
Tag Archives: accessories
Asus ROG Archer suitcase 20 turns essential gaming gear into travel-ready luggage

Gaming hardware has become increasingly portable, but carrying a laptop, accessories, chargers, and everyday travel essentials still often means juggling multiple bags. Asus is addressing this gamer’s problem with the ROG Archer Suitcase 20. This is a 20-inch carry-on designed around the needs of gamers, creators, and professionals who regularly travel with technology.
Announced under the Republic of Gamers today, the suitcase is the first model in the Archer series. Rather than simply adding gaming-inspired graphics to conventional luggage, Asus has built the case around quick access to technology and better organization. Its most practical feature is a dedicated front compartment that can accommodate a laptop measuring up to 16 inches.
Designer: Asus


The front section is double-padded and organized with individual spaces for a power adapter, mouse, and keyboard, along with a dedicated strap for a headset. This makes it possible to access frequently used equipment without opening the main suitcase compartment, which could be particularly useful at airport security or when working while in transit. The main clamshell compartment is reserved for clothing, toiletries, and other belongings, with a zippered divider and Y-shaped compression strap helping keep everything in place.


Mobility is another aspect where Asus has focused on refinement rather than simply adding gaming aesthetics. The suitcase uses four Hinomoto Miraclent 360-degree silent wheels designed for smooth, low-noise movement across different surfaces. The wheel hubs also keep the ROG Fearless Eye logo upright as the suitcase moves, adding a small visual detail to an otherwise functional component. Small hooks integrated into the upper side studs provide another useful touch, allowing travelers to hang a compact bag or umbrella while the suitcase is standing upright.


The exterior follows the understated side of ROG’s visual language, using a black finish with subtle Fearless Eye branding. Beneath it is a 100 percent Covestro Makrolon polycarbonate shell designed to withstand the bumps and impacts associated with regular travel. Both the main compartment and front compartment are secured through a single TSA 007 dual-slot lock mechanism, while additional interior padding helps protect devices and packed belongings.


Standing at 56 × 36.5 × 23 centimeters tall, the ROG Archer Suitcase 20 offers 35 liters of capacity and weighs 3.68 kgs. The dimensions place it firmly in the carry-on category, although travelers will still need to check the specific cabin-baggage limits of their airline. The construction, made out of polycarbonate with polyester, aluminum, nylon, and TPE components, ensures the luggage is still relevant many years down the line.

Asus has managed to craft a gamer’s luggage that treats gaming equipment as part of the travel load without worrying about packing things separately. Its appeal extends beyond gamers, too, as creators, developers, and professionals carrying a laptop and several accessories can benefit from the same organization and protection. Asus has not announced pricing or market availability in the launch announcement, leaving those details to vary by region.








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ASUS’ first gaming soundbar is now available in the US for $600

CMF Clip Pro Review: More Than Just a Pretty Case

PROS:
- Excellent physical controls
- Distinctive case design
- Comfortable open-ear fit
- Balanced, clean sound
- Polished Nothing X app
CONS:
- Limited base weight
- Price feels a little high by CMF standards
Open-ear earbuds used to feel like a niche product made for a very specific kind of listener. They were mostly aimed at runners, cyclists, and anyone who wanted to stay aware of their surroundings, and the category was long dominated by a small group of specialist brands. For years, that made open-ear audio feel practical rather than desirable, more about function than style.
That is no longer the case. Open-ear earbuds have quickly become one of the busiest segments in personal audio, with mainstream brands now entering the space and giving the format broader appeal. CMF, Nothing’s budget-focused sub-brand, is the latest to join them with the CMF Clip Pro. As you might expect, it leans heavily on design and distinctive hardware touches to stand out, including physical controls that give it more character than most rivals. On paper, it already feels more interesting than the average pair of open-ear earbuds. The real question is whether that personality translates into a product worth buying.
Designer: CMF (Nothing)
Aesthetics
CMF Clip Pro is a good reminder that an earbud case can matter just as much as the earbuds themselves. Here, the case is not just packaging. It is a big part of the product’s identity, and one of the first things that makes the Clip Pro stand out.

The shape is essentially a rounded rectangular pod. It is slightly chunky, but softly contoured, with curved corners, a matte finish, and a subtle rubber-like texture that feels warmer than the glossy plastic shells most earbuds still use. It also stands apart from the usual pebble-like cases, which gives it a more distinctive silhouette in the hand.
The detail that defines the whole design is the oversized circular dial at the top right corner, called Smart Dial. It immediately gives the case a focal point, but it also earns that space by being functional. The metallic finish, ridged edge, and two line markings give it a sharper, more engineered feel, which contrasts nicely with the softer body of the case.
The rest of the design is restrained. There is only a small CMF logo on top, with the status LED and USB-C port kept discreetly out of the way. That minimalism works in the case’s favor, because it lets the shape and the dial do most of the talking.

The color options reinforce that identity. Light Gray and Dark Gray are the safer choices, but Coral is the one that feels most like CMF. It is brighter, more playful, and better suited to a product that clearly wants to stand apart. Most importantly, the case feels designed with intent rather than treated as an afterthought, and that alone gives the Clip Pro an edge.
Ergonomics
The Smart Dial on the case is one of those details that immediately makes the product feel more thoughtful in hand. Each turn delivers crisp, clicky feedback, and pressing the dial has a satisfying weight to it. It feels tactile and deliberate rather than decorative, which makes everyday use that bit more enjoyable.

The case has a matte texture that feels soft in the hand, while the earbuds are mostly glossy. At around 52.1 x 26.7 x 51.0mm and roughly 38.8g, the case stays compact and easy to carry. I also like that it can stand upright on a surface, which is a small but practical advantage over the usual round, pebble-like earbud cases. Each earbud weighs just under 6g, and that lightness helps with long-term comfort.
The Clip Pro is easy to wear for hours without feeling pinchy or awkward. CMF has also built physical buttons into the rear section of each earbud, where they are easy to reach without much adjustment. The earbuds do not interfere with glasses either, which is a nice touch. They can clash slightly with earcuffs depending on their position, but in my experience that is only a minor issue.

There is still a small ergonomic quirk with the charging case. Putting the earbuds back can be a little confusing at first because the left and right sides are not interchangeable. The rear section needs to sit at the bottom with the C-bridge facing inward, and until that becomes second nature, the process feels slightly less intuitive than it should.
Performance
Sound quality is always the challenge with open-ear earbuds because the format comes with clear limits. Without a seal inside the ear canal, you do not get the same bass weight, isolation, or intimacy as you would from a good pair of in-ear buds. The goal here is not to beat traditional earbuds at their own game. It is to sound full and clear enough that the open-ear tradeoff feels worthwhile.
The CMF Clip Pro uses a 10.8mm dynamic driver and supports LDAC, AAC, and SBC codecs. In practice, the tuning is more restrained than on some of CMF’s other earbuds. I found the CMF Buds 2 and Buds 2 Pro I reviewed last year noticeably bass-heavy, but the Clip Pro does not lean in that direction, even with Bass Enhancement set to Level 2. Instead, it sounds more balanced, which suits this category better.

Bass still lacks the weight and punch you would get from sealed earbuds, but that is to be expected. The upside is that the sound never feels bloated or as if it is trying too hard to compensate. Clarity is decent, and the overall presentation is clean and easy to listen to. It is not especially rich or immersive, but for casual listening, podcasts, and everyday music, it works well enough.
There is no noise cancelling, and no real isolation either. Some leakage is still present, as you would expect from open-ear earbuds, but it is mild in everyday use. People nearby are unlikely to notice unless they are very close or you’re listening at high volume. CMF also includes an anti-leakage mode, but while it helps, it also makes the sound noticeably more muffled.
As for call quality, the CMF Clip Pro uses a four-mic setup, with two mics on each earbud, alongside noise reduction. It does a decent job of keeping voices clear enough for everyday calls, even in busier environments. It is reliable enough that taking calls on the go does not feel like a compromise.

The physical controls on both the earbuds and the case are easily one of my favorite things about the Clip Pro. In a category where touch controls often feel inconsistent, CMF takes a more tactile approach that immediately helps these stand out. The buttons on the earbuds are easy to use and support a surprisingly broad range of inputs, including double press, triple press, press and hold, and double press and hold. That gives the Clip Pro a level of flexibility that feels more thoughtfully implemented than many rivals.
What really elevates the experience is the Smart Dial on the case. It handles volume through rotation, and it can also be customized for playback, track skipping, voice assistant access, low lag mode, and call controls. That makes the case feel like more than a simple charging shell, giving the product a bit of personality in everyday use. More importantly, the physical controls work very well in practice. They feel responsive and dependable, which matters far more than simply offering a long list of possible shortcuts. My only complaint is that the sound cue for volume changes can lag slightly behind the actual adjustment.
The earbuds’ controls work right out of the box, while Smart Dial has to be enabled manually in the Nothing X app. Beyond that, the app lets you adjust features like spatial audio, anti-leakage mode, bass boost, low lag mode, and dual-device pairing. There are also five preset EQ modes, plus a custom three-band equalizer that gives you a good amount of control over the sound. Nothing X is not doing anything radically new, but it remains one of the best earbud apps around. It looks great, feels intuitive, and makes it easy to tweak settings without any fuss.

Battery life is rated at up to 10 hours on the earbuds themselves and up to 32.5 hours with the case, while a Long Battery Mode pushes that to 36 hours. In my testing, which included a mix of music, video, and a 20-minute video call, the earbuds still had more than 50 percent battery left after about five continuous hours of use, so CMF’s claim appears to hold up well. CMF also says a quick 10-minute charge can deliver up to four hours of playback, which adds to the overall convenience.
Sustainability
CMF leaves a few unanswered questions here. The Clip Pro earbuds themselves are rated IP54, which adds useful protection against dust and light splashes in daily use. The case, however, is only rated IPX2, so it is best kept away from water.

There is also less clarity around environmental impact than I would have liked. Unlike Nothing’s mainline products, CMF does not seem to clearly publish details on recycled materials, carbon footprint, packaging, or manufacturing for this line. That does not necessarily mean sustainability was ignored, but it does make the product harder to assess on those terms. For a brand that puts so much emphasis on design and presentation, a little more transparency here would have made the Clip Pro feel more complete.
Value
At $99, the CMF Clip Pro sits firmly in the mid-range. That price feels a little high by CMF standards, especially for a brand that has built its reputation on strong value. Even so, the Clip Pro still manages to punch above its price in a few key ways, particularly through its design, physical controls, comfort, and overall user experience.

That said, value here depends heavily on what you want from your earbuds. If you are drawn to the look, appreciate the physical controls, like the fit, and want an affordable open-ear option from a recognizable brand, $99 can still make sense. If you are comparing purely on specifications, protection, or feature depth, this one may feel a little less convincing.
Verdict
The CMF Clip Pro does not completely redefine what open-ear earbuds can be, but it gets more right than wrong. The sound still carries the usual limitations of the format, yet it is tuned with enough balance and clarity to work well for casual listening, podcasts, and everyday music. The price also feels a touch high for a CMF product. Even so, there is a lot to like here. The design is distinctive, the fit is comfortable, the controls are genuinely excellent, and the overall user experience feels more considered than most rivals in this space.
What makes the Clip Pro stand out is that it does not rely on one gimmick alone. The Smart Dial is clever, but it is also useful. The physical buttons are unusual, but they are there because they work. Add in a polished app and solid battery life, and you end up with a pair of open-ear earbuds that feels thoughtfully put together from top to bottom. It may not be the obvious value champion in CMF’s lineup, but it is one of the brand’s most interesting products yet, and one that gets the basics right in ways that matter.

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RayNeo Just Split Smart Glasses Into Two, and Neither One Compromises
The smart glasses category has long struggled with identity. Most devices try to do too much and end up doing nothing all that well. RayNeo’s answer to that is two entirely separate glasses for opposite ends of the spectrum: the iO as a discreet all-day AI companion and the GT Series as a portable personal theater. It’s a straightforward bet that specialization beats compromise.
The iO is the one you’d wear to a meeting and forget you have on. At 33 grams, with an aerospace-grade titanium frame and magnesium-aluminum alloy construction, it distributes weight evenly enough to disappear on your face. The display is invisible to anyone looking at you, a 97% transparent waveguide that delivers text at 1,300 nits of brightness while looking like ordinary eyewear to everyone else in the room.
Designer: RayNeo


What the iO actually does with that display is where things get interesting. Sit through a meeting, and it’s quietly logging the conversation, capturing context, and flagging action items that you can approve with a nod. Step up to give a presentation and its Auto-Teleprompter scrolls your script in sync with your speaking pace. For frequent travelers, it translates across 55 languages and 109 accents in near real time.



The iO doesn’t have speakers or a camera, which is a deliberate call. A four-mic array paired with a bone conduction sensor picks up your voice clearly even in noisy environments, and the 240mAh battery stretches to two days of regular use. Bluetooth 5.4 with MFi certification, IP54 water resistance, and a tactile Smart Crown rotary dial on the right temple complete the hardware.


The GT Series is a completely different proposition. Where the iO blends in, the GT and GT Max make no apologies for what they are: personal cinemas you wear on your face. The standard GT projects a 231-inch virtual screen at a 46° field of view, and the GT Max scales that up to a maximum of 307 inches at 59°, adjustable across three selectable sizes.


Paired with the RayNeo Pocket TV Pro, a Google TV-powered streaming device with a 6,500mAh battery, the GT Series is also the world’s first AR glasses system to support native Dolby Vision playback. That companion device powers both itself and the glasses for about 5.5 hours of streaming, which means actual Dolby Vision on a screen that fills more of your visual field than most living room televisions.


Audio in the GT Series comes from a quad-speaker system co-tuned by Bang & Olufsen, using a six-magnetic circuit design that delivers a 5dB boost in low-frequency sensitivity. Head-tracked spatial audio keeps the soundstage anchored as you move, and a dedicated Steady Mode in the 3DoF chip filters out turbulence and vehicle vibration, making it a natural companion for long flights or train journeys.

Both products go on sale September 4, 2026, via RayNeo’s website and Amazon. The GT starts at $299 and the GT Max at $399, with pricing for the iO still to be confirmed. Custom prescription lens inserts are supported across both GT models, and the GT Max comes in three IPD sizes to accommodate different face shapes. It’s a two-pronged launch that doesn’t hedge its bets on either end.


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This 32oz Bottle Carbonates Your Water in 3 Seconds, Wherever You Are
Most people who drink sparkling water have settled into one of two habits. They either haul home cans and bottles from the grocery store every week, or they own a countertop soda maker that never leaves the kitchen. The Roam SodaTop is designed for everyone caught between those options: a 32oz insulated bottle that carbonates still water on demand, wherever you happen to be.
The home soda maker does what it promises, but it’s also a fairly large appliance with a permanent spot on the counter and plastic bottles that aren’t built to travel. Your sparkling water stays fresh for however long it sits in the fridge. Step outside, and you’re back to buying packaged drinks. It’s a frustratingly common situation for something meant to be a simple habit.
Designer: Mohini Boparai
Click Here to Buy Now: $119 $199 ($80 off). Hurry, only 46/1150 left! Raised over $359,000.
That’s the gap the SodaTop fills. The system pairs a stainless-steel bottle with a compact carbonation mechanism powered by small CO2 canisters. The bottle was engineered to handle carbonation pressure, with specially threaded fittings that most regular water bottles simply aren’t built for. Roam describes it as the world’s first insulated bottle that instantly carbonates water, and looking at the category, it’s hard to argue with that framing.
Using it takes just a few steps: fill the bottle to the marked interior line, drop in the CO2 canister, and twist the cap into place. The water is sparkling in about three seconds, and a pressure-release mechanism keeps the carbonation locked inside until you’re ready to drink. There’s no pumping, no separate carafe, and the whole thing takes less time than opening a can.
What makes that genuinely useful is the size. The SodaTop is roughly one-fifth the footprint of a standard countertop unit, compact enough to slip into a bag or a kitchen drawer without drama. Whether it’s on a work desk, a hotel table, or brought along on a day out, fresh sparkling water goes wherever the bottle goes, which is something no countertop soda maker can claim.
The bottle itself does more than hold the mechanism in place. Triple-wall construction keeps drinks cold for up to 24 hours and ice for up to 48 hours, well ahead of the plastic bottles that come standard with most home soda systems. That thermal advantage also matters for carbonation, since cooler water retains CO2 more efficiently and keeps the fizz from fading before the bottle is empty.
On the inside, Roam uses what it calls MirrorTech, a mirror-polished steel surface that the brand says keeps carbonation crisp for longer, resists odor buildup between uses, and discourages flavor transfer. The wide-mouth opening makes adding ice and pouring easy, while a visible fill line inside takes the guesswork out of how much water to add for consistent carbonation every time.
The CO2 canisters are made from recycled steel and are fully recyclable, so when they’re empty, they go straight into the recycling bin with no return shipping involved. Roam positions the ongoing cost at as little as $0.55 per canister for subscribers, framing that as roughly half the cost of buying pre-packaged sparkling water. Cutting out single-use cans and bottles also noticeably reduces household waste.
Roam also offers Natural Flavor Essence Drops designed to pair with the SodaTop, available in eight varieties: Ginger Root, White Peach, Sicilian Lemon, Yuzu Lime, Blood Orange, Strawberry, Grapefruit, and Mango. All are zero calorie, zero sugar, and plant-based. They’re also certified keto, paleo, vegan, gluten-free, kosher, and non-GMO, so they turn sparkling water into a flavored drink without any of the sugar baggage.
The SodaTop comes in three finishes: Pebble, Sage, and Charcoal, each with a contrasting accent at the base that gives it a quietly distinctive look. The silhouette reads more like premium drinkware than a gadget, which is probably the whole point. It’s the kind of object that fits on a desk, gets tossed in a bag, and doesn’t look out of place in either setting.
Click Here to Buy Now: $119 $199 ($80 off). Hurry, only 46/1150 left! Raised over $359,000.
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