5 Things the iPhone Duo Got Right That Samsung Still Hasn’t

Samsung has had the folding phone conversation to itself for six years now, tweaking hinges, shrinking creases, and figuring out what a cover screen is even for. Apple waited, watched, and let its rival make every mistake first. That patience shows in the iPhone Duo, a first-generation foldable that skipped straight past problems Samsung’s Galaxy Z Fold8 still hasn’t fully solved.

None of that comes cheap, though. The Duo starts at $1,999 and costs more than the Fold8’s $1,899.99, weighs in at roughly nine ounces against the Fold8’s seven, and folds up thicker in your pocket, besides. Samsung still wins those arguments outright, and we’ll get back to that later. But set weight and price aside, because here are five places where Apple’s first foldable actually beat Samsung’s eighth attempt.

Designer: Apple

The Camera That Disappears

A foldable phone’s whole pitch is the screen, one continuous surface that opens up into something closer to a small tablet. Every notch or punch-hole cut into that surface breaks the illusion a little, reminding you that the software is still working around a sensor buried in the glass. Samsung’s Galaxy Z Fold8 has never quite escaped that compromise, even eight generations in.

The Galaxy Z Fold8 carries a 10-megapixel camera punched into both the inner and cover displays, a hole you notice every time the screen lights up. The Duo takes a different route entirely, tucking its inner selfie camera under the panel itself so nothing interrupts the display when you’re watching a movie or scrolling through photos with both halves open. The outer screen keeps a single, smaller cutout.

A Stylus Samsung Gave Up On

Samsung built its whole Note legacy around the S Pen, then carried that stylus into the first few generations of the Galaxy Z Fold before quietly dropping it this cycle. Neither the Galaxy Z Fold8 nor the Galaxy Z Fold8 Ultra bring it back, leaving a gap for anyone who used to sketch, sign, or jot notes onto that big inner display. It’s a strange retreat for a company built on that exact feature.

Samsung Galaxy Z Fold6

Apple Pencil support changes that, working on both the 5.4-inch cover screen and the 7.6-inch inner display, once it arrives. Dual-screen support lands through a software update later this year rather than at launch, so early buyers will have to wait a bit for the full experience. Still, it means signing a document or sketching an idea won’t require unfolding the phone first, something Samsung’s lineup can no longer offer.

Built to Survive the Mess

Dust is the part of durability testing everyone forgets about until it’s too late, and a folding hinge is the worst possible place for grit to sneak into. Water resistance ratings get all the marketing attention, but the dust half of an IP rating tells you whether sand at the beach or fine construction dust will actually make it past the seals and start scratching at the mechanism underneath.

The iPhone Duo carries an IP68 rating, meaning the seal is dust-tight; nothing gets through, full stop. The Galaxy Z Fold8 only manages IP48, which covers water fine but leaves that dust digit low enough that fine particles, sand, and powder aren’t actually kept out. For anyone who takes their foldable to a beach, a workshop, or just a dusty backpack, that gap matters more than it looks.

Room for Everything You Shoot

A foldable’s bigger inner screen practically begs you to shoot more video and drag around heavier files, whether that’s 4K footage, a stack of RAW photos, or a library of apps you’d never bother installing on a regular phone. Storage stops being an afterthought pretty quickly once you’re using the extra screen real estate the way it’s meant to be used, for actual creative work instead of just bigger icons.

Apple tops out the iPhone Duo at 2TB of storage, double what the Galaxy Z Fold8 offers at its 1TB ceiling. That’s the difference between planning around your camera roll on a long trip and simply forgetting storage exists as a problem. For anyone who treats their foldable as a mobile production tool rather than a bigger email client, that extra headroom ends up mattering more than the megapixel count.

Fighting the Fold’s Oldest Flaw

The crease down the middle of a folding screen has been the one problem no manufacturer has fully cracked, Samsung included, no matter how many generations they’ve shipped. Apple’s approach to the Duo’s hinge stacks a nano-texture matte layer over glide-adhesive glass and backs the whole assembly with a titanium plate, an engineering answer to a problem that’s mostly been treated as unavoidable elsewhere in the industry.

Early impressions from outlets with briefing access suggest the crease is still visible. Nobody’s claiming otherwise, but it doesn’t catch your finger or your attention the way it does on most rivals, the Galaxy Z Fold8 included. That’s worth flagging as an early read rather than a verified result, since neither phone has landed in reviewers’ hands yet. Outdoor glare handling gets similar praise, though the real test comes once these ship.

What Samsung Still Gets Right

None of this makes the Galaxy Z Fold8 a bad phone, and Samsung still wins the arguments that matter most to plenty of buyers. It’s $99.01 cheaper, noticeably lighter at roughly seven ounces against the Duo’s nine, and thinner whether it’s folded shut in your pocket or opened flat on a desk. Those are real, measurable advantages, not consolation prizes.

Apple iPhone Duo

Samsung Galaxy Z Fold8

What you’re really choosing between is a phone that’s been refined for eight generations and one making its very first attempt, price and weight included. A first try that already beats its rival on a camera, a stylus, a durability rating, storage, and a hinge design is a strong opening argument, whatever it costs to get there. Samsung’s turn to respond comes next year.

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RHYTHM Is the Walkman the Smartphone Era Forgot to Build

Smartphones turned music into just another notification competing for attention, a song interrupted by a text, an album broken up by a calendar alert. RHYTHM exists to undo that arrangement entirely, building a dedicated listening device from real audio components instead of borrowing a phone’s guts and bolting on a headphone jack. It’s a from-scratch digital audio player designed around one job: playing music properly, without a screen demanding anything else from you.

That commitment starts with what’s actually driving the sound. Rather than leaning on an all-in-one audio codec chip the way most budget players do, RHYTHM routes music through a genuine ESS SABRE DAC, the same category of chip found in dedicated hi-fi gear, paired with a discrete amplifier stage rather than a shortcut solution. An ESP32-S3 handles the file parsing and processing, but the actual sound reproduction runs through hardware built specifically for that job alone.

Designer: Mithilesh Gupta Konda

The headphone output makes the clearest case for why any of this matters. Instead of splitting one internal signal across a single jack, RHYTHM runs two completely independent, actively buffered 3.5mm outputs, each driven by its own dedicated amplifier chip. Two people can plug in two entirely different pairs of headphones, and each gets a full, uncompromised signal, no shared circuit quietly degrading whichever connection came second.

Keeping that signal clean required rethinking the power supply as much as the audio path. RHYTHM physically separates its digital logic and high-frequency switching lines from the analog circuitry that actually shapes the sound, regulating each side through its own dedicated, ultra-low-noise power regulator. It’s an unglamorous decision that never shows up in a spec sheet screenshot, but it’s exactly the kind of choice that determines whether quiet passages in a recording stay quiet.

Physical control gets the same attention. A precision mechanical rotary encoder handles navigation alongside a set of tactile buttons, giving the whole interface a hands-on quality that a touchscreen simply can’t replicate. Paired with a compact 2-inch color display, the device reads less like a shrunken phone and more like a purpose-built instrument, something meant to be operated by feel in a pocket or a bag without needing to look at it.

A microSD slot rounds out the practical side, storing lossless files locally rather than depending on a streaming connection or app ecosystem. That local-first approach extends the project’s entire philosophy: RHYTHM isn’t trying to replace a phone’s convenience. Instead, it’s opting out of that convenience on purpose, trading constant connectivity for a listening experience built around a single, uninterrupted task.

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A Teen Bedroom Has 4 Jobs, the Hasuit Corner Bed Handles All of Them

A teenager’s bedroom has to do the work of four rooms at once: a place to sleep, a place to study, a place to charge every device they own, and a place to stash the clutter that inevitably piles up. The Hasuit Twin Corner Bed with Desk and Storage Bookcase tackles that problem by refusing to separate any of it, folding a bed frame, a desk, a bookcase headboard, and a charging station into one L-shaped footprint that claims a corner instead of a wall.

That corner-hugging shape is the real trick here. Rather than lining a bed and a desk up against separate walls and losing floor space to the gap between them, the frame wraps around the room’s dead corner, turning an awkward, often-wasted angle into the single most productive spot in the bedroom. At 97.1 inches long and 47.5 inches wide, it claims real estate efficiently rather than sprawling across it.

Designer: Hasuit

The desk sits at the foot of the bed rather than off to the side, wide enough for all your study needs: homework on one half, a laptop on the other. Three desk-side organizer pockets keep pens, cables, and notebooks within arm’s reach without cluttering the actual work surface, while a top storage shelf and matching headboard shelf give a spot for whatever needs to sit somewhere other than the floor.

Behind the headboard, six built-in bookshelves replace what would otherwise be a separate bookcase bought and assembled on its own. Add two under-bed drawers and two movable fabric storage bins, and the frame ends up handling the job of a dresser as much as a bed, all without eating into the room’s remaining walkable space.

A built-in charging station puts two AC outlets and two USB ports directly onto the bed frame itself, closing the gap between where a teenager sleeps and where their devices actually charge overnight. No more dragging an extension cord across the floor or reaching over the side of the mattress to find an outlet in the dark.

RGB lighting rounds out the package, offering more than 60,000 color options controllable through either a physical button or a companion app, with dedicated music, microphone, and timer modes layered in. It’s the kind of feature that reads as a gimmick until you remember how much a bedroom’s mood depends on lighting, especially for someone who treats their room as a study space, a hangout spot, and a bedroom all at once.

Engineered wood panels and metal slats hold the whole structure together, rated to support up to 600 pounds without a box spring required underneath. That combination of steel-reinforced practicality and genuinely useful built-in features is what separates this from a bed frame with accessories bolted on as an afterthought.

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DYSH Cooks Dinner, Serves It, and Leaves Just One Thing in the Sink

Cooking a single meal usually means dirtying a pot, a plate, and whatever serving dish stands between them, three separate objects doing what feels like one continuous job. DYSH collapses that chain into a single system, where the same vessel that cooks your food becomes the plate you eat from and the bowl you serve it in. It’s a multi-cooker built less around heating elements and more around eliminating the handoffs between cooking, eating, and cleaning.

The core vessel does the heavy lifting here, functioning as a pot, a frying pan, and a serving bowl depending on what a given recipe calls for. Rather than reaching for a different pan every time a dish changes character, from simmering a sauce to searing something quickly, the same piece of cookware adapts, cutting down on the pile of mismatched pots that usually accumulate across a single cooking session.

Designers: Chaeyeon Yoo, Doyoon Kim, Eui Hwan Kwon, Gun Park, Yangwoo Choi

The lid takes on double duty of its own, flipping from a cover that traps heat and moisture into an actual plate once the cooking is done. That single swap removes an entire category of dishwashing from the equation, since a meal cooked and served straight out of DYSH never touches a separate plate in the first place. It’s a small mechanical shift with an outsized effect on how much ends up in the sink afterward.

A two-way handle ties the physical and functional sides of the system together. It offers the grip stability you’d expect from cookware, letting you lift, tilt, or steady the vessel during actual cooking, while also serving as the control interface for the multicooker itself. Instead of a separate dial or touchscreen bolted onto the base, the handle you’re already holding becomes the same point of control.

Underneath all of it sits an induction base, the one component that stays put on the counter while everything else moves. Magnetic connections join the vessel, lid, and handle to that base, a detail that does more than simplify assembly. It keeps the overall system lighter, safer to handle when hot, and considerably easier to break apart and clean once a meal wraps up.

None of these choices exist in isolation. The vessel’s shape-shifting utility only works because the lid is ready to become a plate the moment cooking stops, and that handoff only feels seamless because the handle and magnetic base keep every piece aligned and secure throughout. Each part borrows from the next, turning what would normally be three separate categories of kitchenware into a single, continuous object.

For a kitchen already crowded with single-purpose gadgets, DYSH argues for consolidation instead of addition. A meal-kit cooker that eats its own leftovers, so to speak, absorbing the roles of a pan, a plate, and a serving dish into one connected system, changes what a full dinner’s cleanup actually looks like once the last bite is gone.

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Pocket Traveler Is the Fitness Tracker That Thinks It’s a Tamagotchi

Fitness trackers love to reduce your day into cold numbers, steps counted, calories estimated, none of it particularly fun to look at. Pocket Traveler takes the opposite approach, hiding all that data tracking behind a tiny pixel-art character named Milo who reacts to your movement the way an actual pet might. Walk, and Milo walks. Sit still too long, and Milo drifts off to sleep. The gamification isn’t bolted on afterward; it’s the entire point.

Milo’s design borrows directly from 16×16 pixel Tamagotchi sprites, each frame hand-drawn before being converted into code the device’s Raspberry Pi Pico can actually render. That authenticity matters more than it sounds. A pixelated character built with genuine sprite-work reads as a character with personality, not just an icon standing in for a progress bar, and that distinction is what makes checking in on Milo feel like checking on something rather than checking a stat.

Designer: Nigel Weiss

Underneath the charm sits a genuinely clever technical decision. Rather than pairing an accelerometer with GPS to track actual distance and location, the device relies purely on motion data from a single ADXL345 accelerometer, estimating activity from acceleration patterns instead of exact movement. It’s a simpler, cheaper sensor setup that still manages to capture the rhythm of a day, walking, resting, and the long stretches of stillness in between.

That data feeds two separate systems running in parallel. A leveling mechanic tracks lifetime progress, calibrated so a first milestone arrives within a week while a much higher level takes roughly a year to reach, giving the device both short-term payoff and something to chase over months. Layered on top, a rotating status system, chud, pleb, or nomad, reacts specifically to your last three days of activity, giving Milo an entirely different look depending on whether you’ve been sedentary or genuinely active lately.

The status thresholds shift depending on direction, meaning the bar for leveling up sits higher than the bar for dropping back down. That asymmetry keeps someone hovering right at the edge of a tier from bouncing between statuses every few minutes, a small design choice that prevents an otherwise satisfying system from feeling glitchy or unstable during normal daily fluctuation.

Pick the device up after it’s been sitting untouched for a while, and Milo occasionally has something to say, brief, handwritten lines hinting at what he’s supposedly been up to. Some are mundane, some genuinely funny, all of them injecting a bit of narrative into what would otherwise be a purely functional interaction. It’s a detail that costs almost nothing computationally but adds real texture to an otherwise mechanical relationship between a person and their step count.

Built from a handful of accessible components, an OLED screen, an accelerometer, a small battery, and open enough that anyone curious could build their own version, Pocket Traveler proves that turning movement tracking into a bit of digital company doesn’t require expensive sensors or polished manufacturing. Sometimes a hand-drawn character and a little personality do more to keep someone moving than a spreadsheet full of numbers ever could.

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Most Pocket Cameras Pile On Lenses, Insta360 Luna Pro Leans On One

Most pocket gimbal cameras chase versatility by piling on extra lenses, extra zoom ranges, extra everything. The Insta360 Luna Pro takes the opposite approach, stripping its flagship sibling down to a single lens and betting that one really good sensor beats two mediocre ones. It’s a stripped-down design philosophy wrapped around genuinely premium hardware, and that trade-off defines everything about how this camera works.

That single lens is no afterthought. A 1-inch sensor pairs with a Leica Summicron optic carrying a 20mm-equivalent focal length and an F1.8 aperture, the exact imaging core found in the pricier dual-lens Luna Ultra. Stripping away the telephoto camera doesn’t touch the part of the system responsible for actual image quality; it just removes the zoom flexibility, letting the Luna Pro undercut its sibling’s price without touching what the sensor sees.

Designer: Insta360

A 4nm chipset and dedicated image processor push that sensor toward genuinely demanding footage, including 8K Dolby Vision HDR recording and 4K at 120fps for slow motion. Ten-bit I-Log color capture means footage holds up under real color grading rather than falling apart the moment you push shadows or highlights, a detail that matters more to someone editing later than someone just hitting record.

Low light gets its own dedicated mode called PureVideo, which leans on AI processing to cut noise while pulling out extra brightness and detail up to 4K60. Rather than treating darkness as a limitation to shoot around, the camera treats it as a condition worth engineering specifically for, useful for anyone filming evening events, dim interiors, or anything after the sun goes down without reaching for external lighting.

Zoom still exists here, just handled differently than a second lens would allow. A 2x mode crops into the sensor’s center while holding a full 4K output, and a 4x “HighRes Zoom” mode uses AI reconstruction to hold onto detail that would otherwise blur. Neither replaces true optical zoom, but both stretch a single-lens system further than its hardware alone would suggest.

The physical shell wraps a 3-axis gimbal around all of this, smoothing footage down to a jitter tolerance of just 0.005 degrees while still allowing fast repositioning during a shot. A detachable 2-inch OLED touchscreen doubles as both a viewfinder and a standalone remote, letting you step back from the camera without losing the ability to frame or trigger a shot.

Forty-seven gigabytes of built-in storage and roughly four hours of battery life round out a camera built for grabbing footage on the move rather than settling in behind a tripod. At $600, the Luna Pro carves out a clear identity for itself: less camera than its flagship sibling on paper, but no less capable where the actual image lives.

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This 2.58oz MOFT Case Guards, Props, and Grips an iPhone Duo at Once

A folding phone creates a folding problem for accessory makers, and MOFT’s answer for the iPhone Duo is to lean into that shape rather than fight it. The Dynamic Folio wraps the Duo in a single continuous flap of vegan leather that does triple duty, guarding the shell from scratches, propping the phone up on demand, and giving your hand something secure to hold onto. One fold, three jobs, no extra parts bolted on.

That fold takes its cue from origami, the same paper-based logic MOFT has applied to its iPad cases for years. Here it collapses down to a razor-thin 0.07 inches and adds just 2.58 ounces to the phone, numbers that matter enormously on a device already carrying two screens and a hinge. The case disappears into pocket space rather than fighting for it, staying close to the Duo’s own profile instead of doubling it.

Designer: MOFT

Unfold that flap, and it becomes a kickstand positioned dead center on the back of the phone, a deliberate placement that keeps the Duo balanced rather than tipping toward one edge. Four viewing angles come out of that single hinge point, covering both portrait and landscape orientations. One of those positions lays the phone nearly flat, built specifically for reading in bed or setting the Duo on an uneven surface without it sliding away.

That same centered geometry solves a smaller but real annoyance. Most phone grips assume you’re right-handed, forcing lefties to awkwardly reposition their thumb. Because the fold sits in the middle rather than off to one side, switching hands takes no adjustment at all. It’s a detail easy to overlook in a product photo but immediately noticeable the first time you actually use it one-handed on a crowded train.

Color plays into the case’s identity as much as its geometry. Rather than a single flat shade, the Dynamic Folio pairs contrasting tones between its exterior and the interior of the fold itself, so the moment you deploy the stand, a second color flashes into view. It’s a small piece of theater built into a purely functional motion, turning something as mundane as propping up your phone into a tiny visual reveal.

Wireless charging still works with the case installed, and the vegan leather shell is built to protect both the Duo’s inner and outer displays from scratches, not just the one you’d normally think to guard. At $69.99, the Dynamic Folio also marks the opening move in a larger accessory lineup MOFT has planned around the Duo, with a modular protective case, a rotating grip stand, and a card wallet still to come before the end of the year.

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The Ultra2 Is the Handheld Fan That Earns a Permanent Spot in Your Bag

Handheld fans have traditionally been seen as seasonal accessories, but the category is evolving into something more versatile and designed for everyday carry. JisuLife’s Handheld Fan Ultra2 is built around that idea. That shift is also reflected in the broader consumer technology landscape on display at IFA Berlin, where everyday products are increasingly being designed to combine performance, convenience, and multiple functions in more compact forms.

The Ultra2 is one example of this evolution, bringing cooling, power, lighting, and focused airflow into a single handheld device. Built with an aluminum alloy body and multiple functions beyond cooling, it is designed to be a practical everyday carry rather than simply a seasonal accessory.

Designer: JisuLife

Click Here to Buy Now: $89.99.

At its core, the Ultra2 delivers airflow of up to 17m/s in a compact form. But power is only part of the equation. Its roller dial offers 100 speed levels, giving users precise control from a gentle breeze to more powerful airflow. A roller dial runs through 100 discrete levels rather than snapping between a few presets, giving you genuinely fine-tuned control over how much air you want at any given moment.

That level of control also makes more sense once you understand the battery. The 9,000mAh cell supports up to 25 hours of continuous use at its lowest setting, enough for a full festival day or a long travel stretch before recharging becomes a concern. Higher speed settings naturally bring that runtime down, but the baseline is more than generous for most situations.

When it does need power, the Handheld Fan Ultra2 supports 18W fast charging via USB-C, making it easier to recharge when needed. That same port also works as an output, letting the Ultra2 charge other devices. For anyone who’s hit a critical battery level at the wrong moment with no outlet anywhere nearby, that’s a genuinely useful thing to have on hand.

The power bank function becomes most obvious once you’re away from a socket for a full day. You’re already holding the fan on a long hike or at an outdoor event, so being able to quietly top up your phone from the same device takes one thing off your list. Its 9,000mAh battery also provides reserve power to help keep your phone topped up when you’re away from an outlet.

The high-brightness spotlight, complete with an SOS mode, adds another layer of usefulness in outdoor settings, making the Ultra2 useful beyond cooling. Accessory nozzles also let you focus the airflow for more specific tasks, from clearing dust from camera gear to cleaning tight spaces. These aren’t features most handheld fans bother with.

None of that would count for much if the day-to-day details weren’t as carefully handled. The rear intake features an anti-hair-entanglement design to help prevent hair from being drawn in, the back cover pops off for cleaning, and a safety lock stops the fan from activating inside a bag. They’re not headline features, but they’re the kind of details that tend to matter once you’re actually using something regularly.

The aluminum alloy body gives the Handheld Fan Ultra2 a tactile quality that plastic alternatives can’t match, and the two available colorways, Dark Grey and Light Brown, fit naturally into an everyday gear context rather than feeling like a seasonal accessory. The circular LED display on the fan head shows battery status clearly, and the whole unit measures 74.5mm x 40mm x 135mm, compact enough to disappear into most bags.

Seen in the context of IFA Berlin, the Ultra2 reflects a broader shift in how everyday technology is being designed: products are becoming more multifunctional without becoming more complicated to carry. Rather than adding another single-purpose device to your bag, the Ultra2 brings several useful functions together in one compact form.

For regular travelers, outdoor enthusiasts, or anyone who thinks carefully about what goes into their bag, the JisuLife Handheld Fan Ultra2 earns its keep across enough different scenarios to justify the premium. It cools, charges, illuminates, and delivers focused airflow when needed, all from one compact device designed to fit naturally into your everyday carry.

Click Here to Buy Now: $89.99.

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Come for the Cut, Stay for the Click: The DeckShiv Neo Delivers Both

Most utility knives are tools you forget about until you need one. The DeckShiv Neo is the one you reach for when you don’t. Rather than just existing purely to get a job done, like slicing open a box or trimming a stray thread, the DeckShiv Neo has a purpose long after you finish the task at hand. It’s a compact utility knife built around the moments when there’s nothing to cut at all, just a satisfying magnetic slide that clicks home every time you push it.

That feeling comes from a three-part motion the brand calls the Push: travel, resistance, and return. Slide it forward, feel resistance build under your thumb, then let it snap cleanly back. The DeckShiv Neo adds 0.26 inches of extra travel over the original, just enough room for that resistance to develop without turning the motion into work. It’s a tiny change, but it’s the whole point.

Designer: ACTMAX Design Team

Click Here to Buy Now: $49 $79 ($30 off). Hurry, only a few left! Raised over $51,000.

Underneath that motion sits a reworked internal system built from four N52 magnets, two tucked inside the body and two more inside the slider cover. They add resistance as you push, then guide the slider back once you let go. A solid, CNC-machined brass rail also replaces the thin shim used before, giving the mechanism a guided path instead of loose surface contact.

There’s also a Pin and Stop Pin system tucked inside, which sounds technical but solves a simple problem: knowing exactly when the slide is finished moving. Push it all the way, and it stops firmly, with no mushy give or extra wiggle room. That crisp finish is part of why the motion feels complete every time, not just smooth in the middle.

The DeckShiv Neo’s surface plays a role, too. A fine, bidirectional texture is machined into the body so your thumb finds grip whether you’re pushing forward or letting it slide back, and it works the same whether you’re left- or right-handed. Every corner is chamfered, and every transition smoothed over, so the knife stays comfortable to hold no matter how many times you’ve already picked it up.

When there’s actually something to cut, whether it’s a stubborn shipping box, packing tape, or a swatch of leather, the Neo handles it with a 15-degree asymmetric blade opening that exposes about 0.95 inches of edge, roughly 26% more than before. That extra visibility keeps the cutting line in clear view, letting you guide the blade with more precision instead of guessing where it actually is.

The blade itself is a standard SK5 utility blade, the same kind you’d find at any hardware store, not some proprietary cartridge that locks you into overpriced refills. Two N52 magnets hold it firmly in place, backed by a mechanical stop that keeps it from shifting in use. Once it dulls, swapping in a fresh one takes seconds and barely costs anything.

The DeckShiv Neo is also about 20% thinner than its predecessor, measuring roughly 2.9 by 2.7 by 0.51 inches, small enough to disappear into a pocket without printing through your jeans. A one-piece deep-carry clip keeps it riding low and steady, and it comes off entirely if you’d rather clip it elsewhere or thread it through the built-in lanyard point instead, whichever suits how you carry things.

The body comes in Grade 5 titanium, aluminum, or PEI, and the choice changes more than the color. Titanium feels dense and grounded, giving each push a deliberate, mechanical quality. Aluminum feels crisper and lighter, quicker to respond under your thumb. PEI runs warmer to the touch, with a softer, more playful character. Same mechanism inside, three distinct personalities depending on what your hand prefers.

There’s one more quiet touch worth mentioning: an optional tritium vial slot that glows on its own for up to 25 years, with no batteries or charging involved. It’s a small, personal detail rather than a flashy one, fitting for a compact companion you’ll reach for out of habit, whether or not you need to cut much of anything that day.

What makes Neo different isn’t the titanium or the magnets. It’s the fact that you’ll push it for no reason at all, and that’s exactly the point. It’s a tool that cuts when you need it, but you’ll reach for it long after the boxes are opened. You’ll buy it for the cut. You’ll keep it for the click.

Click Here to Buy Now: $49 $79 ($30 off). Hurry, only a few left! Raised over $51,000.

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Laptops Sealed Computers Shut, ARTISAN ALTO Snaps Them Back Open

Home computers used to snap open like toolboxes, cartridges sliding in for a new game or a new skill. That idea mostly disappeared once sealed laptops took over, but the ARTISAN ALTO AT-101 brings it back with a vermilion shell that looks like it walked straight out of 1984 and a system built for how people actually tinker today. It’s a machine designed to grow alongside whatever you’re currently obsessed with.

The trapezoidal red housing wastes no time signaling its intentions. Sculpted, concave ivory keycaps sit beside red cooling louvres, and a keyboard opening cuts diagonally through the sloping side, turning what could’ve been a flat slab into something with genuine presence on a desk. This is a machine built to be looked at, not tucked behind a monitor.

Designer: Leo Botinelly

That vintage-inspired shell hides a distinctly modern expansion idea. Upright cartridges slot into place to add graphics power, sound capability, retrocomputing modes, or an AI companion, while smaller side modules handle specialist interfaces and individual projects. Recording a demo, building out a more ambitious scene, or reviving an old favorite game all become a matter of swapping in the right module rather than replacing the whole machine.

The standout pairing puts VECTOR, a compute cartridge, alongside COMPANION, an AI agent module with its own ivory-crowned housing. Together they form what the concept calls a personal cyberdeck, one where your context and your processing power both live in the same two bays. Everything from your conversation history to your working files stays local, an intentional counterpoint to how most AI tools currently function.

Five multifunction keys handle creative shortcuts without forcing a trip through a menu, while a dedicated PAUSE rocker lets you freeze, rewind, or speed through whatever’s running, treating time itself as something you can grab and adjust mid-task. A touchpad and four flush cursor keys merge into a single continuous surface on the right side, keeping navigation under the same hand that’s already resting there.

Flip the machine over and the same philosophy continues. Memory access sits in the open rather than buried under layers of casing, rear supports adjust to match your desk setup, and a single screw releases the service clamp entirely. Every one of these choices treats a computer’s insides as something worth respecting, not hiding behind warranty stickers and proprietary screws.

Around back, a compact connector panel handles the practical side of daily use. USB-C power sits alongside labeled ports for two cartridges, additional USB-C connections, LAN, HDMI, USB-A, and audio, all routed cleanly to keep cables from tangling across the front of a desk. Even the exhaust vents get a considered shape, flanking the connector panel like a pair of small turbines venting heat from all that cartridge-driven ambition.

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