This Wall Speaker Lets You Decorate Your Room with Music and Art

The must-have for your home used to be a choice: a speaker or a digital frame. Good audio gear fills a room with sound but rarely does anything worth looking at. Digital frames look considered and calm on a wall but go completely silent the moment you need them to do something else. It seems obvious, in hindsight, that someone would eventually stop treating these as separate problems.

Monar is that someone. The Monar Canvas Speaker brings both together in a single framed wall piece that plays Hi-Fi audio while displaying art on a built-in screen, and the two functions are genuinely connected. When music plays, the display responds in real time, generating visuals that shift and react to the track. It fills your home with sound. It decorates your wall with art. It does both at once.

Designer: Monar

Click Here to Buy Now: $799 $1299 ($500 off). Hurry, only 122/150 left! Raised over $55,000.

The design draws its visual logic from classical oil painting. Traditional canvas proportions, the kind that have framed masterworks for centuries, informed the 4:5 portrait ratio of the panel, a deliberate departure from the widescreen format most screens default to. That historical reference is not decorative. It is the reason the Monar reads like framed art on a wall rather than a screen that someone forgot to put away.

The outer frame is interchangeable across eight options: premium ABS plastics, natural linen, and brushed aluminium, with one ABS option styled after Mondrian’s primary color geometry. Swapping the frame is a practical feature rather than a gimmick, since the object is permanent décor. If your interior changes, the frame can too.

The audio side makes bold claims for an enclosure that is only 4.9cm deep. Six drivers handle the load: 2 titanium tweeters, 2 midranges using a golden ratio cone geometry, and full-size subwoofers running through a 2.2-channel amplifier. The 20Hz to 20kHz frequency response is ambitious for a chassis this thin, and one definitely worth hearing.

Where the product earns genuine interest is in the everyday texture of using it. Put on an album, and one of 12 lyric display themes animates the words in sync with the music. Switch to the World Gallery and the screen cycles through more than 50,000 digitized artworks, from Van Gogh to Hokusai. Activate Meditation Mode and the visuals shift to ambient scenes timed to calming audio. When no music is playing, it displays personal photos or videos, so it never really goes blank or dormant.

The generative AI tools go further still. Monar’s AI Studio lets you create original artwork through text prompts, uploaded images, or even a musical concept. The result displays on screen, making it possible to have genuinely new wall art on demand without touching a single frame nail. These features run on a points system, with a free tier offering 100 points per month. The World Gallery and Meditation Mode cost nothing extra, regardless.

Paid AI tiers range from $9.90 to $39.90 per month for heavier creative use, and the free allocation covers casual experimentation comfortably. What makes the pricing structure interesting is what it says about the product underneath it: even without touching a single AI feature, the Monar already delivers a fully functional Hi-Fi speaker system and a complete digital frame in one object. That combination alone is something no single product category had managed to pull off before it came along.

A speaker that becomes a painting, a gallery that plays music, a frame that reacts to sound: the Monar pulls off a combination that no single product category has figured out before it. The real question worth sitting with is not whether it works, but how much your walls have been missing something like it.

Click Here to Buy Now: $799 $1299 ($500 off). Hurry, only 122/150 left! Raised over $55,000.

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This Coat Rack Vanishes Into Your Wall When You Don’t Need It

Coat racks are designed to be covered. Designers refine sculptural hooks and stands that look great in catalogs, but the moment you hang coats and bags, they disappear under fabric. No matter how interesting the form, the object gets visually erased by its own function. Most designs pretend this is not happening, even though vanishing under outerwear is basically written into the job description from the start.

VELTO accepts that contradiction instead of fighting it. The wall-mounted coat rack stays completely flat when not in use and only reveals itself when needed. The philosophy revolves around the idea that design does not always need to shout to be valuable, and sometimes disappearing is actually the point. When closed, it sits flush against the wall like a small tile and can be painted the same color to blend entirely.

Designer: Brent De Meulenaere

The transformation happens with a single push. A spring-assisted mechanism lets the flat panel unfold into a hook that holds coats, bags, or scarves without extra effort. The movement is inspired by origami, turning a flat surface into a functional volume through precise folds. The interaction becomes a small, deliberate gesture every time you come home or leave, pressing the panel and watching it quietly fold out to catch your jacket.

The object starts from a single flat shape laser-cut from polypropylene, which flexes repeatedly without breaking, and can be painted in any color. That flat-pack logic keeps production efficient and reduces waste. You can paint VELTO to disappear into the wall or let it stand out as a subtle accent, depending on whether you want it to blend or quietly announce itself in the entryway.

In narrow hallways or compact entryways, every protruding object becomes something you bump into or work around. Traditional coat racks and hooks always occupy space, even when empty, creating visual clutter on days when you are not using them. VELTO stays flat until pressed, so walls remain clean most of the time. When guests arrive or winter coats come out, hooks appear on demand, then fold back once everything is put away.

The project grew from sketches about movement and hinges rather than styling, followed by paper models and prototypes testing folding angles, opening force, and stability. Only after the mechanism felt right did the designer refine proportions and edges. That process shows in the final concept, where the memorable part is not a decorative detail but the calm, almost self-explanatory way the object transforms when you actually need it.

VELTO treats absence as a feature instead of a problem. Rather than trying to dominate a room, it tries to coexist quietly with walls and daily routines, only stepping forward when you need a place to hang something. In a world full of products competing for attention, a coat rack designed to be covered and happy to disappear feels like a surprisingly refreshing stance.

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27-Inch Digital Wall Calendar Shows Schedules, Then Switches to Photos

Shared calendars scatter across phones, sticky notes live on the fridge, and whiteboards never quite get updated. Most attempts to centralize family logistics involve smart displays that look like tablets or small TVs bolted to the wall, clashing with the rest of the room. A shared calendar deserves to be visible, but not at the cost of turning your kitchen into a control room with glowing screens and exposed cables.

Skylight’s 27-inch Calendar Max is a digital calendar that starts from the wall, not the app. It is a large wall-mounted touchscreen designed to be a central family hub, but the industrial design leans toward a floating frame rather than a black rectangle. The goal is to feel like part of the decor while still being big and clear enough to see from across the room.

Designer: Box Clever for Skylight

A typical morning means everyone glances at the calendar on the way to coffee. Color-coded events show who is doing what, lists and meal plans sit alongside the schedule, and everything syncs with the digital calendars people already use on their phones. Instead of hunting through apps or checking multiple sources, the day’s plan is just there, big enough that no one can pretend they missed soccer practice.

The display sits slightly off the wall, casting a soft shadow that changes with the light, so it reads more like a floating object than a mounted monitor. Magnetically attached frames in aluminum, wood, or plastic let you pick a look that matches your space and swap them later if the room changes, without replacing the hardware. It mostly just means the calendar feels deliberate instead of tacked on.

The mounting system uses a dedicated wall plate with cable routing, so once it is up, the calendar sits cleanly with minimal visible wiring. The packaging and installation guide are designed to make the process approachable, more like hanging a large frame than installing AV equipment. That matters when the person putting it up is more interested in family logistics than tech tinkering.

During busy hours, it behaves like a bright, legible planner. When things slow down, it can switch to a photo gallery, turning into a large digital frame that shows family pictures instead of to-dos. That shift helps it feel less like a dashboard that never sleeps and more like a living part of the wall that changes mood with the house.

Calendar Max treats shared schedules, lists, and memories as part of the architecture of daily life, not just data on screens. By paying attention to silhouette, depth, frames, and mounting, it turns a functional object into something you do not mind giving prime wall space. Smart calendars that actually look like they belong in a living room turn out to be surprisingly rare, which makes one that does feel like a meaningful shift.

The post 27-Inch Digital Wall Calendar Shows Schedules, Then Switches to Photos first appeared on Yanko Design.

27-Inch Digital Wall Calendar Shows Schedules, Then Switches to Photos

Shared calendars scatter across phones, sticky notes live on the fridge, and whiteboards never quite get updated. Most attempts to centralize family logistics involve smart displays that look like tablets or small TVs bolted to the wall, clashing with the rest of the room. A shared calendar deserves to be visible, but not at the cost of turning your kitchen into a control room with glowing screens and exposed cables.

Skylight’s 27-inch Calendar Max is a digital calendar that starts from the wall, not the app. It is a large wall-mounted touchscreen designed to be a central family hub, but the industrial design leans toward a floating frame rather than a black rectangle. The goal is to feel like part of the decor while still being big and clear enough to see from across the room.

Designer: Box Clever for Skylight

A typical morning means everyone glances at the calendar on the way to coffee. Color-coded events show who is doing what, lists and meal plans sit alongside the schedule, and everything syncs with the digital calendars people already use on their phones. Instead of hunting through apps or checking multiple sources, the day’s plan is just there, big enough that no one can pretend they missed soccer practice.

The display sits slightly off the wall, casting a soft shadow that changes with the light, so it reads more like a floating object than a mounted monitor. Magnetically attached frames in aluminum, wood, or plastic let you pick a look that matches your space and swap them later if the room changes, without replacing the hardware. It mostly just means the calendar feels deliberate instead of tacked on.

The mounting system uses a dedicated wall plate with cable routing, so once it is up, the calendar sits cleanly with minimal visible wiring. The packaging and installation guide are designed to make the process approachable, more like hanging a large frame than installing AV equipment. That matters when the person putting it up is more interested in family logistics than tech tinkering.

During busy hours, it behaves like a bright, legible planner. When things slow down, it can switch to a photo gallery, turning into a large digital frame that shows family pictures instead of to-dos. That shift helps it feel less like a dashboard that never sleeps and more like a living part of the wall that changes mood with the house.

Calendar Max treats shared schedules, lists, and memories as part of the architecture of daily life, not just data on screens. By paying attention to silhouette, depth, frames, and mounting, it turns a functional object into something you do not mind giving prime wall space. Smart calendars that actually look like they belong in a living room turn out to be surprisingly rare, which makes one that does feel like a meaningful shift.

The post 27-Inch Digital Wall Calendar Shows Schedules, Then Switches to Photos first appeared on Yanko Design.

Nendo Installs A Carbon-Capturing Wall In A Contemporary Japanese Home

Most of our modern infrastructure and architecture is bad on concrete, and the production of cement used in concrete is one of the biggest causes of worldwide carbon dioxide emissions. This constitutes a serious issue that must be addressed, especially with the current state of our Planet Earth. In this effort, Nendo displays a specimen of a greener and cleaner way to construct and build with its Block-Wall House. The Block-Wall House is partially built using a new concrete that captures carbon dioxide instead of emitting it!

Designer: Nendo & Kajima Corporation

Tucked away in Japan’s Nagano Prefecture, the Block-Wall House is located next to a rural road. The house features a lot of glazing, to offer privacy against pedestrians and passing vehicles. The home is equipped with an angled screen which lets residents look out but makes it quite difficult for a passerby to glance inside. This screen is made using 2000 blocks which have been arranged in parallel rows to form five walls, with a length of 360 feet. This screen is made from the aforementioned sustainable and novel concrete!

This newly developed concrete is made by the Kajima Corporation in collaboration with the Chugoku Electric Power Co, Denka, and Landes Co. The concrete is named CO2-SUICOM, and for its production, a special cement mixture is placed in a curing chamber, and carbon dioxide is pumped into the chamber for absorption. This absorbed CO2 gets stuck inside the concrete and is not released. It is as strong as regular concrete!

“Generally, concrete hardens through a chemical reaction between cement and water,” explains Kajima Corporation. “But with CO2-SUICOM, over half the cement is replaced with a material we call γ-C2S. Instead of reacting with water, γ-C2S reacts with the CO2 in the air to harden. After mixing the materials needed to create CO2-SUICOM, the concrete can be placed in a location with high CO2 levels so it can capture the CO2 and harden, trapping the gas inside. For example, a thermal power plant or other facility that produces carbon-heavy exhaust gases can redirect the gases into a carbon sequestration chamber, where concrete products made with CO2-SUICOM can be placed to capture the CO2 in the gases.”

Currently, the price of producing CO2-SIUCOM concrete is about three times higher than usual concrete in Japan. Hence, work is being done to bring down the price, and Kajima Corporation believes that the concrete will become more economical in the future.

The post Nendo Installs A Carbon-Capturing Wall In A Contemporary Japanese Home first appeared on Yanko Design.

Wall cladding made from corn cob waste brings sustainable construction materials

Construction is something that we probably cannot do without as we continue to build houses, buildings, and other structures. The quest for coming up with sustainable construction is ongoing as we look for materials that are eco-friendly and the process in creating them to be as sustainable as possible. There are a lot of waste in our world that can actually be used for other purposes instead of just becoming biomass as they are mostly used now. A breakthrough in terms of interior wall cladding is now available and it comes from the most unlikeliest of sources: corn cobs.

Designer: StoneCycling and Studio Nina van Bart

CornWall is an alternative to interior wall cladding that uses organic corn cobs, subjecting them to up to 150 degrees Celsius so as to activate and create “strong bonds”. Aside from using sustainable materials, the heating process is also eco-friendly as it uses sustainable energy. The electric heating process uses the solar panels on their factory’s roof. So from the materials to the process itself, we are seeing something that will lessen or leave no carbon footprints at all.

Mostly corn cobs are left on the fields or fermented or burned as biomass. But with this process, they are able to turn them into wall cladding. It is better than the usual ceramic wall cladding that is used or even composite materials like high pressure laminate (HPL). Another advantage to this is that it is able to store more carbon dioxide because of the absorbed CO2 already in it. It is also 100% reusable as it can be removed from interiors through the demountable anchoring system.

Based on the product photos, it doesn’t look much different from the usual wall cladding. It actually looks like those cork coasters that we’re seeing now. It comes in different colors loke DarkBlue, MustardYellow, TerracottaPink, etc. Hopefully we see even more construction materials that use sustainable materials and processes so we can have an industry that is more eco-friendly.

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The Frame wall pad elevates smart home design with Korean elegance and utmost IoT convenience

Step into the future of home technology with The Frame, a pinnacle creation for Kocom, the renowned Korean smart home appliance company. Crafted with precision and elegance, this wall pad is designed to redefine the smart home experience with absolute convenience and comfort.

Measuring an impressive 13.3 inches, The Frame boasts a full-screen touch system, setting it apart as a sophisticated and user-friendly centerpiece on the wall of any living space. What distinguishes The Frame isn’t just its functionality but the impeccable design as well. Wrapped in a quiet yet charismatic color palette and adorned with the soft fabric of Kvadrat, the Frame strikes the perfect balance between technology and aesthetics.

Designer: Dive Design, Kyumin Hwang and Minki Kim

Imagine controlling your entire home’s IoT equipment and front door with a simple touch on this smart wall pad. Installed in apartments, The Frame seamlessly integrates into the most sophisticated living spaces, offering a new level of control and convenience making it more than just a device; a statement piece in your lifestyle!

The magic mirror display of The Frame not only offers a glimpse into the future but also seamlessly merges with high-end furniture, creating an illusion of it being a natural part of the interior. It is thus designed to break away from the mundane, The Frame’s unique presence defies the ordinary trend of ubiquitous white-boxed devices, so its minimalistic but luxurious colors and attention to detail set it apart as a design masterwork.

In a world flooded with smart home gadgets, The Frame stands out as an embodiment of elegance, and technological advancement. It’s a seamless integration of technology and artistry, elevating the very essence of what a smart home device can be. With its fusion of Korean sophistication, the Frame is little about what it does, but how it becomes an integral part of your modern living space!

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