Tag Archives: Gadgets

This Rugged Braille Reader for Kids Has a Built-In Carry Handle

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Blind students often rely on expensive embossers, special paper, and slow production cycles just to get a few Braille books. Most assistive tools are bulky, fragile, or designed for adults sitting at desks, not children carrying them between crowded classrooms and shoving them into backpacks. There is a clear gap between what visually impaired kids actually need and what most assistive hardware looks and feels like on a daily basis.

Vembi Hexis is a Braille reader purpose-built for children by Bengaluru-based Vembi Technologies, with industrial design by Bang Design. It turns digital textbooks, class notes, and stories into lines of Braille on demand across multiple Indian languages and English. The device had to be rugged enough for school bags, affordable enough for institutions to buy in quantity, and portable enough that children would actually want to carry it around.

Designer: Bang Design

The device is a compact, rounded rectangle with softened corners and thick bumpers that make it feel closer to a rugged tablet than a medical device. The front face is dominated by a horizontal Braille display bar, with a small speaker grille and simple control buttons kept out of the way. Branding is minimal, just small HEXIS and VEMBI marks, so the object reads as a tool for kids first rather than a piece of institutional equipment.

A built-in carry handle is carved cleanly through the top of the shell, giving children a clear place to grab and slide their hand into without straps or clip-on parts. The reading surface is sculpted with a gentle slope leading toward the Braille cells in the reading direction and a sharper drop at the far edge. Those height changes quietly guide fingers along each line and signal where to stop without needing any visual feedback at all.

The durability details acknowledge that classrooms are not gentle places. Corner bumpers extend slightly beyond the body to absorb drops from school desks, the shell is thick enough to shrug off everyday knocks, and charging ports are recessed and shielded to resist spills. This is a device meant to survive water bottles, lunch boxes, crowded bags, and everything else that happens in a normal school day without feeling like a heavy brick.

Bang Design studied how children read Braille in real schools and designed every surface with heightened touch in mind. The soft geometry avoids sharp edges that could become uncomfortable during long reading sessions, while the slope and drop around the display give constant orientation feedback. For kids who navigate the world through their fingers, those subtle contours become part of the interface just as much as the moving dots themselves.

Hexis connects over Wi-Fi to Vembi’s Antara cloud platform so teachers and foundations can push textbooks, notes, and stories directly to devices. It supports multiple Indian languages and has been widely adopted across schools and NGOs, picking up recognition from programs like Microsoft’s AI for Accessibility Grant and Elevate 100. Those signals show that the design is not just elegant on paper but is actually working in classrooms and special education centers.

Assistive technology for children rarely gets the same design attention as mainstream classroom tools, but Hexis treats ruggedness, affordability, and friendly form as equally important constraints. For blind students, having a Braille reader that feels like a normal classroom companion rather than an exception is a quiet but meaningful shift. Hexis sits in school bags next to pencil cases and notebooks, looking and feeling like it belongs there instead of standing out as something separate or clinical.

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iPhone Brutal is vibrant, sharp-edged concept you can’t look beyond

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If the idea of a mirror on the iPhone lock screen was as brilliant as we thought it to be, this concept phone is idealized with a small display on the back, alongside its charismatic triple camera array, and we are bewildered: which one is a better feature. Of course, there is no contest, and designer Braz de Pina is far from contesting either. His new conceptual design of this iPhone Brutal is little about this small screen or the tri-lens camera array; it’s more about the form factor he has tried to achieve.

From when I first saw and all the way down to the last picture on the designer’s Behance portfolio, this brutal take basically came forward to me as a smartphone that someone created by cross-breeding a vibrant boxy floppy disk with a dual-screen flip phone. The designer doesn’t shy from affirming that his idea was never to make that concept sleek; it’s meant to be a study in “reduction, structure, and unapologetic geometry,” and it wears that mission loudly in its robust but bulky form factor.

Designer: Braz de Pina

The concept may be far from a full-fledged product, but it has certain clarity in its design. Japanese industrial cues are evident in its blocky yet functional approach. Besides the form, the color patterns give a clear definition to the modular layers of the phone, its airflow channels and even the camera housing at the back. Everything here is designed to be flaunted and thus this phone is anything close to the modern approach in phone making, thus substantiating its ‘Brutal’ identity.

For its functionality, as evident through the pictures, the iPhone Brutal is created to open like a flip, dual-screen phone. On the back of the rigid and abstract exterior lies a triple lens array, which is packed in a housing alongside a small screen, typically displaying the weather update in pictures. The lenses are Carl Zeiss–inspired for precision and immaculate quality.

Besides the design, if there is anything that will catch the eye, especially that of a photographer, it is this optical panel, which speaks a different design language to Apple’s approach, but is in the acceptable realm. Brutal’s exposed camera modules may therefore not be a roadmap for Apple’s next iPhone, but they have details to check out.

De Pina notes, the iPhone Brutal is “far from a final product.” It shares DNA with different designs he is exploring for a potential MacBook concept and challenges the natural status quo, where phones are mostly designed to look slimmer and smaller. This one brings out an honest, brutal look one we would mind being visualized for the MacBook either. Who’s interested?

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This MagSafe cable case wants to end the eternal bag-digging for good

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The market is flooded with charging cables and MagSafe chargers. But both standalone ones only add to the inconvenience of carrying them. The endless toil in the bag for a cable is an everyday chore for me. I’m sure many of you have fished endlessly at the bottom of the backpack/handbag for a charging cable? To find a solution to this problem, I was scrolling through options for accessories with built-in charging cables, when I came across this interesting project for a MagSafe Multipurpose Charging Cable Case on Behance.

It is designed like a hand grip mobile holder, which I first presumed this guy to be, until I saw the dangling cable and thought there was more to it than its design. The cable case is designed in a way to store a charging cable within a MagSafe-compatible accessory. Sounds unfamiliar? It probably is, I haven’t seen a similar concept before.

Designer: Jinkyo Han

If you look over the last decade, charging cables (which still remain important after wireless charging and MagSafe options) haven’t meaningfully changed. Of course, universal acceptance of USB-C cable does help, but the standardization doesn’t stop the cables from tangling and getting lost in the bag. Maybe, a MagSafe case that allows the changing cable to literally attach to the back of your iPhone, could, in a way limit that.

Therefore, Jinkyo has conceived this idea with a focus on convenience: “easy portability and instant charging when needed.” The accessory – called UNTITLE 1-219 – as imprinted on it, is divided into three parts, the MagSafe cable case, the changing cable that coils within it, and the clip end, which secures the dangling USB-A and USB-C ends on either side. This design does not consider the case and the cable as two easily lost appendages, instead imagines it as a MagSafe-compatible puck that snaps to the back of your phone and doubles as a storage, allowing changing cable to be coiled right inside; so, you can pull it out when you need to power your device.

And when you’re not using it, the case becomes a bit of drop prevention for the iPhone. The accessory may seem like a small – even useless – tweak to some, but for me, it is an accessory that has the potential to evolve past the drawing board. The idea of allowing the changing case to live on the phone instead of in the backpack is a logical option to the problem of tangling and lost cables. But how thick would this accessory make the phone and how much of an inconvenience it will be in daily usage, is, of course questionable. From where I see though, this accessory would mean one less thing to buy or lose.

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This Square Player Refuses to Stream Music, and That’s the Point

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Streaming services turned album covers into tiny squares you scroll past on your way to something else. Phones made music convenient, but also turned it into background noise competing with notifications, emails, and every app demanding attention at once. You used to hold a record sleeve and feel like you owned something specific. Now your entire library is just files in a folder somewhere, and nothing about that experience feels remotely special or worth paying attention to.

Sleevenote is musician Tom Vek’s attempt to give digital albums their own object again. It’s a square music player with a 4-inch screen that matches the shape of album artwork, designed to show covers, back sleeves, and booklet pages without any other interface getting in the way. The device only plays music you actually buy and download from places like Bandcamp, deliberately skipping Spotify and Apple Music to keep ownership separate from the endless scroll.

Designers: Tom Vek, Chris Hipgrave (Sleevenote)

The hardware is a black square that’s mostly screen from the front, with a thick body and rounded edges that make it feel more like a handheld picture frame than a phone. Physical playback buttons sit along one side so you can skip tracks without touching the screen. When you hold it, the weight and thickness are noticeable. This isn’t trying to slip into a pocket; it’s trying to sit on your desk or rest in your hand like a miniature album sleeve.

The screen shows high-resolution artwork, back covers, lyrics, and credits supplied through the Sleevenote platform. You swipe through booklet pages while listening, and the interface stays out of the way so the album art fills the entire square without overlays or buttons. The whole point is that the device becomes the album cover while music plays, which works better in practice than it sounds on paper when you describe it.

Sleevenote won’t let you stream anything. It encourages you to “audition” music on your phone and only put albums you truly love on the player, treating it more like a curated shelf than a jukebox with everything. This sounds good in theory, but means carrying a second device that can’t do anything except play the files you’ve already bought, which feels like a lot of friction for album art, no matter how nice the screen looks.

Sleevenote works as a small act of resistance against music as disposable content. For people who miss having a physical relationship with albums, a square player that only does one thing might feel like a shrine worth keeping. Whether that’s worth the price for a device with a screen barely bigger than your phone is a different question, but the idea that digital music deserves its own object makes more sense than cramming everything into the same distracted rectangle.

The post This Square Player Refuses to Stream Music, and That’s the Point first appeared on Yanko Design.

I Stopped Paying for Cloud Storage After Trying This Tiny 256GB iPhone SSD

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I remember a time when smartphones had expandable storage. In fact, I remember feeling this internal rage when I saw the iPhone Air and that Apple even decided that a physical SIM slot wasn’t necessary anymore, because apparently a SIM tray blocks so much space that you need to shave down on a phone’s battery capacity. It’s wild that we’ve gotten to this point in our lives, and what’s more wild is that we now have to ‘rent’ storage out by paying for iCloud or Google Drive subscriptions to store our photos and videos. I remember when you could pop in a MicroSD card and those low-storage problems would go away… and ADAM Elements is trying to bring back that convenience with its ultra-tiny SSDs.

The iKlips S isn’t as small as a MicroSD, but it’s sufficiently more advanced than one. Barely the size of a 4-stud LEGO brick, this SSD plugs right into your smartphone, giving it an instant 256GB memory boost. It docks in your phone’s USB-C port, transferring data at incredible speeds, and here’s the best part – the tiny device packs biometric scanning too, which means you can pretty much secure your backups with a fingerprint the way you secure your phone with FaceID. The best part? No pesky subscription fees. You pay once and own the storage forever, and everything’s local and offline… so you never need to worry about remembering passwords, or about having companies and LLMs spy on your personal data to train themselves.

Designer: ADAM Elements

Click Here to Buy Now: $62.3 $89 (30% off, use coupon code “30YANKOIKPS”). Hurry, deal ends in 48-hours!

Think a thumb drive, but insanely tinier. That’s the beauty of SSDs, and ADAM Elements touts that the iKlips S currently holds the record for the world’s smallest SSD. Plug it into your phone, tablet, laptop, or any device and it instantly gets a 258GB bump. Data transfers at speeds of up to 400Mb/s with read speeds of 450Mb/s, that’s fast enough to move RAW files in milliseconds and entire 4K videos in seconds, or even directly preview/edit ProRes content on your phone, tablet, or laptop without having to transfer data to local storage. After all, that’s the dream, right?

The tiny device comes with a machined aluminum body and a lanyard hole so that you can string something through to prevent it from getting lost. Plug it into your phone to back up media, then into your laptop or iPad to edit said media. You can transfer data between multiple devices fairly quickly, across platforms too, thanks to cross-compatibility with iOS, Android, MacOS, Windows, ChromeOS, and even Linux. The tiny design sits practically flush against your phone, tablet, or laptop, occupying about the same amount of space as a USB receiver for a wireless keyboard or wireless mouse. Its most important design detail, however, hides in plain sight.

On the underside of the iKlips S is a fingerprint scanner, allowing you to add authentication to your SSD the way you add a password to your iCloud. The device can hold as many as 20 fingerprints, making it perfect for redundancies (just in case you cut a finger while chopping veggies) or even for a team of multiple people sharing data. Place your finger on the iKlips S and it unlocks the SSD, allowing you to read/write data in no time. You’re never faced with forgetting your iCloud password as your password literally lives on your fingertips.

The price of it all? A mere $62.3, which costs about as much as an annual subscription to these cloud storage services. For that, you get something you truly own, and can use without needing an app or an internet connection. Just plug it in and you’ve suddenly got extra storage. Secure the storage with a fingerprint, and move data around at speeds your internet service provider could only dream of. Neat, huh?

Click Here to Buy Now: $62.3 $89 (30% off, use coupon code “30YANKOIKPS”). Hurry, deal ends in 48-hours!

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Come Together Adds Rolling Speaker and Mini Fridge to Your Couch

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TVs keep getting brighter and sharper, but the viewing experience is still broken up by small, annoying tasks. Getting up for a drink, fiddling with lights, or pausing mid-scene to adjust the volume. These micro-interruptions chip away at immersion more than we admit. Come Together is a concept that tries to design around those gaps instead of just upgrading the panel, treating the home theater as a full ecosystem rather than a screen on a wall.

Come Together is a three-part home theater system made up of a Tower, a Base, and a Station. It’s meant to sit alongside a premium TV as an accessory, not replace it. The Tower handles drinks, lighting, and phone charging. The Base handles spatial sound and movement. The Station is a compact dock that cools, charges, and keeps everything ready for the next movie night.

Designer: Woojin Jang

Most of the time, the Tower sits as a calm black cylinder, but when needed, it rises up to reveal a mini fridge that can hold up to five cans. An optional tray on top can be swapped in for snacks. Adaptive mood lighting under the top disc syncs with what’s on screen, and the very top surface doubles as a Qi2 wireless charging pad for your phone, so it doesn’t die halfway through a marathon.

Instead of a static soundbar, the Base is a circular spatial sound unit with drivers arranged around its perimeter and a 3D ToF sensor for spatial awareness. It maps the room, figures out where you’re sitting, and quietly rolls itself to the best spot for audio. The drive system borrows from robot vacuums, but here the goal is better sound rather than clean floors or delivering drinks in an awkward dance.

The Station is a small, low-profile dock that the system returns to when it’s done. There, it recharges and cools the mini fridge for the next session. A simple display on top shows the time and the fridge temperature, giving you just enough information at a glance. The Station keeps the whole setup feeling like a single, coherent appliance rather than a pile of separate gadgets fighting for outlets and attention.

All three components share a cylindrical, black-glass aesthetic that feels more like high-end audio gear than robots. The Tower’s rising motion and glowing top give it a bit of theater without tipping into gimmick. The Base and Station stay visually quiet, so the TV remains the focal point while the system supports it in the background, both literally and in how it shapes the room.

Come Together shows how robotics might slip into home entertainment without feeling like sci-fi props. By bundling drinks, lighting, and spatial sound into a calm, coordinated system, it treats immersion as something you can design from end to end. For anyone who’s ever hit pause just to grab a drink, the idea of a home theater that comes to you is appealing.

The post Come Together Adds Rolling Speaker and Mini Fridge to Your Couch first appeared on Yanko Design.

COMODO Entryway Stool Dries and Deodorizes Shoes While You Sit

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Taking off your shoes after a long day often means being greeted by damp insoles and stale smells. Rain, sweat, and dust turn footwear into something you tolerate rather than enjoy wearing, and most people either ignore it or resort to stuffing newspaper inside them and hoping for the best. Drying racks clutter the hallway, and washing shoes every time they get wet is too much work for something you’ll just wear again tomorrow.

COMODO is a concept that treats shoe care as part of the entryway routine rather than an afterthought. It combines a small upholstered stool with a compact shoe care system inside, so the same object you sit on to put on your shoes also quietly dries, deodorizes, and refreshes them between outings. The name comes from the Spanish word for “comfortable” or “pleasant,” which pretty much sums up the whole idea.

Designer: Hyeona Cho

The form is a soft, rounded cube on four slender legs, available in muted colors like charcoal gray, mustard yellow, and sage green. The matte, slightly textured body and cushioned top make it read more like a piece of furniture than an appliance, allowing it to sit next to a shoe cabinet or mirror without looking out of place. It’s the kind of thing you could leave in the hallway without feeling like you’re displaying a gadget.

Open the small front door, and you find an interior chamber with what the designer calls an “air shoetree” and vents. Shoes can be placed on angled posts or directly on the floor of the chamber, where warm air circulates to dry them. A HEPA filter and scent filter work together to remove damp odors and add a gentle fragrance, while a UV lamp at the top targets germs on the surfaces.

The air shoetree offers some flexibility. Because you can either insert shoes onto the posts or rest them inside the chamber, COMODO can handle different shapes, from sneakers to ankle boots. The base plate slides forward like a shallow drawer, bringing the shoes closer to you and making it easier to place them or even use the raised platform while putting them on.

Of course, COMODO also doubles as a proper seat. Many people still sit on the floor to tie laces or wrestle with boots, which is uncomfortable and hard on the knees. The padded top gives you a seat at just the right height, so you can sit, open the door, pull out the sliding base, and deal with your shoes without crouching or balancing awkwardly.

COMODO imagines an entryway where shoes are not just stored but actively cared for, and where the object that helps you put them on also makes sure they’re dry, fresh, and ready for the next day. It’s a small but thoughtful intervention in the daily routine of leaving and returning home, a gentle reminder that even the most ordinary corners can benefit from a bit of design attention.

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This $200 Nintendo 64 Can Play Your Old Cartridges in 4K With Zero Lag

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Palmer Luckey’s gaming company just dropped the M64, and honestly, I’m torn about the whole thing. The guy’s built actual VR headsets that changed gaming, sure, but he’s also neck-deep in military contracting through Anduril, which makes autonomous drones and surveillance tech for the Department of Defense. So when he teases a translucent purple Nintendo 64 clone on X with a note saying “no peeking until Christmas,” I’m simultaneously hyped about the hardware and deeply uncomfortable about where my $200 might end up. The M64 hits that exact nostalgia sweet spot with three transparent colorways (purple, green, and white) that scream late 90s Funtastic edition, complete with matching wireless trident controllers that preserve the original’s questionable three-pronged ergonomics.

The timing feels deliberate in the best possible way for ModRetro. Analogue 3D shipped to pre-order customers last month after being sold out for over six months, and here comes the M64 exactly when early adopters are posting unboxing videos and first impressions. You can sign up for the waitlist now and get priority when it goes on sale, though if the Chromatic’s instant sellout taught us anything, that waitlist notification better ping your phone fast. The price point matters because $200 puts this squarely in impulse-buy territory for people who’ve been sitting on a stack of N64 cartridges since 1998, waiting for something better than janky software emulators or hunting down original hardware with failing capacitors.

Designer: ModRetro

The console uses AMD-powered FPGA technology and features four controller ports, a power button, a menu dial, and an eject button, with both hardware and software confirmed as open-source. That menu dial is the interesting bit because it suggests actual system-level features beyond basic cartridge reading. Could be scanline filters for that authentic CRT feel, aspect ratio toggles, or even overclock options like what Analogue builds into their consoles. We don’t have concrete specs on the actual FPGA chip yet, but the AMD chip is likely much larger and faster than the one in ModRetro’s Game Boy-like Chromatic, which makes sense given the N64’s significantly more complex architecture. The Reality Coprocessor, the texture filtering system, the expansion pak doubling RAM mid-generation – all of that needs accurate recreation at the hardware level if you want GoldenEye and Rogue Squadron running without the timing glitches that still plague software emulation in 2025.

The system promises 4K graphics with classic N64 visuals, which translates to clean upscaling rather than texture packs or visual overhauls that some emulators push. FPGA consoles shine here because they maintain pixel-perfect accuracy and minimal latency while outputting through modern HDMI connections. Anyone who’s tried running Perfect Dark through RetroArch knows the N64’s quirky architecture makes software emulation perpetually finicky. Audio sync issues, texture warping that doesn’t match original hardware, input lag that throws off muscle memory from childhood speedruns – FPGA sidesteps all of that by literally rebuilding the original silicon pathways in programmable logic gates. The open-source firmware commitment matters too because it means community developers can add features, fix edge cases, and potentially expand compatibility beyond Nintendo’s official library if ModRetro’s implementation allows it.

The elephant in the room is Anduril. Luckey co-founded the military tech company that makes autonomous drones, surveillance systems, and weapons platforms with billions in government contracts. Every M64 purchase potentially funds defense projects that some buyers might find uncomfortable, and Luckey’s various companies are built to promote his excessively militaristic worldview according to critics. This isn’t tangential either – Anduril is Luckey’s primary focus, not a side investment. Whether that matters to you personally is a calculation only you can make. The Analogue 3D costs more and restocks are brutal, but your money goes to a company focused exclusively on gaming hardware preservation. Practically every tech purchase has military connections somewhere in the supply chain, but there’s a difference between incidental contracts and building autonomous weapons as your core business model. Some people won’t care. Others will wait months for Analogue restocks rather than compromise on this particular issue.

The hardware itself looks genuinely sharp though. Those transparent shells channel the atomic grape and jungle green N64 variants that defined late 90s bedroom gaming setups, and the wireless controllers solve the biggest practical problem with original hardware – constantly tripping over cables stretched across living rooms. Luckey promises the M64 will remain at $200 through Black Friday and beyond despite inflation and component shortages, which suggests they’ve locked in manufacturing costs and aren’t playing the artificial scarcity game that plagued PS5 launches. If ModRetro actually ships before Christmas and the FPGA implementation handles compatibility cleanly across the N64’s library, this becomes the accessible entry point for cartridge-based retro gaming that doesn’t require scouring eBay for working consoles or dealing with composite video on modern displays.

The post This $200 Nintendo 64 Can Play Your Old Cartridges in 4K With Zero Lag first appeared on Yanko Design.

SPOT ON Charger Makes Wireless Charging Feel Like a Bullseye

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Wireless chargers have become common, but most are anonymous black discs that disappear into the desk. They do the job, but rarely feel personal or satisfying to use beyond the first week you own them. SPOT ON is a concept that tries to make charging feel more deliberate and expressive, combining a magnetic pad with a small lamp so the whole interaction has a bit more presence on your nightstand or desk.

SPOT ON is a wireless charger and ambient lamp concept designed around a bow-and-target motif. The charging pad is a circular target that snaps magnetically to the front of a tilted cylindrical lamp body. You can dock the pad to use it as a stand charger, or pull it off and lay it flat as a separate wireless pad while the lamp continues to glow in the background.

Designer: SEUNG-A-LEE

Inside the pad is a magnet that aligns the phone with the charging coil, so when you bring your device close, it snaps into place with a satisfying click. The designer explicitly likens this to hitting the target, turning the usual hunt for the right charging spot into a more playful, bullseye moment. The subtle cross mark on the pad reinforces that visual cue every time you place your phone.

The lamp body is a tilted cylinder with vertical grooves, mounted on a simple rectangular base. When lit, the ribbed surface diffuses a warm, gentle glow, more mood light than task lamp. It’s the kind of object that can sit on a bedside table or shelf without screaming tech, giving you a bit of atmosphere while your phone charges upright in front of it.

Because the pad attaches magnetically, it can be pulled off in one motion and used as a flat wireless charger anywhere on the desk or nightstand. The lamp stays behind as a standalone light. That separation lets users adapt SPOT ON to different environments and habits, whether they prefer a stand for video calls or a low pad for casual overnight charging without the upright position.

SPOT ON comes in soft, desaturated tones like warm beige, blush pink, and muted teal, each with a matching pad. The palette leans more toward interior decor than gadgetry, making it easier to blend into different rooms. The combination of simple geometry, gentle colors, and the bow-and-target metaphor gives the charger a character that feels more like a small object you chose than a piece of infrastructure you tolerate.

SPOT ON is a reminder that even something as mundane as charging a phone can be turned into a small ritual. By adding a magnetic snap, a bit of ambient light, and a form that shifts between stand and pad, it nudges the interaction from purely functional to quietly satisfying. For anyone tired of generic charging pucks, this kind of concept hints at a more thoughtful future for everyday tech.

The post SPOT ON Charger Makes Wireless Charging Feel Like a Bullseye first appeared on Yanko Design.

The Huawei X3 Pro Wi-Fi Router Is What Happens When a Mesh Router Meets a Lava Lamp

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Not many people know this, but there is a wall filled with lava lamps in San Francisco that helps keep our internet secure. Cloudflare’s office lobby has a “Wall of Entropy,” a bank of about 100 lava lamps whose constantly shifting, gooey patterns are filmed by a camera. The video feed is converted into a stream of unpredictable, random bytes that helps create cryptographic keys to encrypt a significant chunk of the world’s web traffic. It is a brilliant, whimsical solution to a serious digital problem and perhaps the first instance of a piece of home decor serving a grander purpose in our connected world. Huawei’s new X3 Pro, a sculptural tabletop mesh router that looks like a tiny, self-contained icy mountain, might just be the second.

For years, the router has been the ugliest, most unloved piece of tech in the house. A black or white plastic box bristling with spidery antennas and blinking lights, it is the sort of device you shove behind a bookshelf or a plant, hoping no one notices it. The irony, of course, is that the best place for a router is out in the open, where its signal can propagate freely. Huawei seems to have taken this problem to heart, deciding that if a router has to be visible, it might as well be beautiful. The X3 Pro is the result: a tall, translucent cone that houses a textured, mountain-like sculpture. It looks less like networking hardware and more like an art glass piece you would find in a museum gift shop.

Designer: Huawei

The design is not just for show; it is deeply functional. The antennas, the components that are usually the most visually offensive part of a router, are cleverly hidden inside that central mountain core. The lighting is not a series of distracting blue and green status LEDs but a soft, ambient glow that shifts between warm, fiery amber and cool, glacial white throughout the day, mimicking a sunrise over a peak. It is designed to be a conversation piece, a calm presence on a coffee table that encourages you to place it right in the center of your living space, which is exactly where it will perform best.

Beneath that serene exterior, the X3 Pro is a thoroughly modern piece of networking equipment. It is a Wi-Fi 7 system, offering combined theoretical speeds of up to 3570 Mbps across its 2.4 GHz and 5 GHz bands. The main unit is equipped with two 2.5 Gbps Ethernet ports and one 1 Gbps port, providing enough bandwidth for multi-gig internet plans or a high-speed connection to a network-attached storage (NAS) drive.

Perhaps its most practical feature for challenging homes is its hybrid mesh technology. The system comes with a smaller, equally elegant satellite node. In addition to using Wi-Fi to create a mesh network, the X3 Pro supports PLC 3.0, or Power Line Communication. This allows the router and its nodes to use your home’s existing electrical wiring as a stable, wired backhaul. For anyone living in a home with thick concrete or brick walls that kill Wi-Fi signals, this is a game-changer, offering a more reliable connection between nodes than Wi-Fi alone can provide.

Everything is managed through Huawei’s Smart Life app, which handles setup, security features like WPA3, and specialized modes like Game Turbo for reducing latency. It is a complete package that marries high-end performance with a design that finally respects the aesthetics of a modern home. The X3 Pro makes a compelling argument that the most important devices in our lives do not have to be ugly. Just like those lava lamps in San Francisco, it proves that sometimes the best technology is the kind you actually want to look at.

The post The Huawei X3 Pro Wi-Fi Router Is What Happens When a Mesh Router Meets a Lava Lamp first appeared on Yanko Design.