The Amica Collection Finds Poetry in Paper, Clay, and Glow

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The Amica lighting collection brings together organic form, traditional craft, and sculptural illumination in a way that feels quiet, warm, and carefully considered. Made up of pendant, table, and wall-mounted lights, the collection treats lighting as more than a practical object. Each piece has a sculptural presence, shaping the mood of a room through material, texture, shadow, and glow.

Much of Amica’s character comes from the contrast between its materials. Earth-toned ceramic bases give the pieces weight and grounding, while the paper forms bring softness, translucency, and movement. The ceramic surfaces are ridged, irregular, and slightly imperfect, giving them a handmade quality. Set against them, the paper elements feel light and delicate, glowing gently when illuminated and revealing the craft behind every fold, wrap, and curve.

Designer: Christopher Merchant and Kawabi

The collection takes inspiration from natural and familiar forms rather than strict geometry. Pods, fans, lanterns, vessels, and ceremonial objects seem to echo through the work. These references make the lights feel approachable, almost recognizable, but still unusual enough to hold attention. They sit somewhere between functional objects and quiet domestic sculptures.

A few pieces from the larger collection show this language especially clearly. The Standing Legume Lamp is one of the more playful examples. Inspired by the curves of leguminous pods, it stacks two illuminated modules vertically above an offering tray. The form feels like a small gesture toward food, harvest, and ritual. It has a simple presence, but the reference gives it warmth and personality. Rather than reading as a conventional lamp, it feels closer to a small domestic monument.

The Relic I Lamp moves in a more poetic direction. It reimagines the folding fan as a light sculpture, with pleated paper opening out in sweeping arcs. Held upright by a totem-like wood base and anchored by a cast concrete block, the piece captures the feeling of motion paused mid-gesture. There is a sense of air, shadow, and light moving through it, even while the object remains completely still.

The Legume Pendant Horizontal, Double continues the collection’s organic vocabulary. Inspired by strung beans, it turns pod-like curves into a suspended paper illumination system. Its modular structure gives the form flexibility, while the handmade details keep it grounded in craft. Regionally sourced Japanese kozo paper, Shaker-style bentwood caps, and hand-hammered nails bring a sense of material honesty to the piece.

The Souvenir Sconce offers a quieter but equally expressive moment. Mounted to the wall, it shows the undulating paper form from one of its most graceful angles. The construction is minimal, but the silhouette is soft and full of movement. It celebrates pleated lantern craftsmanship with restraint, making a bold statement in a gentle voice.

These works are only a portion of the broader Amica collection. Across its many forms, the collection continues to explore the same relationships between ceramic weight, paper softness, organic silhouettes, and careful detailing. The pieces feel connected, but not repetitive. Each one has its own proportion, gesture, and mood.

What makes Amica compelling is the way it balances opposites: heavy and light, earthy and translucent, structured and organic. The pieces do more than brighten a space. They change how the space feels. Even when unlit, they hold their own as objects with texture, rhythm, and presence.

Amica feels contemporary without losing its connection to older craft traditions. Paper, ceramic, wood, and concrete are used in a way that feels both familiar and fresh. The collection invites slower looking, asking the viewer to notice the ridges, folds, shadows, and small handmade details that give each piece its character.

At its core, Amica is a collection about softness with structure. It turns natural references and crafted processes into luminous objects that feel intimate, expressive, and quietly theatrical.

The post The Amica Collection Finds Poetry in Paper, Clay, and Glow first appeared on Yanko Design.

This LEGO Godzilla Skeleton Set Has Movable Limbs and Jaw, Built From LEGO’s Dinosaur Fossils Kit

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Godzilla has spent seven decades stomping through movie theaters, but only recently has he stomped his way into an actual LEGO box. Builder Matthew Esposito’s Monsterverse-inspired Godzilla cleared the 10,000 vote threshold on LEGO Ideas and got the official nod from LEGO’s review team in 2025, meaning a real retail set is somewhere on the horizon. It is, by any measure, a long overdue arrival for one of pop culture’s most enduring monsters.

Across 35 plus film appearances, Godzilla has been a metaphor for nuclear anxiety, a wrestling opponent for King Kong, and an occasional force for good against even worse monsters. What he has rarely been is dead long enough to leave a skeleton behind. That oversight has now been corrected, and fittingly, it happened not through an official LEGO release but through the kind of scrappy fan ingenuity that keeps this hobby interesting, a build that arrives just as his living, roaring counterpart prepares for brick immortality of his own.

Designer: LaurensPosthuma

Unlike our usual LEGO Ideas coverage that proposes completely new bricksets, this one actually repurposes an existing set. It’s an alternate build for LEGO’s own Dinosaur Fossils set (21320), meaning every one of its 477 pieces comes straight out of a box most AFOLs already have on a shelf. Swap the T-Rex, Triceratops, and Pteranodon skeletons for this hunched, roaring Godzilla, and suddenly a paleontology playset becomes a kaiju shrine. No new molds, no rare parts hunt, just clever reassignment of an existing inventory into something the original designers never imagined.

Godzilla stands roughly 37 centimeters long, 12 centimeters wide, and 27 centimeters tall, anchored to a stable 10 by 12 stud base that keeps his hunched, forward-leaning stance from tipping over under the weight of that long, curling tail (a tail that, fittingly, needs its own separate support post, exactly like the fossil kit’s original dinosaurs). The head, arms, and tail are all fully articulated, letting you pose him mid-roar, mid-swipe, or crouched and ready to pounce. My favorite detail, though, is the jaw. It actually opens and closes, and paired with that jagged double row of teeth, it turns a static display piece into something you want to keep fidgeting with long after the build is done.

LaurensPosthuma built the instructions using Stud.io, LEGO’s official digital design software, and packaged them as a downloadable PDF rather than a physical retail kit, which is how most fossil-kit alt-builds make their way to fellow builders. “The feedback has been amazing and I love doing more skeletons,” the designer notes, a line that suggests this won’t be the last monster to get the bare-bones treatment.

There is something genuinely satisfying about a build like this landing in the same year Esposito’s fleshed-out Godzilla is being greenlit for retail shelves. One version gives you the King of Monsters in full menacing color, the other gives you what’s presumably left of him after a rough night in Tokyo Bay. Together they would make an absurdly good display duo, assuming LEGO ever decides an official skeleton variant is worth the tooling. Until then, this one is available now as PDF instructions for €6.50, buildable entirely from parts you already own if Dinosaur Fossils is sitting in your collection.

The post This LEGO Godzilla Skeleton Set Has Movable Limbs and Jaw, Built From LEGO’s Dinosaur Fossils Kit first appeared on Yanko Design.

This Porsche F1 Livery Concept imagines a Grid Entry based on the 963 Endurance Racer

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Porsche has spent the better part of a decade circling Formula 1 without ever quite committing. Talks with Red Bull Powertrains collapsed in 2022 over control of the technical partnership, and the Volkswagen Group’s own boardroom politics have kept the brand on the sidelines ever since. Every couple of years a leak surfaces, a testing mule gets photographed in disguise livery, and the paddock spends a news cycle speculating before Porsche quietly denies everything. It is the kind of will they, won’t they that has defined Porsche’s motorsport ambitions since Zuffenhausen dabbled in F1 engines back in the 1980s with McLaren. Riccardo Dessi and

William Almkvist decided to stop waiting for an answer and build one themselves.
Their Porsche F1 Livery Concept imagines what a potential grid entry might actually look like, rendered with enough polish that it could pass for a factory reveal. Dessi modeled the car, Almkvist handled the texturing and environment work in Substance Painter and Photoshop, and the pairing borrows its color identity directly from Porsche’s current 963 endurance racer. Purple, black, and white blocks wrap the sidepods and nose in diagonal splits, with TAG Heuer, Mobil 1, AT&T, and ABB branding filling out the sponsor real estate. The result reads less like fan art and more like a livery Porsche’s own marketing department left on the cutting room floor.

Designers: Riccardo Dessi, William Almkvist

Endurance liveries get generous surfacing to play with, long doors, wide flanks, an expansive rear deck, but an F1 chassis offers almost none of that. Every panel is compressed, sculpted around cooling ducts and aero surfaces that leave no room for a clean graphic sweep. Instead of shrinking the 963’s purple gradient into a single stripe, they let it fracture across the nose, halo, and sidepod undercuts, so the color still reads as one continuous idea even when the bodywork it sits on is broken into a dozen different planes. That is a harder design problem than it looks, and it is the detail that separates this from a livery slapped onto a stock F1 render.

The front wing and endplates carry the most convincing sponsor logic in the whole package. TAG Heuer’s watch branding sits on the rear wing exactly where Porsche’s factory partnership already places it in endurance racing, and ABB occupies the same lower corner of the front wing it holds in Porsche’s Formula E program. Mobil 1 and AT&T split the sidepod real estate in a layout that mirrors how those sponsors actually appear on liveries across other series Porsche competes in. None of it reads as invented. It reads as a studio simply extending relationships Porsche already has into a category it has not yet joined, which is exactly the kind of restraint that makes a concept convincing instead of decorative.

Almkvist’s staging does as much work as the model itself. One set of renders places the car under raking violet studio light, its carbon weave catching hard directional shadows across a matte floor that feels closer to a livery launch event than a personal render project. A second environment fractures the background into shattered glass panels that scatter rainbow reflections across the bodywork, letting the purple gradient pick up secondary color shifts the way it would under real trackside lighting rigs. That second setting is not just a flex of Substance Painter’s capabilities. It gives the surfacing a sense of material behavior, showing how the paint would actually respond to inconsistent light rather than presenting a single flat hero shot.

Whether Porsche ever lands a Formula 1 seat remains an open question the brand has answered with silence for years. What Dessi and Almkvist have proven is that the visual case for it already exists, fully formed and sitting in a render queue, waiting for the boardroom to catch up. The 963’s purple and black identity translates cleanly enough across categories that it barely reads as a stretch, which says as much about the strength of Porsche’s current design language as it does about the two designers who ported it over. If the manufacturer ever does show up on the 2026 grid or whatever season follows it, its marketing team could do worse than start here.

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LEGO Icons Hubble Space Telescope: A Build for Space Lovers

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Those of a certain generation grew up in an era where space travel and discoveries were fascinating topics. A lot of young boys and girls dreamed of becoming astronauts and going into space to make amazing discoveries. While there were probably some who eventually did (or at least worked on it in some capacity), most of us stayed on Earth and just consumed various news and pop culture content that made us live vicariously through them. The fascination with space may have waned for some, but there are still those who love anything space-related, especially after the recent success of the Artemis mission.

If you’re one of those who still dream of Moon landings or deep-space explorations, this newest build from LEGO will be the next thing to add to your collection. The LEGO Icons Hubble Space Telescope is an upcoming build meant for grown-ups (18+). It has 1,252 pieces, so it might be a bit intimidating for younger space lovers, but adults will definitely have fun putting together this version of the legendary telescope and displaying it proudly on their shelves alongside other space-related memorabilia.

Designer: LEGO

Before diving into the details of the set, it’s worth taking a moment to appreciate what makes this subject matter so special. The real Hubble Space Telescope, launched in 1990, completely changed the way humanity sees the universe. It helped scientists determine that the universe is approximately 13.8 billion years old, discovered two of Pluto’s moons, and captured some of the most breathtaking images of deep space ever seen. These photos have since become some of the most iconic in human history. It’s one of the greatest scientific instruments ever built, and now you can have your very own version of it sitting right on your desk.

Once you finish putting together this build, you’ll have a finished model that stands 12.5 inches tall, making it a bold and impressive display piece that captures the real telescope’s iconic silhouette with remarkable detail. You’ll be able to reposition the solar arrays and antennas for a dynamic display to complement whatever other cool pieces you might have on your shelf or display table. It also comes with an opening aperture door that mimics the real Hubble Telescope’s mechanism, adding a satisfying interactive element to the finished build. The level of care put into the design is evident from every angle, and this is clearly a set that was built with true fans in mind.

The instrument bay is also pretty detailed, giving you a peek into the inner workings, at least the LEGO version of it. You will also get a NASA astronaut minifigure, included primarily for scale representation, which adds a nice layer of storytelling and authenticity to the display. It also comes with a display stand and an informative plaque, so your finished showpiece is more than just decorative. It’s a genuine conversation starter.

The LEGO Icons Hubble Space Telescope (Set #11382) is set to release on August 1, 2026, and will retail for $139.99 USD (£119.99 GBP / €129.99 EUR / $229.99 AUD). For a 1,252-piece, display-quality set, it sits at a very reasonable price point, especially considering how striking the finished model looks. Whether you’re treating yourself or looking for the perfect gift for the space lover in your life, this is one build that checks all the right boxes.

Space may feel like a distant dream for most of us, but LEGO has always had a wonderful way of bringing those dreams a little closer to home. The Hubble Space Telescope set is more than just a building project. It’s a tribute to one of humanity’s greatest scientific achievements, packaged in a way that’s accessible, engaging, and genuinely beautiful to display. Whether you’re a seasoned LEGO collector, a science enthusiast, or just someone who has always gazed up at the night sky with a sense of wonder, this is one build that truly has it all. Mark your calendars for August 1, 2026, and make sure it’s at the top of your wishlist.

The post LEGO Icons Hubble Space Telescope: A Build for Space Lovers first appeared on Yanko Design.