Author Archives: JC Torres

Solar-powered streetlights spin and move to chase the sun

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We see plenty of solar-powered products today, ranging from simple lamps to complicated electronics. But despite the sustainability benefits these offer, there’s no escaping the fact that they do need to soak up the rays to actually work. That’s not much of a problem if the devices have large batteries that can be used when the sun is out, but not so much for smaller objects that have to be smarter in how they get some sunlight. The sun, unfortunately, never stays still, and other atmospheric conditions could make an area less exposed from time to time. To help alleviate that problem, this design concept for solar-powered street lamps takes inspiration from Mother Nature in order to seek out the sun where it shines the brightest.

Designer: VANTOT

When people talk about street lights, most will probably imagine lamps on top of posts. These lighting fixtures are designed to be stationary in order to be reliable landmarks as well as to make them more convenient to reach and maintain. That restriction, however, might pose a problem for solar-powered street lamps because they will always be at the mercy of the sun’s location. When clouds cast shadows or buildings rise to block the sun, these lamps might lose their one and only source of power.

The Sunseeker is an experimental solution to that problem that uproots street lights and sets them on a chain rather than on a post. This frees the hanging lights from staying in one spot and lets them move freely along the chain. It might be a strange capability, but it makes sense when you consider that the light sensors on each lamp actually detect where sunlight shines strongest and then move or turn the lamp’s solar panel to face that direction.

It’s definitely an odd feature, but one that can actually be seen in nature. The sunflower, for example, is famous for how it always faces the sun, a trait that is even more important for solar-powered devices. In this manner, the Sunseeker lights can move where the sun is, ensuring that it will always be at peak performance when the day star finally sets.

In addition to implementing a critical function, this sun-seeking behavior puts a playful spin on the lamps, pun intended. Crowds can be amazed and entertained as the circular panels slowly move and spin to match the direction of the sun. But even when they’re staying still, the lamps exude a character that is almost otherworldly, especially with how they look like a fleet of tiny UFOs lining up in the night sky.

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Pad & Quill leather accessories for Apple products live on in new brand

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The design and especially the price of Apple’s devices easily mark these products as luxurious goods. Thus it’s not that unusual for owners to be overprotective of their expensive investments, covering them up with protective cases that sometimes trade style for protection. Fortunately, there is a class of accessories that actually add even more class to these devices, particularly through the use of luxurious materials like leather. For more than a decade, the name “Pad & Quill” became synonymous with these leather accessories, offering elegant protection for Apple’s premium products, but it, unfortunately, had to file for bankruptcy last year. The name might be gone, but its legacy now lives on in a new brand from the same founder, continuing the practice of delivering high-end leather products to match your equally high-end iPhone, iPad, or MacBook.

Designer: Brian Holmes

Nothing says stylish luxury better than leather. There will always be arguments regarding the way it’s sourced and produced, but there’s little debate that the material is immediately associated with premium products. Some smartphones even try to ride on that trend by slapping some vegan leather on their backs, but the real deal is harder to pull off unless it’s on an accessory.

Pad & Quill is a name that Apple fans have looked to when it comes to those leather accessories, but due to the recent pandemic, the business had to close down a few months ago. That’s not to say there’s no longer a market for premium leather Apple accessories, just that the brand folded due to circumstances. Thankfully, P&Q’s founder isn’t calling it quits and has started a new endeavor with a new name but with the same mission.

Burton Goods will continue the legacy of offering high-quality leather cases for Apple’s latest products. It isn’t just about using leather, though, and the brand is promoting its precision craftsmanship, attention to detail, and practical functionality alongside the material. Of course, these accessories also serve to protect your precious Apple devices while also being durable products themselves.

At the moment, Burton Goods’ selection of products is limited to Apple’s latest models, from the iPhone to the iPad Pro to the MacBook Pro to even the Apple Watch. There are also plans to include leather bags that will bring these all together, but the exact timeline for their appearance has yet to be revealed. The revival of Pad & Quill’s spirit does also resurrects the question of the sustainability of genuine leather, and it might be a good opportunity for this niche market to reassess that aspect of luxury for the sake of future generations.

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Clicks QWERTY keyboard iPhone case brings back the joy of typing

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Remember the days when you could swiftly type a long response on your phone in just seconds? Even if you didn’t own a BlackBerry, our amazing human brains managed to evolve to adapt to the esoteric T9 input, resulting in a flurry of thumbs hammering out text at mind-blowing speeds. Just like with pen and paper, there are benefits to having physical keys to type with, including muscle memory, accuracy, and sheer satisfaction. Those are the joys that this new case is trying to bring to the iPhone by snapping on a full yet tiny QWERTY keyboard that gives creators the power to turn text into stories, quickly and accurately.

Designers: Michael Fisher and Kevin Michaluk

Although the BlackBerry is now a footnote in history, there was a time when it was the de facto standard of productivity. It’s a bit ironic that its most iconic feature is all but a memory today when text is even more critical in mobile life. From notes to todos to captions to messages, we type plenty of text on our touchscreen smartphones, which painfully drives home the fact that these smooth, flat surfaces have terrible ergonomics and haptics for such an activity. There have been a few attempts at resurrecting the BlackBerry or at least bringing the physical QWERTY keyboard to smartphones, but Clicks is trying to differentiate itself by projecting a fun and creative character that’s more in line with today’s creators.

For one, the cases distance themselves from the drab and serious styles of business-minded BlackBerry clones by embracing colors and curves, whether it’s the yellow Bumblebee or even the gray London Sky. Perhaps to avoid any litigation like its forebears, Clicks adopts circular keys with some spacing in between, giving the keyboard a more whimsical appearance. Regardless of the design, the Clicks QWERTY case has the same mission as all other QWERTY cases before it, bringing a familiar sensation to upgrade the typing experience. Best of all, the keyboard no longer eats up half your screen, leaving room for more content.

Using the case itself is as simple as pie. You slide the iPhone in from the top, carefully align the Lightning or USB-C connector, and snap the top on. The case doesn’t have a battery of its own, which makes it lighter and cheaper, so it draws power from the iPhone itself. It does support pass-through charging so you don’t have to remove the case just to charge the iPhone. The one drawback of its simple design is that MagSafe accessories won’t stick to it, but you can still enjoy wireless charging on a flat horizontal surface.

The Clicks QWERTY keyboard case is compatible only with the iPhone 14 and iPhone 15 models, though their availability won’t happen all at the same time. The $139 price tag is going to be debatable, especially for those who aren’t yet convinced of the advantages of having a physical keyboard at the cost of making a tall phone even taller. But for creators who find themselves always pecking at their phone’s screen, this quirky accessory is a done deal.

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Space-inspired everyday products prepare us for a zero-gravity future

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Many people these days dream about living on other planets or at least inside orbiting space stations, but few actually consider how very different life would be outside the Earth’s gravity. Of course, Hollywood tends to romanticize a lot of everyday life, but as astronauts will testify, living in space, even if just to reach the Moon or Mars, is no walk in the park. Even the simplest activities like drinking water can be awkward and disorienting in zero-g, at least if you consider using Earth-bound objects to do so. That’s why this trio of designs tries to reimagine some of the most mundane products we use in daily life and transform them into objects that are ready for our space-faring future.

Designers: Subin Kim, Jagyeong Baek, Jaeyeon Lee

Most of us understand that without gravity, things tend not to stay down, but few actually envision the ramifications of that fact. Products designed on Earth naturally presume an amount of stability, and the way they are handled or controlled is limited in the same manner. For example, a lot of everyday things only have handles on one side or work in a single direction, a presumption that doesn’t make much sense or even becomes counterproductive when the objects are floating in space.

Spatio is a collection of these everyday objects that have been redesigned with zero gravity in mind. Or to put it more simply, it doesn’t make presumptions on where and how it will function, making it work both on Earth, on Mars, or in the International Space Station. Aqua, for example, is a water bottle that replaces a traditional cup that has a single handle on one side only. In contrast, this bottle has four extrusions in cardinal directions that act as handles and a cover that lets you drink by sucking rather than sipping from the lip of a mug.

Sonus is a wireless speaker that really defies the traditional design of speakers. Inspired by the moon’s spherical shape, each of the “craters” on its surface pops up a tiny omnidirectional speaker when pressed. The more units that pop out, the louder it gets, acting is an unconventional form of volume control. The important difference is that you don’t have to shift or move the speaker to one side or the other just to reach those controls.

And then there’s Lumia, a star-shaped flashlight that can shine in any direction. Simply turning the central wheel switches the direction of the light so that it works regardless of how you’re holding it. While these products were designed with space living in mind, it’s not difficult to imagine them working just as well on Terra Firma, proving that truly accessible design benefits everyone everywhere, even if they’re living in outer space.

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Cardboard water bottle concept shows a more sustainable way to stay hydrated

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We’re often advised to drink lots of water every day, but that isn’t always feasible unless we have a bottle of water with us all the time. It’s for this reason that water bottles have become quite popular these days, but many of these containers are large, heavy, and sometimes unsustainable. The latter is especially true for PET bottles, the most overused kind of water container there is. Its small, lightweight size makes it easy to carry around and its plastic material might make it seem like a good idea to reuse the bottle over and over again. Whatever the context, plastic is a harmful material in the long run, so this reusable and sustainable water bottle looks elsewhere for inspiration, one that’s easily overlooked and taken for granted because we simply throw away milk and juice boxes the moment they’ve been emptied.

Designer: Rishikesh Sonawane

It might have different names in different countries, but “TetraPak” is a common sight in groceries and refrigerators, holding liquids like milk, juice, and sometimes even soup. These cardboard containers are indeed designed to be thrown away, but there’s no reason one can’t design a variant that can hang around for quite a while before you have to part ways, primarily by recycling its parts. It lets you keep yourself healthy by drinking lots of water while also keeping the planet healthy by reducing the number of PET bottles out in the wild.

reU is the design concept that puts those ideas together, utilizing a layer of cardboard, aluminum, and polyethylene to provide form and structure to the water bottle shaped like an overgrown flask. These three materials were specifically chosen after much consideration because of their long-term benefits and ease of production, despite there being more sustainable alternatives available. Cardboard is better than paper mache when it comes to integrity and finish, aluminum is cheap and easily stretched into extremely thin sheets, and polyethylene, which is used in only 5% of the total design, is easy to produce.

The design, however, goes beyond just using sustainable materials. The shape of the “bottle”, for example, was chosen for space efficiency and easier grip. The dotted bottle cap made from bioplastic offers not just texture for turning the cap but also a visual contrast to the vertical lines running down the side of the bottle. The rubber tab keeps the cap in place and functions as a strap to hold or hang the bottle, but it can also be retracted to keep the cap from swinging around while you’re drinking or pouring out its contents.

Despite being a reusable bottle, reU isn’t meant to last forever. In fact, it’s designed to wear out to the point that you’ll have to properly dispose of it by recycling each distinct component separately and properly. This ensures that the water you drink will always be clean and safe, something that PET bottles can guarantee after repeated use. And given how cheap it is to produce and how easy it is to recycle, there’s little harm in replacing the reU with another reU, over and over again.

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Galaxy Tab Active5 rugged tablet leaked with suitcase design and stylus

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Thanks to the Apple iPad Pro, tablets have been given a bit of a lifeline. To be honest, there’s still a bit of uncertainty regarding the purpose of these large screens, especially with smartphones now having extra big displays. There are, however, industries where tablets play an essential role, whether it’s in communication, retrieving information, or organizing data. In this line of work, tablets don’t have to look stylish or have the latest specs as it is more important for them to be durable and reliable, no matter the environment. That’s the core focus of the upcoming Galaxy Tab Active5, but it seems that Samsung isn’t missing the opportunity to add a few fine touches to this rugged device.

Designer: Samsung (via MSPoweruser)

Samsung’s rugged tablets have always been built like tanks and they have the design to prove it. They’re thick and have plenty of protective layers, which definitely makes them look the part of a device that might survive even getting run over by a truck. Looking unappealing, however, isn’t really a requirement, and Samsung has been playing around with a variety of designs to give the tablet a bit more personality.

With the Galaxy Tab Active5, Samsung is adopting a design that might remind some of those super-durable suitcases, complete with linear bumps across the surface. Those humps aren’t just for show, though, as they help diffuse the force of impact away from the sensitive electronics inside the tablet. It’s definitely not stylish, but it’s not terribly unattractive either.

Samsung is also giving the tablet a stylus, similar to its predecessor. Now, you aren’t going to make art using it, though that’s certainly doable. It’s meant more to be used as a precise input tool, especially for those times when you’re wearing gloves that don’t work on touch screens. Of course, you could also use it to scribble notes and draw quick diagrams or directions, something you can’t easily do even with a naked finger.

Despite these contemporary designs and features, the Galaxy Tab Active5 is undeniably a few steps behind compared to even the cheapest tablets today. That’s true not just for the specs but also for the interface. There are even navigation buttons under the screen that haven’t been seen since the likes of the Galaxy S7 from 2016. Those buttons, however, are critical for frontline workers who might not always have the luxury of having their fingers exposed to the elements, giving users alternative methods of controlling the tablet under any situation.

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JLab JBuds ANC 3 wireless earbuds land with a very tempting offer

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True Wireless Stereo or TWS earbuds have become a staple in a world without headphone jacks. Almost every brand, from smartphone manufacturers to audio equipment experts, has a pair or two or even more. They come in all shapes, sizes, features, and prices, but few can really be called striking the perfect balance between those factors. Right at the cusp of CES 2024, JLab is attempting to take a stab at this crowded market with its third-gen JBuds ANC, packing quite a bevy of desirable features in a compact and discreet design, while also dangling a price tag that sounds almost too good to be true.

Designer: JLab

One of the biggest problems with wireless buds is their dismal battery life due to their diminutive sizes. Yes, they come with charging cases that more than double the battery life, but that requires a bit of downtime while waiting for the buds to juice up. The JBuds ANC 3, however, boasts a whopping 9 hours on a single charge, 42 hours in total if you take into account the charging case. With its eponymous ANC feature enabled, the buds’ 7-hour uptime (34 hours with the case) is still pretty impressive.

Battery life isn’t the only perk that the JBuds ANC third-gen brings to your ears. Working in the opposite direction from its active noise cancellation, the buds feature a “Be Aware” mode that lets just enough ambient sounds into your ear so that you can navigate and work safely in public. It features multipoint Bluetooth connectivity so that you can connect to up to two devices and seamlessly switch between the two as needed, perfect when you need to take a call on your phone while using a paired laptop. You can also customize your listening experience completely through the JLab app, letting you fine-tune the audio quality to your liking.

Despite all these features, the JBuds ANC 3 still manages to come in a small package that disappears into the background. Even the charging case is only a little larger than a USB flash drive despite its massive battery inside. That case also has a built-in USB-C charging cable so you won’t have to fret over losing cables when you need them the most. And with an IP55 dust and water protection rating, the buds are guaranteed to be your faithful companion, come rain or shine.

All these features might sound almost common, but the $59.99 price tag that comes with them certainly isn’t. It makes the JLab JBuds ANC 3 enticing not only in terms of specs and design but also in accessibility, allowing almost anyone to enjoy hours of listening without having to break the bank.

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3D modeling device concept imagines what it’s like to create 3D with 2D tools

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We live in a three-dimensional world, but we see the digital world through flat computer screens. That’s why 2D input devices like mice, trackballs, and pens are fine for most creative work that is made to be seen in 2D anyway. With the increase in 3D objects in mixed reality spaces, however, these tools are no longer sufficient and can even become painful to use. Our hands are used to manipulating real-world three-dimensional objects, but our computer tools are confined to the 2D space, making them inefficient and counterintuitive. For the new age of 3D, we need newer and better tools designed specifically for those needs, and this concept imagines a new device designed from the ground up to offer a better way to create those 3D models that will populate the virtual worlds of the future.

Designer: Jayesh Gaikwad

You might brush the Deco MX off as a glorified trackball, but that couldn’t be farther from the truth. After all, a trackball is still just like a mouse that moves a cursor on a 2D screen. You can use that cursor to move and rotate a 3D object, but it’s a clumsy and awkward gesture that doesn’t map what we have in our mind when we want to turn those 3D objects living inside our flat displays. That’s what that ball in the corner of the Deco MX is for, letting you rotate an object more naturally in all three axes, making it easier to see the 3D model from all angles.

The rest of the device is made to give easier access to the tools that a designer needs when building those 3D models. There are programmable buttons to set your own shortcuts within the app, as well as dials to switch tools quickly. The central dial is, in fact, the biggest control on the Deco MX, and it gives access to the most common building and editing tools in a program. You can change which tools those are to suit your workflow, of course.

What makes the Deco MX extra interesting is the amount of screen on it. There’s one that arcs to the side, showing a history of actions you’ve taken so far. The central dial also has a screen underneath that changes depending on the tools you’ve set to be your favorite ones. There’s also a small circular screen to the side that shows you the currently selected tool without having to squint your eyes too hard.

While this 3D modeling device offers an innovative interface, the software we use today still presumes a 2D input device like a mouse or a stylus. Deco MX still can’t replace that and is instead designed to supplement it, perhaps taking the place of a large and cumbersome keyboard. Admittedly, the existence of screens on the device might actually make it harder to actually produce, but the concept has enough strong points that manufacturers should consider, especially as we journey deeper into mixed reality worlds.

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Modular electric minivan is inspired by puzzles for a more sustainable design

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Although electric cars are becoming more common, we’ve barely scratched the surface of what they’re capable of. Removing the need for traditional fuel and relying on batteries opens up new possibilities, and not just in terms of power sources. It can offer a bit more flexibility when it comes to the form and function of the vehicle, like cars with completely digital interfaces or screens all around. There might even be room for a modular design, as this concept for a tiny Japanese electric van tries to show, allowing the manufacturer or even the owner to switch out certain parts both outside and inside to match their needs, just like pieces of a puzzle.

Designer: HW Electro

To be fair, a modular car might be a bit far down the road considering the industry is hyper-focused on standardizing electric vehicles and making self-driving features more acceptable to the masses. That’s not to say that the design is a distant possibility only, especially when the features are made to be more practical rather than fantastical. Switching out panels is probably more feasible than switching out whole car parts or components, which is the kind of modularity that the Puzzle concept embodies.

At first glance, the boxy shape of the Puzzle will already look strange to those not used to so-called “Kei cars,” but this kind of van design is popular in Japan for striking a balance between large interior capacity and small compact size. It’s a design that screams practical efficiency, and making it modular is taking it to the next level. But unlike what you might be imagining, the Puzzle’s pieces, pardon the pun, are limited to swapping out certain panels at the sides, corners, and even inside. It’s a bit of a generic system that opens up quite a number of possibilities but, more importantly, it also doesn’t tie them down to a specific design or part. It also makes replacing damaged panels easier and more economical, something that you can only dream of with regular cars.

The Puzzle van also has secrets to reveal inside its extremely spacious cabin. The interior door panel has slots that make it possible to add and remove different modules, such as containers, cup holders, and the like. Even the dashboard has this kind of design, yielding a clean yet flexible space for expanding the van’s capabilities, especially in the infotainment aspect. The cargo space, which is practically a cube, is also more space-efficient for storing boxes and all sorts of large objects, making the EV a potential delivery vehicle.

Thanks to the boxy form of this Kei car, it’s possible to put a solar panel on the roof to really maximize its battery mileage. Modular and sustainable, the Puzzle minivan concept offers an extremely simple yet effective solution to the future of electric vehicles, one that espouses the Japanese spirit of minimalism and practicality where form clearly follows function.

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Love Hultén brick-inspired sound sculpture uses a bonsai tree to create sounds

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With the prevalence of electronic devices like smartphones and smart speakers, you might think that sound and music can only come from these objects. Of course, they are more medium than source, and there are plenty of things that generate audible audio waves even without the help of man-made contraptions. Nature, for example, has plenty of mystifying sounds that almost border on being musical, but there are also hidden ways that natural objects can produce sounds with a little help from technology. Using biological data and a bit of scientific creativity, one can even hear the “music” that plants make, such as this rather unique “sound sculpture” that makes a small bonsai tree sing its heart out in alien-like tones.

Designer: Love Hultén

To be clear, plants don’t make music, no matter how enchanting that concept might be. What artists, musicians, and designers are doing is to gather the subtle electrical signals generated by chemical changes in plants and interpret them as a series of tones generated by a MIDI (Musical Instrument Digital Interface) device that hardly resembles a pleasing harmony. That said, even that straightforward process is enough to capture one’s curiosity and inspire a sense of wonder, even if it won’t win any music awards.

Tegel is one such artistic exploration in the translation of biological signals into audible sounds utilizing the popular bonsai tree. The choice of plant is almost poetic, given how this family of diminutive plants is often associated with meditation, calmness, and Zen. Ironically, the tones and beeps that are produced by this sound sculpture are hardly relaxing and are more like EDM for parties.

The small tree is housed inside a tall glass dome and is connected to an audio synthesizer via wires clipped onto its leaves. The plant acts more like a series of resistors rather than an actual sound source, and the sound sculpture incorporates dials to fine-tune the sound that comes out of it. There’s even a MIDI keyboard so that the user can add their own input to the mix.

What makes Tegel really special isn’t the process but the form that it comes in. Love Hultén has created quite a few of these contraptions that transform biodata into sound, but those really look the part of machines. In contrast, this sound sculpture is as much art as it is technology, inspired by the brick creations of Danish sculptor Per Kirkeby. It makes the bonsai tree a part of a miniaturized brick garden, creating a visual contrast of organic life and man-made structures working together to produce something akin to a miracle, that of pulling music out of a silent tree.

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