I always say – leave the hardware to Apple and the accessories to third-party companies. Apple makes some great gadgets, but their accessories leave you wanting for more – whether it’s the breakable charging cables, the substandard MagSafe wallet for the iPhone, the FineWoven cases and straps that apparently look terrible after just weeks of use, or the iPad accessories that are a little too basic and overpriced. If you’re spending big bucks on a cutting-edge tablet, you deserve a great case that lets you use your iPad to the best of its abilities – that means A. being able to position/orient your iPad however you see fit, and B. having a built-in keyboard that lets you use your tablet to do everything from composing mails to running your business. ESR’s Magnetic Cases for the new iPad Pro and the iPad Air let you do just that, leveraging the tablet’s powerful M4 chipset (or the M2 for the Air) and its capabilities to the best possible limit. ESR’s Shift and Rebound cases are everything your iPad needs to function as a wonderful primary or secondary device. The Shift Magnetic Case lets you use your iPad as a powerful tablet, with the ability to dock your device at multiple angles, or even elevate it to eye-level thanks to a series of hidden magnets. The $98 Rebound Magnetic Keyboard Case 360, on the other hand, turns your iPad into a laptop for practically less than 1/3rd the price of Apple’s $349 Magic Keyboard. With a friction hinge and a built-in keyboard, the Rebound gives you a makeshift laptop that operates in both landscape and portrait modes.
If you’re just looking for a hands-down great folio case for the iPad, the Shift Magnetic Case is an absolute no-brainer. Made from vegan leather, the case sports a microfiber inner that protects your iPad from scratches and bumps. Open the case and you can use it as is, or dock it in up to 9 separate angles thanks to the presence of not one, but two kickstands. An upper kickstand lets you dock your iPad Pro or Air at a lower incline, giving you an almost tablet PC-style experience that’s perfect for sketching, note-taking, editing, and doodling. A lower kickstand, however, props your iPad at a steeper incline, turning it into a front-facing screen for taking meetings, watching content, attending conference calls, or just using alongside your regular machine as a secondary screen. Ridges on the back of the folio cover let you adjust angles, giving you the ability to fine-tune your iPad’s placement to match your gaze. You can store your Apple Pencil in the Shift Magnetic Case either by snapping it to the side of your iPad (in the charging position), or tuck it into a bespoke pouch at the back.
Shift Magnetic Case
The word Magnetic plays a key role in the Shift’s design, since it doesn’t attach physically around your iPad the way regular wraparound cases do. Instead, it comes with a magnetic backplate that lets you affix your iPad to the case in a matter of seconds, snapping it in place. This clever feature isn’t just for overall convenience, because the Shift Magnetic Case lets you attach your iPad to the case even in portrait mode, giving you a portrait stand in a way other stand cases for the iPad don’t. Moreover, you can magnetically attach your iPad at a height too, giving you a tablet case that’s more at an eye-level.
Rebound Magnetic Keyboard Case 360
For someone who finds the iPad experience incomplete without a companion keyboard, the Rebound Magnetic Keyboard Case 360 lets you quite literally take a rebound from your existing laptop! MUCH more affordable than Apple’s own Magic Keyboard Case for the iPad Pro and Air, the Rebound Magnetic Case comes with a friction hinge that lets you adjust your iPad at any angle, while lifting it off the tabletop surface for better visibility. The case also packs a wireless keyboard that has a backlight like the one on Apple’s own Magic Keyboard for the iPad, along with a trackpad that quite literally brings the laptop experience to your portable tablet. Much like its sibling the Shift, the Rebound Magnetic Case boasts that satisfying magnetic attachment too, allowing you to snap your iPad in place both horizontally or vertically, depending on what you’re using the iPad for.
The Shift and Rebound Magnetic Cases are compatible with all 2024 iPad Air (M2) and Pro (M4) devices. That means they come in 2 sizes (for 11 and 13-inch models), and are designed to protect and elevate (both literally and metaphorically) your iPad experience to greater heights! The Shift Magnetic Case comes in 6 colors and starts at a price of $48.59, while the Rebound Magnetic Case offers 7 colors, has a 500mAh battery that runs the keyboard for up to 3 months, and is priced at $98.99.
Despite the power that smartphones and tablets have these days, PCs and their Mac equivalents remain the workhorses of the modern world. Not only do they have more power, they also offer more flexibility thanks to decades of research, development, and innovation. Market analysts, however, have long been pointing to the demise of the PC market, especially desktops, and there has indeed been a great deal of stagnation not only in hardware but even in product designs. It’s not that there haven’t been any improvements, just that designs have become predictable and even sometimes forgettable. You can’t, after all, change the design formula too much unless you also drastically change the internals as well. That’s the kind of burst in innovation that awaits the PC market, both laptops and even desktops, if running Windows on the same hardware as smartphones and tablets finally becomes reliable and productive.
Designer: Qualcomm
Rough Start: Microsoft Surface
It’s not like the combination of Windows and ARM-based processors, the same silicon that powers mobile devices, hasn’t been done before, but almost all past attempts have come up short of expectations. Disregarding the antiquated Windows CE and Windows Phone variants, Microsoft has time and again tried to bring the benefits of phones and tablets to PCs without much success. One of the first ones in recent memory is the smaller Microsoft Surface. Although the Surface Pro has become something of an icon today, its base model didn’t enjoy the same level of fame, attention, and sales.
Microsoft Surface RT
Designer: Microsoft
The Surface RT and Surface 2 both ran on ARM-based NVIDIA Tegra processors that were normally quite capable on Android tablets. Even those, however, couldn’t bear the weight of Windows, even the watered-down Windows RT version. To add insult to injury, the apps available for that platform were a dismal number which didn’t include the software that people needed to use on Windows. Thus, these first attempts at Windows on ARM were considered to be abject failures, but surprisingly, Microsoft didn’t give up completely.
Microsoft Surface Pro 9
Fast-forward to today, there have been numerous attempts to improve the situation, both from the hardware and the software side. The Microsoft Surface Pro 9 now has a version that runs an even more powerful ARM Qualcomm processor, and the Microsoft Store has quite a selection of popular apps. There are also some emulation solutions for running “normal” Windows software on ARM laptops and tablets, but that’s not exactly a panacea. All these sound like too much effort for what seems like a niche design, but it’s an effort that could yield a bountiful harvest if it succeeds.
Faster, Slimmer, Cooler
Qualcomm announced last month its new Snapdragon X Plus and Elite processors, and while the “Snapdragon” name is popular for smartphones and tablets, the “X” chips are earmarked for use in Windows computers instead, particularly laptops. Qualcomm boasts numbers that would make the likes of Intel and AMD worry, though it’s also aiming squarely for Apple’s M series processors. That’s definitely a tall order, especially with the launch of the new Apple M4 chip, but if theory proves to be even remotely near the mark, it will be a huge win for the Windows market and PCs in general.
Designer: Qualcomm
The new Snapdragon X Plus and Elite unsurprisingly boast about being able to do heavy-duty generative AI work, something that would require a lot of processing power that is traditionally only available on “regular” laptops and desktops. What would set it apart, however, is how it delivers that performance with lower battery consumption, heat, and space compared to equivalent Intel and AMD processors. It’s too early to say if Qualcomm will be able to deliver those promises, but it’s definitely a big leap compared to previous generations.
ARM-based processors like those from Qualcomm and MediaTek have been used in mobile devices precisely because of these traits. They can keep the product compact without impacting performance, something that laptop makers aim for every year. More importantly, however, these small form factors open the doors to less conventional designs, paving the way for dual-screen, foldable, or rollable PCs that don’t sacrifice their power for the sake of their novel appearance and features.
Thinking Outside the Box
The very first benefit of Windows successfully and smoothly running on ARM devices would be thinner laptops with longer battery lives. It can’t be understated how significant that will be for creatives, especially those who will rely a lot on that generative AI that everyone’s talking about these days. But even if you do much of your designs manually, the idea that you can bring your work anywhere without breaking your back and stay unplugged for more than half a day is going to appeal to a lot of people
Lenovo Yoga Book 9i
Designer: Lenovo
Once that has become the norm, however, it will be time to explore the possibilities that thinner, more compact, or smaller devices can bring. Imagine those handheld gaming PCs becoming thinner and smaller, almost down to tablet or even phone sizes. Admittedly, being able to play just about any PC game is going to be tricky today, but that’s not going to be the case in the future.
And then there are the current novelties like laptops with two screens or foldable displays, designs that have to sacrifice performance for the sake of super thin bodies. It hasn’t arrived yet, but a rollable screen might even become a thing for computers. In other words, Windows on ARM would enable all these forms beyond desktop towers and laptops to become possible without sacrificing too much performance. We seem to be heading in that direction already, but hardware is only half the battle.
Uphill Battle
No matter how powerful ARM chips are, enough to smoothly run Windows, all of that will fall on deaf ears if Windows on ARM isn’t able to support as much as 80% of regular Windows software, including games and especially content creation tools. That was what killed the Surface RT and Surface 2, after all, and things have improved considerably but not yet to most PC users’ satisfaction. One of the available solutions right now is emulation, like making the software or game think it’s running on an Intel/AMD computer, but that incurs penalties in performance.
AYANEO Flip DS
AYANEO Slide
Designer: AYANEO
There are also obstacles to be overcome on the hardware side. As strange as it might sound, PCs are a somewhat open ecosystem when it comes to the variety of things you can plug into a computer and have them working automatically. You lose some of that with Windows on ARM because of compatibility issues, and that might prevent less popular but heavily used peripherals from working, at least not at first. Unfortunately, that might be a huge deal breaker, especially for those who have already invested in devices for their workflow.
Designer: Qualcomm
Final Thoughts
Qualcomm’s announcement of the Snapdragon X Plus and Elite tried to preempt Apple’s new M4 chip and iPad Pros. Apple’s venture into the ARM world is both a boon and a bane for the likes of Qualcomm as it demonstrates what’s possible. But even Apple has remained within the boundaries of traditional devices like a tablet and a laptop. Not surprising for a company that is very meticulous and careful about the design of its products.
Designer: Apple
The Windows world, however, is a bit more daring thanks to the diversity of people involved. Unconventional and sometimes impractical designs pop up once in a while, but they’re all hampered by the limitations of hardware that’s commonly available for PCs. Windows on ARM isn’t new and it still has a long way to go to confidently match what Intel, AMD, and now Apple are selling, but stakeholders in the PC industry should probably consider rallying behind this if they want to breathe new life into the stagnating PC market.
Walking or running on treadmills and riding stationery bikes are the next best thing to actually exercising outside. But sometimes it can be boring that you dread going on these machines. There are of course those that have devices on them so you can watch your favorite videos while working out. Sometimes though they can prove distracting or it may not be enough to quench your boredom as you ride, run, or walk. And if you love the outdoors but cannot go and exercise there, being on the machines can be a chore.
Designer: Layer
Saga Holographic partnered with design agency Layer to come up with Holobike, a stationary bike with a hologram screen that doesn’t need a headset or eyewear to work. Instead, you get a panoramic light-field display that lets you imagine that you’re on an actual trail biking around instead of inside a gym or your room. It’s not just a simple display though as the stereoscopic viewport actually gives you the perception that you are moving through that space and hopefully break that idea that stationary biking is boring and monotonous.
The screen has a 4K LCD overlaid with a thin sheet of microlenses so you get a “crystal clear portal” as if you’re inside the 3D landscapes and biking through them. The 27-inch display has an infrared depth sensor so you get a life-like spatial perception without having to use wearables that may distract you as you’re biking. For now, you can either cruise the Alps or ride across the Outback but they will be adding more to the library. These are actually reconstructed from the digital scans of actual trails and put into 3D form.
As for the bike itself, it has an adjustable frame so you get a comfortable riding experience. It also has electromagnetic resistance to adapt to real-life biking and a polymer drivetrain belt that gives you almost silent pedaling prowess. As someone who is bored with stationery biking, this can be a good way to encourage me to work out indoors, although I will probably prefer watching my own videos rather than looking at different trails, but that may just be me.
The Apple Vision Pro’s take on spatial computing would have us imagine a seamless integration of the physical and digital worlds. That dream of the future is shared by virtual, augmented, and mixed reality technologies, and they almost deliver that promise when it comes to the visual aspect. The illusion, however, breaks when you start interacting with and manipulating those virtual entities, an experience that quickly becomes less natural compared to how we do it with physical objects. The problem lies in the tools we use for this, which are often a game controller or two sticks that function in the same way. This concept for a virtual reality controller tries to reshape that standard design into something that, while still technically the same, offers a more familiar form for artists and designers.
Designer: Jiwoong Yan
When you think about it, it’s almost amazing how digital creatives are able to make do with the input tools available to use in the present. At the very least, a stylus approximates the experience of drawing with a pen on paper, though some people are even able to create mind-blowing art using a keyboard and a mouse. On the one hand, it’s pretty convenient that we don’t have to deal with a dozen different pens, brushes, and other tools when creating digital art, but, at the same time, the disconnect between the tool and the desired outcome is often jarring.
This is especially true in a world that tries to have some fidelity with reality like VR. It’s even worse because it makes us believe we’re seeing virtual objects we can touch, but we can never really touch them and have to be satisfied with pointing and clicking with both hands. Medium is a concept design that offers a compelling compromise for artists and designers. It still has that same two-piece approach that puts a controller in each hand, but ones that are designed to actually mimic the tools that artists would be familiar with.
The right hand, for example, can be held either like a paintbrush or a can of spray paint, and the handle can be rotated to accommodate different ways people hold these tools. The left-hand controller, on the other hand (no pun intended), is like a painter’s palette, though it will probably show more than just colors in the virtual representation that you’ll see through VR glasses. Using these two pieces might feel intuitive for some artists familiar with painting, with the “palette” providing tools and options for the “brush” that you draw with.
Such a design is theoretically already possible with today’s technologies, but it requires a manufacturer to take the risk of actually producing a device that might appeal only to a small segment of VR users. But with these companies trying to push mixed reality and spatial computing harder, it might only be a matter of time before more specialized variants of controllers become available, at least as a stopgap measure until we can directly manipulate those virtual worlds with nothing but our hands.
The strongest geomagnetic storm in 20 years made the colorful northern lights, or aurora borealis, visible Friday night across the US, even in areas that are normally too far south to see them. And the show may not be over. Tonight may offer another chance to catch the aurora if you have clear skies, according to the NOAA, and Sunday could bring yet more displays reaching as far as Alabama.
The extreme geomagnetic storm continues and will persist through at least Sunday... pic.twitter.com/GMDKikl7mA
— NOAA Space Weather Prediction Center (@NWSSWPC) May 11, 2024
The NOAA’s Space Weather Prediction Center said on Saturday that the sun has continued to produce powerful solar flares. That’s on top of previously observed coronal mass ejections (CMEs), or explosions of magnetized plasma, that won’t reach Earth until tomorrow. The agency has been monitoring a particularly active sunspot cluster since Wednesday, and confirmed yesterday that it had observed G5 conditions — the level designated “extreme” — which haven’t been seen since October 2003. In a press release on Friday, Clinton Wallace, Director, NOAA’s Space Weather Prediction Center, said the current storm is “an unusual and potentially historic event.”
The Sun emitted two strong solar flares on May 10-11, 2024, peaking at 9:23 p.m. EDT on May 10, and 7:44 a.m. EDT on May 11. NASA’s Solar Dynamics Observatory captured images of the events, which were classified as X5.8 and X1.5-class flares. https://t.co/nLfnG1OvvEpic.twitter.com/LjmI0rk2Wm
Geomagnetic storms happen when outbursts from the sun interact with Earth’s magnetosphere. While it all has kind of a scary ring to it, people on the ground don’t really have anything to worry about. As NASA explained on X, “Harmful radiation from a flare cannot pass through Earth’s atmosphere” to physically affect us. These storms can mess with our technology, though, and have been known to disrupt communications, GPS, satellite operations and even the power grid.
This article originally appeared on Engadget at https://www.engadget.com/extreme-geomagnetic-storm-may-bless-us-with-more-aurora-displays-tonight-and-tomorrow-192033210.html?src=rss
Every expectant mother embarks on a journey filled with joy, anticipation, and, understandably, a dash of apprehension. The responsibility of nurturing a new life brings with it a plethora of considerations, chief among them being maternal health. Recognizing this critical aspect, Perelel, a maternal health startup, has pledged a substantial $10 million towards closing the healthcare research gap, underscoring their commitment to maternal well-being.
The journey of Perelel traces back to 2020 when Victoria Thain Gioia, Alex Taylor, and Dr. Banafsheh Bayati co-founded the company with a mission to provide expectant mothers with superior prenatal vitamin options. The inception of Perelel was deeply personal, as Gioia’s experience with her daughter’s cleft lip shed light on the critical link between folic acid deficiency and prenatal health. Meanwhile, Taylor’s own pregnancy journey underscored the challenges of researching and sourcing quality prenatal vitamins. With Dr. Bayati’s expertise as an obstetrician-gynecologist, Perelel formulated a line of prenatal vitamins tailored to each trimester, using high-quality ingredients to optimize maternal and fetal health.
However, Perelel’s vision extended beyond mere commercial success; it was deeply rooted in philanthropy. Today, the company fulfills its promise by announcing a substantial $10 million donation, a testament to its ethos of giving back. This donation will be directed towards two esteemed organizations: Magee-Womens Research Institute, dedicated to pioneering research in women’s health and reproductive biology, and Good+Foundation, which addresses family poverty and supports new mothers.
The significance of this donation extends beyond monetary value. Perelel’s contribution will be distributed over three years as in-kind product donations and grants, ensuring tangible support for vital research initiatives. This announcement comes on the heels of Perelel’s successful fundraising efforts, including a recent $6 million Series A funding from Unilever Ventures, supplemented by $4.7 million in seed funding last year.
For Perelel, giving back is not an afterthought but a fundamental principle. Victoria Thain Gioia emphasizes, “From day one, giving was a very clear line item for us.” The company meticulously integrates giving into its financial models, allocating a percentage of sales toward philanthropic endeavors. Alex Taylor echoes this sentiment, highlighting Perelel’s commitment to scaling its giving as the company expands its reach. “Vitamins keep the lights on,” Taylor affirms, “but we stand for so much more.”
As Perelel continues to scale its operations and influence, its unwavering commitment to bridging healthcare research gaps remains steadfast. With each sale, the company not only illuminates the path to maternal well-being but also catalyzes transformative change in women’s health research. Through their actions, Perelel epitomizes the profound impact that businesses can wield when driven by a sense of purpose and compassion.
In a landscape where niche yet crucial topics like maternal health often go overlooked or insufficiently addressed, Perelel’s compassionate dedication stands out as a beacon of hope. It’s a refreshing sight to witness empathetic individuals recognizing the importance of this sector, and it’s even more inspiring that it’s predominantly led by women, adding an empowering cherry on top to their noble cause, illuminating a path toward a healthier, more equitable future for all mothers and their precious babies.
Fans have been waiting a long, long time for another installment in the 28 Days Later franchise, and we now know when the next followup is coming out: June 20, 2025. Per Variety, Sony Pictures announced the release date for the upcoming film 28 Years Later on Friday. It would have been kind of cool if it were timed with the original film’s actual 28th anniversary in 2030, considering how close we are to that now (horrifying, I know), but I can't blame them for not keeping people hanging even longer.
28 Days Later, starring Cillian Murphy in what turned out to be his breakout role, came out in 2002, and was followed by a sequel with a different cast, 28 Weeks Later, in 2007. There were at one point murmurs of plans for 28 Months Later, but it looks like we’re skipping over that. The new film will be directed by Danny Boyle and written by Alex Garland, who both helmed the first movie, The Hollywood Reporter reported earlier this year. Murphy will be among its executive producers, according to Variety, but don’t get your hopes up for seeing him in a starring role. As of now, it doesn't seem like that’ll be the case.
We don’t know anything about the plot yet, but 28 Years Later will reportedly star Jodie Comer, Aaron Taylor-Johnson and Ralph Fiennes. And it could be the first of three new movies in the franchise. According to THR, the plan is ultimately for a trilogy.
This article originally appeared on Engadget at https://www.engadget.com/28-years-later-is-coming-to-theaters-next-summer-171831988.html?src=rss
In this installment of What We're Listening To, Engadget writers and editors discuss some of the recent music releases we've had on repeat. It's safe to say there's some variety on this list.
Sierra Ferrell - Trail of Flowers
Sierra Ferrell seems almost like an anachronism in 2024, but in the best possible way. She has this effortless, old-timey country style that is at points reminiscent of the likes of The Carter Family or Flatt and Scruggs (her brilliant covers of songs once performed by the latter duo are permanently seared into my brain), and it’s just so refreshing. Trail of Flowers, Ferrell’s second studio album, toes a little further into a more modern sound, but it maintains this deeply Americana feel that just seems to roll off the West Virginia-born artist so naturally.
Country music isn’t just one thing, and neither is Trail of Flowers. It meanders through different flavors — folk, bluegrass, hints of jazz — but it manages to do so in a way that feels cohesive when it’s all taken together. The wistful “American Dreaming” and “Wish You Well” are offset by sillier, whimsical numbers like “I Could Drive You Crazy” or the deep cut cover, “Chitlin' Cookin' Time in Cheatham County.” Tracks like “Money Train,” “I’ll Come Off the Mountain” and “Lighthouse” are instantly catchy. “Why Haven’t You Loved Me Yet” and “No Letter” feel like classics in the making.
And then there’s the cheekily sinister, scorned-lover’s lament, “Rosemary.” It’s one of the songs that first got me hooked on Sierra Ferrell years ago, as I imagine is the case for a lot of fans who have followed Ferrell’s career since her busking days or her unforgettable GemsOnVHS performances. I was almost nervous to hear it on Trail of Flowers, with a full production, after loving the raw, stripped-down recording I’ve been replaying on YouTube for so long. But they’ve done a beautiful job of capturing that magic, and “Rosemary” may be my favorite track on the album. It’s hard to pick, though.
Castle Rat - Into the Realm
Sometime early last year, I discovered something I didn’t realize was missing from my life: medieval fantasy doom metal. I was at a show at the gloriously trippy Brooklyn Made watching an opener ahead of the band I’d gone there to see, and unexpectedly found myself witness to an on-stage choreographed sword fight (well, there was a scythe involved too) between a woman in chainmail and someone wearing a hooded rat mask and lingerie. I’d already been enraptured by the band’s heavy, immersive riffs and the singer’s hypnotic 1970s-esque vocals, but in that moment, yeah, things really clicked into place. This was my introduction to Castle Rat, and it was a damn good one.
I’ve been eagerly awaiting the release of their debut album ever since, and from the second it dropped last month — an LP called Into the Realm — I’ve pretty much been playing it on a nonstop loop. It would actually be embarrassing if you were to check the number of times I’ve listened to the album’s standout ballad, “Cry For Me.” It is a haunting, emotional song that really takes you on a journey and I’m a little obsessed with it. Into the Realm opens strong with the boppy “Dagger Dragger,” and some real heavy-hitters follow in tracks like “Feed the Dream,” “Fresh Fur” and “Nightblood.” “Red Sands” is a slow-building powerhouse, and I’ve even found myself loving the three roughly minute-long instrumental interludes that tie the whole album together.
Doom bands love a good theme (as do I), and we tend to see a lot of weed, witchcraft, science fiction and fantasy pop up throughout the subgenres that fall under this umbrella. Castle Rat definitely isn’t the first to have a shtick, but there’s a certain freshness to the band’s even more specific, self-described medieval fantasy brand, perhaps because they commit to it so hard. Their ‘70s and ‘80s influences are obvious, yet everything they’ve put out so far still feels original. Some people might find the whole thing gimmicky, but I think it’s working. Especially since they have the chops to back it up. I’m excited to see where Castle Rat goes from here.
Honorable Mentions:
Girl with No Face, Allie X— Another song I’ve been listening to an embarrassing amount these days is Weird World, off Allie X’s latest album, Girl with No Face. I somehow haven’t tired myself of it yet, it makes me go absolutely feral. Girl with No Face is full of synth-pop gems, like “Off With Her Tits” — a dancey, angsty anthem sure to resonate with anyone who has experienced dysphoria around their body image — “John and Johnathan,” “Black Eye” and “Staying Power.”
Club Shy, Shygirl — This is just a collection of straight-up bangers. It’s not even 16 minutes long, but it really hits. If you need an instant mood-elevator ahead of a night out, this album is it.
Stampede: Volume 1, Orville Peck — Orville Peck’s first release in his fringeless era is a duets album, the first part of which was released on Friday and features artists including Willie Nelson, Noah Cyrus and Elton John. I haven’t had much time to spend with Stampede: Volume 1 yet, but I’m into it so far. “Conquer the Heart” ft. Nathaniel Rateliff and “How Far Will We Take It?” with Noah Cyrus feel like they combine the best elements of Pony (2019) and Bronco (2022). Bronco came in two waves, so I expect we’ll see a Volume 2 for Stampede before long, too.
— Cheyenne MacDonald, Weekend Editor
Hannah Jadagu - Aperture
Whenever I hear the words “banger” or “bop,” I don’t think about artists like Taylor Swift. I think about the nebulous musical genre known as bedroom pop. Bop, after all, is right there in the name. Hannah Jadagu is a bedroom pop wizard of the highest order. Her first EP was made entirely on an old iPhone and still slaps, though she has since graduated to real recording studios. Jadagu’s latest full-length on Sub Pop, Aperture, is filled with both bangers and bops, and my favorite is the lovelorn “Say It Now.” Listen to this thing. It just may be the perfect pop song and is absolutely crying out for some road trip singalongs. The shoegaze-adjacent “What You Did” is another classic and would be at home on any decent summer playlist.
— Lawrence Bonk, Contributing Reporter
Justice - Hyperdrama
Justice’s first full-length release Cross from 2007 is one of my favorite albums of all time. Not only did it define the crunchy electronic sound of the blog house era in the late 2000s and early 2010s, it also felt like a new French duo had picked up where Daft Punk left off following 2005’s Human After All. Now Justice is back with its fourth album in Hyperdrama. But instead of being inspired by a specific genre of music like we heard in Audio, Video, Disco’sstadium rock tracks or Woman’sdisco-fueled beats, this album feels more like the soundtrack to a moody sci-fi thriller, almost as if this is Justice’s alternate reality take on the Tron: Legacy soundtrack.
“Generator” is a certified banger and probably the song that sounds the most like classic Justice. “Neverender” and “One Night/All Night” are also highlights, though I think Justice may have leaned a bit too heavily on Tame Impala to give this album personality. “Dear Alan” delivers super smooth vibes and Thundercat makes a delightful appearance and finishes things strong in “The End.”
The one thing I really miss is at least one trulydanceabletrack like we got on all of the band’s previous albums. I also have to admit that some of the songs in the middle blend together in a less-than-memorable way. So while Hyperdrama isn’t the top-to-bottom masterpiece that Cross was a decade and a half ago, more Justice isn’t a bad thing.
— Sam Rutherford, Senior Reporter
Utada Hikaru - Science Fiction
Over the past few weeks, I've mostly been listening to songs from Science Fiction, the first greatest hits album by J-Pop artist Utada Hikaru. I've been a fan since they released their debut album First Love back in 1999, when people were far more likely to be weirded out by the fact that yes, you can enjoy music with lyrics in a language you don't understand. Utada has been in and out of the J-Pop scene since then, and there were long stretches of time when I wouldn't hear anything about them. Every new music drop is a gift, especially this album, since it's tied to an upcoming concert tour, which they only do once in a blue moon.
Utada experienced a resurgence in 2022 when their songs “First Love” and “Hatsukoi” — which also translates to “first love” — were featured in a hit Japanese drama series on Netflix called (you guessed it) First Love. Those tracks are, of course, in Science Fiction, which also includes songs from various points in Utada's career.
The album will take you on a journey from when they mostly wrote R&B-inspired pop to an era when their music became more experimental, and it will introduce you to their current sound, which is both mainstream and unique. While some of the re-recorded versions of their older songs like “Traveling” don't quite hit the mark, it's still a good representation of who Utada is as a musician. As a long-time fan, though, this album isn't just a collection of songs to me, but a collection of memories from different stages of my life.
— Mariella Moon, Contributing Reporter
Caroline Polachek - “Starburned and Unkissed”
There are a few reasons that “Starburned and Unkissed” stands out against the I Saw the TV Glow soundtrack, which is replete with not only beloved mainstays like Broken Social Scene's “Anthems For A Seventeen-Year Old Girl” as well as other original songs from luminaries like Phoebe Bridgers and Hop Along's Frances Quinlan. If cornered, I would say the most brilliant thing about “Starburned and Unkissed,” its greatest strength, is that it's just a little too slow.
Every note stretches and yearns with the impatience of adolescence, verges on running out of air, of snapping in two. Much like the scene of the utterly and equally brilliant I Saw the TV Glow it was written for, it captures the sleepy anxiety of a too-warm high school, overcrowded and isolating. The heaviness of its crushing guitars ebbs and flows unsteadily, mimicking the experimentation of callow hands. (It takes the second try on the chorus for the drums and guitars to all come in on cue.)
It's unstable, hopeful. Caroline's voice — gently mangled by intentional autotune pitch shifts — falls out of key in the song's last few refrains, threatening to derail the dreamy beauty of the past three minutes. It ends abruptly, begging for another listen, another return to a time that can't be recaptured.
Honorable mentions:
“Lover's Spit Plays in the Background,” Claire Rousay — Rousay's sentiment is a perfect album for reading outside on an overcast day. I'm not sure I can pick a standout track, as the experience is really in letting the whole thing wash over you, but this one's close enough.
“Stickers of Brian,” Hot Mulligan — Classic pop punk subject matter (“my job sucks and I hate everyone”) but my god what an earworm.
“On Brand,” Ekko Astral — Levels of snottiness previously considered unachievable. Hard not to love what a beautiful mess these folks make.
“Cometh the Storm,” High on Fire — Most of High on Fire's 20+ years of output sounds like — and lyrically is probably about — an axe-wielding barbarian ripping a bong, or whatever other D&D nonsense they're up to. (I say this lovingly. I adore High on Fire.) The title track off the new one is… unusually dirge-like? At first it felt very “old band showing their age” but it's grown on me as an intentional and welcome change. They're not off the hook for using AI for the “Burning Down” music video though. C'mon guys.
— Avery Ellis, Deputy Editor, Reports
This article originally appeared on Engadget at https://www.engadget.com/what-were-listening-to-trail-of-flowers-hyperdrama-science-fiction-and-more-143052023.html?src=rss
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