Sony teases ‘4K, HFR’ F-series pro camcorder for October 30th event

Posted on 23/10/2012 by Steve Dent

Sony recently teased its high-end CineAlta brand and 'TheNewF,' implying a high-end PMW-F3-like camcorder could be coming at an October 30th event. It's now taken some of the suspense out of the announcement on Facebook, saying the upcoming camera will have 4k resolution, broadcast-level 50Mbps data rate, 4:2:2 color space and high frame-rates. That means it'll likely be a professional product on par with the last F-model, but we'll have to wait and see if it'll retain features like the PL lens mount and $16k price tag. We'll be there on the 30th for the full scoop, so stay tuned.

Filed under: Cameras, HD, Sony

Sony teases '4K, HFR' F-series pro camcorder for October 30th event originally appeared on Engadget on Tue, 23 Oct 2012 06:27:00 EDT. Please see our terms for use of feeds.

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Canon Cinema EOS C100 hands-on (video)

Posted on 17/09/2012 by Zach Honig

Late last month, Canon added yet another model to its Cinema EOS line -- the C100 captures 1080p video, rather than the 4K clips enabled with the C500, but it also costs a heck of a lot less, at just shy of eight grand. It also offers some other nifty features, such as a pair of built-in mics and a duo of XLR inputs at the front of the top handle, SD card slots on the rear and a new autofocus button -- it's not a continuous solution, offering only single-shot, but it sure beats not having the feature at all.

The camera is surprisingly lightweight, given its size and capability, and can be held quite comfortably with a single hand, as we did during our hands-on at Photokina earlier today. With a modular design, the camera featured a 3.5-inch 920k-dot LCD in its current configuration, and offers the standard suite of ports, including HDMI output with embedded time code. It also includes an ISO range of 3200 to 20,000, a maximum shutter speed of 1/2000 second and a built-in ND filter. The C100 is expected to hit stores in November for $7,999, but you can take a closer look right now in our gallery below and the hands-on video just past the break.

Gallery: Canon Cinema EOS C100 hands-on

Continue reading Canon Cinema EOS C100 hands-on (video)

Filed under: Cameras

Canon Cinema EOS C100 hands-on (video) originally appeared on Engadget on Mon, 17 Sep 2012 09:57:00 EDT. Please see our terms for use of feeds.

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Blackmagic launches Cinema Camera MFT with Micro Four Thirds mount, sans autofocus, for $3K

Posted on 09/09/2012 by Steve Dent

Blackmagic Design has thrown its Cinema Camera MFT into the Micro Four Thirds arena, but it will only work with lenses that have manual iris and focus capability. The shooter is otherwise identical to the original Cinema Camera, with a 2.5k, sub-MFT sensor; CinemaDNG RAW, ProRes and DNxHD capture formats; built-in SSD; capacitive touchscreen; and an included copy of DaVinci Resolve color correction software. That means cineasts already on board that format will have another mount for their glass, and MFT's mirrorless aspect will also permit other lens formats, like PL or Nikon, to be added with third party adapters. So, if the relatively low price, claimed 13 stop dynamic range, higher-than-HD resolution and new mount is enough to push your "start" button, check the PR for the entire skinny.

Continue reading Blackmagic launches Cinema Camera MFT with Micro Four Thirds mount, sans autofocus, for $3K

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Blackmagic launches Cinema Camera MFT with Micro Four Thirds mount, sans autofocus, for $3K originally appeared on Engadget on Sun, 09 Sep 2012 06:11:00 EDT. Please see our terms for use of feeds.

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Red introduces $42K Epic-M Monochrome cinema cam, on sale October 1st

Posted on 08/09/2012 by Steve Dent

Red Camera promised to stop hyping products that weren't ready to ship, and true to its word, just announced the Epic-M Monochrome, surprising even its rabid user base. Packing an all-new black and white-only Mysterium-X sensor, the new cinema cam follows in the footsteps of the Leica M Monochrom still shooter, right down to a similar moniker. Red claims the dedicated CMOS sensor means no color debayering, yielding a one-to-one pixel count and 15-20 percent bump in effective resolution compared to its chromatic cousin. It also touted a sensitivity gain as another advantage, asserting that the Monochrome will have a native ISO of 2,000 (while using the retro-sounding "ASA" term), more than double that of the Epic-M or X. The camera will have a new low pass filter to account for the higher resolution, and buyers who plop down $42,000 to get one on October 1st will be upgraded, gratis, to a new Dragon Monochrome Sensor next year. Like the Leica, if you have to ask why you'd pay such a sum for a camera that doesn't speak color, it may not be for you -- but it is for David Fincher, says Red, who's already shooting his next feature on one.

Filed under: Cameras, HD

Red introduces $42K Epic-M Monochrome cinema cam, on sale October 1st originally appeared on Engadget on Sat, 08 Sep 2012 12:35:00 EDT. Please see our terms for use of feeds.

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Blackmagic Design starts shipping Cinema Cameras in limited quantity

Posted on 04/09/2012 by Steve Dent

Remember that $2,995 Blackmagic Cinema Camera that shoots full-res ~~21:9~~ 16:9 video? It's now hitting shelves, or maybe we should say "a shelf," because the initial shipment was "rather small," according to the company. The arrival date was pushed back earlier, and now the 2.5k, 12-bit RAW, sub-four-thirds video camera won't roll out in volume until the "parts supply ramps up." Meanwhile, B&H got a handful along with several other dealers, but if you just decided to order one for tomorrow's shoot, you may wanna cool your ardor -- there's quite a back order to get through, first.

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Blackmagic Design starts shipping Cinema Cameras in limited quantity originally appeared on Engadget on Tue, 04 Sep 2012 00:32:00 EDT. Please see our terms for use of feeds.

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Blackmagic Cinema Camera pushed back a few weeks, new footage shown

Posted on 01/08/2012 by Steve Dent

Unfortunately, there's a delay for cinéastes anxiously awaiting their 12-bit RAW Blackmagic Cinema Cameras, but the news isn't all bad. The camera is "in the final stages of Thunderbolt certification and internal testing" and manufacturing will follow as soon as that's done -- probably in the second week of August, according to the company. It will still hit the market with the $2,995 price tag, Canon lens mount, 15.6 x 8 mm sensor and built-in SSD recorder intact. In more positive news, the company has identified the cause of aliasing noticed by some viewers and blames it on the workflow used. It's posted a few new videos to back up the claim, which can be viewed at the source link below. Considering the company might soon have similar competition, it's probably best to work out any bugs before shipping a boatload out to finicky cinema clients.

Gallery: Blackmagic Cinema Camera

Filed under: Digital Cameras

Blackmagic Cinema Camera pushed back a few weeks, new footage shown originally appeared on Engadget on Wed, 01 Aug 2012 15:45:00 EDT. Please see our terms for use of feeds.

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Canon reports slightly higher profits in Q1, teases new compact cameras on the way

Posted on 28/04/2012 by Richard Lawler

Canon reported its Q1 2012 earnings this week, and things certainly appear to have gone better than the last time we checked in when it replaced the company president. While revenue declined slightly, net profit reached 61.54 billion yen ($766 million), up 11 percent from a year ago. There's no executive moves to report, however on the earnings call executive VP and CFO Toshizo Tanaka noted a unit sales increase of 30 percent for SLR cameras including the new EOS 5D Mark III as well as the cheaper T3i, Mark II and 60D models, combined with strong sales for WiFi-connected point-and-shoots. As far as new products, while its new cinema cameras got a glancing mention the plan this year includes compact cameras "offering the image qualities that approaches SLR cameras", with improved design and network connectivity features. All the numbers and earnings call talk are in black and white at the links below, although we prefer to spend our time speculating about the future of mirrorless cameras.

Canon reports slightly higher profits in Q1, teases new compact cameras on the way originally appeared on Engadget on Sat, 28 Apr 2012 05:11:00 EDT. Please see our terms for use of feeds.

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Blackmagic Cinema Camera packs ‘feature film’ 2.5K quality, touchscreen for $2,995

Posted on 16/04/2012 by Richard Lawler

While Canon, Sony and Red have already stolen the show with new camera announcements here at NAB 2012, Blackmagic Design is trying to carve out a niche for its new Cinema Camera. Priced at $2,995, where the company sees this as differing from the competition is its ability to capture film quality video on its 2.5K sensor and output it to CinemaDNG RAW, ProRes and DNxHD file formats. That camera housing can take Canon or Zeiss lenses on the front, contains a built-in SSD within and has a capacitive touchscreen display for control and metadata entry. Once you've captured the video, the included copy of DaVinci Resolve can take care of all color correction needs, while the video can be pulled from the SSD over a variety of high speed ports including BNC SDI and Thunderbolt. Check out a few in-person pics in our gallery below and more specs in the press release after the break.

Gallery: Blackmagic Cinema Camera

Continue reading Blackmagic Cinema Camera packs 'feature film' 2.5K quality, touchscreen for $2,995

Blackmagic Cinema Camera packs 'feature film' 2.5K quality, touchscreen for $2,995 originally appeared on Engadget on Mon, 16 Apr 2012 14:59:00 EDT. Please see our terms for use of feeds.

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Canon Cinema EOS C500 camera hands-on (video)

Posted on 16/04/2012 by Zach Honig

The familiar EOS-1D C isn't the only Canon camera to make its public debut ahead of NAB. The Cinema EOS series welcomes a third model to the collection this week, with looks that nearly match last year's C300. Unlike that model, which you can already pick up through e-tailers and at specialty shops, the C500 has a long way to go before it gets a shipping nod -- it may not even make it to market in 2012. The $30,000 price tag may pose an even greater barrier to entry than its to-be-announced availability date, however, and may in need of some tweaking before it's ready to compete with already established models, like the much less expensive RED Scarlet. Like the 1D C, the C500 can shoot 4K video -- the most apparent upgrade from the $16,000 C300. To that end, boosting its price tag may be the only way for Canon to avoid cannibalizing that less-abled flavor, since many cinematographers would otherwise pay little attention to the C300, due in part to its 1080p-limited shooting capabilities.

It's been a few months since we've last seen Canon's first Cinema EOS model, but the C500 has a look and feel that seems to be only subtly different from the C300. It is noticeably heavier, likely due to the additional cooling gear on board to accommodate 4K shooting. Both flavors include dual CF card slots, which you'll only be able to use for snapping 1080p video -- 4K is fed to an external recorder through the dual 3G-SDI ports, which for obvious reasons you won't find on the C300. There's also a larger grip on board, now a permanent fixture on the C500, which should aid with bare-bones handheld shoots -- but if you're dropping 30 grand on a digital body, some sticks and a dolly shouldn't be far behind. Like its sibling, this year's model ships with either a Canon EOS or industry standard PL mount, so if you have a need for both, you'll need two cameras. Overall, you're looking at the same sleek, albeit slightly unconventional body design, with a price tag that's likely to make amateurs weep and pros run for the rental house. As always, there's a hands-on video waiting just past the break.

Gallery: Canon Cinema EOS C500 hands-on

Continue reading Canon Cinema EOS C500 camera hands-on (video)

Canon Cinema EOS C500 camera hands-on (video) originally appeared on Engadget on Sun, 15 Apr 2012 22:37:00 EDT. Please see our terms for use of feeds.

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Canon Cinema EOS-1D C 4K camera hands-on (video)

Posted on 16/04/2012 by Zach Honig

It's been but half a year since Canon first entered the motion picture market, and the company is already back with its second and third professional video rigs. The Cinema EOS-1D C marks the most drastic departure from the C300, which launched last November at an elaborate Hollywood event at Paramount Studios. It was at this spectacle that we were first introduced to the 1D C, which was then but a glass-protected prototype. Now, far sooner than expected, the (relatively) compact camera is making its return to the spotlight, in more polished form. Like the 1D series bodies that bear similar monikers and appearances, including the yet-to-ship EOS- 1D X, the C model is a very capable still shooter, offering the same core functionality of the $6,800 X. It also brings 4K capture to the table, however, prompting Canon to price the camera far above its less-abled counterpart. At $15,000, we don't expect to see red C logos popping up in many a photojournalist's gear bag, but for deep-pocketed professionals with a need to capture 4K clips, this may be a worthwhile acquisition.

We took a closer look at the 1D C at Canon's pre-NAB event in Las Vegas. As the pictures and spec sheet imply, it's the 1D X's clone in nearly every way. In fact, beyond the headphone jack and C logo, there's not much distinguishing the pair externally. You'll need to hop into the menu before you'll really notice a difference, in the form of several unique 4K shooting modes, including 8-bit 4:2:2 24fps captures to a CF card or 8-bit 4:2:2 clips in an uncompressed format over HDMI. Otherwise, the C looks and feels just like the X -- a model pro snapper that we've already managed to fondle on three continents under Canon's watchful eye, but still has yet to ship. Both cameras are gorgeous externally, with slight design tweaks yet no drastic overhaul, dating back to the very first EOS-1D. If you haven't had a chance to gawk at either model, you'll at very least be able to check out the 1D C at Canon's booth this week at NAB . We're hoping to see both cameras hit the market sometime in 2012, and who knows -- this Cinema EOS could even be the first next-gen 1D to ship. Take a closer look in the gallery below, and in our hands-on video after the break.

Gallery: Canon Cinema EOS-1D C hands-on