Tag Archives: Product Design

MUJI-Meets-Cyberpunk Vinyl Record Player Glows Like an Ambient Light and Charges Wirelessly

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Minimalism in product design has gotten boring. We’re swimming in smooth white rectangles, touch controls that offer zero feedback, and devices designed to vanish. Apple spent two decades training the industry to sand away every visible seam, and now we live in a world where a Bluetooth speaker looks like a cylinder because a cylinder offends nobody. Bang & Olufsen understood early that audio equipment could occupy space like sculpture, could earn its place in a room through presence instead of absence. Teenage Engineering proved that mechanical honesty and playful geometry could coexist with premium materials. Both approaches work because they have a point of view.

TRETTITRE’s TTT series combines those instincts into something harder to categorize. The TTT-LP3 wireless vinyl player uses CNC-machined aluminum for the main frame and features a diffused lighting panel that spreads light evenly across the surface when music plays. The TTT-DP3 Bluetooth CD player takes inspiration from a UFO-like form with a transparent magnetic cover that rotates open to reveal the spinning disc. The TTT-CP3 cassette player uses a metal housing with sharp geometric lines and mechanical transport keys that deliver clear physical response. All three mount on the TTT-W magnetic modular wall rack, turning physical media playback into a visible, functional part of interior design.

Designers: Noah – Founder & Designer, Trettitre

Click Here to Buy Now: $229 $449 ($220 off). Hurry, only 55/99 left! Raised over $654,000.

TTT-LP3: A Vinyl Player That Doubles as Ambient Light

The back of the LP3 includes a hidden mounting structure that allows it to hang directly on a wall. You can mount it vertically so the record becomes part of the visual display, or go for the classic horizontal layout. When you want to move it, you lift the silicone leather handle at the top and take it down. The player detaches easily and gives you the freedom to listen wherever you choose. Traditional turntables usually stay exactly where you put them, limiting your options for when and where you listen. The LP3 works a little differently because of the battery and the wall mount’s wireless charging system, which keeps it powered without a visible cable.

Behind the LP3 sits a diffused lighting panel that spreads light evenly across the surface of the unit. When it’s on, the entire body of the player glows softly, designed to feel closer to ambient lighting than decorative lighting. You can change the lighting effects with the touch of a button. When a record spins, the moving shadows create a quiet visual effect. You can also leave the player mounted on the wall as a soft light source even when no music is playing. That ambient quality pushes the LP3 from well-designed product into something more considered: a slow, breathing light fixture that happens to play records.

The LP3 uses a self-balancing tonearm system that automatically sets the correct pressure when the player powers on. You place the record on the platter and lower the needle, and the system handles the rest. Many turntables require careful calibration before they can be used properly, with tonearm balance, tracking pressure, and counterweight adjustment all part of the process. For experienced collectors that process can be enjoyable, but for beginners it often feels complicated. The LP3 removes that barrier entirely while preserving the tactile experience people enjoy. The player supports both 33 RPM and 45 RPM records, and includes a manual control dial that allows small adjustments to playback speed (roughly ±0.5%), useful for older records that may not spin perfectly at their original speed anymore.

Wireless audio is handled through Qualcomm Bluetooth v5.3 with SBC, aptX, aptX HD, and aptX Adaptive, which allows higher-quality and lower-latency wireless audio than basic Bluetooth streaming. For wired setups, the player also includes a 3.5mm audio output. The built-in battery provides up to 6 hours of vinyl playback or up to 3 hours when used purely as an ambient light source. Full specs: dimensions 342×233×87mm, weight 1430g, Audio-Technica AT3600L moving magnet stereo cartridge, CNC-machined aluminum frame with silicone leather carrying strap. The LP3 arrives in June 2026 for Early Bird backers, May 2026 for Fast Delivery backers.

TTT-DP3: Giving the Compact Disc Its Aura Back

The DP3 keeps the reliability of CDs but gives the player a different visual presence. The design takes inspiration from a UFO-like form with a transparent magnetic cover. When the cover rotates open, the disc is partially visible as it spins, turning something simple into a small visual moment. A CD player shaped like a flying saucer with a rotating transparent lid is an audacious idea, and it works because it doesn’t try to evoke nostalgia. It reframes a CD player as a mechanical object of curiosity, something you watch as much as use.

The control buttons include raised tactile dots combined with a gold-embossed finish, making it easy to identify the buttons by touch alone. You can pause or skip tracks without needing to look down at the player. A small OLED display on the player shows track numbers, playback status, and battery level. The interface is intentionally simple so the information you need is visible immediately. A built-in battery allows the DP3 to run for several hours on its own, so you can move it from room to room, bring it to a small gathering, or take it while traveling. Full specs: Ø170×27mm, 324g, supports CD-DA and HDCD formats, Bluetooth 5.4, SNR >70dB, THD <3%, ABS+PC+Metal construction. The DP3 ships in May 2026.

TTT-CP3: Cassette Hardware for Modern Audio Setups

The CP3 keeps the tactile mechanical elements people associate with tapes while updating the electronics inside. The player uses a metal housing with sharp geometric lines that give it a distinctly industrial appearance. Instead of trying to imitate retro plastic designs, the CP3 leans into a more modern interpretation of cassette hardware. The playback controls use independent mechanical keys similar to piano keys. Each press has a clear physical response. Play, rewind, and stop feel deliberate instead of soft or mushy.

Inside the CP3 sits a Bluetooth module that allows cassette audio to stream wirelessly to speakers or headphones. The player decodes analog audio signals with high precision, helping reduce background noise and preserve more detail from the original recording. The result still sounds like cassette tape, but with greater clarity. Full specs: 122×120×32mm, 360g, supports Type I-IV cassette cartridges, Bluetooth 5.4, SNR ≥55dB, THD <3.5%, Metal+PC+ABS construction. The CP3 ships in May 2026.

When Storage Becomes Part of the Spectacle

The TTT-W Magnetic Modular Wall Rack uses an all-metal geometric structure that allows multiple TTT players to be arranged into a clean wall display while keeping them organized and ready to use. The rack integrates magnetic alignment and wireless charging for the vinyl player, so the LP3 can stay powered without visible cables while being part of the room’s design. Two configurations are available: a T-shaped rack (263×196×27mm, 300g) and a magnetic modular wall rack (612×302×27mm, 775g, combined style T+3). Both support wireless charging at 5-10W and use USB-C 5V 2A input.

The Supporting Cast, from Sculptural Speakers to Planar IEMs

TRETTITRE offers a range of add-ons designed to complement the TTT system. The TreSound1 Speaker arrives in concrete and wooden editions, delivering 2×30W + 1×60W output power with a 1″ tweeter, 2.75″ mid-range, and 5.25″ subwoofer for 30Hz-25KHz frequency response. The conical speaker features 360° surround sound, Bluetooth 5.2 with Qualcomm aptX HD, and a sculptural form that occupies space like a piece of furniture. The TreSound Mini is a portable Bluetooth speaker with a 5200mAh battery, 30W RMS output, and 360° surround sound. The TTT-E3 in-ear headphones use a 13mm planar magnetic driver with a 4-strand silver-copper hybrid conductor, available in 3.5mm and 4.4mm configurations. An aluminum alloy side table (300×300×750mm, 1.75kg, max load 50kg) rounds out the ecosystem.

What It Costs to Build the Setup, and When It Ships

The TTT-LP3 wireless vinyl player is available at $229 for Early Bird backers (June 2026 delivery), down from a planned $449 MSRP. The TTT-DP3 Bluetooth CD player is priced at $79 standalone ($179 MSRP), while the TTT-CP3 cassette player is also $79 standalone ($199 MSRP). If you’re a bonafide audiophile, a $399 bundle gets you all three devices. Optional add-ons include the TreSound Mini Bluetooth Speaker at $169 ($299 MSRP), TreSound1 Wooden Edition at $449 ($659 MSRP), TreSound1 Concrete Edition at $499 ($799 MSRP), TTT-E3 planar IEMs at $139 ($239 MSRP), and the TTT Side Table at $89 ($199 MSRP). The campaign runs through April 9, 2026, with worldwide delivery beginning May 15, 2026.

Click Here to Buy Now: $229 $449 ($220 off). Hurry, only 55/99 left! Raised over $654,000.

The post MUJI-Meets-Cyberpunk Vinyl Record Player Glows Like an Ambient Light and Charges Wirelessly first appeared on Yanko Design.

A Double-Sided Clock That Turns Walls into Living Moments of Time

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Double-sided wall clocks are not new. They have existed for decades, quietly moving between public and private spaces. While many people associate them with railway stations and institutional corridors across Europe, they also made their way into homes in earlier times, often as decorative yet functional pieces in hallways or larger living spaces. Over time, however, they faded out of domestic interiors, replaced by flatter, more minimal wall clocks designed to sit quietly against a surface.

Turin-based brand Goofball is bringing this format back, but with a distinctly modern lens. Their Perch clock does not just revive an old idea; it reframes it for how we live today.

Designer: Goofball

At first glance, the concept feels familiar. A clock that extends out from the wall, visible from both sides. But in a home setting, this simple shift changes everything. Instead of being something you look at from one fixed position, the clock becomes part of how you move through a space. Whether you are walking into a room, passing through a corridor, or glancing back as you leave, time is always within sight. It feels less like an object placed on a wall and more like something integrated into the rhythm of the room.

The functional decisions are just as thoughtful. The clock runs on two AA batteries, which means there is no need for wiring or complicated installation. It hangs on a bracket and can be easily lifted off when the batteries need to be changed. It is the kind of detail that you might not notice immediately, but it makes living with the product feel effortless.

Visually, the Perch clock embraces minimalism in a way that feels warm rather than clinical. It comes in three colors, allowing it to blend into different interiors while still holding its own presence. The design is clean and restrained, making it suitable for contemporary homes, yet it carries a quiet reference to its past. There is something unmistakably reminiscent of old railway clocks, those objects that once defined shared notions of time and movement.

That sense of nostalgia is part of its charm. It brings a subtle character into a space without feeling overly decorative. It introduces depth to a wall, quite literally, and creates a small moment of curiosity. Guests notice it. People interact with it differently. It becomes a conversation piece without trying too hard.

What makes this product particularly compelling is how it challenges a default assumption. We have grown used to thinking of wall clocks as flat, one-directional objects. This design questions the norm and reminds us that even the most familiar objects can be reimagined.

The response so far reflects this shift in perspective. The first batch sold out quickly, suggesting that people are ready for products that feel both nostalgic and new at the same time. Goofball is currently preparing the second batch, expected to be available in the coming weeks.

In the end, this clock is more than just a timekeeping device. It is a small but meaningful intervention in how we experience space. It takes something we already know, brings back its forgotten domestic presence, and gives it a contemporary voice. It does not just sit on a wall. It changes how the wall and the room around it are perceived.

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This Color E Ink Monitor Runs at 60Hz: Real Work, No Eye Strain

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Spending hours in front of a glowing screen is unavoidable for most people, and the toll it takes on the eyes is a problem the monitor industry hasn’t truly solved. E Ink displays offer a gentler, paper-like alternative that’s far easier to stare at for long stretches, but most of them are painfully slow, limited in resolution, and not really up to the demands of daily computing.

The Modos Flow is Modos Tech’s answer to that problem. Built by a Boston-based hardware startup, it’s a 13.3-inch E Ink portable monitor designed not just for casual reading but for all-day, focused work. It targets the kind of person who needs a real secondary screen but wants to spend less time squinting and more time actually getting things done.

Designer: Modos Tech

Most E Ink monitors struggle as daily drivers because of their refresh rate. Traditional panels tend to crawl, making anything beyond static document reading a frustrating experience. The Modos Flow uses a custom board with open-source firmware to push its display to 60 Hz, enough to scroll through pages, type without noticeable lag, and use the screen as a functional everyday monitor rather than a glorified e-reader.

Resolution is also where the Modos Flow separates itself. In black-and-white mode, it renders at 3,200 x 2,400 pixels with a pixel density of 300 PPI, making text crisp enough to satisfy anyone used to retina-grade displays. Color mode brings the resolution down to 1,600 x 1,200 pixels at 150 PPI, which is a fair trade given how rarely E Ink panels offer color at all.

Touch and stylus support round out what’s becoming a surprisingly versatile display. Modos brought the latency down to under 100ms, so annotating a document, sketching ideas, or jotting notes with a stylus actually responds the way you’d want it to. It won’t replace a dedicated drawing tablet, but for someone who routinely works between a laptop and a secondary screen, having that input option without swapping devices is genuinely useful.

Its physical design is straightforward and practical. A built-in cover doubles as a stand and folds flat for travel, while VESA mounting holes on the back make it easy to attach to a monitor arm or desk mount. Three side buttons let you adjust brightness, contrast, and display mode without touching your computer. Connectivity runs through USB-C with DisplayPort Alt-Mode support, which keeps the setup clean with a single cable.

One of the quieter advantages of E Ink over LCD or OLED is power consumption, and that matters here. When connected to a laptop via USB-C, the Modos Flow draws significantly less power than a conventional secondary monitor, meaning your battery isn’t taking nearly the hit it normally would. It works with Windows, macOS, and Linux out of the box, so there’s no particular setup hurdle to clear. Pricing hasn’t been confirmed yet, but Modos has indicated it should be comparable to other portable monitors.

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moto pad – 2026: 5G Tablet With 2.5K Screen, Quad Dolby Atmos

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Motorola has introduced the moto pad – 2026, a new Android tablet that expands the company’s device lineup beyond smartphones and into a more connected cross-screen experience. Announced alongside the moto g stylus – 2026, the tablet is positioned as a larger-screen companion for productivity, entertainment, and everyday multitasking. Based on its specs and overall appearance, the device also appears to be a rebranded version of the Moto Pad 60 Neo, which launched in India last year.

That resemblance matters because the moto pad – 2026 does not arrive as a dramatic reinvention of the Android tablet formula. Instead, it looks like Motorola is leaning on a familiar hardware base and repositioning it for a wider audience under a simpler product name. In that sense, the story here is not just about a new tablet, but about how Motorola is continuing to build out a broader ecosystem around its existing devices.

Designer: Motorola

The moto pad – 2026 centers on an 11-inch display with 2.5K resolution and a 90Hz refresh rate, giving it a hardware foundation aimed at streaming, reading, and light productivity. Motorola says the screen reaches up to 500 nits in High Brightness Mode, which should make it usable in a wider range of lighting conditions. The tablet’s 6.99mm profile and roughly 480g weight also suggest a design meant to feel portable rather than bulky, whether it is being used on a desk, on a couch, or on the go.

The spec sheet also points to an anti-fingerprint finish and a PANTONE Bronze Green metal design. Those details give the device a cleaner and slightly more refined visual identity than many budget-focused tablets that tend to settle for plain plastic shells. Even if the overall hardware looks familiar, Motorola is clearly trying to make the tablet feel more polished and lifestyle-friendly in the way it is presented.

Performance is handled by the MediaTek D6300 5G processor, paired with 8GB of LPDDR4x memory and 128GB of built-in storage. The tablet also supports microSD expansion up to 2TB, adding flexibility for users who want to keep more video, downloads, apps, and documents locally. That combination should be enough for everyday streaming, browsing, reading, casual gaming, and light multitasking, even if it is not positioned as a high-end productivity machine.

One of the more practical additions is 5G connectivity, which gives the moto pad – 2026 an advantage over Wi-Fi-only tablets that lose some of their usefulness away from home or office networks. That makes the device easier to imagine as a portable screen for students, travelers, or anyone who wants a larger display without constantly relying on hotspot connections. It also helps reinforce the idea that this is meant to be a flexible everyday tablet rather than a stay-at-home media slab.

Audio appears to be one of the stronger parts of the package. The moto pad – 2026 includes quad speakers with Dolby Atmos, which should give it a better foundation for movies, streaming, and casual gaming than entry-level tablets with simpler speaker setups. A 3.5mm headphone jack is also included, which remains a practical feature for users who still prefer wired audio or want an easy connection for older accessories.

The software story here is less about reinvention and more about ecosystem fit. Motorola says the moto pad 2026 supports Smart Connect, allowing it to work more closely with phones and PCs for multitasking and content sharing across screens. It also includes Circle to Search, extending one of Android’s more useful recent features to a larger display and giving the tablet a more modern software feel.

Battery life is backed by a 7,040mAh cell, while charging tops out at 20W. The spec sheet also lists an IP52 rating, along with a 5-megapixel front camera and an 8-megapixel rear camera, reinforcing the sense that this is primarily a media and productivity tablet rather than a device built around photography or premium flagship ambitions. Taken as a whole, the moto pad 2026 looks like a practical addition to Motorola’s lineup, even if its strongest selling point may be how familiar it already seems.

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moto g stylus – 2026: Pressure-Sensitive Stylus, Military-Tough, $500

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Motorola has introduced the moto g stylus – 2026, refreshing one of its more popular smartphone lines with an upgraded built-in stylus, added durability, and a feature set aimed at users who want productivity tools without stepping into flagship pricing. The moto g stylus has become one of Motorola’s more popular models by offering a built-in stylus in a segment where that feature remains relatively rare. With the 2026 version, Motorola is clearly building on one of the line’s biggest points of differentiation.

The stylus is central to the phone’s updated experience. It now supports tilt and pressure sensitivity in supported apps, allowing for broader shading, finer lines, and a more natural pen-on-paper feel when sketching, jotting notes, or marking up ideas on the fly. That functionality extends to a refreshed Notes experience, where handwritten notes, doodles, and brainstorms live in one place.

Designer: Motorola

Beyond the pen features, the moto g stylus – 2026 brings together a hardware package aimed at broadening its appeal. The phone includes a 6.7-inch AMOLED display with 1.5K resolution and a 120Hz refresh rate. Peak brightness has been increased to 5,000 nits, up from 3,000 nits on the previous model.

The camera hardware, however, looks rather familiar. Motorola lists a 50-megapixel main camera with Sony’s LYTIA 700C sensor, along with a 13-megapixel ultrawide and macro camera and a 32-megapixel front-facing camera. That mirrors the setup used on the 2025 model on paper, suggesting the bigger story this year is the stylus and durability rather than a major imaging overhaul.

Motorola is also putting more emphasis on durability this year. The moto g stylus – 2026 adds IP69 protection and SGS-certified military-grade toughness, building on the IP68 resistance already offered by the previous model. That should help the phone better handle dust, water exposure, drops, and more demanding day-to-day conditions.

Battery life remains another key part of the package. The phone includes a 5,200mAh battery that Motorola says can deliver up to 44 hours of use, along with support for 68W wired charging and 15W wireless charging. On the software side, the device ships with Android 16 and includes Google Gemini, Motorola’s Hello UX customization layer, Smart Connect for multi-device experiences, and Moto Secure.

The new model continues Motorola’s design-forward approach, pairing its feature set with a leather-inspired finish and twill-like texture. It will be offered in Pantone-curated Coal Smoke and Lavender Mist color options. Motorola announced the phone alongside the Moto Pad 2026, a new tablet intended to complement the smartphone across productivity and entertainment use cases.

The Moto G Stylus 2026 will go on sale on April 16 as an unlocked device through Best Buy, Amazon, and Motorola.com, with a starting price of $499.99. We are expecting to receive a review unit, and we will have more to say once we have had the chance to test the stylus, camera system, battery life, and day-to-day performance. Stay tuned for our full review.

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Pixel 10a Just Proved a Smartphone Color Can Actually Mean Something

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Smartphone colors have become one of the more formulaic aspects of mobile design. Most brands cycle through the same soft pastels and stone-inspired neutrals, year after year, with names like Moonstone, Fog, and Porcelain doing most of the heavy lifting. It’s a safe approach that generally works, but there’s rarely any real meaning behind these choices. A color is just a color, and that’s often where the story ends.

Google seems to have had the same thought, at least for Japan. The Pixel 10a Isai Blue is a Japan-exclusive model developed in collaboration with Heralbony, a creative company that works with artists with disabilities to produce new forms of cultural expression. It celebrates a decade of Pixel phones, and rather than simply marking the occasion with a new shade, Google made the color itself worth talking about.

Designer: Google x Heralbony

Japan didn’t get the Pixel 10a when it first launched globally in February, which was a bit of an odd omission given how well the A-series has performed there. The country has quietly grown into one of Google’s stronger Pixel markets, so the wait wasn’t really a sign of indifference. Returning to Japanese fans with something made specifically for them says a lot more than a straight regional rollout would.

The name alone sets this apart from anything Google has done before. “Isai” translates to unique and unparalleled individuality, and this is actually the first time a Pixel color has been given a Japanese name. Most Pixel colors borrow from the natural world, but Isai Blue is built around something more conceptual: a deep navy shade tied to Heralbony’s own brand identity and its mission to celebrate human difference.

That philosophy runs all the way through to the software, too. Three Heralbony-contracted artists, Shigaku Mizukami, Midori Kudo, and Kaoru Iga, each contributed original designs that became exclusive wallpapers on the device. Pick one of the nine available artworks, and Material You automatically reshapes the phone’s icon colors and styling to match. It’s the kind of visual cohesion you don’t usually get with a phone at this price.

Of course, the collaboration doesn’t stop at the screen. Every unit comes bundled with an exclusive bumper case designed around the Pixel 10a’s completely flat back, which does away with any camera protrusion and makes the phone far easier to set down. Original stickers are also included, and the box sleeve carries artwork by Midori Kudo, so the whole unboxing feels deliberately curated.

The Isai Blue comes in a single 256GB configuration, priced at ¥94,900 (roughly $594) and available for pre-order in Japan ahead of its May 20 sale date. It’s only available while supplies last, which fits for something that was never really meant to be a mass-market offering. Google took the time to make this feel like a genuine gesture rather than a routine launch, and Japan has every reason to feel appreciated.

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The World’s Smallest 100W Charger Fits in Your Palm and Charges MacBooks at Full Speed

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There’s a reason it’s called a charging ‘brick’. It charges, and it’s honestly brick-shaped. Laptops and phones have gotten thinner in the past decade, but their chargers honestly haven’t. GaN technology changes that. I’ve sung praise for GaN chargers in the past, and I swear by the one in my laptop bag right now, which replaces 4 different chargers while being the size of a hockey puck. Now Rolling Square’s gone and made the GaN charger even smaller.

Holding the title of the world’s smallest 100W charger, the aptly named Supertiny is 65% smaller than Apple’s 96W charging brick, but packs enough power to fast-charge your laptop without breaking a sweat. At just 2 inches long and 1.38 inches wide, the Supertiny is as small as your Airpods case, fitting in your palm or even your pocket. It comes in three global plug formats (US with foldable prongs, EU, and UK), weighs between 100 and 115 grams depending on the variant, and packs a single USB-C port to supercharge your laptop. But pair it with Rolling Square’s inCharge Life 2in1 cable and you can now fast-charge your laptop as well as your phone together.

Designer: Rolling Square

Click Here to Buy Now: $52 $70 (25% off). Hurry, only a few units left! Raised over $672,000.

Gallium Nitride has been around since the 1990s, first used in LEDs and satellite solar cells, but it took decades for the tech to migrate into consumer charging. The advantage is straightforward: GaN produces significantly less heat than traditional silicon, which means you can push more power through a smaller chipset without needing massive heat sinks or bulky casings to prevent thermal meltdown. Silicon-based chargers lose a chunk of energy as heat, which is why your old laptop brick could double as a hand warmer after an hour of use. GaN flips that equation. It’s ruthlessly efficient, converting around 95% of the energy from the wall into actual charging power, with only 5% lost to heat. That efficiency gain is what allows Rolling Square to cram 100W of power delivery into a form factor that genuinely feels like it shouldn’t be possible.

The Supertiny measures 2 inches long on the US version with foldable prongs, 3.19 inches on the EU model, and 2.81 inches on the UK variant (the EU and UK versions come with fixed prongs). To achieve this ridiculously compact format, the company rebuilt the internal voltage transformer from scratch, optimizing how components align to reduce wasted space and lower operating temperatures. Advanced heat conduction silicon and thermal sheets route heat away from critical areas, and the exterior design plays a functional role too. The ribbed pattern running along the sides prevents your fingertips from making full contact with the surface when you unplug it after charging. Flat surfaces conduct heat directly to your skin, ribbed surfaces don’t. It’s a small detail, but it’s the kind of thing that separates thoughtful industrial design from spec-sheet engineering.

The charger outputs 100W max through its single USB-C port, with support for Power Delivery 3.0 and PPS (Programmable Power Supply) that adjusts voltage between 3.3V and 21V depending on what your device needs. That means it’ll fast-charge a MacBook Pro, a Dell XPS, a Lenovo ThinkPad, or any other USB-C laptop at full speed. In case you’re wondering, yes, it can handle e-bikes and e-scooters too, albeit at 100W. For phones and tablets, it delivers fast charging across iPhones, Samsung Galaxy devices, Google Pixels, and pretty much anything else with a USB-C port. The lack of multiple ports is deliberate. Rolling Square designed this charger for people who want maximum power in minimum space, and adding extra ports would have inflated the size.

If you need to charge two devices simultaneously, Rolling Square offers the inCharge Life 2in1 cable as an optional add-on. This modular cable splits the 100W output intelligently between two devices, letting you charge your laptop and phone together from a single power source. The cable stretches 1.5 meters (about 5 feet), features a durable nylon braid reinforced with aramid fiber, and uses premium metal connectors built to last. Rolling Square backs it with a lifetime replacement guarantee: if the cable ever fails, you submit a short video showing it fully cut along with your order number, and the company ships a replacement immediately. No returns, no forms, no hassle.

Rolling Square is a Switzerland-based company that’s been refining everyday tech problems since 2014, starting with the original inCharge keyring cable that packed multiple charging connectors into a tiny form factor you could attach to your keys. The company followed that up with the AirCard wallet tracker, the TAU keyring power bank, and a lineup of modular MagSafe accessories under the EDGE Pro branding. The Supertiny is their 19th product launch, and it fits the company’s design philosophy cleanly: solve one specific problem extremely well, make it as small as physics allows, and build it to last. Rolling Square products tend to be the kind of gear you don’t notice until you need them, at which point you wonder how you ever lived without them.

The Supertiny 100W GaN Charger comes in three versions: US, EU, and UK plugs. Early pricing starts at $46 for a single unit, or a $68 bundle that also includes the inCharge Life 2in1 cable. Rolling Square is shipping the chargers globally starting in May 2026, and all three versions carry full international safety certifications including TUV Rheinland. The company backs the product with a two-year warranty and a 30-day return policy. I touted GaN chargers as a tech must-have in 2025, so if you’re reading this now and you still don’t own one, take it from me. You, your cluttered workdesk, and your heavy laptop bag will thank me.

Click Here to Buy Now: $52 $70 (25% off). Hurry, only a few units left! Raised over $672,000.

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A Transforming Table-Chair That Turns Tradition into Space-Saving Intelligence

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At a time when living spaces are shrinking while expectations from them continue to expand, this design presents a thoughtful response that is both rooted in tradition and aligned with contemporary needs.

Emerging from the context of rising housing pressures in Taiwan, where compact homes are increasingly becoming the norm, the project addresses a fundamental question: how can furniture adapt to limited space without compromising comfort or experience? Rather than treating furniture as static, single-purpose objects, the designer reimagines them as dynamic systems capable of transformation.

Designer: Che-Chia Hsu

At the heart of this piece lies a deep engagement with traditional Chinese woodworking techniques, particularly the precision of tenon joints. These joints move beyond being structural solutions and become expressions of calculated craftsmanship, where geometry, material behavior, and human interaction converge. The result is a construction that feels both minimal and robust, relying on accuracy instead of excess.

The furniture set is designed to integrate storage and seating within a compact footprint. A chair is concealed within the table and can be pulled out, unfolded, and expanded into a functional seat. The process is intuitive: the chair is extracted, the seat and backrest are opened, and the backrest angle is adjusted using velcro. The transformation is smooth and unobtrusive, allowing the object to shift roles effortlessly.

What distinguishes this design is its reliance on the user’s own body as part of the structural system. Instead of depending entirely on rigid supports, the chair uses the tension generated by the sitter to stabilize the backrest. This introduces a subtle interaction between user and object, where the act of sitting becomes integral to how the design performs. The experience feels efficient, responsive, and quietly intelligent.

Material choices reinforce this balance between function and experience. Lightweight pine wood panels provide durability while ensuring ease of movement. Paired with gray cotton linen fabric, the design introduces a tactile softness that enhances comfort. The fabric is breathable and visually understated, complementing the natural warmth of the wood. Together, these materials create a calm, cohesive aesthetic suited to contemporary interiors.

The development of the project reflects a layered and rigorous process. The designer began by studying traditional joinery techniques through literature, followed by hands-on training under a woodcraft master. This immersion enabled a deeper understanding of the craft beyond theory. Building on this foundation, the designer explored ways to translate these techniques into a modern, functional context through research and experimentation.

What emerges is a design that treats constraint as a starting point rather than a limitation. The piece brings together traditional knowledge and contemporary living patterns, shaping an object that adapts, responds, and participates in everyday use. It reflects a way of designing where space, material, and human interaction are considered together, resulting in furniture that feels considered, purposeful, and in tune with the realities of modern living.

The post A Transforming Table-Chair That Turns Tradition into Space-Saving Intelligence first appeared on Yanko Design.

A Transforming Table-Chair That Turns Tradition into Space-Saving Intelligence

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At a time when living spaces are shrinking while expectations from them continue to expand, this design presents a thoughtful response that is both rooted in tradition and aligned with contemporary needs.

Emerging from the context of rising housing pressures in Taiwan, where compact homes are increasingly becoming the norm, the project addresses a fundamental question: how can furniture adapt to limited space without compromising comfort or experience? Rather than treating furniture as static, single-purpose objects, the designer reimagines them as dynamic systems capable of transformation.

Designer: Che-Chia Hsu

At the heart of this piece lies a deep engagement with traditional Chinese woodworking techniques, particularly the precision of tenon joints. These joints move beyond being structural solutions and become expressions of calculated craftsmanship, where geometry, material behavior, and human interaction converge. The result is a construction that feels both minimal and robust, relying on accuracy instead of excess.

The furniture set is designed to integrate storage and seating within a compact footprint. A chair is concealed within the table and can be pulled out, unfolded, and expanded into a functional seat. The process is intuitive: the chair is extracted, the seat and backrest are opened, and the backrest angle is adjusted using velcro. The transformation is smooth and unobtrusive, allowing the object to shift roles effortlessly.

What distinguishes this design is its reliance on the user’s own body as part of the structural system. Instead of depending entirely on rigid supports, the chair uses the tension generated by the sitter to stabilize the backrest. This introduces a subtle interaction between user and object, where the act of sitting becomes integral to how the design performs. The experience feels efficient, responsive, and quietly intelligent.

Material choices reinforce this balance between function and experience. Lightweight pine wood panels provide durability while ensuring ease of movement. Paired with gray cotton linen fabric, the design introduces a tactile softness that enhances comfort. The fabric is breathable and visually understated, complementing the natural warmth of the wood. Together, these materials create a calm, cohesive aesthetic suited to contemporary interiors.

The development of the project reflects a layered and rigorous process. The designer began by studying traditional joinery techniques through literature, followed by hands-on training under a woodcraft master. This immersion enabled a deeper understanding of the craft beyond theory. Building on this foundation, the designer explored ways to translate these techniques into a modern, functional context through research and experimentation.

What emerges is a design that treats constraint as a starting point rather than a limitation. The piece brings together traditional knowledge and contemporary living patterns, shaping an object that adapts, responds, and participates in everyday use. It reflects a way of designing where space, material, and human interaction are considered together, resulting in furniture that feels considered, purposeful, and in tune with the realities of modern living.

The post A Transforming Table-Chair That Turns Tradition into Space-Saving Intelligence first appeared on Yanko Design.

iPhone 18 Pro Leaks Reveal a 2nm A20 Pro Chip, 35% Smaller Dynamic Island, and a Deep Red Color

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Apple has spent four years refusing to touch the Dynamic Island, treating it like some untouchable monument to software-hardware integration. Samsung cycled through three foldable generations in that time. Google rebooted the Pixel lineup twice. Nothing went from startup curiosity to legitimate competitor. And the iPhone 14 Pro’s pill-shaped cutout just sat there, exactly the same width, height, and visual footprint on the 15 Pro, 16 Pro, and 17 Pro. Leaked screen protectors sourced from Weibo now suggest Apple has finally decided four years is long enough, and the company is gearing up to shrink the Dynamic Island by roughly 35 percent on the iPhone 18 Pro. The mechanism is straightforward: move the Face ID flood illuminator under the display, leave only the infrared camera and front lens in the cutout, and suddenly that wide pill becomes a narrow sliver sitting unobtrusively at the top of the screen. The infrared flood illuminator that powers Face ID is moving under the display on the iPhone 18 Pro, leaving only the infrared camera requiring a physical cutout alongside the front-facing lens.

But the Dynamic Island shrinkage is hardly the headline here, because the iPhone 18 Pro is also the phone where Apple trades in its most iconic color for something it has never tried before on a Pro model. Bloomberg’s Mark Gurman reports that Apple is testing a deep red finish for the 18 Pro lineup, a shade closer to burgundy than the bright Product Red tones the company used on standard models years ago. Apple removed black from the Pro lineup with the iPhone 17 Pro, the first time in the series’ history that no dark option existed, and the 18 Pro appears set to continue that direction rather than course-correct. September 2026 is the expected launch window, which makes this arguably the most important incremental iPhone in years. It is widely believed to be the last model in this design language before Apple delivers a radical overhaul for the 20th anniversary iPhone in 2027, so whatever ships this fall is likely your final chance to buy an iPhone that looks like an iPhone has looked since 2017.

Designer: Volodymyr Lenard

Leaker Ice Universe claimed the Dynamic Island cutout on the iPhone 18 Pro models will be approximately 35% narrower than it is on the iPhone 17 Pro models, with a width of around 13.5mm down from around 20.7mm. That figure refers to the default on-screen Dynamic Island width including surrounding black pixels, not the physical hardware cutout itself, but the visual difference should be immediately apparent in daily use. The iPhone 17 Pro’s Island is a wide, commanding presence even at rest. The 18 Pro’s leaked cutout reads almost delicate by comparison, a narrow pill sitting unobtrusively at the top of the screen. Apple will still need to revisit four years of Live Activities design and the entire interaction vocabulary built around the existing Island’s dimensions, which is a reasonable explanation for why this transition is taking as long as it is. Android manufacturers have shipped under-display cameras for years, with visible quality tradeoffs that Apple’s user base simply would not accept on a thousand-dollar phone. Holding the line until the technology meets the standard, rather than shipping it to win a spec sheet argument, is the kind of call that frustrates people in the short term and builds loyalty over time.

Under the hood, the A20 Pro chip built on TSMC’s advanced 2nm process promises roughly 15% faster performance and up to 30% better power efficiency compared to the current 3nm A19 Pro. Paired with 12 GB of RAM across the lineup, the new silicon should power smoother Apple Intelligence features, enhanced on-device AI processing, and better multitasking. Connectivity upgrades include Apple’s first in-house C2 5G modem, replacing reliance on Qualcomm components. The modem supports improved mmWave performance and expanded satellite connectivity, potentially enabling always-connected cellular service via NR-NTN standards for emergency messaging and basic data in remote areas without traditional coverage. Battery life stands out as a major highlight, especially for the iPhone 18 Pro Max. Leakers report a capacity jump to 5,100 to 5,200 mAh, the largest ever in an iPhone, enabled by a slightly thicker chassis measuring around 8.8mm up from 8.75mm on the iPhone 17 Pro Max. The added thickness and weight would accommodate the bigger cell while the more efficient 2nm chip helps stretch usage even further. Some projections suggest up to 40 hours of mixed use on a single charge.

The deep red finish represents a significant departure for a Pro lineup that has historically favored controlled, conservative colors like graphite, silver, gold, and muted titanium shades. Rumors of purple and brown finishes have also circulated, but Gurman believes those are just variants of the same red idea. The decision to skip black for a second consecutive year has already generated polarized reactions among enthusiasts, with some welcoming the bold direction and others mourning the loss of the classic understated aesthetic. For buyers who want black, Gurman specifically noted that the foldable iPhone is being designed with conservative space gray and silver finishes, suggesting Apple is deliberately separating its color identity across product lines. The iPhone 18 Pro may read as a modest update on paper, but as the final iteration of a design language that has defined the modern iPhone for nearly a decade, it carries more symbolic weight than any spec sheet can communicate.

The post iPhone 18 Pro Leaks Reveal a 2nm A20 Pro Chip, 35% Smaller Dynamic Island, and a Deep Red Color first appeared on Yanko Design.