Discover Your Poetic Journey Through Time With Calen-bar

In a world characterized by the ceaseless march of technology, the Calen-Bar emerges as a distinctive and poetic tribute to time, seamlessly blending aesthetics, mindfulness, and sustainability. This perpetual calendar transcends the conventional, inviting users into a realm where the manual meets the meaningful, where every little act becomes a marker of eternal days.

Designer: Yukimasa Hirota

Crafted with precision and an eye for detail, the Calen-Bar is more than a tool; it is an experience. The inclusion of a metal weight introduces a tactile elegance, grounding the calendar in substance and texture. As fingers delicately adjust the rubber band to align with the current date, a connection is forged with the tangible passage of time. This manual engagement elevates the daily routine of checking dates into a ritual of reflection, ensuring that each day is not just observed but remembered, retrospectively embraced, and seized.

Positioned thoughtfully at the right end of the material rotation, the day of the week becomes a subtle but integral part of Calen-Bar’s design. As the material gracefully turns, it serves as a visual reminder that time, like the calendar itself, is in perpetual motion. This dynamic element adds a layer of continuity, urging users to appreciate the cyclical nature of days and the interconnected dance of weeks and months.

In a society racing against the clock, the Calen-Bar offers a respite from the relentless pace of technology. It is not a mere tool for making remarks or planning; rather, it is a sanctuary of poetic and aesthetic value. By embracing the manual nature of this calendar, users are prompted to engage in the deliberate act of adjusting dates, fostering a connection with time that transcends the digital coldness of screens and alarms.

Beyond its aesthetic charm, the Calen-Bar boasts a commendable sustainable aspect in its design. In a world inundated with disposable calendars, this perpetual masterpiece breaks the cycle. By omitting the mention of the year, it becomes a timeless companion, allowing users to reuse it year after year. The absence of a predefined year, while potentially leaving room for miscalculations, is a deliberate compromise in the pursuit of sustainability. In an age where ecological considerations are paramount, the Calen-Bar offers a meaningful alternative, prompting users to embrace the beauty of imperfection and intentional living.

While the manual adjustment may invite occasional errors, the Calen-Bar gracefully acknowledges the digital age, leaving room for users to cross-verify dates with their devices. This harmonious integration of analog charm and digital precision ensures that the Calen-Bar is not just a relic of the past but a versatile companion for the present and future.

In essence, the Calen-Bar is a testament to the enduring allure of simplicity, mindfulness, and sustainability. As we navigate the fast-paced currents of modern life, this perpetual calendar stands as a reminder to savor the little moments, to mark the eternal days not just in our lives but in the products that accompany us on this journey. It is a celebration of time, a fusion of elegance and purpose that invites us to comprehend the lost moments, appreciate the present, and embrace the time that is yet to come.

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Portable stool is made from electronic packaging waste

There are a lot of product developers and designers who love to experiment with ideas for things that we sometimes take for granted. Good thing there are people like them who like to think about ways to improve these functional products. There are also those who think more about the materials used to create such products, especially materials that will lessen our carbon footprint. Chairs and stools are some of those things we don’t really think about innovating but there are still some ways to come up with better designed ones.

Designer: Razeen Mohammed

The EDGAR Stool is a concept for a portable stool born from the idea of creating something functional but also using the least amount of resources in terms of the material used for it, the energy needed to create it, and even the cost that you have to spend. In fact, in terms of prototyping this concept, they only spent around $0.29 in making one of these stools.

The reason for such a low cost is that the stool is made from waste from the packaging of electronic appliances and adhesives. The former is one of the biggest waste issues that we have now as the production of electronic appliances seem to be increasing. Therefore the waste has also been considerable. They were able to conceptualize a two legged stool from these waste materials and it seems to be light enough that you can carry it around.

However, from the product renders and photos, I don’t know how stable it is or how it can hold up a fully grown person. It might be able to fit a child or a really thin and small person but those with considerable weight might think twice about sitting on it. It also doesn’t seem all that comfortable especially if you have a pretty round derriere. But props to the designer for coming up with something that can utilize packaging for electronic appliances.

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Portable stool is made from electronic packaging waste

There are a lot of product developers and designers who love to experiment with ideas for things that we sometimes take for granted. Good thing there are people like them who like to think about ways to improve these functional products. There are also those who think more about the materials used to create such products, especially materials that will lessen our carbon footprint. Chairs and stools are some of those things we don’t really think about innovating but there are still some ways to come up with better designed ones.

Designer: Razeen Mohammed

The EDGAR Stool is a concept for a portable stool born from the idea of creating something functional but also using the least amount of resources in terms of the material used for it, the energy needed to create it, and even the cost that you have to spend. In fact, in terms of prototyping this concept, they only spent around $0.29 in making one of these stools.

The reason for such a low cost is that the stool is made from waste from the packaging of electronic appliances and adhesives. The former is one of the biggest waste issues that we have now as the production of electronic appliances seem to be increasing. Therefore the waste has also been considerable. They were able to conceptualize a two legged stool from these waste materials and it seems to be light enough that you can carry it around.

However, from the product renders and photos, I don’t know how stable it is or how it can hold up a fully grown person. It might be able to fit a child or a really thin and small person but those with considerable weight might think twice about sitting on it. It also doesn’t seem all that comfortable especially if you have a pretty round derriere. But props to the designer for coming up with something that can utilize packaging for electronic appliances.

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Solar-powered coffee truck concept runs on green fuel to bring black fuel anywhere

They say money makes the world go round, but coffee is probably just as critical for some people. Connoisseurs will undoubtedly tell anyone willing to listen to brew their own cup, but not everyone has the luxury of doing that daily. If you don’t know of a local shop you can call your home away from home, you’d probably be at the mercy of the big, expensive chains that put more sugar than you’re going to be comfortable with. Establishing a fixed store in a nook or building isn’t going to be cheap for some businesses, and it also means not being able to reach customers where they are. Coffee trucks can solve the problem of portability, but this concept design takes that idea even further by having the whole operation run on solar power, potentially bringing that coffee experience anywhere, even away from the grid.

Designer: Kyrolos Maged

Although you can see them almost everywhere, big chain stores like Starbucks won’t always please everyone. Some simply don’t like their selection or the way they do business. Others simply prefer to patronize smaller businesses to help them grow and thrive. Either way, the majority of these stores force you to go to their location, which is not a problem unless there isn’t one nearby. It would definitely be great if the coffee could come to where the people are rather than the other way around, which is what coffee trucks are trying to do.

Although they are a viable business model, such mobile coffee dispensing stores have a few logistic issues to iron out, specifically one of power. Sure, you can run the machines on the same battery that drives the truck, but it also risks you running out of fuel when you need it the most. And with some vehicles turning to electric power, such a power source might no longer be feasible. This unnamed concept thus turns toward an ever-present source, at least during the time when people are most likely to chug their black or brown fuel.

The solar-powered coffee truck is exactly as it sounds, an operation that runs on solar energy rather than fuel or car batteries. There’s a single large solar panel on top of the truck, but it’s easy enough to extend the design to have multiple panels on the “wings” that fold out from the sides of the truck. This way, the energy needs of the coffee machines and the truck itself are kept separate and you don’t have to worry about one eating into the reserves of the other.

The design of the truck itself is pretty standard, with sliding tables to let customers put down their cups for a while or enjoy some sandwiches that the mobile cafe might offer. What’s interesting, however, is the idea that the coffee truck would offer all sorts of coffee, including those from capsule machines. It’s a good way to diversify and hit many types of customers while also ensuring the speed of service, though pure-blood coffee lovers might turn their noses up at such a thought.

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Bladeless wind turbines could be the future for wind-energy, bringing them to homes

Imagine a wind turbine, but not as you know it. Instead of the familiar towering structures with rotating blades, picture a compact, hexagonal grid resembling a honeycomb, perched atop urban buildings or integrated into existing structures. This is the essence of Katrick’s design – a radical departure from traditional wind turbines, both in form and function. These turbines harness the power of wind through oscillating aerofoils, a far cry from the spinning blades we’re used to.

Designer: Katrick Technologies

As companies rush to figure out better and more effective solutions for harnessing sustainable energy (while the world grapples with the migration to these energies), the Glasgow-based startup, is making waves (or should I say, catching them?) with their innovative bladeless honeycomb wind turbines. Unlike the towering, rotary-blade turbines that dominate our landscapes, Katrick Technologies’ creation is a breath of fresh air in both design and functionality.

At the heart of this technology are the aerofoils, the unsung heroes of Katrick’s design. They work by capturing wind energy and converting it into mechanical oscillations. These oscillations are then transformed into electricity, providing a greener energy solution. This method not only captures lower levels of wind, making it more efficient in less windy conditions, but also makes the turbines more suited for urban environments, where space is at a premium and wind levels can be lower.

The design philosophy of Katrick Technologies is rooted in creating eco-friendly, innovative engineering solutions. While the firm is relatively new, it’s already carving a niche for itself in the renewable energy sector. Traditional wind turbines, with their considerable land and maintenance requirements, often pose logistical and financial challenges. In contrast, Katrick’s honeycomb turbines offer a more sustainable and cost-effective alternative, especially in urban landscapes where space is limited.

But it’s not all sunshine and breezes. Bladeless turbines, including Katrick’s design, have faced some skepticism. Critics, including those from the MIT Technology Review, have pointed out that despite their lower cost and environmental footprint, bladeless turbines might not be as efficient in energy generation as their traditional counterparts. However, Katrick’s innovative approach might just tip the scales. According to the company, just 1 kilometer of their roadside panels could charge a significant number of electric vehicles or power hundreds of homes annually.

Moreover, the design’s safety and environmental features can’t be overlooked. The slower-moving aerofoils in the honeycomb structure are likely less hazardous to birds than traditional turbines. Plus, their unobtrusive design, small footprint, and minimal environmental impact make them an attractive option for urban settings.

Katrick’s wind turbines being tested at Glasgow Airport.

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Colorful stool is made from 80% recycled plastic

When it comes to functional pieces of furniture, we probably go for items that are able to serve their function (and are most likely affordable) and are not really that concerned with the design or aesthetics. But the past years, a lot of people have also been concerned with how these items are made, specifically with the materials used to create them as we become more conscious about our personal carbon footprint and the things taht we consume.

Designer: Alexander Latersztain for Derlot

The original Stump stool from Derlot were already interesting enough with their “bold, minimalist and uncomplicated” take on this piece of furniture that lets us sit. Now the newest version is the Stump Recycled which carries the same basic structure of the stool but is now made from 80% recycled post-industrial plastic LDPE. And if you’re the type that would go for furniture that’s made sustainability then this should be right up your alley.

Because of the material it’s made from, you also get a different design. The patterns on the stools feature a terrazzo-like design which makes it more textured and colorful look. The original Stump stools had pretty solid colors but this time around you have the option to have a seat with a kaleidoscope-like finish. This is their “fresh interpretation” of how you can use recycled materials to enhance your design as well.

Derlot says that more than just a stool that you can sit on, this is a symbol of their commitment to pursue more sustainable design and production. I don’t know how long I can last sitting on this stool though as it’s small and doesn’t look that comfortable but sure, for sustainability, it’s a pretty interesting piece of furniture to have.

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Upcycled skateboard factory rejects transform into warm wall lighting

Recycling is a great way to reduce the amount of waste that ends up in landfills, but the process itself can sometimes have some negative impact. There’s still a lot of energy and water involved in converting materials into something usable again, and there’s also some loss when the original design gets destroyed in the process. Upcycling is a more efficient and time-saving alternative, but not everything can be upcycled and not everything that can be upcycled can be used in newer and better ways. Sometimes, it takes a bit more creative thinking to transform one thing into a completely different thing, like how factory seconds from skateboard manufacturers are turned into these understated yet elegant wall lamps.

Designers: Michael and Mariel Upton

Skateboards are objects that bring up images of speed, tricks, and devilish stunts. They’re hardly associated with warmth, subtlety, or even light. Of course, these associations aren’t inherent in the shape of the skateboard’s wooden deck, which makes them open for reuse and reinterpretation, as the case of this trio of wall lamps demonstrates, providing stylish lighting that hardly gives a clue to their origins.

Considering the long oval shapes of skateboard decks, not to mention their upward curved ends, you definitely wouldn’t be able to guess that these wall lights are exactly made from those wooden parts. That’s because these pieces of 7-ply maple wood are taken from factory rejects, decks that obviously didn’t make the cut. Since the shapes of these boards are too specific for general use, they often end up simply being discarded. They’re thankfully made from wood, so they’re biodegradable and have fewer harmful effects on the environment, but they’re still waste and, more importantly, wasted opportunity.

Upton thankfully has the wonderful idea of using those boards to provide ambient lighting as well as a piece of minimalist wall art. The discarded decks are cut to create a shorter and straighter oval shape and then paired with lighting hardware on the back. Each of the three variants, namely, Heru, Cuna, and Mara, get a square piece of original art that becomes the visual center of the entire fixture. With this, even if the light is off, the designs act as decorative pieces that enhance a room’s ambiance in a subtle way.

When the light is on, however, you get a warm ambient halo of light that sets a calming and relaxing mood in any space. The light is emitted from the back and is reflected on the mounting surface, making it look softer and avoiding painful glare when you look in its direction. The wall lamp projects a character of calm and warmth, definitely not something you’d expect from a speedster skateboard that it would have become in some other lifetime.

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80% smaller than the average car: This Compact EV seats 2 people and fits into tight parking spots

Motorcycles are agile but don’t have the conveniences a car offers. Cars have roofs, storage space, and are more stable, but they aren’t as compact as motorcycles. Granstudio’s vision for Komma, a Swiss-based mobility startup, was to blur the line between the two. The Komma UMV is unique in that it borrows the best bits from a car and a motorcycle. For all intents and purposes, it looks and feels like a car, with four wheels, a roof, doors, and even a boot to store luggage. However, it’s no wider than a motorcycle, making it 80% smaller than most cars, run on 66% less energy, and have all the safety features of a car, from seatbelts to airbags.

Designer: Granstudio

The Komma UMV is entirely a new category of vehicle, borrowing the best bits from cars, motorbikes, ATVs, and even the Asian TukTuks. It prioritizes efficiency without compromising on mobility and rider comfort, and when it does make trade-offs, it does so in a way that really feels like features. For example, it might be smaller than a car, but its slim format allows it to weave between traffic and park in even the tightest spaces without breaking a sweat.

“In the studio, we focus on both designing cars and developing mobility plans for future cities. However, when we try to combine these two aspects, something doesn’t quite fit,” say the designers at GranStudio “This is particularly evident in Europe, where it is clear that the ideal city we envision for the future prioritizes the quality of public spaces and community values. It is a city where cars do not naturally belong and are out of context.”

In scaling the car down to this two-seater format, the math adds up to some real savings for both the rider and the planet. The Komma UMV is 80% smaller than your average car and has a 70% reduced ecological footprint. It consumes 66% less energy than a car, which translates to 70% lower operational and fuel costs than your regular gas-powered vehicle. All that really makes a difference in the grand scheme of things, making the Komma UMV perfect for single-person or two-person rides.

That being said, the UMV has all the benefits of a car. It runs on four wheels that employ a unique hydraulic tilting system for stability, but also enable tighter turns, just like a motorcycle. You’ve got a 4WD system, suspension, anti-collision protocols, and an anti-lock braking system. The car also comes with doors, a roof, seatbelts, airbags, and its occupants don’t need helmets. The windshield has airbags, and the UMV has storage space in both the front as well as the boot, offering much more storage space than a two-wheeler. Given its width constraint and hydraulic tilting system, it uses handlebars, which seem to be the only actual remnant left behind from the motorcycling world, along with the seating format where the passenger sits right behind the rider.

Komma offers a transformative vision for urban environments, placing a strong emphasis on enhancing the quality of public spaces and nurturing community values. By reducing the dominance of automobiles (or at least the space occupied by them), Komma paves the way for a more harmonious coexistence with nature, creating abundant room for leisure pursuits, and fostering vibrant social interactions. This shift in perspective not only redefines the city but also revitalizes it, making it a place where people and nature thrive together.

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Innovative Bottle Cap can tell you if your Food is Still Fresh or Not.

In the world of packaging innovation, United Caps and Mimica have teamed up to introduce a groundbreaking solution for ensuring food safety – the Mimica Bump Cap. These specially designed bottle caps provide a tactile indication of the freshness of the contents, offering a reliable method for distinguishing whether a product has spoiled.

Designer: United Caps and Mimica Lab

Originally conceived with the visually impaired in mind, the Mimica Bump Cap has evolved into a versatile tool that benefits a broader audience. For individuals who cannot rely on visual cues such as best-by dates, these caps offer a tactile alternative to determine the freshness of the product. Moreover, in the wake of the COVID-19 pandemic, where loss of smell became a prevalent symptom, these caps become invaluable to those who can no longer smell and determine the freshness of products.

These caps contain a patented gel technology that activates upon the first opening of the beverage. This innovative gel doesn’t come into direct contact with the beverage contents, maintaining a hygienic barrier. Instead, it utilizes a combination of time and temperature to accurately gauge the freshness of the product. The simplicity of the technology ensures that consumers can easily interpret the status of their beverage.

Reading the Mimica Bump Cap is a straightforward process. A smooth swipe across the surface of the cap indicates that the beverage is still fresh and safe for consumption. However, a bumpy texture suggests that the contents have started to spoil, prompting users to be cautious. This intuitive design makes it accessible to a wide range of consumers, regardless of their visual or olfactory abilities.

 


The versatility of this cap extends to its compatibility with a variety of perishable products, including milk and juices. As these caps rely on the fundamental principles of time and temperature, they can be effectively employed across a spectrum of goods, ensuring that consumers can trust the freshness of their purchases and store them aptly for waste reduction.

By incorporating the Mimica Bump Cap into their packaging, companies can elevate consumer confidence in the quality and safety of their products. The transparency offered by these caps empowers consumers to make informed decisions about their purchases, reducing the likelihood of consuming spoiled or expired goods.

Ultimately, the Mimica Bump cap helps boost sustainability too, allowing people to rely on real metrics instead of an arbitrary expiry date. This helps people ensure they’re eating fresh food, and finishing their perishables before they expire. Approximately 17% of global food production ends up getting wasted, but the Mimica Bump Cap can help reduce that.

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Champion sweatshirts and joggers are biodegradable and sustainable

Have you ever had one of those dreams, or rather, nightmares, when your clothes suddenly fall off your body like it was decomposing or something? That will probably not happen in real life, at least not instantly. But for those who are pursuing sustainable fashion, this is actually a good dream and not a nightmare. We’re seeing clothing brands experiment with biodegradable clothing and Champion is one such brand to do so.

Designer: Champion

The Reverse Weave Eco Future Collection is a line of biodegradable sweatshirt and joggers made from sustainable materials. You can wear it repeatedly until it naturally breaks down and decomposes over time. They use the CiCLO technology which helps bring about this natural decomposition process over time and help reduce the impact of plastic textile fibers and lessen microfiber pollution which is one of the major effects of the clothing industry on our carbon footprint.

The technology uses an additive that is combined with polyester and nylon during the fiber-making process. The process called melt extrusion turns them into liquid when heated and then they are turned into long threads. Other elements of the sweatshirts and joggers also use eco-friendly materials like the tags and labels ause pure cotton while the hangtags are printed with soybean ink. Even the colors used are from dyes extracted from pomegranate rinds, annatto, Terminalia Chebula fruit crusts, and kerria lacca insects.

In terms of the design, the sweatshirts and joggers in the Reverse Weave Eco Future Collection are just your usual. They do look comfortable since they’re oversized and unisex, so that’s another plus. The joggers have hip pockets and a drawcord waist for added comfort. But of course the main reason why you’d want any of these pieces is that they are biodegradable and friendly to Mother Earth. They’re available in different sizes and colors so there’s a variety to choose from.

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