Author Archives: JC Torres

Transparent Purple Makes This $35 Phone Controller Impossible to Ignore

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Touch controls on smartphones are a compromise most mobile gamers have learned to live with. They work well enough for casual games designed around them, but the moment you try running a classic arcade title or an emulated game that expects physical buttons, things fall apart quickly. Your thumbs slide off invisible buttons, precision goes out the window, and the whole appeal of playing a retro game on the go quietly evaporates.

The GameSir Pocket Taco is a clamp-style vertical controller that clips around your phone and instantly turns it into something far closer to a proper handheld console. The design is vertical rather than the sideways landscape grip most mobile controllers use, which puts the phone in portrait style and gives the whole setup that unmistakable Game Boy silhouette. It’s a specific choice that makes a lot of sense for the kind of games it’s clearly built around.

Designer: GameSir

The Voltage Purple colorway is a new option for the Pocket Taco, arriving a few months after the original retro grey version launched. Where the original leaned into a deliberately aged aesthetic, Voltage Purple reads much more confidently as a contemporary gaming accessory. Both versions carry the same hardware and features, so the choice between them comes down entirely to how you want the thing to look in your hand.

The buttons are the central selling point. Cushioned membrane ABXY and D-pad inputs sit at the bottom of the controller, backed by tactile switch triggers and bumpers, and the whole layout comes together in a way that feels genuinely satisfying for side-scrollers, shoot ’em ups, and anything else designed around a proper gamepad. A turbo function covers all eight main buttons, which the hardcore retro gaming crowd will appreciate immediately.

The Pocket Taco handles some practical concerns that most accessories at this price point ignore. Soft silicone pads line the phone clamp area to prevent scratches, a hollow gap at the bottom aligns with your phone’s charging port so you can top up during longer sessions, and the whole thing powers on automatically when you unfold it and shuts off when you close it. At 62.2 g, it barely adds any noticeable weight.

The GameSir App extends the experience further with button remapping, D-pad diagonal lock, and G-Touch and V-Touch functions for on-screen input simulation. There’s also a keyboard mode built in, letting you switch input types for games or apps that need it. A 600 mAh battery handles cordless sessions, and the package includes a storage box, a charging cable, and a lanyard so the whole thing stays organized between uses.

The Pocket Taco in Voltage Purple retails for $34.99, while the original grey version currently sits at $29.99. The $5 difference comes down entirely to the color choice. At 78mm x 70.9mm x 20.7mm, it slips into a pocket or bag with the storage box without much fuss, which keeps the pitch for daily carry entirely believable for anyone who tends to game in short bursts throughout the day.

It’s not a controller for every kind of mobile gaming. If you spend most of your time in landscape-format games that already support proper controller input, a horizontal grip will serve you better. But for anyone running emulators, arcade titles, or vertical shoot ’em ups on their phone, the Pocket Taco fills a gap that the rest of the mobile controller market has mostly ignored.

The post Transparent Purple Makes This $35 Phone Controller Impossible to Ignore first appeared on Yanko Design.

Laser Engravers Need a Workshop, This One Fits in a Backpack

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Laser engravers have always come with a catch. Getting one typically means dedicating a chunk of workspace to it, running a cable to the nearest outlet, and putting on protective goggles before pressing start. For makers who don’t have a proper workshop, that’s a lot of overhead just to personalize a wooden keychain or stamp a logo onto a leather patch.

The Hanboost T1 is designed with exactly that frustration in mind. It’s a fully enclosed mini laser engraver measuring 115mm x 115mm x 115mm, weighing roughly 400g, and running off a standard USB-C connection, so a power bank is all you need to get it going. The idea is simple: a capable, portable engraver that fits into a backpack and doesn’t demand a dedicated room.

Designer: Hanboost

Click Here to Buy Now: $99 $149 ($50 off). Hurry, only a few left! Raised over $378,000.

The T1 has a clean cube silhouette that doesn’t look out of place next to a laptop or a set of studio monitors. Its dark body, vented side panels, and tinted front window give it the feel of a precision instrument rather than a hobbyist gadget. The viewing cover is swappable, available in red, orange, or green, with custom-pattern options for anyone who wants to personalize the unit itself.

Close to the weight of a full can of soda, the T1 is light enough that you’d barely notice it in a bag. Because it draws power from any USB-C source, including the power banks most people already carry, you can set it up on a kitchen table, a café counter, or a folding table at a craft fair without worrying about finding a wall outlet nearby.

The T1’s engraving area measures 60mm x 40mm, which keeps things focused on smaller objects: gift tags, leather patches, wood coasters, cork pieces, cardstock, and phone cases. The standard 500 mW version handles wood, leather, fabric, and kraft paper well, while the 1.6 W Pro module, available as an upgrade, opens things up to bamboo, painted metal, and dark acrylic without needing a special coating.

The T1 uses a blue diode laser rather than the red diode type found in many entry-level machines. The distinction matters because blue diode lasers absorb more deeply into organic materials, producing sharper contrast and cleaner lines. Pair that with a 0.05mm engraving accuracy, and the results are detailed enough to render fine botanical illustrations or small portrait engravings you’d normally expect from something considerably larger.

The fully enclosed body is one of the T1’s more thoughtful design choices. The observation window carries an OD4+ rating, so you can watch the engraving process without protective eyewear. A built-in tilt sensor cuts the laser automatically if the machine tips beyond 15 degrees, and an active cooling fan keeps temperatures stable during longer sessions, which matters outside of a ventilated workshop.

On the software side, the T1 works with LightBurn and LaserGRBL, which are already the go-to platforms for most experienced makers. It also connects wirelessly to the MKSLaser mobile app for those who prefer controlling things from their phone on Android. File format support covers PNG, SVG, DXF, PDF, and G-code, among others, and getting started through the app takes just three steps.

There’s also an optional height extension stand for working on taller objects like wooden boxes and small frames, which rounds out a product that’s been thought through beyond the basics. The T1 isn’t built for cutting thick timber or marking deep into metal, and it doesn’t pretend to be. For makers who’ve wanted laser engraving to fit into an everyday creative routine, that honesty is refreshing.

What’s perhaps most telling about the T1 is where it ends up living. Not tucked away in a storage bin between projects, but sitting on a desk next to a sketchbook, ready whenever an idea shows up. That kind of casual accessibility is harder to engineer than it sounds, and it tends to be the difference between a creative tool that actually gets used and one that doesn’t.

Click Here to Buy Now: $99 $149 ($50 off). Hurry, only a few left! Raised over $378,000.

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7 titanium EDC pens engineered like tiny tools: one weighs 32 grams

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The pen used to be one of those things you’d stuff into a bag without thinking. A Pilot G2, a free hotel pen, whatever happened to be nearby, all functionally identical and equally forgettable. That changed when the everyday-carry community started treating small objects with more intention, and suddenly the pen in your pocket became something people were choosing with the same deliberateness as a wallet or a watch.

What followed is a category where boutique machinists and established brands are now building pens from Grade-5 titanium, fitting them with precision mechanisms, and treating every detail as a design decision. The seven picks below aren’t arranged by price or prestige. They each represent a different answer to the same question: what should a modern writing tool actually feel like when you carry and use it every day?

Karas Tumbled Titanium Bolt Complete Edition

A pen on a waitlist is a telling sign. When Karas Kustoms teased its Tumbled Titanium Bolt Complete Edition in May 2026, the interest was immediate, suggesting how seriously the EDC community now treats its writing instruments. Machined in Mesa, Arizona, it pairs a tumbled titanium finish with a 3D-milled grip pattern that gives it noticeably more bite than the typical polished alternatives in this space.

Designer: Karas Pen Co

The bolt-action mechanism is the same one that made Karas famous, but the Complete Edition is its most refined iteration yet. It’s the kind of pen that wears in rather than wearing out, with the tumbled titanium developing a natural patina from daily pocket use. The Dragonskin grip pattern also gives you something real to hold onto, which makes a noticeable difference during longer writing sessions.

Bullet Ant 4.0

At just 32g, the Bullet Ant 4.0 is already worth a second look, but MeTool goes further by fitting a magnetic blade, a glass breaker, and a bit driver into the same titanium shell as the pen. None of those additions feels like an afterthought, and that’s what makes this the most convincing argument for treating an EDC pen as a miniature Swiss Army object.

Designer: MeTool Design Team

The ball-detent bolt action deploys the tip with a satisfying snap, and the pen body is balanced well enough that you’d never guess it was doing double duty as an emergency tool. Whether it ends up being used as a pen more often than anything else is beside the point. The Bullet Ant 4.0 carries the confidence of something built with precision, not just assembled to impress at a glance.

Tactile Turn Bolt Action Pen

If there’s one titanium pen that helped legitimize the machined-pen category, it’s the Tactile Turn Bolt Action Pen. It comes in three sizes, with each running a different refill, from a Pilot G2 in the standard to a Schmidt EasyFlow 9000 in the shorter version. The bolt action is precise, the milling gives the grip real texture, and at $99 with a lifetime warranty, it’s still hard to argue with.

Designer: Tactile Turn

What separates it from its competition isn’t any single feature but the overall execution. The milling on the grip section is designed to be felt rather than just seen, and the J-bolt design moves with enough resistance to feel intentional without becoming tedious. It’s also one of the most refill-compatible pens in this space, which means you can dial in the writing experience without ever replacing the pen itself.

Luminik Titanium Fountain Pen

Not every EDC pen has to look like it was designed alongside a tactical flashlight. The Luminik titanium fountain pen takes a different route by folding down into a compact, pocket-friendly form that opens into a full-length fountain pen when it’s time to write. The whole thing is titanium throughout, and the design was built on the premise that a well-made pen shouldn’t need replacing after a few years.

Designer: EyeQ

That folding mechanism also changes the entire experience of using it. There’s something satisfying about the way it comes together, like assembling a small, precise object rather than just uncapping a pen. It’s the right choice for someone who still cares about the quality of the writing experience itself, not just the mechanism or the carry, and it offers an interesting counterpoint to everything else on this list.

PROOF Vanguard Pen

The PROOF Vanguard Pen sits where EDC utility and visual restraint meet. It’s a titanium bolt-action pen with a clean, almost architectural profile that doesn’t immediately telegraph its material or mechanism. The proportions are compact enough to sit in a shirt pocket without any awkwardness, and the overall form feels like something refined through iteration rather than styled to look impressive at first glance.

PROOF

What the Vanguard offers is a pen you can hand someone in a meeting without them doing a double take, and then carry home in the same pocket as your phone without anything snagging. It also happens to be a genuinely good writing instrument, which shouldn’t be a surprise but is worth saying when so many EDC pens are more impressive closed than they are in actual use.

Thomas Slim EDC Pocket Pen

The Thomas Slim EDC Pocket Pen doesn’t lead with its finish or mechanism. It leads with what it can take. This pen spent 24 hours submerged underwater and still wrote for 1,500m afterward, which immediately puts it in a different conversation than pens that merely claim durability. For anyone who tends to forget a pen exists until the moment it’s urgently needed, that kind of endurance is genuinely reassuring.

Designer: Thomas Slim

The slim profile makes it easy to tuck into a jacket pocket without a second thought, and the writing experience matches the promise of the build. It isn’t trying to signal toughness or look like a survival instrument. The Thomas Slim just gets on with its job, whether that’s a quick note in the rain or a longer writing session wherever the day happens to take you.

The Bolen

The James Brand’s Bolen makes the strongest case on this list for the twist action as a writing ritual in its own right. There’s a deliberateness to how it opens, a slow, satisfying rotation that feels intentional rather than merely mechanical. It’s titanium throughout, with a profile clean enough to pass as a conventional pen while still feeling like something more considered when it’s actually in your hand.

Designer: The James Brand

The Bolen is also the right answer for anyone who found bolt-action mechanisms a little too theatrical, or who wanted titanium durability without the tactical language that typically accompanies it. It writes well, carries unobtrusively, and doesn’t demand attention. It fits neatly into a workday and still feels like a deliberate design choice, which might be the highest compliment you can pay any pocket object.

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The $99 Gadget That Clears 3 Devices Off Your Nightstand

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The nightstand has become a staging ground for technology. Between a phone, a white noise machine, a lamp, and whatever book you’re pretending to read before you fall asleep, it tends to get crowded. That clutter has gotten to the point where some people start their mornings already stressed from looking at the pile, which is counterproductive for something that’s supposed to help you rest.

The Divoom FlowToo works around that problem by collapsing three bedside staples into a single compact device. It’s a Bluetooth speaker, white noise machine, and alarm clock all at once, with a customizable display that rounds the whole thing out. Rather than adding another device to the pile, it’s designed to clear some of it, while actually improving on each of those functions rather than just combining them with asterisks.

Designer: Divoom

The speaker runs through a 10W amplifier and 45mm full-range driver, which makes it a genuine music speaker rather than the obligatory audio feature most alarm clocks bolt on as an afterthought. You can stream music from your phone over Bluetooth and get enough volume to fill a bedroom without things getting harsh. For a device that lives on a nightstand, that sets it apart from most of the competition.

The FlowToo’s more than 90 built-in sounds cover what people actually reach for at night, from rain and ocean waves to forest ambience and other calming tones. These aren’t just sleep aids; they work just as well for focusing during the day when you need background noise that doesn’t pull your attention elsewhere. The library is large enough that finding something to suit your preference won’t take long.

Getting out of bed is the harder side of this equation, and the FlowToo handles it carefully. Rather than a jarring alarm tone, it wakes you gradually with natural sounds that grow louder while a gentle light fills in from the display. The idea is to bring you up without jolting you out of sleep, which tends to leave you considerably less wrecked for the rest of the morning.

The 2.26-inch smart display is where the FlowToo takes on a bit more personality than a typical clock radio. It can show multiple clock face designs, music visualizers that react to what’s playing, sleep scene animations, and mood lighting to set a different tone in the room. The Divoom App lets you swap between these, set alarms, and choose sounds from your phone, which keeps the device simple to operate.

The FlowToo comes in White and Black and currently retails for $99.99. It’s compact enough to sit comfortably beside most beds without taking over the surface. The overall look is clean and rounded rather than clinical, which makes it easier to accept as a permanent bedroom addition instead of something that feels like a tech purchase trying too hard to belong on a nightstand.

There are more focused devices for each of those individual functions, and some will argue that a dedicated white noise machine sounds better or that a standalone speaker gets louder. That’s fair enough. But most people aren’t looking for world-class performance across every category; they’re looking for something reliable and pleasant that takes up less space, starts their morning decently, and doesn’t require them to manage four different apps.

The post The $99 Gadget That Clears 3 Devices Off Your Nightstand first appeared on Yanko Design.

The LG Rolling TV That Went Viral Is Now 32 Inches, 4K, and $1,299

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TVs have stayed mostly where you put them. Whether wall-mounted or parked on a stand, they tend to define the room around them. Portable screens have existed on the margins, mostly small and underpowered, better suited for camping trips than everyday home use. The idea of a full-featured smart display that doesn’t need a power outlet and can move freely from room to room is still a fairly new proposal.

The LG StanbyME 2 Max pushes that concept further than its predecessors managed. It’s the largest StanbyME yet at 32 inches, now with 4K resolution, and a built-in battery lasting up to 4.5 hours without any outlets nearby. The screen area is roughly 40% larger than the 27-inch model it succeeds, which makes a genuine difference when you’re watching something rather than just glancing at a display.

Designer: LG

The battery is a 144Wh cell, a meaningful step up from earlier StanbyME versions that started with three hours of playback back in 2021. When the charge runs low, a USB-C port accepts input from an external power bank, so you don’t have to hunt for a wall outlet mid-movie. A magnetic clip-on mini remote stores against the side of the display, keeping the overall setup clean.

The display detaches from its wheeled floor stand with a single click and comes with a second tabletop stand for positioning on a desk or counter. Landscape and portrait orientations are both supported, so it adapts to what you’re watching or doing. The wheeled base lets you roll the setup from one room to another without lifting anything, which is what made earlier StanbyME models a social media phenomenon.

The jump to 4K UHD means the 32-inch panel renders at 3,840 x 2,160 pixels, which holds up well at the close-up distances a screen of this kind naturally invites. Dolby Vision handles HDR content, while side-firing speakers output Dolby Atmos supported by AI Sound Pro processing. The α8 AI Processor Gen3 handles picture enhancement automatically, detecting what’s on screen and adjusting the image accordingly.

Running on webOS, the StanbyME 2 Max behaves like LG’s current smart TV lineup, giving access to more than 400 free LG Channels alongside major streaming services. Mood Maker turns it into an ambient display when idle, while built-in touchscreen apps include board games and Let’s Draw for sketching. HDMI and USB ports cover external connections for laptops, gaming consoles, and set-top boxes.

The StanbyME 2 Max earned a CES 2026 Innovation Award in the Content & Entertainment category, building on the iF Design Award and Red Dot Design Award that its predecessor picked up. LG has kept the visual profile clean enough that it doesn’t look conspicuous propped beside a bed or rolled into a kitchen. It’s available for pre-order now at $1,299.99.

The first StanbyME was a genuinely strange product that found an audience anyway. This one is harder to dismiss as a novelty. At 32 inches with 4K resolution, a 4.5-hour battery, and HDMI connectivity for consoles and laptops, it competes as much with a secondary monitor as it does with a conventional TV. The $1,299.99 price tag is the part that asks the most of prospective buyers.

The post The LG Rolling TV That Went Viral Is Now 32 Inches, 4K, and $1,299 first appeared on Yanko Design.

Rugged Phones Are Ugly, but FCNT Just Proved They Don’t Have to Be

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Rugged smartphones have always carried an inherent compromise. They’re built to take punishment, so manufacturers typically bulk them up with thick rubber borders, angular shapes, and enough plastic to survive a construction site. The result is a phone that can handle almost anything but looks conspicuous in everyday settings. That tradeoff has become so accepted that few people bother to question it.

The arrows Alpha 2 takes the opposite position. It’s built around a brushed metal frame with a textured back panel, comes in four bold colors, and carries an 8.6 mm profile that doesn’t betray its durability credentials at all. Underneath the considered design is a phone that has passed 23 MIL-spec tests and holds IP66, IP68, and IP69 water and dust resistance ratings simultaneously.

Designer: FCNT (Lenovo)

The drop resistance is the detail that stands out most. FCNT claims the arrows Alpha 2 can survive a 1.8-meter fall onto concrete without the screen cracking, thanks partly to Gorilla Glass Victus 2 sitting on a flat, 2D panel. The display itself is a 6.4-inch LTPO OLED capable of hitting 3,000 nits, which also lets the phone hold its own outdoors, where most screens struggle to stay visible.

The battery is a silicon-carbon cell at 5,370mAh, the largest ever used in an Arrows-series phone. FCNT claims it delivers two full days on a single charge, engineered to sustain that performance for roughly four years. A 90W fast charger, sold separately, takes the battery from zero to full in about 40 minutes for those days when two days of stamina isn’t quite enough runway.

The camera system doesn’t make the compromises you’d expect from a phone that prioritizes toughness. The main shooter is a 50 MP Sony LYTIA 710 sensor on a 1/1.5-inch chip with optical image stabilization, backed by a 50 MP ultra-wide lens covering a 120-degree field of view. The front camera is also 50 MP. All three support 4K/60fps HDR video, which puts the image capabilities well outside what most rugged phones offer.

A MediaTek Dimensity 8350 Extreme chip handles performance, with the base model offering 8 GB of RAM and 256 GB of storage, and the higher-end variant stepping up to 12 GB of RAM and 512 GB. Virtual RAM expansion pushes the ceiling to 24 GB. The phone ships with Android 16 and arrives with three major OS upgrades and five years of security patches promised alongside the hardware.

The brushed metal frame and textured back give the phone a natural grip that doesn’t need rubber armor to achieve. FCNT also made some sustainability choices: the frame uses recycled aluminium, and the packaging is FSC-certified and fully recyclable. The arrows Alpha 2 goes on sale in Japan through NTT Docomo from late August 2026, with the 512 GB model exclusive to the Docomo Online Shop.

It’s a phone that argues against the idea that durability and design can’t occupy the same body. The 8.6mm profile doesn’t look like it belongs strapped to a workbelt, and the four color options reinforce that this wasn’t designed purely for industrial deployment. The battery engineering alone makes it stand apart from most competitors in the category, and the rest of the spec sheet does little to undermine that case.

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The Titanium Chess Set That’s Also the Best EDC Object We’ve Seen

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Chess has had a genuine cultural resurgence lately, finding its way into cafés, offices, and living rooms that wouldn’t have bothered with it a decade ago. But for all the renewed enthusiasm, the portable chess set hasn’t really evolved. Most options are flimsy plastic affairs that feel like an afterthought, with the same old problem of pieces scattering the moment you set the bag down.

BESIDAR’s Victory approaches the problem differently, treating the portable chessboard as an engineering challenge rather than a sizing exercise. It’s built entirely from titanium, uses a mechanical folding structure that collapses the board into something genuinely pocketable, and relies on magnets to keep all 64 pieces organized and secure. It also happens to support several other games on the same set of pieces, which we’ll get to.

Designer: BESIDAR

Click Here to Buy Now: $69 $130 (50% off). Hurry, 128/1000 left! Raised over $111,000.

The defining feature is the board itself. Victory’s playing surface consists of multiple hinged titanium panels that interlock mechanically, letting you fold and unfold them endlessly without resistance or wear. It sounds like a gimmick until you have it in your hands, because the action is satisfying in the way a good infinity cube is. You’ll end up folding it between moves or absentmindedly during a thinking pause.

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All 64 pieces attach magnetically to the board’s surface, staying in place during play and holding firm when the board is folded for transport. The two board halves also connect to each other magnetically, so the whole set becomes one compact, integrated unit. There’s nothing loose rattling around, no separate case to hunt for, and no tedious piece-sorting ritual before you can sit down and actually start playing.

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The two-sided pieces also give the set a wider range of use than expected. One face carries a surface pattern while the other is a solid contrasting color, and that choice alone supports chess, Go, Gomoku, international checkers, and Othello. That’s five strategy games from one set of 64 pieces, with the folding board itself counting as a sixth mode when you just want something satisfying to fidget with.

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What makes Victory feel genuinely premium is the material. Both board and pieces are CNC-machined from titanium, giving the set a density and tactile precision that plastic travel versions can’t replicate. It’s cool to the touch, holds its finish, and doesn’t feel like something you’d toss carelessly into a bag. Left on a desk between games, it reads less like a board game and more like a well-made EDC object.

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At 5.24 inches (133.20 mm) across and just 7 mm thick when folded, Victory fits in a pocket without creative gymnastics. The two-board structure means each player’s pieces are already arranged on their own half, so you unfold, connect the two sections, and you’re ready in seconds. Whether it’s a café table, a park bench, or a few spare minutes between meetings, there’s no setup ritual to slow things down.

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What you end up with is a chess set that’s genuinely interesting to own, even if you’re not a serious player. The mechanical folding keeps your hands busy, the titanium build makes it worth displaying, and the magnets mean you can bag it and go without a second thought. It won’t replace the full-sized board on your shelf, but for everything else, it’s the set that actually comes with you.

Click Here to Buy Now: $69 $130 (50% off). Hurry, 128/1000 left! Raised over $111,000.

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Dasung Made a Phone Screen for People Who Hate Screens

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Screens keep getting sharper and brighter, though the one complaint that never goes away is eye fatigue. LCDs and OLEDs are impressive, but both still rely on backlit panels aimed directly at your eyes, hour after hour. The e-reader crowd has long known that E-Ink is easier to live with, though swapping your daily phone for a dedicated E-Ink device is a trade-off most people aren’t willing to make.

The Dasung Link 2 offers a different answer to that familiar problem. Rather than replacing your smartphone with an E-Ink device, it works alongside whatever phone you already have, mirroring its display onto a 6.7-inch monochrome E-Ink screen. The idea is straightforward: keep your apps, your contacts, and your habits, but read, scroll, and type on a surface that feels far closer to paper than any OLED ever will.

Designer: Dasung

What makes the Link 2 practical as a daily companion rather than just a reading gadget is DASUNG’s 60Hz refresh technology. Most E-Ink screens run at a fraction of that speed, producing noticeable lag when scrolling or typing. At 60Hz, the Link 2 handles those tasks with minimal ghosting, making it comfortable for messaging, browsing, and even light video, things that would have been genuinely frustrating on earlier E-Ink displays.

The screen measures 6.7 inches at 300 PPI, putting it in the same resolution range as premium e-readers. Text is sharp, and the display reflects ambient light the way paper does, staying legible in bright outdoor conditions where most LCD phones need to max out their brightness just to stay visible. For low-light reading, an adjustable dual-tone front light handles the darker hours without harshness.

The Link 2 also supports reverse touch, which lets you interact with your phone directly through the E-Ink screen’s surface without picking your phone up separately. Physical keys on the body handle quick contrast and image adjustments, so you aren’t hunting through menus when the light around you changes. It makes a secondary screen feel less like a burden and more like a natural tool.

The hardware is built from metal and kept thin and light enough to slip into a pocket alongside your phone. It connects wirelessly for screen mirroring and works with magnetic power banks, which helps on longer outdoor outings where a wall outlet isn’t nearby. Compatibility spans Android 12 and later, modern iOS, and HarmonyOS, so it isn’t tied to any single phone brand or operating system.

One thing worth noting is that the Link 2 doesn’t operate independently. It relies on your phone’s processing power, RAM, and installed apps to function, so it’s less a standalone gadget and more a screen you borrow for your phone. The battery-free model starts at $329, with the battery-equipped version available at $349, both offered in Space Gray and Glacier Blue.

It’s admittedly a niche proposition, and the limitations are real. Monochrome E-Ink isn’t ideal for color photos, and carrying a second screen is an extra thing to manage throughout the day. But for anyone who spends long stretches reading articles, messages, or documents on their phone, shifting that habit onto a paper-like surface rather than a glowing backlit display is a genuinely compelling idea.

The post Dasung Made a Phone Screen for People Who Hate Screens first appeared on Yanko Design.

5 EV Charging Designs So Beautiful You’d Actually Want to Stop There

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EV charging infrastructure has grown considerably in recent years, but the experience of actually using it rarely gives people much to think about. Most stations are indistinguishable from the utilities they resemble, built for function with little thought for the space they occupy. That’s a missed opportunity in a technology that already asks drivers to rethink a habit as ingrained as stopping for gas.

A series of five conceptual EV charging station designs takes a different view of what that infrastructure could look like. Rather than treating the wait as dead time to get through, they propose something closer to a destination, structures that generate solar and wind energy while also giving people a reason to look twice, and maybe start a conversation about why they’re there.

Designer: Michael Jantzen

The Silver Solar Charging Station rises as a steel structure with a large photovoltaic panel angled overhead on a tall vertical arm. Drivers pull inside to access the charging connections, sheltered from the weather while the panel converts sunlight into electricity stored directly in connected batteries. The charging bay is practical, though the frame around it looks nothing like anything built with that purpose in mind.

The Black Waves Solar Charging Station shares the drive-in shelter principle but trades angular geometry for something far more fluid. Ribbon-like steel sections curve and undulate overhead, each covered in photovoltaic panels. The design functions exactly like the others, but the wave-like form overhead gives drivers something to look at while they wait, the kind of structure that prompts questions before it answers them.

The Red Solar Charging Station doesn’t try to blend in. Its vivid color marks it on the horizon well before you reach it, and the zig-zag arrangement of solar panels on top gives the structure a jagged, almost aggressive silhouette that contrasts with the smooth drive-through tunnel below. The photovoltaic cells are fully functional, drawing power from sunlight to feed the charging points inside.

The Yellow Solar Charging Station takes a completely different approach to form. An arched dome made from eco-friendly concrete composite curves over the charging bay, painted in the kind of yellow that reads clearly from across an open field. Circular disc-shaped photovoltaic panels are mounted in a ring around the crown of the dome, turning the roof into something that looks as deliberate as the structure below.

The Solar Wind Charging Station breaks from the others in one important way: it isn’t designed to be driven into. Cars pull alongside it to access the charging points while the station itself stands as a tall sculptural object, a curved photovoltaic panel at its base and a vertical-axis wind turbine rising above. It draws from both sun and wind, storing electricity in batteries for continuous output.

All five sit somewhere between infrastructure concept and large-scale sculpture. The thinking behind them is that a charging station people actually stop to look at can do something a plain utility box never could. It places the shift from gasoline to electric into visible, physical form, turning an ordinarily forgettable errand into a small but deliberate presence in public space.

The post 5 EV Charging Designs So Beautiful You’d Actually Want to Stop There first appeared on Yanko Design.

Samsung’s Best Foldable Has 4,400mAh, Vivo’s Has 7,000

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Foldable phones have gone from novelties to genuine daily drivers, but the category still wrestles with two persistent complaints: battery anxiety and cameras that don’t quite match their non-folding counterparts. The big names have made progress on both fronts, though rarely at the same time, and rarely without some trade-off in thickness, weight, or price. That tension has defined the foldable experience for years.

The Vivo X Fold 6 takes aim at both problems at once, arriving with a 7,000mAh silicon-carbon battery and a 200MP ZEISS-tuned main camera on a form factor that still manages to fold flat into your pocket. It’s a foldable that doesn’t ask you to pick between photography and endurance, and the spec sheet makes a strong case that Vivo isn’t bluffing on either front.

Designer: Vivo

That 7,000mAh figure deserves some context. Samsung’s Galaxy Z Fold 7 packs a 4,400mAh battery, a 2,600mAh gap that isn’t a rounding error. The X Fold 6’s cell is a silicon-carbon design, which keeps the phone from becoming unreasonably thick despite the capacity. It charges at 80W over wire and 40W wirelessly, so topping up on a desk or a hotel nightstand doesn’t take long.

The camera system is where things get genuinely interesting. The 200MP main sensor, which measures 1/1.4 inches and opens at f/1.68, is ZEISS-tuned and sits alongside a 50MP ultrawide and a 50MP 3x periscope telephoto. That telephoto sensor, a Sony LYT-602, is larger than the one found in competing foldables from Samsung, OPPO, and Honor. Vivo’s Blueprint V3+ imaging chip handles processing duties across the setup.

There’s also a first for the X Fold series: support for an external camera lens. The second-generation 200mm telephoto extender, which clips onto the 3x camera, enables native 8.3x shots and lossless 17x captures. For video, the phone records at up to 8K and supports 4K/60fps Dolby Vision, along with film styles borrowed from Vivo’s higher-end lineup. Two 20MP front cameras, one per display, handle video calls.

Unfold the device, and you’re greeted by an 8.02-inch AMOLED inner display, powered by a Samsung M14 panel, with a peak brightness of 5,000 nits and a variable refresh rate between 1Hz and 120Hz. The cover screen is 6.51 inches. Both carry IP58 and IP59 ratings for dust and water resistance, which actually puts the X Fold 6 ahead of Samsung’s current flagship on that particular front.

OriginOS 6 Fold is built specifically for the foldable experience rather than simply scaled up from a phone UI. The upgraded Atomic Workbench makes keeping multiple apps side by side less of a chore, with AI tools for transcription, file suggestions, and document summaries. The Dimensity 9500 Super Edition, the first MediaTek chip in an X Fold flagship, does the heavy lifting across all of it.

The X Fold 6 launched in China starting at CNY 7,999 (around $1,180) for the 12GB/256GB variant, with the top-tier 16GB/1TB Black Gold Edition at CNY 11,299 (roughly $1,660). A global release date hasn’t been announced yet. It comes in Blue Hole, Salt Lake, Polar Night, and Black Gold, and its hinge is rated for 600,000 folds, which should cover years of daily use.

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