The Oppo Find X7 Ultra is the first phone with two periscope zoom cameras

Posted on 08/01/2024 by Richard Lai

There was a time when smartphone makers rushed to quad-camera claims, most of which did so by throwing in a mediocre fourth camera — usually for macro shots, if not a monochrome filter or just a depth sensor. Nowadays, though, we are blessed with legit quad "main" cameras on some flagship phones, so brands need to be more creative to further differentiate themselves. In Oppo's case, it decided to feature not just one, but two periscope telephoto cameras on its new Snapdragon 8 Gen 3-powered Find X7 Ultra, as a leap from the triple camera system on the previous model.

The Find X7 Ultra's "HyperTone Camera System" features the same 50-megapixel resolution across all four rear Hasselblad cameras, thanks to their relatively large sensors compared to the competition, according to Oppo. The main imager packs Sony's second-gen 1-inch sensor, the LYT-900, which is more efficient in terms of power consumption and thermal performance. This is complemented by an f/1.8 aperture, OIS (optical image stabilization), a 23mm focal length and a 50-percent reduction in lens reflection. The ultra-wide camera features a 1/1.95-inch Sony LYT-600 sensor with an f/2.0 aperture, making this one of the fastest shooters in its class. This comes with a 14mm equivalent focal length and a focus distance down to 4cm.

Then we're left with the two periscope telephoto cameras. The first one, a 3x optical zoom, has a 1/1.56-inch Sony IMX980 sensor — "roughly three times larger than" the competition, apparently. You also get an f/2.6 aperture, along with "Prism OIS," a 65mm focal length and a 25cm focus distance — handy for portraits and product shots. Then we have a 6x optical zoom periscope, which is powered by a 1/2.51-inch Sony IMX858 sensor and has an f/4.3 aperture, 135mm focal length, a 35cm focus distance plus Prism OIS. With AI-enhanced zoom at 12x, Oppo says its Find X7 Ultra handles a versatile equivalent focal length range of 14mm to 270mm."

Oppo also claims to have made some major breakthroughs in mobile photography here. Most notably, it's finally rolling out its "HyperTone Image Engine," which supposedly improves computational photography results for HDR, as well as avoiding over-exposure and over-sharpening. This was apparently in development for two years, with input from professional photographers and color experts. It's all about "merging objective quality together with subjective emotional," as a spokesperson stated. Better yet, HyperTone Image Engine will eventually be rolled out to some existing Oppo devices, namely the Find N and Reno series, depending on compatibility.

Other areas of improvement include the quality consistency across the zoom range (especially in low-light environment), as well as more realistic portrait shots thanks to the new "Hasselblad Portrait Mode." For the latter, rather than getting fake-looking bokeh and poor edge detection, Oppo boldly promises to deliver "cinematic bokeh with foreground and background depth," with a stunning accuracy down to a single strand of hair, plus minimal shutter lag as a bonus.

Oppo is also offering a new "Hasselblad Master Mode" which is based on the characteristics of the Hasselblad X2D 100C medium format mirrorless camera. You get to fiddle with saturation, contrast, sharpness and vignette control to create your preferred style, as well as other shooting features like manual ISO, shutter speed, EV, focus, and white balance. This Master Mode also offers "RAW MAX" capture — pending an OTA update — which supports 13 stops of dynamic range, along with 16-bit color depth in BT2020 color space for each 50-megapixel still.

The Find X7 Ultra comes in three color options: "Ocean Blue," "Sepia Brown" and "Tailored Black", all of which feature a vegan leather cover (and the black version comes with decorative stitches). Despite the extra periscope camera, generous 5,000mah battery and wireless charging support (within 60 minutes using 50W; double that for 100W SuperVOOC wired charging), this device actually shares a similar weight and thickness as the Find X6 Pro. This is thanks to a slimmer wireless charging coil, thinner vegan leather and an improved logic board stack design. Oppo was also able to keep the entire rear camera module tightly packed by using "single-sided magnets," in order to avoid interference between the three OIS parts.

This new phone also features Oppo's brightest-ever QHD (3,168 x 1,440) panel, with outdoor brightness maxing out at 1,600 nits, and local peak brightness at 4,500 nits for HDR purposes. This 6.82-inch AMOLED panel supports the usual 120Hz refresh rate and ultra-low touch latency, along with "rain water touch" support for wet hands (it has IP68 dust- and water-resistance rating). While the three-stage slider is here to stay, it's been repurposed to a "VIP slider" for quickly changing notification mode, or cutting off camera, location, and microphone access for an extreme privacy mode.

To our surprise, Oppo doesn't currently have plans to launch the Find X7 Ultra outside of China, so you'll have to source one from an importer. For your reference, this model ranges from 5,999 yuan (about $845) with 12GB RAM and 256GB storage, to 6,999 yuan (about $990) with 16GB RAM and 512GB storage. These three options are available for pre-order now, ahead of their January 12th retail launch. There will also be a special edition with satellite call support arriving in late March, but no price was mentioned.

For those on a budget but still want the same fancy look, there's the Find X7 base model powered by a MediaTek Dimensity 9300 processor. It only packs triple cameras on the back: a 50-megapixel main shooter (likely with Sony's 1/1.4-inch LYT-T808 sensor; f/2.0; OIS), a 64-megapixel 3x periscope zoom camera (f/2.6; Prism OIS; 1/2-inch sensor), and a 50-megapixel ultra-wide camera (f/2.0; 119 degrees). It also has a slightly smaller 6.78-inch OLED screen with a lower 2,780 x 1,264 resolution. Unsurprisingly, there's no VIP slider feature on this model.

The Find X7 starts from 3,999 yuan (about $560) and offers 12GB RAM with 256GB storage, and maxes out at 4,999 yuan (about $700) for its 16GB RAM plus 1TB storage offering. In addition to the "Ocean Blue" and "Sepia Brown" designs, you may also consider the purple and black options, both of which come in a glass back.

This article originally appeared on Engadget at https://www.engadget.com/the-oppo-find-x7-ultra-is-the-first-phone-with-two-periscope-zoom-cameras-085332818.html?src=rss

Traveling with Canon’s entry-level EOS R8 and R100 mirrorless cameras

Posted on 07/01/2024 by Steve Dent

Two weeks ago I was thinking about how to test Canon’s entry-level EOS R8 and EOS R100 cameras in the miserable French weather when I had a thought: “Hey, why not take a vacation to a warmer place to test these models?” After Googling the nearest location with 75 degree-plus weather, I found myself in the balmy Canary Islands. It turned out to be a great spot to take photos as well, so everything came together perfectly.

Both cameras have far different price points, currently around $450 and $1,300, respectively. They’re still the company’s least expensive new full-frame and crop-sensor mirrorless cameras, though, and Canon markets them both as ideal for tourism and adventure — so I figured that this is a great way to test the capabilities of both.

Like any potential buyer, I wanted to see if they’re better than a smartphone for traveling — specifically if the larger sensors can counter a smartphone’s AI computational photography. I also looked at ease of use and automated operation, flexibility for sunny beaches or dark bars, vlogging and more. After trying them out at some of Gran Canaria’s most scenic spots, I found one of them to be a camera worth buying and one, not so much.

Smartphone computational photography

Before detailing my experience with these cameras, I want to talk about computational and AI photography. Most smartphones incorporate these tricks, like taking multiple photos in quick succession to get the best one or improve low-light shots. They often deliver better-exposed shots with superior white balance, too. There is a price to be paid though in terms of over-sharpening and other artifacts that can give photos an artificial look.

I tested this by taking a few shots with both a Pixel 7a and a camera in the auto settings, as many travel photographers do. As I suspected, at first glance the shots on the smartphone look better, but a closer look reveals superior photos from the camera in terms of detail, color accuracy, skin tones, true noise levels and more. I believe it’s important for buyers to understand this and have a basic idea of how to adjust images in post, or their new purchase could end up in a drawer.

Canon EOS R100

The 24-megapixel APS-C EOS R100 seems like it should offer a lot for travelers. It’s small and light at 356 grams, so with a compact lens, it’s not a huge burden compared to a smartphone. At the same time, the larger sensor potentially offers superior quality and the flexibility of interchangeable lenses.

The small size comes with big compromises, though. Handling is mediocre and the settings aren’t super intuitive. I’d love to tell you could just control it on the screen instead, but the display isn’t touch sensitive and is nearly useless for vlogging as it’s fixed in place too. The electronic viewfinder has low magnification and is relatively dim, so it’s hard to use in the sun — especially with glasses on — unfortunate if you’re on the beach, for example.

It has just a single UHS-I card slot, so storage is relatively cheap but you won’t have a backup if the card glitches. You get a microHDMI jack to output to a TV, along with a mic input, but no headphone jack. The USB-C 2.0 port can only transfer files, not charge the camera or let you use it as a webcam.

It supports Canon’s smaller LP-E17 battery, but is rated for a decent 430 shots on a charge and many more in real life. One big benefit is a built-in flash with exposure compensation to dim it down – though settings are limited in the fully automatic mode most beginners will use.

EOS R100 performance and video

Traveling with Canon’s entry-level EOS R8 and R100 mirrorless cameras

The R100 has anemic performance, to put it mildly. It shoots and focuses at just 3.5 fps max, the slowest in its category. It feels sluggish when shooting RAW photos, even in single shot mode. Luckily, it’s much more reactive when shooting JPEGs.

The sensor has some of the worst rolling shutter I’ve seen in silent mode. Luckily, it does have a first-curtain mechanical shutter that eliminates that, and the silent mode setting is hidden away where many folks will never find it.

There’s eye-detection AF for people only, and it works well if your subject is close to the camera. That’s OK for family photos and the like, but not ideal for candid or street shots on your trip. The autofocus isn’t great in low light either, but is otherwise fairly reliable.

The R100 is OK for grabbing the odd travel video, but not suitable for content creators. Max resolution is 4K 24p, but that comes with a 1.5 times crop, or 2.2 times with electronic stabilization, killing the bokeh advantage of a large sensor. And there’s no option for log, 10-bit, or any other high-end video features. That said, 4K video is relatively sharp and colors are nice and accurate.

EOS R100 image quality

The bright spot of the EOS R100 is photo quality. As you’d expect from Canon, image quality is excellent with warm skin tones and accurate colors straight out of the camera. It can also handle low-light shooting well thanks to the large sensor, with little noise up to ISO 6400. All that will help you take great shots of mountains, the beach, nightlife and other typical vacation scenarios. The ability to shoot RAW, along with the mechanical shutter, is another good reason to get this model over most smartphones. And finally, the built-in flash is there to help you get nice looking images even in dark environments.

EOS 100 wrap-up

So would I recommend the EOS R100 for travel, particularly over a smartphone? Sorry Canon, but no. It’s too stripped down to replace a good smartphone, and while it does deliver better image quality, it’s too complicated. Instead, I’d suggest Canon’s older EOS M50 Mark II ($729), as it offers the same image quality but has a touchscreen, is smaller, and still offers good lens options. Sony’s A6100 ($848) has better autofocus and video options, and if you can afford a little more, Canon’s own R50 ($800) is the same size but far more capable.

EOS R8

Like the EOS R100, Canon’s R8 is the company’s most stripped-down and cheapest new full-frame camera. It gives you the same sensor and image quality as the $2,000 EOS R6 II for $700 less, but takes away some of the speed, video features and more.

The main thing lacking in the R8 is in-body stabilization, so it relies on lens and electronic shake reduction – but that actually worked pretty well for me. It’s also missing a full mechanical shutter, but does have a front-curtain shutter that eliminates rolling shutter. The EVF is far more basic, with lower resolution and magnification.

On the plus side, it has the same flip-out display as the R6 II, meaning it can serve as a capable vlogging and selfie camera. It also has a decent range of manual controls, with dual dials for the main settings, a full range of manual and auto settings and a dedicated photo and video switch. It’s also smaller and considerably lighter than the R6 II, so it’s a better travel option.

It has both mic and headphone jacks, along with a microHDMI port. It captures photos at high speeds to a UHS-II card, but there’s only one slot. The biggest compromise is a battery that’s the same as the one in the R100. Given the extra power demands of the larger sensor, it delivers only 290 shots on a charge, max and under an hour of video shooting.

EOS R8 performance and video

For a budget camera, the R8 is fast. It supports only 6 fps with the electronic curtain shutter, but can handle 40 fps bursts in electronic mode. There’s significant rolling shutter, though, so keep that in mind for action shots.

The R8 uses Canon’s latest AI subjection recognition tech, meaning it can track both animals and humans accurately. It also comes with an auto setting that lets the camera determine the subject and follow it accordingly.

I think autofocus is one of the most important features for travel photography, and the R8 delivers. It can locate and lock onto various subjects and track them rapidly around the frame. That makes it more capable than other recent models like the Sony’s A7 IV and the Nikon Z6 II. Focus can be selected via the touchscreen with your eye to the EVF, which works well, but be sure to enable the “touch and drag” setting in the menu.

It’s also a good video and content creation camera, with a few caveats. You can shoot uncropped video at up to 4K 60p, and it supports Canon’s C-Log 3 with 10-bit capture, along with HDR PQ. 120 fps ultra slow mo is available at 1080p. That said, 4K 60p has some pixel binning, so it’s less sharp than the 30p mode. The lack of in-body stabilization also makes it less useful for vlogging, because electronic stabilization adds a 1.25 times crop..

EOS R8 image quality

Image quality is a strong point with the R8 too, especially for tourists who want far more than a smartphone can offer. It’s a great people and scenery-shooting camera, with rich skin hues and accurate colors. At the same time, the full-frame 24-megapixel sensor is great in low light, delivers plenty of detail and offers beautiful background bokeh. Serious photographers can grab RAW photos and get the same level of detail found on more expensive cameras.

EOS R8 wrap-up

Canon’s entry-level full-frame R8 is definitely worth taking on your voyages. It offers impressive image quality and is great for content creators, too. The main drawback is the lack of stabilization and a small battery, but you’ll be fine if you carry an extra battery or two. Rival options include Nikon’s Z5 ($1,299), which has image quality on par but inferior autofocus and video, and if you’re more into vlogging, the Panasonic S5 ($2,099) is a better option for less money. If you’re looking for the best affordable hybrid full-frame camera, the Canon R8 is a great choice.

This article originally appeared on Engadget at https://www.engadget.com/traveling-with-canons-entry-level-eos-r8-and-r100-mirrorless-cameras-160054076.html?src=rss

Amazon knocks up to 53 percent off Blink Outdoor 4 security camera packs

Posted on 11/12/2023 by Lawrence Bonk

You can pick up Blink 4 security cameras for up to 53 percent off, via Amazon. The most notable deal here is a combo pack that includes both the fourth-gen Blink Outdoor camera and the Mini indoor camera. That comes out to $72, a discount of 53 percent or a whopping $83 slashed from the MSRP of $155.

The Blink Outdoor 4 is the crown jewel in the company’s lineup. There’s a reason, after all, why it made our list of the best smart home devices. The camera may have “outdoor” right in the name, but this is a fantastic option for both indoor and outdoor use. They run on AA batteries and last up to two years before those cells need replacing. These cameras are weather-resistant and offer support for night vision, motion detection and two-way audio.

This is a wireless camera and clips are stored in the cloud if you have a Blink Subscription Plan, but you can also store them locally via a USB flash drive. The camera works with Alexa, but just Alexa, so other digital assistants are left out in the cold. The Blink Mini, which also ships with this set, is a decent indoor camera for keeping an eye on things, like which cat is stealing all the food.

Amazon is also selling other Blink products at deep discounts. If a combo pack isn’t your bag, the Blink Outdoor 4 by itself costs $72, which is a discount of 40 percent. The Blink Mini Pan-Tilt is on sale for $30, a discount of 50 percent and a record-low. This is an upgraded version of the Mini that ships with the combo pack, as it can pan and tilt for 360-degree coverage.

Follow @EngadgetDeals on Twitter and subscribe to the Engadget Deals newsletter for the latest tech deals and buying advice.

This article originally appeared on Engadget at https://www.engadget.com/amazon-knocks-up-to-53-percent-off-blink-outdoor-4-security-camera-packs-161447084.html?src=rss

Amazon knocks up to 53 percent off Blink Outdoor 4 security camera packs

Posted on 11/12/2023 by Lawrence Bonk

Follow @EngadgetDeals on Twitter and subscribe to the Engadget Deals newsletter for the latest tech deals and buying advice.

This article originally appeared on Engadget at https://www.engadget.com/amazon-knocks-up-to-53-percent-off-blink-outdoor-4-security-camera-packs-161447084.html?src=rss

DJI Osmo Pocket 3 review: Maybe the only vlogging camera you need

Posted on 04/12/2023 by Steve Dent

As one of the few standalone gimbal cameras out there, DJI’s Osmo Pocket line has always been something of a niche product family. But it certainly had its fans, offering things like portability, fluid video and decent image quality. Now, three years after the Pocket 2, DJI has introduced the Osmo Pocket 3 with some big improvements. Those include a large 1-inch sensor that improves image quality significantly, especially in low light. Another key change is a bigger screen that flips sideways, plus advanced subject tracking. Other features include 4K 120p shooting, 10-bit D-LogM for improved dynamic range, quicker autofocus and more.

With all those extra talents, the Pocket 3 could serve as a standalone vlogging camera – but it’s also considerably more expensive than its predecessor. To find out if it’s worth the extra money, I did some extensive testing to see what it could — and couldn’t — do.

DJI’s Osmo Pocket 3 is a portable camera that’s relatively simple to use, small enough to carry with you and easy to maneuver in tight spaces. It’s stabilized by a 3-axis gimbal to make shots smooth and fluid. It can pan, tilt and roll across a wide range of 303, 278 and 283 degrees, respectively.

At 5.5 inches long and 179 grams, it’s a bit heavier but nearly as compact as the Pocket 2 (117 grams and 4.9 inches long). It resembles its predecessor at first glance, but a closer look reveals some big changes.

The first thing that jumps out is the 16:9 2-inch screen that has nearly five times the area of the Pocket 2’s 1-inch display. Better still, it flips sideways and automatically rotates the camera to match, so you can shoot either in landscape or portrait modes with no need to dive into settings. However, note that going into vertical video mode doesn’t flip the camera like it does on DJI’s Mini 4 Pro drone. Rather, it just crops the video, reducing the resolution from 4K to 3K.

I wouldn’t call the menu system on the Pocket 3’s touchscreen intuitive, as it involves either swiping from the sides or touching icons to access functions. Without a lot of visual clues for guidance, you need to memorize all the functions.

The other noticeable feature is a larger camera head that houses a 1-inch 9.4MP sensor with a true 16mm diagonal size. That’s nearly three times that of the Pocket 2's 1/1.7-inch sensor. Knowing DJI, we might see the same sensor on upcoming products like the Mini drones and Osmo action cams.

The fixed 20mm equivalent lens has a relatively fast F/2.0 aperture. The wide focal length means it’s not ideal for portraits or product shots. It does have a two times digital zoom to double that, at a cost of some resolution.

There are now only two physical buttons, record and gimbal control. The microSD card is still on the left side, with USB-C port on the button as before. Should the position of the latter be inconvenient, the included handle moves it to the side.

Battery life is outstanding for such a small device, with 135 minutes available with the built-in 1,300mAh battery, rising to 240 minutes with the optional ($99) 950mAh battery handle. On top of that, the Pocket 3 can be recharged from 20 to 80 percent in just 16 minutes, so DJI is finally embracing fast charging on its devices – something that’d be nice to see with its drones, too.

DJI Osmo Pocket 3 review: Maybe the only vlogging camera you need

What about the Mimo app? While its use was required previously for some functions on the Pocket 2, most things can now be done straight from the camera screen, apart from Glamor and a few other settings. It’s still handy for monitoring and controlling the camera remotely, of course.

The Pocket 3 is available by itself or in a Creator Combo that gives you a battery handle, mini tripod, 0.75x lens adapter and carry bag. You also get the DJI Mic 2 Transmitter that pairs automatically with the Pocket 3, giving you a high-quality wireless mic and providing an audio backup. DJI should be announcing the Mic 2 as a separate product in the near future. If you already own the original DJI Mic, the Osmo Pocket 3 is compatible with that model as well.

Performance

Above all, the Osmo Pocket 3 is a gimbal designed to provide smooth and stable video. Operation is very much point and shoot to keep the subject in frame, as the gimbal and autofocus do the rest. As before, it offers three modes: follow, tilt lock and FPV mode.

Follow aims the camera where you point it while locking off roll to keep the camera level. Tilt mode also locks the tilt function to keep the horizon level, while FPV keeps all three unlocked so that the camera tilts, pans and rolls as you move the camera.

It’s not just the larger sensor that helps the Pocket 3 create cinematic video. The optical stabilization allows for slower shutter speeds that create natural looking motion blur — something that’s impossible on action cameras, as electronic stabilization isn’t compatible with motion blur.

The gimbal generally does a good job of smoothing video, in scenarios ranging from cars, to running to rapid panning. Without electronic stabilization, Z-axis (up and down) motion is still present, so you’ll need to walk smoothly to avoid it.

The Pocket 3 and DJI Mic 2 is a practical combination, allowing you to vlog easily with smooth, high-quality video and excellent audio quality. It’s also discreet, as the Pocket 3 is small and the Mic 2 allows you to speak quietly, even in a crowd.

As with DJI’s original Mic, the Mic 2 offers consistent sound quality and levels while keeping outside noise to a minimum. It has decent range with the Pocket 3, though DJI has yet to specify that exactly (again, we’ll learn more when the standalone Mic 2 is released). Given the wide angle lens, you’ll probably never get too far from the Pocket 3 – but it worked fine for me with a camera mounted on a car and me inside, for example.

Like DJI’s drones, the Pocket 3 has ActiveTrack subject tracking. You enable that by double tapping a subject or selecting it from the Mimo app. From there, the head will tilt and pan to follow the subject and keep it in focus.

This function works automatically when selfie mode is activated either by touching the icon or triple-pressing the joystick. In this case, it goes into face-tracking mode and keeps your face centered screen no matter where you move the camera.

Another function called dynamic framing also tracks faces, but lets you change the framing at the touch of a button. DJI also introduced a new mode called spin shot that rotates the camera 90 or 180 degrees to create a stylized scene.

Video and image quality

The Pocket 3 can shoot 4K at up to 60 fps in normal mode, and now includes both a 10-bit D-LogM mode and HLG mode for HDR shooting. It has a 9.

DJI also added 4K 120p shooting via a special slow-mo mode. This is handy for high-speed scenarios, particularly when combined with camera moves. At launch, this mode didn’t support 10-bit and D-LogM/HLG modes, but via a recent firmware update, those modes now work at 4K 120p as well.

Another new function is low-light video mode, designed to improve performance in dim scenes. In this setting, it’s limited to 30 fps max and ISO is boosted up to 16,000, compared to 3,200 in regular video mode.

The Hyperlapse and time lapse settings work the same as on DJI drones, giving you a time lapse option that’s great for showing the quick passage of time. The other two modes are Panorama for wide shots and, of course, photos.

Image quality is outstanding for a device this tiny, with the large sensor beating any smartphone except for maybe Sony’s Xperia Pro-I. In normal mode, video is sharp and colors are vibrant. In photo mode, JPEGs look good straight out of the camera, but you can also shoot RAW for more flexibility in post.

As mentioned, the Osmo Pocket 3 isn’t ideal for things like portraits or product beauty shots due to the relatively wide-angle 20mm equivalent lens. Yes, you can do a digital zoom to double that, but resolution dips well below 4K when you do that, due to the relatively low 9.4-megapixel (MP) sensor resolution.

Such a field of view doesn’t tend to flatter subjects (you generally want about 35-100mm), and moving the camera close can even cause distortion. So if you produce content around those things, the Pocket 3 isn’t ideal as a standalone camera.

The D-LogM function boosts dynamic range significantly, particularly in high-contrast or on sunny days. It also helps with creative color correction and to match scenes with other cameras, particularly DJI’s own drones and action cams. It’s easier to adjust than most log modes, so I leave it on all the time.

The larger sensor also makes the Pocket 3 much better in low light than before. Normal video mode goes up to ISO 3200, while low light mode ramps that up to ISO 16,000, letting you film in very dim rooms. It also appears to crank up noise reduction at upper ISOs though, so expect some loss of detail.

While low-light capability is improved, the sensor resolution drops significantly from 64MP on the Pocket 2 to 9.4MP on the new model. That’s not bad per se, as we’ve seen low-resolution sensors on high-end cameras like the Sony A7S III. However, it means that any digital zooming for video results in a loss of resolution (4K is 8.4MP), and photos aren’t nearly as sharp on the Pocket 3.

Autofocus can be an issue with larger sensor cameras, but the Pocket 3’s phase detect AI system is generally reliable. That applies whether you’re shooting multiple subjects in FPV mode or using Active Track or Face Tracking.

Rolling shutter is really pretty minimal, with just a light amount of skew on fast moving subjects like trains. That’s aided considerably by the gimbal, of course, which eliminates any strong jolts that could cause jello-like video.

One big issue is focus breathing, though, as the frame changes substantially when you focus from a far to a near object. If possible, it would be good for DJI to add a breathing compensation feature as we’ve seen on Sony and other cameras.

Wrap-up

With improvements in image quality, tracking and other areas, DJI’s Osmo Pocket 3 is more versatile than ever. The image quality puts it in the category of high-end compact cameras and you get incredible optical stabilization equivalent to a handheld gimbal with none of the hassle.

It has no major flaws, except for the $520 price for the gimbal alone, or $699 in the aforementioned kit. For that, you could get Sony’s ZV-1F vlogging camera, or for $150 more, Sony’s ZV-10 mirrorless camera with a much larger sensor. Neither of those can do exactly what the Pocket 3 can do, but then again the Pocket 3 isn’t ideal for portraits, product shots and other types of content either.

The Pocket 2 was embraced mainly as a second camera for grabbing some stabilized shots. The Pocket 3 costs $170 more, though, so it’s not something you’d pick up on a whim. DJI is no doubt hoping folks will be willing to pay the extra money if they embrace it as a standalone vlogging camera. It can certainly serve that purpose, but only if your focus is on creating cinematic shots — and not on people or product-focused content creation.

This article originally appeared on Engadget at https://www.engadget.com/dji-osmo-pocket-3-review-maybe-the-only-vlogging-camera-you-need-163028145.html?src=rss

The best gifts for photographers and videographers

Posted on 27/11/2023 by Steve Dent

If your loved one is into action sports, filmmaking or photography, a camera or accessory would be a highly appreciated gift, to say the least. And there’s never been a better time to own a new camera, as the latest technology will let them take better photos and video than ever. It can be difficult to know where to start, though, with all the camera models out there, let alone the numerous accessories like backpacks, memory cards, tripods and more. Fortunately, we’ve done all the research and found cameras at a wide range of prices, along with accessories that will help your giftee get the most out of their gear.

Canon EOS R100

Fujifilm Instax Square SQ40

GoPro Hero 12 Black

Joby Gorillapod 3K Stand

WD My Passport SSD

Lowepro ProTactic BP 350 AW II Backpack

Peak Design Everyday Messenger Bag

Nanlite LitoLite 5C RGBWW Mini LED Panel

Rode VideoMic Go and Wireless Go II

Lexar Professional 1667x 64GB SDXS UHS II card

ProGrade Digital CFexpress 2.0 Type B Gold card

Amazon Basics 60-inch tripod

Giottos Rocket Air Blaster

SmallRig SD Memory Card Holder

Lenspen L-DSLRK1N lens cleaning kit

Blackmagic Design DaVinci Resolve Studio 18.6

Understanding Exposure, Fourth Edition: How to Shoot Great Photographs with Any Camera

This article originally appeared on Engadget at https://www.engadget.com/best-gifts-for-photographers-and-videographers-140040483.html?src=rss

The GoPro Hero 12 Black bundle with accessories is $100 off for Black Friday

Posted on 24/11/2023 by Lawrence Bonk

You can snag the well-regarded GoPro Hero 12 Black action camera bundle via Amazon for $350 instead of $450 as part of a larger Black Friday event, representing a savings of 22 percent. This deal includes the camera itself, a carrying case, an extra battery, a head strap and a handler stick.

This is the newest action camera by the company. We enjoyed the Hero 12 in our official review, calling attention to the improved battery life when compared to last-generation, allowing for 35 minutes of continuous use. Remember, this deal comes with two rechargeable batteries, so that adds up to around 70 minutes of near-continuous use. You’ll have to perform a quick swap, but you should be able to get right back into the action.

The Hero 12 also features Bluetooth audio streaming, so you can wear wireless earbuds while hosting a vlog or when creating a live commentary video. The latency here is basically imperceptible and this technology also allows you to control the camera from afar via voice commands. In other words, you won’t have to edit out those clumsy seconds when you walk toward the camera to turn it off.

The camera includes a larger image sensor when compared to the Hero 11, for slightly improved visual clarity. You can also experiment with different aspect ratios via the same footage and the camera offers a 8:7 mode across every setting. Otherwise, many of the advertised metrics remain static from the last-gen, but that’s not exactly a bad thing. This deal is also available straight from the manufacturer, if Amazon isn’t your bag.

Your Black Friday Shopping Guide: See all of Yahoo’s Black Friday coverage, here. Follow Engadget for Black Friday tech deals. Learn about Black Friday trends on In The Know. Hear from Autoblog’s experts on the best Black Friday deals for your car, garage, and home, and find Black Friday sales to shop on AOL, handpicked just for you.

This article originally appeared on Engadget at https://www.engadget.com/the-gopro-hero-12-black-bundle-with-accessories-is-100-off-for-black-friday-200034638.html?src=rss

The best Black Friday camera and drone deals for 2023

Posted on 24/11/2023 by Steve Dent

Black Friday means savings on cameras for content creation, travel photography and more. This year is no exception as all the major manufacturers, including Sony, Canon, DJI, Nikon, GoPro, Fujifilm and Nikon have some stellar deals. Sony is offering its latest compact vlogging camera, the ZV-1F, at just $398 ($100 off), while Canon's new EOS R100 mirrorless APS-C camera is available with a kit lens for just $449. Panasonic has its full frame Lumix S5 on sale for $1,298 (38 percent off), DJI's Avata Pro-View combo is $999 (30 percent off) and GoPro's Hero 11 is down to $300, for a savings of 14 percent.

Sony's ZV-1F is its third and most affordable vlogging camera, designed for creators as a "step up" from smartphones. It does that job well thanks to a lightweight body, built-in high-quality microphone, flip-out display, best-in-class autofocus and excellent image quality. The 20mm fixed lens makes it better for vlogging than the ZV1 with a 24-70mm, but the lack of a zoom is its biggest drawback.

Canon's 24.2-megapixel R100 gives buyers the benefit of a mirrorless camera, namely the ability to change lenses. It also offers features like 4K 24p video, decently fast 6.5 fps shooting speeds with autofocus, excellent image quality and more. The main issue is the lack of a flip-out display, so it's not an ideal vlogging camera. It normally costs $600 with a 16-50mm lens, but you can now pick one up for $450, making it the cheapest APS-C mirrorless camera by a good margin.

we gave the Hero 11 Black a largely positive review when it launched in September. The camera is an iterative upgrade over the excellent Hero 10 Black, meaning it still allows for crisp video at up to 5.3K/60 Hz, 4K/120 Hz, or 2.7K/240 Hz (for extra slow-motion shots), excellent stabilization that keeps moving footage looking smooth, and a rugged, waterproof design that's small enough to fit on a helmet, bike handle, surfboard, or most other tight spots.

With the arrival of the Lumix S5 II, Panasonic is offering some stellar deals on its predecessor, the S5. It’s smaller and costs less than the Lumix S1, but it actually delivers better video features. That includes a flip-out display, five-axis in-body stabilization and 10-bit 4K recording at up to 60 fps. The autofocus is faster and more accurate than the S1, but not as good as Sony and Canon’s systems for video. Still, at this price, it's one of the best cameras currently available for content creators.

The Avata is a solid little drone that produces decent-quality 4K 60p log footage. Its biggest advantage over other drones is the speed and maneuverability, along with the propeller guards that let you operate the drone around people. It does have some weird flaws and limitations — the Googles 2 aren’t ideal if you wear glasses, plus the motion controller isn’t ideal for precise FPV flying. Still, there aren’t many other ready-to-fly drones that can do what it does.

Nikon's Z6 II improves the original with faster speeds, improved eye-detect autofocus and more. You can shoot 4K at up to 60 fps, and grab photos at up to 14 fps. It also offers features like a flip screen, 3.69-million dot EVF and more. It's normally $1,997, but you can save $400 with Amazon's current deal.

Other notable camera and accessory Black Friday deals

Those products are just a smattering of what's available, but there are others as well. Panasonic also has its brand new S5 II mirrorless camera — its first with phase-detect autofocus — on sale for $1,698 for a savings of $300 (15 percent).

Sony also has its new A7 IV camera on sale for $2,298, saving you $200 off the list price, while the A7 III is marked down to $1,498 ($502 off) — the best price we've ever seen on this model. It's also got deals on a large number of lenses — to see more, check out its Amazon camera store. Meanwhile, if you're looking for the latest Panasonic cameras in a bundle, the company has a few solid deals, and Nikon has multiple bundles as well.

There are some notable deals on accessories, too. Lexar's V60 II memory cards (250MB/s read and 120MB/s write) are up to 35 percent off, with a pair of the the 128GB models priced at just $65 and the 256GB model in a two-pack at $105. If you need faster V90 cards, PNY's 128GB EliteX-Pro90 Class is marked down $20 to $75, while the 64GB cards are just $48 (20 percent off). MicroSD cards for drones or action cameras are also on sale, including SanDisk's Extreme 512GB model for $32 (or 71 percent off). More camera deals could arrive later, so stay tuned.

This article originally appeared on Engadget at https://www.engadget.com/the-best-black-friday-camera-and-drone-deals-for-2023-103025745.html?src=rss

The Sony A9 III is the fastest full-frame camera ever thanks to a global stacked sensor

Posted on 07/11/2023 by Steve Dent

Sony has just unveiled its latest pro-oriented mirrorless camera, and we now know why it took them four years to develop it. The Alpha A9 III is the first full-frame camera on the market with a global stacked sensor, a sort of holy grail in the photographic world. It allows for some wild specs, like 120fps shooting speeds with no blackout, up to a 1/80,000th of a second shutter speed and zero rolling shutter — albeit with a 24.6-megapixel resolution that may disappoint some.

The new tech opens up a lot of new possibilities for photographers. Without the constraints of a physical shutter (no, there isn't one), it can shoot full-resolution, blackout-free 14-bit RAW bursts at up to 120fps with a 1.6 second buffer (around 180 shots). Sony also installed the latest Bionz XR image processor and "high-density focal plane phase detection AF" that allows for real-time autofocus (AF) tracking.

The Sony A9 III is the fastest full-frame camera ever thanks to a global stacked sensor

"A designated AI processing unit uses real-time recognition AF to recognize a wide variety of subjects with high precision," Sony explains in the press release. "By combining high-speed performance of up to 120 fps with highly accurate subject recognition performance, it is possible to easily photograph scenes and moments that cannot be seen with the naked eye."

The global shutter also allows for shutter speeds of 1/80,000th of a second (1/16,000th during continuous shooting), ten times faster than most cameras. Compatible flashes can be synced all the way up to the maximum shutter speed, rather than being limited to much lower speeds in electronic shutter mode — normally around 1/250th to 1/500th of a second. It also allows the shutter speed to be finely adjusted to eliminate flicker in video. And Sony is offering a 1-second pre-burst feature that can capture scenes before the shutter button is pressed, reducing the possibility of a missed shot.

The stacked global shutter provides large benefits for video, as well. It's Sony's first camera to support 4K 120p video with no cropping and does so with no rolling shutter distortion (skewing), along with 4K 60p with 6K oversampling. It also offers 10-bit recording with S-Log3 capture in all video modes (including 4K 120p), along with S-Cinetone borrowed from the company's high-end Venice lineup that "makes human skin tones and subjects stand out beautifully," Sony said. It should be one of Sony's best-focusing cameras for video, as all the photo subject tracking features work in that mode, too.

It's got a long list of other features you'd expect on a high-end Sony camera, most notably in-body stabilization with up to 8 stops of shake reduction. The electronic viewfinder is Sony's best with 9.44 million dots, and It resolves the rear display tilt vs. flip debate by doing both of those things. And to help clear the buffer as quickly as possible, the A9 III supports fast CFexpress Type A cards on top of SD UHS II, much like the Alpha A1.

Other specs show an ISO range of 250-25600 (expandable to ISO 125–51200) with a minimum ISO that's a bit on the high side. That shouldn't bother photographers on sunny days, given the extremely fast shutter speeds, but video shooters will need ND filters to block some light.

What will be a key for this camera is the image quality and low-light sensitivity, given that this is an all-new sensor and there's not a lot of data on global shutters. Sony didn't release any sample photos yet from what I've seen, so upcoming reviews of this model will be key. The Alpha A9 III goes on pre-order tomorrow for $6,000, with a vertical grip available for $400 — but won't arrive until next spring.

This article originally appeared on Engadget at https://www.engadget.com/the-sony-a9-iii-is-the-fastest-full-frame-camera-ever-thanks-to-a-global-stacked-sensor-175522418.html?src=rss

Panasonic G9 II review: Its best Micro Four Thirds camera to date

Posted on 18/10/2023 by Steve Dent

Panasonic’s 25.2-megapixel Lumix G9 II arrived with a lot of fanfare, as it’s the company’s very first Micro Four Thirds camera with hybrid phase-detect autofocus. And from the first day of launch, Panasonic promoted it as the ultimate small-sensor wildlife and action camera, thanks to the hyper-fast 60 fps shooting speeds and relatively high resolution.

However, I (and others) noticed that it held a lot of promise for content creators, too. The superior hybrid AF is also better for video than past models and it offers up to 5.8K 60p video, 4K at 120p, incredible stabilization and even SSD ProRes capture. On paper, it’s superior to the company’s vlogging-dedicated GH6, though it lacks the latter’s fan and a few other minor features.

That gives the G9 II a bit of an identity crisis. Is it the ultimate content creator camera, an action shooter’s dream or the ultimate hybrid camera? To find out, I’ve got a retail camera with the final production firmware and RAW photo support.

Body

Physically, the G9 II is more like the full-frame S5 II than the six-year-old G9. Gone is the softer, rounded G9 design, in its place a more angular, hard-edged body. It’s relatively large for a Micro Four Thirds camera, weighing 658 grams (OM system’s OM-1 weighs 599 grams), though it has exactly the same heft as the original G9.

The design is more businesslike than pretty, but I like the practicality of it. The ridged grip is secure, and it has every control you need, including a joystick, front, back and rear control dials, a setting dial, shooting dial and numerous buttons. A few things have changed from the G9, as the dual dial on the left is now just a single shooting dial, the on/off switch is in a better location and it has a front shooting dial. This is now a template for Panasonic cameras, so if you’re used to models like the GH5, you’ll adapt quickly.

The menus are easy to use as well, but I wish it had a dedicated photo/video switch with separate controls. For instance, if you set V-log on video, that setting carries over to photos too – and you definitely don’t want that. To keep photos and video apart, you’ll need to employ one of the custom “C” dial settings.

The 1,840K dot LCD display fully articulates for vloggers and self-shooters, of course, and most controls are available by the touchscreen. It comes with a decent 3,680K dot OLED viewfinder that’s on par with other cameras in this price range, like Fujifilm’s X-T5. I’d prefer a little more EVF resolution on a flagship camera, particularly for bird shooting, but it’s not bad.

The G9 II uses the same battery as the S5 II, allowing for a middling 390 shots on a charge. Video endurance is better than the GH6, though, lasting nearly 100 minutes at 4K 60p.

A feature I didn’t expect is SSD recording. That lets you record high-bandwidth ProRes files to an external drive via the USB-C port. It does require some rigging, but is an amazing time saver, as you can edit the files directly with no transcoding needed. It also has a pair of SD UHS-II card slots, but no support for CFexpress like the GH6.

There’s a nice full-sized HDMI port, but the G9 II doesn’t yet support RAW video recording. You also get microphone and headphone jacks, along with a USB-C port that supports 10Gbps transfer speeds and fast PD charging.

Performance

Panasonic G9 II mirrorless camera review

With a new sensor and processor, the G9 II is a speed demon – but this is Panasonic’s first crack at phase-detect autofocus. That does show at times, via issues like occasional lag and an AI feature set lacking compared to rivals.

It can shoot RAW plus JPEG bursts with the mechanical shutter at up to 10 fps, or 60 fps in the SH60 electronic shutter mode with continuous autofocus. If you don’t need that kind of speed (and don’t want to fill the buffer up too rapidly), it also offers 20 fps bursts in electronic mode. Panasonic also introduced a pre-burst mode, which continuously cycles bursts through 1.5 seconds before you fully press the shutter – helping you catch a shot even if you’re a bit slow.

It has a large buffer that allows for over three second bursts at 60 fps and non-stop shooting with the mechanical shutter. However, it takes longer than other cameras to clear the buffer – up to a minute in some cases – due in part to the slowish SD ports. This can be quite annoying, as the camera effectively stops working while the buffer clears.

Still, that kind of speed is impressive – provided the autofocus can keep up. Luckily, the new phase-detect system on the G9 II is mostly up to the task. Shooting at 60fps with eye-detection enabled, the large majority of my shots were in focus with a subject running toward the camera.

It wasn’t quite as reliable for more distant subjects when using Panasonic’s new 200-800mm equivalent telephoto, and didn’t initially lock in as fast as I’d like. The eye detect autofocus, however, was generally reliable for both human and animal subjects. It lacks a specific setting for birds, but the system does seem to automatically switch between birds and deer, for instance, if you’re shooting in the woods.

It can also track motorcycles and cars, and though I didn’t test it on the former, it does a good job tracking vehicles. There’s no “auto” setting either like you’ll find on Canon’s latest models, so you have to go in and switch focus modes manually if you’re shooting a pet and its owner.

In other words, Panasonic is off to a good start but has a way to go to catch up to Sony’s ultra-reliable and more intelligent AF. I expect that to improve over time, though.

If you’re concerned about rolling shutter in electronic mode, don’t be. Readout speeds are fast for a non-stacked sensor, so skew and other issues aren’t an issue except in extreme situations like airplane propellers.

Panasonic has included the same in-body stabilization system as the GH6, so it can reduce shake by up to 8 stops, or 7.5 stops with ultra telephoto lenses. It’s very effective for shooting handheld, letting you grab photos at a quarter second or less with no blur.

Image quality

The G9 II has the same 25.2-megapixel resolution dual gain sensor as the GH6 but image quality for photos is better, with less noise at lower ISO levels.

With five extra megapixels over the original G9, it takes sharper shots and provides some extra detail over rivals like the OM-1 – letting you crop in a bit more. JPEG colors straight out of the camera look great and require little retouching.

The dual-gain sensor also makes it good in low light for a Micro Four Thirds Camera. Very little noise is visible up to ISO 1600, and it’s well managed beyond that up to about ISO 12,800, as long as you expose correctly. That said, it’s always better to have more light with a small-sensor camera, as noise levels can quickly get out of control, particularly with underexposed shots.

RAW files are relatively easy to edit and give you room to dial down highlights or bring up detail in shadows. Again, the small sensor puts it at a disadvantage to full-frame cameras in that regard, however, as more noise will appear at higher ISOs.

The G9 II now has a dynamic range boost function applied automatically. It uses both the high- and low-gain circuits, and combines them into one photo, HDR style. That helps boost dynamic range in bright sunlight and other tricky situations.

The handheld high-resolution mode, meanwhile, combines multiple images into a single 100-megapixel shot, with no tripod required. It works surprisingly well for shots like landscapes with limited movement, drastically boosting resolution. I did notice that the high-resolution JPEG files have an artificial look when you zoom in though, as if the camera is trying to add non-existent detail. For that reason, I’d suggest enabling RAW when using the feature.

Finally, Panasonic took a page from Fujifilm with a new black and white color profile called Leica Monochrome. It was developed in partnership with Leica, obviously, and features brighter highlights and more contrast. It’s easily the nicest photo “look” setting I’ve seen on any Panasonic camera (it’s great for black and white video, too).

Video

Panasonic might not want to hear this, but if I was a content creator looking for a Micro Four Thirds camera, I’d purchase this model over the like-priced GH6.

Yes, the GH6 has a few advantages. It can capture ProRes video directly to CFexpress cards, while you need to rig up an SSD to do the same on the G9 II. It also has a fan that allows unlimited video recording, so it is better for event videographers. Finally, you can output RAW video to an external recorder.

Aside from that, the G9 holds its own. Both can capture 5.7K at up to 60fps, or 120p 4K, and the G9 II supports 10-bit V-Log recording and 4K internal capture with high data rates and easy-to-edit I-frame files, exactly like the GH6. And you can do high-bandwidth ProRes recording via the USB-C port – again, just like the GH6.

The lack of a fan limits the G9 II’s recording times, but not substantially. 4K and 5.7K recording times are effectively unlimited at 30 and 60 fps. Even 4K at 120fps can go over 20 minutes, and few users would ever need that.

And the G9 II does things the GH6 can’t. The phase-detect AF is clearly superior for video, eliminating wobble and focusing much quicker (though the same AF caveats for photography apply). It also has a lower 500 ISO floor for dynamic range-boosted V-log recording, compared to ISO 2,000 for the GH6. That makes it more practical to shoot in sunlight, where the benefits of log and dual-gain are greatest.

As with the GH6, stabilization is excellent for video, though Sony’s ZV-E1 is a touch better. Boost Mode provides near-tripod levels of smoothness for static shots only. Turning on E-Stabilization eliminates the need for a gimbal in some cases (though the electronic IBS on Sony's ZV-E1 is a hair better). That mode also corrects warping at the edges with wide-angle lenses, a first for mirrorless cameras. As a content creator myself, the stabilization alone would make me reach for the G9 II instead of potentially more capable cameras like Canon’s R6 II – because I know I can capture great footage without a tripod.

4K video is oversampled and thus very sharp, though the cropped 4K 120p is a bit softer. Dynamic range is outstanding in V-log mode, so it’s easy to adjust later, especially at the base ISO 500. Colors are natural, and low-light capability is solid for a small-sensor camera thanks to the dual gain system. So video quality-wise, I have no complaints.

That said, there are a few handy content creator features found on Sony and Canon cameras missing here, like Sony’s dedicated product showcase and focus breathing compensation.

Wrap-up

With all that, the $1,900 G9 II is one of the most capable hybrid cameras I’ve seen. The handling, speed and improved autofocus make it a compelling option for wildlife photographers. But the excellent video capabilities and quality makes it a great choice for content creators as well.

Panasonic’s main competition on the photography side is the $2,000 OM-1. The G9 II has more resolution, but the OM-1 has a faster stacked sensor. For photos, either is a good choice, depending on what you need. However, the G9 II is far superior for video.

On the content creation side, Sony’s $2,200 ZV-E1 is a clear rival, and is a touch better for vloggers. Panasonic’s own GH6, currently discounted to $1,700, is another option. However, neither of those models can touch the G9 II on the photography side. Perhaps the best fully hybrid alternative would be Fujifilm’s X-H2, as it offers both speed and video chops, but it costs $600 more. All told, if you’re someone who tends to do both photography and video, the G9 II is a great choice.

This article originally appeared on Engadget at https://www.engadget.com/panasonic-g9-ii-review-its-best-micro-four-thirds-camera-to-date-120020562.html?src=rss