The following article discusses spoilers for the first season of X-Men ‘97.
I was excited about the return of the ‘90s Saturday morning cartoon version of the X-Men. Still, I wasn’t sure Marvel, under the auspices of Disney, could deliver on the flavor of the original while also making a modern show that older fans, now adults in their 30s and 40s, could enjoy. And X-Men '97 is a total play on our nostalgia, which makes it even odder that it delivers. And is better than the original in pretty much every way.
And of all the Marvel baubles that needed some affection, the X-Men arguably needed it most. The ten-episode run managed to cram in so many plotlines, cameos, comic sagas, villains, plot twists and even deaths that, at times, it was hard to process everything — but I utterly loved how relentless it all was. X-Men ‘97 goes hard, especially if you’re already an obsessive fan.
When Marvel first launched an all-you-can-read comic book app, I went in hard on the X-Men back catalog, especially stories by Chris Claremont and Grant Morrison, two of my favorite writers. X-Men ’97 mines a lot of my favorite characters and stories. Magneto is put on trial, and begins a (brief?) redemption arc, Jean Grey turns out to be a clone, and the cartoon crammed a roughly-year-long comic arc, Inferno, into a single episode. Other arcs either included wholesale, or with some riffs, include Lifedeath, Fatal Attractions, Motendo, Operation: Zero Tolerance and more.
The highlight of this first season (a second is already underway) has to be the crushing episode 5, where the mutant nation of Genosha is devastated by a high-powered sentinel mothership… thing. Just before the attack destroys mutant adults, mutant children and eventually even an X-man, Cable, the time-traveling son of Scott Summers and Jean’s clone. (See: Inferno, mentioned above) reappears to stop the attack. But he fails again and his mother dies.
Magneto is left helpless as mutants are slaughtered and he’s forced to relive the genocide he suffered as a child. Eventually, Gambit sacrifices himself and lights up the entire robot with his mutant ability. This is after Rogue reignites a romance with Magento, changes her mind, and decides to be with Gambit. As I said, each episode is a lot.
I may be alone in this, but I still prefer the older series’ animation style and look. A cartoon can look a little scrappy, in my opinion —or maybe I’m just 39 and also not a Disney executive. The majority of the action scenes are great, too. Cyclops is finally not done dirty and gets to thrive in fights. There are some great combination attacks comparable to the iconic fastball special.
Sometimes, the show can feel a bit too “anime” (And I love anime, don’t at me!), where the ridiculous scale of the fight removed a lot of my interest in it. Cool, Bastian has metal wings in the final episode. Yes, yes, very cool. But didn’t one of his super sentinel underlings wipe the floor with the X-Men mid-series? And did we need the Phoenix to reappear (again!) so that Jean can save her 50-something son from the future? Probably not.
But, it’s the X-Men. It wouldn’t be the X-Men without this kind of nonsense.
I also adored the attention to detail. How Storm changed back to her original comic-book attire, Rogue transitioned to her green and white look, Magneto wore the same black-and-white costume while on trial, just like the original comic book. X-Men '97 doesn’t miss the chance to sprinkle in other Marvel characters, too. Captain America pops up a few times, we spot an out-of-costume Spider-Man, with Mary Jane Watson, watching the fall of Asteroid M. The Silver Samurai, who got his own episode in the original series, stares on as Tokyo loses power due to Magneto’s attack on the whole of Earth.
In other episodes, an aged Polaris, Rachel Grey and more mutants briefly appear in a vision of the future. The series is bursting at the seams with references, easter eggs and surprises. Did you know that Bastian is briefly, obliquely, on-screen during the horrific attack on Genosha, long before he’s revealed as the X-Men’s primary antagonist? Well, he is. It’s a show that’s ripe for debate and discussion in an era of Reddit, Discord and YouTube reactions.
Marvel Studios President Kevin Feige stipulated that both the cast and the music had to return for the project to happen. I’m glad it did and I’m glad the theme song still slaps.
This article originally appeared on Engadget at https://www.engadget.com/x-men-97-didnt-have-to-go-that-hard-140023964.html?src=rss
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Delta, an emulator that can play Nintendo games, had to change its logo after Adobe threatened legal action. You'd think it would face trouble from Nintendo, seeing as it has been going after emulators these days, but no. It's Adobe who's going after the developer, which told TechCrunch that it first received an email from the company's lawyer on May 7. Adobe warned Delta that their logos are too similar, with its app icon infringing on the well-known Adobe "A," and asked it to change its logo so it wouldn't violate the company's rights. Delta reportedly received an email from Apple, as well, telling the developer that Adobe asked it to take down the emulator app.
Delta
If you'll recall, Apple started allowing retro game emulators on the App Store, as long as they don't offer pirated games for download. Delta was one of the first to be approved for listing and was at the top of Apple's charts for a while, which is probably why it caught Adobe's attention. At the time of writing, it sits at number six in the ranking for apps in Entertainment with 17,100 ratings.
The developer told both Adobe and Apple that its logo was a stylized version of the Greek letter "delta," and not the uppercase letter A. Regardless, it debuted a new logo, which looks someone took a sword to its old one to cut it in half. It's a temporary solution, though — the developer said it's releasing the "final" version of its new logo when Delta 1.6 comes out.
This article originally appeared on Engadget at https://www.engadget.com/adobe-threatens-to-sue-nintendo-emulator-delta-for-its-look-alike-logo-123026491.html?src=rss
In the ever-evolving landscape of product design, from ideation to realization, 3D printing technology is revolutionizing contemporary design practices. 3D printing technology employs computer-aided design (CAD) and fabricates objects layer by layer. Commonly used in manufacturing, automotive industries, and industrial product design for creating tools, parts, and prototypes, this process, also known as additive manufacturing, layers materials like plastics, composites, or bio-materials to produce objects of varying shapes, sizes, rigidity, and color.
The commonly selected 3D printing technologies include Fused Deposition Modeling (FDM), Stereolithography (SLA), Selective Laser Sintering (SLS), PolyJet, and Direct Metal Laser Sintering (DMLS). XiP is an advanced resin 3D printer by Nexa3D, offering professional-grade printing at speeds 6 times faster than SLA printers and over 10 times faster than filament 3D printers. With a 4.8L build volume and a 9.3″ 4K Monochrome LCD, it delivers crisp details. Its compact desktop design houses industrial LSPc technology, ensuring stability with a billet aluminum enclosure and precision ball screw Z-axis platform. The printer supports a wide range of resins, including proprietary formulations for diverse applications, all dispensed through smart recyclable cartridges.
What are the benefits of 3D Printing?
• Reduces Costs:
3D printing offers significant cost advantages over traditional manufacturing methods due to its automation, resulting in reduced labor expenses. Moreover, its minimal waste production leads to lower material costs.
• Produces Complex Designs
3D printing exceeds the design constraints of traditional manufacturing, enabling the creation of intricate designs, including square or circular punctures or abstract designs with fewer restrictions.
• Promotes Internal Manufacturing
3D printers enable rapid prototyping, eliminating the need for outsourcing. This accelerates the design and production of new products, enhancing overall efficiency.
• Rapid Prototyping
3D printing enables the production of designs that were previously impossible with conventional manufacturing methods. By transforming digital files into physical parts within hours, this technology allows companies to adopt an on-demand manufacturing model for parts. 3D printing offers a comprehensive solution, facilitating prototyping, and short-run production, thereby transforming every aspect of businesses.
• Minimizes Waste
Traditional manufacturing generates substantial material waste due to inefficiencies while additive manufacturing minimizes waste by precisely utilizing materials, only using what’s necessary for each product or part. This is a great way to reduce material costs and improve environmental sustainability for companies.
• Manufactures Diverse Products
Industries across the board are leveraging 3D printing for a diverse range of products. From consumer goods like eyewear and furniture to industrial tools and automotive parts, technology is reshaping manufacturing. It’s also vital in healthcare for prosthetics and orthotics alongside architectural models. Additionally, the film industry benefits from 3D printing for creating intricate props.
Top 10 Examples of 3D Printing in Product Design
Here are Top Ten examples of how 3D printing is used in product design across various product types:
Acclaimed Australian designer Julia Koerner merges nature and computer algorithms with 3D printing and innovative resin-based techniques to create her award-winning handbag collection, resulting in visually lightweight yet rigid designs with a distinctive skeletal aesthetic. Inspired by the organic shapes of dried kelp found along the Pacific coastline, Koerner’s KELP MINI handbag seamlessly blends artistry with functionality. Each meticulously crafted handbag is created with sustainable plant-based materials and solar-powered manufacturing, offering clever design elements like hinged bases and snap closures, making them ideal for storing essentials with style and efficiency.
MYCO-ALGA presents a groundbreaking interior tiling solution that transforms bathroom aesthetics. These 3D-printed tiles are crafted from repurposed natural waste and living organisms, featuring captivating designs inspired by organic forms. Sustainable at every stage, MYCO-ALGA tiles undergo a precise process encompassing digital design, 3D printing, organism cultivation, and bio-pigment enrichment. As a result, the outcome is eye-catching tiles with unique, non-repeating patterns resembling crawling organisms, that offer both lightweight durability and visual allure that effortlessly merge style with sustainability.
Barcelona-based company introduces Pure Plants, 3D-printed sculptures doubling as air purifiers. Utilizing Pure.Tech technology efficiently absorbs and neutralizes indoor pollutants like carbon dioxide and nitrogen oxide. Mimicking plant structures with geometric patterns, these sculptures enhance decor while promoting healthier indoor air quality. Crafted from sustainable Pure.Tech biomaterial and PLA bioplastic derived from corn dextrose integrate aesthetics with eco-consciousness.
EXPLR 02 is a futuristic 3D-printed shoe blending wireframe-inspired aesthetics with organic elements. Crafted with advanced techniques, it epitomizes modern manufacturing’s versatility. While challenging footwear norms, questions linger about real-world durability. Yet, EXPLR 02 signifies a leap in innovative, personalized shoe designs, shaping the evolution of 3D-printed footwear.
The 3D-printed Hula table lamp, envisioned by Felix Pöttinger, ingeniously merges direct and indirect lighting to efficiently illuminate spaces, tackling urban living challenges by minimizing glare. Its ring-shaped shade, reminiscent of a hula hoop, is available in Snow, Forest, and Blossom Pink, adding a distinct flair to any setting.
The University of Virginia research team has developed an innovative 3D printing method using soil infused with seeds to create plant-covered structures like walls and roofs. The team’s eco-friendly approach integrates greenery into architecture, providing natural insulation, flood prevention, and green spaces. By minimizing materials and utilizing locally sourced resources, their process reduces emissions and waste. With plans to expand their prototypes and improve their soil ink formula, the team aims to contribute to carbon-neutral construction.
Architecture is no exception in the age of ubiquitous 3D printing, with many firms favoring this method for building structures. Cement company Progreso recently collaborated with COBOD to construct Guatemala’s first 3D-printed building to withstand seismic activity. This compact home, completed in just over 24 hours, merges modern construction techniques with traditional craftsmanship, featuring organic-shaped walls and a traditional palm leaf roof. With a footprint of 527 square feet, the structure operates as a fully functional living space capable of withstanding extreme seismic events.
Oeschler’s new manufacturing technique, demonstrated in Johannes Steinbauer’s Office for Design’s 3D-printed seats, eliminates traditional materials while maintaining comfort and functionality. 3D printing is reshaping furniture design and manufacturing, introducing innovation in sustainability and functionality. With a simple yet versatile design, these chairs offer easy assembly and recyclability, signaling a promising future for 3D-printed furniture in the industry.
Wood is a preferred choice for its eco-friendliness, yet shaping and recycling pose challenges. Enter 3D-printed wooden partition screens and window coverings, offering a breakthrough solution. While 3D printing democratizes design, it also increases material waste, prompting a search for sustainable options. Crafted from wood waste and fortified with natural elements, this innovative material resembles wood in appearance, texture, and scent. Moreover, its circular lifecycle allows for recycling into new forms, minimizing waste. Despite potential production cost concerns, its promise for intricate designs and sustainability makes it attractive for environmentally conscious designers.
10. Homeware
Crafted by Vienna-based designer Nicolas Gold, renowned for his expertise in “Tiny Furniture,” this collection employs 3D printing. The range comprises vases, bowls, planters, and lighting, all crafted from lightweight, recyclable bioplastic sourced from corn. This blend of architectural precision and modern technology results in sophisticated homeware where design, architecture, and 3D printing harmonize seamlessly. The Tiny Architecture collection showcases intricate patterns such as the asymmetrical Bloz and fabric-like Fald, crafted from partially recycled materials to enhance their individuality.
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