Denmark, Ludvik trained first as a carpenter and cabinetmaker before studying sculpture at the Icelandic Academy of Arts and furniture design at the Danish Design School, graduating in 2002. That layered background — craft, art, design — shows in the Backflip. The chair doesn’t announce its ingenuity. It keeps it entirely to itself.

Designer: Gudmundur Ludvik

The defining feature is a folding mechanism concealed within the backrest. A single rotation collapses the chair in one continuous motion; one hand is all it takes. There are no exposed hinges, no visible hardware, no visual record of the engineering beneath. The mechanism is part of the structure rather than an addition to it, and that distinction is everything. From the front, the Backflip looks like a chair that simply sits well. Which is the point.

Ludvik’s stated ambition was to approach the folding chair typology from the opposite direction: create a good chair first, and a folding chair second. The frame is solid beech wood, lacquered, with a moulded plywood backrest. The profile is clean and unhurried, shaped by the logic of material and construction rather than any impulse toward decoration. Available in natural beech across a range of coloured finishes, it translates across private dining rooms and public hospitality interiors without trying too hard in either direction.

HAY also offers a matching wall bracket, designed to hold one or two folded Backflip chairs flush against any wall. It’s a satisfying extension of the concept: a chair that folds becomes genuinely space-saving only when storage itself is resolved. The bracket completes that thought without making a fuss about it.

The Backflip was previewed at 3 Days of Design in Copenhagen in 2026, where it sat alongside work from Jasper Morrison and Philippe Malouin in HAY’s exhibition at O-Overgaden, a contemporary art institution in Christianshavn. In that company, it held its own, which is a fair measure of how resolved the design feels.

What Ludvik has made is not a clever folding chair. It’s a chair that happens to fold, and the difference is considerable. That the mechanism disappears entirely into the backrest is less a magic trick than a design argument, made quietly, about where the priorities should lie.

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