Author Archives: JC Torres

DIY tiny Windows XP PC is an extreme nostalgia trip

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Although the craze for old “retro” designs has gripped many industries, it has taken a rather odd direction in the computing and gaming worlds. More than just recreating the designs and experiences of the past, many retro computers or consoles also strangely decided to shrink those products down to sometimes unusable sizes. Though manufacturers like Nintendo have jumped on that bandwagon, the biggest push comes from makers and modders who now have a wide arsenal of tools available at their disposal, giving them the freedom to create or recreate almost any design imaginable. This painstaking DIY project, for example, tries to bring back the iconic beige computer boxes of the 90s in a way that’s almost usable, at least if you can manage squinting at a 4-inch screen.

Designer: Salim Benbouziyane

The PCs of the 90s and early 2000s aren’t really the epitome of inspired industrial design, which is why their rival Macs became the choice of designers, creators, and design-conscious users. Nonetheless, these geometric boxes were also the pinnacle of computing technology of that period, earning them their place not only in offices and homes but also in iconography. There are also quite a number of fond memories attached to these machines, which some more skilled craftsmen are now using to turn some of that nostalgia into a working PC, albeit a miniature one.

Patterned after one of the more common designs of Dell PCs, this tiny retro computer revives the spirit if not the function of those 90s computers. It’s pretty much a box-like CRT monitor sitting on top of another horizontal box which was the convention for desktop computers at that time. The attention to detail is pretty impressive, from the carved DELL branding to tiny “Intel Inside” and Windows decals.

It’s a completely functional computer, though not all represented features actually work. The floppy disk drives, for example, are naturally too small for any disk, but they happen to be the right side to let a micro SD card through. There are LED lights to indicate power and mimic the flickering “hard drive spinning” activity. On the software side, it convincingly mimics the Windows XP look and feel, but it’s actually a flavor of Linux designed for the Raspberry Pi that’s running inside. And, of course, it can run DOOM, just like any self-respecting computer.

As impressive as this intricate recreation might be, it is also one that is a true labor of love. It requires a lot of 3D printing, custom soldering, and fiddling with electronics, so it’s not something that just about anyone can do on their own. Fortunately, the instructions and materials for this project are all listed and available for anyone to see, reliving the spirit of openness and exploration that was also alive during that period.

The post DIY tiny Windows XP PC is an extreme nostalgia trip first appeared on Yanko Design.

DIY tiny Windows XP PC is an extreme nostalgia trip

Posted on by

Although the craze for old “retro” designs has gripped many industries, it has taken a rather odd direction in the computing and gaming worlds. More than just recreating the designs and experiences of the past, many retro computers or consoles also strangely decided to shrink those products down to sometimes unusable sizes. Though manufacturers like Nintendo have jumped on that bandwagon, the biggest push comes from makers and modders who now have a wide arsenal of tools available at their disposal, giving them the freedom to create or recreate almost any design imaginable. This painstaking DIY project, for example, tries to bring back the iconic beige computer boxes of the 90s in a way that’s almost usable, at least if you can manage squinting at a 4-inch screen.

Designer: Salim Benbouziyane

The PCs of the 90s and early 2000s aren’t really the epitome of inspired industrial design, which is why their rival Macs became the choice of designers, creators, and design-conscious users. Nonetheless, these geometric boxes were also the pinnacle of computing technology of that period, earning them their place not only in offices and homes but also in iconography. There are also quite a number of fond memories attached to these machines, which some more skilled craftsmen are now using to turn some of that nostalgia into a working PC, albeit a miniature one.

Patterned after one of the more common designs of Dell PCs, this tiny retro computer revives the spirit if not the function of those 90s computers. It’s pretty much a box-like CRT monitor sitting on top of another horizontal box which was the convention for desktop computers at that time. The attention to detail is pretty impressive, from the carved DELL branding to tiny “Intel Inside” and Windows decals.

It’s a completely functional computer, though not all represented features actually work. The floppy disk drives, for example, are naturally too small for any disk, but they happen to be the right side to let a micro SD card through. There are LED lights to indicate power and mimic the flickering “hard drive spinning” activity. On the software side, it convincingly mimics the Windows XP look and feel, but it’s actually a flavor of Linux designed for the Raspberry Pi that’s running inside. And, of course, it can run DOOM, just like any self-respecting computer.

As impressive as this intricate recreation might be, it is also one that is a true labor of love. It requires a lot of 3D printing, custom soldering, and fiddling with electronics, so it’s not something that just about anyone can do on their own. Fortunately, the instructions and materials for this project are all listed and available for anyone to see, reliving the spirit of openness and exploration that was also alive during that period.

The post DIY tiny Windows XP PC is an extreme nostalgia trip first appeared on Yanko Design.

Cute earbuds concept look like tiny perched birds ready to sing a tune

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With Apple leading the way, the design of wireless earbuds has almost become monotonous as many manufacturers try to flatter the brand through imitation. There are, of course, a few outliers and there is definitely plenty of room for creativity, especially now that earbuds and earphones have almost become a necessity for anyone who uses a smartphone. Of course, ergonomics and acoustics still play the most important role in designing such audio accessories, but if there was more leeway in those areas, you might be able to come up with something a bit more imaginative, like these buds that resemble a pair of birds tweeting a sweet melody into your years.

Designers: Jinho Choi, Seunghun Jeong

The standard design for earbuds these days, whether they’re wired or wireless, consists of a bulging mass on the end of a short stick. The larger shape is designed to go into the ear canals, tapering at the tip while almost rotund at its base. With some imagination, it almost looks like a pudgy bird, which is what this design concept has made out of the silhouette of the buds. And not just any bird, mind you, but a bird with an astronaut helmet on!

That’s the almost comical picture that AI drew for this design, which works perfectly in this scenario. The tips of the buds can’t be sharp and small like bird heads, so imagining these two birds wearing translucent space helmets gives the design a playful character. These birds sit on top of the branch, represented by the stalk of the earphones, at least when you place them down in a certain way.

What makes this design concept extra fun is that everything revolves around this avian idea, including both the packaging and associated accessories. Rather than just have the buds lying on a desk or dangling from some hook, a special stand mimics a small tree trunk where you can insert the earbuds’s stem, creating the semblance of birds perched on a tree. It would probably be nice if you could also hear audio coming out of the buds while in this arrangement to complete the image, but that would require a more complex audio solution.

The TweetTunes buds concept also includes a specially designed box that’s more circular than boxy. Opening up the packaging reveals two birds sitting inside a nest, or at least the representation of a nest. It’s definitely a subtle but nice touch, with the attention to detail you’d expect from larger companies. There’s still the question of whether such a bird-like shape actually provides both comfort and sufficient sealing, but having adorable earbuds like that on your desk is probably worth just the decorative value, even if you barely use it.

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Modular stool concept is designed for people who love sitting cross-legged

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Stools are often classified as tall, backless chairs, and like most seats, they’re designed to be used in a specific way. You simply sit on top of the stool and have your legs hanging from the edge, with your feet planted firmly on the ground. This style of sitting might be common, but it’s definitely not how everyone sits around the world. In some cultures, particularly in Asia, people tend to sit cross-legged on the floor, at least when they’re at home or in establishments designed to cater to that culture. Stools, of course, aren’t meant to support that way of sitting, but this concept design tries to expand the traditional stool design to be more inclusive while also offering an additional feature completely unrelated to sitting.

Designer: Gisung Han

It’s probably too much of a generalization but sitting cross-legged has become associated with Asian cultures. Especially in countries like Korea and Japan, some families tend to sit on the floor during meals in that position, something that might not sit well with those who don’t consider it proper during meals. Eating outdoors, of course, is a completely different matter, especially in public places like outdoor restaurants that only provide simple stools for customers. One simply can’t sit cross-legged comfortably, but still try to do it.

Named after a famous avenue in South Korea, the Euljiro stool concept tries to solve this conundrum with a design that caters to both normal sitting and cross-legged sitting. This seemingly magical capability is made possible by the stool’s two-part modular design. When joined together, it looks like a simple, two-color stool that you can use normally. But remove the top part and you actually get two stools, with the top shorter than the bottom.

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When you insert one of the legs of the taller stool into the middle of the shorter one, you get a two-tier seat seemingly joined at the hip. This setup would allow the person to sit with their legs crossed without worries they’ll tumble backward or to the side. It doesn’t take up too much space either, and it can even be used as two separate stools if there aren’t enough seats to go around.

Euljiro’s flexibility also extends to its use as a place to put bags while eating. This is especially useful in restaurants that don’t have designated storage for bags, where putting bags down on the ground might be unhygienic. It’s definitely a creative way to solve multiple problems with a single design while ironically still sticking to the most common stool shape of all.

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Ergonomic controller suggests a more comfortable way to use XR glasses

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The launch of the Apple Vision Pro sparked renewed interest in extended reality experiences, both those offered by full-blown and heavy headsets as well as those pushed by more straightforward glasses. The latter often rely on your smartphone or a dedicated remote control to navigate through apps projected in front of you, an indirect interaction method made more awkward by the standard design of these devices. Remote controls might be fine for TVs and appliances, but not when you can barely see your own hand. This concept design tries to challenge convention by redesigning the face of a remote, offering a more ergonomic and simpler way to move around mixed reality while wearing those XR glasses.

Designer: Yiqiao Liu

XR or eXtended Reality glasses like the Xreal Air and TCL RayNeo can probably be called the poor man’s Vision Pro. They practically display a virtual monitor in front of you, which may or may not be pinned in an arbitrary location or follow your head around. This allows the glasses to be lighter, cheaper, and less conspicuous, though they do look like overgrown sunglasses. This also makes using the XR platform feel a bit more familiar because they more or less correspond to familiar operating systems like Windows or Android.

Moving around and interacting with objects in this XR space is then a simpler matter as well, and some even use the phone itself as a pointer and remote control, which is difficult to use when your vision is partially obscured by the glasses and all your fingers can feel is a flat and featureless surface. On the other hand, conventional remotes with their numerous buttons and straightforward layout can also be cumbersome to use as well.

The XR Glasses Controller concept takes the minimalist design of something like an Apple TV remote and tilts it at an angle. Visually, this soap-shaped device looks like an unbalanced remote, with the top buttons leaning to the right and the bottom touch dial sliding to the left. It’s not a design that was made just to look different, though it definitely gives it a distinctive appearance.

The theory behind this design is the mobility and limited range of our thumbs when holding a remote. As many smartphone designers already know by now, the thumb holding the remote moves naturally in an arc, and that up-and-down movement can cause more strain. The controls are thus aligned with this arc, making it easy for the user to switch between buttons and touchpad without having to overextend or bend their thumb. Along with the significantly reduced number of buttons, the remote is easier to use as well, though it does limit itself to Android-based XR platforms since those buttons perfectly match Android’s navigation scheme.

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Minimalist Side Table Hides a Simple But Effective Cable Management System

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Many of our everyday items find their way to the side tables sides couches, desks, and beds, and some of these items have cables that snake their way down and across the floor. These wires might not always ensnare your feet, but they definitely turn any beautiful interior into a dangling mess of cables. There are some side tables these days with built-in power outlets, but those still show the wires that crisscross each other. Some might even have the uninspiring charging bricks also rearing their ugly heads. This simple side table, on the other hand, has an equally simple solution that makes sure that nothing but your phones or tablets get the spotlight.

Designer: Rudolph Schelling Webermann

At first glance, the Charge Table looks like a pretty nondescript side table, albeit one with some elegance thanks to its minimalist design. The body itself is made from sturdy powder-coated steel that provides stability and handsome looks. The top of the table is lined with soft felt that protects your devices from scratches and bumps. It also gives a rough surface for mugs and cups to grip, keeping them from sliding.

This simplicity, however, is deceptive, because that tabletop slides out a bit to reveal a hidden compartment inside. This storage space has one primary function: to house a power strip that can charge your devices. You simply plug in your chargers, slide the tabletop back in, and have the charging cable discreetly coming out from the small gap at the side. And when you need to leave with that charger, simply slide the tabletop out again, unplug the charger, and go. You can also leave as many chargers in there thanks to the compartment’s spacious area.

As for the power strip’s own thick cable, a hole in the middle of that hidden storage for it to pass from beneath the table. Ideally, you’d have it find its way down one of the table’s legs or across to a nearby couch or chair, completely hiding it from view. Admittedly, it’s going to be trickier than keeping devices’ charging cables hidden, but at least there’s only one snake to wrangle.

The Charge Table offers a simple, elegant, yet very effective solution to ensuring that unsightly wires don’t ruin the aesthetics of your interior, though the compact size of the table does present another problem. Given today’s practice of owning more than one device per person, it might not be big enough to charge a phone and a tablet or a combination of multiple devices at the same time. Then again, the very design of the table itself encourages simplicity and frugality, and it might give people pause for thought on what’s really important, at least as far as the devices they keep close are concerned.

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Nokia Infinity Pro concept phone brings a pill-shaped design and a few questions

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You might criticize Nokia for flooding the mobile market with dozens of hard-to-remember devices, but you can’t deny that the Finnish giant also brought bold new designs that were far too ahead of their time, from the gaming-centric N-Gage to the cinematic N93 to the fashion-conscious 7380 “lipstick.” In contrast, today’s smartphones mostly play it safe due to usability and sales concerns, but that’s not to say that an odd design won’t sell either. There’s definitely room for novelty and plenty of space for creative ideas. This curiously shaped phone, for example, changes the design formula significantly, and while it does look like a futuristic device, it also raises a few important usability questions.

Designer: AndroidLeo

The “candy bar” form factor has emerged as the one true smartphone shape because of its handy and compact design. That doesn’t mean it isn’t the only possible form, though, especially when you consider that the top and bottom of these devices don’t need to be perfectly flat. It’s not like you’ll be standing it up or squeezing it alongside other flat and rectangular objects. This “Nokia Infinity Pro” concept challenges that status quo with a thin pill-shaped design that seems like a cross between a foldable clamshell and a smartwatch all rolled into one.

The more curvaceous shape of this concept phone supposedly rests more comfortably in your hand with no corners to cut into your skin. There might be some doubts about whether that would also make it too slippery to hold, but that’s not always a uniform experience. This Nokia Infinity Pro wouldn’t be the first to try out this design either, as the likes of the short-lived “open source” phones like the OpenMoko and Neo Freerunner sported similar shapes.

What makes this idea different, however, is that the screen covers the whole surface of the phone’s front, not just a rectangular section. Such a screen is now more possible to pull off, even if it’s still not that easy. The back of the phone also has two circular mounds opposite each other. One is a dual-camera system and another is a circular display not unlike those on smartwatches or some foldable phones’ “cover screen.” The idea is that you can place the phone face down on a table but still have access to important notifications and controls without distractions.

As interesting as it might look, however, there are some practical issues with such a design. For one, putting the phone face down always risks scratching the screen. At the same time, the circular outer screen will be covered by your palm and smudges whenever you have to hold up the phone. And then there’s the matter of what UI elements can be used at the top and bottom of the display since most platforms and content are created for rectangular screens. Maybe someday, we will have more adaptable software, and that will be the time for the Nokia Infinity Pro to truly shine.

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Humanoid toy robot concept makes music more engaging for kids and the young at heart

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Wireless speakers have become the standard for home audio equipment these days, and they come in a wide variety of designs. Some are rugged and geometrical, meant to be ready to brave the outside world if needed, while others are like art objects you’d dare not knock down accidentally. These designs are clearly targeted at adults as if they are the only user group who can appreciate music. Kids in their formative years need to be exposed to music as well, and not just from the tablets or smartphones that parents hand over to them for playtime. This robot concept not only gives these children an advanced toy to play with but also lets them have a more personal friend to enjoy listening to music with.

Designer: Jesus Gonzalez Torres

With a widespread interest in robotics, toy robots are no longer the exclusive domain of young boys, or kids for that matter. Kids of all ages will find a humanoid robot interesting, especially if it can express human-like behavior even through simple emoticons. Even better if it can actually perform seemingly magical feats, like singing to them while they’re engaged in play.

The musicBOT concept design is pretty much a Bluetooth speaker in the guise of a small human-like robot. It combines two already existing features into one, but this is a case where the sum is greater than its parts. More than just the collection of functions, it creates a totally different experience for the child whose mind is still open to so many imaginative concepts.

musicBOT is not just a music player but also a companion for the child. It plays tunes while you play with other things or play with the robot itself. The concept doesn’t go into the details, but the robot can display different facial expressions on its dot matrix face. It can even connect with a nearby musicBOT via Bluetooth, making them look like they’re friends and perhaps encouraging their owners to do the same.

Technologically speaking, the concept isn’t ground-breaking and could actually be an actual product. The novelty it offers is more on the experience and the psychology, putting the child at the center rather than becoming a passive listener. It makes listening to music a more active engagement, allowing them to develop a stronger mental association with music than simply hearing it from the background.

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Plywood desk concepts use waves to create easy-access storage spaces

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Just because a design is minimalist doesn’t mean it has to be featureless. Part of the challenge of this design style is to deliver the same functionality that more complicated products offer in simpler ways. A desk, for example, would normally have drawers and shelves to put things in, but drawers often introduce mechanisms that wear down over time, and they often block their contents from view, forcing the person to remember what’s inside or waste time going through each drawer in search for an item. Aalto, which means “wave” in Finnish, removes the blinders and designs an open storage system that uses no extra parts, just the table’s body itself.

Designer: Liam de la Bedoyere

Common desk drawers use a sliding mechanism to move a box in and out of the table. Regardless of the design of the slider, it will eventually fall victim to wear and tear, making it less useful and more stressful. Desks with “open” shelves instead of drawers do remove that variable but doesn’t make it easy to see what’s inside unless everything is at the front or you stoop to take a peek inside.

The Aalto design concept uses a series of undulating forms that create nooks that can become storage spaces. Thanks to the glass (or any transparent material) tabletop, you can immediately see what’s inside, ready to be taken out when you need it. Conversely, you can also easily see which compartments are still unoccupied in case you need an empty space.

The waves can come in different sizes, which makes room for different kinds of stationery and tools as well, like a laptop in the larger space or pens for the smaller ones. What makes the design even more interesting is that it doesn’t use any extra pieces other than the tabletop. It’s a single unbroken form, though sheets of plywood are indeed joined together to create the semblance of a flowing shape. Regardless, there are no moving parts that will break down or extra parts that can get lost. It is minimalism at its finest.

Another version of the Aalto design uses shorter and more uniform waves to address concerns about the troughs hitting people’s knees and legs. That said, it also reduces the flexibility of those spaces to hold objects of any size, but that also becomes a sort of enforced organization system to keep the desk tidy. In exchange, this Aalto variant has a small shelf off to the side, for holding smaller items like books or even a vase. It does have to switch to a polycarbonate material for the tabletop in order to support that bending shape.

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nubia Z60 Ultra Leading Version Review: A True Camera in Your Pocket

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PROS:


  • Distinctive, quirky design

  • True fullscreen design with invisible under-display camera

  • Unbeatable price tag for performance and battery size

  • Outstanding camera output

CONS:


  • Creamy selfies

  • Bulky and hefty chassis

  • No wireless charging

RATINGS:

AESTHETICS
ERGONOMICS
PERFORMANCE
SUSTAINABILITY / REPAIRABILITY
VALUE FOR MONEY

EDITOR'S QUOTE:

The nubia Z60 Ultra Leading Version will delight smartphone shutterbugs with a powerful smartphone with a design that clearly marks its photography lineage.

It’s pretty obvious by now, but it probably still bears noting. Cameras have become one of the most important factors people consider when buying a smartphone. Even those who primarily use a phone for social media want great cameras that can show off their attempts at becoming Insta-famous. But more seasoned photographers look for things that go beyond things like AI retouching or dramatic filters, details that are often lost on most users. Back in late 2023, nubia launched the Z60 Ultra to scratch a very specific mobile photography itch, and less than a year later, it is launching a slightly beefed-up variant with an odd name, the nubia Z60 Ultra Leading Version. Can this model, based on a late 2023 smartphone, keep up with the latest roster of flagships, or has it fallen by the wayside? We put this quirky-looking phone through the wringer to bring you that answer.

Designer: nubia

Aesthetics

We’ve seen plenty of phone designs over the years, and some have left us scratching our heads. Some have, in an effort to look distinctive and unique, adopted designs that leave a lasting impression in a rather unfavorable way. Fortunately, the nubia Z60 Ultra Leading Version isn’t of that variety, and while it might look odd when viewed from its back, it has enough playfulness, charm, and balance that actually makes the composition look interesting.

The phone is a very blocky device that is almost like a throwback to the early days of the Sony Xperia. Flat edges and sharp corners are making a comeback anyway, so the nubia Z60 Ultra isn’t exactly an outlier. It is, however, chunkier and boxier than today’s phones, which does have usability consequences that we’ll get to in a bit. It gives the phone a handsome and sharp appearance, but it’s also an acquired taste.

The most notable aspect of its design, however, is the three cameras on its back. Where most manufacturers do their best to lump the cameras together, nubia actually gives each of them their own distinct design. The result? It’s almost as if each of the three cameras represents a different professional camera design, from DSLRs to point-and-shoot cameras. It’s like the whole ensemble, which takes up a good third of the phone’s back, is a wall that pays homage to the camera industry’s greatest designs, perhaps also symbolizing its aspiration to be part of that set.

The Leading Version comes in only two color options, each with its own distinct design. The Black model looks like it has a ribbed surface, but it’s purely an optical illusion. The back is still glass, just like on our Silver review unit which gives the impression of liquid silver rippling and swirling underneath. It effectively hides fingerprint smudges, though the smooth surface of the glass means very few leave their mark anyway.

We usually leave notes about the display in the hardware section of our reviews, but this screen is different. With an under-display camera, it delivers a true edge-to-edge full-screen visual that blows the mind. The bezels are thin enough to be negligible and the area that hides the camera on its forehead is nowhere to be seen. Because of its very boxy and flat design, the nubia Z60 Ultra Leading Edition almost looks like a miniature flat-screen TV, and it definitely looks great at showing videos, pictures, and games.

Ergonomics

The nubia Z60 Ultra Leading Edition is a chunky box of metal and glass, and there’s no getting around that fact. It does pack quite a lot of hardware, including one of the largest battery capacities for a smartphone, but that doesn’t come without its costs. At 8.8mm thick and weighing 246g, it is definitely one of the heftiest and bulkiest handsets in recent years. To some extent, that might not be that big of an issue for its intended audience of mobile photographers who won’t be holding the phone up in the same position for long periods of time, at least not without a tripod or a gimbal.

It does have a few things that help improve its usability, though. The fingerprint scanner underneath the screen is placed a little bit higher where your thumb would naturally rest so you avoid having to readjust your grip and precariously hold it near the bottom edge. The power button and the action toggle also have textured surfaces that make them easier to feel and use without having to look at their location. All in all, the Z60 Ultra Leading Version isn’t the most comfortable thing to hold for a long time, but it’s not without its merits as well.

Performance

The phone’s odd name actually comes from the only real difference it has from the original nubia Z60 Ultra. That’s the Qualcomm Snapdragon 8 Gen 3 Leading Version, an overclocked variant of the flagship chip that everyone else is using. In a way, this is nubia’s response to Samsung’s own “for Galaxy” variant, which makes the same proposition. In other words, it takes an already powerful chipset and dials it up to 11, giving most tasks a boost, especially gaming.

It’s no wonder then that the nubia Z60 Ultra Leading Version would have some impressive numbers in benchmark tests, sometimes even scoring the highest. It can handle any task you through at it with aplomb, making short work of mobile games. That also means it won’t even break a sweat when handling image and video processing in real-time. However, your hands might sweat a bit as the phone did get a little too warm with graphics-intensive tasks like gaming.

One of the biggest reasons for the Z60 Ultra’s heft is also one of its biggest strengths, its 6,000 mAh battery. That is definitely one of the largest we’ve seen of late, discounting the 7-inch “phablets” of old. The long battery life will be critical for photographers who don’t want to miss a moment just because their battery died. The 80W charging speed also means you’ll only be away from the action for as long as 40 or so minutes, presuming you didn’t bring a power bank with you. Unfortunately, the phone doesn’t have wireless charging capabilities, which should already be a staple for an “ultra” phone like this.

Despite its Leading Version chip, the real centerpiece of the Z60 Ultra is its camera system, led by a 50MP Sony IMX906 1/1.56-inch sensor with OIS. That might not actually be that uncommon, but its most distinctive feature is the 35mm equivalent focal length. It’s a rare trait in smartphone cameras but is one of the most favored in traditional photography. In a way, nubia is positioning the phone as a camera lover’s choice, allowing budding photographers to level up their craft to more professional standards.

It doesn’t stop there either, because nubia pulls off something that still very few manufacturers dare to do: high-quality cameras all around. The ultra-wide shooter with an 18mm focal length carries a large 50MP 1/1.55-inch sensor with OIS, while the 80mm periscope telephoto gets an equally impressive 64MP sensor with 3.3x zoom, also with OIS. Yes, all three have optical image stabilization, and all three are capable of 4K video recording, though only the main camera can do 8K.

Suffice it to say, the images and videos that these cameras deliver are clear, sharp, vibrant, and detailed, no matter the lighting situation. There are a few hiccups here and there, but the overall performance is quite impressive. Unfortunately, the same can’t be said of the 12MP front-facing under-display camera, which unsurprisingly comes out with pasty and washed-out images. Despite the advancements nubia achieved in making the camera invisible, it still needs work on matching the quality of regular “notch” cameras.

Sustainability

When talking about smartphone makers that have strong or concrete sustainability endeavors, nubia is often left unmentioned. It’s not an old player in this market, nor is it a small one, so it’s rather disappointing not to see more action coming from it on this front. Even the use of sustainable materials for the back cover isn’t one of its strong points, but we’re hoping the brand takes a turn for the better in the years ahead.

The nubia Z60 Ultra Leading Version is at least IP68-rated, which speaks well for its survivability and longevity. The same can’t be said for nubia’s guaranteed software support, though, which is just three years. That’s just one year over the old two-year standard, one that is becoming a liability to the brand rather than an asset.

Value

If it wasn’t clear yet, the nubia Z60 Ultra Leading Version is a premium flagship with a processor that runs circles around its rivals and a camera system designed to appeal to photographers at heart. And yet for all that it offers, it only asks for $649 for 8GB of RAM and 256GB of storage. Yes, that’s $50 more than the starting price for the non-Leading Z60 Ultra, and some might question if the souped-up Snapdragon 8 Gen 3 is actually worth that much. In the grand scheme of things, however, it’s still a very accessible price tag, especially when it offers just as much or even more than $1,000 devices.

Unfortunately, it won’t be easy to get your hands on one, because nubia’s global distribution channels aren’t that many. And even if you manage to import one, you still have to worry about carrier network support. There’s also that nagging question about the $50 increase for a Leading Version chip, which, truth be told, isn’t exactly a mind-blowing difference overall. That said, if you’re a mobile photographer that has access to nubia’s products and have the extra $50 to spare, you should definitely have this in your crosshair.

Verdict

It’s extremely tricky to balance power and design in smartphones because of the limited space you’re allowed. You can’t have a super-slim device and expect to have a large battery and powerful cameras at the same time. nubia’s solution is bold and creative: why bother with those limitations at all? Yes, the nubia Z60 Ultra Leading Edition is thick and heavy, but it still manages to balance performance and a distinctive design. It’s a smartphone that is unabashedly walking in the footsteps of traditional cameras, and it definitely has the chops to prove it.

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