Author Archives: JC Torres

This Raspberry Pi Camera Looks Like It Was Made in the 80s for 2050

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There’s a particular visual language that 1980s science fiction used for technology. It was chunky, industrial, and slightly alien in form, the kind of hardware that felt like it belonged on a spaceship more than in a pocket. That aesthetic has been largely absent from consumer electronics for decades, replaced by sleek glass rectangles and matte aluminum that all end up looking roughly the same.

A maker going by Yutani on Reddit has built something that resurrects that forgotten design language in the form of a functional digital camera. It’s called the Saturnix, and the concept is simple but strange: what would a camera look like if it were designed in the 1980s, not to look like what cameras looked like then, but to look like what cameras were imagined to eventually become?

Designer: Sf140/Yutani

The body is 3D printed and draws clear inspiration from the science fiction hardware of that era, specifically the industrial aesthetic of films like Alien. It’s chunky and deliberate by design. The five control buttons use mechanical Kailh switches, a choice the creator was specific about: “a camera should feel like a real tool, not a touchscreen.” The tactile feedback from each press reinforces exactly that.

Inside, the Saturnix runs on a Raspberry Pi Zero 2W paired with a 16-megapixel Arducam IMX519 autofocus sensor and a 2-inch IPS LCD viewfinder. It captures RAW and JPG simultaneously, with full manual controls covering shutter speeds from 30 seconds to 1/4000, ISO from 100 to 3200, and white balance and exposure compensation adjustments. Three autofocus modes round out the shooting options.

The film simulation engine is what separates the Saturnix from other DIY camera builds. Six presets are available, all processed on-device with no apps or cloud services involved. You can shoot with profiles mimicking Kodak Gold’s warm analog tones, the hyper-saturated punch of Kodak Ektar 100, the cool greens of Fujifilm 400, and the rich grain of Kodak Tri-X 400 black and white.

Filter: Kodak Gold

Filter: Fujifilm 400

Photo transfers happen via a built-in Wi-Fi hotspot, keeping the entire process completely self-contained. The entire project is open source. The code, STL files for the 3D-printed case, and sample outputs from each film simulator are all available on the Saturnix GitHub page under MIT and Creative Commons licenses, meaning anyone with a printer and the right components can build one. A firmware release hasn’t shipped yet, but the creator is actively developing it.

Filter: None

The Saturnix doesn’t compete with commercial cameras on paper, and it doesn’t try to. What it does is offer something most cameras, cheap or expensive, don’t bother with anymore: a strong point of view about what a camera should feel like to hold, use, and look at, from a set of aesthetics that mainstream design long since walked away from.

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This E Ink Wisephone Has No Camera, No App Store, No Social Media

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Smartphones have become something of a paradox. The more capable they get, the less in control we feel. Notifications pull us in every direction, social feeds demand constant attention, and app stores offer thousands of things we never asked for. For all the technology packed into these slim glass rectangles, they’ve stopped being tools we use and started being systems we manage.

That tension is exactly what Berlin-based architect Marko Lazić sat with one afternoon in 2016, waiting for a friend at a coffee shop with his phone battery nearly dead. He sketched an idea, one that took years to develop but eventually became Offone, a 3D-printed phone with an E Ink display that he calls a “wisephone.” Not a dumbphone, and certainly not a smartphone, but something deliberately in between.

Designer: Marko Lazic

The first thing that catches your attention is how unassuming Offone is. Its 3D-printed body is slim enough to slip into a wallet alongside your cards and fits in the palm without effort. White, monochrome, and clean, the E Ink touchscreen looks more like paper than a display. The side bezels are practically nonexistent, while the top and bottom house the usual earpiece and microphone.

The E Ink display is a practical choice as much as an aesthetic one. It means no screen glare, no blue light, and no eye strain from prolonged use. Reading a text or checking a contact feels like glancing at a printed page. Lazić also considered night use, suggesting optional backlighting so the phone remains usable in the dark without disrupting sleep the way most backlit screens tend to do.

Lazić’s approach to the interface is as intentional as the hardware. Instead of text labels, Offone uses universal symbols to represent its apps, meaning navigating the phone doesn’t require knowing any particular language. It’s a small detail but a telling one, reflecting a philosophy where clarity and accessibility come before convention. The only time you type letters is when writing a message or searching for a contact.

The app selection is just as deliberate. You get calls, SMS, Google Maps, Waze, Uber, and messaging platforms like WhatsApp, but nothing else. No camera, no app store, no social feeds. Imagine getting through a travel day, navigating an unfamiliar city, calling ahead to a hotel, and ordering a ride, all without once falling into the scroll. For frequent travelers and the easily distracted, that’s a meaningful trade-off.

Even the hardware choices are guided by this spirit of restraint. At least one prototype shows no ports at all, meaning charging would be wireless and headphone connectivity handled over Bluetooth. It’s a cleaner device in every sense, free from the usual tangle of cables. The E Ink display also dramatically reduces power consumption, pushing battery life well past what most smartphones manage in a day.

Offone never reached production. Lazić wrote about the startup’s collapse in a 2022 Medium post, pointing to a mix of ambition, poor team choices, and a lack of funding as the reasons it fell apart. Development halted that same year after the team disbanded, leaving it an intriguing concept that was perhaps just a few years ahead of the minimalist phone movement it helped inspire.

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CA-T Traps Your Phone Like a Cassette Tape So You Can Actually Focus

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The problem with focus apps isn’t that they don’t work. It’s that the thing running them is also running Instagram, YouTube, and every group chat you’ve ever been in. The phone stays in your hand, the timer ticks, and the notifications stack up at the edge of your vision. CA-T is a concept that treats this as a hardware problem rather than a willpower problem, and the solution it proposes is surprisingly literal.

Taking inspiration from an age before smartphones, the CA-T is a compact desktop device shaped like a cassette player. Your smartphone is the tape. Slot it into the bay on top of the device, and the study session starts. The concept’s own framing is direct about this: the mobile phone, once a source of distraction, becomes the condition for activation. The device doesn’t operate at all until the phone is inserted.

Designers: Hyunwoo Jung, Minsu Kang, Yehoon Cho, Yoonchae Kim

Once docked, the phone charges wirelessly while the session runs. The circular display on the front face of the device shows a timer, but with a specific and deliberate framing: it visualizes the accumulation of focus rather than the countdown of remaining time. The reel graphic rotates as the session progresses, showing how much you’ve built up rather than how much you have left. That’s a small but meaningful reframe of what a study timer is supposed to communicate.

The session moves through four states. Ready prompts the user to insert their phone. Focus runs the timer as the reel turns. Comment delivers brief encouragement during the session, minimal by design, intended not to interrupt but to sustain. Complete shows the accumulated result, offering a record of consistency rather than just a signal that time is up. The physical controls are kept sparse: a prominent blue button on top, two secondary white ones, a volume slider, and a headphone jack along the bottom edge.

The cassette reference earns its place here beyond the obvious nostalgia. A tape only plays when it’s loaded, and loading it is an unambiguous act; there’s no passive way to start. The design applies the same logic to starting a study session, using physical insertion as a commitment mechanism. The design also addresses what it calls “the pressure of having to start,” framing the gesture of inserting the phone as lower-friction than opening an app and navigating past whatever else is waiting on the screen.

CA-T is a concept, with no announced production timeline or pricing. What it puts on the table is a specific question: does the ritual of physically committing your phone to a device change your relationship to the session that follows? The wireless charging detail suggests the designers thought carefully about removing objections. You won’t need your phone back because it’s running out of battery. You’ll need it back because you chose to reach for it.

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This Concrete Desk Organizer Snaps Together as Your Workspace Grows

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A messy desk is one of those problems that feels minor right up until it isn’t. You reach for a pen, knock over a cup, lose a paperclip into some void between your keyboard and monitor, and suddenly, five minutes are gone. Most organizers solve this with dividers and compartments, which is fine, but they tend to sit on your desk like afterthoughts, plastic trays that slide around and rarely match anything else in the room.

BloomCase approaches the problem from a different angle. Made from concrete, metal, and stone, it is heavy enough to stay put without any grip pads or rubber feet, and that weight is load-bearing in a more literal sense, too. The concrete body gives it a raw, architectural presence that feels deliberate rather than decorative, the kind of object that reads as intentional rather than incidental on a desk that already has some thought behind it.

Designer: Somya Chowdhary

The form itself is where things get interesting. Circular basins sit alongside parallel rectangular bays, each with a specific job. The basins are contoured to cradle small loose items, thumbtacks, paperclips, and the miscellaneous hardware that scatters across every flat surface it touches. The bays run parallel and are angled to hold pens and pencils upright and accessible, so what you reach for most is what you find fastest. There is a satisfying logic to that division, one that needs no instructions to grasp.

What separates BloomCase from a standard tray is the interlocking system. Two or more units snap together so that separate pieces merge into a single continuous footprint. The connection is designed to feel secure and repositionable, which matters when your desk layout shifts with a project, or when you realize three months in that you needed more pen space all along. The name comes from this behavior, units blooming outward across the workspace as organizational needs grow.

The aesthetic sits at an interesting intersection. Concrete and geometric curves do not usually share a design brief, but the combination here avoids the coldness that brutalist objects can carry in domestic or office settings. The raw material quality of the concrete against the softer basin profiles creates enough contrast to hold visual interest without tipping into decorative territory. It looks like a tool that was designed carefully, which is a harder thing to pull off than it sounds.

The modular logic is a genuinely smart idea, but it only makes practical sense if you actually need more than one unit. A desk covered in connected concrete trays starts to raise honest questions about how much surface you are willing to trade for organization. There is also the matter of audience: heavy raw materials appeal most to designers and architects who already have a taste for that kind of object on their desks, which is a narrower group than the broader market for desk tidiness.

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Eclipse Wall Lamp Casts a Shadow That Appears to Have No Source

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Wall lamps tend to fall into one of two camps. They’re either purely functional fixtures you stop noticing the moment you move in, or purely decorative pieces that look good in daylight and do little else after dark. The gap between ambience and ornament is rarely explored, and most wall lighting ends up forcing you to choose between the two.

Slovenian designer Tilen Sepič’s Eclipse wall lamp sits right in that gap. First designed in 2012 and still in production today, it’s a piece that earns its keep in a room during the day just as much as it does at night, functioning as a sculptural object when the sun is up and something far more atmospheric once it goes down. That’s a harder balance to strike than it sounds.

Designer: Tilen Sepič

Hang the Eclipse during the day, and it reads as a clean circular ring of bent wood, not a lamp in any conventional sense. Available in natural laminated beech, white, or burnt wood finishes, it carries the kind of restraint that suits most interiors without disappearing entirely. It’s the sort of object that sits somewhere between a decorative piece and a quiet architectural presence.

Switch it on, and the lamp’s character shifts entirely. A high-CRI warm-white LED strip runs along the inner edge of the ring, outputting up to 3,000 lm of diffused light that bounces off the wall behind it. At a color temperature of 3,000 to 3,200 K, the warmth sits in the range most people associate with relaxed, residential lighting, enough to settle a room without tipping into amber.

What makes the Eclipse stranger and more interesting than most accent lamps is the shadow it produces alongside the light. The ring casts a deep circular shadow in the center of its glow, one that appears to exist without a clear origin or reference point. A slight gradient in the shadow’s color temperature reportedly mimics the quality of natural afternoon light.

The ring’s distance from the wall isn’t fixed, which is where the Eclipse gets more interesting still. Pulling the frame outward softens and widens the glow; pushing it closer sharpens the effect and deepens the contrast. This single manual adjustment can completely change the mood of a room, and Sepič frames each change as a deliberate act rather than a routine one.

The wooden edition comes in 70 cm and 90 cm sizes, starting from €585 for the 70-cm version, and is a handmade piece by piece in Slovenia with a lead time of three to four weeks. For larger architectural installations, Bazar Noir offers a version in powder-coated aluminium at 120 cm and 150 cm diameters, which pulls the design into more monumental territory. It’s a lamp that genuinely rewards attention, one that gives back a little more the longer it stays on your wall.

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Galaxy Z Fold8 Wide Leaks Show a Foldable With iPad-Like Proportions

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Book-style foldables have had a proportions problem since the beginning. The tall, narrow inner displays most of them unfold to have always felt more like stretched phones than proper mini-tablets, making tasks like reading or taking notes feel a little off. Years of refinement have addressed crease visibility and hinge durability, but the shape of the inner screen has largely stayed the same.

That might be changing, at least according to leaked CAD-based renders spreading on the Web like wildfire. The renders point to a device called the Galaxy Z Fold8 Wide, a book-style foldable that reportedly trades the Fold lineup’s tall proportions for a shorter, wider form factor. Samsung hasn’t confirmed any of this, and the final design could change.

Designer: Steve Hemmerstoffer/OnLeaks (Renders) via AndroidHeadlines

The leaked dimensions put the Galaxy Z Fold8 Wide at 123.9mm x 161.4mm x 4.9mm when unfolded and 123.9mm x 82.2mm x 9.8mm when folded, with the camera bump reaching 14.6mm at its thickest point. Those numbers describe a device that’s noticeably shorter and wider than the standard Galaxy Z Fold8, which reportedly unfolds to a taller 158.4mm x 143.2mm footprint.

The inner screen is reportedly a 7.6-inch display with a 4:3 aspect ratio, far closer to a classic tablet format than anything in Samsung’s current foldable lineup. Unfold it, and instead of a tall phone stretched sideways, you’d have something that feels at home for reading, video calls, or running two apps side by side. That ratio changes how you’d actually use it.

Google Pixel Fold (2023)

Google explored something similar with the first Pixel Fold in 2023, which had a 7.6-inch inner display with a 6:5 aspect ratio and unfolded to 139.7mm x 158.7mm. The Galaxy Z Fold8 Wide’s rumored 4:3 ratio would push the open screen more into landscape territory, and at a reported 9.8mm when folded, it would still be considerably thinner than the Pixel Fold’s 12.1mm.

The cover display follows the same logic. At 5.4 inches on an 82.2mm-wide body, it would carry a more usable, phone-like aspect ratio than the narrow cover panels on existing Z Fold devices. The trade-off, per the leak, is a dual-camera rear setup rather than the triple-lens arrangement on the standard Galaxy Z Fold8, which is worth noting for photography-focused buyers.

Samsung Galaxy Z Fold7

The timing of these leaks adds context. Samsung is reportedly planning to launch the Galaxy Z Fold8 Wide this summer alongside the standard Fold8 and Flip8, positioning the wider device as a direct answer to Apple’s anticipated iPhone Fold. The rumored internals include a Snapdragon 8 Elite Gen 5 for Galaxy chipset, a 5,000 mAh battery, and 45W wired charging.

Until Samsung makes an official announcement, none of this is confirmed, and CAD-based renders drawn from supply chain data don’t always reflect what ships. What these leaks do suggest, though, is that Samsung is seriously exploring a foldable form factor that puts the open screen first, with proportions that actually match what a device meant to be used open should look like.

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IKEA’s $7.99 Chair-Shaped Hooks Are Going Viral for the Second Time

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Wall hooks are one of those home essentials that nobody really thinks about until they need them. Most are utilitarian at best and forgettable at worst, designed to hold things rather than be noticed. The category hasn’t changed much in decades, and the average hook aisle still feels like it’s catering to a warehouse. Most people end up choosing between something functional and something they’d actually want to look at.

IKEA has always been good at finding solutions for these small, overlooked problems, and the FJANTIG hooks are a pretty solid example of that. Designed by M. Mulder and M. Vinka, they’re miniature chair-shaped wall hooks that come in a pack of three and retail for just $7.99. They’ve been around for a while, but they’ve been quietly gaining momentum on social media, and it’s easy to see why.

Designers: M. Mulder, M. Vinka (IKEA)

Each of the three hooks takes the shape of a different miniature chair, with distinct backrest designs: one has vertical slats, another a solid panel, and the last a loop. They’re made from reinforced polypropylene in a matte black finish and sized just right to sit unobtrusively on any wall. The hook itself is the chair’s back, so you drape things over it just like a real chair.

They earn their keep quickly once you find the right spot. Hang a row in an entryway, and you’ve got an instant home for keys, dog leashes, and lightweight bags. Put them in a kid’s room for tiny backpacks and jackets. These hooks aren’t new and have been at IKEA for years, but social media attention is giving them an entirely unexpected second life online.

The spray-painting trick is probably the most useful thing to know about these hooks. Because they only come in black, a coat of primer followed by whatever color fits your wall can make them feel genuinely custom. You can brush-paint them for more detailed finishes, or try a wood-grain effect for a warmer, natural look. The polypropylene surface takes paint well, which opens up a surprising amount of creative options.

Designer: Victoria

At $7.99 for a set of three, they’re about as low-risk as home décor gets. Each hook measures roughly 4¾ inches tall, which means they’re genuinely miniature and won’t dominate a wall even when grouped together. Mounting hardware isn’t included, so you’ll need to pick up screws separately, and IKEA does note that the right fastener depends on your wall type. It’s worth using appropriate anchors to keep them secure.

What makes these hooks work beyond the novelty is that they stay interesting even when there’s nothing on them. That’s a rare quality for a functional object. Most hooks disappear into the wall when empty. These just sit there looking like a tiny curated display of chairs, which is probably why people keep buying multiple sets and spreading them across rooms, rather than keeping to just the one pack.

The post IKEA’s $7.99 Chair-Shaped Hooks Are Going Viral for the Second Time first appeared on Yanko Design.

Samsung’s Galaxy A Phones Now Get IP68 and 6-Year Updates From $449

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Mid-range smartphones have been getting very good, very quickly. Most now check the boxes for performance, camera quality, and even design, but the compromises tend to show up later. Software support runs out too soon, water resistance gets downgraded to save costs, or the storage fills up faster than expected. It’s a category where the spec sheet looks promising right up until the parts that actually matter start falling short.

Samsung’s Galaxy A57 5G and Galaxy A37 5G tackle those exact issues. Rather than simply refreshing the hardware, these two phones address the pain points that tend to sour long-term ownership, from shorter software cycles to inadequate protection from the elements. Samsung describes both as the most capable Galaxy A devices yet, and for once, that kind of claim holds up when you look at what’s actually new.

Designer: Samsung

The Galaxy A57 5G leads with a noticeably slimmer build, now at just 6.9mm and 179 grams. A 13% larger vapor chamber helps keep the new Exynos 1680 processor running cool through long gaming sessions or extended recordings. The display also gets slimmer bezels and a bright Super AMOLED+ panel with Vision Booster, so the screen stays readable whether you’re inside at your desk or standing in direct sunlight.

Storage is where the A57 5G makes history for the Galaxy A line. It’s the first A-series phone to offer a 512 GB option, a welcome change for anyone managing a large photo library or shooting high-resolution video regularly. The triple-camera setup, led by a 50 MP main sensor with a 12 MP ultrawide and a 5 MP macro, handles everything from wide-angle landscapes to fine close-up detail.

The Galaxy A37 5G takes a different route to earn its upgrade. Its primary camera now uses a larger 50 MP sensor with support for 10-bit HDR video recording, improving low-light performance and color depth over its predecessor. More significantly, the durability rating jumped from IP67 to IP68, and it now ships with Gorilla Glass Victus+ on both the front and back, which is a notable step up at this price.

Both phones run One UI 8.5 with a broader set of Awesome Intelligence (get it? “AI”?) features. The camera uses AI-based subject and scene recognition to balance skin tones and create cleaner background separation automatically. Circle to Search has also been updated with multi-object recognition, so you can search an outfit, its accessories, and the surrounding backdrop all at once, rather than hunting for each element separately or toggling between searches.

What gives both phones long-term value is Samsung’s commitment to six generations of Android OS updates and six years of security support. Add to that 5,000 mAh batteries and IP68-rated protection across both models, and these are phones clearly meant to outlast the typical mid-range upgrade cycle. The Galaxy A57 5G starts at $549.99 and the Galaxy A37 5G at $449.99 in the US, with availability beginning April 9, 2026.

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These Ceramic Lamps Look Like 90s Caramel Candy and Stack Any Way

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The interiors most people aspire to these days tend to share a common trait: they’re clean, restrained, and almost aggressively neutral. Scandinavian minimalism, Japandi aesthetics, and muted palettes have dominated home design for years, and while there’s nothing wrong with a well-curated beige room, a lot of modern spaces have started to feel emotionally flat, like showrooms rather than places where people actually live.

That’s where the Caramel collection comes in. Designed by Moscow-based product designer Maxim Tatarintsev in collaboration with Russian brand Svoy Design, this new series of ceramic lighting and furniture takes a very different approach to interior objects. Rather than adding another understated piece to a polished shelf, it reaches back to a simpler, sweeter time, asking whether a lamp or a side table can carry something as intangible as joy.

Designer: Maxim Tatarintsev

Tatarintsev’s inspiration came from a period of deep personal reflection. Amid what he describes as the noise of contemporary life, he looked inward and found his answer in childhood, specifically in the candy that practically every kid growing up in the 90s and early 2000s would recognize. That small, glossy, jewel-toned caramel sweet became both his muse and his design vocabulary, shaping everything from the forms to the color palette.

The collection spans pendant lights, ceiling fixtures, and wall-mounted lamps, all crafted from semi-porcelain, as well as a low-profile side table made from a proprietary composite material. What stands out is the modular approach: each ceramic unit can be combined and reconfigured, letting you stack or cluster them into different lighting arrangements depending on the mood or corner of the room you’re working with.

Think of it like assembling your own arrangement from a jar of sweets. One configuration might call for a single pendant above a kitchen island; another might cluster a few units along the ceiling of a reading nook. The point isn’t to follow a prescribed layout but to put that creative decision in the hands of the person actually living in the space, not just the designer who furnished it.

The craftsmanship behind the lighting is traditional and deliberate. Each piece starts as a slip-cast semi-porcelain form, drying for several days before being fired at 1,100°C inside a muffle furnace. A coat of glaze and paint follows, giving the finished modules their signature smooth, candy-like sheen. It’s a fairly labor-intensive process for what might look like a simple geometric shape, but that’s precisely what gives each piece its quiet depth.

The side table takes a different manufacturing route altogether. Made from a proprietary composite rather than ceramic, it’s significantly more durable and comes in two versions, one for indoor use and one for covered outdoor settings. At first glance, it reads as a low, rounded ottoman, and people will probably be unable to resist using it as a delicious seat instead.

None of that is accidental. Tatarintsev’s stated goal wasn’t to produce pretty objects but to create what he calls “emotional anchors,” pieces capable of sparking a genuine reaction in whoever encounters them. A set of lamps you can rearrange on a whim, a table that moonlights as a seat, and a color palette borrowed from childhood treats make for a collection that gives any room a personality it actually earned.

The post These Ceramic Lamps Look Like 90s Caramel Candy and Stack Any Way first appeared on Yanko Design.

Galaxy Z Fold 8 Renders: Same Look, Bigger Battery, and S Pen Is Back

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Foldable phones have reached a point where the form factor itself is no longer the talking point it once was. The big, dramatic “look how it folds” moment has settled into a quieter rhythm of iterative refinement, with each generation tweaking dimensions and chasing thinner profiles. Most buyers know what a modern book-style foldable looks like, and the language of change has shifted from shape to substance.

That’s the situation shaping the Samsung Galaxy Z Fold 8 conversation right now. Leaked CAD-based renders show a design that’s nearly indistinguishable from the Z Fold 7 pictured above: same flat sides, same sharp corners, same camera layout. The cover screen sits at 6.5 inches and the inner display at 8 inches, both unchanged. If you handed someone these renders without context, they’d probably just guess it was another angle of last year’s model.

Designer: Steve Hemmerstoffer/OnLeaks (Renders) via AndroidHeadlines

There’s one notable external difference, though, and it actually goes in the wrong direction. The leaked dimensions put the Z Fold 8 at 4.5mm thick when open and 9mm folded, compared to the Fold 7’s 4.2mm and 8.9mm. That’s a slight regression for a phone that went to considerable lengths to slim down the year prior. It’s not dramatic, but for a device that made a point of its thinness, it’s worth flagging. That said, the 4.5mm figure includes the protruding bezels around the display; it’s actually just 3.9mm thin.

The likely reason for that extra thickness is one of the better leaks so far: the possible return of S Pen support. Samsung dropped the stylus from the Fold 7, and that’s been a consistent complaint from the people who actually used it for note-taking or sketching on that wide inner canvas. If the S Pen does come back, a fraction of a millimeter is a fair trade for most of those users.

The battery theory, however, is probably more probable. A jump from 4,400 mAh to a rumored 5,000 mAh would mark the first capacity upgrade since the Galaxy Z Fold 3, and pairing that with 45W wired charging, up from 25W, addresses one of the more persistent frustrations with this lineup. Spending less time near an outlet matters more on a device you’re likely using across more tasks throughout the day.

The camera is also in line for a significant upgrade, according to the same leak. The main sensor is rumored to still be 200MP, and the ultrawide jumps from 12MP to 50MP. That ultrawide improvement in particular has been a long time coming. The gap between the Fold’s main and ultrawide cameras has been noticeable enough that it’s affected how people use the phone outdoors.

All of this is still leak territory, of course, pulled from CAD renders and a specs tipster ahead of what’s expected to be a July 2026 Unpacked announcement. Samsung hasn’t confirmed any of it, and final specs frequently shift between early renders and launch day. The Z Fold 8 is shaping up to be a phone that looks familiar and updates what actually needs updating, but none of that is official yet.

Galaxy Z Fold7

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