Tag Archives: mft

Panasonic’s 16-megapixel Lumix G6 unveiled with 7fps burst, NFC, WiFi

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Panasonic's 16megapixel Lumix G6 unveiled, pushes the midrange with 7fps burst, NFC, WiFi

Panasonic has just announced a new mid-range Micro Four Thirds camera, the Lumix G6, that brings a solid list of specs for a mid-range camera. The 16-megapixel shooter can fire at a respectable 7fps in burst mode, has a top sensitivity of ISO 25,600 and like the recently launched Lumix GF6, has WiFi and NFC for device syncing. It also sports a 1,440K-dot OLED LVF, 0.5 second startup time, 3-inch, 1,036K-dot touchscreen with a 180 degree swivel and 270 degrees of tilt, new Venus image engine and full-area touch AF. It'll likely cheer hard-core video fans as well since it packs a similar sensor to the popular GH2 / GH3 models, along with 1080/60p video, AVCHD or MP4 recording, stereo audio, live autofocus and Touch AF that allows "professional-like rack focusing." There's no pricing or availability yet, but expect it to cost considerably less than the flagship Lumix GH-3's $1,500 sticker -- which may pose a quandary for shoppers on the fence about that model.

Gallery: Panasonic Lumix G6 Image Gallery

Gallery: Panasonic Lumix G6 Press Gallery

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Panasonic Lumix GF6 announced for the US, shipping in June for $600

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Panasonic Lumix GF6 announced for the US, shipping in June for $600

Panasonic's latest entry-level Micro Four Thirds cam appears to follow the design language (and perhaps usability) of its GF predecessors, but at least it's got WiFi, right? We'll hold out on passing further judgement until we have the camera in hand, but if past models are any indication, you'll definitely want to try the Lumix GF6 on for size in a retail store before handing over a cool 600 bucks. That said, there are some major improvements here -- there's NFC and WiFi functionality, as we mentioned, and the 1,040k-dot LCD is certainly a step up from the GF5, as is the top sensitivity of ISO 25,600. There's also a dedicated mode dial (always a plus), a pop-up flash and a bundled manual-zoom 14-42mm f/3.5-5.6 lens. The new MFT camera, which was announced for Japan just last week, will be hitting US retailers in June.

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Panasonic’s 16-megapixel Lumix DMC-GF6 official with wireless sharing, flip screen

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Panasonic's 16megapixel Lumix DMCGF6 official with wireless sharing, flip screen

Panasonic's micro four-thirds Lumix DMC-GF6 is finally official after a leaky start, and the news is good for social types with high photo standards. The mirrorless cam's standout feature is without a doubt its connectivity, letting you pair it to a smartphone or tablet via NFC, then transfer photos and video automatically over WiFi with an included app -- which can also remotely control the camera. The GF6 also sports an updated 1040k-dot screen that can tilt and flip 180 degrees for self-portraits, along with a new mode dial from it's GF5 predecessor, a welcome change for more serious shooters. Other highlights include 1080/60i full-HD AVCHD video, a 25,600 ISO range, JPEG and RAW shooting, built-in flash, a new Venus Engine image processor, 3.7 fps burst shooting, low-light autofocus and a 0.5-second start-up time. You'll be able to grab one in black, white, brown or red, and while Panasonic hasn't officially announced a price or arrival date, it's expected to hit shelves in the next month or so for around £449 with a 14-42mm kit lens ($680). Check the PR after the break for the full dope.

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Via: Engadget Spanish (translated)

Blackmagic announces Production Camera 4K, $995 Pocket Cinema Camera with MFT mount (hands-on)

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Blackmagic announces Production Camera 4K, $995 Pocket Cinema Camera with MFT mount handson video

A sub-$1,000 price tag makes any product a relative steal on the floor of NAB -- impressive specs and industry standard compatibility are just icing on the cake. If such figures are any indication, however, Blackmagic's new Pocket Cinema Camera, which leaked earlier today and ships in July, is potentially a very solid buy at $995, with a Super-16 Cinema 1080HD sensor with 13 stops of dynamic range, CinemaDNG RAW recording, SD card storage, Micro HDMI monitoring and a Micro Four Thirds lens mount. We got an early look at the shooter on the showroom floor, and the compact size is truly striking -- the body is comparable in size to any other mirrorless camera, though it definitely pushes the limits of what we'd consider pocketable. The design is very similar to Blackmagic's larger Cinema Camera launched at last year's NAB, with the same Micro Four Thirds lens mount. There's a very sharp built-in matte LCD for viewing footage and adjusting settings, and the build is quite solid -- it's significantly heavier than you'd expect.

Naturally, the camera isn't as capable as Blackmagic's pricier NAB model, the Production Camera 4K, which also made its debut today and ships in July. With that flavor, $3,995 buys you a Super 35 sensor with native Ultra HD and 4K support, a built-in SSD recorder, compressed CinemaDNG RAW and compatibility with EF lenses. We spent a few minutes with that model as well, and were equally impressed. The screen was very bright, sharp and not at all reflective, and the camera includes your standard array of inputs and outputs, including dual mic jacks, an SDI port, power and control. Both models are very competitively priced, as you might expect from Blackmagic, and with this wide range of appeal, there's now a little something for everyone. Be sure to head past the break to check out our hands-on video as we take a closer look at both models.

Gallery: Blackmagic Pocket Cinema Camera and Production Camera 4K hands-on

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Panasonic Lumix DMC-GF6 leaks out in white ahead of April 9 launch

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Lumix DMCGF6 leaks out in white ahead of April 9 launch

After a review was published prematurely on another site revealing specs of Panasonic's Lumix DMC-GF6, Digicam Info has leaked press images of the upcoming model in white. As noted before, the stylish-looking micro four thirds will pack 16-megapixels, a new Venus image engine, low light AF system, 4.2 fps burst speed, 1080-60i video, WiFi, NFC and up to 25,600 ISO, among other features -- if the leaks pan out, of course. We noted earlier that the GF6 would start at around $680 with a 14-42mm kit lens, and sources also claim the camera will be launched early tomorrow morning -- though at this point, there's very little left to actually announce.

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Via: 43 Rumors

Source: Digicam Info (translated)

‘Machine vision’ MFT cam arrives for robotics, remote photography, special effects

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SVSVistek outs industrial M43 cam for robots, aerial photography, crashcams

If you're asking yourself "where's the shutter button on that thing?" then a new machine vision camera from SVS-Vistek, the SVCam-evo "Tracer" is probably not for you. However, it may spark tinkerers or other niches as the boxy look belies its capabilities. For starters, it packs a micro four thirds mount with a Truesense CCD sensor, opening the door to lenses a cut above the usual industrial fare. You'll also get frame rates of 146, 85, 40 and 21 fps at 1, 2, 4 and 8-megapixels, respectively, along with auto gain; exposure, focus and electric zoom control; PC software for basic image capture; and a GigE Vision interface. The latter -- along with a Windows and Linux SDK -- will make the device ideal for those who don't mind digging into code for applications like robotics, aerial and remote imaging or even "special effects and unique POV" cinematography. The rest of us won't be able to just fire it up and take pictures, however, and as for the price? There's no word yet on that or availability, but don't expect a consumer-friendly figure.

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Via: 4/3 Rumors

Source: SVS-Vistek (pdf)

Sigma unveils three new MFT and Sony E-Mount lenses

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Sigma reveals three new MFT and Sony EMount lenses

Despite the raves that recent micro four-thirds and Sony E-Mount cameras have received of late, there's still a dearth of lenses for the fledgeling systems compared to their more entrenched counterparts. Luckily, Sigma's just added to the pool of autofocus-equipped models for each system: updated 19mm F2.8 DN and 30mm F2.8 DN models along with an all-new 60mm F2.8 DN telephoto lens. Each Japan-made model has a "telecentric" optical design to minimize CMOS color issues, a metal exterior with silver or black color options, and a linear autofocus motor that Sigma claims is quiet enough to use for video. Meanwhile, the imaging outfit also announced an updated 30mm, F1.4 DC HSM model for Canon APS-C, Nikon DX and its own Sigma mount. All that's great news, though we're still waiting for an AF/electronic F1.4 or faster lens for E-Mount (there's only one on MFT as well) -- though this might tide us over, in the meantime. See the PR after the break for more info.

Show full PR text

Sigma Corporation announces four new lenses at CP+ Camera and Photo Imaging Show 2013
January 29, 2013

Sigma Corporation announces four new lenses at CP+ Camera and Photo Imaging Show 2013

APS-C format, E-Mount and Micro Four Thirds lenses feature sleek new 'Art' product line design

YOKOHAMA, Japan - Jan. 29, 2013-Sigma Corporation of America a leading researcher, developer, manufacturer and service provider of some of the world's most impressive lines of lenses, cameras and flashes, today announced the release of four new lenses for the ART product line, including three lenses for mirrorless interchangeable lens cameras and one lens for DSLR cameras with APS-C size sensors. This announcement comes at the start of the CP+ Camera and Photo Imaging Show 2013 this week in Yokohama, Japan.

The new and updated Sigma lenses include the 30mm F1.4 DC HSM, which will be available in Sigma, Canon and Nikon mounts, and the 30mm F2.8 DN, 19mm F2.8 DN and 60mm F2.8 DN lenses, which are available for both Micro Four Thirds and Sony E-Mount camera systems. Pricing and availability on all of these lenses has yet to be announced.

The 60mm F2.8 DN lens is entirely new to the Sigma lineup, while the 30mm F1.4 DC HSM and the 30mm F2.8 DN and 19mm F2.8 DN lenses are existing focal lengths that have been redesigned with enhanced optical performance and included as part of Sigma's new Global Vision category restructuring. All three DN lenses incorporate telecentric optical designs and a linear, auto focusing motor that ensures accurate and quiet focusing for video recording. They also boast metal exteriors and a simply shaped focus ring, with varying textures to distinguish each part of the lens. In addition, DN users can choose between a black or silver finish to match their favorite equipment.

"We're really proud of the super sharp lenses we've produced in the past year and these new Art lenses will continue to impress our fans and critics alike. They're ideal for the landscape, portrait, still-life, close-up and casual photographer who values creative, dramatic outcomes above compactness and multifunction," said Mark Amir-Hamzeh, president of Sigma Corporation of America. "The lenses are entirely made in Japan and they boast the new product line's sleek design and enhanced quality control. We're quite proud of these changes - and additions - to our lens lineup; they're further evidence of Sigma's forethought in this fast-moving industry."

Here are more details on these new lenses from Sigma:

· 30mm F1.4 DC HSM Sigma's new USB Dock, which will enable firmware updates and focusing adjustments, is expected to be available in coming months.- Sigma pioneered the large-aperture, APS-C format, standard lens category with its 30mm F1.4 lens in 2005. With new optical configurations of nine elements in eight groups, as well as rounded aperture blades, this updated lens delivers pleasing sharpness and a beautiful bokeh background. Its angle of view is equivalent to 45mm on a 35mm camera (which is similar to that of human vision), its minimum focusing distance is 11.8 inches and its maximum magnification ratio is 1:6.8. The lens' optimized power distribution helps to minimize field curvature, prevent a loss of image quality at the edges of photographs and produce outstanding image quality. Its double-aspheric lens minimizes spherical distortion, astigmatism and coma, and its rear focus system prevents focus-dependent variation in aberration. Together, the new optimized auto focus (AF) algorithm and rear focusing system ensure smooth and accurate focusing. The new 30mm F1.4 is also compatible with Sigma's new USB Dock, which will enable firmware updates and focusing adjustments, is expected to be available in coming months.

· 60mm F2.8 DN- Featuring the natural perspective of mid-range telephoto lenses, together with a shallow depth of field, this lens allows the photographer to capture a single part of a subject with great bokeh effects. It has an angle of view equivalent to 120mm on the Micro Four Thirds system and 90mm on the E-mount system (35mm equivalent focal length). The minimum focusing distance is 19.7 inches; the maximum magnification is 1:7.2. This lens also contains Special Low Dispersion (SLD) glass, which helps minimize axial and transverse chromatic aberration.

· Sigma 19mm F2.8 DN - This high-performance, wide-angle telephoto lens has an angle of view equivalent to 38mm on the Micro Four Thirds system and 28.5mm on the E-mount system (35mm equivalent focal length). As a wide-angle lens with excellent mobility, it is ideal for studio photography, architecture and starry skies. Its minimum focusing distance is 7.9 inches and its maximum magnification is 1:7.4.

· Sigma 30mm F2.8 DN - This high-performance, standard telephoto lens has an angle of view equivalent to 60mm on the Micro Four Thirds system and 45mm on the E-mount system (35mm equivalent focal length). This lens, which is perfect for casual and formal portraiture, documentary photography, travelogues and everyday shooting, includes a double-sided aspherical lens that enhances its optical performance. Its minimum focusing distance of 11.8 inches and its maximum magnification is 1:8.1.

For information about Sigma Corporation of America, visit www.sigmaphoto.com. For the full press releases for each of these new lenses, visit Sigma's news section at www.sigmaphoto.com/sigma-news.

About Sigma Corporation
For more than 50 years, Sigma Corporation's expertise and innovation has driven the company's core philosophy of "knowledge, plus experience, plus imagination,"with anemphasis on producing high-quality, high-performance photographic technology. This family-owned organization is the largest, independent SLR lens manufacturer in the world, producing more than more than 45 lenses that are compatible with most manufacturers, including Sigma, Canon, Sony, Nikon, Olympus, Panasonic and Pentax. Sigma Corporation also produces digital SLR cameras and high-definition digital compact cameras. The company is headquartered in Japan, with offices strategically located throughout Europe, Asia and North America. For information, please visit www.sigmaphoto.com.

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Via: Sony Alpha Rumors

Panasonic teases 42.5mm f/1.2 and 150mm f/2.8 MFT lenses, slated for release by 2014

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Panasonic teases 425mm f12 and 150mm f28 MFT lenses, slated for release by 2014

Panasonic further reinforced its commitment to the Micro Four Thirds form factor when it released the Lumix GH3 mirrorless camera today, but the company also announced the development of a pair of prime lenses, set to ship next year or in 2014. Details are spotty at this point (limited to what you see in that slide above, in fact), but you can expect a 42.5mm f/1.2 optic (85mm equivalent) and a 150mm f/2.8 lens, which offers a 35mm equivalent of 300mm. There wasn't even a hint of pricing, but we'd expect both of these offerings to be quite costly, though they'll likely be significantly less expensive than DSLR equivalents.

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Panasonic teases 42.5mm f/1.2 and 150mm f/2.8 MFT lenses, slated for release by 2014 originally appeared on Engadget on Mon, 17 Sep 2012 07:47:00 EDT. Please see our terms for use of feeds.

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Panasonic video reveals Lumix GH3 Micro Four Thirds camera: 16MP, magnesium alloy, 60p video

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Panasonic video reveals GH3 mirrorless Micro Four Thirds camera

Though the GH3 has yet to be formally introduced to the world, a video has just appeared on an official Panasonic YouTube channel that has either been posted accidentally or is deliberately intended to build hype in the run-up to Photokina. It mainly shows off the GH3 in a range of picturesque shooting situations, but the clip also spills a few key specs, including the presence of a 16-megapixel sensor, a new version of Panny's Venus Engine processor, a splash- and dust-proof magnesium alloy build and high-definition filming at up to 72Mbps and 60p -- although it's not clear if it handles full 1080 at that high frame-rate. We also see a a flip-out LCD that looks much the same as the GH2's, an f/2.8 12-35mm lens attached instead of the 14-42mm or 14-140mm glass that came bundled with that predecessor, and so far only evidence of a traditional black color scheme. Click onwards for the video!

Update: ...and just like that, the video has vanished.

Continue reading Panasonic video reveals Lumix GH3 Micro Four Thirds camera: 16MP, magnesium alloy, 60p video

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Panasonic video reveals Lumix GH3 Micro Four Thirds camera: 16MP, magnesium alloy, 60p video originally appeared on Engadget on Fri, 14 Sep 2012 03:22:00 EDT. Please see our terms for use of feeds.

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Olympus adds 75mm f/1.8 portrait lens to Micro Four Thirds lineup

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During our first encounter with the OM-D E-M5 in February, Olympus told us to expect several more lenses to launch throughout the year, including a 75mm f/1.8 variant suitable for portraits and a splash- and dust-proof 60mm f/2.8 macro. Well, that first optic will be coming sooner than you may have thought -- it's expected to hit stores this summer with an estimated price tag of $900. The lens offers a 150mm 35mm-equivalent focal length when paired with a Micro Four Thirds camera, and consists of 10 elements in nine groups, including three ED elements that assist with correcting aberrations. Everything else you need to know can be found in the PR after the break.

Continue reading Olympus adds 75mm f/1.8 portrait lens to Micro Four Thirds lineup

Olympus adds 75mm f/1.8 portrait lens to Micro Four Thirds lineup originally appeared on Engadget on Thu, 24 May 2012 01:00:00 EDT. Please see our terms for use of feeds.

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