Retro gaming continues to inspire modern hardware projects, and the Pico-Pal handheld console is another thoughtful reinterpretation of one of the most recognizable portable gaming designs. Developed by hardware designer Peter Khouly, the handheld draws clear inspiration from the classic Nintendo Game Boy Color while integrating modern microcontrollers, wireless connectivity, and expanded functionality. Rather than replicating the original hardware exactly, the Pico-Pal blends nostalgia with a flexible development platform aimed at gamers and hackers alike.
At its core, the handheld is powered by a Raspberry Pi RP2350B microcontroller paired with an Espressif ESP32 coprocessor. The RP2350B serves as the primary processing unit, handling emulation and system control, while the ESP32 provides wireless connectivity via integrated Wi-Fi and Bluetooth. This secondary chip also includes 4MB of flash storage and supports functions such as Bluetooth audio or network communication. The RP2350B itself features 16MB of flash memory, giving the device sufficient storage and processing headroom for running classic handheld titles and additional utilities.
Instead of the reflective LCD panel used in the original Game Boy Color, the handheld uses a 2.6-inch IPS screen with a resolution of 320 × 320 pixels. Its square 1:1 aspect ratio suits classic handheld games particularly well, allowing retro titles to appear sharp while maintaining the visual proportions they were originally designed for. The improved screen technology also delivers wider viewing angles and brighter colors compared with older displays. Powering the device is a 1,500 mAh lithium-polymer battery that charges through a USB-C port supporting 5V/1.45A input. This rechargeable setup replaces the disposable batteries used by earlier handheld systems and provides several hours of gameplay on a single charge. Current development estimates suggest that the handheld can operate for around five hours during normal use.
Beyond its role as a retro gaming handheld, the Pico-Pal has been designed as a flexible development platform. According to Peter, the device includes various input/output capabilities and compatibility with common communication interfaces such as SPI and I²C. This allows developers to use the handheld as a portable development kit for the RP2350 platform, enabling projects ranging from custom software tools to experimental hardware integrations. The platform can even function as a universal remote, portable music player, pedometer, or security testing device capable of simulating Bluetooth or USB input signals.
The design also incorporates several modern usability improvements compared to traditional handheld consoles. One example is the soft-power system, where the physical power switch triggers the console to save its current state before entering a low-power standby mode. Instead of abruptly cutting power like older devices, the Pico-Pal can quickly resume gameplay from where the user left off. Development updates also mention additional features such as real-time clock support for games that rely on time tracking, Bluetooth audio functionality, and digital video output that could allow the handheld to connect to external displays. Though one feature that is an absolute steal is the ability to play MP3 files off the storage, for music buffs like me.
Although the Pico-Pal closely resembles a Game Boy Color at first glance, its philosophy is quite different from modern FPGA-based retro consoles. Rather than focusing on perfect hardware recreation, the project embraces a microcontroller-driven design that balances efficiency and versatility.
When the Nintendo Switch 2 arrived in June 2025 at $449.99, it came with a 7.9-inch display, a faster processor, and a Joy-Con that doubles as a mouse. What it didn’t come with was a comfortable way to hold it for long sessions. The handheld form factor has always been a compromise between portability and ergonomics, and for players who log serious hours, that compromise starts showing up as wrist fatigue, awkward thumb angles, and a nagging wish for something with a proper grip. The accessory market has tried to fill that space for years, with results ranging from decent to deeply uninspiring.
Abxylute’s answer comes in two forms: the N6 and the N9C, both deck-style controllers purpose-built for Switch 2 play. The N6 wraps the console in a full-size ergonomic grip with Hall-effect joysticks, native 9-axis motion control, a dedicated C Button for GameChat, and adjustable vibration levels the player can cycle through without leaving a session. The N9C leans into personality, drawing from GameCube design DNA with mechanical buttons, trigger switches, and a capacitive joystick system paired with swappable gates.
Joy-Cons were engineered for flexibility: detachable, shareable, usable solo or in pairs, functional as individual controllers for two-player sessions on a single console. That versatility comes at the cost of ergonomics, because a controller small enough to slide into a rail and function independently will never offer the grip depth, trigger travel, or palm support of something purpose-built for extended solo play. The N6 and N9C abandon that modularity entirely in favor of doing one thing exceptionally well, which is making handheld Switch 2 sessions feel like you’re holding a full-size controller instead of a tablet with thumbsticks glued to the sides. The tactile feedback is immediate and familiar, the kind of responsiveness you get from hardware designed around sustained single-player sessions rather than multi-function compromise. Both controllers connect via wired USB-C, skipping wireless pairing lag entirely, because when the target is solo handheld performance, eliminating variables takes priority over flexibility.
The N6’s open-top design is the first thing people will argue about online, and they’ll mostly be wrong. The Switch 2 stands over 11 cm tall, and a fully enclosed grip pushes that height further, putting your palms in the kind of awkward hover position that builds exactly the fatigue you were trying to avoid. Abxylute held the grip height at 8.5 cm, matching full-size controller proportions, so your palms have something to rest against rather than squeeze. The 7-inch grip width sits narrower than the console body deliberately, keeping your hands at a natural, relaxed spread instead of forcing them wide across a bulky frame. The physics of holding something for two hours straight are pretty straightforward, and this design reads those physics correctly.
Hall-effect joysticks solve a specific, measurable problem that standard potentiometer sticks fundamentally cannot. Potentiometer sticks use resistive contact that physically degrades over repeated use, which is why drift rates climb after a year or two of regular play. Hall-effect reads joystick position magnetically, with zero physical contact between moving components, and the N6 bumps the stick travel angle to 23 degrees compared to 18 degrees on Joy-Con, giving your thumbs more range for fine-grained inputs. A POM anti-wear ring around each stick handles mechanical stability without adding stiffness or noise to the movement. It’s a small detail, but the kind that separates purpose-built hardware from a generic controller with a different shell. On a device you use daily, that engineering choice compounds in your favor in a way that contact-based sticks simply never will.
Inputs across the N6 break down by material type, and the distinctions matter. ABXY buttons use conductive rubber for cushioned presses that reduce finger fatigue; the D-pad uses tactile switches for sharper directional accuracy; shoulder buttons deliver tactile clicks for faster responses in action-heavy play; and the linear digital triggers provide a genuine 0-100% input range rather than binary on/off clicks. That trigger range matters considerably in racing games and anything relying on gradual pressure inputs. Vibration adjusts at four levels, 0%, 40%, 70%, and 100%, switchable via button combo directly on the controller, bypassing the game-by-game settings adjustment that the Pro Controller requires. The grip’s internal structure forms a resonance chamber that redirects the Switch 2’s speakers forward and reinforces bass by around 10%, which you’ll register in a quiet room as fuller, punchier audio than bare Joy-Cons produce.
The N9C is doing something more niche and, honestly, more interesting. Where the N6 chases Pro Controller parity, the N9C chases the GameCube controller’s specific feel, complete with a centered A button and asymmetric face layout, rebuilt for a modern console using mechanical micro-switches and ALPS tactile shoulder buttons. Capacitive joysticks sidestep magnetic interference entirely, and the swappable 8-way and circular gate rings mean you can dial in a tight directional gate for fighters and swap to a smooth circular gate for platformers. A built-in battery hatch holds two replaceable batteries that reverse-charge the Switch 2 directly during play. Most grips on the market ignore battery life almost entirely, and a reverse charge system that powers the Switch 2 directly from the controller is a differentiator almost nothing else in this category offers.
The N9C carries four programmable rear buttons, two per side compared to the N6’s one per side, and each supports the same macro-recording system that chains directional inputs and actions into a single trigger. Switch 2 system-level button remapping works natively, requiring no third-party software, so a custom layout travels across every game without reconfiguring anything. An integrated rear stand sets the N9C apart from virtually every grip in this category, giving the Switch 2 a propped tabletop angle without relying on the console’s own kickstand. The primary connection is wired USB-C for ultra-low latency, with BLE available for configuration only, keeping the input chain clean during actual play. Every N9C ships with both C-stick and ring-style joystick caps in the box, so players can dial in the stick feel before the packaging hits the trash.
Mass production kicked off in March 2026, with shipping expected between April and June. Super Early Bird pricing runs $79 for the N6 (retail $110) and $89 for the N9C (retail $120), with a bundle sitting at $159. Nintendo’s own Pro Controller for Switch 2 retails at $79.99 and carries none of the Hall-effect sticks, programmable back buttons, or turbo functionality. Abxylute has shipped over 120,000 units across more than 20 projects to 100,000-plus customers, so the production infrastructure exists. What they’re solving for is specific: handheld Switch 2 play that performs at Pro Controller level without forcing players to accept the Joy-Con’s ergonomic ceiling as permanent.
Power banks have spent years being boring on purpose. Black rectangles, white rectangles, the occasional textured finish. The category settled into a kind of utilitarian invisibility, as if the industry collectively decided that anything carrying electrons should look like a bar of soap. SHARGE never got that memo. The Shargeek 300 looks like a prop from a near-future thriller, with transparent panels revealing glowing circuitry beneath, RGB light bars running along its flanks, and a CNC aluminum body that catches light the way expensive things tend to. It belongs on a desk you’d actually want to show people.
Founded in 2020, SHARGE built its identity around the conviction that charging hardware deserves the same design attention as the devices it powers. The original Shargeek 100, launched in 2021, was the proof of concept: a transparent, display-equipped power bank with DC charging that found a devoted audience almost immediately. The Shargeek 300 is what four years of that bet looks like fully cashed in. It pushes 300 watts of total output, enough to charge two 16-inch MacBook Pros simultaneously while still fast-charging a smartphone on a third port. The 24,000mAh battery lands at 86.4Wh, sitting just under the 100Wh threshold airlines enforce for carry-on batteries. Recharge time from flat to full is 75 minutes with a 140W input. The whole unit is roughly the size of a 330ml can of cola. SHARGE spent 40 months getting here, and the result makes most rivals in the category look underprepared.
That meticulous attention to detail is most obvious in the physical construction. The main body is a matte silver CNC aluminum frame, which is then given a 180-grit sandblasted, anodized finish for a smooth, premium feel. The company’s head of production is even quoted as personally comparing the feel of every unit to an iPhone to ensure they are equally premium. The signature transparent casing is not just a window, but a piece of safety equipment, made from V0 flame-retardant, UL94-certified polycarbonate that resists both scratches and heat. The dual RGB light bars are fully customizable, allowing users to adjust brightness, change colors, and cycle through effects via the onboard display, turning a functional object into a piece of personalized desk art.
Inside that striking shell is technology that sets a new benchmark for portable power. The Shargeek 300 is the first power bank to use the same Full-Tab Battery Cell technology pioneered by Tesla. This design significantly lowers internal resistance compared to conventional cells, a change that unlocks faster charging speeds, higher sustained output, and superior heat dissipation. This internal efficiency is the key to how a device this compact can safely manage a 300W total output without overheating or degrading quickly. The advanced battery structure results in a longer-lasting, more stable power source that can handle the demanding, continuous power draws required by high-performance laptops and other professional equipment, putting truly next-generation power in your hands.
This power is routed through a versatile array of four output ports designed to handle nearly any device. The stars of the show are the two USB-C ports, both of which support the Power Delivery 3.1 standard to deliver a massive 140W of power each. This is what allows the Shargeek 300 to simultaneously fast-charge two 16-inch MacBook Pros at their maximum charging speed. A third USB-A port provides up to 20W for legacy devices and smartphones. The fourth and most unique port is the adjustable DC barrel port, a feature carried over from the Shargeek 100. It now supports up to 140W and its voltage can be manually set between 5V and 28V, unlocking compatibility with a world of gear that USB-C cannot serve, from professional camera equipment to high-performance drones. The 24,000mAh capacity provides enough energy for approximately one full charge of a modern MacBook Pro, six charges for an iPhone 16 Pro, or two charges for an iPad Pro.
The user experience is managed through a 1.9-inch IPS display, which is 60% larger than the screen on the previous model. It provides a level of control that is unheard of in this category. Beyond showing real-time input and output wattage, the display allows you to monitor battery health, track charging cycles, and check internal temperatures. You can use it to precisely adjust the DC output voltage, set a custom welcome message, and configure the RGB lighting. This smart display transforms the power bank from a simple battery into an intelligent power hub. This intelligence extends to its handling of delicate electronics. A dedicated Low-current Mode ensures that devices like earbuds, smartwatches, and fitness trackers receive a safe, optimized charge, preventing the overcharging that can damage the small batteries in those devices.
This combination of raw power and intelligent control is backed by a comprehensive suite of safety features, including overvoltage, undervoltage, short-circuit, and real-time temperature protection. This commitment to safety extends to its travel-readiness. Crucially, the power bank’s 24,000mAh capacity is engineered to a rating of 86.4Wh, keeping it comfortably under the 100Wh limit imposed by airlines for carry-on luggage. This makes it one of the most powerful charging solutions that can be legally carried onto a plane, a critical detail for mobile professionals. The low standby power consumption is another practical benefit, allowing the Shargeek 300 to retain over 90% of its charge after 15 days of inactivity. For anyone who has pulled a power bank from a bag after weeks only to find it unexpectedly dead, this is a genuinely valuable feature.
The Shargeek 300 starts at $199 but is available at a discounted $159 price for earlybird backers. Cobble together $209 and you can get the power bank along with its companion Pixel 140W PD 3.1 wall charger from Sharge with its adorable pixel-matrix display. The Shargeek 300 comes with a 12-month warranty, and ships globally as early as May 2026.
The retro handheld market has a strange problem. The hardware keeps getting better, the screens get sharper, the processors get faster, and yet most of these devices land looking like prototypes someone forgot to finish. Generic shells, forgettable proportions, and LED lighting as a substitute for actual design thinking. For a category built entirely on nostalgia, very few of these devices actually look like they belong to any era at all.
That tension is what one Reddit user decided to address. Starting with a Retroid Pocket 5, a $199 Android handheld running a Snapdragon 865 and a 5.5-inch AMOLED display, the mod layers Sony and Nintendo branding onto the same shell. Vinyl decals, translucent polycarbonate, a 3D-printed volume rocker from Etsy, and a cable replaced in PS2 color. The result looks less like a sticker job and more like a concept render from an alternate 1999.
The translucent shell is doing most of the work. It pulls from the visual language of the N64’s Funtastic series, those clear and atomic-purple controllers Nintendo released in the late 1990s, where showing the circuitry was the design choice rather than concealing it. Over a piano-black grip body with PlayStation-colored face buttons, the frosted polycarbonate shifts from grey to near-white depending on the light. It shouldn’t feel considered. It does.
The branding placement is where intent becomes clear. The Sony wordmark sits centered on the upper face, exactly where it appeared on a PSOne. Below it, the PlayStation four-color logo. At the bottom bezel, the Nintendo badge mirrors its position on a Game Boy Advance SP. None of it is licensed, of course. These are adhesive vinyls placed by someone who grew up with both systems and wanted their coexistence on one device to feel inevitable rather than absurd.
Not everything here reaches backward. The analog sticks are translucent caps over hall-effect sensors, lit teal on the left and purple on the right, owing nothing to 1999. That generation didn’t have RGB anything. The lighting reads as a concession to the present; the one feature announcing this is still an Android device in 2025, not a prototype from some alternate Sony-Nintendo licensing meeting. Whether it sits comfortably alongside the retro shell is a fair question.
The rear view shifts the frame again. A large dual-grip body in smooth black rubber dominates the back, a clear plastic hinge connecting the screen to grip in full view, structural and unapologetic. The 3D-printed volume rocker at the top edge puts a physical control where fingers naturally land. The back half feels closer to a DualShock than a Game Boy, which is either the point or the problem, depending on what you wanted this thing to be.
Flip to the front screen, and the emulator grid makes the whole thing literal. DuckStation for PS1, Dolphin for GameCube, PPSSPP for PSP, melonDS for Nintendo DS, and a live PS2 wallpaper cycling behind all of it. This device runs both companies’ libraries simultaneously without asking permission from either. The branding on the shell, in that context, stops being a novelty and starts reading as a plain statement of what the hardware already does.
The retro handheld category is large enough now that sameness has become its default. The Retroid Pocket 6, the current flagship from the same manufacturer, drew community criticism for being indistinguishable from competitors: glass front, LED sticks, rounded edges, and no particular character. A fan mod building identity out of borrowed logos is one response to a problem the manufacturers haven’t solved. It’s also just someone enjoying a hobby and being honest about what they want.
The hardware to play PS1, PS2, GameCube, and Game Boy Advance all on one screen already exists and costs under $200. What the market hasn’t resolved is what that device should actually look like, or whose name should go on it. This mod doesn’t answer either question. It just makes the gap between what’s technically possible and what anyone has bothered to design feel a little harder to dismiss.
For the unpressumable, the good old calculator is a gadget of yesteryears, as the smartphone does all the multitasking. However, for someone who works with numbers, this device is a no-brainer. Retail personnel, accountants, and professionals handling a high volume of calculations always reach for a calculator. The rugged device with its analog input doesn’t have the shenanigans of a touchscreen that misbehaves when touched with wet hands or with gloves on.
Casio pioneered the design of an all-electronic calculator dubbed 14-A (designed by the Kashio brothers) way back in the 1950s. The computing machine turned into a household name when the Casio Mini arrived in the early 1970s. The handheld device was a holy grail when it came to churning out numbers in professional circles as well as homes. Come 2026, the Japanese company has decided to give the trusted calculator a unique, handmade twist that carries a lot of substance.
Based on Casio’s flagship S100 calculator, the S100X Urushi Edition, a.k.a. The Special One, is a limited edition desktop calculator designed using century-old Japanese Urushi lacquer technique. To handcraft the body of the device, Casio looked up to none other than Yamakyu Shitsuki, a lacquerware workshop expertising in the craft since 1930. Mater crafter Ryuji Umeda himself handcrafted the design involving a technique called tamenuri, which took a month of perfecting. The craft involves layering laquer tree’s filtered sap on the milled aluminum housing and achieving a sense of depth with repeated applications over a period of a week. Finally, the calculator is polished for that mirror-like shine and luxury feel.
Each of the 625 limited edition calculator’s is handcrafted carefully at the workshop, rendering each one of them unique in their look depending on the viewing angle. To carry the premium feel, the machined aluminum body housing the buttons on top and the LCD screen ensures a satisfying presence. This display comes with a dual-sided AR coating for reduced reflections and the navy blue text color mimics the fountain pen ink. For enhanced tactile sensation of pressing the isolation-type keys, they come with the pantograph mechanism and an ergonomic shape nestling the fingers. The 3-key rollover tech ensures rapid typing as the keystroke is accurately recognized for up to 3 keystrokes.
This 12-digit calculator adapts all the functions vital for professionals, including four-law calculation, tax calculation, unit conversion, memory (x2), and grand total. It is powered via solar panels on the front or a CR2025 coin battery, which can last for around seven years. The decimal point selector lever has a spin finish design for a premium shine, and on the back side, there is a geometric pattern molded stopper for assuring stability. Each one of the S100X Urushi Edition calculators has a laser-engraved serial number and comes packaged in a themed black presentation box complete with gold foil stamping.
The S100X Urushi Edition Special One calculator is priced at ¥99,000, which coincidentally equates to around $625. Owning this one is going to be special for collectors.
Spring has a particular gift for making the outdoors look better than it probably is. The light softens, the temperature edges toward reasonable, and suddenly your feed is full of tasteful campsite photos that edit out the bugs, the muddy boots, and the deeply average coffee. Before you know it, you’ve agreed to a trip you’re already half-regretting. The good news is that the gear world has kept pace with your standards.
The camping category has gone through a genuine design evolution. Products are emerging from studios that understand outdoor life not as a survival exercise but as an experience worth designing for, with the same intention brought to a well-made chair or a precision kitchen tool. From Red Dot Award-winning inflatable systems to solar-integrated shelters and Swiss-engineered portable toilets, the gap between what you’d use at home and what you’d bring into the wild has quietly narrowed. Whether you’re a committed skeptic being dragged to a campsite or a design-minded enthusiast who’s been waiting for gear worth owning, this list was made for you. Here are ten camping gadgets that earn their spot before spring makes you leave the house.
1. Olight Baton 4
On paper, the Olight Baton 4 reads like a standard compact flashlight. The cylindrical body is familiar, the dimensions modest. Then you look closer: 1,300 lumens of output, a 170-meter throw, laser-microperforated LED indicators for brightness level and remaining battery, and a runtime of up to 30 days on a single charge. This is a flashlight that takes up almost no space in your pack and asks almost nothing in return. It is, in the most precise sense, a precision instrument that happens to fit in your palm.
The 5,000 mAh charging case is what turns the Baton 4 from a good EDC flashlight into something worth discussing. The flip-top lid operates with one hand, and the digital display button on the case shows remaining power at a glance. The detail that genuinely impresses is this: press that button and the flashlight activates while still seated in the case. No pulling it out, no fumbling in the dark. The case can fully charge the Baton 4 five times over, delivering a combined maximum runtime of 190 days. That is not a camping flashlight. That is a system.
What We Like:
1,300 lumens and a 170-meter throw in a genuinely pocketable form factor
5,000 mAh charging case activates the flashlight without removing it from the case
What We Dislike:
Proprietary charging system keeps compatibility within Olight’s own flashlight lineup
A custom battery cell cannot be used with standard bay chargers
2. Airflow 8-Panel Fire Pit
Most fire pits are passive objects. You build the fire, you manage the fire, you end the evening smelling like the fire. The Airflow Fire Pit operates on a different premise entirely. Built on years of metal processing expertise, it uses an eight-panel removable system to give you active, granular control over what the fire does. Adjust the panels, adjust the burn intensity. It’s a straightforward concept executed with enough precision that it genuinely changes how a campfire evening feels — less chore, more atmosphere.
The engineering behind it rewards a closer look. Each of the eight panels features strategically placed holes at the base that channel fresh air directly to the combustion source. That air heats as it rises through the double-walled panel cavity and exits through the top holes, creating secondary combustion. The result is a cleaner, more efficient burn with minimal smoke. When fully assembled, the panels form an eight-sided cylinder optimized for that combustion cycle. For anyone who has spent an evening squinting and repositioning to avoid the smoke, this fire pit is a considered answer to a genuinely annoying problem.
Eight-panel removable system lets you control fire intensity with precision
Secondary combustion design dramatically reduces smoke output for a cleaner burn
What We Dislike:
Panel assembly adds setup steps compared to a traditional open fire pit
Requires a flat, stable surface for proper panel alignment and stability
3. Solar-Powered Camping Tent with Integrated Air Conditioning
A tent that powers its own air conditioning sounds like design fiction until you see the Red Dot Award sitting beside it. Created by designers Zhong Xu, Li Baoyu, Pan Yiyuan, and Li Xueyan, this concept reimagines the tent as an active system rather than a passive shelter. The composite tarpaulin fabric functions as a solar energy collector — the very material protecting you from the elements simultaneously harvests energy from them. That integration isn’t bolted on as an afterthought. It is the entire design philosophy, and it is genuinely elegant.
What makes this tent compelling beyond the headline feature is how coherent the whole thing feels. The air conditioning system doesn’t look retrofitted or experimental — it emerges naturally from the tent’s own material logic. For anyone who has abandoned a summer camping trip because a nylon tent becomes an oven by nine in the morning, this represents a meaningful rethink of what outdoor shelter can actually do. The Red Dot recognition confirms the concept holds up under scrutiny. Summer camping just became a more reasonable conversation to have with yourself.
What We Like:
Tent fabric serves as a solar collector, requiring no external panels or power hookups
Red Dot Award recognition validates both its design integrity and conceptual ambition
What We Dislike:
Solar-dependent performance means cloud cover directly limits cooling capacity
Remains a concept design; real-world field performance data is not yet available
4. X1 Portable Toilet
Swiss company Clesana approached one of the least glamorous problems in outdoor living and solved it with the kind of precision engineering that country has built its reputation on. The X1 is a battery-powered portable toilet that collapses into a compact cube for transport and telescopes to full, household-equivalent height when deployed. It operates without water or chemicals, meaning no hookups, no messy maintenance, and no infrastructure dependencies. At 24 pounds with a built-in handle, one person can move it anywhere without assistance — a more significant achievement for this category than it sounds.
The intelligence of the X1 is in how it resolves the fundamental portable toilet dilemma: comfortable means large, and portable means small. Traditional products force you to choose one and live with the shortfall. The telescoping design refuses to compromise. Packed, it disappears into your vehicle’s cargo area without drama. Deployed, it delivers the same seated height as the toilet you use at home. That transition from cube to fully functional unit is the kind of deceptively simple solution that only appears obvious in hindsight — which is exactly the mark of well-executed design thinking.
What We Like:
Telescoping mechanism delivers full-height seated comfort from a compact, packed footprint
Chemical-free, waterless operation makes it genuinely usable anywhere off-grid
What We Dislike:
Battery dependency requires monitoring charge levels before and during extended trips
The 24-pound weight is manageable for car camping but prohibitive for trail backpacking
5. BlackoutBeam Tactical Flashlight
If the Olight Baton 4 is precision in a small package, the BlackoutBeam Tactical Flashlight is the same premise scaled up for situations where more is simply more. It delivers 2,300 lumens with a 300-meter throw and a 0.2-second response time — which means light appears before your brain has fully registered the need for it. The aluminum body is rated IP68 for water and dust resistance, putting submersion and hard impact well within its operational range. This is a flashlight designed for people who take conditions seriously rather than optimistically.
The industrial design holds up to its spec sheet. The form communicates capability without tipping into aggressive or overwrought territory, which is a line many tactical flashlights fail to walk. For camping specifically, a 300-meter throw transforms how you read a landscape after dark — whether you’re navigating back to a site, scanning a tree line, or assessing a trail ahead. The IP68 rating means you’re not managing this thing delicately when the weather turns. You focus on the situation rather than the tool, which is ultimately what well-designed gear makes possible.
2,300 lumens and 300-meter throw deliver exceptional range for outdoor navigation
IP68-rated aluminum construction handles submersion, rain, and impact without complaint
What We Dislike:
Tactical performance level exceeds the practical needs of casual recreational campers
High-lumen output demands careful battery management on longer or multi-day outings
6. The Conqueror
Camping furniture has been stuck in an uncomfortable loop for decades: lightweight means flimsy, comfortable means heavy, and stylish remains an afterthought that nobody bothers with. The Conqueror, a Red Dot Award-winning concept from Ziel Home Furnishing Technology designer Wang Lan, exists in a loop entirely. Modular panels connect via sturdy buckles, inflate automatically, and reconfigure into a lounge, a table, or a seat without tools, without effort, and without the particular frustration of a folding chair that collapses mid-use. It’s outdoor furniture that actually respects the time and energy of the person using it.
What the Conqueror gets right is making comfort configurable rather than fixed. A product that becomes what the moment needs is fundamentally more useful than one that does one thing adequately. For a group camping setup, this translates to an adaptable social space that shifts from midday seating to evening lounge without repacking anything. For a solo camp, it means a single compact module that earns its spot in the vehicle. The buckle-and-inflate mechanism is intuitive enough that nobody needs to read instructions before using it — and that, quietly, is a design achievement in itself.
What We Like:
Modular configuration adapts from seating to table to lounge without repacking
Automatic inflation eliminates the setup frustration of traditional folding camp furniture
What We Dislike:
Inflatable construction carries a real puncture risk in rocky or rough terrain
The auto-inflation mechanism adds mechanical complexity compared to simpler folding options
7. Flextail Tiny Pump 2X
The Flextail Tiny Pump 2X is the kind of product that earns a permanent spot in your kit based purely on how many problems it quietly solves. Powered by AIR VORTECH technology, it reaches up to 4kPa of air pressure and 180 liters per minute of airflow — numbers that translate to fast, fuss-free inflation across a range of products. Five included nozzles cover the valve types you’re realistically going to encounter in the field, and the unit handles both inflation and deflation with equal competence. Small enough to forget about until you need it, useful enough that you’ll always bring it.
The dual-purpose design is what makes the Tiny Pump 2X more interesting than a standard camp inflator. Beyond mattresses and inflatable furniture, it pairs with vacuum storage bags to compress bulky items and reclaim up to 80% of storage space — making it genuinely useful even during the weeks between camping trips. For camp-specific use, inflating a full air mattress in a fraction of the time it takes by lung power is a quality-of-life improvement that is difficult to fully appreciate until you’ve experienced it. That’s the quiet case for tools that do more than their job description.
What We Like:
Five included nozzles provide broad compatibility across mattresses, floats, and furniture
Works with vacuum storage bags at home, extending usefulness well beyond the campsite
What We Dislike:
Peak airflow performance is optimized for Flextail’s own mattress lineup
Battery capacity may require recharging between back-to-back inflation sessions
8. All-in-One Grill
Camp cooking carries an undeserved reputation for mediocrity — burnt protein on a wobbly grate, cleanup that feels like a punishment, and a general sense that eating outdoors is something to tolerate rather than enjoy. The All-in-One Modular Grill was designed to dismantle that reputation directly. It covers six cooking methods — barbecuing, frying, grilling, steaming, smoking, and stewing — in a compact tabletop form that works on any flat surface. There’s even a dedicated module for warming bottles upright, which is the kind of specific, thoughtful feature that camping gear rarely gets right.
The design logic here centers on eliminating the friction that stops people from cooking ambitiously when they’re outside. Each module serves a specific function and slots together without the logistical anxiety of a full camp kitchen setup. Disassembly for cleanup is equally straightforward — no buried grime, no mystery components left in the bag. For anyone who has historically packed mediocre snacks out of sheer dread for the alternative, this grill reframes the camp meal as something worth giving actual attention to. Cooking well outdoors is mostly a gear problem, and this addresses it cleanly.
Six cooking methods in a single compact tabletop unit — genuinely versatile coverage
Modular construction disassembles easily for straightforward cleanup and transport
What We Dislike:
Individual modules require organized packing to prevent losing components in transit
Tabletop scale limits output for larger group cooking sessions
9. FoldiBox
The FoldiBox operates on a premise so simple it’s almost audacious: a completely flat sheet of food-grade silicone rubber that becomes a functional container in under a second. Fold two diagonal corners, let the magnetic attraction bring all four together, and you have a box. No snap-fit mechanisms that accumulate grime in their joints, no assembly steps, no latching drama. The Ag+ antibacterial formula sourced from Japan keeps it hygienic between uses, the heat resistance runs to 300°F, and the whole thing is dishwasher safe. Made in Taiwan with a clean, modern aesthetic — it’s the kind of object that makes you wonder why it took this long to exist.
The flat-to-form transition is the feature that matters most in a camping context. The FoldiBox registers as almost nothing in your pack until you pull it out, at which point it becomes whatever the moment calls for: a snack bowl, a prep surface, a container for small gear, a fruit bowl at the campsite table. The optional clear lid adds spill-proof capability and makes stacking possible. For a product with a near-zero packed footprint, the range of situations it handles with confidence is quietly impressive. That combination of simplicity and range is what good design looks like at its most restrained.
What We Like:
Folds completely flat for minimal pack space, sets up in under a second with no effort
Food-grade, heat-resistant, antibacterial silicone is dishwasher safe and effortless to maintain
What We Dislike:
Magnetic closure alone may not reliably contain liquids without the add-on clear lid
Volume capacity is modest compared to rigid containers of a similar packed dimension
10. BruTek Expedition Coffee Kit
For a particular kind of camper, the quality of the morning coffee isn’t a luxury detail — it’s a non-negotiable prerequisite for the entire trip being worth it. The BruTek Coffee Kit was designed for that person, and it takes the job seriously. Housed in an IGBC-certified bear-resistant aluminum case, it includes a 32-oz BruTrek French press, four mugs, an air-lockout coffee canister, and every accessory needed to brew genuinely good coffee in the field. It’s the rare piece of camp gear that doesn’t ask you to compromise the ritual in exchange for portability.
The military-grade case is the design detail that elevates the whole kit beyond a curated coffee bundle. It protects the contents from weather, impact, and wildlife — a combination of threats that most coffee equipment was never engineered to handle — while its stackable form makes transport efficient and organized. Whether you’re out solo or with three equally discerning companions, the kit scales cleanly. The act of brewing becomes something you actually look forward to rather than rush through in the cold morning air. That’s the quiet power of gear designed with real intention: it changes not just what you do, but how the whole experience feels.
What We Like:
IGBC-certified bear-resistant aluminum case protects against wildlife and the elements in one
Complete system — French press, four mugs, canister, accessories — requires absolutely nothing extra
What We Dislike:
Bulkier and heavier than minimalist pour-over setups built for ultralight packing
Best suited to car camping or base camp use rather than long-distance trail travel
Finishing a piece of digital artwork only to discover that the colors on your client’s monitor look nothing like what you spent hours calibrating is a particular kind of frustration. It’s not dramatic. It just quietly drains trust in your tools and your process. The XPPen Artist Pro 27 (Gen 2) is a drawing display built around the premise that color accuracy, at a professional level, should be the starting point rather than an expensive add-on you negotiate into a purchase.
At 26.9 inches with a 3840×2160 resolution and a 120Hz refresh rate, the display gives designers, artists, and digital content creators sufficient room to work at a scale that feels genuinely close to physical media. That kind of canvas matters when you’re sketching compositions or reviewing color grading frame-by-frame on an animation timeline, where pixel-level decisions compound quickly, and a cramped workspace turns into a liability.
The color story is where XPPen is making the most aggressive claims. The 10-bit panel covers 99% of Adobe RGB and sRGB, and 97% of Display P3, all with a Delta E of less than 1, independently verified through Calman. For designers working across print, digital, and video deliverables simultaneously, that breadth matters more than any single gamut number. One device that holds accurate across three standards removes a class of color-management guesswork from the workflow entirely.
Getting there does require some setup. Activating the full 10-bit depth means going into display settings manually, and advanced color calibration through the bundled XPPen ColorMaster software requires a Calman colorimeter purchased separately. The hardware is capable; the software is ready. What XPPen doesn’t hand you automatically is the calibrated result itself, so buyers expecting out-of-the-box perfection should factor in that extra step and cost.
The display surface uses a new-gen luminous etched glass panel 0.7 mm thick, which XPPen claims offers 30% more light transmittance than its predecessor while keeping the anti-glare, paper-like texture. That texture is what keeps pen-on-glass from feeling clinical, and the thinner glass reduces the gap between pen tip and cursor, a physical detail that sounds minor until you’ve spent a session fighting it. Brightness is 350 nit, which positions this squarely as a studio tool.
Two styli ship with the unit: the X3 Pro Smart Chip Stylus with a standard silicone grip, and the narrower X3 Pro Slim Stylus, tapered at 26° to keep the tip in view during detailed line work. Both operate at 16,384 pressure levels with 3g activation force and 60-degree tilt sensitivity. A wireless shortcut remote with a 10 × 4 grid of programmable keys and a dial is also included, covering most of what keeps artists reaching for the keyboard mid-session.
The X-Touch multitouch system handles ten simultaneous touch points with native gesture support on Windows and macOS, customizable touch zones, and a floating shortcut menu accessible by gesture or button. Pen-priority mode suppresses accidental inputs while drawing. That last feature is the one that separates a touch-enabled display that genuinely fits a drawing workflow from one that just adds friction to it.
Most portable power stations are boring. Not in a dealbreaker way, but in the way that nearly every product in the category looks the same, functions the same, and markets itself the same. A handle on top, a row of ports in front, and a spec sheet heavy enough to make your eyes glaze over. Blavor’s PN-W43 doesn’t completely break that mold, but it makes a deliberate and interesting choice: it’s also a camping lantern. That single design decision changes quite a lot about how you think about this product and what it’s actually for.
Let me set some context. The portable power station market has grown considerably over the last few years, and with that growth has come a predictable flood of look-alike black rectangles. They’re useful, sure. But they’re mostly garage gear, things you pull out during a power outage or scramble to pack the night before a camping trip. The PN-W43 is still that thing, but by integrating a 4W LED lantern into the top of the unit, Blavor built a device that’s immediately, instinctively useful the moment you take it out of its bag.
The lantern isn’t decorative. It’s a functional camping light designed for the kinds of situations power stations are already made for: storms, blackouts, nights under canvas, late nights at a tailgate. It comes with a lanyard, which is a small, practical touch that suggests someone at Blavor thought about actual field use rather than just filling out a product page. Whether you’re hanging it from a tent hook or placing it on a picnic table, the light functions as standalone gear on top of being part of a 64,000mAh power station.
Those specs are genuinely solid for a device this compact. The PN-W43 packs 236.8Wh of capacity into a footprint of roughly 4.72 inches square and just under 8 inches tall. It weighs 4.5 pounds, which you’ll feel on a long hike but is entirely manageable for car camping, van life, or tucking into your trunk for emergencies. The two USB-C ports support bidirectional 100W fast charging, meaning you can charge the station itself at 100W in and push 100W out to a laptop at the same time. That kind of two-way, high-speed transfer still isn’t universal across this category, and it matters more than it might initially sound because it means you’re genuinely flexible with how and when you use the device.
On top of that, there’s 15W wireless charging, two USB-A quick charge outputs, and compatibility with solar panels up to 100W for off-grid recharging. Five total charging pathways in a device barely bigger than a tall water bottle, and a digital display to keep you updated on battery status so you’re not left guessing at the worst possible moment.
The design language is worth a mention. The PN-W43 comes in orange, and I think that’s the right call. Too much gear in this space defaults to a tactical, all-black aesthetic that reads as serious but ends up feeling generic. The orange makes the PN-W43 look like a considered product rather than a commodity. It’s something you’d want to see on a shelf or a workbench. That sounds superficial, but objects you actually like looking at are objects you actually remember to use and maintain.
Is it perfect? Not quite. At 236.8Wh, it sits comfortably in the mid-range of portable power. It’ll keep your phones, laptops, and essential gear running through a rough couple of days, but it isn’t designed to power an entire household during an extended outage. Know what you’re buying and you’ll be more than satisfied. Expect it to be something it’s not, and you’ll be disappointed by a product that otherwise gets a lot of things right.
What the PN-W43 ultimately represents is a power station that thought a little harder about the people who actually use it. The lantern is the proof of that thinking. It’s not a gimmick. It’s the reason this product has a personality, and in a market full of near-identical options, that counts for more than it might seem.
Something shifted in how people want to listen to music. Streaming gave everyone access to everything, and somewhere in that abundance, the experience got thinner. You stopped owning albums. You stopped reading liner notes or staring at cover art while the opening track played. The playlist just kept moving forward. That isn’t nostalgia talking. It’s a design problem, and one the cassette era solved without knowing it was solving anything.
The products worth paying attention to in 2026 absorbed the analog era’s lessons and built something genuinely new from them — better components, better battery life, cleaner construction. Cassette-era warmth, fully reengineered for a world that also has Bluetooth and USB-C. From a $49 speaker shaped exactly like a real mixtape to a 104-watt boombox covered by WIRED and Forbes at launch, each one makes a specific case for listening differently.
1. Side A Cassette Speaker
The cassette tape was always more than a format. It was an object you labeled by hand, kept in a glove compartment, or assembled specifically for someone who needed to hear certain songs in a certain order. The Side A Cassette Speaker takes that intimacy and wraps it around a Bluetooth speaker that earns a second look before it plays a note. Shaped faithfully like a real mixtape, transparent shell and Side A label intact, it sits in its clear case-turned-stand like a relic that also connects to your phone. At $49, it is the most honest nostalgia product in this category right now, because it commits to the premise completely rather than gesturing at it from a polite distance.
What keeps it practical day to day is how little it demands from you. Bluetooth 5.3 handles pairing, a microSD slot covers offline listening, and at 80 grams, it disappears into a jacket pocket without thought. Battery life runs six hours at maximum volume, and a full recharge takes two, which means it soundtracks a full workday and refuels overnight. The sound is tuned warm, which suits the object better than raw precision ever could. For anyone who spent time making mixtapes, or anyone who didn’t but understands why people did, this is the version of that feeling you can carry and actually hear in 2026 rather than only remember.
Cassette-faithful design works as a display piece when it isn’t playing
Bluetooth 5.3 and a microSD slot give you two reliable ways to listen
What We Dislike
A single-driver setup won’t satisfy anyone looking for real volume or full-range sound
Only three units available at the time of writing
2. RetroWave 7-in-1 Radio
The boombox era was about more than cassette decks. It was about radios you could carry anywhere, tuning dials you could feel through your fingers, and sound that filled a room without asking permission first. The RetroWave 7-in-1 Radio captures that in a compact, Japanese-inspired frame. The tactile tuning dial, the warm retro casing, and AM/FM/shortwave reception give it the presence of something lifted from a 1984 shelf. It also streams Bluetooth, plays MP3s from USB or microSD, runs an LED flashlight, an SOS alarm, a hand-crank and solar charging, and a 2000mAh power bank that charges other devices when yours runs low. Seven functions in one object, packaged inside something that earns its place on a shelf every single day.
The seven functions working together are where the RetroWave earns its position in a 2026 home rather than a nostalgia market. Daily desk companion and off-grid emergency tool are roles that typically live in completely separate product categories, and the RetroWave collapses them into one object without obvious compromise on either side. The battery delivers up to 20 hours of radio time on a single charge. Solar and hand-crank inputs keep it running when the grid fails or the trail goes deeper than expected. At $89, it solves problems you haven’t had yet while looking precisely right sitting on a counter, a shelf, or inside a go-bag. That specific combination is considerably harder to design than it appears.
Seven functions cover daily listening, emergency power, and off-grid communication in one device
AM/FM/shortwave reception works without any internet connection
What We Dislike
8W speaker output is modest for anyone expecting outdoor or large-space sound
Solar charging acts as backup only and cannot fully recharge the battery independently
3. FiiO Echo Mini (Snowsky)
The Walkman moment was never really about audio quality. It was about having your music with you, completely yours, untouched by anyone else’s programming or curation. The FiiO Echo Mini, released under the Snowsky imprint, brings that feeling back in a form that looks exactly like a vintage cassette player from the outside and performs like a current hi-res audio device from the inside. Dual CS43131 DAC chips from Cirrus Logic handle the audio processing, earning it Hi-Res certification from the Japan Audio Society. The retro interface and cassette-player proportions are a direct reference to early Sony and Aiwa portables, down to the tactile controls and the way it sits in the palm of your hand.
Where the Echo Mini separates itself from the nostalgia-only tier is in what it can actually do for your listening. It supports FLAC, DSD, WAV, OGG, and other lossless formats, and accepts microSD cards up to 256GB, which means a library that would have filled an entire shelf of cassette cases in 1988 now fits in a slot smaller than your thumbnail. Dual headphone outputs and Bluetooth connectivity cover both wired and wireless listening from the same device. An independent power supply keeps the audio circuitry isolated from interference, which is the kind of engineering detail that doesn’t show up in the design but surfaces immediately in how it sounds. This is what a Walkman would have become if the engineers had forty more years to keep working on it.
What We Like
Dual DAC chips and Hi-Res certification deliver audio quality that the original Walkman never came close to
256GB microSD support with multi-format lossless playback builds a serious portable library
What We Dislike
Playback-only with no recording function, which rules it out for anyone who wants to make tapes
The deliberate retro cassette aesthetic won’t suit every listener or every room
4. Retrospekt CP-81 Portable Cassette Player
The CP-81 is the cassette player that stopped trying to be a hi-fi device and leaned fully into being a cultural artifact, and somehow that turned out to be exactly right. The clear plastic body shows the mechanism in full, the controls are exactly where you expect them, and the included RFH-01 headphones with their orange foam cushions make the whole package feel like something pulled from a very specific and beloved corner of 1983. Sold at MoMA Design Store, Nordstrom, and Urban Outfitters, it has collaboration editions with Miffy, Peanuts, and Hello Kitty that treat the cassette player as a canvas rather than just a device. It has 4.8 stars across 174 reviews, which is noteworthy.
What grounds it is that it actually works as a cassette player, not just as a shelf piece. The CP-81 plays, fast-forwards, rewinds, and records, with a line-in microphone jack that most modern cassette players quietly dropped from the spec sheet. Power comes from two AA batteries or a USB-C input, so it runs on whatever you have available. The people who buy it tend to keep it out on a desk rather than in a drawer. That’s partly the design doing its job, and partly because a cassette player that looks this considered, at this price, with this many ways to use it, is genuinely hard to put away.
What We Like
Records as well as plays, with a microphone jack that makes line-in recording straightforward
USB-C and AA battery power options mean it works wherever you need it to
What We Dislike
The clear plastic body shows every fingerprint, which matters more than it should for something this tactile
Collaboration editions sell out quickly, and availability varies across retailers
5. We Are Rewind Curtis Boombox GB-001
The boombox never fully disappeared. It got quieter, more compact, and less certain of what it was trying to be. The We Are Rewind Curtis GB-001 has none of that uncertainty. At 19 inches wide and 15 pounds, it is a proper boombox in the original meaning of the word: something you carry by its full-width folding handle and set down in a room that then belongs to the music. Four hi-fi speakers, two Class D woofer amplifiers, and two tweeters, push 104 watts across a frequency response of 40 to 20,000Hz. The cassette deck plays and records. The guitar amp input takes a real guitar. These are functional commitments, not marketing features, and they give the GB-001 the same confidence the original boombox had before the category forgot what it was for.
What lifts the GB-001 beyond a premium nostalgia product is how fully it commits to every part of the premise. Bluetooth 5.4 covers streaming when the tapes run out. The backlit VU meters — the detail WIRED noted immediately in its January 2026 review and the first thing every Gen X person in the room points out without being asked — are deliberately and gloriously analog. Forbes covered the North American launch the same week. Techmoan put it on camera in December 2025. The coverage it has earned reflects what the product actually is. At $579, this is the most serious purchase on this list, and also the most direct one: if you want a boombox that means it, this is the only new boombox in 2026 that does.
What We Like
104 watts across four hi-fi speakers produces real, room-filling sound rather than novelty volume
Cassette recorder and guitar amp input make it a functional, creative instrument, not only a playback device
What We Dislike
At $579, the full value rewards buyers who use the cassette deck regularly, not just Bluetooth
Battery life has been flagged across multiple reviews as shorter than expected for a unit of this size and price
The Cassette Era Didn’t Come Back. It Came Back Better.
None of these products asks you to give up modern life for a feeling. The Side A speaker pairs over Bluetooth. The RetroWave runs 20 hours without a socket. The Echo Mini carries a full lossless library on a card smaller than a thumbnail. The CD Cover Player hangs on a wall. The Curtis boombox records. The best version of the cassette era is the one being made right now.
What makes each worth the attention isn’t nostalgia as a pitch. It’s the specific design decision behind each object. A speaker shaped like a tape because that was the only honest form. A radio that belongs in a go-bag as much as on a shelf. A CD player that brings the artwork along. These are for people who want music to feel like something. That instinct is now being answered.
Nobody sits down to play Mario Kart and thinks “what this experience needs is a force feedback wheel, a pedal set, and a clamp-mounted desk rig.” And yet here we are, with Hori releasing two officially licensed racing wheels for the Switch 2, timed to launch alongside Mario Kart World on March 23. The Deluxe has an 11-inch wheel, a full pedal set, seven sensitivity levels, an adjustable dead zone, and a Quick Handling Mode that toggles steering output between 270 and 180 degrees. That last feature exists so you can more precisely navigate a rainbow-colored highway while a cartoon turtle throws a shell at you.
To be fair, the wheels look genuinely good. The Deluxe goes for a dark, almost aggressive red-and-black motorsport aesthetic, while the Mini leans fully into Mario’s red-blue-white color scheme with the Mario Kart World logo stamped on the base. Both add a C button for Switch 2’s GameChat, connect via a 9.8-foot USB-A cable, and work with the original Switch and OLED too. The Deluxe is $129.99, the Mini is $79.99, and both are available for pre-order now.
The two wheels are closer in spec than the price gap suggests. Both have textured rubber grips, ZL and ZR buttons, racing paddles, programmable buttons, and the same ZL hold function that lets you drag items behind your kart in Mario Kart 8 Deluxe. That hold function is disabled in Mario Kart World, which handles item use differently, so if World is the primary reason you’re buying one of these, that particular feature is decorative. The Mini’s 8.6-inch wheel is smaller but not dramatically so, and for a game where precision steering matters about as much as knowing when to deploy a star, the size difference probably won’t register mid-race. Both also carry the Nintendo/PC toggle on the back, which is new to the Switch 2 versions and means you can run either wheel through a PC racing title if the Mario Kart novelty wears off.
The Mini, with its Fischer-Price aesthetic, attaches via suction cups only, which works fine on a smooth desk but becomes a liability if you’re the type to slam the wheel hard into a corner. The Deluxe, on the other hand, adds a physical clamp mount, a meaningful upgrade for anyone who takes their banana peel delivery system seriously. The dead zone adjustment and the 180/270 degree toggle are also Deluxe-only, and those matter more than they sound: dialing in the dead zone tightens center response considerably, and 180-degree mode makes the wheel feel snappier in arcadey conditions where full-rotation sim behavior would actively work against you.
The Deluxe reads like a peripheral that wants to be taken seriously, with perforated black leather-look grip material, metallic red spokes, and a fairly restrained button cluster around the center M logo. The Mini abandons that restraint completely: solid red rim, blue and white spokes, yellow accent buttons, Mario Kart World branding on the base. They’re aimed at different buyers within the same audience, and the visual split is deliberate enough that you wouldn’t mistake one for the other in a product lineup.
Both wheels connect over USB-A, which is worth flagging because the Switch 2 uses USB-C natively. You will need an adapter or a hub, and Hori ships neither in the box. The 9.8-foot cable is generous in length, but the connector mismatch is a friction point on a product designed specifically for a new console, and it’s the kind of thing that should have been sorted at the design stage rather than left to the buyer.
Hori has been the default answer for Switch racing wheels since the original console launched, and these Switch 2 versions do not reinvent that position. The older Switch wheels already work on the Switch 2, so this is really a product for new Switch 2 buyers rather than existing Hori customers looking to upgrade. For that audience, $79.99 for the Mini is a reasonable ask, $129.99 for the Deluxe is justified by the clamp mount and calibration options alone, and both are about as good as a wired USB wheel built around Mario Kart is ever going to get. Whether you need one is a separate question, but if you’re going to sit down with a dedicated racing rig to hurl banana peels at a go-kart driven by a plumber, at least Hori has given you two good ways to do it.
