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Tag Archives: accessories
This Clock Looks Like It’s Sinking Into a Desk and It’s Not a Trick
Clock design hasn’t changed much in its fundamentals for generations. The round face, the numbered ring, the hands that sweep from hour to hour, these conventions are so deeply embedded that most people don’t question them. The clock is a functional object, and like most functional objects, its form tends to follow a well-established script. Most designers accept that arrangement. The rare few who don’t tend to produce something genuinely worth paying attention to.
The Sinking Clock started as a self-imposed creative exercise: how much could you distort or take away from a clock without costing it the ability to tell time? That question became a limited-edition timepiece that looks exactly as its name suggests, as if a conventional tabletop clock were being absorbed into the flat surface it’s sitting on, caught mid-sink somewhere between this world and whatever lies below it.
Designer: Ross McBride
That effect isn’t achieved through software or projection. The clock’s own form is sculpted to create the impression that it’s disappearing into the surface it rests on. The lower portion dissolves into the plane of the desk while the readable face stays above. It’s deliberately disorienting, giving you the time while making you question what you’re actually looking at. The object reads as a clock and as something else entirely at once.
The philosophy behind it is that a clock doesn’t need to announce itself. Most homes and offices already have enough of them, ticking as quiet reminders of every passing hour. The intent was to make something that gives you the time when you need it but otherwise recedes, functioning more as a kinetic object than a conventional instrument. It’s there when you need it and something quieter when you don’t.
The body is constructed from gold PVD steel, giving it a warm finish that sits somewhere between industrial and refined. The movement is quartz and battery-operated, with nothing to wind and nothing to plug in. At 19.14cm x 15.39cm x 13.37cm, it fits comfortably on a desk or nightstand without dominating the space around it. Each piece is handmade to order, numbered, and can be personalized, meaning no two feel entirely alike.
On a bedside table, it does something most clocks don’t: it draws attention not for how loudly it announces the time, but for how strangely it sits there. On a desk, the same thing happens. You notice it, look closer, and the question of how it works starts to matter more than whatever hour it’s currently showing. That quality is either an annoyance or a distinction, depending on how much you appreciate being puzzled by an object.
The Sinking Clock is a handmade piece in an era when handmade things are genuinely rare in the product world, shaped by mid-century American design sensibility and Japanese minimalism in equal measure. The result doesn’t feel like either tradition directly, which is part of what makes it difficult to place in any familiar category. For a clock, that might be the most interesting thing it can be: useful and genuinely puzzling at the same time.
The post This Clock Looks Like It’s Sinking Into a Desk and It’s Not a Trick first appeared on Yanko Design.
You Don’t Have a Desk Anymore and This Leitz Hanging Organizer Gets It
Hot-desking has quietly redefined what it means to have a workspace. Workers no longer have a corner to call their own; they arrive, claim a free surface, settle in, and pack everything back into a locker at the end of the day. It can feel like camping at your own job, and the accessories being designed around it reflect just how thoroughly the modern office has shifted.
Leitz’s Hanging Desk Organizer addresses one of the most specific problems of that routine: the transition from locker to desk. The idea is fairly simple. The organizer sits in a locker overnight, gets carried to whichever surface is free in the morning, and clips onto the desk’s edge so everything stays within reach without claiming more surface area than necessary. It’s designed for a habit that isn’t going away.
Designer: Leitz
The hanging mechanism is the core of the design. A metal bracket with a patent-pending adjustment system grips the desk’s edge and can be sized to accommodate different tabletop thicknesses, from 1.8cm to 5cm. That range covers most modern slab desks, so the fit tends to be secure regardless of the office furniture. No tools, no adhesive, nothing to set up at the start of each day.
Inside, there are two main compartments roomy enough to fit a laptop, a compact keyboard, a notebook, a water bottle, and a phone. Three elastic holders along the interior manage pens and cables, and a small removable tray corrals the smaller items that tend to get lost at the bottom of any bag. The tray lifts out and can sit flat on the desk surface independently while you work.
The beech-wood handle makes the carry feel intentional rather than makeshift. Between the locker and the desk, or between floors if your building has multiple shared spaces, you’re carrying something that behaves more like a proper tote than a repurposed storage box. At 1.2kg empty, it’s light enough to carry fully loaded, and the 7.5kg capacity means it comfortably handles a full day’s worth of gear.
The body is made from Thermofelt, which looks and feels like conventional felt but is actually a heat-formed polyester material made from 100% recycled post-consumer plastic. It gives the organizer a softer, more considered presence than the hard plastic or nylon you’d normally find in office accessories, and it holds its shape well enough to stay structured even when fully loaded. Packaging is plastic-free, in keeping with the material choice.
At the end of the workday, the organizer comes off the desk, goes back in the locker, and takes up a footprint of 38cm x 19cm x 30cm, compact enough for most standard office lockers. The design keeps its usefulness outside the office too; arts and crafts supplies, hobby gear, or anything else that needs to stay organized and mobile fits the same brief just as well.
There isn’t much ceremony to it. You hang it on the desk, get to work, take it down, and put it back in the locker when the day’s over. That’s the whole point. The hot-desking workplace turned the act of setting up for the day into a ritual of its own, and the objects being designed around it are starting to feel like they belong there.
The post You Don’t Have a Desk Anymore and This Leitz Hanging Organizer Gets It first appeared on Yanko Design.
TEKTO’s First Fixed Blade Is a Full-Tang MagnaCut Drop Point That Weighs Under 4 Ounces
TEKTO built its entire reputation on blades that fold, flip, and fire out the front. The Maine-based brand spent nearly a decade getting serious about automatic and folding knives, quietly becoming a go-to for people who want an OTF that actually holds up. Their design playbook was consistent: lean into a tactical DNA, use premium materials that punch above their weight, and build everything with a certain rugged honesty. It was a solid formula that earned them a loyal following. So when TEKTO dropped the X1 ATLAS, their first fixed blade ever, it felt less like a new product and more like a declaration. Ten years in, they stepped out of the OTF lane entirely and planted a flag in fixed blade territory.
The ATLAS is a 7.70-inch fixed blade with a 3.30-inch drop point ground from CPM MagnaCut, the steel that has dominated knife talk for years for good reason. Its handle is skeletonized G10 on a full-tang frame, a clever move that keeps the whole knife down to a featherlight 3.88 ounces. A Kydex sheath with an adjustable belt clip comes standard, ready for vertical or horizontal carry right out of the box. TEKTO even offers custom blade engraving for ten bucks, a nice touch on a tool designed for hard use. The ATLAS is made in the USA and priced at $249.99, positioning it as the flagship of a new fixed blade line for a brand confidently stepping into a new arena.
Designer: TEKTO Knives
Click Here to Buy Now: $212.5 $249.99 (15% off, use coupon code “ATLAS”). Hurry, deal ends in 48-hours!
CPM MagnaCut, developed by metallurgist Dr. Larrin Thomas at Crucible Industries, did something the knife world had been waiting for: it solved the toughness-corrosion trade-off. Most premium steels forced a choice between the two. High corrosion resistance, think M390, meant giving up toughness. High toughness, think S35VN, meant accepting some rust risk. Thomas eliminated chromium carbides from the microstructure, freeing chromium to stay in solution and fight corrosion without touching hardness or edge retention. For a brand debuting their first fixed blade ever, choosing MagnaCut over something more conservative is a signal I like. TEKTO hardened the ATLAS blade to 60-62 HRC, the sweet spot for the steel’s properties to fully express themselves.
The ATLAS runs a drop point profile, the blade geometry that wins the “which shape do you actually want in the field” argument most of the time. The spine slopes gradually from handle to tip, creating a robust, centered point and a long useful belly that handles slicing and fine work without compromise. That shape resists tip damage under lateral loads, which matters once the ATLAS gets handed something harder than kitchen cardboard. Running steel continuously through the full 4.40-inch handle as a full tang eliminates the structural weak point at the blade-handle junction, the exact place a partial tang fails under hard chopping or batoning. The 3.30-inch blade length keeps the ATLAS legal in most carry situations while still being genuinely useful.
Skeletonized G10 is what makes 3.88 ounces possible on a full-tang fixed blade with this much handle real estate. G10 is a fiberglass and epoxy resin composite, laminated and cured under high pressure, producing a material that resists impact, moisture, and chemicals without adding unnecessary weight. Skeletonizing means CNC milling away material from non-load-bearing sections of the handle scales, cutting mass without compromising structural integrity. The resulting surface is textured, grippy, and stable across temperature extremes, which matters for a brand literally founded on the frustration of knives that quit in cold Maine winters. The one early reviewer on TEKTO’s site noted the handle felt grippy and surprisingly light, which is exactly the combination a full-tang fixed blade needs to pull off.
The Kydex sheath that ships with the ATLAS is purpose-molded to the knife, meaning retention is consistent from the first draw rather than requiring break-in time. Kydex is a thermoplastic material that holds its shape, shrugs off moisture and sweat, and skips the periodic conditioning that leather demands. The adjustable belt clip configures for vertical or horizontal carry, a practical detail for users whose setup changes between contexts, say a belt rig in the field versus a horizontal setup at a work site. A lanyard hole at the butt of the handle adds the option for wrist tethering or utility cord attachment. The sheath ships ready to use, no aftermarket upgrades required to make the carry system work.
The X1 ATLAS retails for $249.99 and is currently available in Black G10 directly through TEKTO’s website, with free US shipping and returns included. TEKTO backs it with a limited lifetime warranty covering defects in materials and workmanship, so if the knife ever fails because of the knife rather than the user, they will repair or replace it at no charge. Custom blade engraving is available as a $9.99 add-on at checkout. At this price, the ATLAS shares shelf space with USA-made fixed blades like the Benchmade Puukko, but the MagnaCut specification pushes it into a stronger materials conversation. For a brand making its very first fixed blade, this is an unusually confident place to start.
Click Here to Buy Now: $212.5 $249.99 (15% off, use coupon code “ATLAS”). Hurry, deal ends in 48-hours!
The post TEKTO’s First Fixed Blade Is a Full-Tang MagnaCut Drop Point That Weighs Under 4 Ounces first appeared on Yanko Design.
Why flash drive capacity keeps increasing (and why small drives are rarely sold today)
While smaller drives can certainly still be found, there's a good reason why you don't often find them on retailers' shelves.
This $99 Trackball Has Gesture Controls That Work Without Any Software
The computer peripheral market has always been more experimental at its edges than in the mainstream. Ergonomic trackballs, in particular, have attracted a devoted following among power users, but the options tend to cluster at two extremes: consumer-facing products with locked-down firmware, and niche open-source hardware that trades polished finish for deep customizability. Finding something that genuinely does both has rarely been straightforward.
Ploopy’s Adept trackball made a compelling case for the latter category, earning a loyal following with its open-source, 3D-printed design and QMK compatibility. But it always felt like it had more to say. Its circuit board had always reserved space for two more switches that never made it to production, and the base had slots for a wrist rest that never materialized. The A+ is that unfinished story, now finished.
Designer: Ploopy
The most visible addition is the button count. The Adept had six; the A+ has eight, two of which also function as knobs. Out of the box, the knobs handle high-resolution vertical and horizontal scrolling, but both are fully reprogrammable for other functions. That dual-purpose approach keeps navigation and control within a single hand without needing a separate scroll wheel or accessory sitting alongside it.
The gesture system is arguably the more interesting addition. Hold a button and flick the ball in any of eight directions, and the device fires a command. By default, the left knob activates cut, copy, paste, desktop switching, and media controls. For someone who lives inside a browser and a text editor all day, that’s a significant amount of functionality without ever lifting a hand off the device.
Layers add another dimension. The A+ has two: a navigation layer for everyday use and a control layer accessed via the right knob. The control layer handles on-device configuration, covering left-hand mode switching, toggling between high-resolution and stepped scrolling, and other adjustments. It’s the first trackball to bring this kind of layered behavior, working entirely without any software running on the host computer. There are also two bright LEDs that can be used to visually tell you what layer you’re on without having to rely on some embedded screen.
The detachable wrist rest is another long-promised feature that finally arrives with the A+. It slots in or out during use and can be screwed on permanently if preferred. The device stays ambidextrous throughout, and its 3D-printed shell means the community can print modified bodies, alter the layout, or swap in custom colors. That kind of adaptability isn’t an afterthought; it’s part of how the whole thing is designed.
The Pixart PMW-3360 sensor carries over from the Adept, running at a 1,000Hz polling rate with the tracking accuracy that has made it a standard for performance-oriented pointing devices. Omron D2LS-21 switches handle the physical buttons. The firmware remains QMK, configurable through VIA, with all design files, firmware, and assembly instructions freely available on GitHub. Kits start at $99 CAD.
The post This $99 Trackball Has Gesture Controls That Work Without Any Software first appeared on Yanko Design.
How to get the best audio out of your PC
Just because you're listening to music on your laptop doesn't mean that you have to settle for its subpar speakers.
What are the two types of Bluetooth and what are they used for?
You probably use Bluetooth regularly, but different accessories call for different types of Bluetooth.
Konny Just Solved the One Thing Baby Slings Never Could
I am not a parent myself, but I have been around enough parents that I make some unsolicited observations (to myself, to be fair), especially when it comes to them carrying babies and toddlers. Whenever I see them carrying babies on a sling, I keep thinking, “That doesn’t seem to be that comfortable for both the parent and the kid.” So it’s interesting to see baby brands try to come up with design solutions for this kind of problem, since it’s something that will be around forever.
South Korean baby brand Konny’s contribution to easing the life of parents is the Dual Support Hip Seat Carrier. It aims to solve two of the prevalent problems that they face when using slings. First, it has a foldable hip pad and back pad to make it more comfortable for the kid. Second, the parent doesn’t just bear the weight on one shoulder because of this carrier’s Dual Support.
Designer: Konny
This portable baby hip seat carrier’s main purpose is to replicate the security of a parent’s arms so the baby is upright, safe, and comfortable. It has a foldable hip pad combined with a back pad to give this sense of security. It even has a non-slip bottom so the kid will not slide off the seat, which I sometimes see happen with other seat carriers. The seat is made of soft 3D mesh, giving a more comfortable feeling for your baby as you carry them around.
It also takes into consideration the comfort of the parents since they’re carrying the heavy load, so to speak. The carrier has wide shoulder straps that are able to spread the weight evenly across the back to avoid the one-shoulder strain that a lot of parents experience. You also have the option to carry the baby from a hip position or a front-facing hold. The fabric used is the same stretch-and-resilience material that the other Konny Baby Carriers use, a fabric tested and trusted through over one million carriers sold.
The Dual Support Hip Seat Carrier weighs only 0.5 lbs and can be folded into a small enough item to put in a purse or a diaper bag. But when not being used to carry a baby, it can actually function as a chic and stylish bag that you can carry stuff around with. It claims to be a one-size-fits-all accessory as it is accessible for all kinds of body types.
What I find particularly reassuring, especially for those who aren’t baby gear experts, is that the Dual Support Hip Seat Carrier is IHDI certified. The International Hip Dysplasia Institute recognizes baby carriers that actively support healthy hip development in infants, so this isn’t just a comfort win for parents; it’s a safety win for babies, too. That kind of certification adds a layer of trust that goes beyond just good design.
And speaking of good design, the carrier actually won the 2024 Good Design Award, one of the most prestigious design honors in the world. The jury praised it for achieving a “near-perfect balance between infant safety and parental convenience,” and honestly, it’s easy to see why. The fact that it doubles as a bag when you’re not carrying a baby is already a clever touch, but knowing that the structure was the result of dozens of prototypes and extensive real-world customer testing makes it even more impressive.
The Dual Support Hip Seat Carrier is available on konnybaby.com starting at $59.99, and it comes in a range of colors, from classic Charcoal and Black to more playful options like Green Tea and Blue Grey, as well as a Corduroy version for something a little more textured.
As someone who has watched many a parent struggle with a squirming toddler and a lopsided sling, I’d say this is the kind of product that makes you think, “Finally.” It may not replace the full-on baby carrier for long hauls, but for that “carry me now” stage, when your toddler suddenly decides their legs no longer work, this seems like exactly the right tool for the job.
The post Konny Just Solved the One Thing Baby Slings Never Could first appeared on Yanko Design.
Droplet Finally Built the Audio Amplifier for Your Home Fragrance
Home fragrance, for the most part, has been a market of compromises. Scented candles are warm and atmospheric but burn through a fragrance’s more delicate top notes in the process, gone with the smoke. Reed diffusers take a gentler approach but dilute the oil with water, delivering something noticeably thinner than what was originally intended. Neither gives much meaningful control over how much scent actually fills a space.
Droplet’s Scent Amplifier takes a fundamentally different approach, one that borrows more from audio than from aromatherapy. The idea is to treat scent the way a good amplifier treats sound: amplify it faithfully without altering what’s already there. Instead of heat or water, the device uses pressurized air to atomize neat fragrance oil into micro-particles, so what reaches you is the fragrance exactly as it was composed.
Designer: Droplet
That analogy isn’t just conceptual; the physical form carries it well, too. The Scent Amplifier is built around a walnut-toned wooden base, with a hand-blown crystal glass vessel sitting on top that’s shaped much like a vintage light bulb. A single oxidized silver dial handles all the control. When switched on, the base emits a warm, tungsten-like glow that rounds out the valve-amp look completely.
Unlike most home-fragrance gadgets that quietly get shuffled out of sight, this one’s meant to be displayed. Droplet designed it to sit in a living space as a sculptural object rather than pass as a functional appliance. And it holds up to that treatment. It has the quiet confidence of something that belongs in a room rather than something that just happens to be sitting in one.
Using it is simple enough. Fill the glass vessel with oil, turn the dial to the preferred level, and the device handles the rest. It diffuses fragrance for three minutes, rests for two, and repeats, keeping the scent consistent rather than releasing it all at once. Only four to six drops are needed for an average-sized room, and a 10ml bottle lasts roughly a month.
On a full USB-C charge, it runs for up to 15 hours of cordless diffusion, which means it isn’t tied to a wall socket or any fixed spot. That’s a more practical detail than it might seem. You can move it to the bedroom before winding down for the night, or take it out of the study when you’re done working, without losing anything.
The six fragrance oils that pair with it were developed in Grasse, France, essentially the historical heartland of perfumery. The range covers floral, fruity, citrus, earthy, and woody profiles, each tied to a specific place in the world. You can go from fig leaf and cedarwood to orange blossom and tuberose, or something brighter like wild berry and bergamot, without much fuss. All six are vegan and cruelty-free.
The glass vessel is refillable, and switching between scents takes under a minute with no residue left behind. The Scent Amplifier costs £80 on its own, with the full six-oil set running £125. That’s not bad for something that does away with all the usual trade-offs, keeps the fragrance pure, and looks good enough on a sideboard that you’d actually want to leave it out.
The post Droplet Finally Built the Audio Amplifier for Your Home Fragrance first appeared on Yanko Design.