Teenage Engineering meets iPod Shuffle: This music player puts the screen where your eyes actually are

Sony killed the MiniDisc in 2006 with the MZ-RH1, a recorder so good that people still pay silly money for working ones on eBay. It did something unusual with its display, mounting the OLED on the front edge of the body rather than the top, so you could read it at an angle no other player offered. That edge-mounted screen is a small footnote in audio history, the kind of detail only a handful of collectors ever think about. Florent Porta has been staring at that screen for years, by his own admission, and the MAD-5 is what came out of the staring. It is a square aluminium player with a thin blue ticker running along its front lip, reading out format, sample rate, track number, timecode and song title.

The MZ-RH1 measured 83.8 by 84.4mm, which is to say almost perfectly square, and the MAD-5 lands on the same proportion. That is either a deliberate quote or a very good accident. What Porta has added is a clip, borrowed from the later iPod Shuffles, and the combination solves a problem Apple never bothered with. A clipped-on player shows you its edge, not its face. So put the words there.

Designer: Florent Porta

The third generation Shuffle in 2009 stripped every physical control off the body, leaving a bare power switch, and pushed volume and track changes onto a three-button remote wired into proprietary earbuds. Reviewers hated it, and Apple reversed course within a year, bringing the button ring back on a fourth generation that shrank into something nearly square. Porta borrows the fourth gen’s clip and skips the third gen’s whole premise, which is the correct call. Wrap a screen around the exposed edge of a clipped device and you get the information without a button, an earbud remote, or Apple’s old workaround, a talking menu called VoiceOver that was software standing in for a hardware idea nobody had built yet.

The jog disc on the face nods toward Teenage Engineering’s TP-7, the field recorder we covered when it landed in 2023, whose motorized tape reel actually spins under a brushed motor with ball bearings while you record or scrub through playback. Porta’s disc has no motor behind it, just concentric rings etched into aluminum with arrows for navigation, so the homage is visual rather than mechanical. That is a fair trade in a concept render, but it is worth naming, since a spinning reel earns its charm through motion and this one borrows the charm without it. The engraved spec plate leans aspirational too, and the 1337 mAh battery is the second time Porta has hidden that exact number in a product.

There is no Bluetooth listed anywhere on the body, no balanced output for the higher-end headphone crowd, and nothing marked for expandable storage, all of which current audiophile DAPs from Sony, FiiO and HiBy treat as standard at this level. The stronger idea might not be the ticker screen at all. It is the USB DAC mode, since anyone carrying a laptop already owns half the reason dongle DACs exist, and a player that folds into an audio interface the moment you plug it in solves a real annoyance rather than a cosmetic one. Porta says a desktop dock is next, meant to unlock more I/O once the MAD-5 is home, which quietly admits the ports on this version are thin. That is pretty self-aware for a concept render.

We covered Porta’s last swing at this category back in February, the DAP-1, a maximalist FLAC player built around an OLED touchscreen and a built-in speaker. The MAD-5 is the opposite instinct from the same person eight months later, stripped down to a disc, two buttons and a strip of text. Neither one exists as hardware yet, and a dock that is still just a thought puts no real timeline on anything. But the edge screen is worth remembering regardless of whether this specific object ever ships, because it solves something two decades of clip-on players walked straight past. Sony found the location by accident in 2006. Apple never looked. Porta just put both ideas in the same room.

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These $90 Cover Plates turn your PS5 into an Xbox-ish Monolith with much better thermals

We called the PS5 the most beautiful console in the world on reveal day in 2020, and I still mostly mean it. Yujin Morisawa’s shell is a bold piece of industrial design, a vertical monolith with two floating wings that looks like nothing else in the category. Bold monoliths have one correct orientation, though, and living rooms have shelves. Tip the thing sideways and the composition falls apart, because the asymmetry that reads as dynamic standing up reads as tipped over lying down. Devyn Johnston, a PC modder whose YouTube channel runs on small form factor builds, decided to answer that with tooling instead of opinions.

His BoxPlates are aftermarket cover plates that clip on exactly where Sony’s official ones go, replacing the console’s compound curves with orthogonal geometry and crisp corners. A dense linear rib pattern runs across the top face, hides a vent sitting directly above the fan, wraps the corners and continues down the sides. Johnston sank more than $100,000 into custom injection mold tooling so the parts come out of the same process Sony uses for controllers and first-party plates. Sets cost $89.99 in black, gray, white and black, or gray and black, and cover five of the six PS5 variants. The original Digital Edition is the one still waiting.

Designer: Devyn Johnston

Here is the part that might have aged like milk. That same 2020 article of ours took a swing at the Xbox Series X for being bulky, blockish and air-purifier-like, and the fix the internet has now rallied behind is, functionally, a box. Johnston admits the first prototype drew loose inspiration from the Xbox One S before he redrew it as an original design for intellectual property and manufacturability reasons. The finished plates land somewhere between an Xbox One S and a mini ITX case, which is more flattering than it sounds, because both of those objects understood that a home entertainment product should look calm sitting next to a soundbar. Sony built a trophy. Johnston built an appliance.

Getting there took considerably more work than sanding down a silhouette. The PS5’s surfacing is full of subtle compound curvature that had to be reverse-engineered before anything could be drawn over it, and Johnston then spent iterations correcting alignment, killing the tilt and straightening angles while staying inside the console’s internal mechanical constraints. Injection molding is what separates this from the 3D-printed shells cluttering Etsy, since it buys tight tolerances, sharp corners and a light matte texture that a printed part can only approximate. The clips are the clever compromise. They stay 3D printed in PETG with thick walls and solid infill under each snap, which means a worn clip costs you a small replacement part rather than the whole shell.

That blockish design actually ends up providing better thermals than Sony’s own design, which is kind of ironic. Sony’s plates block direct access to the side intakes and route air around the top of the front face, with plastic rails near the fan holding everything in shape. Johnston’s plates leave the side vents fully exposed and add that extra opening above the fan, which is the opposite philosophy. He ran God of War Ragnarok for over two hours on a PS5 Pro with stock plates and then with his own, and found centre temperatures unchanged while the surface and rear exhaust ran noticeably cooler. He is careful to call this unscientific, with no internal monitoring comparable to a PC, and I would treat it as a pleasant side effect rather than a thermal upgrade.

Sony’s official vertical stand will not work with BoxPlates, though the console does stand on its own without it, and the plates raise a real question about servicing, since the PS5’s side panels were designed to come off easily so you can vacuum dust out of the intakes. Johnston says installation is tool-free and completely reversible, which covers it, but anyone who has owned a console for five years knows dust is the actual long-term enemy. Johnston hasn’t confirmed whether the shells are ABS or polycarbonate either. At $89.99 on top of a console you already bought, this is enthusiast money for an aesthetic problem.

That problem has clearly been real for six years. YD’s archive is full of people trying to fix it, from Riccardo Breccia’s Discman-inspired reinterpretation to Alexandre Touguet’s all-black homage to the original PlayStation and Ismail Mits’ geometric Sony-meets-Microsoft concept. Those were renders. This one has a Shopify page, a final production batch for 2026 currently shipping in five to seven business days, and a tooling invoice that would make most design studios flinch. Renders argue with a design. Tooling overrules it.

The post These $90 Cover Plates turn your PS5 into an Xbox-ish Monolith with much better thermals first appeared on Yanko Design.

These $90 Cover Plates turn your PS5 into an Xbox-ish Monolith with much better thermals

We called the PS5 the most beautiful console in the world on reveal day in 2020, and I still mostly mean it. Yujin Morisawa’s shell is a bold piece of industrial design, a vertical monolith with two floating wings that looks like nothing else in the category. Bold monoliths have one correct orientation, though, and living rooms have shelves. Tip the thing sideways and the composition falls apart, because the asymmetry that reads as dynamic standing up reads as tipped over lying down. Devyn Johnston, a PC modder whose YouTube channel runs on small form factor builds, decided to answer that with tooling instead of opinions.

His BoxPlates are aftermarket cover plates that clip on exactly where Sony’s official ones go, replacing the console’s compound curves with orthogonal geometry and crisp corners. A dense linear rib pattern runs across the top face, hides a vent sitting directly above the fan, wraps the corners and continues down the sides. Johnston sank more than $100,000 into custom injection mold tooling so the parts come out of the same process Sony uses for controllers and first-party plates. Sets cost $89.99 in black, gray, white and black, or gray and black, and cover five of the six PS5 variants. The original Digital Edition is the one still waiting.

Designer: Devyn Johnston

Here is the part that might have aged like milk. That same 2020 article of ours took a swing at the Xbox Series X for being bulky, blockish and air-purifier-like, and the fix the internet has now rallied behind is, functionally, a box. Johnston admits the first prototype drew loose inspiration from the Xbox One S before he redrew it as an original design for intellectual property and manufacturability reasons. The finished plates land somewhere between an Xbox One S and a mini ITX case, which is more flattering than it sounds, because both of those objects understood that a home entertainment product should look calm sitting next to a soundbar. Sony built a trophy. Johnston built an appliance.

Getting there took considerably more work than sanding down a silhouette. The PS5’s surfacing is full of subtle compound curvature that had to be reverse-engineered before anything could be drawn over it, and Johnston then spent iterations correcting alignment, killing the tilt and straightening angles while staying inside the console’s internal mechanical constraints. Injection molding is what separates this from the 3D-printed shells cluttering Etsy, since it buys tight tolerances, sharp corners and a light matte texture that a printed part can only approximate. The clips are the clever compromise. They stay 3D printed in PETG with thick walls and solid infill under each snap, which means a worn clip costs you a small replacement part rather than the whole shell.

That blockish design actually ends up providing better thermals than Sony’s own design, which is kind of ironic. Sony’s plates block direct access to the side intakes and route air around the top of the front face, with plastic rails near the fan holding everything in shape. Johnston’s plates leave the side vents fully exposed and add that extra opening above the fan, which is the opposite philosophy. He ran God of War Ragnarok for over two hours on a PS5 Pro with stock plates and then with his own, and found centre temperatures unchanged while the surface and rear exhaust ran noticeably cooler. He is careful to call this unscientific, with no internal monitoring comparable to a PC, and I would treat it as a pleasant side effect rather than a thermal upgrade.

Sony’s official vertical stand will not work with BoxPlates, though the console does stand on its own without it, and the plates raise a real question about servicing, since the PS5’s side panels were designed to come off easily so you can vacuum dust out of the intakes. Johnston says installation is tool-free and completely reversible, which covers it, but anyone who has owned a console for five years knows dust is the actual long-term enemy. Johnston hasn’t confirmed whether the shells are ABS or polycarbonate either. At $89.99 on top of a console you already bought, this is enthusiast money for an aesthetic problem.

That problem has clearly been real for six years. YD’s archive is full of people trying to fix it, from Riccardo Breccia’s Discman-inspired reinterpretation to Alexandre Touguet’s all-black homage to the original PlayStation and Ismail Mits’ geometric Sony-meets-Microsoft concept. Those were renders. This one has a Shopify page, a final production batch for 2026 currently shipping in five to seven business days, and a tooling invoice that would make most design studios flinch. Renders argue with a design. Tooling overrules it.

The post These $90 Cover Plates turn your PS5 into an Xbox-ish Monolith with much better thermals first appeared on Yanko Design.

Flashstor 6 Gen2 Review: NAS Boxes Hide, This One Belongs on Your Desk

PROS:


  • Distinctive, futuristic aesthetic and compact design

  • Powerful specs and fast data transfer speeds

  • Quiet operation even with two fans

  • Six M.2 slots with possible HDD expansion

CONS:


  • Only fits M.2 2280 size

  • Premium pricing

RATINGS:

AESTHETICS
ERGONOMICS
PERFORMANCE
SUSTAINABILITY / REPAIRABILITY
VALUE FOR MONEY

EDITOR'S QUOTE:

The Flashstor 6 Gen2 delivers a powerful and modern NAS solution that doesn't need to be hidden away behind a monitor.
award-icon

Network storage boxes rarely earn a second glance, usually parked out of sight because nobody wants a black box cluttering the desk. The Flashstor 6 Gen2 changes that expectation on sight. ASUSTOR’s second-generation all-flash NAS wears an angled, faceted shell that reads more like a compact game console than a file server, all while housing six NVMe bays and 10GbE networking underneath its sculpted plastic body.

This is the follow-up to ASUSTOR’s original Flashstor 6, and the internals show a genuine generational jump. An AMD Ryzen Embedded processor, DDR5 memory, and PCIe Gen4 support replace the older, more modest hardware inside. Built with creatives, home lab tinkerers, and small studios in mind, the FS6806X invites judgment on more than raw speed, asking to be evaluated on how it looks and feels in daily use.

Designer: ASUSTOR

Aesthetics

The shell makes the boldest first impression. Rather than the usual squared-off box, ASUSTOR shaped the Flashstor 6 Gen2 with a slanted, almost parallelogram-like profile that leans to the side at an angle. That single geometric choice gives the whole unit a sense of motion even while sitting still on a shelf, setting it apart from nearly every other storage enclosure on the market today.

Look closer, and the finish adds even more character. One side of the enclosure wears a brushed metal effect, while the other carries a powder-coated texture, and the contrast between the two reads as a deliberate styling choice rather than an accident. Both finishes sit on a plastic shell rather than actual metal, so the material change is really just a clever coating trick.

A set of lines and grooves wraps from the front panel around to one side, and that detail carries most of the futuristic feel the design is going for. It breaks up what could have been a plain surface without resorting to loud branding or extra vents. Combined with the angled face and lighting, the overall impression lands closer to a gaming console than anything typically found on a NAS shelf.

Ergonomics

Size-wise, the Flashstor 6 Gen2 measures about 7.6 x 12.1 x 1.9 inches and weighs roughly 3.1 lbs, closer to a thick external drive than a typical NAS tower. Because every bay holds an SSD instead of a spinning disk, there’s no vibration and barely any audible hum, which makes it far easier to justify keeping the unit somewhere visible instead of banished to a closet or a rack in another room.

Getting inside isn’t as effortless as the sleek shell suggests. Reaching the M.2 slots means removing four screws on the bottom panel, though ASUSTOR doesn’t include a screwdriver in the box, so keep one handy. Once that panel is off, though, the slots themselves use a simple latch system, no tools needed to seat or remove an SSD. Getting to the RAM means removing even more screws, so that part takes a bit longer.

Connectivity tells a similar story of tradeoffs. Up front, there’s a single USB-A 3.2 Gen 2 port for quick backups or grabbing files off an external drive. Everything else, including both USB4 Type-C ports, sits on the rear panel alongside the 10GbE jack, which means anyone who frequently swaps cables will be reaching around the back a lot. It’s a small inconvenience that trades off for a cleaner, less cluttered front face.

Performance

Underneath the shell sits an AMD Ryzen Embedded V3C14, a quad-core, eight-thread chip built on a 6-nanometer process with speeds reaching 3.8GHz, well ahead of the entry-level chips found in cheaper NAS boxes. It ships with 8GB of DDR5-4800 memory, expandable to 64GB across two SO-DIMM slots, and the platform supports ECC modules for anyone who upgrades, a detail that speaks to how seriously ASUSTOR treated the internals.

All six bays are built for M.2 NVMe drives running up to PCIe Gen4 x4, so there’s no bottleneck between the interface and the drive itself. Worth noting, the slots only fit the 2280 form factor, so shorter 2230, 2242, or 2260 drives can’t be mounted. Once populated, drives can be arranged into RAID 0, 1, 5, 6, or 10, formatted in either EXT4 or Btrfs.

That storage speed only matters if the network keeps pace, and the single 10GbE port earns its place here. Our own testing came close to ASUSTOR’s advertised figures, nearing 1,180 MB/s of sequential read/write in RAID 5 over that connection. The two USB4 Type-C ports add another route, offering up to 40Gbps per port for direct, network-free transfers.

One other significant upgrade from the Flashstor 6 gen2’s predecessor is the addition of a second cooling fan under the CPU. Given the higher processing power, that upgraded thermal management is very much warranted. But even with two fans, the NAS runs quiet, barely a murmur, adding to the appeal of putting the box somewhere visible yet unheard.

Software runs through ASUSTOR Data Master or ADM, the company’s operating system, with access to an app store covering everything from Docker containers to backup tools and media servers. If you ever decide to repurpose the NAS into a security hub someday, a handful of free surveillance camera channels will make that easier. The ADM also lets you control the speed of the fans, in case you prefer to sacrifice a bit of quiet for more aggressive cooling. And when six bays start to feel limiting, expansion units push the drive count up to 18, letting the platform grow past its footprint.

Sustainability

Going all-flash brings a few sustainability perks that are easy to miss at first glance. There are no spinning platters to wear down over years of use, less heat generated during typical workloads, and lower power draw than a comparable hard-drive NAS running the same hours. Support for ECC memory adds another layer of protection, catching data corruption before it becomes a bigger problem down the line.

The shell itself is plastic rather than metal, and it does flex a bit under pressure, a reminder of where costs were trimmed to keep the price reasonable. That’s not a huge deal-breaker, though it’s probably time for manufacturers to be more conscious of the materials they use, especially with storage solutions like NAS becoming more common even in personal use.

Value

The Flashstor 6 Gen2 sits in premium territory once six NVMe drives get factored into the total cost, and it doesn’t pretend otherwise. At roughly $1,040.99 for the box alone, this isn’t a budget pick for someone who just wants basic file backup. The cost reflects the Ryzen platform, expandable memory, PCIe Gen4 support, USB4 ports, and 10GbE networking, all wrapped in a shell that looks intentional rather than purely utilitarian.

What makes that cost easier to accept is how consistently current every component feels. The processor, memory, storage interface, and networking are all genuinely up to date rather than propped up by one flashy spec while everything else lags behind. That balance means the storage never waits on the processor, and the network never becomes the bottleneck holding back six fast drives working together.

The people who get the most out of this are already running 10GbE networks, working with large creative files, or tinkering with containers and light virtualization. Anyone still on a 1GbE home setup with modest storage needs would leave a lot of this hardware idle, and a simpler hard-drive NAS would likely serve them better per terabyte spent. Matching the buyer to the platform matters here.

Verdict

Taken as a whole, the Flashstor 6 Gen2 pulls off something a lot of NAS makers don’t even attempt: hardware that’s current, wrapped in a shell that looks like someone in the design department actually cared. The rear-heavy port layout and screw-bound drive access take some getting used to, and the plastic build has a bit of give to it, but neither issue undercuts what ASUSTOR built here.

Creators, home lab tinkerers, and anyone assembling a fast, quiet storage setup will find hardware that keeps pace with its own ambitions in the FS6806X. It asks for a commitment of both budget and desk space, but in return it hands back a machine that doesn’t need to be hidden away behind a monitor. Few storage boxes manage to earn a place in plain sight quite like this one does.

The post Flashstor 6 Gen2 Review: NAS Boxes Hide, This One Belongs on Your Desk first appeared on Yanko Design.

The Mark II Turns a Bookmark Into a Second Memory for Readers

A bookmark’s only job has stayed the same for centuries: hold a place in a book, then disappear the moment reading stops. The Mark II asks that same humble object to do considerably more, turning a strip of aluminum and plastic into a scanner, a voice recorder, and a running archive of everything a reader decides is worth keeping between two covers.

The system splits into two physical pieces working together. A slim bookmark stays tucked inside the book itself, marking the page the same way a scrap of paper always has. A separate highlighter piece does the actual capturing, gliding across a printed line to scan it, or getting pressed once to start recording a spoken thought before it slips away entirely.

Designer: Eason Tang

That scanning works across both paper and screens, reading handwriting in more than 100 languages just as easily as printed type. Nothing about the process asks a reader to break stride mid-page. The housing itself uses premium aluminum paired with ABS in a double-injection unibody build, a construction choice meant to survive being dropped, shelved, and carried in a bag daily without cracking.

Battery life is advertised to stretch across roughly a week of regular reading before needing a recharge, topped back up through a standard USB-C cable rather than a proprietary dock. Every scan and recording is designed to land automatically inside the companion app, sorted by book, topic, or the moment it was captured, turning scattered notes into something that can actually be searched back through months later instead of forgotten in a drawer.

Half-remembered quotes get their own dedicated search, pulling back a fragment along with its original source rather than leaving someone to reread an entire chapter hunting for one line. A chat feature goes further, answering questions using only what’s actually been captured. It won’t invent a passage never highlighted or summarize a book never opened, a deliberate limit rather than a missing capability.

None of this demands abandoning tools already in use elsewhere. Captured highlights sync directly to Notion and Readwise, while a one-click import pulls existing notes from Obsidian or Apple Notes into the same catalog instead of starting from zero. That migration matters for anyone who’s already built years of scattered notes across three different apps and never quite trusted any of them.

A research binge across a stack of library books usually ends with sticky notes multiplying on every page, half of them falling out before a deadline arrives. Sliding the highlighter across a passage instead replaces that entire ritual with one motion, leaving behind a searchable, sourced record rather than a pile of paper scraps nobody can match back to the right page.

The device will ship in white or black, priced at $159, with availability starting in the US and Canada before expanding further. That price positions Mark II closer to a premium accessory than a casual gadget, a bet that readers serious enough to annotate books by hand will pay for a tool built specifically around that habit instead of a generic note-taking app.

The post The Mark II Turns a Bookmark Into a Second Memory for Readers first appeared on Yanko Design.

Turn your old Galaxy phone into a weatherproof cyberdeck for under $100

That old phone sitting in a drawer as a backup could have a more interesting second life. ETA Prime’s DIY cyberdeck takes a Galaxy S10, places it inside a compact waterproof mini tackle box, and pairs it with a small Bluetooth RGB keyboard with an integrated trackpad. The result is a piece of hardware that already exists turned into a surprisingly capable portable workstation.

The tackle box becomes the enclosure, with minor modifications made using a Dremel, so the phone and keyboard can sit securely inside. There is no 3D-printed shell or elaborate fabrication involved, which keeps the project accessible to anyone comfortable with basic-level How-Tos. More importantly, the sealed enclosure avoids the need to cut openings for charging ports or physical buttons, helping protect the electronics from dust, moisture, and accidental splashes.

Designer: ETA Prime

At the center of this project is a Galaxy S10, whose Snapdragon 855 processor, 8GB of RAM, 128GB of storage, and AMOLED display still give this repurposed setup plenty of capability. A Rotation Control app is used to keep the phone’s interface in the desired horizontal orientation, while the Bluetooth keyboard turns it into something closer to a tiny computer. The keyboard also supports RGB lighting, adding a little character to what would otherwise be a very utilitarian build.

The practical appeal shines through when the S10 is used for more than browsing. The hardware can handle Android productivity apps, media playback and retro-game emulation, including demanding platforms such as Dreamcast and PSP. That makes the cyberdeck equally suited to writing on the move, watching videos, experimenting with software, or playing older games without carrying a laptop or dedicated handheld.

The enclosure is arguably the most interesting part of the design. Unlike many cyberdecks that prioritize a futuristic appearance over everyday practicality, the tackle box gives this one a rugged, purpose-built quality. The rig is compact enough to carry around, while its weather-resistant construction makes it better suited to outdoor use than an exposed phone-and-keyboard combination. That unusual mix of ordinary storage hardware and repurposed electronics is what gives the project its character.

There is also plenty of room for experimentation. A larger battery can be added beneath the keyboard for longer sessions, while a detachable kickstand could make the viewing angle more comfortable. The Galaxy S10 is not necessarily the only possible brain, either. According to the DIYer, the same enclosure concept could accommodate a Raspberry Pi or small-form-factor PC for users who want to explore Linux and other operating systems.

Best of all, the project is quite inexpensive, given the exponentially rising costs of memory modules, and in turn PCs and smartphones. With a used Galaxy S10 potentially available for less than $70 and inexpensive components filling out the rest, the complete build can remain below $100. The clever DIY is very easy to take u unlike some of the more complex cyberdeck builds we’ve seen in the past like the pocket-sized Altoids DIY.

 

The post Turn your old Galaxy phone into a weatherproof cyberdeck for under $100 first appeared on Yanko Design.

This slim AI note-taker lets you stay focused in meetings without tying up your Phone

A meeting recorder usually sits on the table and captures what people say. The Comu Action Pro does exactly that, but its 7mm-thick body feels more like something that belongs beside a phone than a traditional piece of note-taking equipment. The gadget can sit flat on a table, slip into a pocket, or attach magnetically to the back of a compatible smartphone.

The magnetic connection is particularly useful when moving between meetings. The recorder can stay with the phone instead of becoming another small device to remember. Comu also includes a magnetic ring for phones without a compatible magnetic system. The Action Pro comes in black, silver, and cherry red, with a small OLED display on the front and a simple physical layout that keeps most of the controls out of the way.

Designer: Comu

There is a practical reason for making the recorder separate from the phone. A long meeting can keep a smartphone recording for hours, draining the battery while also preventing it from being used normally. With the Action Pro handling the audio, the phone remains free for calls, messages, presentations, or simply checking something during the conversation. It is a small distinction, but one that makes sense in an everyday work setting.

The recorder uses six far-field microphones that pick up voices from as far as 7 meters away, according to Comu. It also includes noise reduction, voice enhancement, and speaker recognition to help make recordings easier to work with afterward. Battery life is rated at up to 70 hours of continuous recording, and charging is handled through USB-C. Most of the Action Pro’s more interesting functions happen after the actual recording. AS Comu likes to call it “The 30 Minutes After.” Conversations can be transcribed and summarized, with support for 113 languages. The software can also identify speakers, translate conversations, search through recordings, and turn discussions into things such as emails, documents, presentations, and task lists.

There is a physical button specifically for its AI functions, which keeps some of this interaction away from the phone. After a meeting, for example, a user can ask the recorder to pull out the action items or turn the discussion into a follow-up email rather than going through the recording manually. That combination of simple hardware and more involved software is what defines this AI notetaker. In fact, this gadget itself does not demand much attention. You can put it on a table, start recording, and leave it alone. The real work happens later, when the audio is converted into text and organized information.

A 9to5Google review found the Action Pro effective at capturing and processing meetings, although it also pointed to limitations in the companion app, web experience, and some of the AI features. That leaves the hardware as one of the more straightforward parts of the product. It is small, unobtrusive, easy to carry, and designed around a very specific task: recording the conversation without asking the phone to do it.

Comu sells the Action Pro for $179.99, as recording, transcription, and basic summaries are included without usage limits, while more advanced AI functions require a subscription. Premium costs $10 per month when billed annually, while the Elite plan is $29.99 per month on annual billing. For people who regularly sit through meetings, interviews, or conversations where taking notes gets in the way, that simple separation may be the most useful thing about the Comu Action Pro.

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The FPGB Mini Is Barely Wider Than a Game Boy Cartridge, and Plays One

A Game Boy cartridge used to feel small in your palm, a flat plastic rectangle dwarfed by the console it slotted into. The FPGB Mini flips that relationship entirely. This new handheld measures barely wider than one of those cartridges, turning decades of shrinking electronics into an actual party trick rather than a marketing phrase. It plays original Game Boy and Game Boy Color cartridges directly, no adapters, no compromises on how the games behave.

That accuracy comes from field-programmable gate array technology or FPGA, the same approach used in pricier hardware like the Analogue Pocket. Instead of software emulation approximating old hardware, the FPGA chip recreates the original circuitry’s behavior directly, which is why colors, timing, and quirks specific to Game Boy games show up exactly as they did decades ago. The tradeoff is narrower cartridge support, limited here to Game Boy and Game Boy Color only.

Designer: FunnyPlaying (via Retro Dodo)

Slide a cartridge into the back, and the 2.98-inch IPS screen renders everything at 800 by 720 pixels, a resolution chosen specifically because it scales the original Game Boy display by a clean five times. That kind of deliberate math means pixel art looks crisp rather than blurred or unevenly stretched, a detail that matters enormously to anyone who has stared at a mushy upscaled screen on a cheaper handheld clone.

Pull two of these out during a road trip, and the link cable becomes the actual point. FunnyPlaying included a dedicated wired connection for multiplayer battles and trading, mirroring what the original Game Boy Link Cable did for a generation of kids swapping Pokémon in parking lots and school hallways. It’s a small inclusion that says the design team understood which memories actually mattered here.

A built-in real-time clock keeps the momentum going even after the cartridge comes out. Games like Pokémon Gold and Silver relied on that internal clock for day-night cycles and timed events, a feature plenty of modern clones quietly drop. Its presence here suggests the engineering priority sat with preserving how games actually played, not just how the console looked sitting on a shelf.

A microSD slot rounds out the modern side of the hardware, storing save files, screenshots, or ROM files that can run through a built-in emulator when no cartridge is inserted. That flexibility turns the FPGB Mini into two devices depending on the moment: a hardware-accurate cartridge reader when authenticity matters, and a pocket emulator when convenience wins out instead.

Color reproduction gets a boost too, with support for 16.7 million colors and an RGB565 pipeline that keeps Game Boy Color titles looking properly saturated rather than washed out. It’s a detail easy to overlook next to the flashier link-cable and FPGA talking points, yet it shapes the actual daily experience of loading up a cartridge more than either of those features do.

At 113mm x 64mm x 22m and roughly 135g, the whole unit disappears into a jacket pocket in a way no console with a cartridge slot has any right to. An 1,800mAh removable battery pack handles the power side, charging over USB-C in roughly two to three hours and running for several hours of play per charge, numbers respectable for hardware this compact. A carrying case ships in the box, treating portability as a finished thought rather than an afterthought bought separately.

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A Wireless Charger That Quietly Doubles as a Desk Lamp

Most wireless chargers look like something you’d find in an airport lounge. Flat, black, forgettable. They do their one job and ask nothing of the rest of your desk, which is exactly the problem. Somewhere along the way, home offices turned into small personal galleries. People started adding framed photos, a fake fiddle-leaf fig, a candle nobody actually lights. And then, right in the middle of that carefully curated setup, sits a charging pad that looks like it fell off a delivery truck.

Yong Zhang and Lei Wang, two designers working out of Liaoning Petrochemical University in China, apparently noticed the same disconnect. Their answer is a device called Poetry-Electricity, a wireless charger that also functions as a small tabletop lamp, its surface dotted with tiny spherical lights arranged like buds on a branch. Set your phone down and it charges. Leave it there after dark and it glows, casting the kind of soft, scattered light that makes a desk feel less like a workstation and more like a place you’d actually want to sit.

Designers: Yong Zhang and Lei Wang

I like that the idea starts from a real observation rather than a trend chase. Office decor got personal because people needed their workspace to feel human again, not because a design blog said cozy desks were in. A charger that ignores that shift and just sits there being efficient and joyless is missing the point of why people started decorating in the first place.

What actually makes this more than a nice-looking gimmick is the engineering hiding underneath the poetry. The designers built in a magnetic barrier that blocks stray magnetic fields from interfering with the charging circuit, which is a fussy but important detail, since wireless charging pads are notorious for losing efficiency the moment anything metal or magnetic gets near the coil. There’s a rubber texture on the charging surface so your phone doesn’t slide off mid-charge, and a built-in lithium battery strip means the whole thing can be used away from an outlet, not just tethered to a desk. None of that is flashy. It’s the kind of quietly practical thinking that never shows up in a product photo but absolutely shows up in daily use, when your phone stays put and actually charges at the rate it’s supposed to.

I keep going back and forth on whether the tree-shaped light cluster is a little too on-the-nose as a metaphor for “growth” or “energy” or whatever the press materials probably say. But I’ll admit it works better in practice than it sounds on paper. A charging pad that also throws warm, broken-up light across a desk at 9 p.m. does something a single overhead bulb or a phone screen never will. It softens a room instead of just illuminating it. What strikes me most is how unbothered this design is by the usual tech industry instinct to hide function behind minimalism, or hide personality behind function. Most gadget design forces a choice: sleek and cold, or decorative and useless. Poetry-Electricity doesn’t pick a side. It just assumes your desk deserves both, and builds accordingly.

Whether it ever shows up on shelves at a price a normal person would pay is a separate question, and awards concepts like this one, a Silver winner from A’ Design Award, don’t always make that leap to retail. But the thinking behind it deserves more company. Desks aren’t going back to being purely functional spaces anytime soon, not with so much of the workday still happening from home. The objects that live there should probably stop pretending otherwise. A charger that also wants to be looked at isn’t solving a huge problem. It’s solving a small, honest one, the kind that’s easy to dismiss until you notice how much better a room feels once it’s gone.

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5 Best Space-Saving Kitchen Gadgets & Tools That Actually Earn Their Shelf Space

Most kitchen frustration is not about cooking. It is about the objects that have accumulated around the cooking: the appliances sitting unused on the counter, the measuring cups stacked four deep in a drawer, the dish rack that was always too big for the sink and was never once moved. The kitchen earns its floor plan back when the tools actually inside it are doing real work, not waiting to be used once a month.

These five picks have something worth saying about how a kitchen should actually work. Three are design concepts making a clear case for how appliances should be reimagined from the ground up. Two are tools available to order now. None made this list for being small. They made it for solving something the standard version never did.

1. Nanlong Cooker

Designer Vuk Dragovic’s concept for Nanlong imagines a single countertop appliance capable of grilling, steaming, baking, and hosting a hot-pot dinner, built for modern urban cooking culture. A matte black housing with subtle metallic accents deflects fingerprints, while a clean control panel manages mode selection through simple taps. Internally, the concept proposes durable stainless steel cooking chambers and high-temperature-resistant plastics. Grill racks, baking trays, and a dedicated hot-pot insert snap in quickly, keeping setup and cleanup as direct as the cooking.

What Nanlong gives you is not a smarter appliance. It is fewer appliances, operating in the one situation where consolidation holds up: when the replacement handles each cooking method on its own terms. A weeknight meal starts with steamed vegetables, shifts through grill mode for searing protein, and closes with a bake setting for a side dish, all without you touching a second power source. Standardized components across four functions also point toward a simpler production process, making this more than a concept sketch.

What we like

  • One countertop unit handles grilling, steaming, baking, and hot pot through interchangeable accessories that attach without tools
  • Standardized components across all four cooking functions simplify the production architecture and lower potential costs

What we dislike

  • The restrained matte black aesthetic may read as too minimal for cooks who prefer warmer kitchen design language

2. Iron Frying Plate

Made from 1.6mm-thick mill scale steel, the Iron Frying Plate is rust-resistant, stick-resistant, and ready to use out of the box. The wooden handle attaches and detaches with one hand, which means the plate moves from the stovetop directly to the table without a serving dish standing between the two. That transition from cooking vessel to table object in a single step is where the real space-saving happens: not in the plate’s footprint, but in the items it removes from the process entirely.

Mill scale steel develops character over sustained use, seasoning with each cooking session in a way that genuinely rewards you over years rather than months. The detachable handle keeps your storage flat, a meaningful difference from pans with fixed handles that dictate how a drawer can be arranged. At $69, the Iron Frying Plate earns its place through material quality and the logic of its handle system, which treats the move from stove to table as the primary design problem worth solving.

Click Here to Buy Now: $69.00

What we like

  • Detachable wooden handle moves the plate from stovetop to table without a serving dish in between, removing an entire category of vessel from the kitchen
  • Mill scale steel construction seasons with use and improves over time, building performance rather than declining it

What we dislike

  • Iron construction makes it heavier than conventional frying pans, which requires some adjustment for extended use
  • Hand-washing is recommended to maintain the seasoning and material quality, unlike most everyday cookware

3. Boi Silicone Measuring Cup

Designed by Hatice Esra Sungur, Boi is a one-piece silicone measuring cup concept that replaces an entire nested set with a single flexible tool. A slider adjusts the internal capacity across five labeled measurements: 1/8 cup (30ml), 1/4 cup (60ml), 1/3 cup (80ml), 1/2 cup (125ml), and 1 cup (250ml). The cup runs 20 centimeters long and 6 centimeters tall at maximum capacity. The renders show it in orange, though the material makes alternate colorways easy to visualize.

The drawer benefit for you is immediate. One tool replaces five, and because the body is flexible silicone, it stores flat when you are done. There is also a quieter efficiency in washing one item after measuring rather than rinsing a nested set that always manages to stack in the wrong order.

What we like

  • A single slider-adjustable tool consolidates five separate measuring cups into one flexible, flat-storing piece
  • One item to wash instead of a nested set saves both water and the specific frustration of rinsing stacked cups after every bake

What we dislike

  • The slider mechanism depends on silicone flexibility that may wear differently across materials and temperature ranges in a production version

4. Slim Fold Dish Rack

The Slim Fold Dish Rack collapses from a 14-inch working rack down to 1.2 inches using a patent-pending spring mechanism that deploys and retracts in a single motion. When folded, it fits in a cabinet slot, a drawer, or even a bag, which is the kind of storage flexibility that standard dish racks never permit. It is dishwasher-safe and easy to clean, priced at $75, and built with a mechanism designed for sustained, daily deployment rather than occasional use.

The dish rack usually forces you to choose between two problems: the rack that occupies permanent counter real estate, or the collapsible version that feels too flimsy to actually use daily. The Slim Fold resolves that by making deployment as fast as using it, so it does not become another object that lives folded in a cabinet because setup creates friction. It earns your counter space when in use and takes none when it is not.

Click Here to Buy Now: $75.00

What we like

  • Patent-pending spring mechanism collapses a full 14-inch rack to 1.2 inches in a single motion, clearing the counter in seconds
  • Dishwasher-safe construction removes the one maintenance step that makes most collapsible racks impractical for daily use

What we dislike

  • At $75, it sits at a higher price point than most household dish racks, which requires confidence in the spring mechanism’s long-term durability
  • The compact footprint when deployed may limit capacity for larger households washing multiple plates and pots at once

5. Hybrid Kitchen Aid

Designed by Rishikesh Sonawane and inspired by the French press, the Hybrid Kitchen Aid integrates blending, grinding, and kneading into a single compact machine. The motor placement is inverted from conventional food processors, a structural decision that compresses the overall form and allows upright storage without the footprint a standard appliance base demands. A regulator dial that doubles as an on/off button controls RPM, while a color-coded user flow diagram guides each session from start to finish with deliberate, reduced-error clarity.

The Hybrid Kitchen Aid saves you space by subtraction rather than miniaturization. Rather than fitting a smaller blender next to a smaller food processor, it removes the need for those devices to coexist at all, giving you one machine capable of carrying the full workload across categories. Adaptability and storage efficiency are primary design criteria rather than secondary considerations. As a concept, it remains one of the more coherent arguments for what kitchen appliance consolidation should actually look like.

What we like

  • Blending, grinding, and kneading consolidated into one compact upright form, removing the need for multiple devices to share counter or cabinet space
  • Inverted motor placement reduces the overall footprint and makes upright storage viable without a wide appliance base

What we dislike

  • The French press-inspired form factor may require adjustment for users accustomed to conventional food processor interfaces

The Counter Is Not a Waiting Room

The objects that truly earn their shelf space do not just save room. They change how a kitchen feels to work in, because fewer competing objects means fewer small decisions about what to move, where to put things down, and what to wash after. These five products, from concepts still working toward production to tools you can buy today, all share the same premise: every item in a kitchen should justify its presence through genuine, daily use.

The concept picks are worth following as they move closer to production. When design logic this direct gets a manufacturing path, the results tend to be good. The purchasable tools make an immediate difference in any kitchen where drawer space is a daily frustration. The standard stays the same regardless of what comes next: the most useful kitchen is not the largest or the best-equipped. It is the one where nothing on the counter is optional.

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