Tag Archives: Product Design

Samsung’s Rolling Display Phone begins taking shape just as Apple preps the iPhone Fold

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Render based on schematic

Samsung’s product roadmap for this year lists the TriFold and the Galaxy S26, with no rollable phone anywhere on it. A patent the company filed in May (uncovered by WearView) tells a different story about where its engineers are looking. The filing describes a Galaxy that slides open sideways, expanding from an S26-sized slab into a Fold-class canvas without a hinge or a crease. Its sharpest idea sits on the back, where the rear camera module rides the moving half of the chassis and travels outward as the screen grows, then slots into a frame cutout when the phone retracts. That keeps the body thin, solving the bulk that usually plagues rollable hardware.

The gap between that patent and a shipping phone runs through Samsung’s own walls. Samsung Display keeps demoing slidable and rollable panels at CES and MWC, while Samsung’s phone division quietly ships foldables and leaves the concepts on the show floor. The patent matters because it hints at the two tracks finally converging. It also lands at a pointed moment, with Apple about to release its first folding iPhone this September after a decade of chasing the perfect crease. Samsung appears to be drawing up the shape that makes that crease irrelevant.

Designers: xLeaks7 & WearView

AI Render based on schematic

Mounting the camera on the sliding section answers a packaging problem that has no clean solution otherwise. Rollables grow by pulling a flexible screen out of the chassis, which leaves the camera array nowhere comfortable to sit. Park it on the stationary side and the phone thickens, ride it on the moving side and it stays slim across both states. Samsung pairs the moving module with sensors that track how the housing shifts, keeping the lenses aligned and AR tracking accurate as the geometry changes mid-use. The compact form reads like a Galaxy S26, the expanded version approaches Z Fold 7 width, and the camera quietly travels the whole distance.

Rollables promise to erase the two things people complain about most on foldables, the crease down the middle and the doubled thickness when shut. They pay for that promise with motors, geared rails, and moving internal trays, a fresh set of failure points that hinges avoid. LG built a working rollable, showed it at CES 2021, then shelved it when it abandoned phones, and a teardown that went viral this spring exposed dual motors and spring-loaded arms looping a screen around the back. Oppo, Motorola, and Tecno each ran the same play and shipped nothing, the ghost hanging over Samsung’s filing. We flagged TCL’s Fold ‘n’ Roll as one of the rollable concepts still worth chasing earlier this year, so the appetite clearly exists even when the hardware refuses to leave the booth.

Samsung Display has been rehearsing this in public for years, which separates the patent from pure fantasy. The division showed the Slidable Flex Duet at CES 2025, a panel stretching from 8.1 inches to 12.4, and brought a vertical Mobile Slidable to MWC 2026 that grew from 5.1 inches to 6.7. One of those rollable panels already ships inside Lenovo’s ThinkBook Plus, proving the mechanism survives a real product when the price target allows. The patent’s specifics stay slippery, with the filing describing a modest side-slide while WearView’s renders imagine a far wider Fold-class spread. Apple, for its part, sources the inner display of its incoming foldable from Samsung, so Cupertino’s first fold literally runs on the glass of the rival now sketching past the fold.

What turns this from a filing into a product would show up in the signals, and none of them have flipped yet. Samsung’s phone division still sells hinges, the TriFold remains the stated frontier, and rollables live on a research track that hasn’t crossed onto the roadmap. The day patents start specifying durability ratings instead of clever geometry, and the day Samsung MX teases a rollable instead of Samsung Display demoing one, the math will have changed. For now this is a sketch, an elegant one, of where the company thinks the phone goes once everyone finishes copying the fold. I want Samsung to build it, if only because a camera that moves with the screen is the rare hardware flourish that earns its own complexity.

The post Samsung’s Rolling Display Phone begins taking shape just as Apple preps the iPhone Fold first appeared on Yanko Design.

This Japanese Can Opener Removes the Entire Top and Makes Your Beer Taste Like Draft

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Some can openers live at the back of a kitchen drawer, pulled out once a year and quickly forgotten. The DraftPro Top Can Opener belongs somewhere else entirely. Designed by award-winning Japanese designer Shu Kanno and built in Japan, it removes the entire top of a can in a single smooth motion, turning any beer, sparkling water, or canned cocktail into something that drinks far closer to a glass.

What makes it worth talking about is not the novelty of a fully open can. It is how that one change compounds everything. Aroma lifts. Flavor opens. Ice slides in cleanly. A cocktail comes together directly in the can without a shaker or a glass to clean. This is not a gadget built for effect. It is a considered object, designed with the discipline Japanese craft demands, and built to earn its place.

Click Here to Buy Now: $60.00

One Motion, A Better Drink

The drinking experience changes the moment the top comes off. A full wide-mouth opening releases aroma the way a pint glass does, without the pour. The edge left behind is clean and smooth, safe to drink from directly, which means you are not trading the convenience of a can for a sharp, dangerous lip. The opening motion reflects the Japanese design philosophy behind the product: smooth, quiet, and completely controlled. No grinding, no force, no jagged result.

That precision is not accidental. Shu Kanno designed the grip for subtle comfort, shaped to sit naturally in the hand without slipping or requiring an awkward angle. The mechanism produces the same clean result every time, domestic or international, standard size or otherwise. Nothing about the design announces itself or overclaims. It simply does exactly what it should, at the moment you need it to, without asking anything more from the person holding it.

Built for More Than One Moment

The full open top is the headline feature, but the practical range goes further than it first appears. Drop ice directly into the open can, and it chills faster than waiting on the fridge. Build a cocktail right in the can, no shaker, no glass, no surface to clean. That same clean cut turns an empty can into a planter, a pen holder, or something ready to rinse and recycle without any extra effort.

Universal fit means it works with domestic and international cans without adjustment, which matters when you are traveling or reaching for something unfamiliar at the back of a cooler. The lightweight build disappears into a bag without adding bulk, making it as practical on a hiking trail or cabin trip as it is at home. Shu Kanno designed it to go where the drink goes. It does exactly that.

What We Like

  • Full top removal creates a wide-mouth opening that genuinely improves aroma and flavor, the same principle behind drinking craft beer from a proper glass rather than directly from a sealed can
  • Clean, smooth edge means you can drink directly without concern, the baseline the product needs to clear and the one it meets without compromise
  • Universal compatibility across domestic and international cans removes the guesswork before you even need it
  • Lightweight and portable build makes it practical for outdoor settings, travel, and hosting without adding anything unnecessary to what you carry

What We Dislike

  • No reseal option once the top is removed, so it works best when you intend to finish what you open rather than save it for later
  • No sizing specifications published, which makes it harder to confirm fit for unusually shaped or specialty cans before purchasing

A Tool That Earns Its Place

DraftPro does not fix a problem most people knew they had. It reveals one. Once you taste a beer with the top fully removed, aroma open and flavor fully present, the sealed can version feels like a compromise you were accepting without realizing it. That is the quiet power of intentional design. It does not announce itself. It just makes every drink noticeably and permanently better.

For the design-minded, it is a precision tool from a serious designer, built in Japan, with the restraint and finish that craft demands. For everyone else, it is a small, permanent upgrade to one of the most ordinary moments in the day. Either way, it earns its place, and once it does, you will not want to open a can any other way.

The post This Japanese Can Opener Removes the Entire Top and Makes Your Beer Taste Like Draft first appeared on Yanko Design.

This iOS Launcher Reskins Your iPhone as an iPod, Because Tech Was Simpler Back In 2001

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My Apple Music app design got 1.5 million views in China.
by
u/Gigasssss in
AppleMusic

A Chinese designer found a way to make your 1,200 dollar iPhone behave like a gadget Apple stopped selling four years ago, and roughly 1.5 million people decided they wanted in. The concept began as a fan render of Apple Music styled like an old iPod. After the views piled up and the requests poured in, the designer spent months turning the picture into working software. The result, UltraPod, now lives as a free beta you can install today.

Here is how it works. The app reskins your music, your books, your camera, and a dozen other functions to look like an early 2000s player. Then a 3D-printed case clamps over the whole phone and blocks it, leaving a small screen window and a round cutout where a click wheel used to be. Your thumb scrolls in circles. Instagram sits underneath, technically reachable, practically forgotten.

Designer: Gigasssss

Apple discontinued the iPod in 2022, retiring the product that taught the company how to put a thousand songs and nothing else into a pocket. Two decades of that single-minded simplicity ended quietly, and the device that killed it was the same one UltraPod now runs on. The music section hooks into Apple Music through MusicKit and plays high-res local files, then wraps the whole thing in a Cover Flow interface that Apple fans have begged to return for years. Gigasssss clearly understood that the iPod felt calm because of what it left out, not because of how its chrome caught the light. Recreating the look is the easy part, and the app nails it.

Fifteen mini-apps fill out the rest, covering Books, Fitness, Camera, Photos, Voice Memos, Notes, Calendar, and a handful of smaller utilities. The Books reader imports EPUB, TXT, and Markdown files, while the Camera leans on retro LUTs so a quick photo stays a photo instead of dragging you into editing and posting. Heck, there’s even a circular keyboard for faster typing because typing on the jogdial really sucked. None of this touches the underlying iPhone, which is the honest tension at the center of UltraPod. The original iPod could not run social media because the hardware simply had no concept of it. Here, every app you wanted to escape sits one home swipe away, dressed over but never removed.

The case completes the experience, limiting how much of your iPhone screen you can see and use, giving it the true iPod appeal. It exposes two zones, a cropped screen at the top for the UI and a circular slot below for the jogdial, and buries the rest of the display under matte black plastic. It’s not too different from the tinypod case for the Apple Watch from 2 years ago – except this one isn’t your iPhone cosplaying as an iPod, it’s your iPhone throttled so that it feels less capable than it originally is – because simplicity is sometimes better.

UltraPod is free on TestFlight with limited slots and needs iOS 16 or later, with iPad support that the developer admits still has layout bugs. Every constraint it imposes evaporates the second you slide the phone out of the case, which means this works on friction alone rather than enforcement. For a lot of people, a slightly annoying barrier beats buying and carrying a second device, and that may be the whole point. The iPod was calm because it could do nothing else. UltraPod just gives you a nicer-looking reason not to ask.

The post This iOS Launcher Reskins Your iPhone as an iPod, Because Tech Was Simpler Back In 2001 first appeared on Yanko Design.

5 Best Tech Gadgets That Finally Get How Gen Z Actually Uses Technology

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Gen Z didn’t just grow up with technology. They grew up suspicious of it, bored by it, and quietly determined to make it feel like something personal again. The gadgets that resonate most with this generation tend to share one quality: they treat the person holding them as someone worth designing for, rather than someone to optimize for engagement. That distinction is small on paper and enormous in practice.

The five products here span a circular phone display, a cassette-shaped Bluetooth speaker, a tactile digicam concept, a pair of headphones built around ritual, and a pocket-sized hacking tool. What connects them has nothing to do with price or category. Each one asks a question that mainstream consumer electronics stopped asking somewhere along the way: what does it feel like to actually use this thing?

1. Oppo Bubble

The rear camera has been the better camera for over a decade. Every benchmark confirms it, and yet selfie culture settled for the front lens because seeing what the rear camera captures while it faces away from you was never solved at the hardware level. Oppo’s answer is a circular magnetic display that snaps to the back of the phone and streams the rear camera’s live feed directly to your face. Frame the shot, check your composition, tap to shoot.

Launched in China in May 2026, the Bubble runs on a 550mAh battery and connects wirelessly up to 10 meters away, which repositions it as a remote shooting monitor rather than a narrow selfie tool. The screen is circular AMOLED, which earns its keep on both image quality and visual identity. When the camera is off it displays wallpapers, video, live photos, or a boarding pass. Apple has had the magnetic infrastructure for something like this since 2020. The most ambitious thing they shipped with it was a card holder.

What we like

  • The circular AMOLED silhouette reads as tech jewelry rather than a utility panel, which matters for a product that lives on the back of your phone in public.
  • Ten meters of wireless range and a built-in shutter trigger make this genuinely useful for tripod work and group photography, well beyond arm-length selfies.

What we dislike

  • The live camera preview is gated to select Oppo Reno 16 devices, limiting the headline feature to a short compatibility list at launch.
  • There is no confirmed international release date. Most readers outside China cannot buy or test it yet.

2. Side A Cassette Speaker

The cassette tape had no right to come back, and yet here we are. The Side A speaker is shaped exactly like a real mixtape — transparent shell, side A label, every visual cue intact — and inside it hides a Bluetooth 5.3 speaker with microSD playback and a sound profile tuned to echo the warm, slightly rounded tone of analog tape. It weighs 80 grams, sits comfortably in a jacket pocket, and costs $49.

The speaker ships with a crystal-clear case that converts into a display stand, giving it a second life as a shelf object between listening sessions. Six hours of playback at full volume and a two-hour full recharge means it cycles through a day and recovers quickly. The microSD slot lets you load a playlist locally and leave the phone in another room entirely. For a generation that grew up streaming everything and then started quietly buying vinyl and thrifting Walkmans, this lands exactly where it should.

Click Here to Buy Now: $49.00

What we like

  • The clear case converts to a display stand, so the cassette has a presence on a desk or shelf without needing to be plugged in or actively playing anything.
  • MicroSD support means the speaker functions entirely offline. No phone, no app, no stream required.

What we dislike

  • Six hours of battery is honest for the size but will not last a full day of continuous use without a recharge.
  • Sound output is warm and characterful but limited in volume ceiling. It is not a room-filling speaker.

3. Camera (1)

The impulse to pick up a standalone camera again is not about megapixels. It is about separating the act of taking a photograph from the act of being on your phone. Camera (1) is a concept by designer Rishikesh Puthukudy that imagines what a modern compact could feel like if it were built around physical controls rather than touchscreen menus. Metal body, softly rounded corners, every main function reachable without shifting your grip.

A circular mode dial carries a dot-matrix glyph display showing simple icons for stills and video. A light strip around the lens pulses for the self-timer, confirms focus, and signals when recording is live. The engraved lens ring adjusts focal length and aperture through actual resistance under your fingers, making composition a deliberate physical act rather than an absentminded on-screen pinch. The design borrows the transparent, hardware-forward language that Nothing made mainstream. Camera (1) is a concept and is not currently available to buy.

What we like

  • All main controls sit within reach of one thumb and index finger, which keeps your eyes on the scene rather than hunting across a menu.
  • The light strip communicates camera states through peripheral vision, replacing multi-layer software navigation with immediate, readable feedback.

What we dislike

  • Camera (1) is a design concept with no confirmed manufacturer, production timeline, or pricing.
  • The visual language is closely referential to Nothing’s aesthetic, which may read as derivative to anyone already familiar with that design direction.

4. StillFrame Headphones

Designed by Tatsufumi Funayama, the StillFrame headphones are part of a series that treats listening as a physical ritual rather than a background task. The form references the geometry of CDs from the 1980s and 1990s, sitting in deliberate conversation with a companion CD player from the same design family. At 103 grams, the headphones rest on-ear without pressure, and the stainless steel headband sits at the exact threshold where strength and lightness stop working against each other.

The 40mm drivers produce a wide, open soundstage that suits melodic and ambient listening more than aggressive bass-forward tuning. Noise cancelling and transparency mode both run off a single tap, switching between solitude and awareness as the room changes around you. Battery life reaches 24 hours. Bluetooth 5.4 handles wireless streaming and a USB-C cable supports high-resolution playback for sessions where latency matters. The fabric ear cushions swap magnetically between Light Gray and Turquoise. The internal circuit board is deliberately exposed, treating the electronics as part of the aesthetic rather than something to be hidden behind housing.

Click Here to Buy Now: $245.00

What we like

  • Magnetic ear cushion swaps take seconds and shift the headphones between color variations without tools or friction.
  • The exposed circuit board treats the engineering as a design feature, which is a more honest visual decision than a sealed plastic shell.

What we dislike

  • On-ear fit at 103 grams stays comfortable across extended sessions but will feel firmer than over-ear alternatives during long listening.
  • At $245, the StillFrame sits at the upper end of the on-ear wireless category. The design rationale justifies it, but the price is real.

5. Flipper Zero

The Flipper Zero became a TikTok phenomenon in 2022 when videos showed it cloning RFID cards, controlling air conditioners, and toggling traffic infrastructure through infrared, and governments immediately panicked. The more accurate reading is that a small pocket device was pointing out how easy it is to interact with the invisible electronic layer of everyday objects, and that turned out to be an uncomfortable thing to demonstrate publicly. The Flipper Zero was built to make that layer visible and approachable to anyone curious enough to try.

Shaped like a Tamagotchi and governed by a cyberpunk dolphin mascot that grows more capable the more you explore it, the Flipper Zero packs a 125kHz antenna, sub-GHz radio, NFC module, Bluetooth Low Energy, infrared transmitter, iButton reader, and a GPIO header for attaching external hardware modules into a device that fits in a pocket. The monochrome orange screen is a deliberate nod to the Siemens C55. The menu navigates like a Nokia phone from 2003. Both of those choices are entirely intentional, and they are a large part of why the device developed a community of over half a million users without a single mainstream marketing campaign.

What we like

  • The GPIO header on top means the base device is a starting point. External modules continue to expand what it can do years after the first purchase.
  • The dolphin mascot and Tamagotchi structure make something genuinely technical feel approachable without softening what the device actually does.

What we dislike

  • The Flipper Zero’s reputation draws attention in airports and public spaces. Carrying it casually requires a willingness to explain it on the spot.
  • The software learning curve is real for anyone without a technical background, even with an accessible interface.

The Best Tech Right Now Feels Like It Was Made for You Specifically

The throughline across these five products is not aesthetics or price. It is the sense that each was designed by someone who thought about the relationship between person and object before they thought about the spec sheet. That quality is rare in consumer electronics, and it tends to surface among smaller brands, independent designers, and companies that build for communities rather than quarterly targets.

Gen Z is not chasing the next iPhone upgrade. They are chasing the feeling that a piece of technology was made for them specifically, understands how they actually move through the world, and earns its place in the pocket rather than demanding attention from it. These five products do not all succeed equally on every count, but each one makes a credible case that the feeling is still achievable.

The post 5 Best Tech Gadgets That Finally Get How Gen Z Actually Uses Technology first appeared on Yanko Design.

Portable L-Shaped Triple Screen Monitor turns your laptop setup into a 2×2 command center

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Triple screen setups are widely considered the socially acceptable limit to a multi-screen setup. Take your laptop, add a screen to the left, one to the right, and you have a panoramic multi-display array for effortless multitasking. The reason 3 displays is widely considered the agreeable upper limit, is because a fourth display does two things. It makes your setup more linear, requiring you to strain your neck looking from left to right. It also means having a table that long to accommodate the many displays.

The obvious answer to people looking to push things to a quad-display setup is to go for a 2×2 layout. Yes, that works with a bit of planning. Mount some monitors on the wall, keep enough space to place your laptop somewhere, and you’re good to go. This system is maximalist, but until now it wasn’t portable. NexFold decided that needed to change, with the first ever inverted L-shaped triple-display external monitor, the Fold 7. As the previous sentence explains, this monitor array forms an inverted L, leaving a bottom quadrant empty for your laptop, giving you the 2×2 quad-display setup you crave. The best part, the Fold 7 collapses down to the shape and size of a 16″ laptop, and can be carried around with you.

Designer: NexFold

Click Here to Buy Now: $649 $1099 (41% off) Hurry! Only 80 of 200 left.

The three panels that make up the Fold 7 each measure 16″ and use a 16:10 aspect ratio rather than the standard 16:9. That extra vertical height translates directly into more visible lines of code, longer documents without scrolling, and taller browser windows. All three screens use IPS panels with 100% sRGB coverage and viewing angles rated at 85° both vertically and horizontally. The layout arranges two screens vertically on the left side, stacked one above the other, while a single screen extends horizontally along the top right. Your laptop fills the fourth quadrant at the bottom right, staying within your natural line of sight while the auxiliary panels wrap around it.

NexFold offers two resolution options depending on how you work. The FHD version runs at 1920 x 1200 per panel and hits 300 nits of brightness, aimed at general productivity users, remote workers, and anyone who values sharpness and clarity for writing, browsing, video calls, and everyday multitasking. The QHD version steps up to 2560 x 1600 per panel with 500 nits of peak brightness, targeting developers, designers, and power users who work with dense information, need pixel-accurate detail, or spend long hours staring at code, design tools, spreadsheets, and data dashboards. Both versions refresh at 60 Hz and weigh in at 3.1 kg. or 6.83lb.

Connection flexibility is paramount when you’re trying to run three external displays off a laptop, with the Fold 7 supporting two primary modes – Mode 1 uses a single USB-C cable with DisplayPort Alt Mode and 65W power delivery, lighting up all three screens if your laptop has a full-function USB-C port and you install drivers. Mode 2 combines USB-A with mini HDMI, designed for older laptops that lack modern USB-C video output. NexFold recently added a driver-free FHD variant that works plug-and-play, though that version currently supports Windows only. Each screen can also connect individually via mini HDMI if you need to mix and match devices or run the Fold 7 with a MacBook and an iPad simultaneously.

The hinge system uses adjustable clips to grip laptops ranging from 13 inches to 18.5 inches, with a built-in kickstand that props the entire structure upright. Setup involves snapping the clips onto your laptop’s lid, unfolding the panels, and plugging in the cables. The whole thing folds flat when you’re done, collapsing into a form factor roughly the size and shape of a 16-inch laptop, slim enough to slide into a backpack or laptop bag. At 3.1 kg it sits well above the weight of a typical single portable monitor, but that mass distributes across three full-size displays and the aluminum frame that holds the entire setup rock-solid.

NexFold touts 60% less neck movement and 40% faster task switching compared with a conventional horizontal triple-monitor arrangement, figures rooted in the inverted-L geometry keeping more content within a tighter visual cone. Developers can run a code editor and terminal in the vertical stack on the left while keeping browser tabs and Slack in the horizontal panel on the right. Designers working in Figma or Photoshop can dedicate the vertical screens to canvas and layers while keeping reference images, email, and project management tools in the top-right quadrant. Financial analysts monitoring live data streams can stack charts vertically and keep news feeds or communication tools horizontal. The laptop remains the anchor point for input and primary interaction.

Compatibility spans Windows, macOS, Linux, and ChromeOS, with the caveat that driver requirements vary by connection method and operating system. The Fold 7 works with nearly any laptop that has USB-C or HDMI output, though full three-screen functionality depends on your machine supporting DisplayPort Alt Mode or multiple display outputs. The company includes a USB-C to USB-C cable, a USB-A to USB-C cable, an HDMI to mini HDMI cable, and a power adapter in the box. Physical controls sit along the side of the unit, including a menu button, power key, and directional inputs for adjusting brightness, contrast, and per-screen settings.

The Fold 7 FHD starts at $649 for the first 200 backers (41% off the eventual $1,099 retail price). The QHD model follows a similar structure at $799, discounted 43% from retail pricing of $1,399. Both models come in silver or black finishes. Add-ons include a $29 protection sleeve and a $20 wool felt sleeve. NexFold backs the hardware with a 2-year manufacturer warranty covering defects, though accidental damage falls outside that coverage. Shipping begins in September 2026 and covers North America, Europe, Asia, and Oceania.

Click Here to Buy Now: $649 $1099 (41% off) Hurry! Only 80 of 200 left.

The post Portable L-Shaped Triple Screen Monitor turns your laptop setup into a 2×2 command center first appeared on Yanko Design.

Gustaf Westman Gives Cat Furniture a Playful Upgrade

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Cat trees are rarely the most beautiful objects in a home. They are often tall, scratchy, beige, awkwardly shaped, and treated as something to be tolerated rather than celebrated. Swedish designer Gustaf Westman seems to have taken that as a challenge. With his new Chunky Cat Tree, he reimagines the everyday pet accessory as a sculptural, design-forward piece of furniture that belongs as much to the living room as it does to the cat.

Known for his soft, rounded, almost cartoon-like forms, Westman has built a recognizable visual language around bold proportions and playful silhouettes. His Chunky collection already includes cups, glasses, vases, a stool, a flower pot, and even a coffee maker. Now, with the Chunky Cat Tree, that same design universe has expanded into the world of pet furniture.

Designer: Gustaf Westman

The piece is informed by Westman’s Blob Sofa, which launched in 2023. Like the sofa, the cat tree uses stacked, rounded volumes and a confident colour palette to create something that feels friendly, soft, and slightly surreal. Instead of hiding pet furniture in a corner, Westman’s version asks to be seen. It functions as a perch for cats, but also as a statement object for humans.

The design features a tripod base, with three rounded legs supporting platforms placed at different heights. These levels allow cats to climb, rest, observe, and occupy the structure from multiple angles. The three rounded feet can also serve as resting spots, making the piece usable by more than one cat at a time. It is practical, but it does not look purely practical. That is where the charm lies.

Westman’s approach feels especially relevant in a moment when homes are becoming more carefully curated, but also more emotionally expressive. People no longer want furniture that only performs a function; they want objects that reflect personality, taste, humour, and lifestyle. The Chunky Cat Tree fits into this shift beautifully. It treats cats not as an afterthought in the domestic space, but as active participants in it.

The designer has said that after seeing so many ugly cat trees, he felt it would be fun to design something within that category. His comment reveals the larger idea behind the project: everything can be designed better, even the things we usually accept as visually unpleasant. By giving equal attention to form and function, Westman creates a product that serves both cats and their owners.

Made to order in Sweden, the Chunky Cat Tree can be upholstered in wool in red, yellow, purple, blue, or cobalt blue. These colour options continue Westman’s love for punchy primary and secondary shades, while the wool finish gives the object a softer, more furniture-like presence.

Since founding his studio in 2020, Westman has become known for custom furniture, ceramics, glassware, and playful made-to-order objects. His work often uses materials such as wood, metal, ceramic, and glass, but visually ties them together through rounded shapes, glossy finishes, and a childlike sense of wonder.

The Chunky Cat Tree is more than a luxury accessory for pets. It is a reminder that design can enter unexpected categories and make them feel fresh. By turning a typically clunky household object into a sculptural centrepiece, Gustaf Westman proves that even a cat tree can have personality, humour, and a place in contemporary design.

The post Gustaf Westman Gives Cat Furniture a Playful Upgrade first appeared on Yanko Design.

AI Generates Thousands of Product Renders a Day. Almost None Ship.

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In April 2024, a design page called Inspiring Designs posted a few images of a gorilla-shaped couch. The gorilla’s arms curved into armrests. Its chest and stomach formed the back and seat cushion. On TikTok, the images passed 500,000 likes before most people had fully processed what they were looking at. Comment sections filled up immediately with a single question: where do I buy one? A furniture manufacturer in China saw the numbers and went to work. Molds were made, foam was cut, fabric was stretched over frames. The couch became real.

Real, and deeply underwhelming. The physical versions that reached buyers were less detailed, less textured, less everything. The quality left much to be desired, as reviewers put it diplomatically. The couch that existed in photographs had been generated by a machine that had never heard of manufacturing constraints, and no factory floor could close that gap. Back on eBay and TikTok, merchants began listing the couches anyway, using only the original AI images, because the AI images were what people actually wanted. The physical object was almost beside the point.

Clearly a fake ‘keyboard-inspired sofa’ trending on Instagram and Pinterest

What happened with the gorilla sofa was easy to frame as a novelty at the time. A funny edge case, a quirky viral moment, the kind of thing that design blogs screenshot and move on from. But the same dynamic was already baking into the standard commercial transaction at enormous scale. Temu, which now serves more than 416 million monthly active users worldwide, up from roughly 167 million in early 2024, has become the central arena for what shoppers openly call “AI slop.” The phrase is blunt and accurate: a listing image that looks generated rather than photographed, presenting a product with a visual finish that the manufactured version will never have. Security guides and consumer watchdog sites now list “looks AI-generated” as a standard red flag alongside mismatched fonts and suspiciously round prices. Deepfake detection firm Pindrop estimates that three in ten retail fraud attempts today are AI-generated. The gorilla sofa was a novelty. AI slop is infrastructure.

Food delivery brought the problem somewhere more visceral. In February 2024, a 404 Media investigation found dozens of ghost kitchens, delivery-only restaurant brands operating out of unmarked shared commercial spaces, promoting food on DoorDash and Grubhub with AI-generated images that bore little resemblance to anything a cook could plate. Some of the images were technically impossible. Chopsticks passed through the bowl rather than resting on it. Broth caught light in ways that liquid does not. A bowl of ramen could look sculpted, with chashu pork fanned into perfect petals over eggs with custard-gold yolks, because no one had actually cooked it. The photograph was the product, made in software, and the delivery was an afterthought.

AI-generated food photos are all over Doordash, UberEats, and other food delivery apps.

The platforms have since tried to draw a line. DoorDash launched AI photo tools in April 2025 designed to improve lighting, framing, and plating appearance without altering the food itself. Uber Eats asked contributors to avoid submitting AI-generated or heavily edited images. Enhancement of a real dish, the logic goes, sits in a different category from full fabrication. That line is technically coherent and practically very difficult to police.

Then the tools changed hands. Customers discovered that the same AI and image-editing capabilities available to ghost kitchen operators were available to them too. A documented trend emerging by January 2026 showed shoppers using Photoshop and generative tools to fake evidence of undercooked or contaminated food and claim refunds. One edited image of a chicken leg, altered to look raw, secured a $26.60 refund. In December 2025, DoorDash permanently banned a driver for submitting an AI-generated photo as proof of delivery for a package that never arrived. The image had been the seller’s weapon, then the buyer’s weapon, then the courier’s weapon. At that point, a photo in a transaction proves nothing to anyone.

Someone bought this agate-carved mug only to receive this instead

Rules arrived in early 2026, which is a sentence that sounds more decisive than the situation actually is. The FTC finalized guidelines around AI transparency in advertising, confirming that AI-generated product images that materially misrepresent a product’s appearance are deceptive under Section 5 of the FTC Act. A dedicated AI enforcement unit launched in January 2026, with maximum penalties for disclosure violations set at $53,088 per violation. The EU went further with Article 50 of the EU AI Act, requiring AI-generated or manipulated content to carry machine-readable disclosure markers when it would otherwise appear authentic.

The honest read on all of this is that the rules exist on paper and the enforcement is genuinely uncertain. In December 2025, the FTC reopened and set aside its own 2024 order against Rytr, an AI review-writing tool, concluding that the original complaint had not met the Commission’s own standard. The same body writing the new rules walked back one of its previous ones. Whether the $53,088 penalty figure functions as a deterrent or a line item depends entirely on how often it gets applied, and under current leadership, that appetite is openly contested.

A whimsical photo of a book-inspired mug on the left. And the product shipped on the right.

By 2026, only 19% of consumers say they feel excited about AI, down from 50% two years earlier. Nearly 60% now doubt the authenticity of online content. More than half reduce their engagement the moment they suspect something is machine-generated, and 54% of Americans report what researchers are calling AI fatigue. Those numbers describe something that goes beyond a shopping inconvenience. The product image was, for a long time, a contract, a promise from seller to buyer that the thing in the photo and the thing in the box were the same thing. That contract has broken down, and the breakage runs in every direction. Sellers fabricate. Buyers manipulate. Couriers fake proof of delivery. The image, which the whole system of online commerce runs on, has become the least reliable part of the transaction.

The gorilla sofa was funny in 2024. It had the quality of a harmless glitch, a brief overlap between what AI could generate and what commerce could absorb. What it was actually marking was the beginning of a default posture: the assumption, now spreading across every platform that handles a product image, that the photo and the object have a negotiable relationship at best. Shopping has always involved some willingness to take a seller at their word. That willingness is running out.

The post AI Generates Thousands of Product Renders a Day. Almost None Ship. first appeared on Yanko Design.

This USB-C Dongle Just Let You Control an iPhone From Windows

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Remote work has fundamentally changed how often people need access to devices they aren’t sitting in front of. The tools built for this, however, haven’t kept up. Software-based remote access drops the moment a device sleeps or the screen locks, traditional KVMs demand a tangle of HDMI, USB, power, and Ethernet cables, and phones and tablets have been left out of the picture entirely.

GL.iNet, the Hong Kong-based networking company behind a range of popular OpenWrt routers, has built the Comet Q to tackle all three of those problems at once. Officially designated the GL-RMQ1, it’s described as the world’s first browser-based, pocket-sized remote-control device built specifically for USB-C devices, covering laptops, phones, tablets, and Mac minis. You plug it in, open a browser, and you’re in.

Designer: GL.iNet

Click Here to Buy Now: $89 $129.9 (31% off). Hurry, only 866/2500 left! Raised over $1 million.

What sets the Comet Q apart is that it operates at the hardware level, not through software installed on the target device. That distinction matters more than it sounds. Traditional remote desktop software relies on the operating system and an active network connection, failing the moment a device sleeps, locks, or loses Wi-Fi. The Comet Q keeps working through all of that, as long as the device stays powered on and hasn’t entered a hibernation state that cuts off its HDMI/USB output.

That control comes through a single USB-C cable that simultaneously carries video, data, and power, doing away with the HDMI dongle and USB hub that traditional KVMs require. Video output reaches up to 2K at 60 fps with two-way audio, and a built-in USB-C passthrough port means the device being controlled stays charged throughout the session. It’s a genuinely pocket-sized setup that actually earns that description.

Where the Comet Q breaks new ground is with mobile devices. No KVM was ever built for them, and if something went wrong remotely, there was no clean solution short of being physically present. It connects directly through the USB-C port, working with iPhones from the iPhone 15 onward (excluding the iPhone 16e and later budget models), iPads, and a wide range of Android phones and tablets, provided the port supports DisplayPort Alt Mode.

All of that also means the OS combination no longer matters. Users can control an iPhone from a Windows PC, a MacBook from an Android tablet, or an iPad from a Linux machine. Developers can manage test devices without being at their desks, IT teams can monitor a fleet of phones from one interface, and content creators can run a dedicated recording device from anywhere in the same room.

There’s a surprisingly personal side to this. If you’ve ever tried walking a parent through a tech problem over the phone, knowing you could take over their screen remotely would have saved everyone a lot of stress. The Comet Q makes that possible, and since Wi-Fi credentials can be preset before shipping the device, the person receiving it doesn’t need to set it up.

Accessing the Comet Q doesn’t require any downloads. From a laptop or desktop, any browser pointed to glkvm.com is enough to take full control, with no account creation needed. When controlling from a phone or tablet, the GLKVM app, available on Windows, macOS, App Store, and Google Play, handles touch gestures more precisely. A 1.8-inch circular touchscreen on the device also makes initial setup possible without opening a laptop.

Security runs through every layer of the design. Each session ends the moment the Comet Q is physically disconnected, leaving no residual access or background processes behind. Built-in support for Tailscale, ZeroTier, and WireGuard VPN keeps remote connections encrypted and firewall-friendly, while two-factor authentication adds yet another layer on top. Remote access that works through hardware rather than software has been a long time coming for phones and tablets.

Click Here to Buy Now: $89 $129.9 (31% off). Hurry, only 866/2500 left! Raised over $1 million.

The post This USB-C Dongle Just Let You Control an iPhone From Windows first appeared on Yanko Design.

This Compact Grill Plate Cooks a Perfect Steak Over Any Heat Source & Packs Flat When You’re Done

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Some grill pans spend their days at the back of a cabinet, too heavy to bother with and too uneven to trust. Then there are the ones that earn a place on the stove every single time. The Compact Modular Grill Plate belongs to the second category. Built with a three-layer steel construction that spreads heat evenly across its entire surface, it closes the gap between a proper kitchen sear and a campfire meal, without making you choose between the two.

What makes it worth owning is the adaptability. Handles swap out depending on the situation. The plate runs on campfires, gas burners, and induction stoves without modification. When cooking is done, the whole setup packs flat, small enough to fit in a bag without reorganizing everything around it. That level of flexibility does not happen by accident. It is the result of a design that actually solves the problem rather than merely describing it.

Click Here to Buy Now: $100.00

Even Heat, Everywhere

The three-layer steel plate is where the performance begins. Single-layer pans burn where the flame sits and fade everywhere else, which is how a good cut of meat ends up patchy and dry in the wrong places. The layered construction here distributes heat uniformly from the edge to the center, keeping the temperature consistent across the entire cooking surface. The result is a better sear, better moisture retention, and food that actually tastes the way it should. Compatible with campfires, gas burners, and induction stoves, it performs just as well in a small apartment kitchen as it does over an open fire on uneven ground.

Modular, Compact, Actually Practical

Most portable cookware treats portability as a footnote. The Compact Modular Grill Plate starts there. The handle system swaps out depending on the setting, so the plate adjusts to whatever the cook needs rather than the other way around. Remove the handles for cleaning, and pack everything flat for travel. There is a specific kind of satisfaction in gear designed to disappear when you are done with it, and this plate earns that cleanly. It comes in a Basic set and a Special set for those who want more to work with from the start.

What We Like

  • Three-layer heat distribution: a properly engineered cooking surface that keeps temperature uniform for consistent sears and better moisture retention from edge to center
  • Multiple heat source compatibility: campfire, gas, and induction in one plate with no adapters and no compromise between settings
  • Swappable handle design: takes seconds to change and genuinely adapts the plate to whatever situation the cook is working in
  • Compact pack-down: flat storage with handles removed; the kind of practical detail that determines whether gear actually makes the trip

What We Dislike

  • No surface treatment specified: the product does not clarify whether the cooking surface has a non-stick finish, which matters for cooking delicate proteins and for cleanup expectations
  • Limited set configuration: Basic and Special cover the range well, but there is no option to add a single accessory without committing to a full set upgrade

The Cookware That Goes Where You Go

The Compact Modular Grill Plate was built for cooking that happens outside the ideal. An unpredictable campfire. A countertop induction burner in a small space. A situation where the cookware needs to adapt before you do. It handles all three without changing what it is, which is a rarer quality in portable cookware than it should be.

If what you are currently cooking with makes the meal harder than it needs to be, this is the straightforward fix. Pick up the Basic or Special set and take the guesswork out of the next meal.

The post This Compact Grill Plate Cooks a Perfect Steak Over Any Heat Source & Packs Flat When You’re Done first appeared on Yanko Design.

5 Portable Bluetooth Speakers for Summer 2026 That Sound as Good Outside as They Look

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Most portable speakers resolve the outdoor brief in one of two ways. They build something tough enough to survive whatever summer throws at it, then let design take care of itself. Or they craft something that looks considered and hope it never meets moisture. These five refuse that tradeoff. Each earns its place outdoors on visual merit alone, a bar that very few speakers in this category have the confidence to clear.

The selection spans passive acoustic amplification to hard-anodized Danish aluminum, retro broadcast aesthetics to science fiction metalwork, and an outdoor warrior that floats face-up in a swimming pool. What ties them together is a conviction that a portable speaker should be worth looking at when the music stops. Whether you pack one for the long weekend or set one up on the rooftop, these speakers make the setup look considered before anyone hits play.

1. Retrowave Radio

There is a specific pleasure in a speaker that looks like it predates Bluetooth by thirty years. The Retrowave Radio brings that cabinet sensibility into a summer that runs on playlists and wireless connectivity, giving you the best of both. Its proportions and analog-styled face sit more comfortably on a picnic blanket or campsite ledge than most modern speakers manage, which tend to read as tech accessories rather than objects genuinely worth looking at.

The FM tuner adds a layer the streaming era forgot. Scanning local frequencies somewhere without a strong data signal is its own kind of discovery, the kind no algorithm delivers. Bluetooth connectivity keeps it relevant to every device you already own, so the retro shell is not a compromise so much as a philosophy about what listening outdoors should feel like. It is the speaker most likely to draw a question from whoever walks past, which is the highest compliment any piece of audio design can receive.

Click Here to Buy Now: $89.00

What We Like

  • The retro cabinet reads as a considered aesthetic statement rather than a novelty gimmick, and holds its own in any outdoor setting
  • Dual functionality as a Bluetooth speaker and FM radio opens it up to genuine off-grid situations where streaming is not an option

What We Dislike

  • The analog-inspired styling may not suit those who prefer a contemporary minimal look in their audio gear
  • FM reception quality depends entirely on local signal strength, which varies considerably depending on where summer takes you

2. Anker Soundcore Boom 3i

The Soundcore Boom 3i solves a problem most outdoor speakers refuse to acknowledge. Pools, lakes, and beaches are exactly where you want music most and also the worst possible environments for most electronics. Anker’s answer is a speaker that floats and self-orients so the audio always faces upward, keeping sound clear whether it was placed there deliberately or went in during a particularly competitive game of volleyball. That kind of design honesty about actual use is rare.

Beyond the floating, it includes Buzz Clean, a feature where the speaker vibrates on command to shake sand and debris out of the grille. It is a small addition that solves a genuine frustration without tools or disassembly. Sixteen hours of battery life and LED lighting that pulses with your music make it a speaker clearly built by a team that has spent time at actual beaches, not imagined them from an office.

What We Like

  • The self-orienting float design solves a real outdoor audio problem rather than just marketing waterproofing that most owners never actually test
  • Buzz Clean is genuinely useful in sandy environments and requires no tools, disassembly, or anything beyond pressing a button

What We Dislike

  • The LED lighting, while effective at night, adds visual busyness that may not appeal to those who prefer their gear to sit quietly in the background
  • Its larger footprint makes it less suited to compact bags or minimalist packing situations where every cubic inch matters

3. Bang & Olufsen Beosound Explore

Bang & Olufsen built the Beosound Explore from hard-anodized aluminum, and that material choice explains everything else about it. Reaching for aluminum where every competitor defaults to polycarbonate communicates a specific set of values about longevity, texture, and what outdoor gear can look like when it is not trying to appear durable but simply is. At 631 grams with a rubberized base and carabiner strap, it travels without ceremony and arrives looking like it belongs wherever you set it down.

The True360 sound from dual full-range drivers means there is no bad angle at a campsite or on a rooftop, and 27 hours of battery life removes the anxiety that shadows every other portable speaker on a long weekend. IP67 water resistance covers submersion up to one meter for thirty minutes, which handles every realistic outdoor scenario. Designed in Denmark and built to outlast seasons rather than one summer, the Beosound Explore is the speaker you eventually stop having to replace.

What We Like

  • Hard-anodized aluminum construction gives it a material quality and cool-to-the-touch feel that no polycarbonate competitor comes close to matching
  • 27-hour battery life is genuinely class-leading at this form factor, removing charging from the weekend equation entirely

What We Dislike

  • The price sits at the premium end of the portable speaker category, which may not align with every budget on this list
  • The compact driver configuration prioritizes audio fidelity over sheer volume ceiling, so those expecting a party speaker may find it more refined than powerful

4. Battery-Free Amplifying iSpeakers

The Battery-Free Amplifying Speaker starts from the most honest premise in portable audio: what if the speaker needed nothing from you except the sound you already had? Using passive acoustic amplification, it channels audio from your device through a shaped resonance chamber without a Bluetooth receiver, a charging cable, or a battery to manage. The result is a speaker that is always ready because there is genuinely nothing about it that can run out.

Its design logic sits closer to a musical instrument than a consumer gadget. Every curve and internal chamber proportion is there to do acoustic work, which means every formal decision has a functional one sitting behind it. For a long morning on the balcony or an afternoon at the beach where you forgot to charge everything, it removes the one variable that always causes friction. You set it down, rest your phone inside, and the sound arrives without a single button pressed.

Click Here to Buy Now: $179.00

What We Like

  • Zero dependency on charging makes it genuinely grab-and-go in a way no battery-powered speaker on this list can claim
  • Passive acoustic construction makes it one of the most durable options here by virtue of having no electronics to fail

What We Dislike

  • Volume ceiling is naturally limited compared to powered speakers, making it less suited to larger outdoor gatherings where you are competing with ambient noise
  • Performance is tied directly to the speaker quality of the host device, which varies considerably from one phone to the next

5. GravaStar Mars Pro

The GravaStar Mars Pro does not attempt to blend in, and it is entirely correct not to try. Its zinc alloy body, war-damaged finish options, tripod legs, and exposed mechanical detailing sit somewhere between industrial design and a film prop, which is precisely what makes it worth owning. Most portable speakers are designed to disappear into their surroundings. The Mars Pro is designed to become the focal point of wherever it is placed, and its 20W dual speaker system backs that visual confidence with real audio substance.

A full-range driver paired with a passive bass radiator gives the Mars Pro low-end presence that its dimensions should not produce. The RGB lighting system runs through six dynamic modes, pulsing with your music and making it a natural fit for evening rooftops and outdoor gatherings. At 5.5 pounds, it is the heaviest option here, which places it at the center of a setup rather than inside a bag. That is exactly where it wants to be.

What We Like

  • The zinc alloy construction and sculpted mech aesthetic make it one of the most visually distinctive portable speakers available at any price point
  • 20W dual speaker output delivers bass presence well beyond what the physical size suggests is acoustically possible

What We Dislike

  • At 5.5 pounds, it is not a speaker you carry around a site; it is the one you set up and gather around, which limits where it fits on a summer itinerary
  • The dramatic visual language is polarizing and will not appeal to anyone who wants their audio gear to sit quietly in the background

The Best Summer Speaker Is the One Worth Looking At When the Music Stops

A portable speaker is one of the few objects that has to perform twice over. It has to sound right and look right in the same moment and the same light. The five here clear that bar without any of them feeling like a compromise in either direction. Summer is short enough that whatever you bring outdoors should be worth the trip, and each of these makes that case without any difficulty.

Whether you reach for the passive simplicity of the battery-free amplifier, the engineered restraint of the Beosound Explore, or the unapologetic presence of the Mars Pro, the underlying conviction is the same. Good design does not ask you to choose between form and function. These speakers already made that decision, and it shows from the moment you set them down somewhere they have no business looking this good.

The post 5 Portable Bluetooth Speakers for Summer 2026 That Sound as Good Outside as They Look first appeared on Yanko Design.