Author Archives: JC Torres

Toy-like cold aroma diffuser offers a fun way to make a room smell great

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Aroma and essential oil diffusers have become quite the fad in the past few years, offering a slice of peace and calm by stimulating one of the most underrated senses that we have: the sense of smell. There is a wide variety of designs for these products, ranging from extremely minimalist clay pots to hi-tech boxes, from garish tech products to aesthetic pieces of art. Most of these use evaporation or water vapor to spread their scents around, but a few simply rely on natural air to do the heavy lifting, so to speak. This diffuser is part of the latter group, but it does more than just stand still and hope a gentle breeze will carry the aroma around. Instead, this upside-down lollipop uses a simple yet effective trick inspired by the last thing you expect: a child’s toy.

Designer: Diptyque

Although they might be effective in diffusing the scent of aromatic oils across a space, most diffusers also have some downsides, like being fire risks or raising the temperature and humidity in a room. For smaller enclosed areas, a passive or cold diffuser might be a better and simpler option, letting nature run its course by using the air around or a breeze to carry the aroma. Of course, it doesn’t hurt to give it a little push, which is what the Culbuto does by moving back and forth like a metronome.

The name might sound foreign, but all of us will be familiar with toys that have spherical bottoms swaying back and forth to the delight of many kids and even some adults. This oscillating diffuser uses that same motion to help fan the scent emanating from its ceramic stick, sending the scent of Baies or Berries, specifically blackcurrant berries, mixed with flowery smells to all sides of a room. It requires no flame or electricity, simply a literal nudge in the right direction, creating an experience that is fun and engaging.

The Culbuto oscillating diffuser, however, is also a work of art that deserves a prominent place on your desk or shelf. The spherical body is wholly made from beechwood, crafted using traditional wood-turning techniques that bring a touch of elegance to a utilitarian product. The aroma comes from a ceramic stick that, pardon the pun, sticks out from the ball of wood, complementing and contrasting the base in a beautiful manner. The stick is “endlessly refillable,” making the cold diffuser not only simpler and more beautiful but also more sustainable in the long run.

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Logitech MX Ink stylus for Meta Quest gives creators a new tool for mixed reality

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Mixed reality platforms, or spatial computing as Apple calls it, try to seamlessly blend digital objects into the real world, but that illusion quickly breaks down when it comes to manipulating those virtual pieces directly. Yes, tapping on buttons in thin air or pinching the corner of floating windows might feel a little natural, but creating content, especially 2D and 3D objects, is less believable when all you have are two “wands” in each hand. For decades, the stylus has been the tool of choice of digital artists and designers because of its precision and familiarity, almost like holding a pencil or paintbrush. It was really only a matter of time before the same device came to mixed reality, which is exactly what the Logitech MX Ink tries to bring to the virtual table.

Designer: Logitech

The Logitech MX Ink is practically a stylus designed to work in virtual 3D space, but while that description is simplistic, its implications are rather world-changing. It means that creators no longer need to feel awkward about waving around a thick wand, making them feel like they’re playing games more than painting or modeling. Artists, designers, and sculptors can now use a more convenient and intuitive tool when moving around in mixed reality, bolstering not only their productivity but also the quality of their work. Admittedly, the MX Ink is bulkier and heavier than most styluses, closer to a 3D printing pen than an Apple Pencil, and drawing on air is still going to feel unnatural at first, but it’s significantly better than even drawing with your finger.

What makes Logitech’s implementation a bit more special is that it works in both 3D and 2D spaces. The latter means that you can still draw on a flat surface and feel the same haptics and pressure sensitivity as a Wacom stylus, for example. This means you can easily trace over a sketch or blueprint on paper and bring that up to a 3D space for fleshing out. Or you can paint artistic masterpieces on a physical canvas without actually leaving any mark on the paper.

The MX Ink is a standalone product, but Logitech is also offering optional accessories to further reduce the friction of working in mixed reality. The MX Mat offers a low-friction surface for drawing with the stylus in 2D, though the MX Ink can actually work on most flat surfaces anyway. The MX Inkwell is a stand and wireless charging station for the device, letting you simply lift it from the dock to start drawing and then put it back without having to worry it won’t be charged and ready for your next work session. Without the MX Inkwell, the stylus will have to charge via a USB-C connection, and Logitech doesn’t even ship a cable with it.

As promising as this new creativity tool might sound, its use is limited to the Meta Quest 2 and Quest 3 headsets, ironically leaving the Quest Pro out of the party. This is boasted to be the first time the Quest headsets support more than two paired controllers at the same time, which means you can connect the MX Ink and simply switch between it and the regular Quest controllers without having to reconfigure anything every time. The Logitech MX Ink goes on sale in September with a starting price of $129.99.

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Cut and slice with confidence with this majestic Hinoki cypress cutting board

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Having a sharp kitchen knife is essential to successful and stress-free food preparation, but it’s really only half of the cutting equation. You also need a dependable cutting board on the opposite side to receive the sharp edge of the blade cutting through fish, meat, vegetables, and other ingredients. There is a variety of materials used for these cutting boards, but most of them just don’t make the cut (pun intended). Plastic ones are too soft and easily get damaged, while metal or stone boards are too hard and damage the knife instead. Wood is a good medium, but not all kinds of wood are created equal or are equally up to the task. This rather stylish cutting board rises to the challenge by calling upon the majestic properties of Japan’s Hinoki cypress tree.

Designer: Metaphys for TEUD

Click Here to Buy Now: $59

The cypress tree has always been associated with sacred legends and its Japanese equivalent takes that to an artistic level. Hinoki wood is considered to be a precious material and it has been used to build temples and palaces for centuries. The slow growth period of this sacred tree results in straight grains and an elegant pinkish color, giving it a unique and premium aesthetic that is almost too good to be used on a kitchen cutting board.

Hinoki wood is, in fact, the perfect kind of wood to be used for this kind of design. It has natural antibacterial and antimicrobial properties, which means it’s resistant to mold. The wood also has a natural fragrance that pleases the sense of smell even after having so many kinds of ingredients cut on its surface. Most importantly, it has a medium hardness that is gentle on knives, ensuring that they stay sharp longer. When paired with our dashing Ceramic Sashimi Knife, you get a dynamic duo that’s going to last you a very long time with minimum fuss.

Unlike most of its kind, the Hinoki Cutting Board’s oval shape and sloping edges give it a gentler and more visually pleasing appearance. It isn’t just for show, though, as the shape also makes it easier to drain fluids and juices off the board, coupled with the Hinoki wood’s natural drain-friendly property. And thanks to cypress wood being lightweight, the cutting board is easy to handle, clean, and store away when not needed, though you might want to have its sleek shape on display all the time anyway.

Of course, bare wood wouldn’t be good as a cutting board, which is why even the Hinoki board has a silicone coating on top for protection, especially against water and moisture. This coating penetrates as deep as 2mm into the fibrous part of the wood, ensuring that it can’t accidentally be removed or easily damaged just by cutting over the surface. Whether you’re gently slicing sashimi with our Ceramic Kitchen Knife, cutting juicy fruits, or dicing portions of meat, this regal Hinoki Cutting Board will support all your food prep needs, while making sure your knife stays sharp for a very long time.

Click Here to Buy Now: $59

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Ice-like sculptures are actually handcrafted plastic furniture

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Furniture can be made from any material, with the only requirement that it should be strong enough to serve its purpose. Wood is the most common choice and one that’s beloved by designers, but there are also a number that are made of metal or even glass. There is also furniture made from plastic, though these bear the stigma of not only being cheap in terms of cost but also in quality and durability. Of course, not all plastic is made equal, and some perform better than others. And depending on how you actually use the material, they can look as plain or as luxurious as you can make them. This furniture collection, for example, looks like it has been carefully carved out of blocks of ice, but if you’ve been following the flow so far, then you’d probably guess they’re made from plastic and handcrafted plastic at that.

Designer: Kasper Kyster

Despite the harm they pose to the environment, plastic is still a common sight in many products. They’re cheap to make and easy to work with, which is why they’re used in mass-production pipelines. You’d almost be crazy to manually form the plastic by yourself, but it’s that inspired insanity that brought these beautiful masterpieces to life.

The project, called “Crafting Plastic,” is meant to challenge the way the material is perceived or even utilized. Rather than going through a machine or even a 3D printer, sheets of PETG plastic are cut into small sizes, heated with a heat gun, and then bent and shaped by hand. The pieces are turned into tubes that can be flattened, folded, and bent to create the classic forms of furniture. It’s definitely a painstaking method that won’t scale well, but it definitely serves its purpose, proving that plastic is not as simple as we presume it to be.

The result is a unique aesthetic that, on the one hand, looks like transparent glass but, on the other hand, also resembles sculpted ice with its imperfections and rough surfaces. It has an element of delicateness that almost makes you hesitant to even touch it, let alone put some weight on the pieces to actually use them for the furniture that they are. Fortunately, the lamps in the collection are fully functional without requiring interaction, though they may have also been the most difficult to make. The folds of the plastic pipes have to be done in a certain way and direction to make sure that light actually passes through.

It’s probably for the best that these pieces of furniture are more artistic and not easily replicated because, after all, they are made from plastic. There is some amount of recycled plastic but it’s kept at a low percentage in order to retain the material’s structural rigidity and stability. Hopefully, the eye-catching and thought-provoking design will inspire more experimentation on the use of plastic in furniture that will take into account not only functionality and beauty but also sustainability.

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Blown glass side tables look delicious enough to lick

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Glass isn’t often used for tables and even when it is, it’s usually only limited to the tabletop part. Glass is strong yet also brittle, so you would rarely want to have it in something that meets a lot of accidents in daily use. At the same time, however, glass also has an exquisite quality to its appearance that has even made it the favored material for counterfeit jewelry. There’s a certain artistry in glassware, especially when their production involves more traditional methods like glass blowing, embracing imperfections and flaws as unique traits that give the design a personality of its own. These side tables, simple as their shapes may be, are fine examples of how skilled craftsmanship can turn glass into something so beautiful that they might be good enough to eat.

Designer: Sabine Marcelis

Although they are completely functional, side tables often act more as decorative pieces, making them the perfect subject for design experimentation and thinking outside the box. There’s never a scarcity of concepts that explore different forms and functions for side tables, from transforming furniture to tables that serve both humans and pets at the same time. There are also plenty of more artistic renditions of what a side table is, like this collection that looks like tempting gigantic hard candy.

Coming in a variety of sizes, these square and rectangular glass boxes create a playful display of light and color through their translucent materials and even through the imperfections inside that material. The smoky gray and amber hues make the glass look less like jewelry and more like sweet treats that are too big to put in your mouth. Despite what would normally be boring shapes, the Lokum side tables have a certain aura of fun owing to the design’s charming character.

The simple boxy shapes of the side tables would normally be perfect for using mass-produced techniques, but these are instead blown glass into their geometric forms as evidenced by the traces of ripples in the glass. What would normally be seen as flaws actually enhance the glass tables’ playful image, adding a touch of dynamism to a rather static form. It also affects the way light passes through and bounces off, creating shadows and patterns that draw your attention further.

Elegant, entertaining, and ephemeral all at the same time, these blown glass side tables definitely do more than just provide a temporary place for books or cups. They turn imperfections into beautiful impressions, transform plain shapes into mouth-watering forms, and give life to any space through their simple yet eye-catching design. All these, using a technique that’s been around for centuries and a material that is as common as the sand.

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Canon’s quirky new lenses help you create content for Apple Vision Pro and VR

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Mixed reality platforms try to seamlessly blend physical and digital objects, but our current technologies have their limits. You can, for example, view a regular photo or video in this virtual world, but it’d be like seeing a TV float in front of you. Such content doesn’t fully convey the power and the possibilities offered by these technologies, for which you’ll require specialized tools that are often well beyond the reach of even the majority of professional content creators. Fortunately, the industry landscape is changing, and more accessible tools are becoming available, like this pair of Canon lenses recording at creating stereoscopic 3D photos and videos that don’t require you to buy a new camera, provided you already have a compatible Canon model.

Designer: Canon

To create a stereoscopic 3D video effect that doesn’t look fake, you’ll naturally need either multiple cameras working in sync or one that records in 3D from the get-go. Since there isn’t a huge demand for the latter, 3D or spatial cameras are rare and expensive. More importantly, they require you to set aside your existing cameras and settle for something unfamiliar and potentially less capable than your pro DSLR or mirrorless camera.

Canon’s solution is to actually equip its interchangeable lens cameras with optics designed to take photos or record videos directly in stereoscopic 3D or spatial video. This does mean using two lenses, which is what the upcoming RF-S7.8mm F4 STM DUAL lens will bring to the table. Details are still slim on this particular lens, other than it’s designed with the Apple Vision Pro in mind, particularly its new Immersive Video capability. Best of all, this lens is compatible with existing cameras, though only the Canon EOS R7 has been named so far.

The RF-S7.8mm F4 STM DUAL lens is, of course, also compatible with Canon’s own EOS VR system, as is a slightly odder RF-S3.9mm F3.5 STM DUAL FISHEYE lens, also for the Canon EOS R7. As the name implies, the lenses for this module are farther apart, allowing for a wider field of vision and a deeper 3D effect. It does make your camera look weird and could potentially block easy access to the grip or buttons on the front of the camera.

At $1,099, the RF-S3.9mm F3.5 STM DUAL FISHEYE isn’t exactly cheap, but it’s also within reach of pro content creators. More importantly, they won’t need to buy another camera and can stick to the powerful Canon EOS R7, presuming they already own this model. The price for the RF-S7.8mm F4 STM DUAL for the Apple Vision Pro will most likely be revealed closer to its launch this Fall.

The post Canon’s quirky new lenses help you create content for Apple Vision Pro and VR first appeared on Yanko Design.

Samsung Color E-Paper display could open the doors to new product designs

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Samsung is a tech giant with its hands in many industries, but one of its biggest businesses is in making displays. These cover anything from TVs to laptops to smartphones to signage, supporting a variety of display technologies like LCD, LED, and everything in between. One kind of technology it has barely touched, however, is Electronic Paper Displays or EPDs, the same kind of eye-friendly, battery-efficient screens found on eBook readers. That is changing now, however, with Samsung dipping its toes into this market with a new Color E-Paper display that’s currently aimed at indoor signage and posters but could also be extended to new types of devices in the very new future.

Designer: Samsung

E Ink signage is becoming more common these days, especially as these electronic paper displays start to show improvements in color rendering. It’s not hard to see the benefits of the technology for this particular use case, since EPDs don’t use power to retain their image and use very little power when changing what’s on display. Although it is hardly the first of its kind, even for the tech giant, Samsung’s presence in this growing market is pretty much a stamp of approval from a brand that sells large TVs and screens for the same purpose of advertising in indoor signage.

Image courtesy of invidis

The new Samsung Color E-Paper display seems to be really pushing the boundaries of the technology. The 32-inch has a QHD resolution of 2560×1440, though its real boasting feature is the 60,000-color gamut (six per pixel) which is quite high for a color electronic paper. This is thanks to the new E Ink Spectra 6 panel, the very same that flaunted artistic designs and images on the ASUS ROG Project DALI at Computex 2024 last week. This laptop concept utilizes a smaller panel that acts as a canvas for owners to customize the design of the laptop cover as they desire.

ASUS ROG Project DALI laptop concept @ Computex 2024

While the gigantic size of the Samsung Color E-Paper limits it to applications like signs and posters, it does make one wonder if Samsung will stop there. Its collaboration with E Ink could, in fact, lead to more devices with smaller screens, particularly in the eReader market that Samsung has never ventured into before. And with its close ties with Wacom, it could even add stylus support for these devices, potentially putting the likes of the Amazon Kindle and Kobo on notice.

Image courtesy of SamMobile

The post Samsung Color E-Paper display could open the doors to new product designs first appeared on Yanko Design.

Samsung Color E-Paper display could open the doors to new product designs

Posted on by

Samsung is a tech giant with its hands in many industries, but one of its biggest businesses is in making displays. These cover anything from TVs to laptops to smartphones to signage, supporting a variety of display technologies like LCD, LED, and everything in between. One kind of technology it has barely touched, however, is Electronic Paper Displays or EPDs, the same kind of eye-friendly, battery-efficient screens found on eBook readers. That is changing now, however, with Samsung dipping its toes into this market with a new Color E-Paper display that’s currently aimed at indoor signage and posters but could also be extended to new types of devices in the very new future.

Designer: Samsung

E Ink signage is becoming more common these days, especially as these electronic paper displays start to show improvements in color rendering. It’s not hard to see the benefits of the technology for this particular use case, since EPDs don’t use power to retain their image and use very little power when changing what’s on display. Although it is hardly the first of its kind, even for the tech giant, Samsung’s presence in this growing market is pretty much a stamp of approval from a brand that sells large TVs and screens for the same purpose of advertising in indoor signage.

Image courtesy of invidis

The new Samsung Color E-Paper display seems to be really pushing the boundaries of the technology. The 32-inch has a QHD resolution of 2560×1440, though its real boasting feature is the 60,000-color gamut (six per pixel) which is quite high for a color electronic paper. This is thanks to the new E Ink Spectra 6 panel, the very same that flaunted artistic designs and images on the ASUS ROG Project DALI at Computex 2024 last week. This laptop concept utilizes a smaller panel that acts as a canvas for owners to customize the design of the laptop cover as they desire.

ASUS ROG Project DALI laptop concept @ Computex 2024

While the gigantic size of the Samsung Color E-Paper limits it to applications like signs and posters, it does make one wonder if Samsung will stop there. Its collaboration with E Ink could, in fact, lead to more devices with smaller screens, particularly in the eReader market that Samsung has never ventured into before. And with its close ties with Wacom, it could even add stylus support for these devices, potentially putting the likes of the Amazon Kindle and Kobo on notice.

Image courtesy of SamMobile

The post Samsung Color E-Paper display could open the doors to new product designs first appeared on Yanko Design.

Blackmagic Spatial Camera for Apple Vision Pro looks like a mini spacecraft

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A lot of the focus at Apple’s WWDC event has so far revolved around the cleverly named Apple Intelligence and its features for iPhones and iPads. Of course, that’s hardly the only thing the company talked about this week, and one of its more highly debated products did get its fair share of attention as well. Although the initial hype seems to have died down and complaints about the device’s comfort have popped up here and there, Apple is showing that the Vision Pro is still going strong and growing strong, expanding not only its features but also its reach to other markets. In fact, Apple has just revealed how the platform will become an even bigger space thanks to devices that will let creators design content specifically for visionOS, like this two-eyed camera that looks more like a miniature version of a space-faring cargo ship.

Designer: Blackmagic Design

One of the strengths of Apple’s spatial computing platform is the seamless fusion of the physical and digital worlds, which means plain two-dimensional objects like apps and photos look almost natural while floating in the air in front of you. Of course, that doesn’t take full advantage of the strengths of the Vision Pro headset, which requires crafting content designed specifically for it. For that, you’ll also need the right tools for the job, and the upcoming Blackmagic URSA Cine Immersive camera is one such new device made especially for Apple’s visionOS.

Like any camera system designed to capture stereoscopic 3D content, be it photos or videos, this Blackmagic Design spatial camera has two “eyes,” each of which boasts 8160×7200 sensor. The camera also has 16 dynamic range stops for better color quality and accuracy, and it supports recording 3D video at 90fps rates. This imaging is made possible with Blackmagic’s own RAW format as well as the built-in Blackmagic Media Module that provides 8TB of high-performance network storage. In theory, this would allow creators to record over two hours of 8K stereoscopic 3D immersive video in that high-quality format.

The camera’s design itself is as distinctive as its features. Made with a robust magnesium alloy chassis and lightweight carbon fiber polycarbonate composite skin, the camera is designed to keep up with filmmakers, regardless of where inspiration takes them. The URSA Cine Immersive’s blocky yet sleek aesthetic gives it a retro-futuristic flavor reminiscent of the design for spaceships in films and TV shows from the 80s and 90s. Add to the fact that it can be mounted beneath a drone for aerial shots, you shouldn’t be surprised if it gets mistaken for a UFO from afar.

The Blackmagic URSA Cine Immersive camera and an upcoming update to the famed Da Vinci Resolve Studio software are some of the first tools designed for Apple’s new Immersive Video format for visionOS. This is just one of the new features that are coming to the Vision Pro, including the ability to turn any plain 2D image into a spatial photo, with no additional hardware or software required. The Vision Pro headset is also being made available to more countries this month, which will hopefully increase the testing of the headset’s design and its features to help future iterations of Apple’s spatial computing platform.

The post Blackmagic Spatial Camera for Apple Vision Pro looks like a mini spacecraft first appeared on Yanko Design.

Blackmagic Spatial Camera for Apple Vision Pro looks like a mini spacecraft

Posted on by

A lot of the focus at Apple’s WWDC event has so far revolved around the cleverly named Apple Intelligence and its features for iPhones and iPads. Of course, that’s hardly the only thing the company talked about this week, and one of its more highly debated products did get its fair share of attention as well. Although the initial hype seems to have died down and complaints about the device’s comfort have popped up here and there, Apple is showing that the Vision Pro is still going strong and growing strong, expanding not only its features but also its reach to other markets. In fact, Apple has just revealed how the platform will become an even bigger space thanks to devices that will let creators design content specifically for visionOS, like this two-eyed camera that looks more like a miniature version of a space-faring cargo ship.

Designer: Blackmagic Design

One of the strengths of Apple’s spatial computing platform is the seamless fusion of the physical and digital worlds, which means plain two-dimensional objects like apps and photos look almost natural while floating in the air in front of you. Of course, that doesn’t take full advantage of the strengths of the Vision Pro headset, which requires crafting content designed specifically for it. For that, you’ll also need the right tools for the job, and the upcoming Blackmagic URSA Cine Immersive camera is one such new device made especially for Apple’s visionOS.

Like any camera system designed to capture stereoscopic 3D content, be it photos or videos, this Blackmagic Design spatial camera has two “eyes,” each of which boasts 8160×7200 sensor. The camera also has 16 dynamic range stops for better color quality and accuracy, and it supports recording 3D video at 90fps rates. This imaging is made possible with Blackmagic’s own RAW format as well as the built-in Blackmagic Media Module that provides 8TB of high-performance network storage. In theory, this would allow creators to record over two hours of 8K stereoscopic 3D immersive video in that high-quality format.

The camera’s design itself is as distinctive as its features. Made with a robust magnesium alloy chassis and lightweight carbon fiber polycarbonate composite skin, the camera is designed to keep up with filmmakers, regardless of where inspiration takes them. The URSA Cine Immersive’s blocky yet sleek aesthetic gives it a retro-futuristic flavor reminiscent of the design for spaceships in films and TV shows from the 80s and 90s. Add to the fact that it can be mounted beneath a drone for aerial shots, you shouldn’t be surprised if it gets mistaken for a UFO from afar.

The Blackmagic URSA Cine Immersive camera and an upcoming update to the famed Da Vinci Resolve Studio software are some of the first tools designed for Apple’s new Immersive Video format for visionOS. This is just one of the new features that are coming to the Vision Pro, including the ability to turn any plain 2D image into a spatial photo, with no additional hardware or software required. The Vision Pro headset is also being made available to more countries this month, which will hopefully increase the testing of the headset’s design and its features to help future iterations of Apple’s spatial computing platform.

The post Blackmagic Spatial Camera for Apple Vision Pro looks like a mini spacecraft first appeared on Yanko Design.