Tag Archives: Technology

The Handheld PC That Becomes a Gamepad, Keyboard, or Knob Panel

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The handheld PC market has gotten surprisingly competitive in recent years. Devices like the Steam Deck and ROG Ally have proven that people genuinely want powerful computers in their pockets, but they’ve all settled into roughly the same formula: a fixed gamepad layout and a fixed identity as gaming devices. Getting any serious work done on them usually means plugging in a keyboard and calling it a compromise.

The CG Deck takes a different approach. Rather than locking itself into one form factor, it’s built around swappable input modules that let you physically change what kind of device it is, depending on what you need it to do. Snap on the gamepad for gaming, switch to the 64-key keyboard for writing, or reach for the 11-key rotary knob module when precision matters most.

Designer: Mogozen

The module system is split into two types of slots, primary and secondary, which accept different kinds of attachments. The primary slot handles the bigger input options, like the gamepad controller, keyboard, or knob module. The secondary slot is where something like a trackball mouse module goes. Over 30 additional modules are already in development, opening the door to configurations nobody has really tried before.

Running the whole thing is an Intel N150 processor paired with up to 16GB of LPDDR5 RAM, which is enough to handle productivity workloads, light creative tasks, and indie gaming without breaking a sweat. The 5-inch IPS touchscreen runs at 1024×600 and peaks at 1,000 nits, which keeps it readable in brighter conditions. It also outputs up to 4K at 60Hz via HDMI 2.1 when a bigger screen is nearby.

The battery is made up of three 18650 lithium cells totaling 10,500 mAh, good for roughly eight hours of use and charged via USB-C. Connectivity is unusually generous for a handheld of this size, with built-in Wi-Fi 6e, Bluetooth, and a full 1GbE Ethernet port, plus two USB-A 3.0 ports, a USB-C port, and a MicroSD card slot built directly into the chassis.

Beyond swapping the controllers, the internals are expandable, too. An M.2 slot accepts NVMe SSDs in 2230 or 2280 form factors via PCIe 3.0, there’s a module slot for 4G LTE cellular connectivity with a NanoSIM, and a PCIe expansion port opens the door to external GPU attachments for more demanding workloads. x86 architecture means it runs anything, from Windows 10 and 11 to any Linux distribution you prefer.

What makes this even more interesting is that everything about the CG Deck is open source. Schematics, firmware, and design files will all be available on GitHub, so tinkerers can build their own version without waiting for the commercial release. A Kickstarter is currently in the works for those who’d rather not solder their way through it, and a waitlist is already open on the Mogozen website.

The engineering prototype is working, though it’s still being refined before it’s ready for a wider audience. Future shell designs include options with picatinny rails and LEGO-compatible brick plates, suggesting that physical customization goes well beyond the input modules alone. The overall concept is unusual enough to feel genuinely novel in a category that’s started to feel a bit predictable.

The post The Handheld PC That Becomes a Gamepad, Keyboard, or Knob Panel first appeared on Yanko Design.

This $399 Tablet Has 9 JBL Speakers and Works as a Bluetooth Speaker

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Entertainment tablets have always been a bit of a compromise. They’re large enough to make video look good, but the speakers are almost universally disappointing, and most people end up propping them against a pillow or a water bottle to get a decent viewing angle. The hardware has gotten better over the years, but the experience still feels like it’s designed around the screen and nothing else.

Lenovo’s Tab Plus Gen 2 is built around a different set of priorities. It leads with audio in a way that most Android tablets don’t, pairs that with a display that can actually do the sound justice, and backs both up with a mechanical kickstand that rotates 360 degrees so the tablet can sit, stand, lean, or hang in whatever configuration makes the most sense for the moment.

Designer: Lenovo

The 12.1-inch 2.5K LCD display carries Dolby Vision and HDR10 support, a 120Hz refresh rate, and up to 800 nits in High Brightness Mode for watching in brighter environments. At 249ppi, the pixel density stays sharp at this screen size, which matters when you’re switching between films, reading articles, or navigating something that would look noticeably soft on a lower-resolution panel.

The JBL 9-unit Pro speaker system is tuned with Dolby Atmos and includes dedicated bass units that give the sound a physical weight most tablet audio simply doesn’t have. Dialogue stays clear, bass doesn’t disappear, and the whole thing scales with the content. Dolby Audio processing lets you switch between Dynamic, Movie, and Music modes depending on what you’re watching or listening to.

There’s also a built-in Bluetooth speaker mode that turns the Tab Plus Gen 2 into a standalone speaker you can control from your phone. That means you can set the tablet up in the kitchen, hit play on a playlist from across the room, and use it the same way you’d use a Bluetooth speaker, without needing a separate device sitting on the counter.

The 360-degree rotating kickstand handles four distinct positions: lean, theater, stand, and hanging mode. That covers everything from reclining on a couch to hooking onto a cabinet door in the kitchen, across both portrait and landscape orientations. When the tablet isn’t being actively used, a standby mode turns it into a digital picture frame, which gives it a purpose even when nobody’s watching anything.

AI Live Transcript handles real-time translation across more than 40 languages, which makes foreign-language content far more approachable without having to hunt for subtitles. AI Notes with Lenovo Notepad handles notetaking, and Smarter Reader makes navigating longer articles less of a chore. The 10,200mAh battery is rated for up to 15 hours of YouTube streaming, backed by 45W fast charging.

The Tab Plus Gen 2 starts at $399.99 and is available in Celestial White. It works with the Lenovo Tab Pen Plus and Lenovo Wireless Keyboard, both sold separately, and comes with a Sleeve Suite that includes a carrying sleeve and a shoulder strap for getting the tablet from room to room or out the door without digging around for a bag.

The post This $399 Tablet Has 9 JBL Speakers and Works as a Bluetooth Speaker first appeared on Yanko Design.

TECNO Just Built a Budget Phone With a Battery That Lasts 6 Years

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Budget smartphones have gotten remarkably capable in recent years, but one persistent problem hasn’t gone away. They still feel disposable. Batteries degrade within a year or two, frames collect scratches quickly, and performance starts slipping right around the time the device is paid off. Most people accept this as part of the deal and cycle through handsets every couple of years without giving it much thought.

The TECNO SPARK 50 Pro tries to change that calculation. Rather than chasing raw benchmarks or stacking camera hardware, it focuses on something more practical: building a phone that holds up, physically and internally, over a long stretch of use. At just 7.8mm thin, it doesn’t look like a rugged device, but the specs and certifications beneath that slim exterior tell a different story.

Designer: TECNO

Battery longevity is one area where the SPARK 50 Pro makes a clear statement. It’s offered in two variants, a 5,600mAh dual-cell model and a 6,000mAh single-cell version, both certified to sustain more than 1,900 charge cycles while retaining over 80% of their original capacity. That’s roughly six years of daily charging without significant degradation, which is a genuinely unusual promise for a phone at this price point.

Keeping a large battery from being a chore to top up is 60W Super Charge support, which gets the device to 63% in 30 minutes and fully charged in 55. Three adaptive charging modes let users balance speed and heat, and bypass charging routes power directly to the motherboard during heavy use, keeping the battery from straining when the phone is plugged in while gaming or streaming.

Performance comes from a MediaTek Helio G100 Ultimate processor scoring around 550,000 on AnTuTu, with Memory Fusion 4.0 pushing virtual RAM up to 24GB. The 6.78-inch IPS LCD runs at up to 120Hz, keeping scrolling and gameplay feeling fluid, while dual stereo speakers with DTS Sound lend more audio depth to videos and music than you’d typically get in this price bracket.

Photography centers on a Sony LYTIA 600 sensor with 50MP resolution, a 1/1.953-inch size, and an f/1.8 aperture, giving it a light-gathering advantage over the smaller sensors common in its class. FlashSnap technology pushes shutter speeds up to 1/10,000 of a second for catching fast-moving moments cleanly. AI Eraser 2.0 and AI Extender round out the imaging toolkit with cleanup and reframing options.

Physical protection is where the SPARK 50 Pro really sets itself apart from comparably priced options. IP68 and IP69 ratings cover it against dust, rain, spills, and high-pressure water jets, while SGS Five-Star Premium Drop Resistance certification means it’s been tested against multi-angle impacts and 41 independent drop scenarios. It comes in five finishes: Ink Black, Titanium Grey, Midnight Blue, Dynamic Orange, and Cloud White.

Running on HiOS 16 based on Android 16, the SPARK 50 Pro also brings the Ella AI Agent for daily assistance and an AI Health Assistant for health monitoring. FreeLink 2.0 enables off-grid messaging in supported situations, and AI Noise Cancellation cleans up calls in loud environments. It’s a package aimed at people who’d rather not think about buying a new phone anytime soon.

The post TECNO Just Built a Budget Phone With a Battery That Lasts 6 Years first appeared on Yanko Design.

A Wireless Clip-On Mic With AI Noise Cancellation for Under $50 Sounds Ridiculous. Here’s Why It Works.

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The modern smartphone has set a remarkably high baseline for video quality, and its built-in microphone is surprisingly capable for casual use. But for creators who need their voice to cut through ambient noise, reach across distance, or maintain consistent clarity on the move, phone audio quickly reveals its physical limits. This is the complex mindset of the budget-conscious creator: they won’t spend money on a dedicated camera unless it’s dramatically better than their phone, and they certainly won’t carry a separate microphone unless it delivers a sound that is fundamentally impossible to capture with the device already in their pocket. It has to solve a problem, not just offer a marginal improvement.

This is the precise challenge the Saramonic Air SE is designed to meet. It justifies its space in a creator’s bag by breaking the physical limitations of a smartphone. Its core function is to get the microphone off the camera and place it exactly where it needs to be: clipped discreetly to a collar, just inches from the speaker’s mouth. Thumb-sized and weighing just 5 grams, the mic wears almost unnoticed on camera. It operates across 200 meters of wireless range, delivering crystal-clear, detailed 48kHz/24-bit audio while an AI engine actively removes up to 40dB of background noise. Snap it back onto the charging bar and it instantly becomes a handheld mic, ready for interviews. At $49 for the USB-C version, it’s positioned squarely as an entry-level system built for mobile-first creators and content teams who need professional capabilities without the professional price tag.

Designer: Saramonic

Click Here to Buy Now: $40 $50 ($10 off, use coupon code “YD20”). Hurry, deal ends in 48-hours!

The impossibly compact design makes it a marvel of engineering but also a testimony of how much discreetness matters to Saramonic’s core audience. The transmitter measures 28.5 x 17 x 13.4 millimeters, roughly thumb-sized, and weighs 5 grams. That makes it among the most compact in its class—significantly smaller than most entry-level wireless systems. When clipped to a collar or shirt, it genuinely disappears on camera, solving one of the oldest visual compromises in video production. The modular charging bar is the real design story here, sized like a lighter and engineered to magnetically house two mics and a receiver for easy carry. Everything you need for a two-person recording setup fits in your pocket. Dock a transmitter onto the bar, power it on, and it doubles as a handheld interview mic. Two form factors, one object, no adapters or workflow interruptions. The magnetic connection is strong enough that the bar feels natural to hold, weighted specifically for that second use case. Saramonic calls it “Clip It. Hold It.” and the simplicity of that statement captures exactly what makes this system different.

The Air SE’s noise cancellation represents Saramonic’s first-ever true AI system, trained on over 700,000 noise samples across 20,000 hours of audio. Unlike traditional ENC (electronic noise cancellation), which only handles steady ambient sounds like air conditioners or distant traffic, this AI engine identifies and separates voices from complex or sudden noise in real time. It runs in two modes: Weak at -15dB for natural-sounding environments where you still want some atmosphere, and Strong at -40dB for genuinely loud scenes like street shoots or crowded events. A single press on the receiver toggles the feature on and off. The companion app handles three EQ presets (Vocal Boost, High Boost, and Bass Boost) that let you fine-tune your vocal tone effortlessly, plus mono or stereo output selection and gain control. It’s plug-and-play simplicity with easy controls, approachable enough that a beginner can use it without touching settings, and flexible enough that someone with audio experience can dial in exactly what they need.

The technical fundamentals are solid in ways that matter for real-world use. The Air SE captures 48kHz/24-bit high-resolution audio with an 80dB signal-to-noise ratio and 120dB max SPL, preserving details with an ultra-low noise floor. The built-in limiter with -12dB safety track prevents distortion in unpredictable situations, recording a backup channel the whole time. If your main track clips because someone suddenly shouts or laughs too close to the mic, the safety track has you covered. The transmitter runs for about 6 hours on a single charge, and with charge-while-record capability through the modular bar, you get up to 28 hours of total runtime. That’s enough for a full day of street interviews or event coverage. The receiver draws power directly from your phone via USB-C or Lightning, so there’s no separate battery to manage. The plug-and-play design means seamless smartphone use from the moment you connect.

Saramonic is offering two configurations – the Air SE-01 at $49 includes a USB-C receiver and works with modern iPhones, Android devices, computers, and select action cameras like the DJI Osmo Pocket 3 and DJI Action 4. The Air SE-02 at $69 adds a Lightning receiver for older Apple hardware. Both kits include two transmitters, the charging bar, furry windshields, magnetic clips, a carry bag, and a USB-A to USB-C cable. That’s a complete field recording setup in one box, no additional purchases required. Competitors like the DJI Mic 3 and Hollyland Lark systems start around $150, making the Air SE’s price positioning genuinely aggressive for mobile content creators, streamers, and interviewers who need affordable wireless audio with outstanding value.

The Air SE is available now through Saramonic’s official store with free worldwide shipping, a 15-day return window, and a 2-year warranty. For creators who have been making do with phone audio and wondering if a dedicated wireless mic is worth the investment, this is a system designed to answer that question definitively. Pure, natural-sounding voice with powerful noise cancellation, ultra-light portability, and broad compatibility with mainstream smartphones and tablets, all in a package that fits in your pocket and costs less than most creators spend on a single camera accessory.

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The post A Wireless Clip-On Mic With AI Noise Cancellation for Under $50 Sounds Ridiculous. Here’s Why It Works. first appeared on Yanko Design.

Infinix GT 50 Pro Review: Gaming Greatness With a Catch

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PROS:


  • Distinctive design with LED accents and visible liquid-cooling

  • Strong gaming performance

  • Useful GT triggers and bundled MagCharge cooler


CONS:


  • Stereo speakers can sound slightly muffled at times

  • Price has gone up noticeably from the GT 30 Pro

RATINGS:

AESTHETICS
ERGONOMICS
PERFORMANCE
SUSTAINABILITY / REPAIRABILITY
VALUE FOR MONEY

EDITOR'S QUOTE:

Distinctive, capable, and clearly built with gamers in mind, the Infinix GT 50 Pro delivers a focused experience, even if tougher competition makes the value story less straightforward.

The Infinix GT 50 Pro continues a formula the GT series has followed since its debut with the GT 10 Pro in 2023. This has always been a gaming-focused smartphone line, both in how it performs and how it looks. With the GT 50 Pro, Infinix stays true to that identity while adding stronger hardware, a few thoughtful extras, and a more refined overall package.

There is plenty here that stands out immediately, from the Dimensity 8400 Ultimate and 144Hz AMOLED display to the GT triggers and bundled MagCharge cooler. At the same time, the GT 50 Pro arrives in a more competitive market and at a higher price than its predecessor. That makes it a more interesting phone to evaluate, because the question is no longer just whether it performs well, but whether it still does enough to stand out.

Designer: Infinix

Aesthetics

Ever since the GT 10 Pro debuted in 2023, Infinix has kept the GT series firmly anchored to one identity. This has always been a gaming phone line, and importantly, it has always looked the part. The GT 50 Pro continues that tradition with complete confidence, and the consistency gives the series a stronger sense of character.

Flip the phone over, and there is no mistaking what it is. The rear panel embraces an aerodynamic, almost mechanical aesthetic, combining angular detailing, a carbon-fiber-like pattern, customizable LED accents, and a transparent section that showcases the liquid-cooling system underneath. There is a lot happening visually, but it feels controlled. Rather than coming across as excessive, the design feels cohesive and deliberately built around the phone’s gaming-first identity.

The camera module follows the same approach. Its two rear cameras are placed on a raised platform in the top-left corner, with each lens individually framed within a square border. It certainly adds to the industrial, structured look of the back, though I have never been particularly fond of this kind of layout since the separate frames tend to collect dust more easily and make the area slightly more annoying to wipe clean.

There are three color options, and each one changes the mood of the design. Black Abyss unit I received, paired with green liquid-cooling accents, looks the most understated while still retaining that gaming edge. Silver Glacier, with blue liquid cooling, comes across as the most futuristic of the lot. Red Blaze is easily the boldest finish here, and it is the variant for those who want the GT 50 Pro to attract attention instantly.

What ultimately stands out is the restraint behind the boldness. The GT 50 Pro is distinctive enough to feel special, but it never crosses into the kind of excess that would make it awkward to use in everyday life. More than anything, it feels like a more refined and self-assured evolution of the GT design language rather than a dramatic reset.

Ergonomics

For a phone that leans this heavily into gaming aesthetics, the Infinix GT 50 Pro is surprisingly manageable in the hand. It measures 162.44 x 72.33 x 8.15 mm and weighs 198g, which firmly places it in large-phone territory, but it never feels unnecessarily bulky or awkward. The proportions are well judged, and the phone carries its size with more balance than the numbers might suggest.

The flat sides do help with grip, especially during gaming or extended video sessions where a more secure hold matters. Paired with the glossy back, the GT 50 Pro still feels steady in the hand rather than overly slippery. The rear panel does pick up fingerprints quite easily, but thanks to the carbon-fiber-like pattern and the liquid-cooling visuals underneath, smudges are less obvious than they would be on a plain glossy surface. The included case, on the other hand, feels quite plasticky, though you will likely want to use it anyway if you plan on attaching the bundled MagCharge cooler, which I will get to later.

One of the more distinctive ergonomic features here is the pair of GT triggers. These customizable pressure-sensitive triggers add something genuinely useful to the physical experience of the phone, especially for gaming. In supported games, they can make actions like aiming, firing, or switching controls feel quicker and more tactile than relying entirely on the touchscreen. Even outside gaming, the fact that they are customizable gives them some practical value and keeps them from feeling like a one-note gimmick.

The rest of the layout is otherwise fairly standard. The power button and volume rocker are easy enough to reach, but the fingerprint sensor sits a bit too close to the bottom edge for comfort. It works quickly, but it is not the most natural placement. Overall, the GT 50 Pro feels built more around grip, control, and gaming comfort than one-handed ease, and that feels entirely appropriate for what it is.

Performance

The Infinix GT 50 Pro is powered by the MediaTek Dimensity 8400 Ultimate, paired with 12GB of RAM and either 256GB or 512GB of storage. On paper alone, that already puts it in a very comfortable position for a phone in this segment. In day-to-day use, the experience lives up to that promise. Animations are smooth, apps open quickly, and there is enough headroom here that the phone rarely feels like it is under any real strain, even when several things are happening at once.

Gaming is where the hardware starts to make the most sense. The GT 50 Pro handles demanding titles with the kind of confidence you would expect from a device built around this purpose. Frame rates feel stable, touch response is quick, and the GT triggers add a layer of physical control that makes certain games feel more intuitive than they do on a standard touchscreen-only phone. It is not just about having enough power to run games well. It is also about making the whole experience feel more deliberate and more enjoyable.

The bundled MagCharge cooler is part of the experience, too. Not everyone will need it all the time, but it does make the GT 50 Pro feel more complete as a gaming device. In my use, an hour of playing Delta Force at the highest settings kept the phone below 40 degrees Celsius, which is a reassuring result for extended sessions. It also works as a wireless charger while attached, so you can game for longer without having to put up with a cable jutting awkwardly out of the phone. The built-in lighting effects are a nice touch as well, and they fit neatly with the rest of the GT 50 Pro’s gaming-focused identity.

Software plays a major role in shaping that experience too. Running XOS 16 based on Android 16, the GT 50 Pro offers a wide range of gaming-focused features that fit the phone’s identity well. There is also a growing library of AI tools built into the system, though their usefulness will vary depending on how much you actually rely on those features in daily use.

The GT 50 Pro features a 6.78-inch AMOLED panel with a 1.5K resolution and a 144Hz refresh rate, and it is one of the phone’s biggest strengths. Everything looks sharp, motion is fluid, and the high refresh rate makes a difference not just in games but also in everyday scrolling and navigation. With a claimed peak brightness of 4,500 nits and 1,600 nits in high brightness mode, the screen is generally easy to see even under harsh sunlight. That said, I did run into a few moments where automatic brightness felt a little too conservative, leaving the display dimmer than expected until I adjusted it manually.

The audio experience is less convincing. The stereo speakers are decent enough for casual use, but they do not leave much of an impression. At times, some sounds come across as slightly muffled, which takes away a bit from the otherwise immersive gaming and media experience. It is not a deal-breaker, but it is one area where the phone feels less polished than its display.

Ultra-wide, 0.6x

Main, 1x

Main, 2x

The camera system on the Infinix GT 50 Pro is more practical than ambitious, which feels fitting for a phone like this. You get a 50MP main camera with OIS, an 8MP ultrawide, and a 13MP front camera. The main camera does most of the heavy lifting, and in good lighting, it is capable of producing sharp, pleasing shots for everyday use.

Main, 1x

Main, 2x

Up to 2x zoom, image quality remains decent, but beyond that, the limitations become more obvious. The phone can go as far as 15x, though that upper range feels more like a bonus than something genuinely useful. Color processing also tends to lean warm and vibrant, which gives photos a lively look even if they are not always the most natural.

Main, 1x

Main, 2x

Battery life is another area where the GT 50 Pro benefits from its gaming-first priorities. Depending on the market, the phone comes with either a 6,150mAh or 6,500mAh battery, and either way, that is a generous capacity by current standards. The unit I received came with the 6,500mAh battery, and its endurance is impressive, easily lasting a full day even with a couple of hours of gaming mixed in. Charging support is also solid, with 45W wired charging and 30W wireless charging adding a welcome layer of convenience.

Sustainability

Sustainability is not always the first thing people look for in a gaming-focused phone, but it still matters, especially for a device that is likely to be used heavily over time. With the Infinix GT 50 Pro, the discussion is less about environmental branding and more about durability and software longevity. Those may not be the most exciting parts of the package, but they are often the ones that shape the ownership experience in the long run.

On the hardware side, the GT 50 Pro uses Corning Gorilla Glass 7i for added screen protection and carries an IP64 rating for dust and splash resistance. That does not make it a rugged device, and it is still worth being cautious around water since the protection is limited to splashes rather than full immersion. Even so, these are useful safeguards for a phone that is likely to be handled often and used intensively.

Software support strengthens the picture further. Infinix promises three years of Android OS version updates and five years of security patches, which may not lead the class but still counts as a meaningful commitment at this level. It gives the GT 50 Pro a better shot at remaining secure, relevant, and worth holding onto for longer.

Value

Value is where the Infinix GT 50 Pro still holds up well, but it is also where the conversation gets a little more complicated. In the Philippines, the 12GB + 256GB variant is priced at PHP 25,999, or roughly USD 427, while the 12GB + 512GB version comes in at PHP 29,999, or about USD 493. That is a noticeable jump from the GT 30 Pro, whose 12GB + 256GB version launched at PHP 19,999, or roughly USD 328.

To be fair, the GT 50 Pro still offers a lot for the money. You are getting a Dimensity 8400 Ultimate chip, a 144Hz AMOLED display, GT triggers, a bundled MagCharge cooler, and a large battery, which makes it a well-equipped gaming phone at this price. The challenge is that the improvements over its predecessor feel more incremental than transformative, and it now enters a market with tougher competition. So while the pricing is still reasonable, the GT 50 Pro may not feel quite as disruptive as the GT line once did.

Verdict

The Infinix GT 50 Pro is a capable gaming phone with a clear identity. It offers strong performance, a sharp and fluid display, useful gaming features, and dependable battery life, all wrapped in a design that feels distinctive without becoming impractical.

Its compromises are fairly clear, too. The camera system is decent rather than exceptional, the speakers could be better, and the higher price means it no longer feels quite as disruptive as earlier GT models did. Even so, if your priorities are gaming, display quality, and overall performance, the GT 50 Pro remains a compelling option in its class.

The post Infinix GT 50 Pro Review: Gaming Greatness With a Catch first appeared on Yanko Design.

KEENON Humanoid Pours Drinks at GCS 2026, 100,000 Others Run Hotels

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The robotics industry has a curious reputation problem. The machines getting the most attention, walking bipeds that do backflips, aren’t the ones driving real business value. By 2030, professional service robots are projected to account for $90 billion of a $161 billion global market, growing at 24.6% annually. That makes them the fastest-growing segment in robotics, which is a fact that barely makes the news.

KEENON Robotics has known this for a while. Founded in 2010, the Shanghai-based company didn’t wait for the hype cycle; it built the service delivery robot category from the ground up. Today, with over 100,000 units shipped across more than 60 countries, KEENON holds the number-one global market share in commercial service robots for the third consecutive year, according to IDC 2025.

Designer: KEENON Robotics

At Global Connect Show 2026, the star of KEENON’s booth was the XMAN-R1, a wheeled humanoid robot that makes popcorn, pours drinks, and hands out snacks. It’s the kind of demo that stops foot traffic, and it’s meant to. Underneath the theatrics, though, is a robot packing 275 TOPS of AI processing power, dual 7-DoF arms, and precision dexterous hands built for human-level manipulation.

What the demo doesn’t show is how much work went into teaching a robot to grab a cup. KEENON estimates that a single action of that kind requires at least 1,000 data points. A full coffee-making sequence demands over 20,000. That gap between what looks effortless and what it actually costs computationally is one of the clearest explanations of where physical AI sits right now.

KEENON is remarkably candid about this. Their own assessment puts the current “mind age” of humanoid robots at roughly three years old, which, if you think about it, explains a lot about why they move so deliberately. True general-purpose humanoid deployment is still at least five years out by their estimation. The “Model T” framing they use is apt; these are early machines, not finished ones.

That candor is also what makes KEENON’s established product line feel more credible. While the XMAN-R1 gets the headlines, KEENON’s delivery and cleaning robots have been running inside hotels, restaurants, hospitals, airports, and casinos across more than 600 cities globally. Their DINERBOT T10 can carry up to 40 kg, fits through a 59 cm passage, and operates for up to eight hours on a single charge.

A good example of what that looks like in practice is Shangri-La Hong Kong, where KEENON runs six different robot types across eight units within a single hotel. Delivery bots handle contactless room service; cleaning robots run scheduled cycles through lobbies and corridors; logistics carriers shuttle linens and supplies behind the scenes. None of this required the hotel to restructure its operations around the robots.

Part of why that integration works comes down to a deliberate design choice. KEENON chose not to make its service robots look human. The compact, rounded bodies, soft voices, and animated screen faces are intentional, because how a robot looks determines whether people trust it. Western audiences carry Terminator-shaped anxieties; Asian audiences grew up with characters like Doraemon. The design has to work for both.

The XMAN-R1 at the Global Connect Show is KEENON’s way of signaling where the product line is heading. Alongside it, the company also offers the bipedal XMAN-F1, a full-body humanoid with 43 degrees of freedom that takes the same task-driven approach. Both run on KEENON’s KOM 2.0 platform and are designed to work alongside existing robots like the DINERBOT T10 rather than replace them.

What KEENON actually has over the wave of humanoid startups entering the market is something harder to replicate than a robot body. With 100,000 units running across 70+ countries, the company has been accumulating proprietary operational data at a scale most competitors haven’t even started to approach. Every delivery, every corridor, every cup poured feeds back into that picture, one data point at a time.

The post KEENON Humanoid Pours Drinks at GCS 2026, 100,000 Others Run Hotels first appeared on Yanko Design.

The Sculptural Speaker Concept That Sounds Good From Every Spot in the Room

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Most wireless speakers look like speakers. They announce themselves with grilles and ports and branding, and they tend to disappear into a corner or a shelf where the acoustic compromise of their placement gets quietly accepted. The room works around the speaker rather than the other way around. For a category that has grown enormously in the past decade, the design ambition behind most of what’s on the market hasn’t quite kept pace with the technology inside.

The Mirage Onda concept comes at that problem from two directions at once. On one side is a five-decade-old Canadian audio brand whose reputation was built on omnidirectional sound, long before the concept became a selling point for portable speakers. On the other is a design studio that has treated the speaker not as a functional box but as a sculptural object with genuine presence in a room.

Designer: Andrea Ponti (Ponti Design Studio)

The brand history matters here. Mirage introduced the world’s first bipolar speaker in 1987, and spent the following decades developing omnipolar technology, the idea that sound should radiate in all directions as it does in a live space, rather than being aimed at a single listening position. That philosophy is what the Onda is built around. The speaker delivers a true 360-degree audio experience through its acoustic architecture: four woofers at the base produce warm, rounded bass that fills the room with depth and body, while an upward-facing midrange driver with a diffuser ensures even sound distribution, and a tweeter paired with a dedicated diffuser handles crisp high frequencies.

The result is a speaker that doesn’t ask you to position yourself relative to it. A discreet backlit touch interface sits between the lower body and the upper platform, while the removable magnetic upper grille lifts away to reveal the tweeter in Mirage’s signature deep purple. That upward-firing arrangement, coupled with the diffusers above and below, is what sends sound outward into the room in all directions rather than toward a fixed sweet spot.

Four polished aluminum pillars connect the lower body to the upper platform in a striking suspended configuration, while the distinctive rounded-square footprint, softened edges, and monolithic silhouette give the speaker a timeless character that integrates effortlessly into modern environments. The fabric grille wraps the body in a dual-color textile that adds warmth to what could otherwise be a purely hard-edged industrial form. Three colorways are available, ranging from a warm sand tone to charcoal and all-black, each one giving the Onda a different character while keeping its proportions unchanged.

Put it in the center of a room, and it works. Put it on a side table or near a sofa, and it still works, because the sound isn’t dependent on where you happen to be sitting relative to the driver. That’s the practical promise of omnidirectional audio at the room scale, and it’s something that most mainstream speakers, regardless of price, simply don’t attempt.

Onda builds on Mirage’s legacy, blending heritage with minimalism and contemporary sophistication. The design reflects clarity, balance, and sculptural presence, which is a rare combination in an audio product that still has to justify its place in a room by actually sounding good. Both sides of that equation matter here, and the Mirage Onda takes both of them seriously.

The post The Sculptural Speaker Concept That Sounds Good From Every Spot in the Room first appeared on Yanko Design.

A Solo Korean Maker Just Built the Writing Device Your Phone Isn’t

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There’s a whole category of people who want to write but can’t quite get there on the devices they already own. The laptop opens, and the browser tab is there. The phone unlocks, and three notifications are already demanding attention. Writing apps exist on every platform, but so does everything else, and that proximity makes sustained focus harder than it should need to be. The answer that the market usually offers is another app, which is the same problem wearing a different hat.

The Micro Journal Rev.6.1 comes at that problem from a different direction entirely. It’s a handmade, clamshell writing device built by a solo maker in South Korea, designed for exactly one purpose: opening the lid and writing. There’s no operating system to navigate, no notifications to dismiss, and no browser to wander into. The device boots instantly and drops you directly into a writing canvas, the way a paper notebook would if notebooks could sync to Google Drive.

Designer: Un Kyu Lee (Background_Ad_1810)

The origin story matters here. The Rev.6 that preceded this model was built in response to a playwright from New York who wanted a device compact enough for cafés and distinctive enough to be proud of. The Rev.6.1 takes that same concept, the same 48-key hot-swappable keyboard and color IPS display, and folds it into a clamshell form that closes flat and slips easily into a bag. Community members who received early units called it a “beautiful final evolution” of the Rev.6 concept, which says something about how iterative this product line actually is.

The keyboard uses Kailh hot-swap sockets compatible with Cherry MX switches, which means you choose the switches that match how you like to type and swap them whenever that preference changes. The 48-key layout ships with two additional hidden layers available for remapping, giving far more input flexibility than the key count alone would suggest. It’s a small but considered detail that treats the physical act of typing as something worth getting right.

Files sync to your personal Google Drive over Wi-Fi, with no subscription fee and no middleman service to depend on. An 18650 rechargeable battery handles power, charging over USB-C, which covers the same standard you’re already carrying everywhere else. The whole device is assembled by hand after each order is placed, which adds a few days to the delivery window but also means each unit comes with a degree of personal investment that mass-produced products rarely carry.

The Rev.6.1 sits in a growing ecosystem of writerDeck devices, which are purpose-built writing machines that the community around them treats more like tools than toys. Compared to polished products like the Freewrite, the Micro Journal is more openly a handcrafted object, with visible maker-culture DNA in its design and ethos. That’s not a limitation; it’s the point, and for anyone who already feels the appeal of a mechanical keyboard or a distraction-free tool, the logic lands fairly quickly.

The post A Solo Korean Maker Just Built the Writing Device Your Phone Isn’t first appeared on Yanko Design.

This Retro Arcade Machine Folds Into A Furniture Cabinet Right Out Of Pottery Barn

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You bring home a new piece of furniture. It’s a handsome, mid-century modern style cabinet in a rich walnut finish, and your partner is frankly stunned. They thought your design sensibilities peaked at a framed movie poster, yet here is this sophisticated, adult-looking object that actually complements the living room. They nod, impressed. The next evening, they go to open one of the doors, planning to store some coasters or maybe a few new wine glasses. Except the handle is just for show, and the doors don’t open. The look of confusion on their face is priceless, because they’re about to learn your secret.

That’s because this beautiful cabinet is a beautifully crafted lie. The front panel doesn’t swing open; it unlocks and folds down to reveal a two-player control deck. The entire top half then pivots upward, extending into a full-height marquee that glows with the promise of 8-bit glory. In seconds, the quiet, respectable piece of furniture has undergone a transformation worthy of a Saturday morning cartoon, revealing itself to be the Swap Arcade. It’s the ultimate stealth entertainment system, hiding in plain sight and waiting for your friends to come over.

Designers: Les Cookson & Ken Higginson

The brainchild of Les Cookson and Ken Higginson out of Lincoln, California, the Swap Arcade tackles a very real problem for gaming enthusiasts who happen to live in actual homes with actual partners who have actual opinions about décor. Closed, it sits at a compact 36 inches tall with a footprint slim enough to tuck against any wall. Open, it rises to a full 70 inches with a 27-inch HDMI display, built-in speakers, and a two-player control panel loaded with SANWA joysticks.

The transformation is handled by a counterbalanced mechanism that manages the weight as the hideaway arcade moves up and down, keeping the movement smooth and controlled rather than the kind of chaotic reveal that ends with someone’s fingers in the wrong place. Once fully open, front corner locking pins secure the arcade immediately after transformation, with a second redundant set at the rear corners for added stability, keeping everything firmly locked in place before anyone even thinks about touching a joystick.

Running on a Raspberry Pi 4 with Batocera preinstalled and a starter library of 100 games, the machine is ready to play straight out of the box, a self-contained gaming system from day one. From there, thousands of additional retro titles can be loaded, giving access to a huge library of arcade, console, and retro favorites through one clean multicade interface. The controls run through a Brook Zero-Pi Fighting Board encoder, adding compatibility with Nintendo Switch, Switch 2, PS3, PS2, the original PlayStation, and PC via X-Input. Hook up a Nintendo Switch Online subscription and suddenly you have access to classic Nintendo libraries on a proper stand-up cabinet. Connect a PC and play arcade-style games through Steam. The machine evolves with what you already own.

Cookson clearly had no intention of letting the furniture half of the equation slide. The cabinet shell is actual wood, and the unfinished bare wood option means it can be stained or painted to suit any interior. Three finished options are also available, Natural, Walnut, or Dark Tobacco, each looking convincingly like something sourced from a design-forward furniture store. For anyone wanting something completely custom, a graphic designer and printer can create custom vinyl decals using almost any artwork, making the Swap Arcade truly personal. The nostalgia you’re chasing here is entirely your own to define.

The lower section includes built-in storage for game systems, controllers, cables, and accessories, accessible when the Swap Arcade is opened into arcade mode… or maybe some of those wine glasses your partner wanted to originally store. It’s a detail that keeps the illusion perfectly intact. When closed, nothing gives the game away.

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The Thermostat That Finally Looks Like It Was Designed

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At some point, every well-designed room has a thermostat on the wall. And at some point, nearly every well-designed room has been slightly let down by it. That’s the quiet irony of home design. We agonize over paint colors, hunt for the perfect light fixtures, spend weekends debating sofa legs, and then right there at eye level lives a beige plastic rectangle covered in tiny buttons that no one fully understands. We’ve simply accepted it as the ugly compromise of functional living.

Uriel Electronics, a design-focused electronics brand, apparently decided that compromise is no longer necessary. Their new temperature controllers, the USH-02 and the UEH-02, make a surprisingly compelling argument that utility and beauty don’t have to negotiate a truce. They can just coexist, elegantly, without one apologizing to the other.

Designer: Uriel Electronics

I’ll be upfront: I didn’t expect to have strong opinions about thermostats. But these two pieces carry a clarity of intention that’s difficult to walk past. Both models are built around the same core idea: strip away the complexity, keep only what matters, and make it look like it belongs on the wall rather than just stuck to it. A single rotary dial. A clean display showing the temperature. A refined body that reads more like a considered object than a hardware accessory. No confusing menu navigation, no crowded button grid, no searching through a manual to figure out how to lower the temperature by two degrees.

The USH-02 is the surface-mounted version, and it’s the one with visible personality. Its translucent skeleton design lets you glimpse the hardware inside, which feels like a little gift to anyone who appreciates how things are made. The graphic detailing adds visual wit to what could have easily been a clean but flat minimalist slab. It sits on the wall in a way that makes you actually stop and look, which is a strange thing to say about a thermostat, but here we are. It doesn’t disappear into the surface; it quietly introduces itself.

The UEH-02 takes the opposite route. Flush-mounted and incredibly slim, it’s designed to nearly vanish. The profile barely protrudes from the wall, creating the kind of visual quiet that interior designers specifically obsess over. If the USH-02 says “notice me,” the UEH-02 says “I’m here, I work perfectly, and I won’t interrupt your space.” Both approaches are valid. Both are well-executed. The choice between them is really just a question of how much personality you want your walls to carry.

The discipline behind this project is worth calling out. It is genuinely difficult to design something that is both beautiful and immediately intuitive, especially in a category most manufacturers have treated as purely functional. Removing complexity rather than adding features is a confident design move, and we’re living through a moment when more is still frequently mistaken for better in tech. Seeing a product that resolves itself into a single tactile dial and a clear display feels almost like a statement. The rotary control has a satisfying physicality that touchscreens never quite manage to replicate. High-end audio equipment and quality appliances have kept the dial alive for exactly this reason: turning something to get a result is one of the most natural gestures there is. It’s a reminder that good design often means returning to what already worked, done with more intention.

The engineering side, visible in the controllers’ back panels, confirms this isn’t just a surface-deep exercise. Components are neatly organized, an Omron relay handles the heavy work, and the specs support voltages between 85V and 265VAC with a max current of 18A. The function is serious. The form just happens to be beautiful.

That balance is rarer than it should be. Home tech has long been given a pass on aesthetics in a way that furniture or lighting simply would not tolerate. Uriel Electronics is quietly making the argument that it shouldn’t. Your thermostat is on your wall every single day, in full view of everyone who walks into that room. It might as well earn its place there.

The post The Thermostat That Finally Looks Like It Was Designed first appeared on Yanko Design.