We’re live at NAB 2013 in Las Vegas!

It seems like we were in Sin City for CES just yesterday, but we're already back scouring the halls at the LVCC. This time, though, it's all about cameras; NAB 2013 promises to have plenty of fancy new equipment from big names such as Canon, RED and Sony. In fact, we already have some major news from the latter: Sony announced pricing for its 55- and 65-inch 4K TVs, and the MSRPs are well below $10,000. Meanwhile, Blackmagic outed its sub-$1,000 Pocket Cinema Camera along with the the Production Camera 4K. Can we expect other brands to announce competitively priced A/V goodies in addition to the usual mega-expensive professional gear? We're not even through day one, so we'll have to wait and see. Keep up with our coverage by visiting our NAB 2013 hub.

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Red performs Dragon sensor upgrades right on the NAB show floor (video)

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Well, this is a trade-show first. Red Digital Cinema has made a name for itself by pushing the limits when it comes to motion picture camera technology, but the company's "get it done" approach is even evident in the layout of its trade show booth this year. The team has constructed a full sterile lab here at NAB, where attendees can watch technicians upgrade Epic cameras with the new Dragon 6K sensor, which enables 6K shooting at 6144 x 3160 pixels and up to 100 frames-per-second, offering three additional stops over the Epic M-X. A wall of glass separates fans from the engineers in the clearly visible clean room, who are diligently going about their duties despite the constant gaggle of excited customers just a few feet away. Company spokesman Ted Schilowitz gave us a quick tour of the facility, where the $8,500+ sensor upgrades are now underway. Geek out with us in the video just past the break.

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G-Technology shows off a Thunderbolt-powered dock with dual hard drive bays

G-Technology shows off a Thunderbolt-powered dock with dual hard drive bays

We have a feeling 4K is going to be a major theme at this year's NAB, which also means we'll be seeing a good deal of hardware that can actually handle such high-res content. Mostly, we're talking pro cameras and the like, but at least one company will be showing off some professional-grade hard drives -- after all, you're gonna need a solid storage solution to process those supersize files, right? G-Technology just introduced the "Evolution" family of products, the centerpiece of which is the G-Dock ev, a mini-tower with two hard drive modules and dual Thunderbolt connections. What you put in those hard drive slots is up to you: the company is offering both a 9.5mm 7,200RPM drive (rated for 136 MB/s transfers) and a beefier 15mm cartridge promising 250 MB/s. Once you choose your drives, you can arrange them in a RAID 1 configuration if redundancy is important, or RAID 0 for maximum speed.

What's more, each of the drives has a USB 3.0 socket on board, so if you needed to you could hand it to someone else in your office and let them grab whatever data they needed off the HDD. In any case, the dock will come standard with two 1TB, 9.5mm drives -- look for it next month, priced at $750 for the bundle. If you later need some additional cartridges, the 9.3mm G-Drive ev will cost either $150 or $200, depending on whether you want 500 gigs or a full terabyte. The bigger 15mm G-Drive ev Plus will go for $350 (it'll be sold with 1TB only). Lastly, G-Technology also announced the G-Drive Pro with a Thunderbolt port and claimed transfer speeds of 480 MB/s. That'll ship this summer for either $700 or $850, depending on whether you want 2TB or 4GB of storage. All that's in the PR after the break, along with an endorsement from Vincent Laforet himself. Must be good, right?

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Blackmagic announces Production Camera 4K, $995 Pocket Cinema Camera with MFT mount (hands-on)

Blackmagic announces Production Camera 4K, $995 Pocket Cinema Camera with MFT mount handson video

A sub-$1,000 price tag makes any product a relative steal on the floor of NAB -- impressive specs and industry standard compatibility are just icing on the cake. If such figures are any indication, however, Blackmagic's new Pocket Cinema Camera, which leaked earlier today and ships in July, is potentially a very solid buy at $995, with a Super-16 Cinema 1080HD sensor with 13 stops of dynamic range, CinemaDNG RAW recording, SD card storage, Micro HDMI monitoring and a Micro Four Thirds lens mount. We got an early look at the shooter on the showroom floor, and the compact size is truly striking -- the body is comparable in size to any other mirrorless camera, though it definitely pushes the limits of what we'd consider pocketable. The design is very similar to Blackmagic's larger Cinema Camera launched at last year's NAB, with the same Micro Four Thirds lens mount. There's a very sharp built-in matte LCD for viewing footage and adjusting settings, and the build is quite solid -- it's significantly heavier than you'd expect.

Naturally, the camera isn't as capable as Blackmagic's pricier NAB model, the Production Camera 4K, which also made its debut today and ships in July. With that flavor, $3,995 buys you a Super 35 sensor with native Ultra HD and 4K support, a built-in SSD recorder, compressed CinemaDNG RAW and compatibility with EF lenses. We spent a few minutes with that model as well, and were equally impressed. The screen was very bright, sharp and not at all reflective, and the camera includes your standard array of inputs and outputs, including dual mic jacks, an SDI port, power and control. Both models are very competitively priced, as you might expect from Blackmagic, and with this wide range of appeal, there's now a little something for everyone. Be sure to head past the break to check out our hands-on video as we take a closer look at both models.

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Red unveils the Motion mount for Epic and Scarlet cameras to eliminate CMOS rolling shutter

Red unveils the Motion Mount for global shutter capability on Epic, Scarlet

Red has just announced the Red Motion lens mounting system for Epic and Scarlet motion camera systems that'll eliminate one of their chief snags: the dreaded CMOS rolling shutter. Though details are scant, it seems it'll do that in a similar manner to the Tessive system (see More Coverage), where a second liquid crystal shutter is placed in front of the main sensor and timed to engage only when the camera's CMOS is fully "open." That'll help eliminate artifacts like skew / judder in pans, repeating motion artifacts (think distorted propellers) and flicker from lights or displays, among others. The mount also brings an 8x electronic ND filter adjustable to 1/100th of an f-stop, partially negating the need for a matte-box in bright lighting situations. The Red Motion's drawback is that it'll cost you a stop of speed even when the ND is off, meaning you may have to change to a classic mount in low-light situations. Red's showing it now at its NAB booth-cum-factory and it'll ship out this fall in PL-mount form (with a Canon mount arriving later) for $4,500. Check the source for more discussion.

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Source: Red

Red Epic Dragon sensor updates start tomorrow for $8,500

Red to start performing Epic Dragon sensor updates tomorrow at its NAB booth

Red has announced that Dragon sensor updates will start tomorrow for Epic-M and Epic-X owners and, interestingly, is letting owners (and the public) see the operation for themselves at its NAB booth. The new sensor will bring 6K resolution, 120 fps at 5K and 15+ stops of dynamic range in a slightly larger format, according to Red. Early adopters will be able to pre-order now for $8,500, while Epic owners who wait until Thursday or later will be able to grab the update for $9,500. Filmmakers hoping for a new Epic-M with the Dragon instead of the Mysterium-X sensor will be able to pre-order tomorrow for $29,000 or so. Meanwhile, there's good news for those with the more budget-minded Scarlet -- they'll be able to upgrade to the Epic directly or get a 6k Dragon sensor and ASICs, with pricing details coming tomorrow and pre-orders launching on Thursday. Red may have a tough row to hoe with recent NAB news from the likes of BlackMagic Design and Vision Systems, but how many companies will actually let you watch your camera get operated on? Check the source for more.

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Source: Red

Phantom Flex4K camera unveiled, blasts through 1000 4K frames per second (video)

Phantom Flex4K camera blasts through 1000 4K frames per second video

Vision Research just upped the 4k speed barrier by a near order of magnitude with the launch of its Phantom Flex4K cinema camera at NAB. Starting at $110K, it builds on its Phantom Flex predecessor with up to 1,000 fps in 5-second bursts at 4K, 2,000 fps in 2K and 3,000 fps at 720p resolution -- speeds that'll net you almost three minutes of 4K video when played back at 24 fps. The full 16:9 Super 35 sensor-equipped model can be had with PL, PV Canon EOS or Nikon F/G mounts and will capture RAW or compressed footage in an "industry-standard," but as-yet-unspecified format. The Flex4K will also be available with a Phantom Cinemag IV, which will hold up to 2TB of data, or nearly 2 hours of RAW 4K footage at normal recording speeds. Other features include a Bluetooth transmitter and handheld Phantom RCU for remote operation, 12+ stops of dynamic range, HD-SDI video output and a camera control interface and form factor that hews to industry norms, according to Vision Research. If you're still reading after seeing the six-figure price tag, check the videos or More Coverage link after the jump for more.

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Source: AbelCine

Blackmagic’s Production Camera 4K gets full size cinema sensor, $3,995 pricetag

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No matter how hard companies try and keep secrets, when it comes to trade show floors there's always the risk that someone will snap a picture and steal their thunder. The latest casualty is Blackmagic, which will be announcing both a Pocket Cinema Camera and this, its Production Camera 4K. We're fairly sure that this will sit above its Cinema Camera, offering a bigger Super 35 sensor, global shutter and Thunderbolt connector alongside the SSD recorder, touchscreen LCD and EF lens mount we found on last year's model. When the company gets around to announcing the hardware properly, it'll be available for $3,995 -- low enough to make even the most ardent of DSLR fans think twice.

[Image Credit: Danielo Garcia]

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Via: 43 Rumors, Mu-43

Source: Danielo Garcia (Twitter)

Blackmagic’s $995 Micro Four Thirds Pocket Cinema Camera gets snapped at NAB

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We may lament the death of the point-and-shoot, but we doubt Blackmagic's forthcoming Pocket Cinema Camera will go as quietly into the night. Whilst wandering the halls at NAB, Danielo Garcia snapped a billboard announcing the device a little before its expected arrival time. The stats in the promotional flag (in full, after the break) reveals that it's the budget-brother of Blackmagic's Cinema Camera MFT. This new unit keeps the same Micro Four Thirds lens mount, with a Super-16 Cinema 1080HD sensor, 13 stops of dynamic range, lossless CinemaDNG RAW recording and Micro HDMI monitoring. When it's officially announced, the unit will retail for $995, putting smiles on the faces of indie filmmakers and people who need their Disneyland recordings ready for the silver screen.

[Image Credit: Danielo Garcia]

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Via: Mu-43, 43 Rumors

Source: Danielo Garcia (Twitter)

Visualized: Sony teases prototype 4K cameras and lenses at NAB

DNP  Visualized Sony teases prototype 4K cameras and lenses at NAB

At its NAB 2013 press conference, Sony told us several times that it never stops thinking about the future. It's fitting, then, that in addition to announcing pricing for two 4K sets, the company gave us a taste of what's to come a few years down the line. A wide variety of lenses, including both current models and some prototypes, appeared on stage briefly -- behind ropes, no less -- and while we got no shortage of shots, specs, model names and any other particulars were strictly off-limits. Current optics included basic wide-angle and telephoto models, and of the two prototype cameras on display, one was of particular interest, due in no small part to its DSLR-like form-factor -- this could perhaps become Sony's version of the Canon EOS-1D C. Unfortunately, Sony says that these devices won't make it to market for quite some time, so photogs will have to make do with this eye candy for now.

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