Tag Archives: wood

Eco-friendly tumbler uses thermoplastic made from unused wood byproducts

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Coffee lovers have thankfully become more conscious of the harmful effect their drinking habit has, not on their bodies but on the planet. Plastic cups are the biggest culprits, of course, but even paper cups actually take a toll on the environment in the long run. Paper is sustainable and biodegradable, but the rate at which we manufacture the material is faster than we can grow trees to maturity. At the same time, normal wood isn’t exactly a good material for reusable cups or tumblers that are becoming the go-to solution for environment-conscious drinkers of coffee, tea, or water. This design concept tries to offer a middle ground with a seemingly magic thermoplastic tumbler that is actually made from unused wood.

Designer: Kim Jiwoo (Designer Dot)

Wood is a material well-loved by designers because of its innate beauty and sustainability. But while it does grow on trees, trees don’t grow overnight. And while there are alternatives that make use of recycled synthetic materials like plastic, these don’t easily decompose like wood, which can turn into material that nourishes the soil that trees grow on. In other words, wood is the perfect circular economy material, and it would be great if it could take on the beneficial properties of plastic as well.

CXP or Cellulose Cross-linked Polymer is that growing (no pun intended) solution that promises the best of both worlds. It’s made of wood, specifically the cellulose that is the building block of trees and plants, but it has also been plasticized through specific chemical processes that are fortunately easy to reproduce. Unlike bioplastics that need very specific conditions before they decompose, CXP behaves exactly like wood in this regard. In other words, once this tumbler has reached the end of its life, it can be even used to nourish the soil for other trees whose discarded wood will be used to make more thermoplastics.

LINK is the expression of this sustainability innovation, a tumbler that tries to signify the connection between humans and trees on multiple levels. Its handle is intentionally shaped like a branch sprouting from a tree trunk, sporting a length that is ergonomic for any hand size. The trunk, which is the main body of the tumbler, is also shaped with ridges that try to mimic the uneven surfaces of trees, while also adding to the grippiness of the container.

Unlike a regular wooden vessel, LINK can be used to hold hot beverages like coffee since it is also a conventional thermoplastic. Spills, leaks, and slips can be prevented by using eco-friendly silicone, perhaps the only concession to this design. And because of the very nature of such recycled materials, there will be very noticeable specks of color that give each tumbler a unique identity that represents its special link to all life on the planet through wood.

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Crayons from Japan’s recycled trees highlights the country’s forests

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When you think of wood, the color that immediately comes to mind is brown since that’s what most of us have seen in the trees near our abodes or even when we travel. But it’s not the only color that we can extract from it, specifically from various species of forest trees. With 2//3 of Japan covered with trees and a lot of these forests remaining unharvested and unmaintained, it’s interesting to see what sustainable products can be made out of these trees.

Designer Name: Playfool

Forest Crayons is a project that uses the pigments extracted from various recycled forest trees and mixes them with other sustainable ingredients to turn them into crayons. Each one has a different shade that is based on the species of the recycled tree as well as how it was cultivated and grown. For example, you get a light green color for magnolia and a deep turquoise of fungus stained wood.

The pigments extracted are mixed with wood, rice wax, and rice oil to produce the different crayons. There are ten crayons available in the Forest Crayons set: Bayberry, Bogwood, Cedar, Chinaberry, Cybress, Hazenoki, Katsura, Kaizuka, Magnolia, and Zelkova. Some names should be familiar to most people but there are species that are native to Japan and some that have Japanese names.

Forest Crayons are actually supported by the Japanese Forest Agency and aside from producing these from recycled trees, they also want to “breathe new life into Japanese wood” so that people will have a new appreciation for the country’s forests. I would prefer the triangular shape of the crayons shown in the product shots but it makes sense of course to have them in the traditional crayon shape for functional reasons.

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Wood-encased computer adds a striking vintage touch to modern technology

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The aesthetics of modern and futuristic technologies often revolve around hard metallic surfaces, straight lines and edges, and an almost inorganic characteristic, as if all the opposite qualities are considered antiquated or even medieval. Of course, design trends come and go and sometimes even come back, as proven by the retro craze that has gripped many industries, especially consumer electronics. Duality has always existed in many facets of human existence, but that doesn’t mean those seemingly contrary elements cannot work together. In fact, contrast is an important factor in creating a beautiful composition, and this combination of a desktop computer and natural wood offers one such expression that creates a unique atmosphere around what would normally be a nondescript machine, combining past and present, natural and artificial in a harmonious blend.

Designer: Keegan McNamara

They may be called “personal computers,” but the desktops and laptops of today sometimes feel more impersonal than paper notebooks and stationery. Part of it is due to the very design of these products, adhering to a language often considered sharp, harsh, cold, and distant. There is no shortage of attempts to soften that image, either with customization options or skins that give the semblance of more natural and organic materials like wood.

The Limited Edition Apollo Collection, however, is no faux wood. Utilizing genuine Walnut, Cherry, or Maple, these bespoke computers enclose three important parts of the device to create a striking visual that beautifully contrasts the straight-edged aesthetic of modern technology with the more organic shapes found in nature. It makes the PC not only truly personal but also personable, making it an art object as much as it is an electrical appliance.

The Apollo Collection computers come in three parts, with the keyboard housing the computer itself. A portable screen connects to the keyboard via a cable, while the third part, a magnetic screen stand, completes the configuration for a more typical desktop computer. If typical desktop computers came housed in wood, that is. Each part is made to order by hand, and it utilizes custom circuitry and a bespoke operating system to truly give the computer a unique feel.

Beyond the wooden materials, the design also adds details that not only enhance the computing experience but also add a bit of humanity to the use of the computer via more tactile feedback. Unsurprisingly, the keyboard utilizes mechanical switches, but there are also physical dials for adjusting the volume and brightness of the computer. The exact specs of the computer are, at the moment, not completely known, but the limited edition bespoke design’s true appeal won’t be in its computing power but in its ability to create a new kind of relationship between man and machine.

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Wood-enclosed power supply box is designed to be seen

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Power strips and extension cords are now an unavoidable part of modern life. Unless you have custom-designed furniture, there will always be cases when you have too few power outlets or ones that are too far from your desk to matter. Unfortunately, these power supply accessories haven’t exactly evolved in terms of design, or at least most of them still look like appliances from the 90s rather than anything that fits modern aesthetics. Hiding these power sources has become an important part of the so-called cable management problem, which is often a source of tension and headache for some people. There are, thankfully, a few that try to embrace more pleasing designs, like this power supply box that thinks outside the box, pun intended, so that you don’t have stress over hiding it and instead proudly show it off on your desk or shelf.

Designer: OFS

Genuine wood isn’t often used as a material in many electronics, mostly because of its poor thermal handling, making it warp and deform over time due to heat. That and it’s a potential fire hazard, making it unsuitable for many devices. That doesn’t mean, however, that it can’t be used as a chassis or covering in a safe manner, especially if it can significantly change the character of a product from utilitarian to humane.

The Willow Power Supply is one such design that employs the warmth and natural beauty of wood to uplift the image of an ordinary extension cord from a tool to a decorative object. While most power strips and extension cords are painfully hidden behind or even under desks, Willow stands proudly on top. More than just boasting rights, however, this also means quick and easy access to those essential ports for your computer and devices.

Willow is available in a combination of beech or walnut shells and clear or black power boxes, though the best combination is the beech and clear or white box since it clearly brings out the beauty of the wood complimented by the minimalism of the power supply. The box itself has very little detail save for the outlet and ports in front and the braided cord coming out of its back.

While the Willow Power Supply might delight as an aesthetic product, it might disappoint as an actual power supply. There is only one power outlet, one USB-A port, and a lone USB-C port, a very basic and perhaps inadequate number for today’s needs. At $250, it does give off a feeling of being more like a designer product than one that’s made for power users, more for casual use than heavy-duty workstations. Either way, there is little doubt it adds a bit of accent to any workspace, especially matching minimalist designs with wooden furniture.

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Cut and slice with confidence with this majestic Hinoki cypress cutting board

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Having a sharp kitchen knife is essential to successful and stress-free food preparation, but it’s really only half of the cutting equation. You also need a dependable cutting board on the opposite side to receive the sharp edge of the blade cutting through fish, meat, vegetables, and other ingredients. There is a variety of materials used for these cutting boards, but most of them just don’t make the cut (pun intended). Plastic ones are too soft and easily get damaged, while metal or stone boards are too hard and damage the knife instead. Wood is a good medium, but not all kinds of wood are created equal or are equally up to the task. This rather stylish cutting board rises to the challenge by calling upon the majestic properties of Japan’s Hinoki cypress tree.

Designer: Metaphys for TEUD

Click Here to Buy Now: $59

The cypress tree has always been associated with sacred legends and its Japanese equivalent takes that to an artistic level. Hinoki wood is considered to be a precious material and it has been used to build temples and palaces for centuries. The slow growth period of this sacred tree results in straight grains and an elegant pinkish color, giving it a unique and premium aesthetic that is almost too good to be used on a kitchen cutting board.

Hinoki wood is, in fact, the perfect kind of wood to be used for this kind of design. It has natural antibacterial and antimicrobial properties, which means it’s resistant to mold. The wood also has a natural fragrance that pleases the sense of smell even after having so many kinds of ingredients cut on its surface. Most importantly, it has a medium hardness that is gentle on knives, ensuring that they stay sharp longer. When paired with our dashing Ceramic Sashimi Knife, you get a dynamic duo that’s going to last you a very long time with minimum fuss.

Unlike most of its kind, the Hinoki Cutting Board’s oval shape and sloping edges give it a gentler and more visually pleasing appearance. It isn’t just for show, though, as the shape also makes it easier to drain fluids and juices off the board, coupled with the Hinoki wood’s natural drain-friendly property. And thanks to cypress wood being lightweight, the cutting board is easy to handle, clean, and store away when not needed, though you might want to have its sleek shape on display all the time anyway.

Of course, bare wood wouldn’t be good as a cutting board, which is why even the Hinoki board has a silicone coating on top for protection, especially against water and moisture. This coating penetrates as deep as 2mm into the fibrous part of the wood, ensuring that it can’t accidentally be removed or easily damaged just by cutting over the surface. Whether you’re gently slicing sashimi with our Ceramic Kitchen Knife, cutting juicy fruits, or dicing portions of meat, this regal Hinoki Cutting Board will support all your food prep needs, while making sure your knife stays sharp for a very long time.

Click Here to Buy Now: $59

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Mapu Speakers bring technology and craftsmanship together

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There are people that love to pit technology against art or craftsmanship but those of us who know better know that the two can actually complement each other. There are products and designers out there who seek to fuse the two together and even bring innovation and improvements to the two worlds. One such product is a speaker that uses natural materials and is created by traditional craftspeople.

Designer: Mapu

The Mapu Speakers is a line of speakers that are made from natural materials like clay, wood, cork, and wool and handcrafted by traditional craftsmen in Chile and Portugal The goal is to create a new generation of craftspeople, “building a bridge between ancestral knowledge and technology”. Aside from having quality speakers so you can listen to your music, audiobooks, and podcasts, you also get a piece of art that you can display in your space.

The wooden cones and caps that are in the center of the driveractually optimize the high frequencies so you get a “vivid, spatial, and engaging sound”. The wool is used for the internal acoustic insulation while the leather and cork are also ideal for insulation due to their high tensile strength and heat resistance. The spherical shape of the vessel also adds to the sound quality that you get so you know that it’s not just beautiful but you get a pretty good speaker.

The Mapu Speakers are also 80% biodegradable so that’s another bonus for those who are looking for something pretty different for their speakers. The Mapuguaquén is already sold out on their website but the Mapu Preto and the Mapu Soenga, available in mono and stereo versions. The vessel-like shapes of the speaker line make it pretty attractive even if you don’t know yet the handicraft story behind it.

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Recyclable stool made from potato scraps and sawdust can be used for firewood

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There are plenty of designs that advertise being sustainable, but many of them stop halfway through the product’s life cycle. They are usually made from sustainable or renewable materials, and some, but not all, are made with a reduced carbon footprint. That said, not many cover what happens after the product has served its purpose, which often means adding to the already enormous amount of waste we produce annually. Fortunately, there are some designs that do take that into account, creating a circular economy where the product or its materials can be used for other purposes. One example is this cork-like stool that, true to its wooden nature, can actually be used like firewood to heat up a space or, better yet, fuel workshops that will produce the materials to be used to create another stool.

Designer: Renaud Defrancesco

Wood is a much-loved material by designers and producers. It has an innate beauty and texture that’s hard to reproduce artificially, it is biodegradable, and, to some extent, also renewable. It takes time for trees to grow, however, and not all parts of the wooded material actually end up getting used. Many get left on the cutting room floor, either as small chunks or, worse, sawdust. The latter is easy to take for granted until they pile up and become pollutants themselves, at least until they dissolve and disintegrate over a long period of time.

Briket is a stool that tries to solve that material waste problem by giving a new purpose to waste byproducts not just from woodworking but also from the food industry. In a nutshell, this nine-legged stool is made from sawdust scraps as well as potato scraps, both biodegradable and environment-friendly materials we throw out by the ton every day. Creating the parts of the stool itself isn’t exactly hard either, as it mostly involves compressing these minute pieces until they become a rigid and solid mass. This, in theory, can be done anywhere there’s an abundance of wood waste, which practically means sawmills, carpentry shops, workshops, and other places that work with large quantities of wood.

What makes the Briket stool more interesting, however, is how it can be used for some unrelated purpose when it has reached its end of life. Inspired by wooden pellets used for bonfires and fire pits, it can serve as fuel to heat up a place or keep the fire of a workshop going, letting it serve people one last time before finally biting the dust, pun intended. In fact, the legs of the stool can be individually removed and replaced, making the piece of furniture almost immortal as long as there are replacement parts available.

In terms of aesthetics, Briket has a unique raw appearance and texture that is more similar to cork than wood, something that might not sit well with everyone’s tastes. Because of that, some people might even have doubts about its stability and reliability as furniture you will sit on. Fortunately, that doesn’t seem to be the case, and Briket stands as a shining example of a truly sustainable design from start to finish.

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Sustainable tabletop smoker adds to your dinner aesthetic

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If you’re having a dinner party and you need to smoke some of your food like meats, vegetables, fish, cheese, and nuts, you probably will have to do it outdoors. But if you don’t have space to do actual smoking and you just have your table as your space, then that can be a problem (or you might have to just change your menu). There are options out there for table smokers but not all of them are convenient or emit minimal smoke or worse, they can make your food a bit charred.

Designer: Guillaume Bloget

The Cloche table smoker may be the solution to that particular problem. It uses aromatic plants and wood chips as your smoker so that the food you’re cold smoking will still be able to retain their original flavors but this time with a smoky note added to it. It can also serve as part of your dining table decoration as its beech and stainless steel aesthetic can add to the atmosphere of your meal. You can create a ritual out of arranging the food, lighting the fire, then putting it out and presenting the food for eating.

Using it seems pretty easy on paper. You place the ingredients on the metal part and then put the aromatic plants or pine needles on the hearth. You can use matches or a blowtorch to light your “fireplace” then close the smoker with the beech cover. The fire will be put out once you put the cover on (hopefully). After 30 minutes, you can lift the cover and then start consuming whatever it is you were cold smoking. You will still get some residual smoke but hopefully not to make anyone cough or choke.

Having a table smoker like this can help alleviate the pressure of having an actual smoking grill if you just need to cook a bit of food for your party. But of course this is assuming you’re just having a few guests over since the Cloche table smoker is a bit small. If you’re not using it, it can also just be part of your table decoration or a food container.

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Geometric chair concept almost looks like an Escherian optical illusion

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Chairs can come in all shapes and sizes. Some can take on complicated and organic forms, while others can be extremely minimalist or even brutally raw. They can range from designs that take inspiration from nature to those that adhere to simpler geometric shapes. The Euclid concept is one of the latter, aptly named after the ancient Greek mathematician. But while it draws its shape from a simple cube, its execution sparks a bit of wonder and curiosity as it resembles more the skeleton or wireframe of the shape, represented by almost unbroken lines that are reminiscent of Escher’s famed optical illusion, the impossible cube.

Designer: Sonakshi Gupta

Admittedly, it’s a bit difficult to see the Euclid chair as a cube, since most of us have this idea of a cube as having 12 lines that are all connected at eight corners to form six faces. Then again, that popular Escher object already shows an impossible depiction of that shape, and those familiar with that print might see some of that characteristic in this chair when viewed from certain angles. Overall, it creates a dynamic form that has your eyes following the lines and moving all over the place, sometimes confused about where the front and back sides are.

Its unique form isn’t the only notable thing about this concept, however. Its use of reclaimed wood gives it more than a sustainable character. That material, in a way, carries some history from what it was before becoming a part of this chair. Even if that past is unknown to the new owner, simply knowing it has one could give each Euclid chair its own unique charm.

And then there’s the method used to bring all the pieces together. Instead of requiring screws or even glue, a mortise and tenon joinery is used to provide stability without introducing complicated mechanisms. In theory, this could make it easy to later take the chair apart if some pieces need to be replaced, though that could also start to weaken the connection over time if done too frequently.

The Euclid concept chair offers a design that is minimalist, sustainable, and visually interesting. Whereas a cube is pretty much the epitome of symmetry, the missing edges and disconnected faces give the chair a bit more volatility. That said, it doesn’t seem like the most comfortable chair to sit on. Even if you put a cushion on the seat, the hard edges of the armrest and especially the backrest could give your body some grief after a long period of time.

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Sculptural chair design pays homage to a century-old wooden classic

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Designs come and go, but some manage to become icons in their field. There are quite a few such designs in the larger furniture market, especially in the categories of tables and chairs. More than a century ago, a particular wooden design shattered expectations and became the precursor of mass-produced chairs for years, even decades, to come. It has since then inspired many product designers not only to follow in this chair’s footsteps but also to improve on it or even reimagine it with modern techniques and sensibilities. One such ode turns what was primarily a utilitarian design into an art object, exaggerating the structure and form that gave the No. 14 Chair its identity.

Designer: Jiri Krejcirik

Wooden chairs have, of course, been around for centuries, but most of them were often made with elaborate hand-carved designs that didn’t scale well for mass production. In 1859, the Thonet company revolutionized the furniture industry with the No. 14 Chair, or simply the Chair 14, which could indeed be put through a pipeline but still looked elegant in its simplicity. Its most characteristic design was the steam-bent wooden rods that formed the chair’s back, legs, and support.

More than 160 years after its birth, a new design breathes new life into that classic chair and dials it up to eleven. But rather than modernizing the original design, “Ode to Chair 14” reinterprets it from a different angle, one that puts form and aesthetics on a pedestal. While the original No. 14 adopted bent wood to give a mass-produced design more style and elegance, this particular rendition turns that design element into an art form, transforming the chair from a piece of furniture into an art object.

The Ode to Chair 14’s base is similar to the original, with a circular seat supported by four curved legs joined by a ring midway down their length. Where it differs, however, is the backrest, where what would have been a simple arching curve almost spirals out of control and loops repeatedly until it forms a row of intersecting rings. It gives the chair a character that is both eccentric and regal at the same time.

Despite its glossy blue hue, the chair is still made from bentwood beech wood just like the original design. In a way, it demonstrates how production processes have advanced to the point of making even such complex shapes possible. At the same time, however, it retains the same structural simplicity as the first Chair 14, a vision that paved the way for a new breed of chairs for decades to come.

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